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| cd318 piano: A Romance on Three Legs Katie Hafner, 2010-07-15 Glenn Gould was famous for his obsessions: the scarves, sweaters and fingerless gloves that he wore even on the hottest summer days; his deep fear of germs and illness; the odd wooden pygmy chair that he carried with him wherever he performed; and his sudden withdrawal from the public stage at the peak of his career. But perhaps Gould's greatest obsession of all was for a particular piano, a Steinway concert grand known as CD318 (C, meaning for the use of Steinway Concert Artists only, and D, denoting it as the largest that Steinway built). A Romance on Three Legs is the story of Gould's love for this piano, from the first moment of discovery, in a Toronto dept. store, to the tragic moment when the piano was dropped and seriously damaged while being transported from a concert overseas. Hafner also introduces us to the world and art of piano tuning, including a central character in Gould's life, the blind tuner Verne Edquist, who lovingly attended to CD318 for more than two decades. We learn how a concert grand is built, and the fascinating story of how Steinway & Sons weathered the war years by supplying materials for the military effort. Indeed, CD318 came very close to ending up as a series of glider parts or, worse, a casket. The book has already been lauded by Kevin Bazzana, author of the definitive Gould biography, who notes that Hafner has clarified some old mysteries and turned up many fresh details. |
| cd318 piano: Wondrous Strange Kevin Bazzana, 2010-02-05 The first major biography of Glenn Gould to stress the critical influence of the Canadian context on his life and art Glenn Gould was not, as has previously been suggested, an isolated and self-taught eccentric who burst out of nowhere onto the international musical scene in the mid-1950s. He was, says Kevin Bazzana in this fascinating new full-scale biography, very much a product of his time and place – and his entire life and diverse work reflect his Canadian heritage. Bazzana, editor of the international Glenn Gould magazine, throws fresh light on this and many other aspects of Gould’s celebrated life as a pianist, writer, broadcaster, and composer. He portrays Gould’s upbringing in Toronto’s neighbourhood of The Beach in the 1930s, revealing the area’s influence as a distinct social, religious, and cultural milieu. He looks at the impact of Canadian radio on the young musician, his relations with the “new music” crowd in Toronto, and the ways in which his career was furthered by the extraordinary growth of Canada’s cultural institutions in the 1950s. He examines Gould’s place within the CBC “culture” of the 1960s and ‘70s, and his distinctly Canadian sense of humour. Bazanna also reveals new information on Gould’s famous eccentricities, his sometimes bizarre stage manner, his highly selective repertoire, his control mania, his private and sexual life, his hypochondria, his romanticism, and his abrupt retirement from concert performance to communicate solely through electronic and print media. And finally, he takes a detailed look at the extraordinary phenomenon of the posthumous “life” that Gould and his work have enjoyed. |
| cd318 piano: Mapping Canada's Music Helmut Kallmann, 2013-05-25 Mapping Canada’s Music is a selection of writings by the late Canadian music librarian and historian Helmut Kallmann (1922–2012). Most of the essays deal with aspects of Canadian music, but some are also autobiographical, including one written during retirement in which Kallmann recalls growing up in a middle-class Jewish family in 1930s Berlin under the spectre of Nazism. Of the seventeen selected writings by Kallmann, five have never before been published; many of the others are from difficult-to-locate sources. They include critical and research essays, reports, reflections, and memoirs. Each chapter is prefaced with an introduction by the editors. Two initial chapters offer a biography of Kallmann and an assessment of his contributions to Canadian music. The variety, breadth, and scope of these writings confirm Kallmann’s pioneering role in Canadian music research and the importance of his legacy to the cultural life of his adopted country. In the current climate of cuts to archival collections and services, the publication of these essays by and about a pre-eminent collector and historian serves as a timely reminder of the importance of cultural memory. |
