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| bug chicago theatre: Bug Tracy Letts, 2005 THE STORY: Set in a seedy Oklahoma City motel room, the play centers on the meeting between Agnes, a divorced waitress with a fondness for cocaine and isolation, and Peter, a soft-spoken Gulf War drifter introduced to her by her lesbian friend, R.C |
| bug chicago theatre: Listen Up! Anne Thurmann-Jajes, Regine Beyer, 2025-05-23 Listen Up! is the first publication worldwide to take an in-depth look at the development of Radio Art in the United States as a distinct sound art practice. Analytical essays by leading media art historians and practitioners discuss the ways in which a new field took shape in the context of changing broadcast environments and sociopolitical realities from the 1960s through the 1990s. The essays provide engaging reading for scholars, radio producers, and artists, as well as radio enthusiasts and lay audiences. Also included are manifestos and other texts written by Terry Allen, Jacki Apple, John Cage, Don Joyce / Negativland, Max Neuhaus, Pauline Oliveros, Helen Thorington, and others. The material vividly reflects the zeitgeist of the period and proposes trajectories for new research into fascinating yet still largely unexplored territories. |
| bug chicago theatre: Shock Theatre Chicago Style Donald F. Glut, 2012-08-09 From December 1957 through October 1959, Chicago TV viewers were held in thrall by Marvin, the ghoulishly hilarious host of WBKB-TV's late-night horror film series Shock Theatre. Marvin and his lady friend Dear (her face ever hidden from the camera) introduced thousands of Chicagoland youngsters to such classic Universal chillers as Frankenstein, Dracula and The Wolf Man. This history of Shock Theatre focuses on the series and its creator, Marvin himself--in real life, the multi-talented Terry Bennett, whose wife Joy played Dear. Terry's son Kerry Bennett provides an affectionate foreword, while celebrated horror host Count Gore De Vol (Dick Dyszel) supplies the afterword. Included are dozens of photos and vintage advertisement reproductions, as well as two appendices featuring a resume of Terry Bennett's career and a list of films telecast during his two-year Shock Theatre run. |
| bug chicago theatre: Chicago , 2007 |
| bug chicago theatre: Oz Before the Rainbow Mark Evan Swartz, 2002 Swartz reminds us in that various stage and screen dramatizations of Baum's story preceded and influenced the 1939 film. This richly illustrated book contains many rare photographs, film stills, sketches, theater programs, and movie advertisements from the different productions. Piecing together the Chicago and Broadway stage productions (1902-3) from contemporary reviews, surviving script pages, and published song lyrics, Swartz shows how Baum and his many collaborators worked to transform the book into a popular theatrical attraction -- often requiring significant alterations to the original story. |
| bug chicago theatre: American Theatre , 2008 |
| bug chicago theatre: Ensemble Mark Larson, 2019-08-13 This definitive history brings Chicago’s celebrated theater and comedy scenes to life with stories from some of its biggest stars spanning sixty-five years. Chicago is a bona fide theater town, bursting with vitality that thrills local fans and produces generation after generation of world-renowned actors, directors, playwrights, and designers. Now Mark Larson shares the rich theatrical history of Chicago through first-person accounts from the people who made it. Drawing from more than three hundred interviews, Larson weaves a narrative that expresses the spirit of Chicago’s ensemble ethos: the voices of celebrities such as Julia Louis-Dreyfus, Ed Asner, George Wendt, Michael Shannon, and Tracy Letts comingle with stories from designers, composers, and others who have played a crucial role in making Chicago theater so powerful, influential, and unique. Among many other topics, this book explores the early days of the fabled Compass Players and the legendary Second City in the ‘50s and ‘60s; the rise of acclaimed ensembles like Steppenwolf in the ‘70s; the explosion of storefront and neighborhood companies in the ‘80s; and the enduring global influence of the city as the center of improv training and performance. |
| bug chicago theatre: Cabrini's Child S.E. Elkin, 2007-07-16 But I’ve got to stay within the lines, I’m told. Coloring outside the lines comes later. Don’t stop me. This is my coloring book and I’ll do what I want with it. Remember when you were a little kid with your first coloring book? Stay in the lines! Later on you’ll have to color outside the lines, the demarcation lines of Cabrini-Green. You may be here for a while. Our generation thought the whole world lived as we did until one day we wandered over outside the color lines and discovered that for us the road to Damascus and enlightenment was really Michigan Boulevard. We had a clash of visions. A child’s war of worlds. |
