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| comrade duch welcome to hell: Perpetrator Cinema Raya Morag, 2020-03-17 Perpetrator Cinema explores a new trend in the cinematic depiction of genocide that has emerged in Cambodian documentary in the late twentieth- and early twenty-first centuries. While past films documenting the Holocaust and genocides in Yugoslavia, Rwanda, and elsewhere have focused on collecting and foregrounding the testimony of survivors and victims, the intimate horror of the autogenocide enables post–Khmer Rouge Cambodian documentarians to propose a direct confrontation between the first-generation survivor and the perpetrator of genocide. These films break with Western tradition and disrupt the political view that reconciliation is the only legitimate response to atrocities of the past. Rather, transcending the perpetrator’s typical denial or partial confession, this extraordinary form of “duel” documentary creates confrontational tension and opens up the possibility of a transformation in power relations, allowing viewers to access feelings of moral resentment. Raya Morag examines works by Rithy Panh, Rob Lemkin and Thet Sambath, and Lida Chan and Guillaume Suon, among others, to uncover the ways in which filmmakers endeavor to allow the survivors’ moral status and courage to guide viewers to a new, more complete understanding of the processes of coming to terms with the past. These documentaries show how moral resentment becomes a way to experience, symbolize, judge, and finally incorporate evil into a system of ethics. Morag’s analysis reveals how perpetrator cinema provides new epistemic tools and propels the recent social-cultural-psychological shift from the era of the witness to the era of the perpetrator. |
| comrade duch welcome to hell: Voices from S-21 David Chandler, 1999 Presents the confessions under torture of the political enemies of Pol Pot discovered in a prison code-named S-21 when the Vietnamese took over Phnom Penh in Jan. 1979. These documents are supplemented by interviews with survivors and former workers to bring to life the story of a people consumed in a course of auto-genocide. |
| comrade duch welcome to hell: "A Problem from Hell" Samantha Power, 2013-05-14 From former UN Ambassador and author of the New York Times bestseller The Education of an Idealist Samantha Power, the Pulitzer Prize-winning book on America's repeated failure to stop genocides around the world In her prizewinning examination of the last century of American history, Samantha Power asks the haunting question: Why do American leaders who vow never again repeatedly fail to stop genocide? Power, a professor at the Harvard Kennedy School and the former US Ambassador to the United Nations, draws upon exclusive interviews with Washington's top policymakers, thousands of declassified documents, and her own reporting from modern killing fields to provide the answer. A Problem from Hell shows how decent Americans inside and outside government refused to get involved despite chilling warnings, and tells the stories of the courageous Americans who risked their careers and lives in an effort to get the United States to act. A modern classic and an angry, brilliant, fiercely useful, absolutely essential book (New Republic), A Problem from Hell has forever reshaped debates about American foreign policy. Winner of the Pulitzer Prize Winner of the Robert F. Kennedy Book Award Winner of the National Book Critics Circle Award Winner of the J. Anthony Lukas Book Prize Winner of the Anisfield-Wolf Book Award Winner of the Raphael Lemkin Award |
| comrade duch welcome to hell: Cambodian Buddhism Ian Harris, 2008-03-11 The study of Cambodian religion has long been hampered by a lack of easily accessible scholarship. This impressive new work by Ian Harris thus fills a major gap and offers English-language scholars a booklength, up-to-date treatment of the religious aspects of Cambodian culture. Beginning with a coherent history of the presence of religion in the country from its inception to the present day, the book goes on to furnish insights into the distinctive nature of Cambodia's important yet overlooked manifestation of Theravada Buddhist tradition and to show how it reestablished itself following almost total annihilation during the Pol Pot period. Historical sections cover the dominant role of tantric Mahayana concepts and rituals under the last great king of Angkor, Jayavarman VII (1181–c. 1220); the rise of Theravada traditions after the collapse of the Angkorian civilization; the impact of foreign influences on the development of the nineteenth-century monastic order; and politicized Buddhism and the Buddhist contribution to an emerging sense of Khmer nationhood. The Buddhism practiced in Cambodia has much in common with parallel traditions in Thailand and Sri Lanka, yet there are also significant differences. The book concentrates on these and illustrates how a distinctly Cambodian Theravada developed by accommodating itself to premodern Khmer modes of thought. Following the overthrow of Prince Sihanouk in 1970, Cambodia slid rapidly into disorder and violence. Later chapters chart the elimination of institutional Buddhism under the Khmer Rouge and its gradual reemergence after Pol Pot, the restoration of the monastic order's prerevolutionary institutional forms, and the emergence of contemporary Buddhist groupings. |
