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| chukovskaya sofia petrovna: Sofia Petrovna Лидия Корнеевна Чуковская, 1994 Sofia Petrovna is Lydia Chukovskaya's fictional account of the Great Purge. Sofia is a Soviet Everywoman, a doctor's widow who works as a typist in a Leningrad publishing house. When her beloved son is caught up in the maelstrom of the purge, she joins the long lines of women outside the prosecutor's office, hoping against hope for good news. Confronted with a world that makes no moral sense, Sofia goes mad, a madness which manifests itself in delusions little different from the lies those around her tell every day to protect themselves. Sofia Petrovna offers a rare and vital record of Stalin's Great Purges. |
| chukovskaya sofia petrovna: Going Under Lidii︠a︡ Korneevna Chukovskai︠a︡, 1976 |
| chukovskaya sofia petrovna: Behind the Urals John Scott, Stephen Kotkin, 1989 John Scott's classic account of his five years as a worker in the new industrial city of Magnitogorsk in the 1930s, first published in 1942, is enhanced in this edition by Stephen Kotkin's introduction, which places the book in context for today's readers; by the texts of three debriefings of Scott conducted at the U.S. embassy in Moscow in 1938 and published here for the first time; and by a selection of photographs showing life in Magnitogorsk in the 1930s. No other book provides such a graphic description of the life of workers under the First Five-Year Plan. |
| chukovskaya sofia petrovna: Everyday Stalinism Sheila Fitzpatrick, 1999-03-04 Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts. |
| chukovskaya sofia petrovna: An Anthology of Russian Literature from Earliest Writings to Modern Fiction Nicholas Rzhevsky, 2019-09-16 Russia has a rich, huge, unwieldy cultural tradition. How to grasp it? This classroom reader is designed to respond to that problem. The literary works selected for inclusion in this anthology introduce the core cultural and historic themes of Russia's civilisation. Each text has resonance throughout the arts - in Rublev's icons, Meyerhold's theatre, Mousorgsky's operas, Prokofiev's symphonies, Fokine's choreography and Kandinsky's paintings. This material is supported by introductions, helpful annotations and bibliographies of resources in all media. The reader is intended for use in courses in Russian literature, culture and civilisation, as well as comparative literature. |
| chukovskaya sofia petrovna: Another Life I︠U︡riĭ Trifonov, 1999 Beyond their acute depiction of life in the Soviet Union, Yuri Trifonov's novellas offer an extraordinarily rich literary encounter in the tradition of great nineteenth-century Russian writing. Another Life is the story of Olga, a woman suddenly widowed and attempting to grasp the memory of her brilliant, erratic husband and to understand their life together. Possessed with a passion for truth, able to appreciate how the past affects the present, he could not hope to flourish in a society where intrigue and moral compromise were the norm. A sharp, satirical portrait of an academic opportunist, The House on the Embankment is paradoxically laced with compassion and humor. Vadim Alexandrovich Glebov rises from shabby origins to become an apparatchik yet in so doing suffers his share of oppression - from society, from former friends, and, most significantly, from his total inability to make decisions. --Book Jacket. |
| chukovskaya sofia petrovna: When Poetry Ruled the Streets Andrew Feenberg, Jim Freedman, 2010-03-29 More than a history, this book is a passionate reliving of the French May Events of 1968. The authors, ardent participants in the movement in Paris, documented the unfolding events as they pelted the police and ran from the tear gas grenades. Their account is imbued with the impassioned efforts of the students to ignite political awareness throughout society. Feenberg and Freedman select documents, graffiti, brochures, and posters from the movement and use them as testaments to a very different and exciting time. Their commentary, informed by the subsequent development of French culture and politics, offers useful background information and historical context for what may be the last great revolutionary challenge to the capitalist system. |
| chukovskaya sofia petrovna: The Fur Hat Vladimir Voinovich, 1991 In this satire of Soviet life, novelist Yefim Rakhlin, learns that the Writers' Union is goiving out fur hats to its members according to their importance. |
