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| cavell the claim of reason: The Claim of Reason Stanley Cavell, 1999-07-01 The first three parts of this book deal with the tension between ordinary language philosophy (as envisioned in the writings of J.L. Austin and the later Wittgenstein) and the 'tradition.' In the fourth part the author explores the problem of skepticism and takes a broad view of its consequences. |
| cavell the claim of reason: Contending with Stanley Cavell Russell B. Goodman, 2005-02-10 Stanley Cavell has been a brilliant, idiosyncratic, and controversial presence in American philosophy, literary criticism, and cultural studies for years. Even as he continues to produce new writing of a high standard -- an example of which is included in this collection -- his work has elicited responses from a new generation of writers in Europe and America. This collection showcases this new work, while illustrating the variety of Cavell's interests: in the ordinary language philosophy of Wittgenstein and Austin, in film criticism and theory, in literature, psychoanalysis, and the American transcendentalism of Ralph Waldo Emerson and Henry David Thoreau. The collection also reprints Richard Rorty's early review of Cavell's magnum opus, The Claim of Reason (1979), and it concludes with Cavell's substantial set of responses to the essays, a highlight of which is his engagement with Rorty. |
| cavell the claim of reason: The Ironist and the Romantic Áine Mahon, 2014-05-22 At the time of his death in 2007, Richard Rorty was widely acclaimed as one of the world's most influential contemporary thinkers. Stanley Cavell, who has been a leading intellectual figure from the 1960s to the present, has been just as philosophically influential as Rorty though perhaps not as politically divisive. Both philosophers have developed from analytic to post-analytical thought, both move between philosophy, literature and cultural politics, and both re-establish American philosophical traditions in a new and nuanced key. The Ironist and the Romantic: Reading Richard Rorty and Stanley Cavell finds the sound of Rorty's cheerful pragmatism strikingly at odds with the anxious romanticism of Cavell. Beginning from this tonal discord, and moving through comprehensive comparative analysis on the topics of scepticism, American philosophy, literature, writing style and politics, this book presents the work of its central figures in a novel and mutually illuminating perspective. Áine Mahon's unique and original comparative reading will be of interest not only to those working on Rorty and Cavell but to anyone concerned with the current state of American philosophy. |
| cavell the claim of reason: Must We Mean What We Say? Stanley Cavell, 2002-11-04 Publisher Description |
| cavell the claim of reason: Stanley Cavell, Religion, and Continental Philosophy Espen Dahl, 2014-05-05 “Impressive . . . a gifted theologian . . . manages to place Cavell in conversation with continental thought as productively as anyone before him.” —Notre Dame Philosophical Reviews The American philosopher Stanley Cavell (b. 1926) is a secular Jew who by his own admission is obsessed with Christ, yet his outlook on religion in general is ambiguous. Probing the secular and the sacred in Cavell’s thought, Espen Dahl explains that Cavell, while often parting ways with Christianity, cannot dismiss it either. Focusing on Cavell’s work as a whole, but especially on his recent engagement with Continental philosophy, Dahl brings out important themes in Cavell’s philosophy and his conversation with theology. “It is undoubtedly tricky business writing a book about Stanley Cavell and any book enterprising enough to bring him into conversation with Christian theology should be additionally commended, especially one as likable as Espen Dahl’s.” —Modern Theology “Clearly, concisely, and powerfully shows Cavell’s frequent and deep links to and engagements with religion and religious themes and with (so-called) Continental philosophy . . . Dahl has also written a highly accessible book on Cavell, and yet one which in no way ‘waters down’ or dilutes Cavell’s thinking. There ought to be more books of this kind on Cavell.” —International Journal for the Philosophy of Religion “In making such a convincing case for claiming that religion is Stanley Cavell’s pervasive, hence invisible, business, Espen Dahl also puts Cavell’s writings into sustained and productive dialogue with the work of Levinas and Girard in ways other commentators have not previously managed.” —Stephen Mulhall, Oxford University |
