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clifford the predicament of culture: The Predicament of Culture James Clifford, 1988-05-18 The Predicament of Culture is a critical ethnography of the West in its changing relations with other societies. Analyzing cultural practices such as anthropology, travel writing, collecting, and museum displays of tribal art, James Clifford shows authoritative accounts of other ways of life to be contingent fictions, now actively contested in post-colonial contexts. His critique raises questions of global significance: Who has the authority to speak for any group’s identity and authenticity? What are the essential elements and boundaries of a culture? How do self and “the other” clash in the encounters of ethnography, travel, and modern interethnic relations? In chapters devoted to the history of anthropology, Clifford discusses the work of Malinowski, Mead, Griaule, Lévi-Strauss, Turner, Geertz, and other influential scholars. He also explores the affinity of ethnography with avant-garde art and writing, recovering a subversive, self-reflexive cultural criticism. The surrealists’ encounters with Paris or New York, the work of Georges Bataille and Michel Leiris in the Collège de Sociologie, and the hybrid constructions of recent tribal artists offer provocative ethnographic examples that challenge familiar notions of difference and identity. In an emerging global modernity, the exotic is unexpectedly nearby, the familiar strangely distanced. |
clifford the predicament of culture: Routes James Clifford, 1997-04-21 When culture makes itself at home in motion, where does an anthropologist stand? In a follow-up to The Predicament of Culture, one of the defining books for anthropology in the last decade, James Clifford takes the proper measure: a moving picture of a world that doesn't stand still, that reveals itself en route, in the airport lounge and the parking lot as much as in the marketplace and the museum. In this collage of essays, meditations, poems, and travel reports, Clifford takes travel and its difficult companion, translation, as openings into a complex modernity. He contemplates a world ever more connected yet not homogeneous, a global history proceeding from the fraught legacies of exploration, colonization, capitalist expansion, immigration, labor mobility, and tourism. Ranging from Highland New Guinea to northern California, from Vancouver to London, he probes current approaches to the interpretation and display of non-Western arts and cultures. Wherever people and things cross paths and where institutional forces work to discipline unruly encounters, Clifford's concern is with struggles to displace stereotypes, to recognize divergent histories, to sustain postcolonial and tribal identities in contexts of domination and globalization. Travel, diaspora, border crossing, self-location, the making of homes away from home: these are transcultural predicaments for the late twentieth century. The map that might account for them, the history of an entangled modernity, emerges here as an unfinished series of paths and negotiations, leading in many directions while returning again and again to the struggles and arts of cultural encounter, the impossible, inescapable tasks of translation. |
clifford the predicament of culture: Recodings Hal Foster, 1999 A Village Voice Best Book and a 'lucid and provocative work that allows us to glimpse stirrings and upheavals in the hothouse of modern art.' - Los Angeles Times |
clifford the predicament of culture: Returns James Clifford, 2013-11-04 Returns—third in a trilogy—explores the ways people recover and renew their roots. James Clifford looks at native peoples who have become not victims but inventive agents of a tangled, open-ended modernity. Their returns to the land, performances of heritage, and diasporic ties are strategies for moving toward “traditional futures.” |
clifford the predicament of culture: Works and Lives Clifford Geertz, 1988 The illusion that ethnography is a matter of sorting strange and irregular facts into familiar and orderly categoriesthis is magic, that is technologyhas long since been exploded. What it is instead, however, is less clear. That it might be a kind of writing, putting things to paper, has now and then occurred to those engaged in producing it, consuming it, or both. But the examination of it as such has been impeded by several considerations, none of them very reasonable. One of these, especially weighty among the producers, has been simply that it is an unanthropological sort of thing to do. What a proper ethnographer ought properly to be doing is going out to places, coming back with information about how people live there, and making that information available to the professional community in practical form, not lounging about in libraries reflecting on literary questions. Excessive concern, which in practice usually means any concern at all, with how ethnographic texts are constructed seems like an unhealthy self-absorptiontime wasting at best, hypochondriacal at worst. The advantage of shifting at least part of our attention from the fascinations of field work, which have held us so long in thrall, to those of writing is not only that this difficulty will become more clearly understood, but also that we shall learn to read with a more percipient eye. A hundred and fifteen years (if we date our profession, as conventionally, from Tylor) of asseverational prose and literary innocence is long enough. |
