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| complicity iain banks film: Complicity Iain Banks, 2002-11-12 In Scotland, a self-appointed executioner dispenses justice to fit the crime. Thus the lenient judge who let a rapist go is punished by being raped, while a man who killed is killed in turn. By the author of The Wasp Factory. |
| complicity iain banks film: The Quarry Iain M. Banks, 2014-05-13 Eighteen-year-old Kit is weird: big, strange, odd, socially disabled, on a spectrum that stretches from highly gifted at one end, to nutter at the other. At least Kit knows who his father is; he and Guy live together in a decaying country house on the unstable brink of a vast quarry. His mother's identity is another matter. Now, though, his father's dying, and old friends are gathering for one last time. Uncle Paul's a media lawyer now; Rob and Ali are upwardly mobile corporate bunnies; pretty, hopeful Pris is a single mother; Haze is still living up to his drug-inspired name twenty years on; and fierce, protective Hol is a gifted if acerbic critic. As young film students they lived at Willoughtree House with Guy, and they've all come back because they want something. Kit, too, has his own ulterior motives. Before his father dies he wants to know who his mother is, and what's on the mysterious tape they're all looking for. But most of all he wants to stop time and keep his father alive. Fast-paced, gripping and savagely funny, The Quarry is a virtuoso performance whose soaring riffs on the inexhaustible marvel of human perception and rage against the dying of the light will stand among Iain Banks' greatest work. |
| complicity iain banks film: Dead Air Iain Banks, 2008-09-04 'A deeply satirical and thought-provoking thriller' Sunday Express A couple of ice cubes, first, then the apple that really started it all. A loft apartment in London's East End; cool but doomed, demolition and redevelopment slated for the following week. Ken Nott, devoutly contrarian leftish shock-jock attending a mid-week wedding lunch, starts dropping stuff off the roof towards the deserted car park a hundred feet below. Other guests join in and soon half the contents of the flat are following the fruit towards the pitted tarmac... just as mobiles start to ring, and the apartment's remaining TV is turned on, because apparently a plane has crashed into the World Trade Center... Praise for Iain Banks: 'The most imaginative novelist of his generation' The Times 'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian 'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman 'An exceptional wordsmith' Scotsman |
| complicity iain banks film: The Steep Approach To Garbadale Iain Banks, 2008-09-04 'As good as anything Banks has ever written, if not better' Sunday Telegraph After years of exile, Alban Wopuld has been summoned back to his family's highland estate, Garbadale. The Wopuld clan are closing ranks. They have built their fortune on the boardgame Empire! - which has become a hugely successful computer game - and now the Americans want to buy them out. As the family gathers for their Extraordinary General Meeting, old grudges, forbidden passions and dark secrets emerge. What drove Alban's mother to take her own life? And is Alban over Sophie, his bewitching cousin and teenage love? Praise for Iain Banks: 'The most imaginative novelist of his generation' The Times 'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian 'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman 'An exceptional wordsmith' Scotsman |
| complicity iain banks film: Against A Dark Background Iain M. Banks, 2008-09-04 The novels of Iain M. Banks have forever changed the face of modern science fiction. With breathtaking imagination and extraordinary storytelling, they have secured his reputation as one of the most extraordinary and influential writers in the genre. 'Banks is a phenomenon' William Gibson Lady Sharrow was once the fearless leader of a combat team in one of the sporadic little commercial wars in the vicinity of the planet Golter. Now she is hunted by the Huhsz - a religious cult hellbent on assassinating her - and her only hope of escape is to find the last of the apocalyptically powerful Lazy Guns before the Huhsz track her down. Her journey through the exotic Golterian system is a destructive and savage odyssey into her past, and that of her family and of the system itself. Praise for the novels of Iain M. Banks: 'Epic in scope, ambitious in its ideas and absorbing in its execution' Independent on Sunday 'Banks has created one of the most enduring and endearing visions of the future' Guardian 'Jam-packed with extraordinary invention' Scotsman 'Compulsive reading' Sunday Telegraph Books by Iain M. Banks: Consider Phlebas The Player of Games Use of Weapons Excession Inversions Look to Windward Matter Surface Detail The Hydrogen Sonata The State of the Art Against a Dark Background Feersum Endjinn The Algebraist Also now available: The Culture: The Drawings - an extraordinary collection of original illustrations faithfully reproduced from sketchbooks Banks kept in the 1970s and 80s, depicting the ships, habitats, geography, weapons and language of Banks' Culture series of novels in incredible detail. |
| complicity iain banks film: Inversions Iain M Banks, 2023-12-05 Originally published: London: Orbit, 1998. |