| bug chicago theatre: Theatre Organ , 2000 |
| bug chicago theatre: Stage Money Tim Donahue, Jim Patterson, 2020-08-04 For decades roughly 80 percent of commercial Broadway productions have failed to recoup their original investments. In light of this shocking and harsh reality, how does the show go on? Tim Donahue and Jim Patterson answer this question and many others in this updated edition of their popular, straightforward guide to understanding professional theater finances and the economic realities of theater production. This revised edition of Stage Money not only includes the latest financial information and illuminating examples of key concepts; it has been enhanced with a discussion of the stagehands' union plus a new chapter on marketing for the theater. These new elements combined with the essentials of the first edition create an expansive overview of the contemporary theater business. Stage Money is designed for theater enthusiasts and professionals interested in understanding the inner workings of this industry today and its challenges for the future. Ken Davenport, two-time Tony Award winner, Broadway and Off Broadway theater producer, blogger, writer, and owner of Davenport Theatrical Enterprises writer, offers a foreword. |
| bug chicago theatre: Living Landmarks of Chicago Theresa L. Goodrich, 2021-04-21 From the man shipped home in a rum barrel to the most dangerous woman in America, Chicago history comes to life in these tantalizing tales. Living Landmarks of Chicago goes beyond the what, when, and where to tell the how and why of fifty Chicago landmarks. More than a book about architecture, these are stories of the people who made Chicago and many of its most popular tourist attractions what they are today. Each chapter is a vignette that introduces the landmark and brings it to life, and the book is organized chronologically to illustrate the development of the city's distinct personality. These fifty landmarks weave an interconnected tale of Chicago between 1836 and 1932 (and beyond). History lines Chicago’s sidewalks. Stroll down LaSalle or Dearborn or State and you’ll see skyscrapers that have been there for a century or more. It’s easy to scurry by, to dismiss the building itself, but a hunt for placards turns up landmarks every few feet, it seems. Here’s a Chicago landmark; there’s a National Historic landmark. They’re everywhere. Ironically, these skyscrapers keep the city grounded; they illustrate a past where visionaries took fanciful, impossible ideas and made them reality. Buildings sinking? Raise them. River polluting the lake and its precious drinking water? Reverse it. Overpopulation and urban sprawl making it challenging to get to work? Build up. From the bare to the ornate, from exposed beams to ornamented facades, the city’s architecture is unrestrainedly various yet provides a cohesive, beautiful skyline that illustrates the creativity of necessity, and the necessity of creativity. After a sound-bite history of the city’s origins, you’ll meet the oldest house in Chicago—or is it? Kinda. Sorta. Depends on who you ask. That’s Chicago. Nothing’s simple, and nothing can be taken for granted. The reason the city has a gorgeous skyline and a vibrant culture and a notorious reputation for graft is because of those who built it, envisioned it, manipulated it. Add Living Landmarks of Chicago to your cart and see what made Chicago so very...Chicago. |
| bug chicago theatre: Historicising Transmedia Storytelling Matthew Freeman, 2016-11-03 Tracing the industrial emergence of transmedia storytelling—typically branded a product of the contemporary digital media landscape—this book provides a historicised intervention into understandings of how fictional stories flow across multiple media forms. Through studies of the storyworlds constructed for The Wizard of Oz, Tarzan, and Superman, the book reveals how new developments in advertising, licensing, and governmental policy across the twentieth century enabled historical systems of transmedia storytelling to emerge, thereby providing a valuable contribution to the growing field of transmedia studies as well as to understandings of media convergence, popular culture, and historical media industries. |
