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| carrie 1976 screenplay: Carrie: The Musical - Vocal Selections , 2014-01-01 (Vocal Selections). This show has guts! proclaimed Richard Zoglin of Time magazine about this 2012 revival, which won the Off-Broadway Alliance Award for Best Musical Revival. It features music by Michael Gore, lyrics by Dean Pitchford, and book by Lawrence D. Cohen (based on the novel by Stephen King). Our folio features vocal selections for 18 songs from that revival, including: Alma Mater * And Eve Was Weak * Carrie * Carrie (Reprise) * Do Me a Favor * Dreamer in Disguise * Epilogue * Evening Prayers * I Remember How Those Boys Could Dance * In * A Night We'll Never Forget * Once You See * Open Your Heart * Unsuspecting Hearts * When There's No One * Why Not Me? * The World According to Chris * You Shine. |
| carrie 1976 screenplay: Adapting Stephen King Joseph Maddrey, 2021-07-26 Stephen King's fiction has formed the basis of more motion picture adaptations than any other living author. Over half a century since his earliest publications, Hollywood filmmakers continue to reinvent, reimagine, remake, and reboot King's stories, with mixed results. This book, volume 1 in a series, examines the various screen adaptations of King's first three novels: Carrie, Salem's Lot, and The Shining. Reaching further than questions of fidelity to the author and adherence to directorial visions, it charts the development of each individual adaptation from first option to final cut. Through old and new interviews with the writers, producers, and directors of these films--as well as in-depth analyses of produced and unproduced screenplays--it illuminates the adaptation process as an intricately collaborative endeavor. Rather than merely synopsize the resulting stories, its goal is to compare, contrast, and contextualize each of these adaptations as the products of their creators. |
| carrie 1976 screenplay: Carrie Stephen King, 2011-08-30 #1 NEW YORK TIMES BESTSELLER • 50TH ANNIVERSARY EDITION WITH A NEW INTRODUCTION BY MARGARET ATWOOD • Stephen King's legendary debut, the bestselling smash hit that put him on the map as one of America's favorite writers • In a world where bullies rule, one girl holds a secret power. Unpopular and tormented, Carrie White's life takes a terrifying turn when her hidden abilities become a weapon of horror. Stephen King’s first novel changed the trajectory of horror fiction forever. Fifty years later, authors say it’s still challenging and guiding the genre. —Esquire “A master storyteller.” —The Los Angeles Times • “Guaranteed to chill you.” —The New York Times • Gory and horrifying. . . . You can't put it down. —Chicago Tribune Unpopular at school and subjected to her mother's religious fanaticism at home, Carrie White does not have it easy. But while she may be picked on by her classmates, she has a gift she's kept secret since she was a little girl: she can move things with her mind. Doors lock. Candles fall. Her ability has been both a power and a problem. And when she finds herself the recipient of a sudden act of kindness, Carrie feels like she's finally been given a chance to be normal. She hopes that the nightmare of her classmates' vicious taunts is over . . . but an unexpected and cruel prank turns her gift into a weapon of horror so destructive that the town may never recover. |
| carrie 1976 screenplay: The Rules of Screenwriting and Why You Should Break Them Bill Mesce, Jr., 2017-05-21 A couple of generations ago, the movie industry ran on gut instinct--film schools, audience research departments and seminars on screenwriting were not yet de rigueur. Today the standard is the analytical approach, intended to demystify filmmaking and guarantee success (or at least minimize failure). The trouble with this method is that nobody knows how to do it--they just think they do--and films are made based on models of predictability rather than the merits of the script. This insider's look at the craft and business of screenwriting explodes some of the popular myths, demonstrating how little relevance the rules have to actual filmmaking. With long experience in film and television, the author provides insightful how-not-to analyses, with commentary by such veterans as Josh Sapan (CEO of AMC Networks), bestselling author Adriana Trigiani and Oscar-nominated screenwriter Nicholas Pileggi (Goodfellas). |
| carrie 1976 screenplay: Studies in the Horror Film: Brian De Palma's "Carrie" Joseph Aisenberg, 2011 First ever book-length study on Brian DePalma's 1976 film. |
| carrie 1976 screenplay: Screenwriters and Screenwriting C. Batty, 2014-07-29 Screenwriters and Screenwriting is an innovative, fresh and lively book that is useful for both screenwriting practice and academic study. It is international in scope, with case studies and analyses from the US, the UK, Australia, Japan, Ireland and Denmark. The book presents a distinctive collection of chapters from creative academics and critical practitioners that serve one purpose: to put aspects of screenwriting practice into their relevant contexts. Focusing on how screenplays are written, developed and received, the contributors challenge assumptions of what 'screenwriting studies' might be, and celebrates the role of the screenwriter in the creation of a screenplay. It is intended to be thought provoking and stimulating, with the ultimate aim of inspiring current and future screenwriting practitioners and scholars. |