| complicity iain banks film: Espedair Street Iain Banks, 2008-09-04 'Charming, sad, comic... the funniest, truest rock biopic yet' Observer Daniel Weir used to be a famous - not to say infamous - rock star. Maybe still is. At thirty-one he has been both a brilliant failure and a dull success. He's made a lot of mistakes that have paid off and a lot of smart moves he'll regret for ever. He has gone from rags to riches and back, and managed to hold on to them both, though not to much else. His friends all seem to be dead, fed up with him or just disgusted - and who can blame them? As he contemplates his life, Daniel realises he has only two problems: the past and the future. He knows how bad the past has been. But the future - well, the future is something else. Praise for Iain Banks: 'The most imaginative novelist of his generation' The Times 'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian 'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman 'An exceptional wordsmith' Scotsman |
| complicity iain banks film: Feersum Endjinn Iain M. Banks, 2010-07-01 The novels of Iain M. Banks have forever changed the face of modern science fiction. With breathtaking imagination and extraordinary storytelling, they have secured his reputation as one of the most extraordinary and influential writers in the genre. 'Banks is a phenomenon' William Gibson Count Sessine is about to die for the very last time . . . Chief Scientist Gadfium is about to receive the mysterious message she has been awaiting from the Plain of Sliding Stones . . . Bascule the Teller, in search of an ant, is about to enter the chaos of the crypt . . . This is the time of the encroachment and everything is about to change. Although the dimming sun still shines on the vast, towering walls of Serehfa Fastness, the end is close at hand. The King knows it, his closest advisers know it, and the crypt knows it too; so an emissary has been sent - an emissary who holds the key to all their futures. Praise for the novels of Iain M. Banks: 'Epic in scope, ambitious in its ideas and absorbing in its execution' Independent on Sunday 'Banks has created one of the most enduring and endearing visions of the future' Guardian 'Jam-packed with extraordinary invention' Scotsman 'Compulsive reading' Sunday Telegraph Books by Iain M. Banks: Consider Phlebas The Player of Games Use of Weapons Excession Inversions Look to Windward Matter Surface Detail The Hydrogen Sonata The State of the Art Against a Dark Background Feersum Endjinn The Algebraist Also now available: The Culture: The Drawings - an extraordinary collection of original illustrations faithfully reproduced from sketchbooks Banks kept in the 1970s and 80s, depicting the ships, habitats, geography, weapons and language of Banks' Culture series of novels in incredible detail. |
| complicity iain banks film: Look To Windward Iain M. Banks, 2010-05-27 The novels of Iain M. Banks have forever changed the face of modern science fiction. His Culture books combine breathtaking imagination with exceptional storytelling, and have secured his reputation as one of the most extraordinary and influential writers in the genre. 'Banks is a phenomenon' William Gibson It was one of the less glorious incidents of a long-ago war. It led to atrocities on an extraordinary scale. To the destruction of two suns and the billions of lives they supported. Now, eight hundred years later, the light from the first of those doomed stars has reached the Culture Orbital, Masaq', bathing its fifty billion inhabitants in the rays of their society's ancient mistake. Amongst them is Major Quilan, sent on a mission so secret that not even he knows what it is, and determined to exact his revenge against the Culture at any cost. Praise for the Culture series: 'Epic in scope, ambitious in its ideas and absorbing in its execution' Independent on Sunday 'Banks has created one of the most enduring and endearing visions of the future' Guardian 'Jam-packed with extraordinary invention' Scotsman 'Compulsive reading' Sunday Telegraph The Culture series: Consider Phlebas The Player of Games Use of Weapons Excession Inversions Look to Windward Matter Surface Detail The Hydrogen Sonata The State of the Art Other books by Iain M. Banks: Against a Dark Background Feersum Endjinn The Algebraist Also now available: The Culture: The Drawings - an extraordinary collection of original illustrations faithfully reproduced from sketchbooks Banks kept in the 1970s and 80s, depicting the ships, habitats, geography, weapons and language of Banks' Culture series of novels in incredible detail. |
| complicity iain banks film: Stonemouth Iain Banks, 2021-11-15 Stewart Gilmour is back in Stonemouth. After five years in exile his presence is required at the funeral of patriarch Joe Murston, and even though the last time Stu saw the Murstons he was running for his life, staying away might be even more dangerous than turning up. Although there's supposed to be a temporary truce between Stewart and the town's biggest crime family, it's soon clear that only Stewart is taking this promise of peace seriously. As he steps back into the minefield of his past to confront his guilt and all that it has lost him, Stu uncovers ever darker stories, and his homecoming takes a more lethal turn than even he had anticipated. Tough, funny, fast-paced and touching, Stonemouth cracks open adolescence, love, brotherhood and vengeance in a rite of passage novel like no other. |
