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| buster keaton family: Camera Man Dana Stevens, 2022-01-25 From the chief film critic of Slate comes a fresh and captivating biography on comedy legend and acclaimed filmmaker Buster Keaton that also explores the evolution of film from the silent era to the 1940s. As one of the most famous faces of silent cinema, Buster Keaton was and continues to be revered for his stoic expressions, clever visual gags, and acrobatic physicality in classics such as Sherlock Jr., The General, and The Cameraman. In this spirited biography, every aspect of Buster Keaton's astonishing life is explored, from his humble beginnings in vaudeville with his parents to his meteoric rise to Hollywood stardom during the silent era. Based on vigorous research of both Keaton and the film industry, it also delves into the dark sides of fame, such as Keaton's ill-advised businesses deals and alcoholism, to his unexpected resurgence in the 1940s as his contributions as both an actor and director were finally celebrated. This is a fascinating and uniquely astounding look at both the classic era of Hollywood and one of its most beloved stars. |
| buster keaton family: Buster Keaton James Curtis, 2022-02-15 **One of Literary Hub’s Five “Most Critically Acclaimed” Biographies of 2022** From acclaimed cultural and film historian James Curtis—a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern—and irresistible—today as they were when they beguiled audiences almost a century ago. It is brilliant—I was totally absorbed, couldn't stop reading it and was very sorry when it ended.—Kevin Brownlow It was James Agee who christened Buster Keaton “The Great Stone Face.” Keaton’s face, Agee wrote, ranked almost with Lincoln’s as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.” Mel Brooks: “A lot of my daring came from Keaton.” Martin Scorsese, influenced by Keaton’s pictures in the making of Raging Bull: “The only person who had the right attitude about boxing in the movies for me,” Scorsese said, “was Buster Keaton.” Keaton’s deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin’s tramp and Harold Lloyd’s straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all. His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General. Now James Curtis, admired biographer of Preston Sturges (“definitive”—Variety), W. C. Fields (“by far the fullest, fairest and most touching account we have yet had. Or are likely to have”—Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (“monumental; definitive”—Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director—master. |
| buster keaton family: My Wonderful World Of Slapstick Buster Keaton, Charles Samuels, 1982-08-22 Buster Keaton's autobiography is a view into the quirky mind behind the stoic face of the legendary film comedian. |
| buster keaton family: Buster Keaton Remembered Eleanor Keaton, Jeffrey Vance, 2001-04 In this unique illustrated survey of Keaton's career, Eleanor Keaton, his wife of 26 years, & film historian Jeffrey Vance provide a personal account of this icon of American cinema. - Tie in with the Academy of Motion Picture Arts & Sciences. |
| buster keaton family: Buster Keaton's Crew Lisle Foote, 2014-11-19 Buster Keaton told an interviewer in 1965, When I'm working alone, the cameraman, the prop man, the electrician, these are my eyes out there.... They knew what they were talking about. Drawn from film trade magazines, newspapers, interviews and public records, this book tells the previously unpublished stories of the behind-the-scenes crew who worked on Keaton's silent films--like Elgin Lessley, who went from department store clerk to chief cameraman, and Fred Gabourie, who served as an army private in the Spanish American War before he became Keaton's technical director. I'd ask, 'Did that work the way I wanted it to?' and they'd say yes or no, Keaton said of his crew. He couldn't have made his films without them. |
| buster keaton family: Early Buster Keaton Lisa Stein Haven, 2025-04-28 Offers a fresh perspective on Buster Keaton's early career, examining his formative years in entertainment through rare archival photos and industry publications. Since nearly every aspect of Keaton’s story and work has been written about in some form, it is the goal of this book to present a new perspective on Keaton’s early life in the entertainment business, beginning before vaudeville and moving through the Comique films, Keaton’s first foray into the industry. A microscopic approach to this early period has the goal of illuminating in great detail the formative years of Keaton’s career, in order to better understand the brilliance of his ‘independence’ and the tragedy of his years at MGM, bringing him to a place in entertainment history that celebrates the little gems and sparks of brilliance in his later creative life and career. This study will utilize the minute detail provided by industry rags, such as The New York Clipper and The Moving Picture World and the publication of rare archival photos to differentiate itself from other works by delving deeper into each moment during the specified twenty-four early years of Keaton’s life and career, up to and including the transition to his ‘independent’ productions with Joseph Schenk, beginning with The High Sign (1920), The Saphead (1920) and One Week (1920), his first efforts in the new era. |
