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| cannonball adderley bio: Dis Here , 2000-05-30 Chris Sheridan presents a major discographical study of an American jazz giant, Cannonball Adderley, whose career had a significant impact on jazz's development. At the same time, Sheridan stretches the boundaries of discography in two important ways: In scope and in presentation. In scope, the session listings not only include every known commercially recorded issue—a factor neglected by growing numbers of discographers covering a single artist—but also all known recorded sessions, particularly from film, and broadcasts on radio and television. The latter are providing a quickly growing market for issues on independent record labels, especially by artists no longer alive. The main discographical text also includes a narrative aiming to place the recorded music in context, both in Adderley's own career and in the development of jazz. Sheridan also continues a unique section, pioneered in his earlier Count Basie: A Bio-Discography—the day-by-day diary of the musician's musical activities. This is not only significant in its own right, it also serves to authenticate the chronology of the sessions listed in the main discography. In terms of presentation, Sheridan aims to present a more stylish face by using a variety of related fonts to enhance clarity and by a radical rearrangement of the information given in each session listing. A definitive work essential for all researchers of jazz. |
| cannonball adderley bio: Walk Tall Cary Ginell, 2013-02-01 (Book). Cannonball Adderley introduces his 1967 recording of Walk Tall, by saying, There are times when things don't lay the way they're supposed to lay. But regardless, you're supposed to hold your head up high and walk tall. This sums up the life of Julian Cannonball Adderley, a man who used a gargantuan technique on the alto saxophone, pride in heritage, devotion to educating youngsters, and insatiable musical curiosity to bridge gaps between jazz and popular music in the 1960s and '70s. His career began in 1955 with a Cinderella-like cameo in a New York nightclub, resulting in the jazz world's looking to him as the New Bird, the successor to the late Charlie Parker. But Adderley refused to be typecast. His work with Miles Davis on the landmark Kind of Blue album helped further his reputation as a unique stylist, but Adderley's greatest fame came with his own quintet's breakthrough engagement at San Francisco's Jazz Workshop in 1959, which launched the popularization of soul jazz in the 1960s. With his loyal brother Nat by his side, along with stellar sidemen, such as keyboardist Joe Zawinul, Adderley used an engaging, erudite personality as only Duke Ellington had done before him. All this and more are captured in this engaging read by author Cary Ginell. Hipness is not a state of mind, it is a fact of life. Cannonball Adderley |
| cannonball adderley bio: The African American National Biography Henry Louis Gates, Evelyn Brooks Higginbotham, 2008 An 8-volume reference set containing over 4,000 entries written by distinguished scholars, 'The African American National Biography' is the most significant and expansive compilation of black lives in print today. |
| cannonball adderley bio: The Gentle Giant Yusef Lateef, Herb Boyd, 2006 |
| cannonball adderley bio: Jazz Research and Performance Materials Eddie S. Meadows, 1995 First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company. |
| cannonball adderley bio: More Important Than the Music Bruce D. Epperson, 2013-10-01 Today, jazz is considered high art, America’s national music, and the catalog of its recordings—its discography—is often taken for granted. But behind jazz discography is a fraught and highly colorful history of research, fanaticism, and the intense desire to know who played what, where, and when. This history gets its first full-length treatment in Bruce D. Epperson’s More Important Than the Music. Following the dedicated few who sought to keep jazz’s legacy organized, Epperson tells a fascinating story of archival pursuit in the face of negligence and deception, a tale that saw curses and threats regularly employed, with fisticuffs and lawsuits only slightly rarer. Epperson examines the documentation of recorded jazz from its casual origins as a novelty in the 1920s and ’30s, through the overwhelming deluge of 12-inch vinyl records in the middle of the twentieth century, to the use of computers by today’s discographers. Though he focuses much of his attention on comprehensive discographies, he also examines the development of a variety of related listings, such as buyer’s guides and library catalogs, and he closes with a look toward discography’s future. From the little black book to the full-featured online database, More Important Than the Music offers a history not just of jazz discography but of the profoundly human desire to preserve history itself. |
