Advertisement
| comfort woman nora okja keller: Comfort Woman Nora Okja Keller, 1998-03-01 Possessing a wisdom and maturity rarely found in a first novelist, Korean-American writer Nora Okja Keller tells a heartwrenching and enthralling tale in this, her literary debut. Comfort Woman is the story of Akiko, a Korean refugee of World War II, and Beccah, her daughter by an American missionary. The two women are living on the edge of society—and sanity—in Honolulu, plagued by Akiko's periodic encounters with the spirits of the dead, and by Beccah's struggles to reclaim her mother from her past. Slowly and painfully Akiko reveals her tragic story and the horrifying years she was forced to serve as a comfort woman to Japanese soldiers. As Beccah uncovers these truths, she discovers her own strength and the secret of the powers she herself possessed—the precious gifts her mother has given her. A San Francisco Chronicle bestseller In 1995, Nora Okja Keller received the Pushcart Prize for Mother Tongue, a piece that is part of Comfort Woman. |
| comfort woman nora okja keller: Fox Girl Nora Okja Keller, 2003-03-25 Nora Okja Keller, the acclaimed author of Comfort Woman, tells the shocking story of a group of young people abandoned after the Korean War. At the center of the tale are two teenage girls—Hyun Jin and Sookie, a teenage prostitute kept by an American soldier—who form a makeshift family with Lobetto, a lost boy who scrapes together a living running errands and pimping for neighborhood girls. Both horrifying and moving, Fox Girl at once reveals another layer of war's human detritus and the fierce love between a mother and daughter. |
| comfort woman nora okja keller: Comfort Women Speak Sangmie Choi Schellstede, 2000 Contributing to the continuing revelations, 19 women tell their stories of being forced into sexual service for Japanese soldiers during World War II. Also included are excerpts of United Nations reports and other recent commentary. The account begins the series Science and Human Rights. Annotation copyrighted by Book News Inc., Portland, OR |
| comfort woman nora okja keller: A Gesture Life Chang-rae Lee, 2000-10-01 The second novel from the critically acclaimed New York Times–bestselling author Chang-rae Lee. His remarkable debut novel was called rapturous (The New York Times Book Review), revelatory (Vogue), and wholly innovative (Kirkus Reviews). It was the recipient of six major awards, including the prestigious Hemingway Foundation/PEN award. Now Chang-rae Lee has written a powerful and beautifully crafted second novel that leaves no doubt about the extraordinary depth and range of his talent. A Gesture Life is the story of a proper man, an upstanding citizen who has come to epitomize the decorous values of his New York suburban town. Courteous, honest, hardworking, and impenetrable, Franklin Hata, a Japanese man of Korean birth, is careful never to overstep his boundaries and to make his neighbors comfortable in his presence. Yet as his story unfolds, precipitated by the small events surrounding him, we see his life begin to unravel. Gradually we learn the mystery that has shaped the core of his being: his terrible, forbidden love for a young Korean Comfort Woman when he served as a medic in the Japanese army during World War II. In A Gesture Life, Chang-rae Lee leads us with dazzling control through a taut, suspenseful story about love, family, and community—and the secrets we harbor. As in Native Speaker, he writes of the ways outsiders conform in order to survive and the price they pay for doing so. It is a haunting, breathtaking display of talent by an acclaimed young author. |
| comfort woman nora okja keller: Comfort Woman Maria Rosa Henson, 2016-09-22 From Comfort Woman: “We began the day with breakfast, after which we swept and cleaned our rooms. Then we went to the bathroom downstairs to wash the only dress we had and to bathe. The bathroom did not even have a door, so the soldiers watched us. We were all naked, and they laughed at us, especially me and the other young girl who did not have any pubic hair. “At two, the soldiers came. My work began, and I lay down as one by one the soldiers raped me. Every day, anywhere from twelve to over twenty soldiers assaulted me. There were times when there were as many as thirty; they came to the garrison in truckloads.” “I lay on the bed with my knees up and my feet on the mat, as if I were giving birth. Whenever the soldiers did not feel satisfied, they vented their anger on me. Every day, there were incidents of violence and humiliation. When the soldiers raped me, I felt like a pig. Sometimes they tied up my right leg with a waist band or a belt and hung it on a nail in the wall as they violated me. “I shook all over. I felt my blood turn white. I heard that there was a group called the Task Force on Filipino Comfort Women looking for women like me. I could not forget the words that blared out of the radio that day: 'Don't be ashamed, being a sex slave is not your fault. It is the responsibility of the Japanese Imperial Army. Stand up and fight for your rights.'” In April 1943, fifteen-year-old Maria Rosa Henson was taken by Japanese soldiers occupying the Philippines and forced into prostitution as a “comfort woman.” In this simply told yet powerfully moving autobiography, Rosa recalls her childhood as the illegitimate daughter of a wealthy landowner, her work for Huk guerrillas, her wartime ordeal, and her marriage to a rebel leader who left her to raise their children alone. Her triumph against all odds is embodied by her decision to go public with the secret she had held close for fifty years. Now in a second edition with a new introduction and foreword that bring the ongoing controversy over the comfort women to the present, this powerful memoir will be essential reading for all those concerned with violence against women. |