| buster keaton family: Buster Keaton Imogen Sara Smith, 2008-09-01 Smith tells of the most dazzling and enigmatic of the silent clowns, a man who began his career in vaudeville as one-third of the Three Keatons at age four only to fall from grace with shattering swiftness in the early 1930s before eventually making a comeback on television in the 1950s. |
| buster keaton family: Buster Keaton Edward McPherson, 2011-03-17 'Tracing Keaton's beginnings in vaudeville and how he eventually applied that form's traits to cinema, McPherson creates an excellent portrait of a formidable talent, also addressing the private demons that accelerated his eventual slide.' Empire 'The author, rather like his subject, has the knack of sketching a poignant moment using minimum of sentimental flannel.' Sunday Telegraph 'McPherson wins one over because of his loving fan's attention to, and lively evocation of, the core of Keaton's achievement.' Telegraph 'Graceful and charming... McPherson's account is animated by the same sort of colour and vitality as Buster's best work.' Scotsman |
| buster keaton family: Buster Keaton in His Own Time Wes D. Gehring, 2018-03-16 Buster Keaton can impress a weary world with the vitally important fact that life, after all, is a foolishly inconsequential affair, wrote critic Robert Sherwood in 1918. A century later Keaton, with his darkly comic theater of the absurd, speaks to audiences like no other silent comedian. If you thought you knew Keaton--think again! |
| buster keaton family: The Theater and Cinema of Buster Keaton Robert Knopf, 2018-06-05 Famous for their stunts, gags, and images, Buster Keaton's silent films have enticed everyone from Hollywood movie fans to the surrealists, such as Dalí and Buñuel. Here Robert Knopf offers an unprecedented look at the wide-ranging appeal of Keaton's genius, considering his vaudeville roots and his ability to integrate this aesthetic into the techniques of classical Hollywood cinema in the 1920s. When young Buster was being hurled about the stage by his comically irate father in the family's vaudeville act, The Three Keatons, he was perfecting his acrobatic skills, timing, visual humor, and trademark stone face. As Knopf demonstrates, such theatrics would serve Keaton well as a film director and star. By isolating elements of vaudeville within works that have previously been considered classical, Knopf reevaluates Keaton's films and how they function. The book combines vivid visual descriptions and illustrations that enable us to see Keaton at work staging his memorable images and gags, such as a three-story wall collapsing on him (Steamboat Bill, Jr., 1928) and an avalanche of boulders chasing him down a mountainside (Seven Chances, 1925). Knopf explains how Keaton's stunts and gags served as fanciful departures from his films' storylines and how they nonetheless reinforced a strange sense of reality, that of a machine-like world with a mind of its own. In comparison to Chaplin and Lloyd, Keaton made more elaborate use of natural locations. The scene in The Navigator, for example, where Buster brandishes a swordfish to fend off another swordfish derives much of its power from actually being shot under water. Such hyper-literalism was but one element of Keaton's films that inspired the surrealists. Exploring Keaton's influence on Salvador Dalí, Luis Buñuel, Federico García Lorca, and Robert Desnos, Knopf suggests that Keaton's achievement extends beyond Hollywood into the avant-garde. The book concludes with an examination of Keaton's late-career performances in Gerald Potterton's The Railrodder and Samuel Beckett's Film, and locates his legacy in the work of Jackie Chan, Blue Man Group, and Bill Irwin. |
| buster keaton family: Buster Keaton: Cut to the Chase Marion Meade, 2014-04-01 An American icon, Joseph Frank “Buster” Keaton is easily acknowledged as one of the greatest filmmakers in early cinema and beyond. His elaborate slapstick made audiences scream with laughter. But, his stone face hid an internal turmoil. In BUSTER KEATON: CUT TO THE CHASE, biographer Marion Meade seamlessly lays out the life and works of this comedy genius who lacked any formal education. “Buster” made his name as a child of vaudeville, thrown around the stage by his father in a cartoon pantomime of very real abuse. The lessons he carried forward from that experience translated into some of the greatest silent films of all time. Keaton wrote, directed, performed, and edited dozens of features and shorts, including his masterpiece, The General. However, those early scars also led to decades of drinking and mistreatment of women. Keaton saw huge successes, Hollywood sex scandals, years of neglect from studios and audiences, and finally a shaky resurrection that assured his place in Hollywood’s film canon. Meticulously researched, this book brings together four years of research and hundreds of interviews to paint a nuanced portrait of a compelling artist. No comedy fan or film buff should miss this insider story of the man behind the stone face. |