| complicity iain banks film: The Bridge Iain Banks, 2008-09-04 'A stunning book. Banks' powerful imagination is joined to a rare ability to be truly funny while exploring a nightmare world' Sunday Times A man lies in a coma after a near-fatal accident. His body broken, his memory vanished, he finds himself in the surreal world of the bridge - a world free of the usual constraints of time and space, a world where dream and fantasy, past and future, fuse. Who is this man? Where is he? Is he more dead than alive? Or has he never been so alive before? Praise for Iain Banks: 'The most imaginative novelist of his generation' The Times 'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian 'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman 'An exceptional wordsmith' Scotsman |
| complicity iain banks film: The Wasp Factory Iain Banks, 2013-07-02 The polarizing literary debut by Scottish author Ian Banks, The Wasp Factory is the bizarre, imaginative, disturbing, and darkly comic look into the mind of a child psychopath. Meet Frank Cauldhame. Just sixteen, and unconventional to say the least: Two years after I killed Blyth I murdered my young brother Paul, for quite different and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim. That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again. It was just a stage I was going through. |
| complicity iain banks film: Consider Phlebas Iain M. Banks, 2008-09-04 Consider Phlebas is a space opera of stunning power and awesome imagination, from a modern master of science fiction. The war raged across the galaxy. Billions had died, billions more were doomed. Moons, planets, the very stars themselves, faced destruction, cold-blooded, brutal, and worse, random. The Idirans fought for their Faith; the Culture for its moral right to exist. Principles were at stake. There could be no surrender. Within the cosmic conflict, an individual crusade. Deep within a fabled labyrinth on a barren world, a Planet of the Dead proscribed to mortals, lay a fugitive Mind. Both the Culture and the Idirans sought it. It was the fate of Horza, the Changer, and his motley crew of unpredictable mercenaries, human and machine, to actually find it - and with it their own destruction. Praise for the Culture series 'Epic in scope, ambitious in its ideas and absorbing in its execution' Independent on Sunday 'Banks has created one of the most enduring and endearing visions of the future' Guardian 'Jam-packed with extraordinary invention' Scotsman 'Compulsive reading' Sunday Telegraph The Culture series: Consider Phlebas The Player of Games Use of Weapons The State of the Art Excession Inversions Look to Windward Matter Surface Detail The Hydrogen Sonata Other books by Iain M. Banks: Against a Dark Background Feersum Endjinn The Algebraist |
| complicity iain banks film: The Journalist in British Fiction and Film Sarah Lonsdale, 2016-07-14 Why did Edwardian novelists portray journalists as swashbuckling, truth-seeking super-heroes whereas post-WW2 depictions present the journalist as alienated outsider? Why are contemporary fictional journalists often deranged, murderous or intensely vulnerable? As newspaper journalism faces the double crisis of a lack of trust post-Leveson, and a lack of influence in the fragmented internet age, how do cultural producers view journalists and their role in society today? In The Journalist in British Fiction and Film Sarah Lonsdale traces the ways in which journalists and newspapers have been depicted in fiction, theatre and film from the dawn of the mass popular press to the present day. The book asks first how journalists were represented in various distinct periods of the 20th century and then attempts to explain why these representations vary so widely. This is a history of the British press, told not by historians and sociologists, but by writers and directors as well as journalists themselves. In uncovering dozens of forgotten fictions, Sarah Lonsdale explores the bare-knuckled literary combat conducted by writers contesting the disputed boundaries between literature and journalism. Within these texts and films there is perhaps also a clue as to how the best aspects of 'Fourth estate' journalism can survive in the digital age. Authors covered in the volume include: Martin Amis, Graham Greene, George Orwell, Pat Barker, Evelyn Waugh, Elizabeth Bowen, Arnold Wesker and Rudyard Kipling. Television and films covered include House of Cards (US and UK versions), Spotlight, Defence of the Realm, Secret State and State of Play. |
| complicity iain banks film: The New Scottish Cinema Jonathan Murray, 2015-03-31 From a near standing start in the 1970s, the emergence and expansion of an aesthetically and culturally distinctive Scottish cinema proved to be one of the most significant developments within late-twentieth and early twenty-first-century British film culture. Individual Scottish films and filmmakers have attracted notable amounts of critical attention as a result. The New Scottish Cinema, however, is the first book to trace Scottish film culture's industrial, creative and critical evolution in comprehensive detail across a forty-year period. On the one hand, it invites readers to reconsider the known - films such as Shallow Grave, Ratcatcher, The Magdalene Sisters, Young Adam, Red Road and The Last King of Scotland. On the other, it uncovers the overlooked, from the 1980s comedic film makers who followed in the footsteps of Bill Forsyth to the variety of present-day Scottish film making - a body of work that encompasses explorations of multiculturalism, exploitation of the macabre and much else in between.In addition to analysing an eclectic range of films and filmmakers, The New Scottish Cinema also examines the diverse industrial, institutional and cultural contexts which have allowed Scottish film to evolve and grow since the 1970s, and relates these to the images of Scotland which artists have put on screen. In so doing, the book narrates a story of interest to any student of contemporary British film. |
