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| closer by patrick marber: Closer Patrick Marber, 2000 THE STORY: Four lives intertwine over the course of four and a half years in this densely plotted, stinging look at modern love and betrayal. Dan, an obituary writer, meets Alice, a stripper, after an accident in the street. Eighteen months later, |
| closer by patrick marber: Closer Patrick Marber, 2015-04-23 There's a moment. There's always a moment . . . Dan rescues Alice. Anna photographs Dan. Larry meets Anna online. Alice rescues Larry. This is London at the end of the twentieth century where lives collide and fates change in an instant. Strangers become lovers and lovers become strangers . . . On its premiere in 1997, Closer won Olivier, Evening Standard and New York Drama Critics' Circle Awards. Since then, the play has been produced in more than 200 cities across the world. This edition of the play was published to coincide with the production at the Donmar Warehouse, London, in February 2015. |
| closer by patrick marber: Patrick Marber's Closer Graham Saunders, 2013-06-06 Closer emerged as one of the most successful plays of the 1990s, and one with a continuing afterlife through the academy award nominated film adaptation in 2004. Although the work of dramatists such as Sarah Kane and Mark Ravenhill initially attracted the most critical and academic attention, Patrick Marber's Closer had long West End and Broadway runs. The play has since gone on to repeat this success in over 30 other countries. |
| closer by patrick marber: Don Juan in SoHo Patrick Marber, 2021-02-09 DJ will go to bed with anything that breathes. His lust is so unquenchable that he’s employed his friend and assistant, Stan, to organize his ever-growing digital Rolodex of partners. As the two of them romp the streets of London’s Soho seeking DJ’s next conquest, they leave a wreckage of heartbreak and betrayal in their wake. A racy twist on Molière’s Don Juan, Patrick Marber’s irresistible adaptation imagines the classic antihero in the twenty-first century, where idiocy, masculinity, and hubris still reign. |
| closer by patrick marber: The Red Lion Patrick Marber, 2015-07-09 Passion. Loyalty. Salvation. Small time semi-pro football, the non-league. A world away from the wealth and the television cameras. A young player touched with brilliance arrives from nowhere. An ambitious manager determines to make him his own. And the old soul of the club still has dreams of glory. A haunting and humorous new play about the dying romance of the great English game - and the tender, savage love that powers it. |
| closer by patrick marber: After Miss Julie Patrick Marber, 2006 Patrick Marber's After Miss Julie is not a translation of Strindberg's classic Miss Julie but a version of it, moving the action from the original 19th-century Sweden to the England of 1945. Class suspicions and resentments, the erotic collusion of antagonists, the struggle against repressive social mores - all feature in this sharp, tense drama which combines Strindberg's original vision with Patrick Marber's own consummate skill in drawing believable and psychologically astute characters whose every word has point and deadly meaning. |
| closer by patrick marber: Brecht in Practice David Barnett, 2014-11-20 David Barnett invites readers, students and theatre-makers to discover new ways of apprehending and making use of Brecht in this clear and accessible study of Brecht's theories and practices. The book analyses how Brecht's ideas can come alive in rehearsal and performance, and reveals just how carefully Brecht realized his vision of a politicized, interventionist theatre. What emerges is a nuanced understanding of Brecht's concepts, his work with actors and his approaches to directing. The reader is encouraged to engage with his method which sought to 'make theatre politically', in order to appreciate the innovations he introduced into his stagecraft. Barnett provides many examples of how Brecht's ideas can be staged, and the final chapter takes a closer look at two very different plays: one written by Brecht and one by a playwright with no acknowledged connection to Brecht. Through an interrogation of The Resistible Rise of Arturo Ui and Patrick Marber's Closer, Barnett asks how a Brechtian approach can enliven and illuminate production. |
