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| concise introduction to tonal harmony online access: Concise Introduction to Tonal Harmony L. Poundie Burstein, Joseph Nathan Straus, 2020 The groundbreaking theory text that students read and understand |
| concise introduction to tonal harmony online access: The Musician's Guide to Theory and Analysis Jane Piper Clendinning, Elizabeth West Marvin, 2016-06-01 The Musician’s Guide to Theory and Analysis is a complete package of theory and aural skills resources that covers every topic commonly taught in the undergraduate sequence. The package can be mixed and matched for every classroom, and with Norton’s new Know It? Show It! online pedagogy, students can watch video tutorials as they read the text, access formative online quizzes, and tackle workbook assignments in print or online. In its third edition, The Musician’s Guide retains the same student-friendly prose and emphasis on real music that has made it popular with professors and students alike. |
| concise introduction to tonal harmony online access: Concise Introduction to Tonal Harmony L. Poundie Burstein, Joseph Nathan Straus, 2016 Authors Burstein and Straus combine decades of teaching experience with concise prose, carefully curated musical examples, and a robust, skill-sharpening media program to illuminate the essential concepts of music theory. |
| concise introduction to tonal harmony online access: Mastering Music Fundamentals Michael Kinney, 2020-09-17 Mastering Music Fundamentals is a prescriptive, hands-on introduction to the fundamentals of music theory that presents the subject in a user-friendly format so that students immediately are comfortable with the material. The organization and presentation of chapter topics revolve around essential principles explained and reinforced with numerous problems for students to solve. The book does not simply present basic theory; rather, it guides students using a visual step-by-step process that anticipates and answers their questions. Highlights of the Second Edition include an improved and streamlined approach to pedagogy, homework assignments, worksheets with answers at the end of each chapter, and an innovative hybrid methodology that addresses both traditional and programmatic learning styles. |
| concise introduction to tonal harmony online access: Analysis of Tonal Music Allen Clayton Cadwallader, David Gagné, 2007 'Analysis of Tonal Music' introduces the fundamental principles of Schenkerian analysis within the context of the music itself. |
| concise introduction to tonal harmony online access: Music for Sight Singing Robert W. Ottman, Nancy Rogers, 2011 ...Developing the mind's ear--the ability to imagine how music sounds without first playing it on an instrument--is essential to any musician and sight singing (in conjunction with ear training and other studies in musicianship) is invaluable in reaching this fundamental goal...[This book has an] abundance of meticulously organized melodies drawn from the literature of composed music and a wide range of the world's folk music...Each chapter methodically introduces elements one at a time, steadily increasing in difficulty while providing a musically meaningful framework around which students can hone their skills...--preface. |
| concise introduction to tonal harmony online access: Harmony and Voice Leading Edward Aldwell, Carl Schachter, 2003 Is a comprehensive volume that spans the entire harmony component of the music theory course. Starting with the basics of harmony and taking students through progressively more difficult material, this text helps readers make connections between the details and the broad, inclusive plan of a musical composition. Emphasizing the linear aspects of music as much as the harmonic, this text introduces large-scale progressions (both linear and harmonic) at an early stage. |
| concise introduction to tonal harmony online access: Comprehensive Aural Skills Justin Merritt, David Castro, 2015-12-14 Comprehensive Aural Skills is a complete suite of material for both performance and dictation, covering the wide range of sight singing and ear training skills required for undergraduate courses of study. It provides a series of instructional modules on rhythm, melody, and harmony, and blends musical examples from the common-practice repertory with original examples composed to specifically address particular skills and concepts. Each module includes material for classroom performance, self-directed study, and homework assignments. Features A complete suite of aural skills material: Comprehensive Aural Skills is a combined sight singing and ear training textbook, audio, and companion website package. Fully modular, customizable organization: Instructors can choose freely from the set of exercises in the book and supplemental material on the companion website to appropriately tailor the curriculum based on their students’ needs. Engaging and idiomatic musical examples: Examples are selected and composed specifically for the didactic context