| bug chicago theatre: Bigger, Brighter, Louder Chris Jones, 2013-10-04 “A constantly engaging and illuminating lesson in the role a great newspaper played in developing and sustaining a great theater town.” —Artvoice Chicago is regarded as one of the world’s premier cities for theater, and no one has had a more consistent front-row seat to its ascendance than the Chicago Tribune theater critics. Bigger, Brighter, Louder weaves together more than 150 years of Tribune reviews into a compelling narrative, pairing full reviews with commentary and history. With a sharp eye for telling details and a keen sense of historical context, Jones, longtime chief Tribune theater critic, takes readers through decades of highs and lows, successes and failures. The book showcases fascinating early reviews of actors and shows that would go on to achieve phenomenal success, including a tryout of A Raisin in the Sun with newcomer Sidney Poitier and the first major review of The Producers. It also delves into the rare and the unusual, such as a previously unpublished Tennessee Williams interview and a long conversation with Edward Albee’s mother. With reviews from Claudia Cassidy, Peregine Pickle, William Leonard, and more, many never collected before, Bigger, Brighter, Louder offers a unique lasting record of an ephemeral art and a riveting look at the history behind Chicago’s rise to theatrical greatness. “Bigger, Brighter, Louder gives us dozens of reviews—some perceptive, some notorious, and some bitingly funny. I warrant that you will find Mr. Jones’ Chicago-eyed view of theatre sharp, amusing and incisive.” —Playbill “Bigger, Brighter, Louder is a fascinating read, with Jones providing a thoroughly accessible exegesis.” —Time Out Chicago |
| bug chicago theatre: Just Remember This Colin Bratkovich, 2014-05-08 I have completed this manuscript Just Remember This, or as American Pop Singers 1900-1950+, about music before the 1950s in America. It perhaps offers knowledge and insights not previously found in other musical reference books. I have moreover been working on this book very meticulously over the past twelve-plus years. It started as a bit of fun and gradually became serious as I began to listen along with the vocalists of popular music, of the era before 1950, essentially just before the dawn of rock and roll. If you can call it that! Indeed genre and labeling of American music started here, and then from everywhere. While the old adage of always starting from somewhere could be noted in every century, the 1900s had produced the technology. Understanding the necessity, more so, finds a curiosity on the part of a general public hungry for entertainment, despite 6 day work weeks, World War I, the Great Depression, and World War II. |
| bug chicago theatre: The Birthday Party Harold Pinter, 1991 Stanley Webber is visited in his boarding house by strangers, Goldberg and McCann. An innocent-seeming birthday party for Stanley turns into a nightmare.The Birthday Party was first performed in 1958 and is now a modern classic, produced and studied throughout the world. |
| bug chicago theatre: Advances in the Biology and Management of Modern Bed Bugs Stephen L. Doggett, Dini M. Miller, Chow-Yang Lee, 2018-02-14 The first comprehensive scholarly treatment of bed bugs since 1966 This book updates and expands on existing material on bed bugs with an emphasis on the worldwide resurgence of both the common bed bug, Cimex lectularius L., and the tropical bed bug, Cimex hemipterus (F.). It incorporates extensive new data from a wide range of basic and applied research, as well as the recently observed medical, legal, and regulatory impacts of bed bugs. Advances in the Biology and Management of Modern Bed Bugs offers new information on the basic science and advice on using applied management strategies and bed bug bioassay techniques. It also presents cutting-edge information on the major impacts that bed bugs have had on the medical, legal, housing and hotel industries across the world, as well as their impacts on public health. Advances in the Biology and Management of Modern Bed Bugs offers chapters that cover the history of bed bugs; their global resurgence; their impact on society; their basic biology; how to manage them; the future of these pests; and more. Provides up-to-date information for the professional pest manager on bed bug biology and management Features contributions from 60 highly experienced and widely recognized experts, with 48 unique chapters A one-stop-source that includes historic, technical, and practical information Serves as a reference book for academic researchers and students alike Advances in the Biology and Management of Modern Bed Bugs is an essential reference for anyone who is impacted by bed bugs or engaged in managing bed bugs, be it in an academic, basic or applied scientific setting, or in a public outreach, or pest management role, worldwide. |
| bug chicago theatre: The Marvelous Land of Oz L. Frank Baum, 2012-09-19 Second Oz book; Scarecrow and Tin Woodman are back with hero named Tip. 120 black-and-white, 16 full-color illustrations. |