| cd318 piano: The Great Gould Peter Goddard, 2017-08-19 In The Great Gould, the first book to be published in co-operation with the Glenn Gould Estate, Peter Goddard draws on Gould’s unpublished writings, interviews, and never-before-seen photographs, to present a startling new portrait of Gould, the man and the musician. |
| cd318 piano: Signé Glenn Gould Ghyslaine Guertin, Correspondance de Glenn Gould présentation et annotations Ghyslaine Guertin traduction Jean-Robert Saucyer Glenn Gould a toujours souhaité devenir écrivain. Il est l'auteur de plusieurs articles théoriques sur la musique et a signé des documentaires tant pour la radio que pour la télévision. Sa correspondance témoigne de son vif intérêt pour un autre genre d'écriture propre à satisfaire davantage ses exigences d'une communication authentique. Les lettres de Gould permettent de révéler les liens privilégiés qu'il entretient avec sa famille, ses amis et ses collaborateurs et de découvrir la pensée et le vécu de l'homme et de l'artiste. Qui est-il en réalité ? Chef d'orchestre, compositeur, écrivain ou pianiste ? Le sens de sa fécondité ne se manifeste pas seulement dans la diversité et le nombre d'oeuvres accomplies, mais plutôt dans son processus créateur. Sa correspondance permet d'y accéder. Elle représente un vaste laboratoire pour observer et comprendre tour à tour les points de vue, les attitudes et les manières de faire de cet artiste polyvalent. Au sein de sa démarche : des préoccupations morales et intellectuelles et des doutes sur la route à emprunter pour s'exprimer en toute liberté avec ce qu'il est et ce qu'il désire être. Cet homme chaleureux et accueillant est aussi capable de distanciation et de froideur. L'artiste étonne tant par son pragmatisme que par son intransigeance dans le monde des affaires reliées à son métier ; les préoccupations matérielles l'accompagneront jusqu'à la fin de sa vie. Par ailleurs, le ton humoristique et le rythme fougueux de son écriture démontrent le réel plaisir du musicien à emprunter une autre voix pour se manifester et se faire entendre. Ce plaisir est contagieux et se communique jusqu'aux lecteurs qui, sans être les réels destinataires de cette correspondance, en comprendront la signification. C'est précisément pour eux que la présente édition a été conçue ! |
| cd318 piano: Reinventing Bach Paul Elie, 2013-04-04 Johann Sebastian Bach – celebrated pipe organist, court composer and master of sacred music – was also a technical pioneer. Working in Germany in the early eighteenth century, he invented new instruments and carried out experiments in tuning, the effects of which are still with us today. Two hundred years later, a number of extraordinary musicians have utilised the music of Bach to thrilling effect through the art of recording, furthering their own virtuosity and reinventing the composer for our time. In Reinventing Bach, Paul Elie brilliantly blends the stories of modern musicians with a polyphonic account of our most celebrated composer’ s life to create a spellbinding narrative of the changing place of music in our lives. We see the sainted organist Albert Schweitzer playing to a mobile recording unit set up at London’ s Church of All Hallows in order to spread Bach’ s organ works to the world beyond the churches, and Pablo Casals’ s Abbey Road recordings of Bach’ s cello suites transform the middle-class sitting room into a hotbed of existentialism; we watch Leopold Stokowski persuade Walt Disney to feature his own grand orchestrations of Bach in the animated classical-music movie Fantasia – which made Bach the sound of children’ s playtime and Hollywood grandeur alike – and we witness how Glenn Gould’ s Goldberg Variations made Bach the byword for postwar cool. Through the Beatles and Switched-on Bach and Gö del, Escher, Bach – through film, rock music, the Walkman, the CD and up to Yo-Yo Ma and the iPod – Elie shows us how dozens of gifted musicians searched, experimented and collaborated with one another in the service of a composer who emerged as the prototype of the spiritualised, technically savvy artist. |
| cd318 piano: Kingdom of Heaven John Gould, 1996 The Kingdom of Heaven is an improvisation on the absurdly logical rituals shared by everyone in the post-industrial age. Like the keys of a piano each story is linked, in cinematic brevity, to create unseen music played by an invisible hand. |