| carrie 1976 screenplay: Cinema of the Psychic Realm Paul Meehan, 2009-10-21 Cinema is ideally suited to the world of psychic phenomena. A technique as simple as a voice-over can simulate mental telepathy, while unusual lighting, set design, or creative digital manipulation can conjure clairvoyant visions, precognition, or even psychokinesis. This book analyzes the depiction of paranormal powers in film, examining how movies like Star Wars, Independence Day, The Green Mile, and dozens of others both reflect and influence the way modern society thinks about psychic abilities. The theme is explored in nearly 100 films from a variety of genres including drama, comedy, horror, science fiction, crime melodrama, and children's films, providing a concise review of the history and concepts of mainstream cinematic parapsychology. |
| carrie 1976 screenplay: Carrie Neil Mitchell, 2014-01-07 Brian De Palma's adaptation of Stephen King's debut novel, Carrie (1976), is one of the defining films of 1970s New Hollywood style and a horror classic. The story of a teenage social outcast who discovers she possesses latent psychic powers that allow her to deliver retribution to her peers, teachers, and abusive mother, Carrie was an enormous commercial and critical success and is still one of the finest screen adaptations of a King novel. This contribution to the Devil's Advocates series not only breaks the film down into its formal componenets--its themes, stylistic tropes, technical approaches, uses of color and sound, dialogue, and visual symbolism--but also considers a multitude of other factors contributing to the work's classic status. The act of adapting King's novel for the big screen, the origins of the novel itself, the place of Carrie in De Palma's oeuvre, the subsequent versions and sequel, and the social, political, and cultural climate of the era (including the influence of second wave feminism, loosening sexual norms, and changing representations of adolescence), as well as the explosion of interest in and the evolution of the horror genre during the decade, are all shown to have played an important part in the film's success and enduring reputation. |
| carrie 1976 screenplay: The Encyclopedia of Sexism in American Films Salvador Jiménez Murguía, Erica Joan Dymond, Kristina Fennelly, 2019-11-29 The Encyclopedia of Sexism in Film discusses sexism on screen—both blatant and subtle—in more than 150 motion pictures. This volume, examine the images, scenes, and dialogue that both reflect and shape the ongoing struggles with gender roles, sex, and orientation across decades and genres, in films ranging from 9 to 5 to The X-Men. |
| carrie 1976 screenplay: ScripTipps: The Descendants Dan Margules, 2013-10-04 Learn screenwriting by reexamining the movies you love! It’s fun and, with ScripTipps screenplay study guides, it’s easy! Writer/director Alexander Payne (Sideways) and writers Nat Faxon & Jim Rash (The Way, Way Back) won the Academy Award for Best Adapted Screenplay in 2012 for THE DESCENDANTS. ScripTipps examines the choices they made in adapting the novel by Kaui Hart Hemmings, as well as the universally-applicable screenwriting techniques they used to take their suffering protagonist on an emotional journey of discovery, closure, and healing. ABOUT THE SERIES: ScripTipps help aspiring screenwriters learn the craft of screenwriting through in-depth analyses of select screenplays that exhibit excellence in story structure, character development, and scene construction. Each ScripTipps screenplay study guide analyzes one movie and its story and screenplay in full, scene by scene, from beginning to middle to end, gleaning useful and practical screenwriting tips along the way. NOTE: This ebook does NOT include the actual screenplay being discussed. ALSO AVAILABLE: ScripTipps: Bridesmaids ScripTipps: Carrie ScripTipps: The Hangover ScripTipps: Star Trek ScripTipps: Superman & Superman II ScripTipps: Waitress COMING SOON: ScripTipps: Arrested Development ScripTipps: Breaking Bad ScripTipps: Community ScripTipps: The Fault in Our Stars ScripTipps: Sleepy Hollow |
| carrie 1976 screenplay: La Dolce Morte Mikel J. Koven, 2006-10-02 With the exception of die-hard aficionados of European or Italian horror cinema, most people may not have heard of giallo cinema or have seen many films in this subgenre of horror. Most academic film studies tend to ignore horror cinema in general and the giallo specifically. Critics often deride these films, which reveal more about the reviewers' own prejudices than any problem with the works themselves. As a counter to such biases, Mikel J. Koven argues for an alternative approach to studying these films, by approaching them as vernacular cinema—distinct from popular cinema. According to Koven, to look at a film from a vernacular perspective removes the assumptions about what constitutes a good film and how a particular film is in some way artistic. In La Dolce Morte: Vernacular Cinema and the Italian Giallo Film, Koven explores the history and evolution of this aspect of cinema, and places these films within the context of Italian popular filmmaking. He addresses various themes, motifs, and tropes in these films: their use of space, the murders, the role of the detective, the identity of the killer, issues of belief, excess, and the set-piece. |
| carrie 1976 screenplay: Guide to American Cinema, 1965-1995 Daniel Curran, 1998-05-26 This is not an attempt to list the greatest films of the period nor the greatest actors and directors but an attempt to give a representation of the times.--Introduction, p. xii. |