| bug chicago theatre: The Wicked City Curt Johnson, R. Craig Sautter, 1998-03-22 Traces Chicago's history of vice, crime, capitalism, and corruption from colonial times through the Roaring Twenties, describing the exploits of the city's most powerful criminals. |
| bug chicago theatre: Puppet and Spirit: Ritual, Religion, and Performing Objects Claudia Orenstein, Tim Cusack, 2024-10-17 This anthology of essays, a companion to Puppet and Spirit: Ritual, Religion, and Performing Objects, Volume I, aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world. The allure of the puppet goes beyond its material presence as, historically and throughout the globe, many uses of puppets and related objects have expressed and capitalized on their posited connections to other realms or ability to serve as vessels or conduits for immaterial presence. The flip side of the puppet’s troubling uncanniness is precisely the possibilities it represents for connecting to discarnate realities. Where do we see such connections in contemporary artistic work in various mediums? How do puppets open avenues for discussion in a world that seems to be increasingly polarized around religious values? How do we describe, analyze, and theorize the present moment? What new questions do puppets address for our times, and how does the puppet’s continued entanglement with these concerns trouble or comfort us? The essays in this book, from scholars and practitioners, provide a range of useful models and critical vocabularies for addressing this aspect of puppet performance, further expanding the growing understanding and appreciation of puppetry generally. This book, along with its companion volume, offers, for the first time, robust coverage of this subject from a diversity of voices, examples, and perspectives. |
| bug chicago theatre: Roger Ebert's Movie Yearbook 2007 Roger Ebert, 2013-02-05 The most-trusted film critic in America. --USA Today Roger Ebert actually likes movies. It's a refreshing trait in a critic, and not as prevalent as you'd expect. --Mick LaSalle, San Francisco Chronicle America's favorite movie critic assesses the year's films from Brokeback Mountain to Wallace and Gromit: The Curse of the Were-Rabbit. Roger Ebert's Movie Yearbook 2007 is perfect for film aficionados the world over. Roger Ebert's Movie Yearbook 2007 includes every review by Ebert written in the 30 months from January 2004 through June 2006-about 650 in all. Also included in the Yearbook, which is about 65 percent new every year, are: * Interviews with newsmakers such as Philip Seymour Hoffman, Terrence Howard, Stephen Spielberg, Ang Lee, and Heath Ledger, Nicolas Cage, and more. * All the new questions and answers from his Questions for the Movie Answer Man columns. * Daily film festival coverage from Cannes, Toronto, Sundance, and Telluride. *Essays on film issues and tributes to actors and directors who died during the year. |
| bug chicago theatre: Billboard , 1950-12-23 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| bug chicago theatre: Keep Watching the Skies! Bill Warren, 2017-01-12 Bill Warren's Keep Watching the Skies! was originally published in two volumes, in 1982 and 1986. It was then greatly expanded in what we called the 21st Century Edition, with new entries on several films and revisions and expansions of the commentary on every film. In addition to a detailed plot synopsis, full cast and credit listings, and an overview of the critical reception of each film, Warren delivers richly informative assessments of the films and a wealth of insights and anecdotes about their making. The book contains 273 photographs (many rare, 35 in color), has seven useful appendices, and concludes with an enormous index. This book is also available in hardcover format (ISBN 978-0-7864-4230-0). |
| bug chicago theatre: Superior Donuts Tracy Letts, 2010 THE STORY: Arthur Przybyszewski owns a decrepit donut shop in the Uptown neighborhood of Chicago. Franco Wicks, a black teenager who is his only employee, wants to change the shop for the better. This comedy-drama by Tony Award and Pulitzer Prize-w |
| bug chicago theatre: Roger Ebert's Movie Yearbook 2010 Roger Ebert, 2009-11-09 Roger Ebert's Movie Yearbook 2010 is the ultimate source for movies, movie reviews, and much more. For nearly 25 years, Roger Ebert's annual collection has been recognized as the preeminent source for full-length critical movie reviews, and his 2010 yearbook does not disappoint. The yearbook includes every review Ebert has written from January 2007 to July 2009. It also includes interviews, essays, tributes, and all-new questions and answers from his Questions for the Movie Answer Man columns. Fans get a bonus feature, too, with new entries to Ebert's Little Movie Glossary. This is the must-have go-to guide for movie fanatics. |