| complicity iain banks film: Use of Weapons Iain M. Banks, 2008-12-22 The man known as Cheradenine Zakalwe was one of Special Circumstances' foremost agents, changing the destiny of planets to suit the Culture through intrigue, dirty tricks and military action. The woman known as Diziet Sma had plucked him from obscurity and pushed him towards his present eminence, but despite all their dealings she did not know him as well as she thought. The drone known as Skaffen-Amtiskaw knew both of these people. It had once saved the woman's life by massacring her attackers in a particularly bloody manner. It believed the man to be a lost cause. But not even its machine could see the horrors in his past. Ferociously intelligent, both witty and horrific, Use of Weapons is a masterpiece of science fiction. The Culture Series Consider Phlebas The Player of Games Use of Weapons The State of the Art Excession Inversions Look to Windward Matter Surface Detail The Hydrogen Sonata |
| complicity iain banks film: The Business Iain Banks, 2013 Kate is a senior executive officer in a powerful and massively discreet transglobal organization. The character of The Business seems, even to her, to be vague to the point of invisibility. Her job is to keep abreast of technological developments, but she must let go the assumptions of a lifetime. |
| complicity iain banks film: The Crow Road Iain Banks, 2008-09-04 'One of the best opening lines of any novel' Guardian 'It was the day my grandmother exploded. I sat in the crematorium, listening to my Uncle Hamish quietly snoring in harmony to Bach's Mass in B Minor, and I reflected that it always seemed to be death that drew me back to Gallanach.' Prentice McHoan has returned to the bosom of his complex but enduring Scottish family. Full of questions about the McHoan past, present and future, he is also deeply preoccupied: mainly with death, sex, drink, God and illegal substances... Praise for Iain Banks: 'The most imaginative novelist of his generation' The Times 'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian 'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman 'An exceptional wordsmith' Scotsman |
| complicity iain banks film: The Rough Guide to Edinburgh Donald Reid, 2002 This pocket handbook to Scotland's capital contains informed accounts of all the city's historic buildings, galleries and attractions from the ancient Castle to the new National Museum of Scotland. The guide includes the pick of the day trips - from Glasgow, Stirling and St Andrews to Highland walks and sandy beaches. |
| complicity iain banks film: The State of the Art Iain M. Banks, 2024-04-02 From New York Times bestselling and modern master of science fiction, Iain M. Banks, The State of the Art is the acclaimed collection of Banks's short fiction. “Banks is a phenomenon...writing pure science fiction of a peculiarly gnarly energy and elegance.” –William Gibson This is a striking addition to the body of Culture lore, and adds definition and scale to the previous works by using the Earth of 1977 as contrast. The stories in the collection range from science fiction to horror, dark-coated fantasy to morality tale. All bear the indefinable stamp of Iain Banks's staggering talent. “Few of us have been exposed to a talent so manifest and of such extraordinary breadth.” –New York Review of Science Fiction “[Banks] can summon up sense-of-wonder Big Concepts you've never seen before and display them with narration as deft as a conjuror's fingers. –scifi.com The Culture series: Consider Phlebas The Player of Games Use of Weapons The State of the Art Excession Inversions Look to Windward Matter Surface Detail The Hydrogen Sonata |
| complicity iain banks film: Matter Iain M. Banks, 2009-02-10 A novel of dazzling wit and serious purpose. An extraordinary feat of storytelling and breathtaking invention on a grand scale, it is a tour de force from a writer who has turned science fiction on its head. Unexpectedly savage, emotionally powerful, and impossible to forget. —The Times In a world renowned even within a galaxy full of wonders, a crime within a war. For one brother it means a desperate flight, and a search for the one — maybe two — people who could clear his name. For his brother it means a life lived under constant threat of treachery and murder. And for their sister, even without knowing the full truth, it means returning to a place she'd thought abandoned forever. Only the sister is not what she once was; Djan Seriy Anaplian has changed almost beyond recognition to become an agent of the Culture's Special Circumstances section, charged with high-level interference in civilizations throughout the greater galaxy. Concealing her new identity — and her particular set of abilities — might be a dangerous strategy, however. In the world to which Anaplian returns, nothing is quite as it seems; and determining the appropriate level of interference in someone else's war is never a simple matter. The Culture Series Consider Phlebas The Player of Games Use of Weapons The State of the Art Excession Inversions Look to Windward Matter Surface Detail The Hydrogen Sonata |