| chukovskaya sofia petrovna: Hitler, Stalin, and Mussolini Bruce F. Pauley, 2014-09-15 The fourth edition of Hitler, Stalin, and Mussolini: Totalitarianism in the Twentieth Century presents an innovative comparison of the origins, development, and demise of the three forms of totalitarianism that emerged in twentieth-century Europe. Represents the only book that systematically compares all three infamous dictators of the twentieth century Provides the latest scholarship on the wartime goals of Hitler and Stalin as well as new information on the disintegration of the Soviet empire Compares the early lives of Hitler, Stalin, and Mussolini, their ideologies, rise to and consolidation of power, and the organization and workings of their dictatorships Features topics organized by themes rather than strictly chronologically Includes a wealth of visual material to support the text, as well as a thorough Bibliographical Essay compiled by the author |
| chukovskaya sofia petrovna: Victory at Stalingrad Geoffrey Roberts, 2013-08-21 Victory at Stalingrad tells the gripping strategic and military story of that battle. The hard-won Soviet victory prevented Hitler from waging the Second World War for another ten years and set the Germans on the road to defeat. The Soviet victory also prevented the Nazis from completing the Final Solution, the wholesale destruction of European Jewry, which began with Hitler’s War of Annihilation against the Soviets on the Eastern Front. Geoffrey Roberts places the conflict in the context of the clash between two mighty powers:their world views and their leaders. He presents a great human drama, highlighting the contribution made by political and military leaders on both sides. He shows that the real story of the battle was the Soviets’ failure to achieve their greatest ambition: to deliver an immediate, war-winning knockout blow to the Germans. This provocative reassessment presents new evidence and challenges the myths and legends that surround both the battle and the key personalities who led and planned it. |
| chukovskaya sofia petrovna: Obsessed Allison Britz, 2017-09-19 A brave teen recounts her debilitating struggle with obsessive-compulsive disorder—and brings readers through every painful step as she finds her way to the other side—in this powerful and inspiring memoir. Until sophomore year of high school, fifteen-year-old Allison Britz lived a comfortable life in an idyllic town. She was a dedicated student with tons of extracurricular activities, friends, and loving parents at home. But after awakening from a vivid nightmare in which she was diagnosed with brain cancer, she was convinced the dream had been a warning. Allison believed that she must do something to stop the cancer in her dream from becoming a reality. It started with avoiding sidewalk cracks and quickly grew to counting steps as loudly as possible. Over the following weeks, her brain listed more dangers and fixes. She had to avoid hair dryers, calculators, cell phones, computers, anything green, bananas, oatmeal, and most of her own clothing. Unable to act “normal,” the once-popular Allison became an outcast. Her parents questioned her behavior, leading to explosive fights. When notebook paper, pencils, and most schoolbooks were declared dangerous to her health, her GPA imploded, along with her plans for the future. Finally, she allowed herself to ask for help and was diagnosed with obsessive-compulsive disorder. This brave memoir tracks Allison’s descent and ultimately hopeful climb out of the depths. |
| chukovskaya sofia petrovna: The Soviet Experiment Ronald Grigor Suny, 2011 Focusing on the eras of Lenin, Stalin, Gorbachev, and Yeltsin, a multi-layered account of the rise and fall of the Soviet Union chronicles and analyzes the Soviet experiment from the tsar to the first president of the Russian republic. UP. |
| chukovskaya sofia petrovna: Farewell to Matyora Valentin Rasputin, 1991 |
| chukovskaya sofia petrovna: Nihilist Girl Sofʹi︠a︡ Vasilʹevna Kovalevskai︠a︡, 2001 |
| chukovskaya sofia petrovna: Today I Wrote Nothing Daniel Kharms, 2009-06-30 As featured in The New Yorker, Harper's, and The New York Times Book Review. Daniil Kharms has long been heralded as one of the most iconoclastic writers of the Soviet era, but the full breadth of his achievement is only in recent years, following the opening of Kharms's archives, being recognized internationally. Thanks to the efforts of translator and poet Matvei Yankelevich, English language readers now have a comprehensive collection of the prose and poetry that secured Kharms's literary reputation a reputation that grew in Russia even as the Soviet establishment worked to suppress it. Both a major contribution for American scholars and students of Russian literature and an exciting discovery for fans of contemporary writers as eclectic as George Saunders, John Ashbery, and Martin McDonagh, Today I Wrote Nothing: The Selected Writing of Daniil Kharmsis an invaluable collection for readers of innovative writing everywhere. Translated from the Russian by Matvei Yankelevich |