| comrade duch welcome to hell: Millennialism, Persecution, and Violence Catherine Wessinger, 2000 In this book a cross-cultural and comparative volume, Catherine Wessinger reveal three patterns within millennial groups that are not mutually exclusive: assaulted millennial groups which are attacked by outsiders who fear and misunderstand the religion, fragile millennial groups that initiate violence to preserve the religious goal, and revolutionary millennial groups possessing an ideology that sanctions violece. |
| comrade duch welcome to hell: Forest of Struggle Eve Zucker, 2013-04-30 In a village community in the highlands of Cambodia’s Southwest, people struggle to rebuild their lives after nearly thirty years of war and genocide. Recovery is a tenuous process as villagers attempt to shape a future while contending with the terrible rupture of the Pol Pot era. Forest of Struggle tracks the fragile progress of restoring the bonds of community in O’Thmaa and its environs, the site of a Khmer Rouge base and battlefield for nearly three decades between 1970 and 1998. Anthropologist Eve Zucker’s ethnographic fieldwork (2001–2003, 2010) uncovers the experiences of the people of O’Thmaa in the early days of the revolution, when some villagers turned on each other with lethal results. She examines memories of violence and considers the means by which relatedness and moral order are re-established, comparing O’Thmaa with villages in a neighboring commune that suffered similar but not identical trauma. Zucker argues that those differing experiences shape present ways of healing and making the future. Events had a devastating effect on the social and moral order at the time and continue to impair the remaking of sociality and civil society today, impacting villagers’ responses to changes in recent years. More positively, Zucker persuasively illustrates how Cambodians employ indigenous means to reconcile their painful memories of loss and devastation. This point is noteworthy given current debates on recovery surrounding the Khmer Rouge Tribunal. Forest of Struggle offers a compelling case study that is relevant to anyone interested in post-conflict recovery, social memory, the anthropology of morality and violence, and Cambodia studies. |
| comrade duch welcome to hell: Forest Life and Forest Trees John S. Springer, 1851 |
| comrade duch welcome to hell: Golden Bones Sichan Siv, 2009-10-06 While the United States battled the Communists of North Vietnam in the 1960s and '70s, the neighbouring country of Cambodia was attacked from within by dictator Pol Pot and the Khmer Rouge. The Khmer Rouge imprisoned, enslaved, and murdered the educated and intellectual members of the population, resulting in the harrowing killing fields–rice paddies where the harvest yielded nothing but millions of skulls. Young Sichan Siv–a target since he was a university graduate–was told by his mother to run and never give up hope! Captured and put to work in a slave labor camp, Siv knew it was only a matter of time before he would be worked to death–or killed. With a daring escape from a logging truck and a desperate run for freedom through the jungle, including falling into a dreaded pungi pit, Siv finally came upon a colorfully dressed farmer who said, Welcome to Thailand. He spent months teaching English in a refugee camp in Thailand while regaining his strength, eventually Siv was allowed entry into the United States. Upon his arrival in the U.S., Siv kept striving. Eventually rising to become a U.S. ambassador to the United Nations, Siv returned with great trepidation to the killing fields of Cambodia in 1992 as a senior representative of the U.S. government. It was an emotionally overwhelming visit. |
| comrade duch welcome to hell: Czech and Slovak Cinema Peter Hames, 2010-08-09 Examines the key themes and traditions of Czech and Slovak cinema, linking inter-war and post-war cinemas together with developments in the post-Communist period. |
| comrade duch welcome to hell: The Vertigo Years Philipp Blom, 2010-11-02 Examines how changes from the Industrial Revolution prior to World War I brought about radical transformation in society, changes in education, and massive migration in population that led to one of the bloodiest events in history. |
| comrade duch welcome to hell: The CNT in the Spanish Revolution José Peirats, 2001 The most detailed history to date of the million-strong revolutionary trade union, the CNT, and of its grassroots supporters who, in July 1936, embarked upon the most far-reaching of all 20th century revolutionary experiments. It is the history of the giddy years of political change and hope in 1930s Spain, when the so-called 'Generation of 36, ' Peirats's own generation, rose up against the oppressive structures of Spanish society. It is also a history of a revolution that failed, crushed in the jaws of its enemies on both the democratic-left and the reactionary right. Containing a bounty of original documents produced by the trade unions, revolutionary assemblies and rural and industrial collectives of the 1930s, many of which are unavailable elsewhere, and all translated into English for the first time, Peirats explores the new social, economic and cultural arrangements that were introduced in the streets, fields and factories of republican Spain. A staggering work - fully indexed and footnoted, with 20 pages of photographs. Superlatives like mandatory and monumental really fail to do this justice. A vital book about a crucial era in history. |