| complicity iain banks film: Transition Iain M. Banks, 2009-09-05 There is a world that hangs suspended between triumph and catastrophe, between the dismantling of the Wall and the fall of the Twin Towers, frozen in the shadow of suicide terrorism and global financial collapse. Such a world requires a firm hand and a guiding light. But does it need the Concern: an all-powerful organization with a malevolent presiding genius, pervasive influence and numberless invisible operatives in possession of extraordinary powers? Among those operatives are Temudjin Oh, of mysterious Mongolian origins, an un-killable assassin who journeys between the peaks of Nepal, a version of Victorian London and the dark palaces of Venice under snow; Adrian Cubbish, a restlessly greedy City trader; and a nameless, faceless state-sponsored torturer known only as the Philosopher, who moves between time zones with sinister ease. Then there are those who question the Concern: the bandit queen Mrs. Mulverhill, roaming the worlds recruiting rebels to her side; and Patient 8262, under sedation and feigning madness in a forgotten hospital ward, in hiding from a dirty past. There is a world that needs help; but whether it needs the Concern is a different matter. |
| complicity iain banks film: The Transgressive Iain Banks Martyn Colebrook, Katharine Cox, 2013-08-01 This collection of 12 new essays brings together prominent literary experts to explore the importance of Scottish writer Iain (M.) Banks, both his mainstream and science fiction work. It considers Banks as a habitual border crosser who makes things fresh and new by subversive and transgressive strategies. The essays are divided into four thematic areas--the Scottish context, the geographies of his writing, the impact of genre and a combined focus on gender, games and play--and will be of particular interest to scholars of contemporary literature, Scottish literature and science fiction. |
| complicity iain banks film: Excession Iain M. Banks, 2008-09-04 The novels of Iain M. Banks have forever changed the face of modern science fiction. His Culture books combine breathtaking imagination with exceptional storytelling, and have secured his reputation as one of the most extraordinary and influential writers in the genre. 'Banks is a phenomenon' William Gibson Two and a half millennia ago in a remote corner of space, beside a trillion-year-old dying sun from a different universe, the artifact appeared. It was a perfect black-body sphere, and it did nothing. Then it disappeared. Now it is back. Diplomat Genar-Hofoen of Special Circumstances is sent to investigate but, sidetracked by an old flame and the spoiled-brat operative Ulver Seich, and faced with the systematic depravities of a race who call themselves the Affront, it's anyone's guess whether he'll succeed . . . Praise for the Culture series: 'Epic in scope, ambitious in its ideas and absorbing in its execution' Independent on Sunday 'Banks has created one of the most enduring and endearing visions of the future' Guardian 'Jam-packed with extraordinary invention' Scotsman 'Compulsive reading' Sunday Telegraph The Culture series: Consider Phlebas The Player of Games Use of Weapons Excession Inversions Look to Windward Matter Surface Detail The Hydrogen Sonata The State of the Art Other books by Iain M. Banks: Against a Dark Background Feersum Endjinn The Algebraist Also now available: The Culture: The Drawings - an extraordinary collection of original illustrations faithfully reproduced from sketchbooks Banks kept in the 1970s and 80s, depicting the ships, habitats, geography, weapons and language of Banks' Culture series of novels in incredible detail. |
| complicity iain banks film: Sunset Song - Voted 'The Best Scottish Book of All Time' Lewis Grassic Gibbon, 2013-06-15 Faced with the choice between her harsh farming life and the seductive but distant world of books and learning, the spirited Chris Guthrie decides to remain in her rural community. But as the devastation of the First World War leaves her life-and community-in tatters, she must draw strength from what she loves and endure, like the land she loves so intensely. Brutal and beautiful, passionate and powerful, Sunset Song is a moving portrait of a declining way of life and an inspirational celebration of the human spirit. And in Chris Guthrie, Grassic Gibbon has given us one of literature's most unforgettable heroines. |
| complicity iain banks film: The Culture Iain M. Banks, Ken MacLeod, 2019-11-26 Iain M. Banks, the modern master of SF, created many original drawings detailing the universe of his bestselling Culture novels. Now these illustrations - many of them annotated - are being published for the very first time in a book that celebrates Banks's grand vision, with additional notes and material by Banks's longtime friend and fellow SF author Ken MacLeod. Praise for the Culture series:'Epic in scope, ambitious in its ideas and absorbing in its execution' Independent on Sunday'Banks has created one of the most enduring and endearing visions of the future' Guardian'Jam-packed with extraordinary invention' Scotsman'Compulsive reading'Sunday Telegraph The Culture series: Consider PhlebasThe Player of GamesUse of WeaponsThe State of the ArtExcessionInversionsLook to WindwardMatterSurface DetailThe Hydrogen Sonata Other books by Iain M. Banks: Against a Dark BackgroundFeersum EndjinnThe Algebraist |
| complicity iain banks film: The Little Book of Edinburgh Geoff Holder, 2013-05-01 The Little Book of Edinburgh is a funny, fast-paced, fact-packed compendium of the sort of frivolous, fantastic or simply strange information which no-one will want to be without. Here we find out about the most unusual crimes and punishments, eccentric inhabitants, famous sons and daughters and literally hundreds of wacky facts. Geoff Holder’s new book contains historic and contemporary trivia on Edinburgh. There are lots of factual chapters but also plenty of frivolous details which will amuse and surprise. A reference book and a quirky guide, this can be dipped in to time and time again to reveal something you never knew. Discover the real story of Greyfriars Bobby (he was a publicity stunt), meet the nineteenth-century counterparts of our favourite modern detectives, from Jackson Brodie to John Rebus, seek out historical sites from the distant past to the Second World War, and tangle with the Tattoo and freak out with the Festival. A remarkably engaging little book, this is essential reading for visitors and locals alike. |