of an aural skills classroom. Dictation exercises for practice and assignment: Practice exercises include an answer key so students can work independently and receive immediate feedback, while homework assignments are given without a key. Audio examples for dictation: The website hosts live recordings of acoustic instruments performed by professional musicians for each dictation exercise and homework assignment. Supplemental Materials for Instructors: A wealth of material for class use and assignment can be found on the companion website. Teachers Guide: The guide includes answers for every homework assignment, brief commentary on each module’s content, tips for integrating written theory, and strategies on how to effectively teach new concepts and skills. The companion website for Comprehensive Aural Skills includes a wealth of additional examples in all areas of aural skills and at every level of difficulty represented in the text. Students have access to additional dictation examples with recordings and answer keys, allowing them to directly reinforce their classroom experience and practice dictation on their own time. |
| concise introduction to tonal harmony online access: Tonal Harmony Stefan M. Kostka, 2000 |
| concise introduction to tonal harmony online access: Understanding Basic Music Theory Catherine Schmidt-Jones, 2015-02-18 The main purpose of the book is to explore basic music theory so thoroughly that the interested student will then be able to easily pick up whatever further theory is wanted. Music history and the physics of sound are included to the extent that they shed light on music theory. The main premise of this course is that a better understanding of where the basics come from will lead to better and faster comprehension of more complex ideas.It also helps to remember, however, that music theory is a bit like grammar. Catherine Schmidt-Hones is a music teacher from Champaign, Illinois and she has been a pioneer in open education since 2004. She is currently a doctoral candidate at the University of Illinois in the Open Online Education program with a focus in Curriculum and Instruction. |
| concise introduction to tonal harmony online access: Basic Music Theory Jonathan Harnum, 2005 Basic Music Theory takes you through the sometimes confusing world of written music with a clear, concise style that is at times funny and always friendly. The book is written by an experienced teacher using methods refined over more than ten years in his private teaching studio and in schools. --from publisher description. |
| concise introduction to tonal harmony online access: The Cambridge Companion to Michael Tippett Kenneth Gloag, Nicholas Jones, 2013-01-17 This Companion provides a wide ranging and accessible study of one of the most individual composers of the twentieth century. A team of international scholars shed new light on Tippett's major works and draw attention to those that have not yet received the attention they deserve. |
| concise introduction to tonal harmony online access: Techniques and Materials of Music Thomas Benjamin, Michael Horvit, Timothy Koozin, Robert Nelson, 2014-01-01 Designed to serve as a primary text for the first two years of college music theory, TECHNIQUES AND MATERIALS OF MUSIC, 7th Enhanced Edition covers all the basics of composition--including harmony, melody, and musical form. The authors present essential materials of common-practice music and an overview of 20th century techniques, and include numerous hands-on exercises to help students better retain key concepts. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version. |
| concise introduction to tonal harmony online access: A Concise Introduction to Linguistics Bruce M. Rowe, Diane P. Levine, 2015-07-22 Provides a linguistic foundation for students of all majors Assisted by numerous pedagogical aids, A Concise Introduction to Linguistics, 4/e explains all concepts in a systematic way making complex linguistic topics as easy to learn as possible. This introductory title covers the core topics of linguistics, providing the information and concepts that will allow students to understand more detailed and advanced treatments of linguistics. This student-friendly and well-balanced overview of the field of introductory linguistics pays special attention to linguistic anthropology and reveals the main contributions of linguistics to the study of human communication and how issues of culture are relevant. Its workbook format contains well-constructed exercises in every chapter that allow students to practice key concepts. |
| concise introduction to tonal harmony online access: Harmony, Counterpoint, Partimento Job IJzerman, 2018-11-26 A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: · the hardcopy text, providing essential stylistic and technical information and repertoire discussion; · an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; · an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint. |