| comrade duch welcome to hell: Representing Genocide Rebecca Jinks, 2016-06-02 This book explores the diverse ways in which Holocaust representations have influenced and structured how other genocides are understood and represented in the West. Rebecca Jinks focuses in particular on the canonical 20th century cases of genocide: Armenia, Cambodia, Bosnia, and Rwanda. Using literature, film, photography, and memorialisation, she demonstrates that we can only understand the Holocaust's status as a 'benchmark' for other genocides if we look at the deeper, structural resonances which subtly shape many representations of genocide. Representing Genocide pursues five thematic areas in turn: how genocides are recognised as such by western publics; the representation of the origins and perpetrators of genocide; how western witnesses represent genocide; representations of the aftermath of genocide; and western responses to genocide. Throughout, the book distinguishes between 'mainstream' and other, more nuanced and engaged, representations of genocide. It shows how these mainstream representations – the majority – largely replicate the representational framework of the Holocaust, including the way in which mainstream Holocaust representations resist recognising the rationality, instrumentality and normality of genocide, preferring instead to present it as an aberrant, exceptional event in human society. By contrast, the more engaged representations – often, but not always, originating from those who experienced genocide – tend to revolve around precisely genocide's ordinariness, and the structures and situations common to human society which contribute to and become involved in the violence. |
| comrade duch welcome to hell: Rookwood William Harrison Ainsworth, 1878 |
| comrade duch welcome to hell: The Khmer Rouge Nhem Boraden, 2013-07-19 This book provides a comprehensive yet concise narrative of the history of the Khmer Rouge, from its inception during the 1950s through its eventual reintegration into Cambodian society in 1998. The Khmer Rouge: Ideology, Militarism, and the Revolution That Consumed a Generation examines the entire organizational life of the Khmer Rouge, looking at it from both a societal and organizational perspective. The chapters cover each pivotal period in the history of the Khmer Rouge, explaining how extreme militarism, organizational dynamics, leadership policies, and international context all conspired to establish, maintain, and destroy the Khmer Rouge as an organization. The work goes beyond inspecting the actions of a few key leadership individuals to describe the interaction among different groups of elites as well as the ideologies and culture that formed the structural foundation of the organization. |
| comrade duch welcome to hell: A Short History of Cambodia John Tully, 2006 In this concise and compelling history, Cambodia's past is described in vivid detail, from the richness of the Angkorean empire through the dark ages of the 18th and early-19th centuries, French colonialism, independence, the Vietnamese conflict, the Pol Pot regime, and its current incarnation as a troubled democracy. With energetic writing and passion for the subject, John Tully covers the full sweep of Cambodian history, explaining why this land of contrasts remains an interesting enigma to the international community. Detailing the depressing record of war, famine, and invasion that ha. |
| comrade duch welcome to hell: Necroperformance Dorota Sajewska, 2019 La 4e de couverture indique : Dorota Sajewska proposes an innovative perspective for looking back at the formative process of Polish modernity, and delves into repressed areas of experience connected with World War I and the ensuing emancipatory movements. The book shows that underpinning modern Polish nationhood, is both a romantic myth of independence and a horror of fratricidal war. Searching for traces of memory in precarious bodies inflicted with the violence of war, Necroperformance asks us to acknowledge the fragility of life as it actively reinforces an attitude of respect for the right to live. Sajewska's chief objective is to understand the social impact of remains - of the abject body (dead, wounded, disfigured, despoiled by violence) - its place in culture and its agency. These are remains like the body of Rosa Luxemburg, which opens the book's narrative - a woman, a Jew, a Polish-German communist activist who was imprisoned, persecuted, murdered, and desecrated after death. This alternative archive becomes a basis for thought on a new anthropology rooted in the experience of the Great War and recorded in the formule of modern theatre. |