| cd318 piano: Quill & Quire , 2008 |
| cd318 piano: Struggling for Perfection Vladimir Konieczny, 2009-11-01 Struggling for Perfection is the story of the famous pianist, an enigmatic figure who made some of the most acclaimed classical recordings of the last century. A former child prodigy and an unpredictable, passionate man, Glenn Gould was known as much for his eccentricities as his vast musical genius. After retiring prematurely from performing, Gould branched out into work in film and radio and helped bring classical music recording technology into a new age. He has became a national icon in Canada. Vladimir Konieczny delivers a sensitive and affectionate portrait of this imposing figure in music history. The book is illustrated with sketches and archival photos. |
| cd318 piano: Retrofuturism , |
| cd318 piano: John P.L. Roberts, the CBC/Radio Canada, and Art Music Friedemann Sallis, Regina Landwehr, 2020-10-15 This book examines the impact of the Canadian Broadcasting Corporation/Société Radio Canada (CBC/SRC) on the development of art music in Canada during the broadcaster’s first fifty years (1936-1986). In so doing, it investigates the achievement of one man: John Peter Lee Roberts. Born in Australia, he arrived in Canada in 1955, and, over the next thirty years, he worked tirelessly as a producer, administrator and adviser at the state broadcaster to bring the music of Canada to the world and the world of music to Canadians. Roberts also played a crucially important role in commissioning, disseminating and promoting new music by Canadian composers. |
| cd318 piano: International Piano , 2008 |
| cd318 piano: The Secret Life of Glenn Gould Michael Clarkson, 2010-12-15 Through the memories of his women and confidantes, this biography provides a fresh portrait of virtuoso pianist Glenn Gould, detailing his many motivations, dreams, quirks, and fears. Filled with personal stories from the people who were intimately involved with the man, this account shows how Gould, the worlds greatest pianist in the 1950s and 1960s, was richly inspired by, and bared his soul at the keyboard to, the numerous women who stirred his hard-to-fetch emotions. Long considered to be an asexual, lonely, and egocentric figure, this exposeby examining the details about Goulds many love affairs and how they affected his life, music, and filmmakingpresents a unique perspective on one of the most enigmatic artists of the 20th century. |
| cd318 piano: A Poetry Pedagogy for Teachers Maya Pindyck, Ruth Vinz, Diana Liu, Ashlynn Wittchow, 2022-08-25 A Poetry Pedagogy for Teachers generates imaginative encounters with poetry and invites educators to practice a range of poetry exercises in order to inform instructional approaches to reading and writing. Guided by pedagogical principles prompted by their readings of Wallace Stevens' “Thirteen Ways of Looking at a Blackbird,” Maya Pindyck and Ruth Vinz provide critical discussion of prominent literacy practices in secondary classrooms and offer alternative approaches to encountering a text. They do this by way of experimental readings of Wallace Stevens' poem toward a set of thirteen pedagogical principles that anchor a pedagogy of poetic practices. The book also offers invitational exercises, the authors' own engagements with poetry practices, as well as student examples, visual modes of theorizing, and a gathering of relevant resources compiled by two classroom teachers. This is a book for secondary English teachers, teaching artists, English educators, college writing professors, readers and writers of poetry – both existing and aspirational – and any educator interested in poetry's capacities to pedagogically inform their subject matter and/or literacy practices. |
| cd318 piano: Glenn Gould, Music & Mind Geoffrey Payzant, 2005 Glenn Gould was one of the most innovative and prophetic musical thinkers of the twentieth century. Few musicians of his time have had as much influence on the way people think about the art of music, its purpose, its effects, its practitioners, its audiences.Glenn Gould, Music and Mind was the first, and for many years the only, study of Goulds work. It is about Gould as a musical thinker, Gould as a literary artist, Gould as a glorious misfit.Geoffrey Payzant taught music at Mount Allison University and philosophy at the University of Toronto. He specialized in musical aesthetics, and was particularly fascinated by Glenn Gould and Eduard Hanslick. No one who takes an interest in performing or listening to music, or in thinking about it, can fail to be informed and delighted by Payzant's exploration of the music and mind of Glenn Gould. |