clifford the predicament of culture: Writing Culture and the Life of Anthropology Orin Starn, 2015-05-09 Using the influential and field-changing Writing Culture as a point of departure, the thirteen essays in Writing Culture and the Life of Anthropology address anthropology's past, present, and future. The contributors, all leading figures in anthropology today, reflect back on the writing culture movement of the 1980s, consider its influences on ethnographic research and writing, and debate what counts as ethnography in a post-Writing Culture era. They address questions of ethnographic method, new forms the presentation of research might take, and the anthropologist's role. Exploring themes such as late industrialism, precarity, violence, science and technology, globalization, and the non-human world, this book is essential reading for those looking to understand the current state of anthropology and its possibilities going forward. Contributors. Anne Allison, James Clifford, Michael M.J. Fischer, Kim Fortun, Richard Handler, John L. Jackson, Jr., George E. Marcus, Charles Piot, Hugh Raffles, Danilyn Rutherford, Orin Starn, Kathleen Stewart, Michael Taussig, Kamala Visweswaran |
clifford the predicament of culture: Writing Culture James Clifford, George E. Marcus, 1986 Humanists and social scientists alike will profit from reflection on the efforts of the contributors to reimagine anthropology in terms, not only of methodology, but also of politics, ethics, and historical relevance. Every discipline in the human and social sciences could use such a book.--Hayden White, author of Metahistory |
clifford the predicament of culture: Person and Myth James Clifford, 2023-11-15 Originally published in 1982, James Clifford's analytical biography of Maurice Leenhardt (1878 - 1954)--missionary, anthropologist, founder of French Oceanic studies, historian of religion, and colonial reformer--received wide critical acclaim for its insight into the colonial history of anthropology. Drawing extensively on unpublished letters and journals, Clifford traces Leenhardt's life from his work as a missionary on the island of New Caledonia (1902 - 1926) to his subsequent return to Paris where he became an academic anthropologist at the Ecole pratique des hautes etudes, where he followed Marcel Mauss and was succeeded in 1951 by Claude Levi-Strauss. Originally published in 1982, James Clifford's analytical biography of Maurice Leenhardt (1878 - 1954)--missionary, anthropologist, founder of French Oceanic studies, historian of religion, and colonial reformer--received wide critical acclaim for its ins |
clifford the predicament of culture: Frontiers of Historical Imagination Kerwin Lee Klein, 2023-11-15 The American frontier, a potent symbol since Europeans first stepped ashore on North America, serves as the touchstone for Kerwin Klein's analysis of the narrating of history. Klein explores the traditions through which historians, philosophers, anthropologists, and literary critics have understood the story of America's origin and the way those understandings have shaped and been shaped by changing conceptions of history. The American West was once the frontier space where migrating Europe collided with Native America, where the historical civilizations of the Old World met the nonhistorical wilds of the New. It was not only the cultural combat zone where American democracy was forged but also the ragged edge of History itself, where historical and nonhistorical defied and defined each other. Klein maintains that the idea of a collision between people with and without history still dominates public memory. But the collision, he believes, resounds even more powerfully in the historical imagination, which creates conflicts between narration and knowledge and carries them into the language used to describe the American frontier. In Klein's words, We remain obscurely entangled in philosophies of history we no longer profess, and the very idea of 'America' balances on history's shifting frontiers. The American frontier, a potent symbol since Europeans first stepped ashore on North America, serves as the touchstone for Kerwin Klein's analysis of the narrating of history. Klein explores the traditions through which historians, philosophers, anthropol |
clifford the predicament of culture: Le Tumulte Noir Jody Blake, 1999-01-01 Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates. |
clifford the predicament of culture: Recording Culture Daniel Makagon, Mark Neumann, 2008-09-02 Recording Culture: Audio Documentary and the Ethnographic Experience is the first book to explore audio documentary as a research method. Authors Daniel Makagon and Mark Neumann demonstrate that audio documentary based in the practices of fieldwork increases the potential for researchers to reach academic and popular audiences and work collaboratively with people in the pursuit and representation of knowledge and experience. Recording Culture: Audio Documentary and the Ethnographic Experience is paired with a companion Website that contains links to exemplary audio ethnographies. |