| cannonball adderley bio: Brilliant Corners Chris Sheridan, 2001-04-30 In this masterful compilation, world-recognized discographer Chris Sheridan draws together the most comprehensive reconstruction of Thelonious Monk's performances and recordings. Woven through the chronological listing of Monk's work is the story of his rise to acceptance as one of the key pianists and composers of jazz and his decline in health and popularity to his death in 1982. Following a Prologue which attempts to summarize the career and man, the narrative discography covers Monk's entire performance career. This is followed by appendixes listing all microgroove and post-microgroove issues of Monk's performances, all known commercially produced films and videos in which Monk took part, a listing of all of his engagements from 1944 until his career petered out in the mid-1970s, and a bibliography. The work concludes with an index of the people, places, producers, and radio and television programs referred to or quoted in the main taxt, a listing of all musicians, vocalists, and broadcast presenters who took part in the recordings or who played in Monk's bands, an index of all the titles used for Monk's tunes by other musicians and vocalists, and a listing of all tunes played, together with their composers and, where relevant, lyricists. A comprehensive reference work for all scholars and other researchers involved with jazz from the 1940s onward. |
| cannonball adderley bio: Discography of Western Swing and Hot String Bands, 1928-1942 Cary Ginell, Kevin Coffey, 2001-06-30 The result of years of research by its authors, this discography strives to identify and trace the recorded development of the musical style now known as western swing from its early years through World War II. The style developed from the Texas string band tradition, growing from a fiddle and guitar duo into full swing band groups, and along the way, it drew from and absorbed a variety of other musical styles, thus making it one of the most diverse genres in American music. Until now, studies have been limited to a few book-length biographies, but through exhaustive research and interviews, Ginell and Coffey have provided the most complete and comprehensive listing of pre-War western swing and hot string band recordings to date. Accessible through a variety of indexes, the information included here comprises four sections. The reader can easily find cross-referenced information on which musicians played with which bands on which songs. Easy-to-follow linear and chronological development of the music is provided as well. |
| cannonball adderley bio: Bill Evans Omnibook for Piano Bill Evans, 2020-01-01 (Jazz Transcriptions). The ultimate collection for jazz keyboardists to learn 40 Evans classics with exact note-for-note transcriptions. Includes: Alice in Wonderland * Autumn Leaves * Bill's Hit Tune * Blue in Green * Days of Wine and Roses * Emily * Everything Happens to Me * Five * For Nenette * How About You? * How My Heart Sings * I Loves You, Porgy * It Could Happen to You * Just You, Just Me * Letter to Evan * My Foolish Heart * My Funny Valentine * My Romance * Nardis * Night and Day * One for Helen * Peace Piece * Peri's Scope * Quiet Now * Re: Person I Knew * Skating in Central Park * A Sleepin' Bee * Some Other Time * Stella by Starlight * Song from M*A*S*H (Suicide Is Painless) * 34 Skidoo * Time Remembered * The Touch of Your Lips * Turn Out the Stars * Very Early * Waltz for Debby * What Kind of Fool Am I? * Who Can I Turn to (When Nobody Needs Me) * You Go to My Head * You Must Believe in Spring * and more. |
| cannonball adderley bio: Biography Index Bea Joseph, 1979 A cumulative index to biographical material in books and magazines. |