| comrade duch welcome to hell: Traveler’s Diary: Searching for Pol Pot’s Cremation Site and Above Ground Tomb at Anlong Vend, Cambodia David Myhra PhD, 2013-09-28 In April of 1975, radical Marxist Pol Pot and his “Khmer Rouge” overthrew Cambodian government and King Norodom and proclaimed “This is now year zero for Cambodia” and that it’s society was about to be “purified”. Capitalism, western culture, city life, religion and all foreign influences were to be extinguished in favor of an outrageous form of peasant Communism. Thus began the four year long “autogenecide” of almost two million Cambodian people that didn’t fit in with Pol Pot and the Khmer rouges’ vision of their “Utopian” society that ended when Pol Pot was tried publicly and imprisoned, where he ultimately died and was cremated on a piles of used car and truck tires and buried in an above ground tomb at Anlong Vend, Cambodia. This is the story of a traveler and his wife’s trip to see the “Killing Fields”, Pot’s tomb and the 1,000 year old temple at Angkor Wat and it’s 50 towers near the city of Siem Reap. The fascinating story of what the travelers learn is told here in text and photographs! |
| comrade duch welcome to hell: Rookwood William Harrison Ainsworth, 1903 |
| comrade duch welcome to hell: Autonomia, New Edition Sylvere Lotringer, Christian Marazzi, 2007-11-21 Edited by Sylvère Lotringer and Christian Marazzi with the direct participation of the main leaders and theorists of the Autonomist movement (including Antonio Negri, Mario Tronti, Franco Piperno, Oreste Scalzone, Paolo Virno, Sergio Bologna, and Franco Berardi), this volume is the only first-hand document and contemporaneous analysis that exists of the most innovative post-'68 radical movement in the West. The movement itself was broken when Autonomia members were falsely accused of (and prosecuted for) being the intellectual masterminds of the Red Brigades; but even after the end of Autonomia, this book remains a crucial testimony of the way this creative, futuristic, neo-anarchistic, postideological, and nonrepresentative political movement of young workers and intellectuals anticipated issues that are now confronting us in the wake of Empire. |
| comrade duch welcome to hell: Genocide, New Perspectives on Its Causes, Courses and Consequences Uğur Ümit Üngör, 2016 This collection gathers a stellar roster of contributors to offer a range of perspectives from different disciplines to attempt to understand the pervasiveness of genocidal violence. |
| comrade duch welcome to hell: When The War Was Over Elizabeth Becker, 1998-11-10 Award-winning journalist Elizabeth Becker started covering Cambodia in 1973 for The Washington Post, when the country was perceived as little more than a footnote to the Vietnam War. Then, with the rise of the Khmer Rouge in 1975 came the closing of the border and a systematic reorganization of Cambodian society. Everyone was sent from the towns and cities to the countryside, where they were forced to labor endlessly in the fields. The intelligentsia were brutally exterminated, and torture, terror, and death became routine. Ultimately, almost two million people—nearly a quarter of the population—were killed in what was one of this century's worst crimes against humanity.When the War Was Over is Elizabeth Becker's masterful account of the Cambodian nightmare. Encompassing the era of French colonialism and the revival of Cambodian nationalism; 1950s Paris, where Khmer Rouge leader Pol Pot received his political education; the killing fields of Cambodia; government chambers in Washington, Paris, Moscow, Beijing, Hanoi, and Phnom Penh; and the death of Pol Pot in 1998; this is a book of epic vision and staggering power. Merging original historical research with the many voices of those who lived through the times and exclusive interviews with every Cambodian leader of the past quarter century, When the War Was Over illuminates the darkness of Cambodia with the intensity of a bolt of lightning. |
| comrade duch welcome to hell: Illustrations Of Shakespeare, And Of Ancient Manners: With Dissertations Francis Douce, 1807 |
| comrade duch welcome to hell: Totalitarian Art and Modernity Mikkel Bolt Rasmussen, Jacob Wamberg, 2010 In spite of the steadily expanding concept of art in the Western world, art made in twentieth-century totalitarian regimes û notably Nazi Germany, fascist Italy and the communist East Bloc countries û is still to a surprising degree excluded from main stream art history and the exhibits of art museums. In contrast to earlier art made to promote princely or ecclesiastical power, this kind of visual culture seems to somehow not fulfill the category of 'true' art, instead being marginalised as propaganda for politically suspect regimes. Totalitarian Art and Modernity wants to modify this displacement, comparing totalitarian art with modernist and avant-garde movements; confronting their cultural and political embeddings; anti writing forth their common genealogies. Its eleven articles include topics as varied as: the concept of totalitarianism and totalitarian art, totalitarian exhibitions, monuments and architecture, forerunners of totalitarian art in romanticism and heroic realism, and diverse receptions of totalitarian art In democratic cultures. |