| buster keaton family: The Talmadge Girls Anita Loos, 1978 Setting copy, typescript, of biography about silent movie stars Constance and Norma Talmadge. Copy is heavily corrected by Loos, with editor's annotations, proofreaders' marks, and printer's annotations. |
| buster keaton family: Buster Keaton's Silent Shorts James L. Neibaur, Terri Niemi, 2013-01-30 In Buster Keaton’s Silent Shorts: 1920-1923, James L. Neibaur and Terri Niemi provide a film-by-film assessment of Buster Keaton’s short films produced in the early 1920s. The authors discuss the significance of each short to the Keaton filmography, as well as each film’s importance to cinema. Offering a clear and in-depth perspective on 19 films, the authors explain what makes these shorts effective and why they’re funny. |
| buster keaton family: Buster Keaton Imogen Sara Smith, 2013-11-24 Buster Keaton is remembered today as one of the most innovative and hilarious comedians of the silent movie era, considered now to be the equal to Charlie Chaplin and Harold Lloyd. Starting his career as a child in vaudeville with his parents in a violent, knockabout comedy act known as The Three Keatons, Buster - so called because he could take a fall without getting hurt - was a seasoned stage professional by the time of his film debut with Roscoe Fatty Arbuckle in 1917 at only 21 years old. Keaton's soaring success in motion pictures lasted 15 years until a devastating crash brought on by personal troubles, alcoholism and the advent of sound pictures. By 1932, Buster had become nearly unemployable. The true story of how he bounced back to become an icon in film history is the beautifully written and thoroughly researched tale lovingly crafted in Buster Keaton: The Persistence of Comedy by film analyst and writer, Imogen Sara Smith. |
| buster keaton family: Buster Keaton's Sherlock Jr. Andrew Horton, 1997 On the film Sherlock Jr. directed by Buster Keaton |
| buster keaton family: Silent Films, 1877-1996 Robert K. Klepper, 2015-09-16 This film reference covers 646 silent motion pictures, starting with Eadweard Muybridge's initial motion photography experiments in 1877 and even including The Taxi Dancer (1996). Among the genres included are classics, dramas, Westerns, light comedies, documentaries and even poorly produced early pornography. Masterpieces such as Joan the Woman (1916), Intolerance (1916) and Faust (1926) can be found, as well as rare titles that have not received critical attention since their original releases. Each entry provides the most complete credits possible, a full description, critical commentary, and an evaluation of the film's unique place in motion picture history. Birth dates, death dates, and other facts are provided for the directors and players where available, with a selection of photographs of those individuals. The work is thoroughly indexed. |
| buster keaton family: Too Funny for Words David Kalat, 2019-04-11 American silent film comedies were dominated by sight gags, stunts and comic violence. With the advent of sound, comedies in the 1930s were a riot of runaway heiresses and fast-talking screwballs. It was more than a technological pivot--the first feature-length sound film, The Jazz Singer (1927), changed Hollywood. Lost in the discussion of that transition is the overlap between the two genres. Charlie Chaplin, Buster Keaton and Harold Lloyd kept slapstick alive well into the sound era. Screwball directors like Leo McCarey, Frank Capra and Ernst Lubitsch got their starts in silent comedy. From Chaplin's tramp to the witty repartee of His Girl Friday (1940), this book chronicles the rise of silent comedy and its evolution into screwball--two flavors of the same genre--through the works of Mack Sennett, Roscoe Arbuckle, Harry Langdon and others. |
| buster keaton family: Buster Keaton Edward McPherson, 2007-02-01 This “appreciative biography that rolls as smoothly as a film reel” (Cleveland Plain Dealer) celebrates one of cinema’s greatest clowns, painting a detailed portrait of the man behind the mayhem and offering a fresh look at the classic comedies that defined the Golden Age of Silent Film. Writer—and avowed fan—Edward McPherson takes the reader on a fascinating journey through Buster Keaton’s life and times, from the vaudeville stage to the glittering screens of early Hollywood, where he rivaled even Charlie Chaplin as the master of silent comedy. Based on extensive research, this biography reveals Keaton in his prime as an antic genius—equal parts auteur, innovator, prankster, and daredevil—focusing on his glorious 1920s films, which “McPherson evokes with insight and enthusiasm” (Washington Post Book World). |