| carrie 1976 screenplay: ScripTipps: Waitress Dan Margules, 2014-05-23 Learn screenwriting by deconstructing the movies you love! It’s fun and, with ScripTipps screenplay study guides, it’s easy! ScripTipps help aspiring screenwriters learn the craft of screenwriting through in-depth analyses of select screenplays that exhibit excellence in story structure, character development, and scene construction. Each ScripTipps ebook analyzes one movie and its story and screenplay in full, scene by scene, from beginning to middle to end, gleaning useful and practical screenwriting tips along the way. In 2007, before Seth Rogen KNOCKED UP Katherine Heigl and high-schooler JUNO earmarked her unwanted baby for adoption, another unplanned pregnancy movie had sparked a bidding war at Sundance. Written and directed by indie actress Adrienne Shelly, the endearing comedy about an unhappily-wed pie wizard is currently on its way to becoming a Broadway musical. ScripTipps serves an extra helping of WAITRESS as it examines the delicious screenplay to uncover its creamy screenwriting recipe secrets. NOTE: This ebook does NOT include the actual screenplay being discussed. ALSO AVAILABLE: ScripTipps: Arrested Development ScripTipps: Bridesmaids ScripTipps: Carrie (1976) ScripTipps: The Descendants ScripTipps: The Fault in Our Stars ScripTipps: The Hangover ScripTipps: Sleepy Hollow ScripTipps: Star Trek (2009) ScripTipps: Superman & Superman II COMING SOON: ScripTipps: Breaking Bad ScripTipps: Community |
| carrie 1976 screenplay: Movies and the Mind William Indick, 2004-09-02 The latent symbolism in film imagery can be psychoanalyzed just like the imagery in dreams. This work applies to film the psychoanalytic techniques of Sigmund Freud, Erik Erikson, Carl Jung, Alfred Adler, Joseph Campbell, Otto Rank and Rollo May, providing a fundamental understanding of film symbols and structure. It offers a comprehensive and eclectic approach to film analysis, using a broad variety of theories and examples from both classic and contemporary movies, from Dracula (1930) to American Beauty (1999). The final chapter applies all the previously discussed techniques to one film, Malcolm X (1992). The work boasts a filmography and bibliography and is illustrated with film stills. Instructors considering this book for use in a course may request an examination copy here. |
| carrie 1976 screenplay: Script Culture and the American Screenplay Kevin Alexander Boon, 2008-01-10 By considering the screenplay as a literary object worthy of critical inquiry, this volume breaks new ground in film studies. Though the history of the screenplay is as long and rich as the history of film itself, critics and scholars have neglected it as a topic of serious research. Script Culture and the American Screenplay treats the screenplay as a literary work in its own right, presenting analyses of screenplays from a variety of frameworks, including feminism, Marxism, structuralism, philosophy, and psychology. In distancing the text of screenplays from the on-screen performance typically associated with them, Kevin Alexander Boon expands the scope of film studies into exciting new territory with this volume. Script Culture and the American Screenplay is divided into two parts. Part 1 provides a general background for screenplay studies, tracing the evolution of the screenplay from the early shot lists and continuities of George Méliès and Thomas Harper Ince to the more detailed narratives of contemporary works. Part 2 offers specific, primarily thematic, critical examinations of screenplays, along with discussions of the original screenplay and the screenplay adaptation. In all, Boon explains that screenplay criticism distinguishes itself from traditional film studies in three major ways. The primary focus of screenplay criticism is on the screenplay rather than the film, the focus of screenplay studies is on the screenwriter rather than the director, and screenplay criticism, like literary criticism, is written to illuminate a reader’s understanding of the text. Boon demonstrates that whether we are concerned with aesthetics and identifying rules for distinguishing the literary from the non-literary, or whether we align ourselves with more contemporary theories, which recognize texts as distinguishable in their inter-relationships and marked difference, screenplays constitute a rich cache of works worthy of critical examination. Film scholars as well as students of film, creative writing, and literary studies will appreciate this singular volume. |
| carrie 1976 screenplay: The New Hollywood James Bernardoni, 2010-07-27 The Old Hollywood of studios, stars, and house directors began to break up in the 1960s. Newly independent directors freed from budgetary and aesthetic limitations imposed by studio moguls were the New Hollywood. Directors could develop their own styles, hire whom they wanted, and make movies that would dazzle jaded audiences. Hollywood would never be the same ... What happened? The author looks at the productions of the New Hollywood to answer that question. Scene by scene analyses of some of the 70s most significant films (i. e., Apocalypse Now, Taxi Driver, M. A. S. H., Annie Hall, and American Graffiti) assess both the successes and failures of the New Hollywood. |
| carrie 1976 screenplay: A Title Guide to the Talkies, 1975 Through 1984 Andrew A. Aros, 1986 |