| chukovskaya sofia petrovna: Russia's Sputnik Generation Donald J. Raleigh, 2006-06-02 Russia's Sputnik Generation presents the life stories of eight 1967 graduates of School No. 42 in the Russian city of Saratov. Born in 1949/50, these four men and four women belong to the first generation conceived during the Soviet Union's return to normality following World War II. Well educated, articulate, and loosely networked even today, they were first-graders the year the USSR launched Sputnik, and grew up in a country that increasingly distanced itself from the excesses of Stalinism. Reaching middle age during the Gorbachev Revolution, they negotiated the transition to a Russian-style market economy and remain active, productive members of society in Russia and the diaspora. In candid interviews with Donald J. Raleigh, these Soviet baby boomers talk about the historical times in which they grew up, but also about their everyday experiences -- their family backgrounds; childhood pastimes; favorite books, movies, and music; and influential people in their lives. These personal testimonies shed valuable light on Soviet childhood and adolescence, on the reasons and course of perestroika, and on the wrenching transition that has taken place since the collapse of the Soviet Union in 1991. |
| chukovskaya sofia petrovna: Russia's Long Twentieth Century Choi Chatterjee, Lisa A. Kirschenbaum, Deborah A. Field, 2016-05-20 Covering the sweep of Russian history from empire to Soviet Union to post-Soviet state, Russia's Long Twentieth Century is a comprehensive yet accessible textbook that situates modern Russia in the context of world history and encourages students to analyse the ways in which citizens learnt to live within its system and create distinctly Soviet identities from its structures and ideologies. Chronologically organised but moving beyond the traditional Cold War framework, this book covers topics such as the accelerating social, economic and political shifts in the Russian empire before the Revolution of 1905, the construction of the socialist order under Bolshevik government, and the development of a new state structure, political ideology and foreign policy in the decades since the collapse of the Soviet Union. The authors highlight the polemics and disagreements that energize the field, discussing interpretations from Russian, émigré, and Western historiographies and showing how scholars diverge sharply in their understanding of key events, historical processes, and personalities. Each chapter contains a selection of primary sources and discussion questions, engaging with the voices and experiences of ordinary Soviet citizens and familiarizing students with the techniques of source criticism. Illustrated with images and maps throughout, this book is an essential introduction to twentieth-century Russian history. |
| chukovskaya sofia petrovna: The Akhmatova Journals: 1938-41 Лидия Корнеевна Чуковская, 1994 The author recounts her long friendship with the Russian poet |
| chukovskaya sofia petrovna: My Place Sally Morgan, 2014-07-01 Looking at the views and experiences of three generations of indigenous Australians, this autobiography unearths political and societal issues contained within Australia's indigenous culture. Sally Morgan traveled to her grandmother's birthplace, starting a search for information about her family. She uncovers that she is not white but aborigine—information that was kept a secret because of the stigma of society. This moving account is a classic of Australian literature that finally frees the tongues of the author's mother and grandmother, allowing them to tell their own stories. |
| chukovskaya sofia petrovna: The Literary Almanac Francesca Beauman, 2021-09-30 Discover over 300 seasonal book recommendations in the ultimate reading list for book lovers everywhere. ----- 'I will be giving this book to everyone I know' - Elizabeth Day 'Francesca Beauman writes about the books she loves with irresistible passion, knowledge and warmth ... This is the best kind of reading celebration' - Rachel Joyce ----- Spanning the dreary, cold days of January to the first flushes of spring and then the blazing August heat, bibliophile Francesca Beauman offers up a wealth of book recommendations. From The Count of Monte Cristo to Elena Ferrante's Neapolitan Quartet, each has been selected to chime with a particular time of year and provide a richer reading experience. Beautifully illustrated throughout, this charming guide will delight, inspire and seriously extend your 'To Be Read' list! |