| cannonball adderley bio: Encyclopedia of African American Music Tammy L. Kernodle, Horace Maxile, Emmett G. Price III, 2010-12-17 African Americans' historical roots are encapsulated in the lyrics, melodies, and rhythms of their music. In the 18th and 19th centuries, African slaves, longing for emancipation, expressed their hopes and dreams through spirituals. Inspired by African civilization and culture, as well as religion, art, literature, and social issues, this influential, joyous, tragic, uplifting, challenging, and enduring music evolved into many diverse genres, including jazz, blues, rock and roll, soul, swing, and hip hop. Providing a lyrical history of our nation, this groundbreaking encyclopedia, the first of its kind, showcases all facets of African American music including folk, religious, concert and popular styles. Over 500 in-depth entries by more than 100 scholars on a vast range of topics such as genres, styles, individuals, groups, and collectives as well as historical topics such as music of the Harlem Renaissance, the Black Arts Movement, the Civil Rights Movement, and numerous others. Offering balanced representation of key individuals, groups, and ensembles associated with diverse religious beliefs, political affiliations, and other perspectives not usually approached, this indispensable reference illuminates the profound role that African American music has played in American cultural history. Editors Price, Kernodle, and Maxile provide balanced representation of various individuals, groups and ensembles associated with diverse religious beliefs, political affiliations, and perspectives. Also highlighted are the major record labels, institutions of higher learning, and various cultural venues that have had a tremendous impact on the development and preservation of African American music. Among the featured: Motown Records, Black Swan Records, Fisk University, Gospel Music Workshop of America, The Cotton Club, Center for Black Music Research, and more. With a broad scope, substantial entries, current coverage, and special attention to historical, political, and social contexts, this encyclopedia is designed specifically for high school and undergraduate students. Academic and public libraries will treasure this resource as an incomparable guide to our nation's African American heritage. |
| cannonball adderley bio: Don't Deny My Name Lorenzo Thomas, 2008 Contains essays which explore the interrelationships among African American music, literature, and popular culture. This book first lays out the case for the blues as constituting a body of literature, and then offers a tour of the movement through classic jazz, bop, and the explosions of the free jazz era, followed by a section on R & B and Soul. |
| cannonball adderley bio: Notes Music Library Association, 2000 |
| cannonball adderley bio: Miles Davis Clarence Bernard Henry, 2017-08-15 This research and information guide provides a wide range of scholarship on the life, career, and musical legacy of Miles Davis, and is compiled for an interdisciplinary audience of scholars in jazz and popular music, musicology, and cultural studies. It serves as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field. |
| cannonball adderley bio: The Biographical Encyclopedia of Jazz the late Leonard Feather, Ira Gitler, 1999-11-18 Do you want to know when Duke Ellington was king of The Cotton Club? Have you ever wondered how old Miles Davis was when he got his first trumpet? From birth dates to gig dates and from recordings to television specials, Leonard Feather and Ira Gitler have left no stone unturned in their quest for accurate, detailed information on the careers of 3.300 jazz musicians from around the world. We learn that Duke Ellington worked his magic at The Cotton Club from 1927 to 1931, and that on Miles Davis's thirteenth birthday, his father gave him his first trumpet. Jazz is fast moving, and this edition clearly and concisely maps out an often dizzying web of professional associations. We find, for instance, that when Miles Davis was a St. Louis teenager he encountered Charlie Parker and Dizzy Gillespie for the first time. This meeting proved fateful, and by 1945 a nineteen-year-old Davis had left Juilliard to play with Parker on 52nd Street. Knowledge of these professional alliances, along with the countless others chronicled in this book, are central to tracing the development of significant jazz movements, such as the cool jazz that became one of Miles Davis's hallmarks. Arranged alphabetically according to last name, each entry of this book chronologically lists the highlights of every jazz musician's career. Highly accessible and vigorously researched, The Biographical Encyclopedia of Jazz is, quite simply, the most comprehensive jazz encyclopedia available. |
| cannonball adderley bio: Born to Play Thomas P. Hustad, 2012-05-03 Ruby Braff’s uncompromising standards, musical taste, and creative imagination informed his consummate artistry in creating music beautifully played. He achieved swiftly what few musicians accomplish in a lifetime by developing a unique and immediately recognizable style. Although prepared in discographical style, capturing information about both commercial recordings and previously undocumented performances, Born to Play serves as a biography of the artist, detailing the path he paved as a performer and featuring personal recollections of his musical career with commentary from other figures. |