clifford the predicament of culture: Women Writing Culture Ruth Behar, Deborah A. Gordon, 1995 Extrait de la couverture : Here, for the first time, is a book that brings women's writings out of exile to rethink anthropology's purpose at the end of the century. ... As a historical resource, the collection undertakes fresh readings of the work of well-known women anthropologists and also reclaims the writings of women of color for anthropology. As a critical account, it bravely interrogates the politics of authorship. As a creative endeavor, it embraces new Feminist voices of ethnography that challenge prevailing definitions of theory and experimental writing. |
clifford the predicament of culture: Cultural Appropriation and the Arts James O. Young, 2008-04-15 Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture) Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts Questions considered include: “Can cultural appropriation result in the production of aesthetically successful works of art?” and “Is cultural appropriation in the arts morally objectionable?” Part of the highly regarded New Directions in Aesthetics series |
clifford the predicament of culture: The Anthropology of Experience Victor Witter Turner, Edward M. Bruner, 1986 Fourteen authors, including many of the best-known scholars in the field, explore how people actually experience their culture and how those experiences are expressed in forms as varied as narrative, literary work, theater, carnival, ritual, reminiscence, and life review. Their studies will be of special interest for anyone working in anthropological theory, symbolic anthropology, and contemporary social and cultural anthropology, and useful as well for other social scientists, folklorists, literary theorists, and philosophers. |
clifford the predicament of culture: The Interpretation of Cultures Clifford Geertz, 2017-08-15 One of the twentieth century's most influential books, this classic work of anthropology offers a groundbreaking exploration of what culture is With The Interpretation of Cultures, the distinguished anthropologist Clifford Geertz developed the concept of thick description, and in so doing, he virtually rewrote the rules of his field. Culture, Geertz argues, does not drive human behavior. Rather, it is a web of symbols that can help us better understand what that behavior means. A thick description explains not only the behavior, but the context in which it occurs, and to describe something thickly, Geertz argues, is the fundamental role of the anthropologist. Named one of the 100 most important books published since World War II by the Times Literary Supplement, The Interpretation of Cultures transformed how we think about others' cultures and our own. This definitive edition, with a foreword by Robert Darnton, remains an essential book for anthropologists, historians, and anyone else seeking to better understand human cultures. |
clifford the predicament of culture: Partial Connections Marilyn Strathern, 2005-03-22 Updated with a new Preface, this seminal work challenges the routine ways in which anthropologists have thought about the complexity and quantity of their materials. Marilyn Strathern focuses on a problem normally regarded as commonplace; that of scale and proportion. She combines a wide-ranging interest in current theoretical issues with close attention to the cultural details of social life, attempting to establish proportionality between them. Strathern gives equal weight to two areas of contemporary debate: The difficulties inherent in anthropologically representing complex societies, and the future of cross-cultural comparison in a field where 'too much' seems known. The ethnographic focus of this book emphasizes the context through which Melanesianists have managed the complexity of their own accounts, while at the same time unfolding a commentary on perception and the mixing of indigenous forms. Revealing unexpected replications in modes of thought and in the presentation of ambiguous images, Strathern has fashioned a unique contribution to the anthropological corpus. This book was originally published under the sponsorship of the Association for Social Anthropology in Oceania. |
clifford the predicament of culture: Local Knowledge Clifford Geertz, 2008-08-04 In essays covering everything from art and common sense to charisma and constructions of the self, the eminent cultural anthropologist and author of The Interpretation of Cultures deepens our understanding of human societies through the intimacies of local knowledge. A companion volume to The Interpretation of Cultures, this book continues Geertz’s exploration of the meaning of culture and the importance of shared cultural symbolism. With a new introduction by the author. |
clifford the predicament of culture: Dark Designs and Visual Culture Michele Wallace, 2004-12-06 DIVA collection of writings from the ‘90s by the popular Black feminist scholar and journalist on film, art, and politics./div |
clifford the predicament of culture: Selected Writings, Volume 1 Okwui Enwezor, 2025-08-05 Selected Writings is a landmark two-volume set of writings by the transformational art curator Okwui Enwezor that demonstrates his tireless efforts to decolonize the global contemporary art world. |