| complicity iain banks film: Surface Detail Iain M. Banks, 2010-10-28 Surface Detail is among Iain M. Banks' Culture novels, a breathtaking achievement from a writer whose body of work is without parallel in the modern history of science fiction. It begins in the realm of the Real, where matter still matters. It begins with a murder. And it will not end until the Culture has gone to war with death itself. Lededje Y'breq is one of the Intagliated, her marked body bearing witness to a family shame, her life belonging to a man whose lust for power is without limit. Prepared to risk everything for her freedom, her release, when it comes, is at a price, and to put things right she will need the help of the Culture. Benevolent, enlightened and almost infinitely resourceful though it may be, the Culture can only do so much for any individual. With the assistance of one of its most powerful -- and arguably deranged -- warships, Lededje finds herself heading into a combat zone not even sure which side the Culture is really on. A war -- brutal, far-reaching -- is already raging within the digital realms that store the souls of the dead, and it's about to erupt into reality. It started in the realm of the Real and that is where it will end. It will touch countless lives and affect entire civilizations, but at the center of it all is a young woman whose need for revenge masks another motive altogether. The Culture Series Consider Phlebas The Player of Games Use of Weapons The State of the Art Excession Inversions Look to Windward Matter Surface Detail The Hydrogen Sonata |
| complicity iain banks film: A Song of Stone Iain Banks, 1999-09-07 Set in a war-torn country not unlike Bosnia, this internationally bestselling novel concerns a band of soldiers who find refuge in a rural castle. |
| complicity iain banks film: Angelina Jolie - The Lightning Star C. Duthel, 2012-03-04 Born in Los Angeles, California, Jolie is the daughter of actors Jon Voight and Marcheline Bertrand. She is the sister of actor James Haven, niece of singer-songwriter Chip Taylor, and goddaughter of actors Jacqueline Bisset and Maximilian Schell. On her father's side, Jolie is of German and Slovak descent, and on her mother's side, she is of primarily French Canadian, Dutch, and German ancestry, as well as of distant Huron heritage. |
| complicity iain banks film: When the Sparrow Falls Neil Sharpson, 2021-06-29 Life in the Caspian Republic has taught Agent Nikolai South two rules. Trust No One. And work just hard enough not to make enemies. Here, in the last sanctuary for the dying embers of the human race in a world run by artificial intelligence, if you stray from the path—your life is forfeit. But when a Party propagandist is killed—and is discovered as a “machine”—he’s given a new mission: chaperone the widow, Lily, who has arrived to claim her husband’s remains. But when South sees that she, the first “machine” ever allowed into the country, bears an uncanny resemblance to his late wife, he’s thrown into a maelstrom of betrayal, murder, and conspiracy that may bring down the Republic for good. WHEN THE SPARROW FALLS illuminates authoritarianism, complicity, and identity in the digital age, in a page turning, darkly-funny, frightening and touching story that recalls Philip K. Dick, John le Carré and Kurt Vonnegut in equal measure. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied. |
| complicity iain banks film: The Original Hitchhiker's Guide to the Galaxy Radio Scripts Douglas Adams, 2020-03-05 March 1978 saw the first ever transmission of Douglas Adams' The Hitchhiker's Guide to the Galaxy on BBC Radio 4; the beginning of a cult phenomenon. March 2020 marks the 42nd anniversary of that first transmission – 42 being the answer, of course, to the Ultimate Question of Life, the Universe, and Everything. To mark the occasion, Pan Macmillan are bringing back into print The Hitchhiker's Guide to the Galaxy: The Original Radio Scripts with an introduction from Simon Jones. The collection also includes the previously 'lost' Hitchhiker script from the 25th anniversary edition, 'Sheila's Ear' and the original introductions by producer Geoffrey Perkins and Douglas Adams. This collection, which is a faithful reproduction of the text as it was first published in 1985, features all twelve original radio scripts – Hitchhiker as it was written and exactly as it was broadcast for the very first time. They include amendments and additions made during recordings and original notes on the writing and producing of the series by Douglas Adams and Geoffrey Perkins. For those who have always loved Douglas Adams, as well as for his new generation of fans, these scripts are essential reading and a must-have piece of Adams memorabilia. This special anniversary edition will accompany reissued eye-catching editions of the five individual Hitchhiker books coming in March 2020: The Hitchhiker's Guide to the Galaxy, The Restaurant at the End of the Universe, Life, the Universe and Everything, So Long, and Thanks for All the Fish and Mostly Harmless. |