| chukovskaya sofia petrovna: Faces of Contemporary Russia Olga Mesropova, 2019 eTextbooks are now available to purchase or rent through VitalSource.com Please visit VitalSource for more information on pricing and availability. Faces of Contemporary Russia is a one-semester textbook for high-intermediate to advanced level Russian students that aims to develop students' linguistic proficiency by examining significant personalities in current Russian culture. In addition to introductory and concluding chapters, the book features twelve individuals (one per chapter), drawing from a range of areas such as arts, sports, journalism, and business. While upper-level Russian textbooks tend to emphasize grammar and reading more traditional works of Russian literature, this book instead seeks to primarily engage students in learning about and discussing the breadth of contemporary Russian culture while weaving the study of grammar and vocabulary into those discussions. In addition to readings and in-class communicative activities, the book also features guided research assignments that encourage students to make use of the many personality interviews and YouTube clips available online. For Instructors: Exam copies of the textbook are available free of charge to instructors and can be ordered on this page. To request a print sample, please use the print exam copy button. To request a digital sample, instructors should log onto VitalSource.com, select Faculty Sampling in the upper right-hand corner, and select the desired product. |
| chukovskaya sofia petrovna: Russia CHRISTOPHER J.. THOMPSON WARD (JOHN M.), John M Thompson, 2021-07-21 This lucid account of Russian and Soviet history presents major trends and events from Kievan Rus' to Vladimir Putin's presidency in the twenty-first century. Directly addressing controversial topics, this book looks at issues such as the impact of the Mongol conquest, the paradoxes of Peter the Great, the inevitability of the 1917 Revolution, the Stalinist terror, and the Gorbachev reform effort. This new ninth edition has been updated to include a discussion of Russian participation in the War in Donbas, eastern Ukraine, Russia's role in the Syrian civil war, the rise of opposition figure Alexei Navalny, Vladimir Putin's confirmation as president for life, recent Russian relations with the United States, the North Atlantic Treaty Organization (NATO), and the European Union as well as contemporary social and cultural trends. Distinguished by its brevity and supplemented with substantially updated suggested readings that feature new scholarship on Russia and a thoroughly updated index, this essential text provides balanced coverage of all periods of Russian history and incorporates economic, social, and cultural developments as well as politics and foreign policy. Suitable for undergraduates as well as the general reader with an interest in Russia, this text is a concise, single volume on one of the world's most significant lands. |
| chukovskaya sofia petrovna: Requiem and Poem without a Hero Anna Akhmatova, 2018-03-26 With this edition Swallow Press presents two of Anna Akhmatova’s best-known works that represent the poet at full maturity, and that most trenchantly process the trauma she and others experienced living under Stalin’s regime. Akhmatova began the three-decade process of writing “Requiem” in 1935 after the arrests of her son, Lev Gumilev, and her third husband. The autobiographical fifteen-poem cycle primarily chronicles a mother’s wait—lining up outside Leningrad Prison every day for seventeen months—for news of her son’s fate. But from this limbo, Akhmatova expresses and elevates the collective grief for all the thousands vanished under the regime, and for those left behind to speculate about their loved ones’ fates. Similarly, Akhmatova wrote “Poem without a Hero” over a long period. It takes as its focus the transformation of Akhmatova’s beloved city of St. Petersburg—historically a seat of art and culture—into Leningrad. Taken together, these works plumb the foremost themes for which Akhmatova is known and revered. When Ohio University Press published D. M. Thomas’s translations in 1976, it was the first time they had appeared in English. Under Thomas’s stewardship, Akhmatova’s words ring clear as a bell. |