| concise introduction to tonal harmony online access: Worlds Together, Worlds Apart Concise One-Volume, 2nd Edition + Reg Card Elizabeth Pollard, Clifford D. Rosenberg, Robert L. Tignor, Jeremy Adelman, Stephen Aron, Peter Brown, Benjamin Elman, Stephen Kotkin, Xinru Liu, Suzanne Marchand, Holly Pittman, Gyan Prakash, Brent Shaw, Michael Tsin, 2019 A truly global approach to world history, Worlds Together, Worlds Apart is organized around major world history stories and themes: the emergence of cities, the building of the Silk Road, the spread of major religions, the spread of the Black Death, the Age of Exploration, alternatives to nineteenth-century capitalism, the rise of modern nation-states and empires, and others ... The authors have refreshed throughout coverage of the environment in addition to cutting edge scholarship, designed to help students think critically, master content and make connections across time and place.--Provided by publisher. |
| concise introduction to tonal harmony online access: Manual for Ear Training and Sight Singing GARY S. KARPINSKI, 2021-08-30 A research-based aural skills curriculum that reflects the way students learn. |
| concise introduction to tonal harmony online access: Music in Germany since 1968 Alastair Williams, 2013-07-18 Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism. |
| concise introduction to tonal harmony online access: The Jazz Theory Book Mark Levine, 2011-01-12 The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc. |
| concise introduction to tonal harmony online access: Music Theory for Guitarists Tom Kolb, 2005-05-01 (Guitar Method). Guitarists of all levels will find a wealth of practical music knowledge in this special book. Veteran guitarist and author Tom Kolb dispels the mysteries of music theory using plain and simple terms and diagrams. The included audio provides 94 tracks of music examples, scales, modes, chords, ear training, and much more! |
| concise introduction to tonal harmony online access: A New Approach to Sight Singing Sol Berkowitz, Gabriel Fontrier, Leo Kraft, 1986 Now in its Fourth Edition, A New Approach to Sight Singing continues to lead the pack with its innovative and class-tested method of teaching the four-semester sight singing sequence. The authors new approach places the act of singing melodies at sight within the context of musicianship as a whole. |
| concise introduction to tonal harmony online access: Tonal Harmony Stefan M. Kostka, 2017-08-06 |
| concise introduction to tonal harmony online access: Engaging Haydn Mary Kathleen Hunter, Richard Will, 2012-07-12 Haydn is enjoying renewed appreciation: this book explores fresh approaches to his music and the cultural forces affecting it. |
| concise introduction to tonal harmony online access: Concise Introduction to Tonal Harmony, 2e with Media Access Registration Card + Concise Introduction to Tonal Harmony Workbook, 2e L. Poundie Burstein, Joseph N. Straus, 2020-06-22 This is a preassembled package of Concise Introduction to Tonal Harmony (978-0-393-41719-7) and Concise Introduction to Tonal Harmony Workbook (978-0-393-41703-6). Concise Introduction to Tonal Harmony has successfully introduced thousands of students to music theory, and its accompanying workbook provides your students the practice they need to master music theory. |
| concise introduction to tonal harmony online access: Understanding the Leitmotif Matthew Bribitzer-Stull, 2017-12-21 The musical leitmotif, having reached a point of particular forcefulness in the music of Richard Wagner, has remained a popular compositional device up to the present day. In this book, Matthew Bribitzer-Stull explores the background and development of the leitmotif, from Wagner to the Hollywood adaptations of The Lord of The Rings and the Harry Potter series. Analyzing both concert music and film music, Bribitzer-Stull explains what the leitmotif is and establishes it as the union of two aspects: the thematic and the associative. He goes on to show that Wagner's Ring cycle provides a leitmotivic paradigm, a model from which we can learn to better understand the leitmotif across style periods. Arguing for a renewed interest in the artistic merit of the leitmotif, Bribitzer-Stull reveals how uniting meaning, memory, and emotion in music can lead to a richer listening experience and a better understanding of dramatic music's enduring appeal. |