| comfort woman nora okja keller: Nanjing Requiem Ha Jin, 2012-10-02 It’s 1937, and the Japanese are poised to invade Nanjing. Minnie Vautrin, an American missionary and the dean of Jinling Women’s College, decides to remain at the school, convinced that her American citizenship will help her safeguard the welfare of the Chinese men and women who work there. She is painfully mistaken. In the aftermath of the invasion, the school becomes a refugee camp for more than ten thousand homeless women and children, and Vautrin must struggle, day after day, to intercede on the behalf of the hapless victims. Yet even when order and civility are restored, she remains deeply embattled, always haunted by the lives she could not save. At once a searing story that unfurls during one of the darkest moments of the twentieth century and an indelible portrait of a singular and brave woman, Nanjing Requiem is another tour de force from the National Book Award-winning author of Waiting. |
| comfort woman nora okja keller: Seaweed and Shamans Brenda Paik Sunoo, 2006 Literary Nonfiction. Asian American Studies. Memoir. Heartfelt and at times heart-rending, SEAWEED AND SHAMANS details Brenda Paik Sunoo's journey through grief into solace. Written with courage and generosity, her collection of essays traverses personal memory and Korean-American history, as well as the thoughts and drawings garnered from diary entries of the child she lost. A testimony to the endurance of faith and art, life and love. SEAWEED AND SHAMANS is a gift of healing--Nora Okja Keller, author of Comfort Woman and Fox Girl. |
| comfort woman nora okja keller: Bridges to Memory Maria Rice Bellamy, 2015-12-04 Tracing the development of a new genre in contemporary American literature that was engendered in the civil rights, feminist, and ethnic empowerment struggles of the 1960s and 1970s, Bridges to Memory shows how these movements authorized African American and ethnic American women writers to reimagine the traumatic histories that form their ancestral inheritance and define their contemporary identities. Drawing on the concept of postmemory—a paradigm developed to describe the relationship that children of Holocaust survivors have to their parents' traumatic experiences—Maria Bellamy examines narrative representations of this inherited form of trauma in the work of contemporary African American and ethnic American women writers. Focusing on Gayl Jones's Corregidora, Octavia Butler's Kindred, Phyllis Alesia Perry's Stigmata, Cristina García's Dreaming in Cuban, Nora Okja Keller's Comfort Woman, and Edwidge Danticat's The Dew Breaker, Bellamy shows how cultural context determines the ways in which traumatic history is remembered and transmitted to future generations. Taken together, these narratives of postmemory manifest the haunting presence of the past in the present and constitute an archive of textual witness and global relevance that builds cross-cultural understanding and ethical engagement with the suffering of others. |
| comfort woman nora okja keller: Asian North American Identities Eleanor Rose Ty, Donald C. Goellnicht, 2004 The nine essays in Asian North American Identities explore how Asian North Americans are no longer caught between worlds of the old and the new, the east and the west, and the south and the north. Moving beyond national and diasporic models of ethnic identity to focus on the individual feelings and experiences of those who are not part of a dominant white majority, the essays collected here draw from a wide range of sources, including novels, art, photography, poetry, cinema, theatre, and popular culture. The book illustrates how Asian North Americans are developing new ways of seeing and thinking about themselves by eluding imposed identities and creating spaces that offer alternative sites from which to speak and imagine. Contributors are Jeanne Yu-Mei Chiu, Patricia Chu, Rocio G. Davis, Donald C. Goellnicht, Karlyn Koh, Josephine Lee, Leilani Nishime, Caroline Rody, Jeffrey J. Santa Ana, Malini Johar Schueller, and Eleanor Ty. |
| comfort woman nora okja keller: Yobo Nora Okja Keller, 2003 Cultural Writing. Poetry. Fiction. Asian American Studies. This special issue of Bamboo Ridge (No. 82) is guest edited by Nora Okja Keller (Comfort Woman, Fox Girl), Brenda Kwon, Sun Namkung, Gary Pak (The Watcher of Waipuna, The Ricepaper Airplane), and Cathy Song (Picture Bride, The Land of Bliss). Contributors include HONOLULU Magazine editor-at-large David K. Choo, Ploughshares editor Don Lee (Yellow), Chris McKinney (The Tattoo, The Queen of Tears), and former Hawai'i State Representative Jackie Young. From the earliest plantation experiences to modern life and culture in the 50th state, topics explored by the writers chronicle the Korean-American experience through evocative essays, poetry, and prose. |
| comfort woman nora okja keller: True Stories of the Korean Comfort Women Han'guk Chŏngsindae Munje Taech'aek Hyŏbŭihoe, 1995 This book comprises a collection of life stories originally published in 1993 in Korean as Kangjero kkŭllyŏgan Chosŏnin kunwianbudŭl [The Korean comfort women who were coercively dragged away for the military]. |