| carrie 1976 screenplay: Hollywood Jill Tietjen, Barbara Bridges, 2019-04-26 The year was 1896, the woman was Alice Guy-Blaché, and the film was The Cabbage Fairy. It was less than a minute long. Guy-Blaché, the first female director, made hundreds of movies during her career. Thousands of women with passion and commitment to storytelling followed in her footsteps. Working in all aspects of the movie industry, they collaborated with others to create memorable images on the screen. This book pays tribute to the spirit, ambition, grit and talent of these filmmakers and artists. With more than 1200 women featured in the book, you will find names that everyone knows and loves—the movie legends. But you will also discover hundreds and hundreds of women whose names are unknown to you: actresses, directors, stuntwomen, screenwriters, composers, animators, editors, producers, cinematographers and on and on. Stunning photographs capture and document the women who worked their magic in the movie business. Perfect for anyone who enjoys the movies, this photo-treasury of women and film is not to be missed. |
| carrie 1976 screenplay: ScripTipps: Bridesmaids Dan Margules, 2014-03-14 With a little help from producer Judd Apatow, SNL alum Kristen Wiig and her Groundlings writing partner Annie Mumolo developed their first screenplay into a blockbuster hit that earned them an Academy Award nomination for Best Original Screenplay—a rarity for raunchy comedies. The sketch comediennes spent four-and-a-half years shaping the story; making it funny was the easy part. The bodily fluids that flow from the set pieces are merely the icing on a complex structure that masterfully weaves an A story of bridal-party rivalry with a touching B-story romance. Explore the many screenwriting lessons to be learned from this ScripTipps analysis of BRIDESMAIDS. ABOUT THE SERIES: ScripTipps help aspiring screenwriters learn the craft of screenwriting through in-depth analyses of select screenplays that exhibit excellence in story structure, character development, and scene construction. Each ScripTipps ebook analyzes one movie and its story and screenplay in full, scene by scene, from beginning to middle to end, gleaning useful and practical screenwriting tips along the way. Learn screenwriting by deconstructing the movies you love! It’s fun and, with ScripTipps screenplay study guides, it’s easy! NOTE: This ebook does NOT include the actual screenplay being discussed. ALSO AVAILABLE: ScripTipps: Carrie ScripTipps: The Descendants ScripTipps: The Hangover ScripTipps: Star Trek ScripTipps: Superman & Superman II ScripTipps: Waitress COMING SOON: ScripTipps: Arrested Development ScripTipps: Breaking Bad ScripTipps: Community ScripTipps: The Fault in Our Stars ScripTipps: Sleepy Hollow |
| carrie 1976 screenplay: The Ghost of One's Self Paul Meehan, 2017-09-19 For millennia people have held folk beliefs about the existence of the doppelganger--double walker in German--a look-alike second self that is often the antithesis of one's identity and is usually considered an omen of misfortune or death. The theme of the double has inspired works by E.T.A. Hoffmann, Poe, de Maupassant, Dostoevsky and others, and has been the basis for many classic mystery, horror and science fiction movies. This critical survey examines the double in more than 100 films by such acclaimed directors as Alfred Hitchcock, Mario Bava, Roger Corman, David Cronenberg, George Romero, Fritz Lang, James Cameron, Robert Siodmak, Don Siegel, John Frankenheimer, Terry Gilliam, Brian De Palma and Roman Polanski. |
| carrie 1976 screenplay: The Critics Were Wrong Ardis Sillick, Michael McCormick, 1996 |
| carrie 1976 screenplay: Widow's Point Richard Chizmar, W.H. Chizmar, 2025-09-30 New York Times bestselling author Richard Chizmar, “one of horror’s indispensable writers” (Paste), and his son W.H. Chizmar, critically acclaimed author of Them (hailed by New York Times bestselling author Josh Malerman as “one of the best debuts I’ve ever read”) present a riveting found footage narrative about doomed thrill-seekers trapped in a haunted lighthouse. “This is a bad place. I don’t think people are meant to live here.” Longtime residents of Harper’s Cove believe that something is wrong with the Widow’s Point Lighthouse. Some say it’s cursed. Others claim it’s haunted. Originally built in 1838, three workers were killed during the lighthouse’s construction, including one who mysteriously plunged to his death from the catwalk. That tragic accident was never explained, and it was just the beginning of the terror. In the decades that followed, nearly two dozen additional deaths occurred in or around the lighthouse including cold-blooded murder, suicide, unexplained accidents and disappearances, the slaughter of an entire family, and the inexplicable death of a Hollywood starlet who was filming a movie on the grounds. The lighthouse was finally shuttered tight in 1988 and a security fence was erected around the property. No one has been inside since. Until now. Told across two harrowing incidents from 2017 and 2025, those who enter the Widow’s Point Lighthouse searching for supernatural proof and the next big thing find themselves cut off from the outside world. And although no one has recently stepped foot inside the structure, they are not alone. In this remarkable collaboration, father and son writing team, Richard and W.H. Chizmar combine forces to tell a terrifying ghost story that will make you think twice about what’s waiting for you in the dark. |