| closer by patrick marber: Three Days in the Country Ivan Turgenev, 2015-08-06 A handsome new tutor brings reckless, romantic desire to an eccentric household. Over three days one summer the young and the old will learn lessons in love: first love and forbidden love, maternal love and platonic love, ridiculous love and last love. The love left unsaid and the love which must out. Ivan Turgenev's passionate, moving comedy, A Month in the Country, has been a source of inspiration for films, a ballet and the plays of Chekhov. Patrick Marber's Three Days in the Country premiered at the National Theatre, London, in June 2015 in association with Sonia Friedman Productions. |
| closer by patrick marber: Dealer's Choice Patrick Marber, 2025-05-30 Play the man, not the cards. Sunday night. Stephen hosts a weekly poker game in the basement of his failing London restaurant. All the usual suspects are there; the chef, the waiters, the errant son . . . but tonight a stranger has come to play. Patrick Marber's acclaimed 1995 debut won the Evening Standard Award (Best Comedy) and the Writers' Guild of Great Britain Award (Best West End Play). Dealer's Choice has since been performed in more than fifty cities across the world. This updated edition with a new introduction by Patrick Marber was published to coincide with the 30th anniversary production at the Donmar Warehouse in April 2025. |
| closer by patrick marber: In-Yer-Face Theatre Aleks Sierz, 2014-10-23 The most controversial and newsworthy plays of British theatre are a rash of rude, vicious and provocative pieces by a brat pack of twentysomethings whose debuts startled critics and audiences with their heady mix of sex, violence and street-poetry. In-Yer-Face Theatre is the first book to study this exciting outburst of creative self-expression by what in other contexts has been called Generation X, or Thatcher's Children, the 'yoof' who grew up during the last Conservative Government. The book argues that, for example, Trainspotting, Blasted, Mojo and Shopping and F**king are much more than a collection of shock tactics - taken together, they represent a consistent critique of modern life, one which focuses on the problem of violence, the crisis of masculinity and the futility of consumerism. The book contains extensive interviews with playwrights, including Sarah Kane ( Blasted), Mark Ravenhill (Shopping and F**king), Philip Ridley (The Pitchfork Disney), Patrick Marber (Closer) and Martin McDonagh (The Beauty Queen of Leenane). |
| closer by patrick marber: Outstanding Men's Monologues 2001-2002 Craig Pospisil, 2002 Editor Craig Pospisil has drawn exclusively from Dramatists Play Service publications to compile this collection, which features over fifty monologues. You will find an enormous range of voices and subject matter, characters from their teens to their seve |
| closer by patrick marber: Speaking with the Angel Nick Hornby, 2011-07-07 Speaking with the Angel is a collection of short stories, edited by Nick Hornby Hear the Prime Minister explain to the House why he did a runner from Greenford Park service station and hitched a lift with a fifteen-year-old girl, as imagined by Robert Harris. Listen to someone who has a small hostile creature in his room, as told by Roddy Doyle. Twelve voices, twelve completely new stories, narrated by twelve different characters. And all written by twelve of the most exciting and popular writers around: Robert Harris, Melissa Bank, Giles Smith, Patrick Marber, Colin Frith, Zadie Smith, Dave Eggers, Helen Fielding, Roddy Doyle, Irvine Welsh, John O'Farrell and Nick Hornby himself. This sparkling collection has been put together by bestselling novelist Nick Hornby, who also contributes an Introduction about TreeHouse, an organisation that offers a unique and pioneering approach to the education of children with autism. £1 will go to TreeHouse with every copy sold of Speaking with the Angel. |
| closer by patrick marber: Howard Katz Patrick Marber, 2001 Howard Katz is a new play by Marber, who has been called the greatest British playwright to have emerged in the 1990s. (The Financial Times) Following on the success of Closer, this haunting play is centered on its title character, a hard-as-nails talent agent now down on his luck. |