| buster keaton family: The Fall of Buster Keaton James L. Neibaur, 2010-07-16 The Fall of Buster Keaton assesses Keaton's work during the talking picture era, especially those made at MGM, Educational, and Columbia studios. While giving some attention to the early part of Keaton's career, Neibaur focuses primarily on Keaton's contract work with the three studios, as well as his subsequent work as a gagman, supporting player, and television pitchman. The book also recounts the resurgence of interest in Keaton's silent work, which resulted in a lifetime achievement Oscar and worldwide recognition before his death in 1966. |
| buster keaton family: Buster Keaton and the Muskegon Connection Marc Okkonen, Ron Pesch, 1995 |
| buster keaton family: Nobody's Perfect Anthony Lane, 2003-09-09 Anthony Lane on Con Air— “Advance word on Con Air said that it was all about an airplane with an unusually dangerous and potentially lethal load. Big deal. You should try the lunches they serve out of Newark. Compared with the chicken napalm I ate on my last flight, the men in Con Air are about as dangerous as balloons.” Anthony Lane on The Bridges of Madison County— “I got my copy at the airport, behind a guy who was buying Playboy’s Book of Lingerie, and I think he had the better deal. He certainly looked happy with his purchase, whereas I had to ask for a paper bag.” Anthony Lane on Martha Stewart— “Super-skilled, free of fear, the last word in human efficiency, Martha Stewart is the woman who convinced a million Americans that they have the time, the means, the right, and—damn it—the duty to pipe a little squirt of soft cheese into the middle of a snow pea, and to continue piping until there are ‘fifty to sixty’ stuffed peas raring to go.” For ten years, Anthony Lane has delighted New Yorker readers with his film reviews, book reviews, and profiles that range from Buster Keaton to Vladimir Nabokov to Ernest Shackleton. Nobody’s Perfect is an unforgettable collection of Lane’s trademark wit, satire, and insight that will satisfy both the long addicted and the not so familiar. |
| buster keaton family: Idols of Modernity Patrice Petro, 2010-03-04 With its sharp focus on stardom during the 1920s, Idols of Modernity reveals strong connections and dissonances in matters of storytelling and performance that can be traced both backward and forward, across Europe, Asia, and the United States, from the silent era into the emergence of sound. Bringing together the best new work on cinema and stardom in the 1920s, this illustrated collection showcases the range of complex social, institutional, and aesthetic issues at work in American cinema of this time. Attentive to stardom as an ensemble of texts, contexts, and social phenomena stretching beyond the cinema, major scholars provide careful analysis of the careers of both well-known and now forgotten stars of the silent and early sound era—Douglas Fairbanks, Buster Keaton, the Talmadge sisters, Rudolph Valentino, Gloria Swanson, Clara Bow, Colleen Moore, Greta Garbo, Anna May Wong, Emil Jannings, Al Jolson, Ernest Morrison, Noble Johnson, Evelyn Preer, Lincoln Perry, and Marie Dressler. |
| buster keaton family: Irresistible Joshua Paul Dale, 2023-10-26 Why are some things cute, and others not? What happens to our brains when we see something cute? And how did cuteness go global, from Hello Kitty to Disney characters? Cuteness is an area where culture and biology get tangled up. Seeing a cute animal triggers some of the most powerful psychological instincts we have - the ones that elicit our care and protection - but there is a deeper story behind the broad appeal of Japanese cats and saccharine greetings cards. Joshua Paul Dale, a pioneer in the burgeoning field of cuteness studies, explains how the cute aesthetic spread around the globe, from pop brands to Lolita fashion, kids' cartoons and the unstoppable rise of Hello Kitty. Irresistible delves into the surprisingly ancient origins of Japan's kawaii culture, and uncovers the cross-cultural pollination of the globalised world. If adorable things really do rewire our brains, it can help answer some of the biggest questions we have about our evolutionary history and the mysterious origins of animal domestication. This is the fascinating cultural history of cuteness, and a revealing look at how our most powerful psychological impulses have remade global style and culture. |