| chukovskaya sofia petrovna: The Suitcase Sergei Dovlatov, 2011-04-01 Sergei Dovlatov's subtle, dark–edged humor and wry observations are in full force in The Suitcase as he examines eight objects—the items he brought with him in his luggage upon his emigration from the U.S.S.R. These seemingly undistinguished possessions, stuffed into a worn–out suitcase, take on a riotously funny life of their own as Dovlatov inventories the circumstances under which he acquired them, occasioning a brilliant series of interconnected tales: A poplin shirt evokes the bittersweet story of a courtship and marriage, while a pair of boots (of the kind only the Nomenklatura can afford) calls up the hilarious conclusion to an official banquet. Some driving gloves—remnants of Dovlatov's short–lived acting career—share space with neon–green crepe socks, reminders of a failed black–market scam. And in curious juxtaposition, the belt from a prison guard's uniform lies next to a stained jacket that once belonged to Fernand Léger. Imbued with a comic nostalgia overlaid with Dovlatov's characteristically dry wit, The Suitcase is an intensely human, delightfully ironic novel from the finest Soviet satirist to appear in English since Vladimir Voinovich. |
| chukovskaya sofia petrovna: Aetherial Worlds Tatyana Tolstaya, 2018-03-20 “Playful and poetic . . . A foxy, original writer. Memory fuses with wonder, and wonder with worship. —The Wall Street Journal “Marvelously vivid, perfectly tuned. . . Tolstaya is well known in Russia as a brilliant and caustic political critic, but her memories of her Soviet childhood have a tender, personal quality.” —The New York Times Book Review “Grimly hilarious ... Everything in this generous writer’s hands is vivid and alive …Tolstaya is divinely quotable—slangy, indignant, lyrical, crude...It’s all sublime...the swerve and cackle, the breeziness and dark depths...the torrents of language and the offhand perfect touch…She has been compared to Chekhov. Absurd...Tolstaya barrels by him and knocks him in the ditch.” —Joy Williams, Bookforum From one of modern Russia's finest writers, a spellbinding collection of eighteen stories, her first to be translated into English in more than twenty years. Ordinary realities and yearnings to transcend them lead to miraculous other worlds in this dazzling collection of stories. A woman's deceased father appears in her dreams with clues about the afterlife; a Russian professor in a small American town constructs elaborate fantasies during her cigarette break; a man falls in love with a marble statue as his marriage falls apart; a child glimpses heaven through a stained-glass window. With the emotional insight of Chekhov, the surreal satire of Gogol, and a unique blend of humor and poetry all her own, Tolstaya transmutes the quotidian into aetherial alternatives. These tales, about politics, identity, love, and loss, cut to the core of the Russian psyche, even as they lay bare human universals. Tolstaya's characters--seekers all--are daydreaming children, lonely adults, dislocated foreigners in unfamiliar lands. Whether contemplating the strategic complexities of delivering telegrams in Leningrad or the meditative melancholy of holiday aspic, vibrant inner lives and the grim elements of existence are registered in equally sharp detail in a starkly bleak but sympathetic vision of life on earth. A unique collection from one of the first women in years to rank among Russia's most important writers. |
| chukovskaya sofia petrovna: Sofia Petrovna Lidii︠a︡ Korneevna Chukovskai︠a︡, 1989 |
| chukovskaya sofia petrovna: Cinema for Russian Conversation, Volume 2 Olga Kagan, Mara Kashper, Yuliya Morozova, 2005 Each chapter concentrates on one film and includes assignments for students ranging from Intermediate to Advanced Plus proficiency according to the ACTFL guidelines.--p. 4 of cover. |
| chukovskaya sofia petrovna: The Pale Horse Boris Viktorovich Savinkov, 1919 |