| closer by patrick marber: Mike Nichols Mark Harris, 2021-02-02 One of The Hollywood Reporter’s 100 Greatest Film Books of All Time • A National Book Critics Circle finalist • One of People's top 10 books of 2021 • An instant New York Times bestseller • Named a best book of the year by NPR and Time A magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges—some of the worst largely unknown until now—by the acclaimed author of Pictures at a Revolution and Five Came Back Mike Nichols burst onto the scene as a wunderkind: while still in his twenties, he was half of a hit improv duo with Elaine May that was the talk of the country. Next he directed four consecutive hit plays, won back-to-back Tonys, ushered in a new era of Hollywood moviemaking with Who's Afraid of Virginia Woolf?, and followed it with The Graduate, which won him an Oscar and became the third-highest-grossing movie ever. At thirty-five, he lived in a three-story Central Park West penthouse, drove a Rolls-Royce, collected Arabian horses, and counted Jacqueline Kennedy, Elizabeth Taylor, Leonard Bernstein, and Richard Avedon as friends. Where he arrived is even more astonishing given where he had begun: born Igor Peschkowsky to a Jewish couple in Berlin in 1931, he was sent along with his younger brother to America on a ship in 1939. The young immigrant boy caught very few breaks. He was bullied and ostracized--an allergic reaction had rendered him permanently hairless--and his father died when he was just twelve, leaving his mother alone and overwhelmed. The gulf between these two sets of facts explains a great deal about Nichols's transformation from lonely outsider to the center of more than one cultural universe--the acute powers of observation that first made him famous; the nourishment he drew from his creative partnerships, most enduringly with May; his unquenchable drive; his hunger for security and status; and the depressions and self-medications that brought him to terrible lows. It would take decades for him to come to grips with his demons. In an incomparable portrait that follows Nichols from Berlin to New York to Chicago to Hollywood, Mark Harris explores, with brilliantly vivid detail and insight, the life, work, struggle, and passion of an artist and man in constant motion. Among the 250 people Harris interviewed: Elaine May, Meryl Streep, Stephen Sondheim, Robert Redford, Glenn Close, Tom Hanks, Candice Bergen, Emma Thompson, Annette Bening, Natalie Portman, Julia Roberts, Lorne Michaels, and Gloria Steinem. Mark Harris gives an intimate and evenhanded accounting of success and failure alike; the portrait is not always flattering, but its ultimate impact is to present the full story of one of the most richly interesting, complicated, and consequential figures the worlds of theater and motion pictures have ever seen. It is a triumph of the biographer's art. |
| closer by patrick marber: Notes on a Scandal Patrick Marber, 2006 Follows pottery teacher Cate Blanchett as she enters into an affair with one of her students, causing upheaval in both her personal and professional life. |
| closer by patrick marber: The Clean House and Other Plays Sarah Ruhl, 2006-01-01 “Passionate. Show-stopping. Daringly over-the-top and impressively consistent in its delirious excess. The Clean House shines.”—New Haven Advocate “The Clean House is not, by any means, a traditional boy-meets-girl story. In fact disease, death, and dirt are among the subjects it addresses. This comedy is romantic, deeply so, but in the more arcane sense of the word: visionary, tinged with fantasy, extravagant in feeling, maybe a little nuts.”—The New York Times “Touching, inventive, invigoratingly compact, and luminously liquid, Eurydice reframes the ancient myth of ill-fated love to focus not on the bereaved musician but on his dead bride—and on her struggle with love beyond the grave.”—San Francisco Chronicle This volume is the first publication of Sarah Ruhl, “a playwright with a unique comic voice, perspective, and sense of theater” (Variety), who is fast leaving her mark on the American stage. In the award-winning Clean House—a play of uncommon romance and uncommon comedy—a maid who hates cleaning dreams about creating the perfect joke, while a doctor who treats cancer leaves his heart inside one of his patients. This volume also includes Eurydice, Ruhl’s reinvention of the tragic Greek tale of love and loss, together with a third play still to be named. Sarah Ruhl received the prestigious Susan Smith Blackburn Prize in 2004 for her play The Clean House, which has been produced at Yale Repertory Theatre in New Haven, Wilma Theatre in Philadelphia, South Coast Repertory Theatre in Costa Mesa, and Woolly Mammoth Theatre Company in Washington, DC. Her play Eurydice has been produced at Madison Repertory Theatre and Berkeley Repertory Theatre. |