clifford the predicament of culture: Beyond the Great Story Robert F. Berkhofer, 1995 What legitimate form can history take when faced by the severe challenges issued in recent years by literary, rhetorical, multiculturalist, and feminist theories? That is the question considered in this pathbreaking book. Robert Berkhofer addresses the essential practical concern of contemporary historians. |
clifford the predicament of culture: Postcolonlsm:Crit Concepts V3 Diana Brydon, 2023-01-06 First published in 2004. This is Volume III of Postcolonialism part of a series of critical concepts in literary and cultural studies. This edition includes part six on Orientalisms, part seven on Thinking/Working Through Race and part eight which covers Feminisms and Gender Analysis. |
clifford the predicament of culture: Religion in Calabar Rosalind I. J. Hackett, 2013-02-06 No detailed description available for Religion in Calabar. |
clifford the predicament of culture: Contemporary Collecting Kevin M. Moist, David Banash, 2013-05-09 In Contemporary Collecting: Objects, Practices, and the Fate of Things, Kevin M. Moist and David Banash have assembled several essays that examine collecting practices on both a personal and professional level. These essays situate collectors and collections in a contemporary context and also show how our changing world finds new meaning in the legacy of older collections. Arranged by such themes as “Collecting in a Virtual World,” “Changing Relationships with Things,” “Collecting and Identity—Personal and Political,” and “Collecting Practices and Cultural Hierarchies,” these essays help illuminate the role of objects in our lives. |
clifford the predicament of culture: Theories of Culture Kathryn Tanner, Since the 1970s exciting new directions in the study of culture have erupted to critique and displace earlier, largely static notions. These more dynamic models stress the indeterminate, fragmented, even conflictual character of cultural processes and completely alter the framework for thinking theologically about them. In fact, Tanner argues, the new orientation in cultural theory and anthropology affords fresh opportunities for religious thought and opens new vistas for theology, especially on how Christians conceive of the theological task, theological diversity and inculturation, and even Christianity's own cultural identity. |
clifford the predicament of culture: Fields in Motion Dena Davida, 2011-10-01 Fields in Motion: Ethnography in the Worlds of Dance examines the deeper meanings and resonances of artistic dance in contemporary culture. The book comprises four sections: methods and methodologies, autoethnography, pedagogies and creative processes, and choreographies as cultural and spiritual representations. The contributors bring an insiders insight to their accounts of the nature and function of these artistic practices, giving voice to dancers, dance teachers, creators, programmers, spectators, students, and scholars. International and intergenerational, this collection of groundbreaking scholarly research points to a new direction for both dance studies and dance anthropology. Traditionally the exclusive domain of aesthetic philosophers, the art of dance is here reframed as cultural practice, and its significance is revealed through a chorus of voices from practitioners and insider ethnographers. |
clifford the predicament of culture: Thoughts and Sentiments on the Evil of Slavery Quobna Ottobah Cugoano, 1999-02-01 A freed slave's daring assertion of the evils of slavery Born in present-day Ghana, Quobna Ottobah Cugoano was kidnapped at the age of thirteen and sold into slavery by his fellow Africans in 1770; he worked in the brutal plantation chain gangs of the West Indies before being freed in England. His Thoughts and Sentiments on the Evil of Slavery is the most direct criticism of slavery by a writer of African descent. Cugoano refutes pro-slavery arguments of the day, including slavery's supposed divine sanction; the belief that Africans gladly sold their own families into slavery; that Africans were especially suited to its rigors; and that West Indian slaves led better lives than European serfs. Exploiting his dual identity as both an African and a British citizen, Cugoano daringly asserted that all those under slavery's yoke had a moral obligation to rebel, while at the same time he appealed to white England's better self. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
clifford the predicament of culture: Anthropology as Cultural Critique George E. Marcus, Michael M.J. Fischer, 2014-12-10 Using cultural anthropology to analyze debates that reverberate throughout the human sciences, George E. Marcus and Michael M. J. Fischer look closely at cultural anthropology's past accomplishments, its current predicaments, its future direction, and the insights it has to offer other fields of study. The result is a provocative work that is important for scholars interested in a critical approach to social science, art, literature, and history, as well as anthropology. This second edition considers new challenges to the field which have arisen since the book's original publication. |