| bug chicago theatre: Metamodernism in Contemporary British Theatre Tom Drayton, 2024-10-03 Postmodern theatre is dead. A new theatre is rising – one that combines the well-worn postmodern aesthetics of irony, detachment, and deconstruction with a paradoxical interest in authenticity, engagement, and re-construction. Whilst recent scholarship has treated these evolving interests as unrelated shifts in performance aesthetics, this volume proposes a new understanding: that these are part of a wider emerging cultural paradigm – metamodernism. Metamodernism in Contemporary British Theatre is the first book to focus on metamodernism and performance, offering a pioneering framework by which to identify and understand metamodern theatre. By drawing critical links between the works of performance theorists such as Anne Bogart and Andy Lavender and the metamodern as defined by Timotheus Vermeulen and Robin van den Akker, this book makes a clear, vital, and urgent case for the use of the term metamodernism within mainstream theatre scholarship. Focussing on small-scale theatre companies across the UK – including Poltergeist, YESYESNONO, Middle Child and The Gramophones, many of whom have not been documented in academia before – this book also provides a unique analysis of the theatre made by British millennials, a generation who have been distinctly affected by specific structures of contemporary precarity coinciding with this wider cultural shift. Through this, Metamodernism in Contemporary British Theatre makes a crucial contribution towards understanding emergent developments in post-millennial theatre practice across Britain and beyond. |
| bug chicago theatre: Disney Voice Actors Thomas S. Hischak, 2011-10-06 This biographical dictionary is devoted to the actors who provided voices for all the Disney animated theatrical shorts and features from the 1928 Mickey Mouse cartoon Steamboat Willie to the 2010 feature film Tangled. More than 900 men, women, and child actors from more than 300 films are covered, with biographical information, individual career summaries, and descriptions of the animated characters they have performed. Among those listed are Adriana Caselotti, of Snow White fame; Clarence Nash, the voice of Donald Duck; Sterling Holloway, best known for his vocal portrayal of Winnie the Pooh; and such show business luminaries as Bing Crosby, Bob Newhart, George Sanders, Dinah Shore, Jennifer Tilly and James Woods. In addition, a complete directory of animated Disney films enables the reader to cross-reference the actors with their characters. |
| bug chicago theatre: Roger Ebert's Movie Yearbook 2009 Roger Ebert, 2009-06-15 Nobody has been more important in telling Americans why we should love film than Roger Ebert. --Michael Shamberg, Editor and Publisher Pulitzer Prize-winning film critic Roger Ebert presents more than 650 full-length critical movie reviews, along with interviews, essays, tributes, film festival reports, and Q and As from Questions for the Movie Answer Man. Roger Ebert's Movie Yearbook 2009 collects more than two years' worth of his engaging film critiques. From Bee Movie to Darfur Now to No Country for Old Men, and from Juno to Persepolis to La Vie en Rose, Roger Ebert's Movie Yearbook 2009 includes every review Ebert has written from January 2006 to June 2008. Also included in the Yearbook, which boasts 65 percent new content, are: * Interviews with newsmakers, such as Juno director Jason Reitman and Jerry Seinfeld, a touching tribute to Deborah Kerr, and an emotional letter of appreciation to Werner Herzog. * Essays on film issues, and tributes to actors and directors who died during the year. * Daily film festival reports from Cannes, Toronto, Sundance, and Telluride. * All-new questions and answers from his Questions for the Movie Answer Man columns. |
| bug chicago theatre: Susan Glaspell Linda Ben-Zvi, 2007-07 The biography of Susan Glaspell traces the development of the first important American female playwright and illustrates the ways in which her fascinating, avant-garde life provided the model and materials for her groundbreaking dramas and fiction. |
| bug chicago theatre: The Facts on File Companion to American Drama Jackson R. Bryer, Mary C. Hartig, 2010 Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers. |
| bug chicago theatre: American Musical Theater Gerald Bordman, 2001-03 Gerald Bordman's American Musical Theatre has become a landmark book since its original publication in 1978. In this third edition, he offers authoritative summaries on the general artistic trends and developments for each season on musical comedy, operetta, revues, and the one-man and one-woman shows from the first musical to the 1999/2000 season. With detailed show, song, and people indexes, Bordman provides a running commentary and assessment as well as providing the basic facts about each production. |