| closer by patrick marber: Constellations Nick Payne, 2012-01-19 One relationship. Infinite possibilities. 'Let's go for a drink. I don't know what I'm doing here anyway. One drink. And if you never want to see me again you never have to see me again.' Nick Payne's Constellations is a play about free will and friendship; it's about quantum multiverse theory, love and honey. Constellations premiered at the Theatre Upstairs at the Royal Court Theatre, London, in January 2012. |
| closer by patrick marber: Kill Me Now Brad Fraser, 2015-03-25 Kill Me Now is a black comedy about Jake who has sacrificed his career as a writer to care for his teenage son Joey. Both are keeping secrets - Jake about his love life and Joey about his plans for the future. But when disaster strikes, they are forced to ask who's really looking after who. Bittersweet, fast-paced, ricocheting between the comedy and tragedy of disability, Kill Me Now is a funny and moving play about how we care for the people we love. |
| closer by patrick marber: Sublime Drama Elzbieta Iwona Baraniecka, 2013-05-28 British drama of the 1990s is most commonly associated with the term in-yer-face theatre, which was coined by Aleks Sierz to describe the shocking and provocative work of emerging playwrights such as Mark Ravenhill or Sarah Kane. Taking a cue from Sierz’s own suggestion that what still remains to be researched more thoroughly in this field is the particular relationship between the stage and the audience, this monograph undertakes precisely that task. Rather than use the term offered by Sierz, however, the study proposes a different concept to account for the dynamics of communication within the particular theatre of the 1990s, namely the aesthetic category of the sublime. Coupled with elements of Reader Response Theory, the sublime proves to be a more fruitful term, as it provides more precise tools for the analysis of the audience’s aesthetic response than does in-yer-face theatre. With the help of four representative plays by four key playwrights of that time, Closer by Patrick Marber, Normal by Anthony Neilson, Faust is Dead by Mark Ravenhill and 4.48 Psychosis by Sarah Kane, the book details the consecutive stages in the process of the plays’ reception that the members of the audience go through while forming their aesthetic response to them. Looking through the prism of the sublime, the study not only offers a detailed analysis of each play but also suggests an entirely new approach to British drama of the 1990s. |
| closer by patrick marber: My Night with Reg Kevin Elyot, 1999 |
| closer by patrick marber: Women of Manhattan John Patrick Shanley, 1986 THE STORY: Rhonda, Judy and Billie are having dinner, over which they lament the fact that, while their careers are flourishing, their emotional lives are a wreck. Rhonda has just broken up with her boyfriend (but is unable to jettison the oversize |
| closer by patrick marber: The Old Neighborhood David Mamet, 2012-03-28 In The Old Neighborhood David Mamet confirms his stature as a master of the American stage, a writer who can turn the most innocuous phrase into a lit fuse and a family reunion into a perfectly orchestrated firestorm of sympathy, yearning, and blistering authentic rage. In these three short plays, a middle-aged Bobby Gould returns to the old-neighborhood in a series of encounters with his past that, however briefly, open windows on his present. In The Disappearance of the Jews, Bobby and an old buddy fantasize about finding themselves in a nostalgic shtetl paradise while revealing how lost they are in their own families. In the comfort of her kitchen, Bobby's sister Jolly unscrolls a list of childhood grievances that is at nice painful and hilarious. And the old girlfriend in Deeny, faced with a man she once loved, finds herself obsessively free-associating on gardening, sex, and subatomic particles. Swerving from comedy to terror, from tenderness to anguish—with a swiftness that unsettles even as it strikes home—The Old Neighborhood is classic Mamet. |
| closer by patrick marber: Seven Types of Ambiguity William Empson, 1966 Examines seven types of ambiguity, providing examples of it in the writings of Shakespeare, Wordsworth, and T.S. Eliot. |