| cannonball adderley bio: American Reference Books Annual , 2001 1970- issued in 2 vols.: v. 1, General reference, social sciences, history, economics, business; v. 2, Fine arts, humanities, science and engineering. |
| cannonball adderley bio: The Virgin Encyclopedia of Jazz Colin Larkin, 2004 From boogie-woogie to bebop and beyond, the sounds and rhythms of Jazz is mercurial- always creative, seldom static, frequently cultish and often contentious. The latest edition of The Virgin Encyclopedia of Jazz is the essential companion to making an acquaintance with Jazz. It will inform you and it will not talk down to you. There are over 3,500 entries detailing every artist who has had an impact on the development of jazz since it headed out from New Orleans and spread to New York, London, Paris, Montreux, Munich and way beyond. Here are all the legends whose genius is evoked in a single name - Ella, Duke, Satchimo, Bird, Miles, Trane, the Hawk, Monk and Diz - together with all the younger talent - Brad mehidau, jacky terrasson, Nicholas Payton and the youngest phenomenon of them all, Norah Jones. They line up with modern-day giants of the genre such as John Schofield, Dave Holland, Joe Lovano and Keith Jarrett. All entries have a detailed album chronology, together with a five-star rating system.The text is non-pompous, non-judgemental yet friendly and constructive. All the text has been taken from the gigantic database of The Encyclopedia of Popular Music, first published in 1992. the EPM and its spin-off series swiftly and firmly established itself as the undisputed champion of all contemporary-music reference books. |
| cannonball adderley bio: The Encyclopedia of Popular Music: Selected Albums. Bibliographies Colin Larkin, 2006 Containing 27,000 entries and over 6,000 new entries, the online edition of the Encyclopedia of Popular Music includes 50% more material than the Third Edition. Featuring a broad musical scope covering popular music of all genres and periods from 1900 to the present day, including jazz, country, folk, rap, reggae, techno, musicals, and world music, the Encyclopedia also offers thousands of additional entries covering popular music genres, trends, styles, record labels, venues, and music festivals. Key dates, biographies, and further reading are provided for artists covered, along with complete discographies that include record labels, release dates, and a 5-star album rating system. |
| cannonball adderley bio: Opposing Apartheid on Stage Tyler Fleming, 2020 A captivating account of an interracial jazz opera that took apartheid South Africa by storm and marked a turning point in the nation's cultural history. |
| cannonball adderley bio: Cadence , 2000 |
| cannonball adderley bio: Bags' Grooves , 2006 |
| cannonball adderley bio: Schwann-2, Record & Tape Guide , 1980 |
| cannonball adderley bio: Current Musicology Austin Clarkson, 2005 |
| cannonball adderley bio: 3 Shades of Blue James Kaplan, 2025-03-04 The National Bestseller • One of The Minneapolis Star Tribune's Best Books of the Year “A superb book...[Kaplan is] a master biographer, a dogged researcher and shaper of narrative, and this is his most ambitious book to date.” —Los Angeles Times From the author of the definitive biography of Frank Sinatra, the story of three towering artists—Miles Davis, John Coltrane, and Bill Evans—and how they came together to create the most iconic jazz album of all time, Kind of Blue In 1959, America’s great indigenous art form, jazz, reached the height of its power and popularity. James Kaplan’s magnificent 3 Shades of Blue captures how that golden era came to be, and its pinnacle with the recording of Kind of Blue. It’s a book about music, and business, and race, and heroin, and the cities that gave jazz its home, and the Black geniuses behind its rise. It’s an astonishing meditation on creativity and the strange environments where it can flourish most. It’s a book about the great forebears and founders of a lost era, and the disrupters who would take the music down truly new paths. And it’s about why the world of jazz most people know is a museum to this never-replicated period. But above all, 3 Shades of Blue is a book about three very different men—the greatness and varied fortunes of Miles Davis, John Coltrane, and Bill Evans. The tapestry of their lives is, in Kaplan’s hands, a national odyssey with no direction home. It is also a masterpiece, a book about jazz that is as big as America. |