| bug chicago theatre: Theatre Record , 1996 |
| bug chicago theatre: Billboard , 1947-12-27 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| bug chicago theatre: Lonely Planet Chicago Lonely Planet, Karla Zimmerman, 2017-02-01 Lonely Planet: The world's leading travel guide publisher Lonely Planet Chicago is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Admire Chicago's architecture on a river tour; visit the Art Institute of Chicago, or see a show at one of the city's 200 theaters; all with your trusted travel companion. Get to the heart of Chicago and begin your journey now! Inside Lonely Planet Chicago: Full-color maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, politics, architecture, sports, cuisine, music, arts, cinema, literature Free, convenient pull-out Chicago map (included in print version), plus over 40 color maps Covers The Loop, Near North, Gold Coast, Old Town, Boystown, Wrigleyville, Andersonville, Uptown, Wicker Park, Bucktown, Ukrainian Village, Logan Square, Humboldt Park, West Loop, Pilsen, South Side, and more eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet Chicago, our most comprehensive guide to Chicago, is perfect for both exploring top sights and taking roads less traveled. Looking for just the highlights of Chicago? Check out Pocket Chicago, a handy-sized guide focused on the can't-miss sights for a quick trip. About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off beaten paths to understand more of the culture of the places in which they find themselves. The world awaits! Lonely Planet guides have won the TripAdvisor Traveler's Choice Award in 2012, 2013, 2014, 2015, and 2016. 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' -- Fairfax Media 'Lonely Planet guides are, quite simply, like no other.' - New York Times Important Notice: The digital edition of this book may not contain all of the images found in the physical edition. |
| bug chicago theatre: Radio Stars Thomas A. DeLong, 2024-10-14 From the time Westinghouse started commercial broadcasting in 1920 through the end of the radio soap operas in the early 1960s, hundreds of men and women performed on radio. Day after day, week after week, these performers (e.g., Jack Benny, Bing Crosby, Kate Smith, Lowell Thomas, Kay Kyser, and Bob Hope) became familiar voices and welcomed guests in the homes of millions of Americans. Actors, comedians, singers, commentators, announcers, emcees, newscasters, preachers and various other artists all gave voice to radio and 953 of them are covered in this unique reference work. Performers Fran Allison, Les Paul, Johnny Desmond, Alec Templeton, Don Wilson, Jerry Colonna and soap opera favorites Virginia Payne, Betty Garde, Macdonald Carey, David Gothard, Page Gilman, and Jan Miner are included herein, as well as Ezra Stone, Groucho Marx, Will Rogers, Frank Sinatra and hundreds more. For each, there is a listing of radio programs, birth and death dates (where appropriate) and a biography that focuses on work in radio. Heavily illustrated. |
| bug chicago theatre: Edge of the Screen Murray Pomerance, 2024-11-14 This book is a series of seventeen mediations that revolve around the notion of the viewer's placement at the edge of the screen. Every page is an opportunity to think about an aspect of film, or of film viewing, in new ways, and to begin reconsidering deeply ingrained ways of unthinkingly characterizing and accounting for what it is that we watch when we watch a film, what happens to us, and how we make sense of and appreciate it. This volume follows from three others by the author: Virtuoso: Film Performance and the Actor's Magic (2020); The Film Cheat: Cinematic Artifice and Viewing Pleasure (2021); and Uncanny Cinema: Agonies of the Viewing Experience (2022). All of these, including Edge of the Screen, meander and interrogate cinema as we watch it, both connecting us to and disconnecting us from the moment of pleasure. Each meditation is characterized by a deep penetration of the inquiring, continually hungry authorial mind and a very extensive set of analyses of filmic moments from myriad films, including 2001: A Space Odyssey, Memento, Zabriskie Point, An American in Paris, Planet of the Apes (1968), Superman (1978), Possessed, The Jungle Book (1942), The Spy Who Came In from the Cold, The Toll of the Sea, Rope, and numerous others. These meditations are careful and philosophical as much as energetically ruminative, yet are written in an accessible style for all interested readers who both love cinema and wonder about that love. Each chapter can stand alone, even though all work together to challenge perspectives on what we encounter, experience, think, and feel when we watch films. Across its chapters, Edge of the Screen takes on a wide range of topics: the ontology of film; the relation between characters, actors, and the figures who appear onscreen; film's relationships to the other arts, especially painting but also novels and theatre; the passage of time in film, and its momentary character; film criticism, including deeply held values such as coherence; film's relationship to mortality; and more. |