| chukovskaya sofia petrovna: Stories and Prose Poems Aleksandr Solzhenitsyn, 2015-04-14 A new edition of the Russian Nobelist's collection of novellas, short stories, and prose poems Stories and Prose Poems collects twenty-two works of wide-ranging style and character from the Nobel Prize–winner Aleksandr Solzhenitsyn, whose shorter pieces showcase the extraordinary mastery of language that places him among the greatest Russian prose writers of the twentieth century. When the two superb stories Matryona's House and An Incident at Krechetovka Station were first published in Russia in 1963, the Moscow Literary Gazette, the mouthpiece of the Soviet literary establishment, wrote: His talent is so individual and so striking that from now on nothing that comes from his pen can fail to excite the liveliest interest. The novella For the Good of the Cause and the short story Zakhar-the-Pouch in particular—both published in the Soviet Union before Solzhenitsyn's exile—fearlessly address the deadening stranglehold of Soviet bureaucracy and the scandalous neglect of Russia's cultural heritage. But readers who best know Solzhenitsyn through his novels will be delighted to discover the astonishing group of sixteen prose poems. In these works of varying lengths—some as short as an aphorism—Solzhenitsyn distills the joy and bitterness of Russia's fate into language of unrivaled lyrical purity. |
| chukovskaya sofia petrovna: A History of the Soviet Union from the Beginning to Its Legacy Peter Kenez, 2016-10-24 This concise yet comprehensive textbook examines political, social, and cultural developments in the Soviet Union and the post-Soviet period. It begins by identifying the social tensions and political inconsistencies that spurred radical change in Russia's government, from the turn of the century to the revolution of 1917. Peter Kenez presents this revolution as a crisis of authority that the creation of the Soviet Union resolved. The text traces the progress of the Soviet Union through the 1920s, the years of the New Economic Policies, and into the Stalinist order. It illustrates how post-Stalin Soviet leaders struggled to find ways to rule the country without using Stalin's methods - but also without openly repudiating the past - and to negotiate a peaceful but antipathetic coexistence with the capitalist West. This updated third edition includes substantial new material, discussing the challenges Russia currently faces in the era of Putin. |
| chukovskaya sofia petrovna: Cross-Cultural Reckonings Blanche H. Gelfant, 1995-01-27 Blanche H. Gelfant's book Cross-Cultural Reckonings both demonstrates and questions the applicability of postmodern cultural and literary theories to realistic texts - to fiction and autobiographies valued for their truth. Drawing together an unusual combination of Russian, American, and Canadian writers, the various essays of this book provide new and original perspectives upon the puzzling issues of national identity, of historical change and continuity, of gender and the integrity of literary genres, the boundaries between text and context, and the underlying if overlooked conflicts between the postmodern critic's skepticism and a writer's belief in the transcendence of art and truth. To avoid the contingencies inherent in binary comparisons, the essays in this book seek a triadic form analogous to the triptych or polyptych of the visual arts. Multi-faceted, non-linear, and open-ended, such a form might allow the academic essay to recover a waywardness that traces back to Montaigne, cited in prefactory notes, and to the etymological meaning of the essay as an exagium or weighing, as an act of reckoning. A study at once elegant, erudite, and personal, Cross-Cultural Reckonings reckons with writers of different backgrounds and reputation in whom Gelfant discovers surprising affinities - among them the Russian writers Lydia Chukovskaya, Natalya Baranskaya, and Alexander Solzhenitsyn; Ethel Wilson, a highly reputed Canadian writer; the famous cross-cultural figure, Emma Goldman; and established as well as new or rediscovered American writers, such as Willa Cather, Saul Bellow, Arlene Heyman, and Meridel Le Sueur. These writers are discussed singly and in comparative essays, each of whichis discrete and self-contained, while all interconnect and reflect upon each other as exemplary demonstrations of cross-cultural literary criticism and the deferred final judgment that results from a weighing and reweighing of books. |
| chukovskaya sofia petrovna: A Reference Grammer For B nyth Olga Kagan, Frank Miller, Ganna Kudyma, 2005-09-26 0131958216 / 9780131958210 Reference Grammar, Student Activities Manual, and Audio CD's for V PUti: Russian Grammar in Context Textbook and Student Activities Manual Package 2/e Package consists of: 0130282804 / 9780130282804 V Puti 013187991X / 9780131879911 Audio CD's for V PUti: Russian Grammar in Context Textbook and Student Activities Manual 013189921X / 9780131899216 Reference Grammar for V Puti 0131917609 / 9780131917606 Student Activities Manual |