| cavell the claim of reason: Becoming Who We Are Andrew Norris, 2017-07-03 While much literature exists on the work of Stanley Cavell, this is the first monograph on his contribution to politics and practical philosophy. As Andrew Norris demonstrates, though skepticism is Cavell's central topic, Cavell understands it not as an epistemological problem or position, but as an existential one. The central question is not what we know or fail to know, but to what extent we have made our lives our own, or failed to do so. Accordingly, Cavell's reception of Austin and Wittgenstein highlights, as other readings of these figures do not, the uncanny nature of the ordinary, the extent to which we ordinarily fail to mean what we say and be who we are. Becoming Who We Are charts Cavell's debts to Heidegger and Thompson Clarke, even as it allows for a deeper appreciation of the extent to which Cavell's Emersonian Perfectionism is a rewriting of Rousseau's and Kant's theories of autonomy. This in turn opens up a way of understanding citizenship and political discourse that develops points made more elliptically in the work of Hannah Arendt, and that contrasts in important ways with the positions of liberal thinkers like John Rawls and Jürgen Habermas on the one hand, and radical democrats like Ernesto Laclau and Chantal Mouffe on the other. |
| cavell the claim of reason: Philosophy the Day After Tomorrow Stanley Cavell, 2005 Seeking for philosophy the same spirit and assurance conveyed by artists like Fred Astaire, Cavell presents essays exploring the meaning of grace and gesture in film and on stage, in language and in life. Critical to the renaissance in American thought Cavell hopes to provoke is the recognition of the centrality of the “ordinary” to American life. |
| cavell the claim of reason: Philosophy and Animal Life Stanley Cavell, 2008 This groundbreaking collection of contributiond by leading philosophers offers a new way of thinking about animal rights, our obligation to animals, and the nature of philosophy itself. |
| cavell the claim of reason: A Pitch of Philosophy Stanley Cavell, 1996-02 This work is an introduction to the life of philosophy in the United States, as Emerson once lived it, in all its topographical ambiguity. |
| cavell the claim of reason: Pursuits of Happiness Stanley Cavell, 1981 Looks at seven classic romantic comedies of the thirties and forties, and compares what each film expresses about marriage, interdependence, equality, and sexual roles. |
| cavell the claim of reason: The World Viewed Stanley Cavell, 1979 In their thoughtful study of one of Stanley Cavell's greatest yet most neglected books, William Rothman and Marian Keane address this eminent philosopher's many readers, from a variety of disciplines, who have neither understood why he has given film so much attention, nor grasped the place of The World Viewed within the totality of his writings about film. Rothman and Keane also reintroduce The World Viewed to the field of film studies. When the new field entered universities in the late 1960s, it predicated its legitimacy on the conviction that the medium's artistic achievements called for serious criticism and on the corollary conviction that no existing field was capable of the criticism filmed called for. The study of film needed to found itself, intellectually, upon a philosophical investigation of the conditions of the medium and art of film. Such was the challenge The World Viewed took upon itself. However, film studies opted to embrace theory as a higher authority than our experiences of movies, divorcing itself from the philosophical perspective of self-reflection apart from which, The World Viewed teaches, we cannot know what movies mean, or what they are. Rotham and Keane now argue that the poststructuralist theories that dominated film studies for a quarter of a century no longer compel conviction, Cavell's brilliant and beautiful book can provide a sense of liberation to a field that has forsaken its original calling. Read in a way that acknowledges its philosophical achievement, The World Viewed can show the field a way to move forward by rediscovering its passion for the art of film. Reading Cavell's The World Viewed will prove invaluable to scholars and students of film and philosophy, and to those in other fields, such as literary studies and American studies, who have found Cavell's work provocative an fruitful. -- Wayne State University Press. |
| cavell the claim of reason: Cavell's Must We Mean What We Say? at 50 Greg Chase, Juliet Floyd, Sandra Laugier, 2022-03-10 An accessible investigation of the importance of Cavell's most famous work for modern and contemporary philosophy and literature. |
| cavell the claim of reason: The Senses of Walden Stanley Cavell, 2013-02-11 Stanley Cavell, one of America's most distinguished philosophers, has written an invaluable companion volume to Walden, a seminal book in our cultural heritage. This expanded edition includes two essays on Emerson. |
| cavell the claim of reason: Wittgenstein's Later Philosophy Oswald Hanfling, 1989-01-01 Philosophy, wrote Wittgenstein, simply puts everything before us, and neither explains nor deduces anything. Hanfling takes seriously Wittgenstein's declaration of what he was doing, emphasizing Wittgenstein's rejection of theory and explanation in favor of 'description alone.' He demonstrates the importance of Wittgenstein's philosophy to long-standing problems about language, knowledge, the mind, and philosophy itself. The book exposes common misunderstandings about Wittgenstein, and examines in detail the celebrated 'private language' argument. |