| carrie 1976 screenplay: Leonard Maltin's 2013 Movie Guide Leonard Maltin, 2012-09-04 NEW More than 16,000 capsule movie reviews, with more than 300 new entries NEW More than 13,000 DVD and 13,000 video listings NEW Up-to-date list of mail-order and online sources for buying and renting DVDs and videos NEW Completely updated index of leading performers MORE Official motion picture code ratings from G to NC-17 MORE Old and new theatrical and video releases rated **** to BOMB MORE Exact running times—an invaluable guide for recording and for discovering which movies have been edited MORE Reviews of little-known sleepers, foreign films, rarities, and classics AND Leonard's personal list of fifty notable debut features Summer blockbusters and independent sleepers; masterworks of Alfred Hitchcock, Billy Wilder, and Martin Scorsese; the timeless comedy of the Marx Brothers and Buster Keaton; animated classics from Walt Disney and Pixar; the finest foreign films ever made. This 2013 edition covers the modern era, from 1965 to the present, while including all the great older films you can’t afford to miss—and those you can—from box-office smashes to cult classics to forgotten gems to forgettable bombs, listed alphabetically, and complete with all the essential information you could ask for. • Date of release, running time, director, stars, MPAA ratings, color or black and white • Concise summary, capsule review, and four-star-to-BOMB rating system • Precise information on films shot in widescreen format • Symbols for DVD s, videos, and laserdiscs • Completely updated index of leading actors • Up-to-date list of mail-order and online sources for buying and renting DVDs and videos |
| carrie 1976 screenplay: Horror Films by Subgenre Chris Vander Kaay, Kathleen Fernandez-Vander Kaay, 2016-02-09 More horror movies are produced and released each year than any other film genre. While horror enjoys broad popularity, many hardcore fans voraciously consume films from their favorite subgenres while avoiding others entirely. This says something interesting about the films and their audiences. This primer and reference guide defines and explores 75 alphabetically listed subgenres of horror film, from Abduction to Witchcraft and two Zombie subgenres. Each sizeable entry provides a critical survey of the subgenre, a detailed examination of its characteristic elements and themes, and a discussion of three or four exemplary titles as well as other titles of interest. |
| carrie 1976 screenplay: The Way Hollywood Tells it David Bordwell, 2006 Publisher description |
| carrie 1976 screenplay: Post-9/11 Horror in American Cinema Kevin J. Wetmore, Jr., 2012-03-22 The horror film is meant to end in hope: Regan McNeil can be exorcized. A hydrophobic Roy Scheider can blow up a shark. Buffy can and will slay vampires. Heroic human qualities like love, bravery, resourcefulness, and intelligence will eventually defeat the monster. But, after the 9/11, American horror became much more bleak, with many films ending with the deaths of the entire main cast. Post-9/11 Horror in American Cinema illustrates how contemporary horror films explore visceral and emotional reactions to the attacks and how they underpin audiences' ongoing fears about their safety. It examines how scary movies have changed as a result of 9/11 and, conversely, how horror films construct and give meaning to the event in a way that other genres do not. Considering films such as Quarantine, Cloverfield, Hostel and the Saw series, Wetmore examines the transformations in horror cinema since 9/11 and considers not merely how the tropes have changed, but how our understanding of horror itself has changed. |
| carrie 1976 screenplay: ScripTipps: Sleepy Hollow Angela Jorgensen, 2014-06-29 There's never been a more exciting time to write for television. With the feature spec market a thing of the past, more new screenwriters are aiming for the small screen. If you're trying to break into TV writing, you'll need two types of writing samples: A spec episode of an existing series and an original pilot. Whether you're looking for a recent smash hit to spec or trying your hand at an original one-hour, SLEEPY HOLLOW is the perfect show to study. Conceived by Phillip Iscove, a writer with no prior produced credits, the series is a mash-up of two Washington Irving stories: The Legend of Sleepy Hollow and Rip Van Winkle. What if Ichabod Crane slept for two centuries and woke up in 2013? Further developed by STAR TREK scribes Roberto Orci and Alex Kurtzman, the show is a genre hybrid: a heavily serialized fantasy/horror mythology grafted onto a dual-protagonist, case-of-the-week police procedural. ScripTipps deconstructs the pilot episode of this smash hit series, analyzing its structural irregularities, how it introduces its important characters and themes, how it establishes a unique tone for the entire series, and more. ABOUT SCRIPTIPPS: ScripTipps help aspiring screenwriters learn the craft of screenwriting through in-depth analyses of select screenplays that exhibit excellence in story structure, character development, and scene construction. Each ScripTipps ebook analyzes one movie (or television episode) and its story and screenplay in full, scene by scene, from beginning to middle to end, gleaning useful and practical screenwriting tips along the way. NOTE: This ebook does NOT include the actual screenplay being discussed. ALSO AVAILABLE: ScripTipps: Arrested Development ScripTipps: Bridesmaids ScripTipps: Carrie (1976) ScripTipps: The Descendants ScripTipps: The Fault in Our Stars ScripTipps: The Hangover ScripTipps: Star Trek (2009) ScripTipps: Superman & Superman II ScripTipps: Waitress COMING SOON: ScripTipps: Breaking Bad ScripTipps: Community |