| complicity iain banks film: Complicity Iain Banks, 1996 A judge who was lenient with a rapist is himself brutally raped. A pornographer who specialized in snuff films is given a paralyzing injection that is captured on video tape. A wealthy businessman whose negligence caused a fatal explosion is blown up in his own home. These savage crimes seem to implicate journalist Cameron Colley, who must now find the vigilante himself. |
| complicity iain banks film: American Gothic Fiction Allan Lloyd-Smith, 2004-10-08 Following the structure of other titles in the Continuum Introductions to Literary Genres series, American Gothic Fiction includes: A broad definition of the genre and its essential elements. A timeline of developments within the genre. Critical concerns to bear in mind while reading in the genre. Detailed readings of a range of widely taught texts. In-depth analysis of major themes and issues. Signposts for further study within the genre. A summary of the most important criticism in the field. A glossary of terms. An annotated, critical reading list. This book offers students, writers, and serious fans a window into some of the most popular topics, styles and periods in this subject. Authors studied in American Gothic Fiction include Charles Brockden Brown, William Montgomery Bird, James Fenimore Cooper, Edgar Allan Poe, George Lippard, Herman Melville, Nathaniel Hawthorne, William Gilmore Simms, John Neal, Harriet Beecher Stowe, Charlotte Perkins Gilman, Ambrose Bierce, Emma Dawson, W.D. Howells, Henry James, William Faulkner, Anne Rice and William Gibson> |
| complicity iain banks film: The Glass Half Full Eleanor le, 2014-07-14 A self-help book for the Scottish psyche. Cultural Miserablism: the power of the negative story with no redemption and no escape, that wallows in its own bleakness. Scotland is a small and immensely creative country. The role of the arts and culture is one that many are rightly proud of. But do we portray Scotland in the light we should? There is a tendency in film, literature and other cultural output to portray the negative aspects of Scottish life. In The Glass Half Full, filmmaker Eleanor le and academic David Manderson explore the origins of this bleak take on Scottish life, its literary and cultural expressions, and how this phenomenon in film has risen to the level of a genre which audiences both domestic and international see as a recognisable story of contemporary Scotland. What does miserablism tell us about ourselves? When did we become cultural victims? Is it time we move away from an image of Scotland that constantly casts itself as the poor relation? From the Trainspotting to the Kailyard, The Glass Half Full confronts the negative Scotland we portray not only to the world but, most importantly, ourselves. Do [they] accurately reflect the reality of life in Scotland for the majority of the population or are they just 'stories' we like to tell ourselves about ourselves? ELEANOR LE Our greatest export is the diversity of our fiction, the myriad of alternatives between its contrasts and all its new heroes and heroines. It's time we knew it. DAVID MANDERSON |
| complicity iain banks film: Stories Into Film William Kittredge, Steven M. Krauzer, 1979 |
| complicity iain banks film: Iain M. Banks Paul Kincaid, 2017-05-12 The 1987 publication of Iain M. Banks's Consider Phlebas helped trigger the British renaissance of radical hard science fiction and influenced a generation of New Space Opera masters. The thirteen SF novels that followed inspired an avid fandom and intense intellectual engagement while Banks's mainstream books vaulted him to the top of the Scottish literary scene. Paul Kincaid has written the first study of Iain M. Banks to explore the confluence of his SF and literary techniques and sensibilities. As Kincaid shows, the two powerful aspects of Banks's work flowed into each other, blurring a line that critics too often treat as clear-cut. Banks's gift for black humor and a honed skepticism regarding politics and religion found expression even as he orchestrated the vast, galaxy-spanning vistas in his novels of the Culture. In examining Banks's entire SF oeuvre, Kincaid unlocks the set of ideas Banks drew upon, ideas that spoke to an unusually varied readership that praised him as a visionary and reveled in the distinctive character of his works. Entertaining and broad in scope, Iain M. Banks offers new insights on one of the most admired figures in contemporary science fiction. |
| complicity iain banks film: Cinema of Small Nations Mette Hjort, 2007-11-21 Within cinema studies there has emerged a significant body of scholarship on the idea of 'National Cinema' but there has been a tendency to focus on the major national cinemas. Less developed within this field is the analysis of what we might term minor or small national cinemas, despite the increasing significance of these small entities with the international domain of moving image production, distribution and consumption. The Cinema of Small Nations is the first major analysis of small national cinemas, comprising twelve case studies of small national--and sub national--cinemas from around the world, including Ireland, Denmark, Iceland, Scotland, Bulgaria, Tunisia, Burkina Faso, Cuba, Singapore, Taiwan, Hong Kong and New Zealand. Written by an array of distinguished and emerging scholars, each of the case studies provides a detailed analysis of the particular cinema in question, with an emphasis on the last decade, considering both institutional and textual issues relevant to the national dimension of each cinema. While each chapter contains an in-depth analysis of the particular cinema in question, the book as a whole provides the basis for a broader and more properly comparative understanding of small or minor national cinemas, particularly with regard to structural constraints and possibilities, the impact of globalization and internationalisation, and the role played by economic and cultural factors in small-nation contexts. |