| cavell the claim of reason: Cities of Words Stanley Cavell, 2005-10-31 This book--which presents a course of lectures Cavell presented several times toward the end of his teaching career at Harvard--links masterpieces of moral philosophy and classic Hollywood comedies to fashion a new way of looking at our lives and learning to live with ourselves. |
| cavell the claim of reason: Thoreau's Importance for Philosophy Rick Anthony Furtak, Jonathan Ellsworth, James D. Reid, 2012-08-14 Although Henry David Thoreau's best-known book, Walden, is admired as a classic work of American literature, it has not yet been widely recognized as an important philosophical text. In fact, many academic philosophers would be reluctant to classify Thoreau as a philosopher at all. The purpose of this volume is to remedy this neglect, to explain Thoreau's philosophical significance, and to argue that we can still learn from his polemical conception of philosophy.Thoreau sought to establish philosophy as a way of life and to root our philosophical, conceptual affairs in more practical or existential concerns. His work provides us with a sustained meditation on the importance of leading our lives with integrity, avoiding what he calls quiet desperation. The contributors to this volume approach Thoreau's writings from different angles. They explore his aesthetic views, his naturalism, his theory of self, his ethical principles, and his political stances. Most importantly, they show how Thoreau returns philosophy to its roots as the love of wisdom. |
| cavell the claim of reason: Film as Philosophy R. Read, J. Goodenough, 2005-09-27 A series of essays on film and philosophy whose authors - philosophers or film studies experts - write on a wide variety of films: classic Hollywood comedies, war films, Eastern European art films, science fiction, showing how film and watching it can not only illuminate philosophy but, in an important sense, be doing philosophy. The book is crowned with an interview with Wittgensteinian philosopher Stanley Cavell, discussing his interests in philosophy and in film and how they can come together. |
| cavell the claim of reason: Themes out of School Stanley Cavell, 2013-06-07 “Themes out of School . . . cannot help but urge us to think, in fresh and undistracted ways, about the world that actually confronts us.” —Jay Parini, Hudson Review In the first essay of this book, Stanley Cavell characterizes philosophy as a “willingness to think not about something other than what ordinary human beings think about, but rather to learn to think undistractedly about things that ordinary human beings cannot help thinking about, or anyway cannot help having occur to them, sometimes in fantasy, sometimes as a flash across a landscape.” Fantasies of film and television and literature, flashes across the landscape of literary theory, philosophical discourse, and French historiography give Cavell his starting points in these twelve essays. Here is philosophy in and out of “school,” understood as a discipline in itself or thought through the works of Shakespeare, Molière, Kierkegaard, Thoreau, Brecht, Makavejev, Bergman, Hitchcock, Astaire, and Keaton. |
| cavell the claim of reason: Stanley Cavell and the Education of Grownups Naoko Saito, Paul Standish, 2011 What could it mean to speak of philosophy as the education of grownups? This book takes Stanley Cavell's much-quoted, yet enigmatic phrase as the provocation for a series of explorations into themes of education that run throughout his work - through his response to Wittgenstein, Austin and ordinary language philosophy, through his readings of Thoreau and of the moral perfectionism he identifies with Emerson, through his discussions of literature and film. Hilary Putnam has described Cavell not only as one of the most creative thinkers of today but as amongst the few contemporary philosophers to explore the territory of philosophy as education. Yet in mainstream philosophy his work is apt to be referred to rather than engaged with, and the full import of his writings for education is still to be appreciated. Cavell engages in a sustained exploration of the nature of philosophy, and this is not separable from his preoccupation with what it is to teach and to learn, with the kinds of transformation these might imply, and with the significance of these things for our language and politics, for our lives as a whole. In recent years Cavell's work has been the subject of a number of books of essays, but this is the first to address directly the importance of education in his work. Such matters cannot fail to be of significance not only for the disciplinary fields of philosophy and education, but in politics, literature, and film studies - and in the humanities as a whole. A substantial introduction provides an overview of the philosophical purchase of questions of education in his work, while the essays are framed by two new pieces by Cavell himself. The book shows what it means to read Cavell, and simultaneously what it means to read philosophically, in itself a part of our education as grownups. |