| comfort woman nora okja keller: Tell This Silence Patti Duncan, 2009-05 Tell This Silence by Patti Duncan explores multiple meanings of speech and silence in Asian American women's writings in order to explore relationships among race, gender, sexuality, and national identity. Duncan argues that contemporary definitions of U.S. feminism must be expanded to recognize the ways in which Asian American women have resisted and continue to challenge the various forms of oppression in their lives. There has not yet been adequate discussion of the multiple meanings of silence and speech, especially in relation to activism and social-justice movements in the U.S. In particular, the very notion of silence continues to invoke assumptions of passivity, submissiveness, and avoidance, while speech is equated with action and empowerment. However, as the writers discussed in Tell This Silence suggest, silence too has multiple meanings especially in contexts like the U.S., where speech has never been a guaranteed right for all citizens. Duncan argues that writers such as Maxine Hong Kingston, Mitsuye Yamada, Joy Kogawa, Theresa Hak Kyung Cha, Nora Okja Keller, and Anchee Min deploy silence as a means of resistance. Juxtaposing their “unofficial narratives” against other histories—official U.S. histories that have excluded them and American feminist narratives that have stereotyped them or distorted their participation—they argue for recognition of their cultural participation and offer analyses of the intersections among gender, race, nation, and sexuality. Tell This Silence offers innovative ways to consider Asian American gender politics, feminism, and issues of immigration and language. This exciting new study will be of interest to literary theorists and scholars in women's, American, and Asian American studies. |
| comfort woman nora okja keller: Flicker Theodore Roszak, 2005 From the golden age of art movies and underground cinema to X-rated porn, splatter films, and midnight movies, this breathtaking thriller is a tour de force of cinematic fact and fantasy, full of metaphysical mysteries that will haunt the dreams of every moviegoer. Jonathan Gates could not have anticipated that his student studies would lead him to uncover the secret history of the movies--a tale of intrigue, deception, and death that stretches back to the 14th century. But he succumbs to what will be a lifelong obsession with the mysterious Max Castle, a nearly forgotten genius of the silent screen who later became the greatest director of horror films, only to vanish in the 1940s, at the height of his talent. Now, 20 years later, as Jonathan seeks the truth behind Castle's disappearance, the innocent entertainments of his youth--the sexy sirens, the screwball comedies, the high romance--take on a sinister appearance. His tortured quest takes him from Hollywood's Poverty Row into the shadowy lore of ancient religious heresies. He encounters a cast of exotic characters, including Orson Welles and John Huston, who teach him that there's more to film than meets the eye, and journeys through the dark side of nostalgia, where the Three Stooges and Shirley Temple join company with an alien god whose purposes are anything but entertainment. |
| comfort woman nora okja keller: The Comfort Women C. Sarah Soh, 2020-05-15 In an era marked by atrocities perpetrated on a grand scale, the tragedy of the so-called comfort women—mostly Korean women forced into prostitution by the Japanese army—endures as one of the darkest events of World War II. These women have usually been labeled victims of a war crime, a simplistic view that makes it easy to pin blame on the policies of imperial Japan and therefore easier to consign the episode to a war-torn past. In this revelatory study, C. Sarah Soh provocatively disputes this master narrative. Soh reveals that the forces of Japanese colonialism and Korean patriarchy together shaped the fate of Korean comfort women—a double bind made strikingly apparent in the cases of women cast into sexual slavery after fleeing abuse at home. Other victims were press-ganged into prostitution, sometimes with the help of Korean procurers. Drawing on historical research and interviews with survivors, Soh tells the stories of these women from girlhood through their subjugation and beyond to their efforts to overcome the traumas of their past. Finally, Soh examines the array of factors— from South Korean nationalist politics to the aims of the international women’s human rights movement—that have contributed to the incomplete view of the tragedy that still dominates today. |
| comfort woman nora okja keller: Lolas' House M. Evelina Galang, 2017-09-15 During World War II more than one thousand Filipinas were kidnapped by the Imperial Japanese Army. Lolas’ House tells the stories of sixteen surviving Filipino “comfort women.” M. Evelina Galang enters into the lives of the women at Lolas’ House, a community center in metro Manila. She accompanies them to the sites of their abduction and protests with them at the gates of the Japanese embassy. Each woman gives her testimony, and even though the women relive their horror at each telling, they offer their stories so that no woman anywhere should suffer wartime rape and torture. Lolas’ House is a book of testimony, but it is also a book of witness, of survival, and of the female body. Intensely personal and globally political, it is the legacy of Lolas’ House to the world. |