| carrie 1976 screenplay: Which Lie Did I Tell? William Goldman, 2001-02-20 From the Oscar-winning screenwriter of All the President's Men, The Princess Bride, and Butch Cassidy and the Sundance Kid, here is essential reading for both the aspiring screenwriter and anyone who loves going to the movies. If you want to know why a no-name like Kathy Bates was cast in Misery, it's in here. Or why Linda Hunt's brilliant work in Maverick didn't make the final cut, William Goldman gives you the straight truth. Why Clint Eastwood loves working with Gene Hackman and how MTV has changed movies for the worse,William Goldman, one of the most successful screenwriters in Hollywood today, tells all he knows. Devastatingly eye-opening and endlessly entertaining, Which Lie Did I Tell? is indispensable reading for anyone even slightly intrigued by the process of how a movie gets made. |
| carrie 1976 screenplay: Stephen King Tony Magistrale, 2009-12-21 This analysis of the work of Stephen King explores the distinctly American fears and foibles that King has celebrated, condemned, and generally examined in the course of his wildly successful career. Stephen King: America's Storyteller explores the particular American-ness of Stephen King's work. It is the first major examination to follow this defining theme through King's 40-year career, from his earliest writings to his most recent novels and films made from them. Stephen King begins by tracing Stephen King's rise from his formative years to his status as a one of the most popular writers in publishing history. It then takes a close look at the major works from his canon, including The Shining, The Stand, It, Dolores Claiborne, and The Dark Tower. In these works and others, author Tony Magistrale focuses on King's deep rooted sense of the American experience, exemplified by his clear-eyed presentation of our historical and cultural foibles and scars; his gallery of unlikely friendships that cross race, age, and class boundaries; and his transcendent portrayals of uniquely American survival instincts, fellowship, and acts of heroism from the least likely of sources. |
| carrie 1976 screenplay: For All Time Shanna Miles, 2022-09-06 Through countless lives, seventeen-year-olds Tamar and Fayard have fallen in love, fought to be together, and died but when they discover what it will take to break the cycle, will they be able to make the sacrifice? |
| carrie 1976 screenplay: Beyond Ballyhoo Mark Thomas McGee, 2001-03-15 William Castle, for instance, was a master promoter. In one scheme involving The Tingler, Vincent Price warns in the movie that the only way to stop the monster is to scream. That's the signal to the projectionist to throw the switch. Under ten or twelve seats were some electric motors, war surplus things that Castle got a bargain on. The motors vibrated the seat, in the hope of scaring a scream out of someone. Just in case it didn't Castle planted someone in the audience to get the screams rolling. This book is about flamboyant promotion, the con artist side of the movie world--everything the ballyhoo boys did to separate the customer from the price of a movie ticket--Emergo, HypnoVista, 3-D, Wide Screen, Cinemagic, Duo-Vision, Dynamation, Smell-O-Vision, plenty more. Supporting the text are 107 photos and illustrations, some never-before-published, and a filmography. |
| carrie 1976 screenplay: The Ultimate 70s Collection John Romero, Mark Bussler, Philip Oliver, Jim Bagley, Gary Bracey, Trip Hawkins, 2023-08-01 How do you remember the seventies? Whether it's as the Me Decade, the heatwave of 1976, or the Winter of Discontent, you'll find something in these pages to stir up nostalgia for the pop culture that defined the decade! Cinemas were showing groundbreaking movies, from Star Wars and Suspiria to Smokey and the Bandit, and TV programming was in its golden age with children's classics like Jamie and the Magic Torch and the satirical Abigail's Party, all played out on brand-new color TV sets. Then came the first-ever videogame consoles -- the Magnavox Odyssey, or the Atari 2600 -- and along with it, Pong. In Ultimate 70s Collection, you'll read and remember (or imagine!) what life was like in this momentous decade filled with iconic toys, trends, music, movies, celebrities, and other pop culture phenomena. Filled with fascinating articles, high-quality photography, and so much more, take a trip down memory lane and rediscover the most notable developments of the seventies! |
| carrie 1976 screenplay: Carrie; Christine Stephen King, 2002-08-01 |
| carrie 1976 screenplay: Fantastic Cinema Subject Guide Bryan Senn, 2024-10-16 About 2,500 genre films are entered under more than 100 subject headings, ranging from abominable snowmen through dreamkillers, rats, and time travel, to zombies, with a brief essay on each topic: development, highlights, and trends. Each film entry shows year of release, distribution company, country of origin, director, producer, screenwriter, cinematographer, cast credits, plot synopsis and critical commentary. |