| chukovskaya sofia petrovna: Berkshire Encyclopedia of World History William Hardy McNeill, Jerry H. Bentley, 2005 The Berkshire Encyclopedia of World History is the first true encyclopedic reference on world history. It is designed to meet the needs of students, teachers, and scholars who seek to explore -- and understand -- the panorama of our shared history of humans. Anyone who loves history -- including those who are making history today -- will find this work an endless source of fascinating, thought-provoking coverage of events, people, patterns, and processes. To assure the highest quality, the encyclopedia was developed by an editorial team of over 30 leading scholars and educators, led by William H. McNeill, Jerry H. Bentley, David Christian, David Levinson, J. R. McNeill, Heidi Roupp, and Judith Zinsser. Its 550 articles were written by a team of 330 historians, archaeologists, anthropologists, sociologists, geographers and other experts from around the world. Students and teachers at the high school and college levels, as well as scholars and professionals, will turn to this defi |
| chukovskaya sofia petrovna: Sofia Petrovna Лидия Корнеевна Чуковская, 1988 |
| chukovskaya sofia petrovna: Sofia Petrovna Lydia Chukovskaya, 2023-09-20 |
| chukovskaya sofia petrovna: Sofia Petrovna Lidia Chukóvskaia, 2019 Sofia Petrovna, mediku ospetsu baten alarguna, Leningradeko argitaletxe nagusi batean egiten du lan mekanografa modura. Stalinen garaiko estutasunak gora behera, nahiko ondo bizi da eta gizondu egin den bere semea du bizitzako eguzki. Baina Purga Handiaren garaiak helduko dira eta Kolia, bere semea, zurrunbilo ikaragarrian hondoratuko da. |
| chukovskaya sofia petrovna: Resilient Russian Women in the 1920s & 1930s Marcelline Hutton, 2015-07 The stories of Russian educated women, peasants, prisoners, workers, wives, and mothers of the 1920s and 1930s show how work, marriage, family, religion, and even patriotism helped sustain them during harsh times. The Russian Revolution launched an eco-nomic and social upheaval that released peasant women from the control of traditional extended families. It promised urban women equality and created opportunities for employment and higher education. Yet, the revolution did little to eliminate Russian patriarchal culture, which continued to undermine women's social, sexual, eco-nomic, and political conditions. Divorce and abortion became more widespread, but birth control remained limited, and sexual liberation meant greater freedom for men than for women. The transformations that women needed to gain true equality were postponed by the pov-erty of the new state and the political agendas of leaders like Lenin, Trotsky, and Stalin. |
| chukovskaya sofia petrovna: A History of Russian Literature Andrew Kahn, Mark Lipovetsky, Irina Reyfman, Stephanie Sandler, 2018-04-05 Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day.The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs and 'case studies', in-depth discussions of writers, institutions, and texts that take the reader up close and. Visual material also underscores the interrelation of the word and image at a number of points, particularly significant in the medieval period and twentieth century. The History addresses major continuities and discontinuities in the history of Russian literature across all periods, and in particular bring out trans-historical features that contribute to the notion of a national literature. The volume's time-range has the merit of identifying from the early modern period a vital set of national stereotypes and popular folklore about boundaries, space, Holy Russia, and the charismatic king that offers culturally relevant material to later writers. This volume delivers a fresh view on a series of key questions about Russia's literary history, by providing new mappings of literary history and a narrative that pursues key concepts (rather more than individual authorial careers). This holistic narrative underscores the ways in which context and text are densely woven in Russian literature, and demonstrates that the most exciting way to understand the canon and the development of tradition is through a discussion of the interrelation of major and minor figures, historical events and literary politics, literary theory and literary innovation. |