| closer by patrick marber: Women of Will Tina Packer, 2016-03-08 Women of Will is a fierce and funny exploration of Shakespeare’s understanding of the feminine. Tina Packer, one of our foremost Shakespeare experts, shows that Shakespeare began, in his early comedies, by writing women as shrews to be tamed or as sweet little things with no independence of thought. The women of the history plays are much more interesting, beginning with Joan of Arc. Then, with the extraordinary Juliet, there is a dramatic shift: suddenly Shakespeare’s women have depth, motivation, and understanding of life more than equal to that of the men. As Shakespeare ceases to write women as predictable caricatures and starts writing them from the inside, his women become as dimensional, spirited, spiritual, active, and sexual as any of his male characters. Wondering if Shakespeare had fallen in love (Packer considers with whom, and what she may have been like), the author observes that from Juliet on, Shakespeare’s characters demonstrate that when women and men are equal in status and passion, they can—and do—change the world. |
| closer by patrick marber: As Bees in Honey Drown Douglas Carter Beane, 1998 THE STORY: Evan Wyler has just finished a photo session with his shirt off. No, he's not a supermodel; he's a twenty-something New York writer savoring the success of his debut novel. Defined by the media as the hot-young thing-of-the-moment, Eva |
| closer by patrick marber: Actor Movement Vanessa Ewan, Debbie Green, 2014-11-20 Actor Movement: Expression of the Physical Being is a textbook and video resource for the working actor, the student and all those who lead and witness movement for the actor, including movement tutors, movement directors and directors. Great actors are not simply great interpreters of text; they are also great interpreters of movement; able to 'embody' all aspects of a character's life, with body and imagination as their instruments. In their work they are expected to become many bodies, all behaving differently from their own. Actors have to construct, inhabit and offer each character's body, with its multiplicity of known and unknown physical expression. Featuring: Over 155 exercises Four full actor movement processes for creating character Over 20 illustrations and images Complementary online footage supporting 26 of the practical elements Inspiring confidence in the actor to make fully owned physical choices and develop a love of movement, this essential new textbook is ideal for those actors seeking to give to their movement all the complexity and range possible for great acting. |
| closer by patrick marber: In a Forest, Dark and Deep Neil LaBute, 2016-05-09 She's a college professor with a prim demeanor, and he's a carpenter with a foul mouth and violent streak. Betty has a history of promiscuity that Bobby won't let her forget, and from their first taunting exchanges there are intimations also of the history between them. Yet on the night when Betty urgently needs help to empty her cabin in the woods--the cabin she's been renting to a male student--she calls on Bobby. In this exhilarating play of secrets and sibling rivalry, which had its premiere in London's West End in 2011, Neil LaBute unflinchingly explores the dark territory beyond, as Bobby sneeringly says, the lies you tell yourself to get by. |
| closer by patrick marber: Nobody's Perfect Anthony Lane, 2009-08-19 Anthony Lane on Con Air— “Advance word on Con Air said that it was all about an airplane with an unusually dangerous and potentially lethal load. Big deal. You should try the lunches they serve out of Newark. Compared with the chicken napalm I ate on my last flight, the men in Con Air are about as dangerous as balloons.” Anthony Lane on The Bridges of Madison County— “I got my copy at the airport, behind a guy who was buying Playboy’s Book of Lingerie, and I think he had the better deal. He certainly looked happy with his purchase, whereas I had to ask for a paper bag.” Anthony Lane on Martha Stewart— “Super-skilled, free of fear, the last word in human efficiency, Martha Stewart is the woman who convinced a million Americans that they have the time, the means, the right, and—damn it—the duty to pipe a little squirt of soft cheese into the middle of a snow pea, and to continue piping until there are ‘fifty to sixty’ stuffed peas raring to go.” For ten years, Anthony Lane has delighted New Yorker readers with his film reviews, book reviews, and profiles that range from Buster Keaton to Vladimir Nabokov to Ernest Shackleton. Nobody’s Perfect is an unforgettable collection of Lane’s trademark wit, satire, and insight that will satisfy both the long addicted and the not so familiar. |