| cavell the claim of reason: Conditions Handsome and Unhandsome Stanley Cavell, 2018-01-11 In these three lectures, Cavell situates Emerson at an intersection of three crossroads: a place where both philosophy and literature pass; where the two traditions of English and German philosophy shun one another; where the cultures of America and Europe unsettle one another. Cavell's 'readings' of Wittgenstein and Heidegger and Emerson and other thinkers surely deepen our understanding of them, but they do much more: they offer a vision of what life can be and what culture can mean. . . . These profound lectures are a wonderful place to make [Cavell's] acquaintance.—Hilary Putnam |
| cavell the claim of reason: Close Listening Charles Bernstein, 1998-04-30 Close Listening brings together seventeen strikingly original essays, especially written for this volume, on the poetry reading, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been surprisingly slight. This volume, featuring work by critics and poets such as Marjorie Perloff, Susan Stewart, Johanna Drucker, Dennis Tedlock, and Susan Howe, is the first comprehensive introduction to the ways in which twentieth-century poetry has been practiced as a performance art. From the performance styles of individual poets and types of poetry to the relation of sound to meaning, from historical and social approaches to poetry readings to new imaginations of prosody, the entries gathered here investigate a compelling range of topics for anyone interested in poetry. Taken together, these essays encourage new forms of close listenings--not only to the printed text of poems but also to tapes, performances, and other expressions of the sounded and visualized word. The time is right for such a volume: with readings, spoken word events, and the Web gaining an increasing audience for poetry, Close Listening opens a number of new avenues for the critical discussion of the sound and performance of poetry. |
| cavell the claim of reason: Emerson's Transcendental Etudes Stanley Cavell, 2003 This book is Stanley Cavell’s definitive expression on Emerson. Over the past thirty years, Cavell has demonstrated that he is the most emphatic and provocative philosophical critic of Emerson that America has yet known. The sustained effort of that labor is drawn together here for the first time into a single volume, which also contains two previously unpublished essays and an introduction by Cavell that reflects on this book and the history of its emergence. Students and scholars working in philosophy, literature, American studies, history, film studies, and political theory can now more easily access Cavell’s luminous and enduring work on Emerson. Such engagement should be further complemented by extensive indices and annotations. If we are still in doubt whether America has expressed itself philosophically, there is perhaps no better space for inquiry than reading Cavell reading Emerson. |
| cavell the claim of reason: Stanley Cavell and Film Catherine Wheatley, 2019-07-25 “Film is made for philosophy,” asserted Stanley Cavell. In addition to his work on scepticism, morality, and the intentions and meanings of ordinary language, the American philosopher wrote fascinatingly about cinema, arguing that film can reveal new ground for thinking through old philosophical problems. In this book, Catherine Wheatley draws upon Cavell's explicitly film-inspired works, key philosophical concepts and autobiographical writings, examining his analyses of films from Hollywood's Golden Age, the French New Wave, contemporary action cinema, silent film heroes Chaplin and Keaton, directors Cocteau and Hitchcock, and performers Greta Garbo and Ginger Rogers. Revealing the ways in which Cavell's thinking was shaped by the movies, Wheatly poses the question: what was it about film that taught the philosopher how best to live in the world? |
| cavell the claim of reason: The Claim to Community Andrew Norris, 2006 This collection of essays investigates the relevance of Stanley Cavell's work to political philosophy. |
| cavell the claim of reason: The Wounded Animal Stephen Mulhall, 2008-12-08 In 1997, the Nobel Prize-winning novelist J. M. Coetzee, invited to Princeton University to lecture on the moral status of animals, read a work of fiction about an eminent novelist, Elizabeth Costello, invited to lecture on the moral status of animals at an American college. Coetzee's lectures were published in 1999 as The Lives of Animals, and reappeared in 2003 as part of his novel Elizabeth Costello; and both lectures and novel have attracted the critical attention of a number of influential philosophers--including Peter Singer, Cora Diamond, Stanley Cavell, and John McDowell. In The Wounded Animal, Stephen Mulhall closely examines Coetzee's writings about Costello, and the ways in which philosophers have responded to them, focusing in particular on their powerful presentation of both literature and philosophy as seeking, and failing, to represent reality--in part because of reality's resistance to such projects of understanding, but also because of philosophy's unwillingness to learn from literature how best to acknowledge that resistance. In so doing, Mulhall is led to consider the relations among reason, language, and the imagination, as well as more specific ethical issues concerning the moral status of animals, the meaning of mortality, the nature of evil, and the demands of religion. The ancient quarrel between philosophy and literature here displays undiminished vigor and renewed significance. |