| comfort woman nora okja keller: One Left Kim Soom, 2020-09-15 A powerful tale of trauma and endurance that transformed a nation’s understanding of Korean comfort women During the Pacific War, more than 200,000 Korean girls were forced into sexual servitude for Japanese soldiers. They lived in horrific conditions in “comfort stations” across Japanese-occupied territories. Barely 10 percent survived to return to Korea, where they lived as social outcasts. Since then, self-declared comfort women have come forward only to have their testimonies and calls for compensation largely denied by the Japanese government. Kim Soom tells the story of a woman who was kidnapped at the age of thirteen while gathering snails for her starving family. The horrors of her life as a sex slave follow her back to Korea, where she lives in isolation gripped by the fear that her past will be discovered. Yet, when she learns that the last known comfort woman is dying, she decides to tell her there will still be “one left” after her passing, and embarks on a painful journey. One Left is a provocative, extensively researched novel constructed from the testimonies of dozens of comfort women. The first Korean novel devoted to this subject, it rekindled conversations about comfort women as well as the violent legacies of Japanese colonialism. This first-ever English translation recovers the overlooked and disavowed stories of Korea’s most marginalized women. |
| comfort woman nora okja keller: Haunting the Korean Diaspora Grace M. Cho, 2008 Since the Korean Wara the forgotten wara more than a million Korean women have acted as sex workers for U.S. servicemen. More than 100,000 women married GIs and moved to the United States. Through intellectual vigor and personal recollection, Haunting the Korean Diaspora explores the repressed history of emotional and physical violence between the United States and Korea and the unexamined reverberations of sexual relationships between Korean women and American soldiers. |
| comfort woman nora okja keller: Somebody's Daughter Marie Myung-Ok Lee, 2006-04-01 A heartwarming and heartbreaking* story of a Korean American girl's search for her roots Somebody's Daughter is the story of nineteen-year-old Sarah Thorson, who was adopted as a baby by a Lutheran couple in the Midwest. After dropping out of college, she decides to study in Korea and becomes more and more intrigued by her Korean heritage, eventually embarking on a crusade to find her birth mother. Paralleling Sarah's story is that of Kyung-sook, who was forced by difficult circumstances to let her baby be swept away from her immediately after birth, but who has always longed for her lost child. |
| comfort woman nora okja keller: Flying Home Ralph Ellison, 2011-06-01 These 13 stories by the author of The Invisible Man approach the elegance of Chekhov (Washington Post) and provide early explorations of (Ellison's) lifelong fascination with the 'complex fate' and 'beautiful absurdity' of American identity (John Callahan). First serial to The New Yorker. NPR sponsorship. |
| comfort woman nora okja keller: Cultural Haunting Kathleen Brogan, 1998 In this text, Kathleen Brogan makes the case that the recent preoccupation with ghosts stems not from a lingering interest in Gothic themes, but instead from a whole new genre in American literature that she calls 'the story of cultural haunting'. |
| comfort woman nora okja keller: The Alley of Love and Yellow Jasmines Shohreh Aghdashloo, 2013-06-04 Oscar nominee and Emmy Award–winning actress Shohreh Aghdashloo shares her remarkable personal journey—from a childhood in the Shah’s Iran to the red carpets of Hollywood—in The Alley of Love and Yellow Jasmines, a dazzling memoir of family, faith, and hope. When Shohreh Aghdashloo was growing up in Teheran, stardom was a distant dream, especially since her parents had more practical plans for their daughter… When revolution swept Iran in 1978, the Ayatollah Khomeini’s religious regime brought stifling restrictions on women and art. Shohreh Aghdashloo seized the moment and boldly left her husband for Europe and eventually, America, a vastly different culture. Shohreh Aghdashloo writes poignantly about her struggles as an outsider in a new culture—as a woman, a Muslim, and a Persian—adapting to a new land and a new language, and shares behind-the-scenes stories about what it’s really like to be an actress in Hollywood. The Alley of Love and Yellow Jasmines includes original color photographs from the author. |
| comfort woman nora okja keller: Water Ghosts Shawna Yang Ryan, 2009-04-16 A mesmerizing debut novel that weaves history and mythology around a community of Chinese immigrants and the ghosts that haunt them Locke, California, 1928. Three bedraggled Chinese women appear out of the mist in a small Chinese farming town on the Sacramento River. Two are unknown to its residents, while the third is the long-lost wife of Richard Fong, the handsome manager of the local gambling parlor. As the lives of the townspeople become inextricably intertwined with the newly arrived women, their frightening power is finally revealed. A lyrical imagining of what happens when a Chinese ghost story comes true, Water Ghosts is a rich tale of human passions and mingling cultures that will appeal to readers of Lisa See, Anchin Min, and Gail Tsukiyama. |
| comfort woman nora okja keller: Yell-oh Girls! , 2008 |
| comfort woman nora okja keller: Siva And Her Sisters Karin Kapadia, 1998-04-17 This book examines two subordinated groups—“untouchables” and women—in a village in Tamilnadu, South India. The lives and work of “untouchable” women in this village provide a unique analytical focus that clarifies the ways in which three axes of identity—gender, caste, and class—are constructed in South India. Karin Kapadia argues that subordinated groups do not internalize the values of their masters but instead reject them in innumerable subtle ways.Kapadia contends that elites who hold economic power do not dominate the symbolic means of production. Looking at the everyday practices, rituals, and cultural discourses of Tamil low castes, she shows how their cultural values repudiate the norms of Brahminical elites. She also demonstrates that caste and class processes cannot be fully addressed without considering their interrelationship with gender. |