| closer by patrick marber: Closer by Patrick Marber, Directed by Tim Long , 2006 |
| closer by patrick marber: Spiritual Literacy Frederic Brussat, Mary Ann Brussat, 1998-08-05 This collection presents more than 650 readings about daily life from present-day authors ...--Inside jacket flap. |
| closer by patrick marber: Heroes of Postman's Park John Price, 2015-06-01 The Watts Memorial to Heroic Self-Sacrifice in Postman’s Park, London, is a Victorian monument containing fifty-four ceramic plaques commemorating sixty-two individuals, each of whom lost their own life while attempting to save another. Every plaque tells a tragic and moving story, but the short narratives do little more than whet the appetite and stimulate the imagination about the lives and deaths of these brave characters. Based upon extensive historical research, this book will, for the first time, provide a full and engaging account of the dramatic circumstances behind each of the incidents, and reveal the vibrant and colourful lives led by those who tragically died. |
| closer by patrick marber: Leopoldstadt Tom Stoppard, 2020-08-25 **Winner of the Tony Award for Best Play** Finally making its Broadway debut in a limited engagement run, Tom Stoppard’s humane and heartbreaking Olivier Award-winning play of love, family, and endurance At the beginning of the twentieth century, Leopoldstadt was the old, crowded Jewish quarter of Vienna, a city humming with artistic and intellectual excitement. Stoppard’s epic yet intimate drama centers on Hermann Merz, a manufacturer and baptized Jew married to Catholic Gretl, whose extended family convene at their fashionable apartment on Christmas Day in 1899. Yet by the time the play closes, Austria has passed through the convulsions of war, revolution, impoverishment, annexation by Nazi Germany, and the Holocaust, which stole the lives of 65,000 Austrian Jews alone. From one of today’s most acclaimed playwrights, Leopoldstadt is a human and heartbreaking drama of literary brilliance, historical verisimilitude, and powerful emotion. |
| closer by patrick marber: Patrick Marber's Closer Graham Saunders, 2008 A comprehensive critical introduction to 'Closer', giving students an overview of the background and context; detailed analysis of the play's structure, style, characters etc; analysis of key production issues and choices; and more |
| closer by patrick marber: The National Theatre Story Daniel Rosenthal, 2013-11-07 Winner of the STR Theatre Book Prize 2014 The National Theatre Story is filled with artistic, financial and political battles, onstage triumphs – and the occasional disaster. This definitive account takes readers from the National Theatre's 19th-century origins, through false dawns in the early 1900s, and on to its hard-fought inauguration in 1963. At the Old Vic, Laurence Olivier was for ten years the inspirational Director of the NT Company, before Peter Hall took over and, in 1976, led the move into the National's concrete home on the South Bank. Altogether, the NT has staged more than 800 productions, premiering some of the 20th and 21st centuries' most popular and controversial plays, including Amadeus, The Romans in Britain, Closer, The History Boys, War Horse and One Man, Two Guvnors. Certain to be essential reading for theatre lovers and students, The National Theatre Story is packed with photographs and draws on Daniel Rosenthal's unprecedented access to the National Theatre's own archives, unpublished correspondence and more than 100 new interviews with directors, playwrights and actors, including Olivier's successors as Director (Peter Hall, Richard Eyre, Trevor Nunn and Nicholas Hytner), and other great figures from the last 50 years of British and American drama, among them Edward Albee, Alan Bennett, Judi Dench, Michael Gambon, David Hare, Tony Kushner, Ian McKellen, Diana Rigg, Maggie Smith, Peter Shaffer, Stephen Sondheim and Tom Stoppard. |
| closer by patrick marber: Closer by Patrick Marber, Directed by Shane Ryan , 2007 |