clifford the predicament of culture: Culture Writing Tim Watson, 2018-01-19 Focusing on the 1950s and early 1960s, Culture Writing argues that this period in Britain, the United States, France, and the Caribbean was characterized by dynamic exchanges between literary writers and anthropologists on both sides of the Atlantic. As the British and French empires collapsed and the United States rose to global power in the early Cold War, and as intellectuals from the decolonizing world challenged the cultural hegemony of the West, some anthropologists began to assess their discipline's complicity with empire and experimented with literary forms and technique. Culture Writing shows that the literary turn in anthropology took place earlier than has conventionally been assumed, in the 1950s rather than the 1970s and 80s. Simultaneously, some literary writers reacted to the end of the period of modernist experimentation by turning to ethnographic methods for representing the people and cultural practices of Britain, France, and the United States, bringing anthropology back home. There is analysis of literary writers who had a significant professional engagement with anthropology and brought some of its techniques and research questions into literary composition: Barbara Pym (Britain), Ursula Le Guin and Saul Bellow (United States), Édouard Glissant (Martinique), and Michel Leiris (France). On the side of ethnography, the book analyzes works by anthropologists who either explicitly or surreptitiously adopted literary forms for their writing about culture: Laura Bohannan (United States), Michel Leiris and Claude Lévi-Strauss (France), and Mary Douglas (Britain). Culture Writing concludes with an epilogue that shows how the literature-anthropology conversation continues into the postcolonial period in the work of Indian author-anthropologist Amitav Ghosh and Jamaican author-sociologist Erna Brodber. |
clifford the predicament of culture: New Directions in Travel Writing Studies Paul Smethurst, Julia Kuehn, 2015-07-20 This collection focuses attention on theoretical approaches to travel writing, with the aim to advance the discourse. Internationally renowned, as well as emerging, scholars establish a critical milieu for travel writing studies, as well as offer a set of exemplars in the application of theory to travel writing. |
clifford the predicament of culture: Imperialism:Crit Concepts V3 Peter J. Cain, Mark Harrison, 2023-01-06 First published in 2004. This is Volume III in a collection on Imperialism, Critical Concepts in Historical Studies and includes PART V Cultural and ‘Postcolonial’ Critiques. |
clifford the predicament of culture: New Culture in a New World David Kenley, 2004-06 During the 1920s, China's intellectuals called for a new literature, system of thought and orientation towards modern life: the May Fourth Movement or the New Culture Movement spilled beyond China to the overseas Chinese communities. This work analyzes the New Culture Movement from a diaspora perspective of the overseas Chinese in Singapore. |
clifford the predicament of culture: Medicine Bundle Joshua David Bellin, 2008 From the 1820s to the 1930s, Christian missionaries and federal agents launched a continent-wide assault against Indian sacred dance, song, ceremony, and healing ritual in an attempt to transform Indian peoples into American citizens. In spite of this century-long religious persecution, Native peoples continued to perform their sacred traditions and resist the foreign religions imposed on them, as well as to develop new practices that partook of both. At the same time, some whites began to explore Indian performance with interest, and even to promote Indian sacred traditions as a source of power for their own society. The varieties of Indian performance played a formative role in American culture and identity during a critical phase in the nation's development. In Medicine Bundle, Joshua David Bellin examines the complex issues surrounding Indian sacred performance in its manifold and intimate relationships with texts and images by both Indians and whites. From the paintings of George Catlin, the traveling showman who exploited Indian ceremonies for the entertainment of white audiences, to the autobiography of Black Elk, the Lakota holy man whose long life included stints as a dancer in Buffalo Bill's Wild West show, a supplicant in the Ghost Dance movement, and a catechist in the Catholic Church, Bellin reframes American literature, culture, and identity as products of encounter with diverse performance traditions. Like the traditional medicine bundle of sacred objects bound together for ritual purposes, Indian performance and the performance of Indianness by whites and Indians alike are joined in a powerful intercultural knot. |
clifford the predicament of culture: The Age of Wire and String Ben Marcus, 2024-10-22 In The Age of Wire and String, hailed by Robert Coover as the most audacious literary debut in decades, Ben Marcus weilds together a new reality from the scrapheap of the past. Dogs, birds, horses, automobiles, and the weather are some of the recycled elements in Marcus's first collection—part fiction, part handbook—as familiar objects take on markedly unfamiliar meanings. Gradually, this makeshift world, in its defiance of the laws of physics and language, finds a foundation in its own implausibility, as Marcus produces new feelings and sensations—both comic and disturbing—in the definitive guide to an unpredictable yet exhilarating plane of existence. |