| cannonball adderley bio: Willie Brown James Richardson, 1996-01-01 Traces the life and political career of San Francisco's first African American mayor |
| cannonball adderley bio: From Brass to Gold: Discography of A&M Records and affiliates in the United States Leslie J. Pfenninger, A&M Records (Firm), 2001 Herb Alpert and Jerry Moss founded A&M Records in 1962 with $200. In 1989, they sold the world's largest independent record label for nearly $500 million. From Brass to Gold is the rise of A&M form it start with the Tijuana Brass to a golden success. A&M and its 14 affiliated labels signed over 800 artists in every musical genre including the Carpenters, Quincy Jones, Styx, Supertramp, Burt Bacharach, Joe Cocker, Bryan Adams, Janet Jackson, George Winston, The Go-Go's, Carole King, Amy Grant, the Neville Brothers, and The Police. A&M's affiliates were George Harrison's Dark Horse Records, Windham Hill, Ode Records, IRS Records, Cypress Records, Delos, Denon, Gold Mountain Records, Nimbus Records, Perspective, Tabu, Vendetta Records, and Word Records. From Brass to Gold Vol. I is comprehensive history of A&M. An astonishingly detailed guide to the creative output and corporate history, it catalogs 7,800 titles in albums, singles, jukebox, CD discographies; 460 A&M films and videos, 2,200 titles from the affiliates, awards, 460 artist bibliographies, over 500 collectibles, 2,300 radio guest appearances, more than 300 television appearances, plus Almo-Irving Music Publishing; a calendar of significant company, release, chart, tour, birth dates, artist, title and label indexes. This book sets a new standard for the content of record label discographies. |
| cannonball adderley bio: Jazz Journal International , 2003 |
| cannonball adderley bio: The Jazz Discography Tom Lord, 2003 |
| cannonball adderley bio: Brunswick Records Ross Laird, Brunswick-Balke-Collender Company, Brunswick Radio Corporation, 2001 This discography documents the full range of Brunswick label recordings through 1931, when the American Record Corporation purchased the label. The data includes affiliated or subsidiary labels such as Vocalion and Melotone. Brunswick recorded a wide variety of music in both New York City and in a variety of regional locations within and outside of the United States. This collection of material provides a unique cross-section of the music and musicians of the time. Much of the information derives from surviving company files and from issued recordings. This comprehensive discography will appeal to researchers and collectors. Each volume is indexed by artist. The last volume includes a consolidated artist index and title and catalog number index. |
| cannonball adderley bio: Discography of OKeh Records, 1918-1934 Ross Laird, Brian Rust, 2004-07-30 This discography documents all recordings made by this pioneering and influential record label which was active in many areas - popular, jazz, blues, country, and ethnic music during a formative and dynamic period in America's cultural history just before and during the 1920s on into the early 1930s. All known 78rpm record releases in the United States, Britain, Canada, Australia, and Japan are detailed. Also included is an essay on the history of the various corporate entities that produced the OKeh label during its initial period of operation with special emphasis on the activities of the record company in making many field recordings in locations throughout the United States and Hawaii. Laird and Rust's book is primarily comprised of an extensive bibliography and a comprehensive artist index. This publication is the definitive volume on a legendary and influential record company which played a vital part in recording many great artists including some who are still recognized as some of the finest exponents of their particular musical styles. |
| cannonball adderley bio: Irish Classical Recordings Axel Klein, 2001-09-30 Though the term Irish music typically evokes images of fiddles, flutes, and Riverdance, Ireland and its culture have also given rise to a wealth of orchestral music, including compositions ranging from string quartets to operas. In this important new work, author Axel Klein provides much more than a mere discography: he documents and promotes a largely unknown aspect of Irish culture in a unique combination of discographical and biographical information. Featuring ninety-three recorded Irish composers and forty-three international composers influenced by Irish music, the volume offers the means for scholars and general readers alike to familiarize themselves with a subject to which most of the world, until now, has not been exposed. As most of the music described is currently available on compact disc, Klein's compilation serves as an invaluable resource guide for both academics and amateur enthusiasts. |