| closer by patrick marber: Two Billion Beats Sonali Bhattacharyya, 2022-02-10 'The smaller you are, the quicker your heart beats. But it doesn't matter what size your heart is, we all only get an average of about two billion beats over our lifetime. It's just a pump at the end of the day, right?' Seventeen-year-old Asha is a rebel, inspired by historical revolutionaries and unafraid of pointing out the hypocrisy around her - but less sure how to actually dismantle it. Her younger sister, Bettina, wide-eyed and naive, is just trying to get through the school day without having her pocket money nicked. With essays to write, homework to do, and bus journeys home, the two sisters meet every afternoon, outside the school gates, to tackle the injustice of the world. Sonali Bhattacharyya's play Two Billion Beats is an insightful, heartfelt coming-of-age story and a blazing account of inner-city, British-Asian teenage life. It was originally presented in the Inside/Outside season, livestreamed from the Orange Tree Theatre, Richmond, before receiving a production there in this full-length version in 2022, directed by Nimmo Ismail. |
| closer by patrick marber: Dramatic Exchanges National Theatre Letters, 2018-11-01 The perfect gift for any theatre lover There has been always as much drama offstage as on at the National Theatre, and much of it is to be found in the letters, telegrams, scribbled notes and colourful postcards of its main players. - What drove Laurence Olivier to confess: 'The foolishness of my position starts to obsess me'? - Why did Maggie Smith write: 'I am absolutely heartbroken by your decision'? - What prompted Judi Dench to ask: 'Can't you write me a musical so that I can sit on a chair in a fur hat & nothing else and sing RUDE songs?' This book brings together for the first time some of the most inspiring, dramatic and amusing letters from the life of Britain's most beloved theatre: Laurence Olivier's gracious rejection letters, Peter Hall's combative memos, Helen Mirren's impassioned defence of theatrical innovation, fantastical good luck missives and long conspiratorial letters. Together, they reveal the stories behind some of the most lavish, triumphant, daring and disastrous productions in the theatre's history, including Amadeus, Romans in Britain, Laurence Olivier's Othello, Closer, The History Boys and The Curious Incident of the Dog in the Night-Time. A rich collection of correspondence like no other, this book offers a fascinating and celebratory look at the world of theatre and beyond. |
| closer by patrick marber: An Absolute Turkey George Feydeau, 1994-03-07 Georges Feydeau's elegantly complex play is brought to life in this witty, seamless and acutely funny translation by Peter Hall and Nicki Frei. Feydeau, the supreme master of farce, displays all his dramatic tricks as his characters are pulled back and forth spinning dizzily in a surrealistic climax of complications. This translation of An Absolute Turkey (Le Dindon) received its London premiere at the Globe Theatre in December 1993. |
| closer by patrick marber: 'Love Me Or Kill Me' Graham Saunders, 2002-07-05 Blasted brought Sarah Kane to the theatre pages of the broadsheets, the front pages of the tabloids, and to the notice of the nation. Covers all Kane's major plays and productions, contains hitherto unpublished material and reviews, and looks at her continuing influence after her tragic early death. A chapter-by-chapter analysis looks at each play in detail and the appendices carry transcripts of interviews with colleagues and leading theatre practitioners involved with her productions. This book is the first study of the most significant British dramatist in post-war theatre and includes unpublished interview material with Sarah Kane herself. |
| closer by patrick marber: Blink Phil Porter, 2022-03-24 This is the tale of Jonah, Sophie, and a fox called Scruffilitis. It's a love story. A dysfunctional, voyeuristic and darkly funny love story, but a love story all the same. This new play by the Bruntwood Playwriting Prize winner Phil Porter, is an exciting collaboration between Soho Theatre - London's most vibrant venue for new writing, comedy and cabaret - and internationally acclaimed Fringe First winners nabokov. |
In R base plot, move axis label closer to axis - Stack Overflow
Try setting ylab="" in your plot call and use title to set the label of the y-axis manually. Using line you could adjust the position of the label, e.g.:
How do I set distance between flexbox items? - Stack Overflow
Oct 29, 2019 · To set the minimal distance between flexbox items I'm using margin: 0 5px on .item and margin: 0 -5px on container.