| chukovskaya sofia petrovna: Tamizdat Yasha Yakov Klots, 2023-05-15 Tamizdat offers a new perspective on the history of the Cold War by exploring the story of the contraband manuscripts sent from the USSR to the West. A word that means publishing over there, tamizdat manuscripts were rejected, censored, or never submitted for publication in the Soviet Union and were smuggled through various channels and printed outside the country, with or without their authors' knowledge. Yasha Klots demonstrates how tamizdat contributed to the formation of the twentieth-century Russian literary canon: the majority of contemporary Russian classics first appeared abroad long before they saw publication in Russia. Examining narratives of Stalinism and the Gulag, Klots focuses on contraband manuscripts in the 1960s and 70s, from Khrushchev's Thaw to Stagnation under Brezhnev. Klots revisits the traditional notion of late Soviet culture as a binary opposition between the underground and official state publishing. He shows that even as tamizdat represented an alternative field of cultural production in opposition to the Soviet regime and the dogma of Socialist Realism, it was not devoid of its own hierarchy, ideological agenda, and even censorship. Tamizdat is a cultural history of Russian literature outside the Iron Curtain. The Russian literary diaspora was the indispensable ecosystem for these works. Yet in the post-Stalin years, they also served as a powerful weapon on the cultural fronts of the Cold War, laying bare the geographical, stylistic, and ideological rifts between two disparate yet inextricably intertwined fields of Russian literature, one at home, the other abroad. Open Access edition funded by the National Endowment for the Humanities. |
| chukovskaya sofia petrovna: Life Has Become More Joyous, Comrades Karen Petrone, 2000-11-22 Life Has Become More Joyous, Comrades Celebrations in the Time of Stalin Karen Petrone A lively investigation of the official and unofficial meanings of Stalinist celebrations. An impressive and highly readable book that... casts a clear and disturbing light on the relationship of Stalinist mythology, state power, popular participation, and the unending complexities of social and cultural survival mechanisms and daily life. --Richard Stites In the Soviet Union in the 1930s, public celebrations flourished while Stalinist repression intensified. What explains this coincidence of terror and celebration? Using popular media and drawing extensively on documents from previously inaccessible Soviet archives, Karen Petrone demonstrates that to dismiss Soviet celebrations as mere diversion is to lose a valuable opportunity for understanding how the Soviet system operated. As the state attempted to mobilize citizens to participate in the project to create New Soviet men and women, celebration culture became more than a means to distract a population suffering from poverty and deprivation. The planning and execution of celebrations reflected the Soviet intelligentsia's efforts to bring social and cultural enlightenment to the people. Physical culture demonstrations, celebrations of Arctic and aviation exploits, the Pushkin Centennial of 1937 and the 20th Anniversary of the October Revolution, and the celebration of New Year's Day were opportunities for the Soviet leadership to fuse traditional prerevolutionary values and practices with socialist ideology in an effort to educate its citizens and build support for the state and its policies. However, official celebrations were often appropriated by citizens for purposes that were unanticipated and unsanctioned by the state. Through celebrations, Soviet citizens created hybrid identities and defined their places in the emerging Stalinist hierarchy, allowing them to uphold the Soviet order while arrests and executions were rampant. This rich look at celebrations reveals the complex dialogues and negotiations between citizens and leaders in the endeavor to create Soviet culture. Karen Petrone is Assistant Professor of History at the University of Kentucky. Indiana-Michigan Series in Russian and East European Studies--Alexander Rabinowitch and William G. Rosenberg, editors Contents Interpreting Soviet Celebrations Part 1: Soviet Popular Culture and Mass Mobilization Parading the Nation: Demonstrations and the Construction of Soviet Identities Imagining the Motherland: The Celebration of Soviet Aviation and Polar Exploits Fir Trees and Carnivals: The Celebration of Soviet New Year's Day Part 2: The Intelligentsia and Soviet Enlightenment A Double-edged Discourse on Freedom: The Pushkin Centennial of 1937 Anniversary of Turmoil: The Twentieth Anniversary of the October Revolution Celebrating Civic Participation: The Stalin Constitution and Elections as Rituals of Democracy Celebrations and Power |
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