| carrie 1976 screenplay: Pop Goes the Decade Richard A. Hall, 2019-11-08 Part of the Pop Goes the Decade series, this book looks at one of the most memorable decades of the 20th century, highlighting pop culture areas such as film, television, sports, technology, advertising, fashion, and art. All in the Family. Barry Manilow, Donna Summer, and Olivia Newton-John; Styx, Led Zeppelin, and The Jackson Five. Jaws, Rocky, The Exorcist, and The Rocky Horror Picture Show. Pop Goes the Decade: The Seventies takes a sweeping look at all of the cultural events and developments that made the 1970s a highly memorable era of change and new thinking. This book explores the cultural and social framework of the 1970s, focusing on pop culture areas that include film, television, sports, technological innovations, clothing, and art. A timeline highlights significant cultural moments, and a controversies in pop culture section explores the pop culture items and moments of the 1970s that shocked the public and challenged underlying social mores. The book also includes a Game Changers section that identifies the public figures and celebrities who had the largest influence during the decade, a technology section that explains how media, news, and culture were shared, and a Legacy section that identifies concepts and events from the 1970s that still affect Americans today. |
| carrie 1976 screenplay: Dark Dreams 2.0 Charles Derry, 2009-11-12 Greatly expanded and updated from the 1977 original, this new edition explores the evolution of the modern horror film, particularly as it reflects anxieties associated with the atomic bomb, the Cold War, 1960s violence, sexual liberation, the Reagan revolution, 9/11 and the Iraq War. It divides modern horror into three varieties (psychological, demonic and apocalyptic) and demonstrates how horror cinema represents the popular expression of everyday fears while revealing the forces that influence American ideological and political values. Directors given a close reading include Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo Del Toro, Michael Haneke, Robert Aldrich, Mel Gibson and George A. Romero. Additional material discusses postmodern remakes, horror franchises and Asian millennial horror. This book also contains more than 950 frame grabs and a very extensive filmography. |
| carrie 1976 screenplay: The Seventies Vincent LoBrutto, 2021-05-12 This book tracks the changing of the guard in the 1970s from the classic Hollywood studio system to a new generation of filmmakers who made personal movies targeted primarily to a thirty-and-under audience. These filmmakers reinvented the content and aesthetics of the medium to show that movies can be more than entertainment. |
| carrie 1976 screenplay: The Premiere Guide to Movies on Video Howard Karren, 1991 The Premiere Guide to Movies on Video is here to breathe new life into even the most bored and uninspired VCR owner. From America's hottest young magazine |
| carrie 1976 screenplay: The Monstrous-Feminine Barbara Creed, 2023-11-02 This is a timely update of a seminal text which re-interprets key films of the horror genre, including Carrie, The Exorcist, The Brood and Psycho. In the first edition, Creed draws on Julia Kristeva’s theory of abjection to challenge the popular view that women in horror are almost always victims, and argues that patriarchal ideology constructs women as monstrous in relation to her sexuality and reproductive body to justify her subjugation. Although a projection of male fears and paranoid fantasies, the monstrous-feminine is nonetheless a terrifying figure. Creed’s argument contests Freudian and Lacanian theories of sexual difference to offer a provocative rereading of classical and contemporary horror. This updated edition includes a new section examining contemporary feminist horror films in relation to nonhuman theory. Creed proposes a new concept of radical abjection to reinterpret the monstrous-feminine as a figure who embraces abjection by reclaiming her body and re-defining her otherness as nonhuman – while questioning patriarchy, anthropocentrism, misogyny and the meaning of the human. Films discussed include Ginger Snaps, Teeth, Atlantics, The Girl with All the Gifts, Border and Titane. Barbara Creed’s classic remains as relevant as ever and this edition will be of interest to academics and students of feminist theory, nonhuman theory, critical animal studies, race, and queer theory. |
| carrie 1976 screenplay: SAW Ben Poole, 2011-09-18 Like all game changers within the horror genre, SAW was an independent success, a low-budget champion that flourished without the patronage of a big studio. Not bad for the most successful horror franchise ever, which has spawned subsidiary media and masses of merchandise, including a theme park rollercoaster ride. What is it about SAW that attracted such a following? In his contribution to the Devil's Advocates series, Ben Poole considers the SAW phenomenon from all aspects of film and media studies – from its generic pedigree in both literature and film, to the visceral audience pleasures (what would I do?) of the text, to the contrasting representations of men and women and the film's implicit criticism of masculinity. |
Carrie (1976 film) - Wikipedia
Carrie is a 1976 American supernatural horror film directed by Brian De Palma from a screenplay written by Lawrence D. Cohen, adapted from Stephen King's 1974 epistolary novel Carrie. The …
Carrie (1976) - IMDb
Nov 16, 1976 · Carrie: Directed by Brian De Palma. With Sissy Spacek, Piper Laurie, Amy Irving, William Katt. Carrie White, a shy, friendless teenage girl who is sheltered by her domineering, …
Carrie (1976) | Carrie Wiki | Fandom
A shy, unpopular and bullied 16-year-old high school student named Carrie White experiences her first period as she showers with her fellow female classmates after gym class. Unaware of …
'Carrie' Series Sets Cast Including Summer Howell & Matthew ...