| comfort woman nora okja keller: Blu's Hanging Lois-Ann Yamanaka, 2025-05-06 The much anticipated reprint of Yamanaka's giddy, bawdy, and genuinely moving (Kirkus Reviews) novel about a young girl's fierce love for her family on the Hawaiian island of Moloka'i In the wake of their mother's death, the three Ogata children grow up fast. As their Poppy withdraws into a grief-stricken stupor, eldest daughter Ivah is left taking care of her siblings: Maisie, her timid sister who hasn't said a word since their loss; and Blu, her reckless brother whose childhood romance risks exposing him to new dangers. All that's holding the Ogatas together is 12-year-old Ivah's single-minded determination, but she must ultimately decide whether the future she wants for herself is on Moloka'i or beyond its shores. Through the rich, multivocal pidgin of Hawai'i, Lois-Ann Yamanaka offers an unvarnished look at a life where music, poverty and love share the same home. Originally published in 1997 and now back in print, Blu's Hanging shines with humor and expressiveness even as it shows the brutal toll of an adolescence haunted by loss. This new edition includes an interview with Yamanaka about her career and the controversies surrounding this novel, along with a contextualizing afterword by Asian American scholar Erin Khuê Ninh. Born in Hawai'i and raised in Moloka'i, Honolulu-based author Lois-Ann Yamanaka (born 1961) has won a Lannan Literary Award, an Asian American Literary Award and an American Book Award. |
| comfort woman nora okja keller: The Memoirs of Lady Hyegyong JaHyun Kim Haboush, 2013-09-14 Lady Hyegyong's memoirs, which recount the chilling murder of her husband by his father, form one of the best known and most popular classics of Korean literature. From 1795 until 1805 Lady Hyegyong composed this masterpiece, depicting a court life Shakespearean in its pathos, drama, and grandeur. Presented in its social, cultural, and historical contexts, this first complete English translation opens a door into a world teeming with conflicting passions, political intrigue, and the daily preoccupations of a deeply intelligent and articulate woman. JaHyun Kim Haboush's accurate, fluid translation captures the intimate and expressive voice of this consummate storyteller. Reissued nearly twenty years after its initial publication with a new foreword by Dorothy Ko, The Memoirs of Lady Hyegyong is a unique exploration of Korean selfhood and an extraordinary example of autobiography in the premodern era. |
| comfort woman nora okja keller: Chinese Comfort Women Peipei Qiu, Zhiliang Su, Lifei Chen, 2014-07-01 Accountability and redress for Imperial Japan’s wartime “comfort women” have provoked international debate in the past two decades. Yet there has been a dearth of first-hand accounts available in English from the women abducted and enslaved by the Japanese military in Mainland China—the major theatre of the Asia-Pacific War. Chinese Comfort Women features the personal stories of the survivors of this devastating system of sexual enslavement. Offering insight into the conditions of these women’s lives before and after the war, it points to the social, cultural, and political environments that prolonged their suffering. Through personal narratives from twelve Chinese “comfort station” survivors, this book reveals the unfathomable atrocities committed against women during the war and correlates the proliferation of “comfort stations” with the progression of Japan’s military offensive. Drawing on investigative reports, local histories, and witness testimony, Chinese Comfort Women puts a human face on China’s war experience and on the injustices suffered by hundreds of thousands of Chinese women. |
| comfort woman nora okja keller: John Okada Frank Abe, Greg Robinson, Floyd Cheung, 2018-07-03 No-No Boy, John Okada’s only published novel, centers on a Japanese American who refuses to fight for the country that incarcerated him and his people in World War II and, upon release from federal prison after the war, is cast out by his divided community. In 1957, the novel faced a similar rejection until it was rediscovered and reissued in 1976 to become a celebrated classic of American literature. As a result of Okada’s untimely death at age forty-seven, the author’s life and other works have remained obscure. This compelling collection offers the first full-length examination of Okada’s development as an artist, placing recently discovered writing by Okada alongside essays that reassess his lasting legacy. Meticulously researched biographical details, insight from friends and relatives, and a trove of intimate photographs illuminate Okada’s early life in Seattle, military service, and careers as a public librarian and a technical writer in the aerospace industry. This volume is an essential companion to No-No Boy. |
| comfort woman nora okja keller: Consumption and Identity in Asian American Coming-of-Age Novels Jennifer Ho, 2013-09-13 This interdisciplinary study examines the theme of consumption in Asian American literature, connection representations of cooking and eating with ethnic identity formation. Using four discrete modes of identification--historic pride, consumerism, mourning, and fusion--Jennifer Ho examines how Asian American adolescents challenge and revise their cultural legacies and experiment with alternative ethnic affiliations through their relationships to food. |