| cd318 piano: Dreams of Love Ivan Raykoff, 2014 Dreams of Love pursues a wide-ranging interdisciplinary approach to understanding the concert pianist as a Romantic and seductive-even erotic-figure in the popular imagination, focusing on the role of technology in perpetuating this mythology over the past two centuries through the touch, sights, and sounds of the pianist's playing. |
| cd318 piano: Glenn Gould 1988 Helmut Kallmann, Ruth Pincoe, 1988 |
| cd318 piano: The Jazz Discography Tom Lord, 1992 |
| cd318 piano: Newsweek , 2008 |
| cd318 piano: Romance en tres patas Katie Hafner, 2021-02-02 Esta es una formidable biografía de uno de los pianistas más emblemáticos de la historia: Glenn Gould, y del dúo dinámico que lo acompañó: su afinador, el casi ciego y sinestésico Vern Edquist, y su piano, el CD 318, al cual el canadiense dedicó una milimétrica y obsesiva búsqueda, no sin discutir con Edquist, por el sonido perfecto. Gould, un artista que renunció al formato de concierto y se dedicó a realizar grabaciones que se volvieron fundamentales, tuvo una relación fascinante con su piano. Detrás de un gran pianista hay un gran afinador, reza la frase. En el contexto histórico del siglo XX, aquí se recorre la historia de la Steinway & Sons, que tuvo que fabricar féretros durante la Depresión. Este libro también es la biografía de un piano. Este libro, polifónico en muchos sentidos, congrega disciplinas, anécdotas y recorre la historia a través de ellas al tiempo que reflexiona sobre la tensión entre el artista y el medio y abraza al fantasma del clavecín. La investigación de Katie Hafner es fantástica. Este libro cuenta la historia de Gould a través de sus obsesiones, The New York Times Una biografía bien temperada, Galileu Hafner esculpió montañas de investigación, Toronto Star |
| cd318 piano: Musicworks , 1989 |
| cd318 piano: The Film Journal , 1994 |
| cd318 piano: Extraordinary Canadians Glenn Gould Mark Kingwell, 2009-09-22 Glenn Gould, one of the world’s most renowned classical musicians of the twentieth century, was also known as an eccentric genius—solitary, headstrong, a hypochondriac virtuoso. Abandoning stage performances in 1964, Gould concentrated instead on mastering the various media: recordings, radio, television, and print. His sudden death at age fifty stunned the world, but his music and legacy continue to inspire. Philosopher and critic Mark Kingwell regards Gould as a philosopher of music whose ideas about music governed his life. But those ideas were contradictory, mischievous, and deliberately provocative. Instead of a single narrative line to explain the musician, Kingwell adopts a kaleidoscopic approach. Just as Gould played twenty-one “takes” to record the opening aria in the famed 1955 Goldberg Variations, Kingwell offers twenty-one “takes” on Gould’s life. Each version offers a different interpretation of the man, but in each, Kingwell is sensitive to the complex harmonies and dissonances that sounded throughout the life of the great Gould. |
| cd318 piano: Gramophone , 1996 |
| cd318 piano: Digital Audio and Compact Disc Review , 1987 |
| cd318 piano: Henri Dutilleux: Music - Mystery and Memory Roger Nichols, 2017-07-05 Born in 1916, Henri Dutilleux is one of France‘s leading composers, enjoying an international reputation for his beautifully crafted works. This is the first translation into English of a series of interviews between Dutilleux and the French writer and journalist Claude Glayman which took place in 1996. Dutilleux discusses aspects of his life including his early training at the Paris Conservatoire, the German occupation of France and the time that he spent in the United States. The interviews reveal much about his music and his approach to composition, as well as the influences on his musical style. Originally published by Actes Sud in 1997, this English edition is the work of translator Roger Nichols, one of the UK‘s leading specialists on French music. |
| cd318 piano: Fanfare , 1995 |