| comrade duch welcome to hell: Character Sketches of Romance, Fiction and the Drama E. Cobham Brewer, 2019-09-25 Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer |
| comrade duch welcome to hell: The King's Last Song, Or, Kraing Meas Geoff Ryman, 2008 [Ryman] has not so much created as revealed a world in which the promise of redemption takes seed even in horror.--The Boston Globe Sweeping and beautiful. . . . The complex story tears the veil from a hidden world.--The Sunday Times Inordinately readable . . . extraordinary in its detail, color and brutality.--The Independent Ryman has crafted a solid historical novel with an authentic feel for both ancient and modern Cambodia. --Washington DC City Paper Another masterpiece by one of the greatest fiction writers of our time.--Kim Stanley Robinson Ryman's knack for depicting characters; his ability to tell multiple, interrelated stories; and his knowledge of Cambodian history create a rich narrative that looks at Cambodia's killing fields both recent and ancient and Buddhist belief with its desire for transcendence. Recommended for all literary fiction collections. --Library Journal Archeologist Luc Andrade discovers an ancient Cambodian manuscript inscribed on gold leaves but is kidnapped--and the manuscript stolen--by a faction still loyal to the ideals of the brutal Pol Pot regime. Andrade's friends, an ex-Khmer Rouge agent and a young motoboy, embark on a trek across Cambodia to rescue him. Meanwhile, Andrade, bargaining for his life, translates the lost manuscript for his captors. The result is a glimpse into the tremendous and heart-wrenching story of King Jayavarman VII: his childhood, rise to power, marriage, interest in Buddhism, and the initiation of Cambodia's golden age. As Andrade and Jayavarman's stories interweave, the question becomes whether the tale of ancient wisdom can bring hope to a nation still suffering from the violent legacy of the last century. Geoff Ryman is the author of the novels Air (winner of Arthur C Clarke and James Tiptree awards) and The Unconquered Country (a World Fantasy Award winner). Canadian by birth, he has lived in Cambodia and Brazil and now teaches creative writing at the University of Manchester in England. |
| comrade duch welcome to hell: Heroes of Horror James Wyatt, Ari Marmell, C. A. Suleiman, 2005 The essential handbook integrating fear and horror into D&D play, this guide provides everything Dungeon Masters need to run a horror-oriented campaign or integrate elements of creepiness and tension into their existing campaigns. |
| comrade duch welcome to hell: The Immigrant Press and Its Control Robert Ezra Park, 2022-10-27 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| comrade duch welcome to hell: Sixty Folk-Tales Albert Henry Wratislaw, 2017-04-25 Sixty Folk-tales - From Exclusively Slavonic Sources is an unchanged, high-quality reprint of the original edition of 1889. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future. |
| comrade duch welcome to hell: A Maranao dictionary Howard McKaughan, Batua Macaraya, 1996 |
| comrade duch welcome to hell: The Road to Liège Gustave Somville, 1916 |
| comrade duch welcome to hell: Stan Brakhage David James, 2011-01-19 The art and legacy of a towering figure in the independent film movement. |
| comrade duch welcome to hell: Critique of the German Intelligentsia , 1993 An historical critique of the German intelligentsia in the First World War. Addresses the cultural and political distinctiveness of the German intelligentsia, the corrupting influence of Germany's intellectual isolation from Western-Europe and America, and its lack of a democratic ethos. |
| comrade duch welcome to hell: The Five Books of Gargantua and Pantagruel François Rabelais, 1944 |
| comrade duch welcome to hell: Buoyant Billions, Farfetched Fables, & Shakes Versus Shav Bernard Shaw, 1951 |
| comrade duch welcome to hell: Comrade Duch on Trial , 2011 |
| comrade duch welcome to hell: Welcome to Hell Jörg Kroschel, 2018 |
| comrade duch welcome to hell: Hell Gette - welcome to hell , 2023 |
| comrade duch welcome to hell: Welcome to Hell. A. L. Stephens, 2019-03 |
| comrade duch welcome to hell: Welcome to Hell! , 2021 |
| comrade duch welcome to hell: Welcome to Hell Clyde Carswell, 2022-02-14 Welcome To Hell presents short stories about the challenges we face on Earth. Empirical evidence abounds that our planet is a type of hell disguised by stunning landscapes and convenient words like love and charity. From cell phone addiction to religion, nothing is sacred. Journey with me on a quest for truth and reality. |
Comrade - Wikipedia
In political contexts, comrade means a fellow party member. The political use was inspired by the French Revolution, after which it grew into a form of address between socialists and workers. …
COMRADE Definition & Meaning - Merriam-Webster
The meaning of COMRADE is an intimate friend or associate : companion. How to use comrade in a sentence. Did you know?