| buster keaton family: The New Humor in the Progressive Era R. DesRochers, 2014-07-24 By tracing the effects of unprecedented immigration, the advent of the new woman, and the little-known vaudeville careers of performers like the Elinore Sisters, Buster Keaton, and the Marx Brothers, DesRochers examines the relation between comedic vaudeville acts and progressive reformers as they fought over the new definition of Americanness. |
| buster keaton family: The General Peter Krämer, 2019-07-25 Offering a fresh perspective on The General, arguably one of the most successful American films of the silent era, this insightful text analyses its initial critical reception and the thematic and stylistic characteristics of the film that made it difficult for critics to appreciate at the time, but led to its celebration by later generations. |
| buster keaton family: Vaudeville old & new Frank Cullen, Florence Hackman, Donald McNeilly, 2007 |
| buster keaton family: The Twilight Zone Encyclopedia Steven Jay Rubin, 2017-11-01 A rich, fact-filled collectible, packed with vibrant history, amazing trivia, and rare photographs, The Twilight Zone Encyclopedia, assembled with the full cooperation of the Rod Serling estate, includes biographies of every principal actor involved in the series and hundreds who toiled behind the scenes—producers, writers, and directors. It is an exhaustive and engrossing guide, a compendium of credits, plot synopses, anecdotes, production details, never-before-seen images, and interviews with nearly everyone still alive who was associated with the show. |
| buster keaton family: The Baby Name Wizard, Revised 4th Edition Laura Wattenberg, 2013-05-07 A fully revised and updated version of the classic baby name guide, featuring updated trends, facts, ideas, and thousands of enchanting names! Your baby’s perfect name is out there. This book will help you find it. The right baby name will speak to your heart, give your child a great start in life—and maybe even satisfy your relatives. But there’s no shortage of names to choose from, and you can’t expect to just stumble upon a name like that in an A-to-Z dictionary. Enter the revised and updated fourth edition of The Baby Name Wizard. This ultimate baby-name guide uses groundbreaking research and computer-generated models to create a visual image for each name, examine its usage and popularity over the last one hundred years, and suggest other specific and promising name ideas. Each unique “name snapshot” includes a rundown of style categories the name belongs to, nickname options, variants, pronunciations, prominent examples, and names with a similar style and feeling. This new edition also contains expanded sections on popular names and style lists. A perfect, up-to-date guide to the modern world of names, The Baby Name Wizard will delight you from the first name you look up and keep you enchanted through your journey to finding the just-right name for your baby. |
| buster keaton family: Motion Picture Series and Sequels Bernard A. Drew, 2013-12-04 In 1989 alone, for example, there were some forty-five major motion pictures which were sequels or part of a series. The film series phenomenon crosses all genres and has been around since the silent film era. This reference guide, in alphabetical order, lists some 906 English Language motion pictures, from 1899 to 1990, when the book was initially published. A brief plot description is given for each series entry, followed by the individual film titles with corresponding years, directors and performers. Animated pictures, documentaries and concert films are not included but movies released direct to video are. |
| buster keaton family: Keaton's Silent Shorts Gabriella Oldham, 2010-08-20 Filling a major gap in the critical canon, Keaton’s Classic Shorts: Beyond the Laughter chronicles the rapid growth in the filmmaker’s understanding of what makes both comedy and film successful. Keaton developed his major themes in these nineteen silent short films shot between 1920 and 1923, creating his persona “Buster” with his trademark stone face. These short films clearly indicate Keaton’s love of the camera and his concern for composition, symmetry, and images that delight the eye and startle the mind. Oldham reconstructs each of these rarely seen films to enable the reader to “watch” Keaton’s performance, devoting a separate chapter to each. She analyzes each film’s strengths, weaknesses, and prevalent themes and threads. She also enables readers to plumb the depths of what seems to be surface comedy through philosophical, biographical, historical, and critical commentary, thus linking the shorts together into a cohesive study of Buster Keaton’s growth through his three-year independent venture as a filmmaker. Beyond the laughter and beyond the great stone face, Oldham presents a treasure of cinema comedy and a unique philosophy of life as captured by a great filmmaker. |