clifford the predicament of culture: Cultural Turns Doris Bachmann-Medick, 2016-01-15 The contemporary fields of the study of culture, the humanities and the social sciences are unfolding in a dynamic constellation of cultural turns. This book provides a comprehensive overview of these theoretically and methodologically groundbreaking reorientations. It discusses the value of the new focuses and their analytical categories for the work of a wide range of disciplines. In addition to chapters on the interpretive, performative, reflexive, postcolonial, translational, spatial and iconic turns, it discusses emerging directions of research. Drawing on a wealth of international research, this book maps central topics and approaches in the study of culture and thus provides systematic impetus for changed disciplinary and transdisciplinary research in the humanities and beyond – e.g., in the fields of sociology, economics and the study of religion. This work is the English translation by Adam Blauhut of an influential German book that has now been completely revised. It is a stimulating example of a cross-cultural translation between different theoretical cultures and also the first critical synthesis of cultural turns in the English-speaking world. |
clifford the predicament of culture: The Ethnopoetics of Shamanism M. Santos, 2016-04-30 Over the last century, Western portrayals of shamanism have changed radically toward an ethnopoetics of shamanism. While shamanic practices had long been indirectly registered by Westerners, it is only since the late nineteenth century that they have taken on symbolic import within discourses of primitivism and debates over magic and rationality. |
clifford the predicament of culture: Without Guarantees Paul Gilroy, Lawrence Grossberg, Angela McRobbie, 2000 Stuart Hall has been an inspirational figure for generations of academics. His early work on the media, his influential use of Gramsci in understanding Britain in the late 1970s, his unique and influential analysis of Thatcherism, and more recently his work on race and new ethnicities, have helped to make universities places where ideas and social commitment to change can co-exist. This collection invites a wide range of academics who have been influenced by Hall's writing to contribute not a memoir or a eulogy but an engaged piece of social, cultural or historical analysis which develops the field of thinking opened up by his enormous contribution. Contributors include: Michele Barrett, Wendy Brown, Judith Butler, Nestor Garcia Canclini, James Clifford, Paul Gilroy, Henry Giroux, Lawrence Grossberg, Gail Lewis, Angela McRobbie, Doreen Massey, David Morley, Bill Schwarz, Gayatri Chakravorty Spivak, Charles Taylor, and Lola Young. |
clifford the predicament of culture: Postcolonial Liberalism Duncan Ivison, 2002-11-26 This book presents an account of postcolonial liberalism, and argues the case for its sustainability. |
clifford the predicament of culture: Mapping Subaltern Studies and the Postcolonial Vinayak Chaturvedi, 2012-11-13 Inspired by Antonio Gramsci’s writings on the history of subaltern classes, the authors in Mapping Subaltern Studies and the Postcolonial sought to contest the elite histories of Indian nationalists by adopting the paradigm of ‘history from below’. Later on, the project shifted from its social history origins by drawing upon an eclectic group of thinkers that included Edward Said, Roland Barthes, Michel Foucault, and Jacques Derrida. This book provides a comprehensive balance sheet of the project and its developments, including Ranajit Guha’s original subaltern studies manifesto, Partha Chatterjee, Dipesh Chakrabarty and Gayatri Spivak. |
clifford the predicament of culture: A Society Without Fathers Or Husbands Cai Hua, 2001-01-05 A fascinating account of the Na society, which functions without the institution of marriage. The Na of China, farmers in the Himalayan region, live without the institution of marriage. Na brothers and sisters live together their entire lives, sharing household responsibilities and raising the women's children. Because the Na, like all cultures, prohibit incest, they practice a system of sometimes furtive, sometimes conspicuous nighttime encounters at the woman's home. The woman's partners--she frequently has more than one--bear no economic responsibility for her or her children, and fathers, unless they resemble their children, remain unidentifiable. This lucid ethnographic study shows how a society can function without husbands or fathers. It sheds light on marriage and kinship, as well as on the position of women, the necessary conditions for the acquisition of identity, and the impact of a communist state on a society that it considers backward. |
clifford the predicament of culture: Edmund Leach Stanley J. Tambiah, 2002-02-14 Intellectual biography of Edmund Leach, a leading social anthropologist of his generation, with illustrations. |
Clifford Cleans His Room + More! | Full Episodes | Clifford the …
Check out this collection of classic Clifford the Big Red Dog episodes, including: Clifford Cleans His Room Baby Makes Four Jett's Tall Tale THe BIg Fetch P...