| cannonball adderley bio: Coltrane Cuthbert Ormond Simpkins, 1975 |
| cannonball adderley bio: Brunswick Records: New York sessions, 1927-1931 Ross Laird, Brunswick-Balke-Collender Company, Brunswick Radio Corporation, 2001 This discography documents the full range of Brunswick label recordings through 1931, when the American Record Corporation purchased the label. The data includes affiliated or subsidiary labels such as Vocalion and Melotone. Brunswick recorded a wide variety of music in both New York City and in a variety of regional locations within and outside of the United States. This collection of material provides a unique cross-section of the music and musicians of the time. Much of the information derives from surviving company files and from issued recordings. This comprehensive discography will appeal to researchers and collectors. Each volume is indexed by artist. The last volume includes a consolidated artist index and title and catalog number index. |
| cannonball adderley bio: Elegant People Curt Bianchi, 2021-06-15 Elegant People is the definitive history of Weather Report, the premier fusion band of the 1970s and beyond. Founded in late 1970 by three stars of the jazz world—keyboardist Joe Zawinul, saxophonist Wayne Shorter, and bassist Miroslav Vitouš—Weather Report went on to become the most unique and enduring jazz band of its era, with a style of music wholly its own. Now, on the fiftieth anniversary of Weather Report's first album release, comes Elegant People: A History of the Band Weather Report, the first book to tell the band's story in detail. Based on years of research and dozens of interviews with musicians, engineers, managers, and support personnel, Elegant People is written from an insider's perspective, describing Weather Report's transformation from a freewheeling, avant-garde jazz band whose ethos was We always solo and we never solo to a grooving juggernaut that combined elements of jazz, funk, Latin, and rhythm and blues. Fueled by Zawinul's hit tune Birdland and the charismatic stage presence of legendary electric bass player Jaco Pastorius, Weather Report took on the aura of rock stars. By the time Zawinul and Shorter mutually agreed to part ways in 1986, Weather Report had produced sixteen albums, a body of work that ranks among the most significant in jazz and continues to resonate with musicians and fans today. |
| cannonball adderley bio: Miles Miles Davis, Quincy Troupe, 1990-09-15 Miles discusses his life and music from playing trumpet in high school to the new instruments and sounds from the Caribbean. |
| cannonball adderley bio: The New Grove Dictionary of Jazz Barry Dean Kernfeld, 2002 |
| cannonball adderley bio: DownBeat - The Great Jazz Interviews Frank Alkyer, 2009-11-01 (Book). Culled from the DownBeat archives includes in-depth interviews with literally every great jazz artist and personality that ever lived! In honor of its 75th anniversary, DownBeat 's editors have brought together in this one volume the best interviews, insights, and photographs from the illustrious history of the world's top jazz magazine, DownBeat . This anthology includes the greatest of DownBeat 's Jazz Hall of Famers: from early legends like Jelly Roll Morton, Louis Armstrong, Count Basie, Duke Ellington, and Benny Goodman; to bebop heroes like Charlie Parker, Dizzy Gillespie, John Coltrane, Sonny Rollins, and Miles Davis; to truly unique voices like Ornette Coleman, Cecil Taylor, Thelonious Monk, and Rahsaan Roland Kirk; to the pioneers of the electric scene like Chick Corea, Herbie Hancock, Pat Metheny, and Joe Zawinul. The Great Jazz Interviews delivers the legends of jazz, talking about America's music and America itself, in their own words. Features classic photos and magazine covers fron Downbeat 's vast archive. |
| cannonball adderley bio: American Book Publishing Record , 2000-07 |
| cannonball adderley bio: Living with Jazz Dan Morgenstern, 2009-08-19 A collection of essays, biographical profiles, and critical analyses by one of the twentieth century's leading jazz writers includes commentary on the work of jazz entertainers, including Duke Ellington, Ella Fitzgerald, John Coltrane, Dizzy Gillespie, and Louis Armstrong, as well as assessment of the role of jazz in contemporary culture and its influence on modern music. |
Cannonball (film) - Wikipedia
Recently released from jail, where he was serving a sentence for killing a girl while driving drunk, racing driver Coy "Cannonball" Buckman hopes to win the race and get his career back on track.