| buster keaton family: The Silent Clowns Walter Kerr, 1979 'A lavishly illustrated, affectionate treatment by one of the finest critics of our time...Kerr is more than a brilliant master of verbal description; he is a penetrating, lucid theorist. This book is as much about comedy as about movies, about eyes and ears and how and why we laugh.'-Thomas Wills, Chicago Tribune Book World |
| buster keaton family: Cinema as Weather Kristi McKim, 2013-03-05 How do cinematic portrayals of the weather reflect and affect our experience of the world? While weatherly predictability and surprise can impact our daily experience, the history of cinema attests to the stylistic and narrative significance of snow, rain, wind, sunshine, clouds, and skies. Through analysis of films ranging from The Wizard of Oz to The Umbrellas of Cherbourg, from Citizen Kane to In the Mood for Love, Kristi McKim calls our attention to the ways that we read our atmospheres both within and beyond the movies. Building upon meteorological definitions of weather's dynamism and volatility, this book shows how film weather can reveal character interiority, accelerate plot development, inspire stylistic innovation, comprise a momentary attraction, convey the passage of time, and idealize the world at its greatest meaning-making capacity (unlike our weather, film weather always happens on time, whether for tumultuous, romantic, violent, suspenseful, or melodramatic ends). Akin to cinema's structuring of ephemera, cinematic weather suggests aesthetic control over what is fleeting, contingent, wildly environmental, and beyond human capacity to tame. This first book-length study of such a meteorological and cinematic affinity casts film weather as a means of artfully and mechanically conquering contingency through contingency, of taming weather through a medium itself ephemeral and enduring. Using film theory, history, formalist/phenomenological analysis, and eco-criticism, this book casts cinema as weather, insofar as our skies and screens become readable through our interpretation of changing phenomena. |
| buster keaton family: Performing the Progressive Era Max Shulman, J. Chris Westgate, 2019-05-15 The American Progressive Era, which spanned from the 1880s to the 1920s, is generally regarded as a dynamic period of political reform and social activism. In Performing the Progressive Era, editors Max Shulman and Chris Westgate bring together top scholars in nineteenth- and twentieth-century theatre studies to examine the burst of diverse performance venues and styles of the time, revealing how they shaped national narratives surrounding immigration and urban life. Contributors analyze performances in urban centers (New York, Chicago, Cleveland) in comedy shows, melodramas, Broadway shows, operas, and others. They pay special attention to performances by and for those outside mainstream society: immigrants, the working-class, and bohemians, to name a few. Showcasing both lesser-known and famous productions, the essayists argue that the explosion of performance helped bring the Progressive Era into being, and defined its legacy in terms of gender, ethnicity, immigration, and even medical ethics. |
| buster keaton family: Summary of Dana Stevens's Camera Man Everest Media,, 2022-03-22T22:59:00Z Please note: This is a companion version & not the original book. Sample Book Insights: #1 The basketball was a Keaton prop for years to come. In 1899, the family’s first paid engagement as a trio at the Wonderland Theater in Wilmington, Delaware, Buster got laughs by bouncing the ball off his father’s head. #2 Buster’s life as a performer and creator was extremely successful for the first three decades of the new century, catapulting his family from the greenhorn fringes of the entertainment industry to its topmost tiers in a remarkably short span of time. #3 As the nineteenth century came to an end, child development was becoming more and more of a concern for governments and private organizations. Children were beginning to be seen as small, still-growing beings who were entitled to some degree of protection from both industrial and domestic harm. #4 The moral contiguity between the suffering of children and that of animals was heavily emphasized in the media coverage of the Mary Ellen Wilson case. The girl was seen as both a helpless little girl and a homeless beast, and was given the same rights as a domestic animal. |
| buster keaton family: Buster Keaton's Crew Lisle Foote, 2014-11-14 Buster Keaton told an interviewer in 1965, When I'm working alone, the cameraman, the prop man, the electrician, these are my eyes out there.... They knew what they were talking about. Drawn from film trade magazines, newspapers, interviews and public records, this book tells the previously unpublished stories of the behind-the-scenes crew who worked on Keaton's silent films--like Elgin Lessley, who went from department store clerk to chief cameraman, and Fred Gabourie, who served as an army private in the Spanish American War before he became Keaton's technical director. I'd ask, 'Did that work the way I wanted it to?' and they'd say yes or no, Keaton said of his crew. He couldn't have made his films without them. |