| cavell the claim of reason: Disowning Knowledge in Six Plays of Shakespeare Stanley Cavell, 1995 |
| cavell the claim of reason: Revolution of the Ordinary Toril Moi, 2017-05-22 This radically original book argues for the power of ordinary language philosophy—a tradition inaugurated by Ludwig Wittgenstein and J. L. Austin, and extended by Stanley Cavell—to transform literary studies. In engaging and lucid prose, Toril Moi demonstrates this philosophy’s unique ability to lay bare the connections between words and the world, dispel the notion of literature as a monolithic concept, and teach readers how to learn from a literary text. Moi first introduces Wittgenstein’s vision of language and theory, which refuses to reduce language to a matter of naming or representation, considers theory’s desire for generality doomed to failure, and brings out the philosophical power of the particular case. Contrasting ordinary language philosophy with dominant strands of Saussurean and post-Saussurean thought, she highlights the former’s originality, critical power, and potential for creative use. Finally, she challenges the belief that good critics always read below the surface, proposing instead an innovative view of texts as expression and action, and of reading as an act of acknowledgment. Intervening in cutting-edge debates while bringing Wittgenstein, Austin, and Cavell to new readers, Revolution of the Ordinary will appeal beyond literary studies to anyone looking for a philosophically serious account of why words matter. |
| cavell the claim of reason: The Cavell Reader Stephen Mulhall, 1996-11-06 This volume is essential collection of readers from the work of Stanley Cavell, one of the most influential American philosophers of the twentieth century. It provides those who are unfamiliar with Cavell's work with an overview of its strategic purpose, its central theme, and its argumentative development. |
| cavell the claim of reason: Stanley Cavell and Philosophy as Translation Paul Standish, Naoko Saito, 2017-02-28 This book explores the idea of translation as a philosophical theme and as an important feature of philosophy and practical life, in the context of a searching examination of aspects of the work of Stanley Cavell. Furthermore it demonstrates the broader significance of these philosophical questions for education and life as a whole. |
| cavell the claim of reason: The Cambridge Companion to Wittgenstein Hans Sluga, David G. Stern, 2018 Updated edition of this important book, charting the development of Wittgenstein's philosophy of the mind, language, logic, and mathematics. |
| cavell the claim of reason: Language Lost and Found Niklas Forsberg, 2013-09-26 Language Lost and Found takes as its starting-point Iris Murdoch's claim that we have suffered a general loss of concepts. By means of a thorough reading of Iris Murdoch's philosophy in the light of this difficulty, it offers a detailed examination of the problem of linguistic community and the roots of the thought that some philosophical problems arise due to our having lost the sense of our own language. But it is also a call for a radical reconsideration of how philosophy and literature relate to each other on a general level and in Murdoch's authorship in particular. |
| cavell the claim of reason: Cavell on Film Stanley Cavell, 2025-03-01 A collection of the philosopher Stanley Cavell's most important writings on cinema. Stanley Cavell was the first philosopher in the Anglo-American tradition to make film a central concern of his work, and this volume offer a substantially complete retrospective of his writings on cinema, which continues to offer inspiration and new directions to the field of film and media studies. The essays and other writings collected here include major theoretical statements and extended critical studies of individual films and filmmakers, as well as occasional pieces, all of which illustrate Cavell's practice of film-philosophy as it developed in the decades following the publication of his landmark work, The World Viewed. This revised edition includes six additional essays, five of them previously unpublished, that illuminate his inspiring vision of a humanistic study rooted in a marriage of film and philosophy. In his introduction and in the preface to this new edition, William Rothman provides an overview of Cavell's work on film and his aims as a philosopher more generally. |