| comfort woman nora okja keller: Of Women Borne Cynthia R. Wallace, 2016-03-08 The literature of Adrienne Rich, Toni Morrison, Ana Castillo, and Chimamanda Ngozi Adichie teaches a risky, self-giving way of reading (and being) that brings home the dangers and the possibilities of suffering as an ethical good. Working the thought of feminist theologians and philosophers into an analysis of these women's writings, Cynthia R. Wallace crafts a literary ethics attentive to the paradoxes of critique and re-vision, universality and particularity, and reads in suffering a redemptive or redeemable reality. Wallace's approach recognizes the generative interplay between ethical form and content in literature, which helps isolate more distinctly the gendered and religious echoes of suffering and sacrifice in Western culture. By refracting these resonances through the work of feminists and theologians of color, her book also shows the value of broad-ranging ethical explorations into literature, with their power to redefine theories of reading and the nature of our responsibility to art and each other. |
| comfort woman nora okja keller: Making More Waves Elaine H. Kim, Lilia V. Villanueva, Asian Women United of California, 1997 A collection of autobiographical writings, short stories, poetry, essays, and photos by and about Asian American women. |
| comfort woman nora okja keller: Island of Shattered Dreams Chantel Spitz, 2007-09-01 Finally in English, Island of Shattered Dreams is the first ever novel by an indigenous Tahitian writer. In a lyrical and immensely moving style, this book combines a family saga and a doomed love story, set against the background of French Polynesia in the period leading up to the first nuclear tests. The text is highly critical of the French government, and as a result its publication in Tahiti was polarising. |
| comfort woman nora okja keller: Comfort Women Yoshiaki Yoshimi, 2000 Available for the first time in English, this is the definitive account of the practice of sexual slavery the Japanese military perpetrated during World War II by the researcher principally responsible for exposing the Japanese government's responsibility for these atrocities. The large scale imprisonment and rape of thousands of women, who were euphemistically called comfort women by the Japanese military, first seized public attention in 1991 when three Korean women filed suit in a Toyko District Court stating that they had been forced into sexual servitude and demanding compensation. Since then the comfort stations and their significance have been the subject of ongoing debate and intense activism in Japan, much if it inspired by Yoshimi's investigations. How large a role did the military, and by extension the government, play in setting up and administering these camps? What type of compensation, if any, are the victimized women due? These issues figure prominently in the current Japanese focus on public memory and arguments about the teaching and writing of history and are central to efforts to transform Japanese ways of remembering the war. Yoshimi Yoshiaki provides a wealth of documentation and testimony to prove the existence of some 2,000 centers where as many as 200,000 Korean, Filipina, Taiwanese, Indonesian, Burmese, Dutch, Australian, and some Japanese women were restrained for months and forced to engage in sexual activity with Japanese military personnel. Many of the women were teenagers, some as young as fourteen. To date, the Japanese government has neither admitted responsibility for creating the comfort station system nor given compensation directly to former comfort women. This English edition updates the Japanese edition originally published in 1995 and includes introductions by both the author and the translator placing the story in context for American readers. |
| comfort woman nora okja keller: The Science of Breakable Things Tae Keller, 2018-03-06 NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • THE CHICAGO PUBLIC LIBRARY • KIRKUS REVIEWS The spectacular debut novel from the Newbery Award winning author of When You Trap a Tiger. This is an uplifting story about friendship, family, and the complicated science of the heart. When Natalie’s science teacher suggests that she enter an egg drop competition, she thinks it could be the perfect solution to all of her problems. With the prize money, she can fly her botanist mother to see the miraculous Cobalt Blue Orchids--flowers with the resilience to survive against impossible odds. Her mother has been suffering from depression, and Natalie is positive that the flowers’ magic will inspire her mom to fall in love with life again. But she can’t do it alone. Her friends step up to show her that talking about problems is like taking a plant out of a dark cupboard and exposing it to the sun. With their help, Natalie begins an unforgettable journey to discover the science of hope, love, and miracles. |