| buster keaton family: Remarkable Oregon Women Jennifer Chambers, 2015-11-30 Without the efforts of inspiring, brave women of the past, the progressive and individualistic Oregon we know today might not exist. From native tribes and Oregon Trail pioneers to Victorian suffragists and unlikely politicians, strong female leaders give profound meaning to the state motto, alis volat propriis--she flies with her own wings. Writer and activist Julia Ruuttila fought for the rights of the citizens of Vanport, the largely African American town lost to a disastrous flood in 1948. Others broke stereotypes to serve their communities, like women who helped build ships during World War II and the nation's first female police officer, Portland's own Lola Baldwin. Similarly, Laura Stockton Starcher unseated her husband as mayor of Umatilla. Author Jennifer Chambers tells these and many more stories of progressive, radical women who fought for change within their state. |
| buster keaton family: Silent Echoes John Bengtson, 2000 Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton is an epic look at a genius at work and at a Hollywood that no longer exists. Painstakingly researching the locations used in Buster Keaton's classic silent films, author John Bengtson combines images from Keaton's movies with archival photographs, historic maps, and scores of dramatic then and now photos. In the process, Bengtson reveals dozens of locations that lay undiscovered for nearly 80 years. Part time machine, part detective story, Silent Echoes presents a fresh look at the matchless Keaton at work, as well as a captivating glimpse of Hollywood's most romantic era. More than a book for film, comedy, or history buffs, Silent Echoes appeals to anyone fascinated with solving puzzles or witnessing the awesome passage of time. |
| buster keaton family: Damned in Paradise John Kobler, 1977 |
| buster keaton family: Celebrities in the 1930 Census Allan R. Ellenberger, 2008-02-29 This directory provides an extensive listing of household information collected for over 2,265 famous or notorious individuals who were alive during the 1930 United States Census. Figures from the entertainment industry constitute the bulk of the material, but the work also includes census data for hundreds of scientists, athletes, politicians, criminals, cult figures, and religious leaders. Entries includes the household members' birth and/or professional names, occupations, residential address, and an estimate of the homes' value or monthly rental fee. Each entry also offers a brief guide to finding the household's original census data through the National Archives microfilm. Several appendices provide overall population data from the 1930 Census, a complete list of the 32 questions originally included in the census questionnaire, and contact information for current National Archives and Records Administration locations. |
| buster keaton family: Ladies Or Gentlemen Jean-Louis Ginibre, 2005 From Greek drama through vaudeville and modern cinema, nothing in the theatrical experience has ever guaranteed a laugh like a man in a dress. This spectacular pictorial history examines the grand tradition of male cross-dressing in the movies through more than 700 photos, more than half of which are previously unpublished. The screen's greatest stars, from comedians like Buster Keaton and Peter Sellers to serious actors like Marlon Brando and Max von Sydow, are pictured in everything from bustiers to ball gowns. Just as in real life, the cinematic motives for cross-dressing are complex, ranging from plot device (I Was a Male War Bride) and social commentary (Tootsie) to the simple sight gags of Laurel and Hardy. The book explores these and myriad other reasons actors are coaxed out of dress suits and into dresses. By turns provocative, serious, and silly, Ladies or Gentlemen is a delightful study of a seldom-explored facet of cinema history. |
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BUSTER definition: 1. used to address a man or a boy you do not like: 2. a person or thing intended to destroy the…. Learn more.
BUSTER Definition & Meaning | Dictionary.com
something that is very big or unusual for its kind. a loud, uproarious reveler. a frolic; spree. Look, Buster, you're standing in my way! a male given name. “Collins English Dictionary — …
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Air Force's Bunker-Buster Bomb Could Take Out Iran Nuclear …
5 hours ago · The Air Force has the weapon that could possibly penetrate the Fordow facility -- the GBU-57A/B MOP (Massive Ordnance Penetrator), a precision-guided, 30,000-pound …