Cannonball! (1976) - IMDb
Cannonball!: Directed by Paul Bartel. With David Carradine, Bill McKinney, Veronica Hamel, Gerrit Graham. Racing across the country from L.A. to New York, a plethora of exotic cars …
CANNONBALL Definition & Meaning - Merriam-Webster
The meaning of CANNONBALL is a usually round solid missile made for firing from a cannon.
How Cannonballs Work - Sciencing
Dec 21, 2020 · Basic cannonballs were round shots of a hard material such as stone or iron. The artillery men would load black powder into the barrel of the cannon, pack cotton wadding to …
CANNONBALL | English meaning - Cambridge Dictionary
The first shot has only a tiny charge of explosive, and the cannonball barely makes it out of the muzzle before falling to the ground. (Definition of cannonball from the Cambridge Advanced …
Cannonball - definition of cannonball by The Free Dictionary
Define cannonball. cannonball synonyms, cannonball pronunciation, cannonball translation, English dictionary definition of cannonball. also cannon ball n. 1. A round projectile fired from a …
Understanding Various Cannonball Ammunition Types and Uses
Jul 15, 2024 · Explore various cannonball ammunition types, including solid shot, explosive shells, and grapeshot, to understand their historical significance and tactical uses.
What does Cannonball mean? - Definitions.net
A cannonball is a round, heavy projectile traditionally used as ammunition in a cannon or similar artillery weapon. Typically made of iron, stone, or other heavy materials, it is designed to be …
Riders in the 2025 Scooter Cannonball tell you why they do it
4 days ago · But the Cannonball’s camaraderie caught him a little by surprise. On his first day in 2021, he slid off the road and practically wrecked his Vespa. A group of fellow riders “worked …
Identifying Cannonballs: A Comprehensive Guide To Historical …
Mar 12, 2025 · The surface of a cannonball is a treasure trove of historical information, waiting to be deciphered. By interpreting its textures, casting marks, and identifying features, we can …
Cannonball (film) - Wikipedia
Recently released from jail, where he was serving a sentence for killing a girl while driving drunk, racing driver Coy "Cannonball" Buckman hopes to win the race and get his career back on track.
Cannonball! (1976) - IMDb
Cannonball!: Directed by Paul Bartel. With David Carradine, Bill McKinney, Veronica Hamel, Gerrit Graham. Racing across the country from L.A. to New York, a plethora of exotic cars carry …
CANNONBALL Definition & Meaning - Merriam-Webster
The meaning of CANNONBALL is a usually round solid missile made for firing from a cannon.
How Cannonballs Work - Sciencing
Dec 21, 2020 · Basic cannonballs were round shots of a hard material such as stone or iron. The artillery men would load black powder into the barrel of the cannon, pack cotton wadding to …
CANNONBALL | English meaning - Cambridge Dictionary
The first shot has only a tiny charge of explosive, and the cannonball barely makes it out of the muzzle before falling to the ground. (Definition of cannonball from the Cambridge Advanced …
Cannonball - definition of cannonball by The Free Dictionary
Define cannonball. cannonball synonyms, cannonball pronunciation, cannonball translation, English dictionary definition of cannonball. also cannon ball n. 1. A round projectile fired from a cannon. …
Understanding Various Cannonball Ammunition Types and Uses
Jul 15, 2024 · Explore various cannonball ammunition types, including solid shot, explosive shells, and grapeshot, to understand their historical significance and tactical uses.
What does Cannonball mean? - Definitions.net
A cannonball is a round, heavy projectile traditionally used as ammunition in a cannon or similar artillery weapon. Typically made of iron, stone, or other heavy materials, it is designed to be fired …
Riders in the 2025 Scooter Cannonball tell you why they do it
4 days ago · But the Cannonball’s camaraderie caught him a little by surprise. On his first day in 2021, he slid off the road and practically wrecked his Vespa. A group of fellow riders “worked on …
Identifying Cannonballs: A Comprehensive Guide To Historical …
Mar 12, 2025 · The surface of a cannonball is a treasure trove of historical information, waiting to be deciphered. By interpreting its textures, casting marks, and identifying features, we can unlock …