COMRADE | English meaning - Cambridge Dictionary
COMRADE definition: 1. a friend, especially one who you have been involved in difficult or dangerous, usually military…. Learn more.
COMRADE Definition & Meaning | Dictionary.com
Comrade definition: a person who shares in one's activities, occupation, etc.; companion, associate, or friend.. See examples of COMRADE used in a sentence.
COMRADE definition and meaning | Collins English Dictionary
comrade British English : comrade NOUN / ˈkɒmreɪd / Your comrades are your friends, especially friends that you share a difficult or dangerous situation with.
Comrade - definition of comrade by The Free Dictionary
Define comrade. comrade synonyms, comrade pronunciation, comrade translation, English dictionary definition of comrade. n. 1. A person who shares one's interests or activities; a friend …
comrade - Wiktionary, the free dictionary
Apr 29, 2025 · comrade (third-person singular simple present comrades, present participle comrading, simple past and past participle comraded) (intransitive) To associate with someone …
comrade, n. meanings, etymology and more - Oxford English …
There are seven meanings listed in OED's entry for the noun comrade. See ‘Meaning & use’ for definitions, usage, and quotation evidence.
Comrade - Definition, Meaning & Synonyms - Vocabulary.com
Your close friend or associate is your comrade. Teenagers often prefer seeing movies with a comrade or two, rather than with their parents. Comrade sometimes refers to a fellow soldier, …
comrade noun - Definition, pictures, pronunciation and usage …
Definition of comrade noun from the Oxford Advanced Learner's Dictionary. a person who is a member of the same communist or socialist political party as the person speaking. We must …
Comrade - Wikipedia
In political contexts, comrade means a fellow party member. The political use was inspired by the French Revolution, after which it grew into a form of address between socialists and workers. …
COMRADE Definition & Meaning - Merriam-Webster
The meaning of COMRADE is an intimate friend or associate : companion. How to use comrade in a sentence. Did you know?
COMRADE | English meaning - Cambridge Dictionary
COMRADE definition: 1. a friend, especially one who you have been involved in difficult or dangerous, usually military…. Learn more.
COMRADE Definition & Meaning | Dictionary.com
Comrade definition: a person who shares in one's activities, occupation, etc.; companion, associate, or friend.. See examples of COMRADE used in a sentence.
COMRADE definition and meaning | Collins English Dictionary
comrade British English : comrade NOUN / ˈkɒmreɪd / Your comrades are your friends, especially friends that you share a difficult or dangerous situation with.
Comrade - definition of comrade by The Free Dictionary
Define comrade. comrade synonyms, comrade pronunciation, comrade translation, English dictionary definition of comrade. n. 1. A person who shares one's interests or activities; a …
comrade - Wiktionary, the free dictionary
Apr 29, 2025 · comrade (third-person singular simple present comrades, present participle comrading, simple past and past participle comraded) (intransitive) To associate with someone …
comrade, n. meanings, etymology and more - Oxford English …
There are seven meanings listed in OED's entry for the noun comrade. See ‘Meaning & use’ for definitions, usage, and quotation evidence.
Comrade - Definition, Meaning & Synonyms - Vocabulary.com
Your close friend or associate is your comrade. Teenagers often prefer seeing movies with a comrade or two, rather than with their parents. Comrade sometimes refers to a fellow soldier, …
comrade noun - Definition, pictures, pronunciation and usage …
Definition of comrade noun from the Oxford Advanced Learner's Dictionary. a person who is a member of the same communist or socialist political party as the person speaking. We must …