| bug chicago theatre: American Musical Theatre Gerald Martin Bordman, Richard Norton, 2010 Hailed as absolutely the best reference book on its subject by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical. The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the Prologue, which traces the origins of American musical theater to 1866, through several intermissions (for instance, Broadway's Response to the Swing Era, 1937-1942) and up to Act Seven, the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening. Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts. |
| bug chicago theatre: A Dream About Lightning Bugs Ben Folds, 2019-07-30 NEW YORK TIMES BESTSELLER • From the genre-defying icon Ben Folds comes a memoir that is as nuanced, witty, and relatable as his cult-classic songs. “A Dream About Lightning Bugs reads like its author: intelligent, curious, unapologetically punk, and funny as hell.”—Sara Bareilles NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND PASTE Ben Folds is a celebrated American singer-songwriter, beloved for songs such as “Brick,” “You Don’t Know Me,” “Rockin’ the Suburbs,” and “The Luckiest,” and is the former frontman of the alternative rock band Ben Folds Five. But Folds will be the first to tell you he’s an unconventional icon, more normcore than hardcore. Now, in his first book, Folds looks back at his life so far in a charming and wise chronicle of his artistic coming of age, infused with the wry observations of a natural storyteller. In the title chapter, “A Dream About Lightning Bugs,” Folds recalls his earliest childhood dream—and realizes how much it influenced his understanding of what it means to be an artist. In “Measure Twice, Cut Once” he learns to resist the urge to skip steps during the creative process. In “Hall Pass” he recounts his 1970s North Carolina working-class childhood, and in “Cheap Lessons” he returns to the painful life lessons he learned the hard way—but that luckily didn’t kill him. In his inimitable voice, both relatable and thought-provoking, Folds digs deep into the life experiences that shaped him, imparting hard-earned wisdom about both art and life. Collectively, these stories embody the message Folds has been singing about for years: Smile like you’ve got nothing to prove, because it hurts to grow up, and life flies by in seconds. Praise for A Dream About Lightning Bugs “Besides being super talented, and an incredibly poignant and multifaceted musician, Ben Folds is a fantastic author. I couldn’t put this book down—and not just because I taped it to my hand. Ben takes us into his mind and into his process from the very beginnings of his childhood to where he is today—one of the greatest musicians and writers that has ever graced the art.”—Bob Saget |
| bug chicago theatre: Here's to the Ladies Eddie Shapiro, 2023 In Here's to the Ladies, the follow-up to Nothing Like a Dame: Conversations with the Great Women of Musical Theater, theatre journalist Eddie Shapiro sits down for intimate, career-encompassing conversations with yet more of Broadway's most prolific and fascinating leading women. |
| bug chicago theatre: Historical Dictionary of Contemporary American Theater James Fisher, 2011-06-01 Historical Dictionary of Contemporary American Theater presents the plays and personages, movements and institutions, and cultural developments of the American stage from 1930 to 2010, a period of vast and almost continuous change. It covers the ever-changing history of the American theater with emphasis on major movements, persons, plays, and events. This is done through a chronology, an introductory essay, an extensive bibliography, and over 1,500 cross-referenced dictionary entries. This book is an excellent access point for students, researchers, and anyone wanting to know more about the history of American theater. |
| bug chicago theatre: The Commercial Theater Institute Guide to Producing Plays and Musicals Ben Hodges, Frederic B. Vogel, 2007 PLAYS BY AMERICAN WOMEN 1900-1930 |
סמארטפונים, מחשבים, גאדג'טים ועוד - באג
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היכנסו לרכישת סטרימר Y 4K Android TV (LAN+) גו טיוי - GO TV ברשת באג, באג מציעה לכם את מוצרים מהמותגים המובילים עם אחריות מלאה במחירים משתלמים ומשלוח …
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Saros Z70 – שואב האבק הרובוטי הראשון עם זרוע חכמה להזזת מכשולים וניקוי שאין לו גבולות!