| concise introduction to tonal harmony online access: Analyzing Classical Form William E. Caplin, 2013-10-08 Analyzing Classical Form builds upon the foundations of the author's critically acclaimed Classical Form by offering an approach to the analysis of musical form that is especially suited for classroom use. Providing ample material for study in both undergraduate and graduate courses, Analyzing Classical Form presents the most up-to-date version of the author's theory of formal functions. Students will learn how to make complete harmonic and formal analyses of music drawn from the instrumental works of Haydn, Mozart, and Beethoven. Part 1 introduces the principal theme-types of classical instrumental music; part 2 provides a methodology for analyzing sonata form, the most important formal type in this style period; and part 3 considers other full-movement forms found in this repertory (such as minuet, rondo, and concerto). The chapters are organized in a way that presents the most basic materials upfront and then leads the student through more details and finer points of theory. Every topic is illustrated with annotated musical examples; as well, the book contains many unannotated examples that can be used for in-class discussion and for out-of-class analytical exercises. A complete glossary of terms and questions for reviewing the theory will help students assimilate the many theoretical concepts employed in the book. A companion website hosted by the author at music.mcgill.ca/acf/ provides audio and musical scores for all of the examples in the book as well as additional examples for the analysis of the simple theme-types presented in part 1. |
| concise introduction to tonal harmony online access: Intonation and Prosodic Structure Caroline Féry, 2017 This book provides a state-of-the-art survey of intonation and prosody from a phonological perspective, for advanced students and researchers in phonology. |
| concise introduction to tonal harmony online access: The Cambridge History of Fifteenth-Century Music Anna Maria Busse Berger, Jesse Rodin, 2020-01-09 Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement. |
| concise introduction to tonal harmony online access: Easy Keyboard Harmony, Book One J. Wesley Schaum, 1981 (Educational Piano). Have fun learning improvisation with simple explanations and examples. This method encourages student creativity by providing ideas for composting and musical expression. Chord dexterity and ear training are developed with focused keyboard exercises. Students will develop accompaniment improvising from standard chord symbols using root position and inversions. Learning is reinforced by writing the notes for the chords and accompaniment patterns on workbook-style pages. Familiar folk songs and hymns are used to illustrate the accompaniment styles. |
| concise introduction to tonal harmony online access: Norton Guide to Teaching Music Theory Rachel Lumsden, Jeffrey Swinkin, 2018 Featuring twenty-three essays by outstanding teacher-scholars on topics ranging from Schenkerian theory to gender, The Norton Guide to Teaching Music Theory covers every facet of music theory pedagogy. The volume serves as a reference for theory teachers and a text for pedagogy classes. |
| concise introduction to tonal harmony online access: Composing Community in Late Medieval Music Jane D. Hatter, 2019-05-02 When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450–1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers. |
| concise introduction to tonal harmony online access: Concise Introduction to Tonal Harmony Workbook L. Poundie Burstein, Joseph N. Straus, 2020-07 Written by master teachers Poundie Burstein and Joe Straus, the workbook that accompanies Concise Introduction to Tonal Harmony, Second Edition, provides your students the practice they need to master music theory. The workbook contains hundreds of exercises--more than could ever be assigned in any one class--offering you the flexibility to construct assignments that best meet the needs of your students. The Second Edition is enhanced with more analysis exercises at the end of every chapter. |
| concise introduction to tonal harmony online access: Ideas and Styles in the Western Musical Tradition Douglass Seaton, 2010 Ideas and Styles in the Western Musical Tradition, Third Edition, explores the conceptual frameworks that have shaped musical development from antiquity to the present. In a lively narrative that prompts readers to think both critically and creatively, Douglass Seaton uses historical documents from thinkers, artists, and musicians to add rich detail to the compelling story of Western music. This brief and accessible narrative of music history features numerous works of art, literature, and music that immerse the reader in the historical and intellectual contexts of musical styles. In addition, the thoroughly updated and revised third edition: * Includes the most current historiography * Clarifies the interconnections and divisions between musical periods, moving away from -periodization- terms * Offers an updated and comprehensive timeline * Expands the final chapter with additional recent works and more reflection on postmodernism * Features a unique anthology-free design that allows instructors the flexibility to choose their own musical examples (a correlation guide to the major score anthologies is included in the Companion Website) The third edition is also enhanced by a new Companion Website (www.oup.com/us/seaton) with study aids, teaching tips, chapter synopses, review and quiz materials, and listening recommendations. Also included are questions for study and reflection, guidance for research and writing in music history, and hints for pronouncing church Latin, as well as a correlation guide to the major score anthologies. |