| comfort woman nora okja keller: All I Asking for Is My Body Milton Murayama, 1988-05-31 From the Afterword by Franklin S. Odo: The most important feature of Milton Murayama's brilliant All I Asking for Is My Body is the quality of the storytelling. It deserves thorough discussion and criticism among literary professionals and students. The work has a further genius, however, in its evocation of several major topics in modern Hawaiian history, specifically during the 1930s, the decade before United States involvement in World War II. I suggest that Murayama’s novel provides us with valuable insights into the worlds of language, sugar plantation history, and the second-generation Japanese Americans, the nisei. . . . Critic Rob Wilson noted: “Part of the accomplishment of the novel is that the language ranges from the vernacular to the literate and standard, and so reflects the cultural and linguistic diversity of Hawaii.” In the novel, Murayama uses standard English and pidgin. In real life, the narrator Kiyo explains, “we spoke four languages: good English in school, pidgin English among ourselves, good or pidgin Japanese to our parents and the other old folks.” The wonder is that Murayama emerged using any one of the languages well. For most, that experience proved to be an insuperable barrier to good creative writing. . . . All I Asking for Is My Body is the most compelling work done on the Hawaii nisei experience. Murayama understood his theme to be “the Japanese family system vs. individualism, the plantation system vs. individualism. And so the environments of the family and the plantation are inseparable from the theme.” Fortunately for us as readers, however, he understood that the story was the key ingredient; that anything less would simply add to the sociological study of the plantation and the Japanese family in Hawaii. |
| comfort woman nora okja keller: Nightshade Annalena McAfee, 2020-03-19 'Engrossing...I loved each and every brushstroke' Ian Rankin 'Nightshade is a glorious novel... full of twisted sexuality, art and power' Observer Could the creative urge be the most destructive - even the deadliest - impulse of all? Could it end in death? Eve Laing, once the muse of an infamous painter, is now - forty years later - an artist herself. But she has sacrificed her career for her family. She resents the global success of her old college roommate. She is slowly unravelling. When Eve embarks on her most ambitious work yet, she takes a wrecking ball to her comfortable life, jettisoning her marriage for a beautiful young lover who seems to share her single-minded creative vision. This timely novel explores sexual politics, asking if the true artist must relinquish the ordinary human need for love and connection to pave the way for desire and ambition, leading to a fatal awakening... |
| comfort woman nora okja keller: Echoes Upon Echoes Elaine H. Kim, Hyun Yi Kang, 2002 Distributed by Temple University Press for the Asian American Writers' Workshop. In this ground-breaking collection of poetry and fiction Korean American literary artists write from and about unexpected places-landscapes and mindscapes of alienation, obsession, conflict, and belonging. They attest to the tension between habitation within and movement across strange terrains, communities, and languages. Author note: Elaine H. Kim is Professor of Asian American Studies and Associate Dean of the Graduate Division at the University of California at Berkeley. She is co-author of Fresh Talk/Daring Gazes: Asian American Visual Art as well as Executive Producer of the video, Labor Woman (Asian Women United of California, 2002). Laura Hyun Yi Kang is Associate Professor of Women's Studies and Comparative Literature at the University of California, Irvine, and the author of Compositional Subjects: Enfiguring Asian/American Women. |
| comfort woman nora okja keller: Companions of the Night Vivian Vande Velde, 2002-09-01 The Edgar Award–winning author of Never Trust a Dead Man puts a terrifying spin on what should be a typical night in a small town. Sixteen-year-old Kerry has got a tough night ahead of her. What begins as a simple lost-and-found trip to the laundromat to rescue her little brother’s stuffed koala bear turns into a nightmarish odyssey of murder, vampires, and—quite possibly—true love. “Interview with a Vampire for the learner's permit set.” —The Horn Book “A freshly written thriller, an offbeat love story, an engaging twist on the vampire novel, and an exciting tale of moral complexity . . . . Point [this] book at the Lois Duncan fans as well as Anne Rice followers, and get out of the way.” —The Bulletin “[Vande Velde] is a master at taking traditional fairy-tale-like themes and making them fresh and totally unique. Companions of the Night . . . does that for the vampire story . . . . The narrative is tightly wound, keeping readers ready for excitement and action.” —Emma Carbone, New York Public Library |
| comfort woman nora okja keller: Legacies of the Comfort Women of World War II Margaret D. Stetz, Bonnie B. C. Oh, 2015-02-12 The stories of the former comfort women have galvanized both Asian and non-Asian intellectuals working in a variety of fields. Scholars of Asian history and politics, feminists, human rights activists, documentary filmmakers, visual artists, and novelists have begun to address the subject of the comfort system; to take up the cause of the surviving comfort women's sturggles; to call attention to sexual violence against women, especially during wartime; to consider the links among militarism, racism, imperialism, and sexism; and to include this history into 20th-century political history. This volume contains a cross-section of responses to the issues raised by the former comfort women and their new visibility on the international stage. Its focus is on how theorists, historians, researchers, activists, and artists have been preserving, interpreting, and disseminating the legacies of the comfort women and also drawing lessons from these. The essays consider the impact and influence of the comfort women's stories on a wide variety of fields and describe how those stories are now being heard or read and used in Asian and in the West. |
COMFORT Definition & Meaning - Merriam-Webster
The meaning of COMFORT is to give strength and hope to : cheer. How to use comfort in a sentence.