What are the differences between C, C# and C++ in terms of real …
Mar 28, 2009 · That's true - but then any multi-threaded programming will also be non-deterministic. And the fact that the GC may not collect all objects is undetectable as long as …
python - Rotate axis tick labels - Stack Overflow
Many "correct" answers here but I'll add one more since I think some details are left out of several. The OP asked for 90 degree rotation but I'll change to 45 degrees because when you …
html - Setting table row height - Stack Overflow
Mar 4, 2019 · function row_expand_collapse(e){ //get table id so you know what table to manipulate row from const tableID = e.parentNode.parentNode.id; //get row index and …
python - How to put the legend outside the plot - Stack Overflow
For an alternative placement, you can closely align the edge of the graph and border of the legend, and remove border lines for a closer fit. You can move and re-style the legend and …
windows - How to prevent auto-closing of console after the …
Jun 12, 2009 · If you are using Maven and you want to skip the typing and prevent the console from close to see the result you need to use the CALL command in the script, besides just the …
unit testing - Using python's mock patch.object to change the …
Aug 12, 2013 · This can be done with something like this: # foo.py class Foo: def method_1(): results = uses_some_other_method() # testing.py from mock import patch @patch('Foo.uses ...
What's the difference between 'git merge' and 'git rebase'?
May 21, 2013 · Git rebase is closer to a merge. The difference in rebase is: the local commits are removed temporally from the branch. run the git pull; insert again all your local commits. So …
Understanding The Modulus Operator % - Stack Overflow
Jul 8, 2013 · I understand the Modulus operator in terms of the following expression: 7 % 5 This would return 2 due to the fact that 5 goes into 7 once and then gives the 2 that is left over, …
In R base plot, move axis label closer to axis - Stack Overflow
Try setting ylab="" in your plot call and use title to set the label of the y-axis manually. Using line you could adjust the position of the label, e.g.:
How do I set distance between flexbox items? - Stack Overflow
Oct 29, 2019 · To set the minimal distance between flexbox items I'm using margin: 0 5px on .item and margin: 0 -5px on container.
What are the differences between C, C# and C++ in terms of real …
Mar 28, 2009 · That's true - but then any multi-threaded programming will also be non-deterministic. And the fact that the GC may not collect all objects is undetectable as long as they …
python - Rotate axis tick labels - Stack Overflow
Many "correct" answers here but I'll add one more since I think some details are left out of several. The OP asked for 90 degree rotation but I'll change to 45 degrees because when you use an …
html - Setting table row height - Stack Overflow
Mar 4, 2019 · function row_expand_collapse(e){ //get table id so you know what table to manipulate row from const tableID = e.parentNode.parentNode.id; //get row index and increment by 1 so you …
python - How to put the legend outside the plot - Stack Overflow
For an alternative placement, you can closely align the edge of the graph and border of the legend, and remove border lines for a closer fit. You can move and re-style the legend and graph with …
windows - How to prevent auto-closing of console after the …
Jun 12, 2009 · If you are using Maven and you want to skip the typing and prevent the console from close to see the result you need to use the CALL command in the script, besides just the 'mvn …
unit testing - Using python's mock patch.object to change the …
Aug 12, 2013 · This can be done with something like this: # foo.py class Foo: def method_1(): results = uses_some_other_method() # testing.py from mock import patch @patch('Foo.uses ...
What's the difference between 'git merge' and 'git rebase'?
May 21, 2013 · Git rebase is closer to a merge. The difference in rebase is: the local commits are removed temporally from the branch. run the git pull; insert again all your local commits. So that …
Understanding The Modulus Operator % - Stack Overflow
Jul 8, 2013 · I understand the Modulus operator in terms of the following expression: 7 % 5 This would return 2 due to the fact that 5 goes into 7 once and then gives the 2 that is left over, …