Clifford | PBS KIDS
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Clifford the Big Red Dog - Wikipedia
Clifford the Big Red Dog is an American children's book series which focuses on the adventures of an 8-year old blonde haired girl named Emily Elizabeth and her titular pet: a gigantic, red …
Clifford the Big Red Dog - Scholastic
Find all things Clifford the Big Red Dog here! Explore everything from the Clifford show, to books, activity sheets, and even the Clifford movie.
Clifford the Big Red Dog (2021) - IMDb
Clifford the Big Red Dog: Directed by Walt Becker. With Darby Camp, Jack Whitehall, Izaac Wang, John Cleese. A young girl's love for a tiny puppy named Clifford makes the dog grow to …
Watch Clifford Streaming Online | Tubi Free TV
Watch Clifford Free Online | 2 Seasons. He’s big. He’s red. He’s totally irresistible! Join Clifford and his owner Emily Elizabeth on fun, enriching adventures based on the beloved books.
Clifford Howard | Clifford the Big Red Dog Wiki | Fandom
Clifford Howard, also known as Clifford the Big Red Dog, is the titular main protagonist of Clifford the Big Red Dog. He is the 2-year-old pet dog of Emily Elizabeth Howard and the second pet …
Watch Clifford the Big Red Dog Videos - PBS KIDS
Adventures of Clifford the Good/Surf's Up & Down. 25 m minutes. Full Episode. To Catch a Bird/The Best Party Ever. 25 m minutes. Full Episode. Forgive & Forget/Mimi's Back in Town. …
Clifford The Big Red Dog - TV Series (2000) - Archive.org
Sep 4, 2000 · Clifford the Big Red Dog is an American/British preschool animated educational children's television series, based upon Norman Bridwell's children's book series of the same …
Clifford the Big Red Dog (2000 TV series) - Wikipedia
Clifford the Big Red Dog is an animated educational children's television series, based upon Norman Bridwell's children's book series of the same name. [4] Produced by Scholastic …
Clifford Cleans His Room + More! | Full Episodes | Clifford the …
Check out this collection of classic Clifford the Big Red Dog episodes, including: Clifford Cleans His Room Baby Makes Four Jett's Tall Tale THe BIg Fetch P...
Clifford | PBS KIDS
What is your zip code? PBS KIDS uses your zip code to find our stations in your area.
Clifford the Big Red Dog - Wikipedia
Clifford the Big Red Dog is an American children's book series which focuses on the adventures of an 8-year old blonde haired girl named Emily Elizabeth and her titular pet: a gigantic, red …
Clifford the Big Red Dog - Scholastic
Find all things Clifford the Big Red Dog here! Explore everything from the Clifford show, to books, activity sheets, and even the Clifford movie.
Clifford the Big Red Dog (2021) - IMDb
Clifford the Big Red Dog: Directed by Walt Becker. With Darby Camp, Jack Whitehall, Izaac Wang, John Cleese. A young girl's love for a tiny puppy named Clifford makes the dog grow to …
Watch Clifford Streaming Online | Tubi Free TV
Watch Clifford Free Online | 2 Seasons. He’s big. He’s red. He’s totally irresistible! Join Clifford and his owner Emily Elizabeth on fun, enriching adventures based on the beloved books.
Clifford Howard | Clifford the Big Red Dog Wiki | Fandom
Clifford Howard, also known as Clifford the Big Red Dog, is the titular main protagonist of Clifford the Big Red Dog. He is the 2-year-old pet dog of Emily Elizabeth Howard and the second pet …
Watch Clifford the Big Red Dog Videos - PBS KIDS
Adventures of Clifford the Good/Surf's Up & Down. 25 m minutes. Full Episode. To Catch a Bird/The Best Party Ever. 25 m minutes. Full Episode. Forgive & Forget/Mimi's Back in Town. …
Clifford The Big Red Dog - TV Series (2000) - Archive.org
Sep 4, 2000 · Clifford the Big Red Dog is an American/British preschool animated educational children's television series, based upon Norman Bridwell's children's book series of the same …
Clifford the Big Red Dog (2000 TV series) - Wikipedia
Clifford the Big Red Dog is an animated educational children's television series, based upon Norman Bridwell's children's book series of the same name. [4] Produced by Scholastic …