Jun 2, 2025 · Carrie is described as a reimagining of the story of misfit high schooler Carrie White, who has spent her life in seclusion with her domineering mother. After her father’s sudden …
Meet the Cast of Amazon’s ‘Carrie’ Series
Jun 2, 2025 · Carrie is based on King’s first novel, published in 1974 and adapted several times since, most famously by Brian De Palma for a 1976 film that starred Sissy Spacek and Piper …
Carrie - Rotten Tomatoes
In this chilling adaptation of Stephen King's horror novel, withdrawn and sensitive teen Carrie White (Sissy Spacek) faces taunting from classmates at school and abuse from her fanatically …
Stephen King 'Carrie' Remake Officially Reveals Main Cast
Jun 2, 2025 · Carrie's abusive mother, Margaret White, will be played by Flanagan's frequent collaborator Samantha Sloyan. Sloyan has appeared in "Hush," "The Haunting of Hill House," …
Every Carrie Movie in Order - JustWatch
Dec 30, 2024 · Use our guide to find out where every Carrie movie is streaming online right now, including Carrie, The Rage: Carrie 2, and the 2013 remake.
Carrie (1976) - The Movie Database (TMDB)
Withdrawn and sensitive teen Carrie White faces taunting from classmates at school and abuse from her fanatically pious mother. When strange occurrences start happening around Carrie, …
Carrie - Stephen King
Apr 5, 1974 · The story of misfit high-school girl, Carrie White, who gradually discovers that she has telekinetic powers. Repressed by a domineering, ultra-religious mother and tormented by …
Carrie (1976 film) - Wikipedia
Carrie is a 1976 American supernatural horror film directed by Brian De Palma from a screenplay written by Lawrence D. Cohen, adapted from Stephen King's 1974 epistolary novel Carrie. The …
Carrie (1976) - IMDb
Nov 16, 1976 · Carrie: Directed by Brian De Palma. With Sissy Spacek, Piper Laurie, Amy Irving, William Katt. Carrie White, a shy, friendless teenage girl who is sheltered by her domineering, …
Carrie (1976) | Carrie Wiki | Fandom
A shy, unpopular and bullied 16-year-old high school student named Carrie White experiences her first period as she showers with her fellow female classmates after gym class. Unaware of …
'Carrie' Series Sets Cast Including Summer Howell & Matthew ...
Jun 2, 2025 · Carrie is described as a reimagining of the story of misfit high schooler Carrie White, who has spent her life in seclusion with her domineering mother. After her father’s sudden …
Meet the Cast of Amazon’s ‘Carrie’ Series
Jun 2, 2025 · Carrie is based on King’s first novel, published in 1974 and adapted several times since, most famously by Brian De Palma for a 1976 film that starred Sissy Spacek and Piper …
Carrie - Rotten Tomatoes
In this chilling adaptation of Stephen King's horror novel, withdrawn and sensitive teen Carrie White (Sissy Spacek) faces taunting from classmates at school and abuse from her fanatically …
Stephen King 'Carrie' Remake Officially Reveals Main Cast
Jun 2, 2025 · Carrie's abusive mother, Margaret White, will be played by Flanagan's frequent collaborator Samantha Sloyan. Sloyan has appeared in "Hush," "The Haunting of Hill House," …
Every Carrie Movie in Order - JustWatch
Dec 30, 2024 · Use our guide to find out where every Carrie movie is streaming online right now, including Carrie, The Rage: Carrie 2, and the 2013 remake.
Carrie (1976) - The Movie Database (TMDB)
Withdrawn and sensitive teen Carrie White faces taunting from classmates at school and abuse from her fanatically pious mother. When strange occurrences start happening around Carrie, …
Carrie - Stephen King
Apr 5, 1974 · The story of misfit high-school girl, Carrie White, who gradually discovers that she has telekinetic powers. Repressed by a domineering, ultra-religious mother and tormented by …