| cd318 piano: Glenn Gould Sandrine Revel, 2016-12-01 Nominee: 2017 Eisner Awards, Best Reality Based Work Glenn Gould was a Canadian pianist, a child genius who became a worldwide superstar of classical music remembered for, among others, his almost revolutionary interpretations of Bach. This graphic novel biography seeks to understand the eccentric personality behind the persona. Who is the mysterious Glenn Gould? Why did he abruptly end his career as a performing musician? Why did he become one of the very first of his peers to disappear from the public eye like J.D. Salinger? Sandrine Revel delves into the life of Gould with hand painted illustrations and the viewpoint of an adoring fan. 2017 marks a number of important anniversaries for Gould: the 85th of his birth and 35th of his death but also the 60th of his legendary tour of Russia, a first for a Western artist, and of his debuts with the worlds' leading orchestras. |
| cd318 piano: Polish Music William Smialek, 1989 |
| cd318 piano: Schwann CD. , 1989-11 |
| cd318 piano: Glenn Gould , 2007 Over 200 black and white pictures explore the life of Glenn Gould (1932-1982), a classical pianist known for his dynamic virtuosity and passionate intensity. Extensive captions from his letters and an introduction by a critic provide context. |
| cd318 piano: Diapason harmonie , 1988 |
| cd318 piano: American Normal Lawrence Osborne, 2007-05-08 Asperger's Syndrome, often characterized as a form of high-functioning autism, is a poorly defined and little-understood neurological disorder. The people who suffer from the condition are usually highly intelligent, and as often as not capable of extraordinary feats of memory, calculation, and musicianship. In this wide-ranging report on Asperger's, Lawrence Osborne introduces us to those who suffer from the syndrome and to those who care for them as patients and as family. And, more importantly, he speculates on how, with our need to medicate and categorize every conceivable mental state, we are perhaps adding to their isolation, their sense of alienation from the normal. -This is a book about the condition, and the culture surrounding Asperger's Syndrome as opposed to a guide about how to care for your child with Aspergers. -Examines American culture and the positive and negative perspectives on the condition. Some parents hope their child will be the next Glenn Gould or Bill Gates, others worry that their child is abnormal and overreact. |
| cd318 piano: National Library News National Library of Canada, 1994 |
| cd318 piano: Partita for Glenn Gould Georges Leroux, 2010-10-21 Glenn Gould (1932-1982) was a giant of twentieth-century classical music, but one whose eccentricities have sometimes obscured the moral seriousness of his approach to art. Countering this common misperception, Partita for Glenn Gould is an eloquent tribute to the artist that illuminates his versatile genius, his thinking, and our reasons for loving his art. |
| cd318 piano: Schwann Compact Disc Catalog , 1988 |
| cd318 piano: Piano & Keyboard , 1994 |
| cd318 piano: Schwann , 1989 |
| cd318 piano: French Music for Low Brass Instruments John Mark Thompson, Jeffrey Jon Lemke, 1994 J. Mark Thompson and Jeffrey Jon Lemke have compiled and annotated listings of French literature for tenor trombone, bass trombone, tuba, and bass saxhorn, as well as repertoire suitable for the modern euphonium. In addition to these solo pieces, the authors provide separate listings of pedagogical materials for each of these four instruments. Each entry gives the date of composition or publication of the piece, the publisher, the length, the range, the level of difficulty, an indication of its use as a competition solo at the Paris Conservatory, and a description of its musical style or character. |
| cd318 piano: Catalogue Raisonné Du Fonds Glenn Gould National Library of Canada, 1992 |
CDCP1 - Wikipedia
[5] [6] CDCP1 has also been designated as CD318 (cluster of differentiation 318) and Trask (Transmembrane and associated with src kinases). Alternatively spliced transcript variants …
Identification of CD318, TSPAN8 and CD66c as target candidates …
Mar 5, 2021 · CAR T cells specific for CD66c, CD318 and TSPAN8 demonstrate efficacies ranging from stabilized disease to complete tumor eradication with CD318 followed by TSPAN8 being the …
CD318 is a target of chimeric antigen receptor T cells for the ...