A Commitment to Comfort and Excellence
At Comfort Dental Associates we’re proud to provide Cosmetic and General Dentistry Services. Contact us today to find out how we can help you today. With offices located in Burke, Virginia …
COMFORT Definition & Meaning - Dictionary.com
Comfort, console, relieve, soothe imply assuaging sorrow, worry, discomfort, or pain. To comfort is to lessen the sadness or sorrow of someone and to strengthen by inspiring with hope and …
COMFORT DENTAL ASSOCIATES - Updated June 2025 - Yelp
Specialties: A committment to comfort and excellence! For more than twenty years, Comfort Dental Associates has been providing comprehensive dentistry to those in Fairfax, Burke, …
COMFORT definition in American English - Collins Online …
Comfort is what you feel when worries or unhappiness stop. He welcomed the truce, but pointed out it was of little comfort to families spending Christmas without a loved one. They will be able …
COMFORT | definition in the Cambridge Learner’s Dictionary
COMFORT meaning: 1. a pleasant feeling of being relaxed and having no pain: 2. a feeling of being less worried or…. Learn more.
Comfort Dental Associates, PC - Burke, VA 22015 - Opencare
Comfort Dental Associates, PC - 9263 Old Keene Mill Road Burke, VA 22015. See their team of Dentists, read patient reviews, make an appointment online for free 24/7.
Comfort Dental Associates Pc in Burke, VA - Dentist
Oct 10, 2014 · Comfort Dental Associates Pc is a dental clinic (Dentist - General Practice) in Burke, Virginia. The current practice location for Comfort Dental Associates Pc is 9263 Old …
Comfort Dental Associates Pc - Dental Clinic in Burke, VA
Comfort Dental Associates Pc is a Dental Clinic in Burke, Virginia. It is located at 9263 Old Keene Mill Rd, Burke, VA and its contact number is 703-455-3338.The authorized person for Comfort …
Comfort Dental Associates in Burke, VA - WebMD
Comfort Dental Associates is a Practice with 1 Location. Currently Comfort Dental Associates's 6 physicians cover 1 specialty areas of medicine. Be the first to leave a review. Please...
COMFORT Definition & Meaning - Merriam-Webster
The meaning of COMFORT is to give strength and hope to : cheer. How to use comfort in a sentence.
A Commitment to Comfort and Excellence
At Comfort Dental Associates we’re proud to provide Cosmetic and General Dentistry Services. Contact us today to find out how we can help you today. With offices located in Burke, Virginia …
COMFORT Definition & Meaning - Dictionary.com
Comfort, console, relieve, soothe imply assuaging sorrow, worry, discomfort, or pain. To comfort is to lessen the sadness or sorrow of someone and to strengthen by inspiring with hope and …
COMFORT DENTAL ASSOCIATES - Updated June 2025 - Yelp
Specialties: A committment to comfort and excellence! For more than twenty years, Comfort Dental Associates has been providing comprehensive dentistry to those in Fairfax, Burke, …
COMFORT definition in American English - Collins Online …
Comfort is what you feel when worries or unhappiness stop. He welcomed the truce, but pointed out it was of little comfort to families spending Christmas without a loved one. They will be able …
COMFORT | definition in the Cambridge Learner’s Dictionary
COMFORT meaning: 1. a pleasant feeling of being relaxed and having no pain: 2. a feeling of being less worried or…. Learn more.
Comfort Dental Associates, PC - Burke, VA 22015 - Opencare
Comfort Dental Associates, PC - 9263 Old Keene Mill Road Burke, VA 22015. See their team of Dentists, read patient reviews, make an appointment online for free 24/7.
Comfort Dental Associates Pc in Burke, VA - Dentist
Oct 10, 2014 · Comfort Dental Associates Pc is a dental clinic (Dentist - General Practice) in Burke, Virginia. The current practice location for Comfort Dental Associates Pc is 9263 Old …
Comfort Dental Associates Pc - Dental Clinic in Burke, VA
Comfort Dental Associates Pc is a Dental Clinic in Burke, Virginia. It is located at 9263 Old Keene Mill Rd, Burke, VA and its contact number is 703-455-3338.The authorized person for Comfort …
Comfort Dental Associates in Burke, VA - WebMD
Comfort Dental Associates is a Practice with 1 Location. Currently Comfort Dental Associates's 6 physicians cover 1 specialty areas of medicine. Be the first to leave a review. Please...