| complicity iain banks film: Iain M. Banks Paul Kincaid, 2017-05-12 The 1987 publication of Iain M. Banks's Consider Phlebas helped trigger the British renaissance of radical hard science fiction and influenced a generation of New Space Opera masters. The thirteen SF novels that followed inspired an avid fandom and intense intellectual engagement while Banks's mainstream books vaulted him to the top of the Scottish literary scene. Paul Kincaid has written the first study of Iain M. Banks to explore the confluence of his SF and literary techniques and sensibilities. As Kincaid shows, the two powerful aspects of Banks's work flowed into each other, blurring a line that critics too often treat as clear-cut. Banks's gift for black humor and a honed skepticism regarding politics and religion found expression even as he orchestrated the vast, galaxy-spanning vistas in his novels of the Culture. In examining Banks's entire SF oeuvre, Kincaid unlocks the set of ideas Banks drew upon, ideas that spoke to an unusually varied readership that praised him as a visionary and reveled in the distinctive character of his works. Entertaining and broad in scope, Iain M. Banks offers new insights on one of the most admired figures in contemporary science fiction. |
| complicity iain banks film: The Culture Series of Iain M. Banks Simone Caroti, 2018-07-26 This critical history of Iain M. Banks' Culture novels covers the series from its inception in the 1970s to the The Hydrogen Sonata (2012), published less than a year before Banks' death. It considers Banks' origins as a writer, the development of his politics and ethics, his struggles to become a published author, his eventual success with The Wasp Factory (1984) and the publication of the first Culture novel, Consider Phlebas (1987). His 1994 essay A Few Notes on the Culture is included, along with a range of critical responses to the 10 Culture books he published in his lifetime and a discussion of the series' status as utopian literature. Banks was a complex man, both in his everyday life and on the page. This work aims at understanding the Culture series not only as a fundamental contribution to science fiction but also as a product of its creator's responses to the turbulent times he lived in. |
COMPLICITY Definition & Meaning - Merriam-Webster
The meaning of COMPLICITY is association or participation in or as if in a wrongful act. How to use complicity in a sentence.
COMPLICITY | English meaning - Cambridge Dictionary
COMPLICITY definition: 1. involvement in a crime or some activity that is wrong: 2. involvement in a crime or some…. Learn more.
COMPLICITY Definition & Meaning | Dictionary.com
Complicity definition: the state of being an accomplice; partnership or involvement in wrongdoing.. See examples of COMPLICITY used in a sentence.
Complicity - Wikipedia
Complicity in criminal law refers to the participation in a completed criminal act of an accomplice, a partner in the crime who aids or encourages other perpetrators of that crime, and who …
complicity noun - Definition, pictures, pronunciation and ...
complicity (in something) the act of taking part with another person in a crime synonym collusion. to be guilty of complicity in the murder; evident complicity between the two brothers
complicity, n. meanings, etymology and more | Oxford English ...
There are two meanings listed in OED's entry for the noun complicity. See ‘Meaning & use’ for definitions, usage, and quotation evidence.
Complicity - definition of complicity by The Free Dictionary
Define complicity. complicity synonyms, complicity pronunciation, complicity translation, English dictionary definition of complicity. n. pl. com·plic·i·ties Involvement as an accomplice in a …
COMPLICITY Definition & Meaning - Merriam-Webster
The meaning of COMPLICITY is association or participation in or as if in a wrongful act. How to use complicity in a sentence.
COMPLICITY | English meaning - Cambridge Dictionary
COMPLICITY definition: 1. involvement in a crime or some activity that is wrong: 2. involvement in a crime or some…. Learn more.
COMPLICITY Definition & Meaning | Dictionary.com
Complicity definition: the state of being an accomplice; partnership or involvement in wrongdoing.. See examples of COMPLICITY used in a sentence.
Complicity - Wikipedia
Complicity in criminal law refers to the participation in a completed criminal act of an accomplice, a partner in the crime who aids or encourages other perpetrators of that crime, and who …
complicity noun - Definition, pictures, pronunciation and ...
complicity (in something) the act of taking part with another person in a crime synonym collusion. to be guilty of complicity in the murder; evident complicity between the two brothers
complicity, n. meanings, etymology and more | Oxford English ...
There are two meanings listed in OED's entry for the noun complicity. See ‘Meaning & use’ for definitions, usage, and quotation evidence.
Complicity - definition of complicity by The Free Dictionary
Define complicity. complicity synonyms, complicity pronunciation, complicity translation, English dictionary definition of complicity. n. pl. com·plic·i·ties Involvement as an accomplice in a …