Next, we evaluated the function of these CAR-T cells in vitro in terms of surface phenotype changes, cytotoxicity and cytokine secretion when they encountered CD318+ CRC cells. Finally, …
Identification of CD318 (CDCP1) as novel prognostic marker in AML
CD318 (CDCP1) is a transmembrane protein which in solid tumors promotes formation of metastasis and correlates with poor survival. Despite its broad expression on hematological precursor cells, …
CD318 is a ligand for CD6 - PNAS
Jul 31, 2017 · This report definitively establishes CD318 as a second ligand of CD6 and provides evidence for the importance of CD6–CD318 interactions in autoimmune diseases that affect the …
CD318 is a ligand for CD6 - PubMed
Aug 15, 2017 · These results establish CD318 as a ligand of CD6 and a potential target for the diagnosis and treatment of autoimmune diseases such as multiple sclerosis and inflammatory …
CDCP1 Gene - GeneCards | CDCP1 Protein | CDCP1 Antibody
Mar 28, 2025 · CDCP1 (CUB Domain Containing Protein 1) is a Protein Coding gene. Diseases associated with CDCP1 include Lung Cancer and Colorectal Cancer. Among its related pathways …
CD318 (CDCP1) Antibody, anti-human, REAfinity™ | Miltenyi …
It has been shown that CD318 plays a role in cancer progression and the development of metastases. CD318 expression is found widely in normal tissues, whereas an aberrant …
CD318/CUB-domain-containing protein 1 expression on cord …
May 1, 2010 · In this study, we analyzed the expression of CD318 on cord blood hematopoietic stem and progenitor cells. Cord blood mononuclear cells were depleted of mature blood cell linage …
Identification of CD318, TSPAN8 and CD66c as target candidates ... - PubMed
Mar 5, 2021 · CAR T cells specific for CD66c, CD318 and TSPAN8 demonstrate efficacies ranging from stabilized disease to complete tumor eradication with CD318 followed by TSPAN8 being the …
CDCP1 - Wikipedia
[5] [6] CDCP1 has also been designated as CD318 (cluster of differentiation 318) and Trask (Transmembrane and associated with src kinases). Alternatively spliced transcript variants …
Identification of CD318, TSPAN8 and CD66c as target candidates …
Mar 5, 2021 · CAR T cells specific for CD66c, CD318 and TSPAN8 demonstrate efficacies ranging from stabilized disease to complete tumor eradication with CD318 followed by …
CD318 is a target of chimeric antigen receptor T cells for the ...
Next, we evaluated the function of these CAR-T cells in vitro in terms of surface phenotype changes, cytotoxicity and cytokine secretion when they encountered CD318+ CRC cells. …
Identification of CD318 (CDCP1) as novel prognostic marker in AML
CD318 (CDCP1) is a transmembrane protein which in solid tumors promotes formation of metastasis and correlates with poor survival. Despite its broad expression on hematological …
CD318 is a ligand for CD6 - PNAS
Jul 31, 2017 · This report definitively establishes CD318 as a second ligand of CD6 and provides evidence for the importance of CD6–CD318 interactions in autoimmune diseases that affect …
CD318 is a ligand for CD6 - PubMed
Aug 15, 2017 · These results establish CD318 as a ligand of CD6 and a potential target for the diagnosis and treatment of autoimmune diseases such as multiple sclerosis and inflammatory …
CDCP1 Gene - GeneCards | CDCP1 Protein | CDCP1 Antibody
Mar 28, 2025 · CDCP1 (CUB Domain Containing Protein 1) is a Protein Coding gene. Diseases associated with CDCP1 include Lung Cancer and Colorectal Cancer. Among its related …
CD318 (CDCP1) Antibody, anti-human, REAfinity™ | Miltenyi …
It has been shown that CD318 plays a role in cancer progression and the development of metastases. CD318 expression is found widely in normal tissues, whereas an aberrant …
CD318/CUB-domain-containing protein 1 expression on cord …
May 1, 2010 · In this study, we analyzed the expression of CD318 on cord blood hematopoietic stem and progenitor cells. Cord blood mononuclear cells were depleted of mature blood cell …
Identification of CD318, TSPAN8 and CD66c as target candidates ... - PubMed
Mar 5, 2021 · CAR T cells specific for CD66c, CD318 and TSPAN8 demonstrate efficacies ranging from stabilized disease to complete tumor eradication with CD318 followed by …