| concise introduction to tonal harmony online access: Schoenberg's Atonal Music Jack Boss, 2021-08-12 Award-winning author Jack Boss returns with the 'prequel' to Schoenberg's Twelve-Tone Music (Cambridge, 2014) demonstrating that the term 'atonal' is meaningful in describing Schoenberg's music from 1908 to 1921. This book shows how Schoenberg's atonal music can be understood in terms of successions of pitch and rhythmic motives and pitch-class sets that flesh out the large frameworks of 'musical idea' and 'basic image'. It also explains how tonality, after losing its structural role in Schoenberg's music after 1908, begins to re-appear not long after as an occasional expressive device. Like its predecessor, Schoenberg's Atonal Music contains close readings of representative works, including the Op. 11 and Op. 19 Piano Pieces, the Op. 15 George-Lieder, the monodrama Erwartung, and Pierrot lunaire. These analyses are illustrated by richly detailed musical examples, revealing the underlying logic of some of Schoenberg's most difficult pieces of music. |
| concise introduction to tonal harmony online access: Mastering Music Fundamentals Michael Kinney, 2005 This book is designed with one main focus: to help reduce the time it takes to teach students the fundamentals of music theory. |
| concise introduction to tonal harmony online access: Brian Eno Eric Tamm, 1989 A thoughtful look at one of the most important current musician/composers, the man who produced U2's Joshua Tree. |
| concise introduction to tonal harmony online access: Elements of Music Joseph Nathan Straus, 2012 Based on an anthology of works from music literature, it features clear, concise explanations, extensive written exercises, and a variety of suggested in-class activities. It emphasizes process of making music--emphasizing, at every stage, that music is to be heard and made--not merely seen and learned in the abstract. All of the key topics are covered: music notation; rhythm; scales; intervals; triads; basic harmonic progressions.--Provided by publisher. |
| concise introduction to tonal harmony online access: 2010 ADA Standards for Accessible Design Department Justice, 2014-10-09 (a) Design and construction. (1) Each facility or part of a facility constructed by, on behalf of, or for the use of a public entity shall be designed and constructed in such manner that the facility or part of the facility is readily accessible to and usable by individuals with disabilities, if the construction was commenced after January 26, 1992. (2) Exception for structural impracticability. (i) Full compliance with the requirements of this section is not required where a public entity can demonstrate that it is structurally impracticable to meet the requirements. Full compliance will be considered structurally impracticable only in those rare circumstances when the unique characteristics of terrain prevent the incorporation of accessibility features. (ii) If full compliance with this section would be structurally impracticable, compliance with this section is required to the extent that it is not structurally impracticable. In that case, any portion of the facility that can be made accessible shall be made accessible to the extent that it is not structurally impracticable. (iii) If providing accessibility in conformance with this section to individuals with certain disabilities (e.g., those who use wheelchairs) would be structurally impracticable, accessibility shall nonetheless be ensured to persons with other types of disabilities, (e.g., those who use crutches or who have sight, hearing, or mental impairments) in accordance with this section. |
| concise introduction to tonal harmony online access: The Complete Musician Steven G. Laitz, Susan De Ghize, Ian Sewell, 2019 A brief and musically oriented introduction to key music theory concepts-- |
| concise introduction to tonal harmony online access: Science, Form, and the Problem of Induction in British Romanticism Dahlia Porter, 2020-06-25 Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work. |
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CONCISE Definition & Meaning - Merriam-Webster
The meaning of CONCISE is marked by brevity of expression or statement : free from all elaboration and superfluous detail. How to use concise in a sentence. Did you know?
CONCISE | English meaning - Cambridge Dictionary
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CONCISE Definition & Meaning | Dictionary.com
Concise definition: expressing or covering much in few words; brief in form but comprehensive in scope; succinct; terse.. See examples of CONCISE used in a sentence.
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If something is concise, it's short and gets right to the point. A concise edition of your diary might be 50 pages of the most important entries. Concise comes from the Latin word concidere, …
CONCISE definition and meaning | Collins English Dictionary
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