| cavell the claim of reason: Cavell, Companionship, and Christian Theology Peter Dula, 2010-12-03 In recent decades, theologians and philosophers of religion have engaged in a vigorous debate concerning the status and nature of ecclesiology. Throughout this debate, they have found resources for their arguments in concepts of political philosophy, particularly communitarianism and political liberalism. In this groundbreaking study, Peter Dula turns instead to the work of philosopher Stanley Cavell, examining the ways in which Cavell's understanding of companionship contributes to the debate over church and community. Since the 1960s, Stanley Cavell has been the most category-defying philosopher in North America, as well as one of the least understood. Philosophers did not know what to make of his deep engagement with literature and film, or, stranger yet, with his openness to theological concerns. In this, the first English study of Cavell and theology, Dula places Cavell in conversation with some of the philosophers most influential in contemporary theology: Alasdair MacIntyre, Martha Nussbaum and John Rawls. He then examines Cavell's relationship to Christian theology, shedding light on the repeated appearances of the figure of Christ in Cavell's writings. Cavell, Companionship, and Christian Theology finds in Cavell's account of skepticism and acknowledgment a transformative resource for theological discussions - not just of ecclesiology, but of sin, salvation and the existence of God. |
| cavell the claim of reason: Terrors and Experts Adam Phillips, 1997 This book is a chronicle of the all-too-human terror that drives us into the arms of experts, and of how expertise, in the form of psychoanalysis, addresses our fears - in essence, turns our terror into meaning. |
| cavell the claim of reason: The Prehistory of Mathematical Structuralism Erich H. Reck, Georg Schiemer, 2020 This edited volume explores the previously underacknowledged 'pre-history' of mathematical structuralism, showing that structuralism has deep roots in the history of modern mathematics. The contributors explore this history along two distinct but interconnected dimensions. First, they reconsider the methodological contributions of major figures in the history of mathematics. Second, they re-examine a range of philosophical reflections from mathematically-inclinded philosophers like Russell, Carnap, and Quine, whose work led to profound conclusions about logical, epistemological, and metaphysical aspects of structuralism. |
| cavell the claim of reason: Philosophy as it is Ted Honderich, Myles Burnyeat, 1979 |
| cavell the claim of reason: The Romance of Individualism in Emerson and Nietzsche David Mikics, 2003 Rather than choose between Emerson and Nietzsche, Mikics attends to Nietzsche's struggle with Emerson's example and influence. Elegant in his delivery, Mikics offers a significant commentary on the visions of several contemporary theorists whose interests intersect with those of Emerson and Nietzsche, especially Stanley Cavell, Jacques Lacan, Slavoj Zizek, and Harold Bloom.--BOOK JACKET. |
| cavell the claim of reason: The Pursuit of an Authentic Philosophy David Egan, 2019-03-20 Superficially, Wittgenstein and Heidegger seem worlds apart: they worked in different philosophical traditions, seemed mostly ignorant of one another's work, and Wittgenstein's terse aphorisms in plain language could not be farther stylistically from Heidegger's difficult prose. Nevertheless, Wittgenstein's Philosophical Investigations and Heidegger's Being and Time share a number of striking parallels. In particular, this book shows that both authors manifest a similar concern with authenticity. David Egan develops this position in three stages. Part One explores the emphasis both philosophers place on the everyday, and how this emphasis brings with it a methodological focus on recovering what we already know rather than advancing novel theses. Part Two argues that the dynamic of authenticity and inauthenticity in Being and Time finds homologies in Philosophical Investigations. Here Egan particularly articulates and defends a conception of authenticity in Wittgenstein that emphasizes the responsiveness and reciprocity of play. Part Three considers how both philosophers' conceptions of authenticity apply reflexively to their own work: each is concerned not only with the question of what it means to exist authentically but also with the question of what it means to do philosophy authentically. For both authors, the problematic of authenticity is intimately linked to the question of philosophical method. |
| cavell the claim of reason: Language, Form(s) of Life, and Logic Christian Martin, 2018-09-10 This volume deals with the connection between thinking-and-speaking and our form(s) of life. All contributions engage with Wittgenstein’s approach to this topic. As a whole, the volume takes a stance against both biological and ethnological interpretations of the notion form of life and seeks to promote a broadly logico-linguistic understanding instead. The structure of this book is threefold. Part one focuses on lines of thinking that lead from Wittgenstein’s earlier thought to the concept of form of life in his later work. Contributions to part two examine the concrete philosophical function of this notion as well as the ways in which it differs from cognate concepts. Contributions to part three put Wittgenstein’s notion of form of life in perspective by relating it to phenomenology, ordinary language philosophy and problems in contemporary analytic philosophy. |
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