Burkholder Music History

  burkholder music history: A History of Western Music Burkholder, J. Peter, Grout, Donald Jay, 2014-02-28 Combining current scholarship with cutting-edge pedagogy, the Ninth Edition of A History of Western Music is the text that students and professors have trusted for generations. Combining thoughtful revisions - particularly to chapters on the twentieth and twenty-first centuries - with exceptional media resources, A History of Western Music provides all the resources that students need in a text that will last a lifetime.
  burkholder music history: A History of Western Music Donald Jay Grout, 1996
  burkholder music history: A History of Western Music Donald Jay Grout, Claude V. Palisca, 2001-01-01 This is a chronological presentation of the development of Western music within Western culture. This edition has increased coverage of 20th-century music, and timelines covering musical events throughout history.
  burkholder music history: Norton Anthology of Western Music Claude V. Palisca, 1996
  burkholder music history: Concise History of Western Music Barbara Russano Hanning, 1998 Concise History of Western Music combines Grout and Palisca's uncompromising reliability, scope, and respect for the narrative, while offering many more pedagogical aids, such as chapter preludes and postludes; Etudes, excursions that explore the material more deeply than the main text; and Windows, boxed discussions of special topics.
  burkholder music history: Teaching Music History Mary Natvig, 2017-07-05 Unlike their colleagues in music theory and music education, teachers of music history have tended not to commit their pedagogical ideas to print. This collection of essays seeks to help redress the balance, providing advice and guidance to those who teach a college-level music history or music appreciation course, be they a graduate student setting out on their teaching career, or a seasoned professor having to teach outside his or her speciality. Divided into four sections, the book covers the basic music history survey usually taken by music majors; music appreciation and introductory courses aimed at non-majors; special topic courses such as women and music, music for film and American music; and more general issues such as writing, using anthologies, and approaches to teaching in various situations. In addition to these specific areas, broader themes emerge across the essays. These include how to integrate social history and cultural context into music history teaching; the shift away from the 'classical canon'; and how to organize a course taking into consideration time constraints and the need to appeal to students from a diverse range of backgrounds. With contributions from both teachers approaching retirement and those at the start of their careers, this volume provides a spectrum of experience which will prove valuable to all teachers of music history.
  burkholder music history: A Concise History of Western Music Paul Griffiths, 2009
  burkholder music history: Music for Sight Singing Robert W. Ottman, Nancy Rogers, 2011 ...Developing the mind's ear--the ability to imagine how music sounds without first playing it on an instrument--is essential to any musician and sight singing (in conjunction with ear training and other studies in musicianship) is invaluable in reaching this fundamental goal...[This book has an] abundance of meticulously organized melodies drawn from the literature of composed music and a wide range of the world's folk music...Each chapter methodically introduces elements one at a time, steadily increasing in difficulty while providing a musically meaningful framework around which students can hone their skills...--preface.
  burkholder music history: Study & Listening Guide for Concise History of Western Music James Peter Burkholder, 1998-01 Study and listening guide for Concise history of western music by Barbara Russano Hanning and Norton anthology of western music.
  burkholder music history: Study and Listening Guide for A History of Western Music, Fifth Edition, by Donald Jay Grout and Claude V. Palisca and Norton Anthology of Western Music, Third Edition, by Claude V. Palisca James Peter Burkholder, 1996
  burkholder music history: The Well-Tempered Clavier Johann Sebastian Bach, 2012-11-13 All 48 preludes and fugues in all major and minor keys. Authoritative Bach-Gesellschaft edition. Explanation of ornaments in English, tempo indications, music corrections.
  burkholder music history: All Made of Tunes James Peter Burkholder, 1995-01-01 Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of quotations in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing.
  burkholder music history: Ideas and Styles in the Western Musical Tradition Douglass Seaton, 2010 Ideas and Styles in the Western Musical Tradition, Third Edition, explores the conceptual frameworks that have shaped musical development from antiquity to the present. In a lively narrative that prompts readers to think both critically and creatively, Douglass Seaton uses historical documents from thinkers, artists, and musicians to add rich detail to the compelling story of Western music. This brief and accessible narrative of music history features numerous works of art, literature, and music that immerse the reader in the historical and intellectual contexts of musical styles. In addition, the thoroughly updated and revised third edition: * Includes the most current historiography * Clarifies the interconnections and divisions between musical periods, moving away from -periodization- terms * Offers an updated and comprehensive timeline * Expands the final chapter with additional recent works and more reflection on postmodernism * Features a unique anthology-free design that allows instructors the flexibility to choose their own musical examples (a correlation guide to the major score anthologies is included in the Companion Website) The third edition is also enhanced by a new Companion Website (www.oup.com/us/seaton) with study aids, teaching tips, chapter synopses, review and quiz materials, and listening recommendations. Also included are questions for study and reflection, guidance for research and writing in music history, and hints for pronouncing church Latin, as well as a correlation guide to the major score anthologies.
  burkholder music history: Schoenberg and His World Walter Frisch, 2012-01-16 As the twentieth century draws to a close, Arnold Schoenberg (1874-1951) is being acknowledged as one of its most significant and multifaceted composers. Schoenberg and His World explores the richness of his genius through commentary and documents. Marilyn McCoy opens the volume with a concise chronology, based on the latest scholarship, of Schoenberg's life and works. Essays by Joseph Auner, Leon Botstein, Reinhold Brinkmann, J. Peter Burkholder, Severine Neff, and Rudolf Stephan examine aspects of his creative output, theoretical writings, relation to earlier music, and the socio-cultural contexts in which he worked. The documentary portions of Schoenberg and His World capture Schoenberg at critical periods of his career: during the first decades of the century, primarily in his native Vienna; from 1926 to 1933, in Berlin; and from 1933 on, in the U.S. Included here is the first complete translation into English of the remarkable Festschrift prepared for the 38-year-old Schoenberg by his pupils in 1912; it presciently explored the diverse talents as a composer, teacher, painter, and theorist for which he was later to be recognized. The Berlin years, when he held one of the most prestigious teaching positions in Europe, are represented by interviews with him and articles about his public lectures. The final portion of the volume, devoted to the theme Schoenberg and America, focuses on how the composer viewed--and was viewed by--the country where he spent his final eighteen years. Sabine Feisst brings together and comments upon sources which, contrary to much received opinion, attest to both the considerable impact that Schoenberg had upon his newly adopted land and his own deep involvement in its musical life.
  burkholder music history: Charles Ives and the Classical Tradition Geoffrey Block, J. Peter Burkholder, 1996-01-01 Although Charles Ives has long been viewed as the quintessential American composer, he placed himself in the European classical tradition, drew on it heavily for his aesthetic philosophy and musical techniques, and extended it to create something new. This book illuminates Ives's music by comparing it with that of other composers in Europe and the United States. Edited by two highly regarded Ives scholars, the book begins with essays that examine the influences on Ives of his musical predecessors and concludes with essays that find extensive parallels between Ives and such European contemporaries as Mahler, Schoenberg, Berg, and Stravinsky, whose music he knew little or not at all, but with whom he shared influences and concerns. Taken together, these chapters demonstrate that even apparently strange or distinctively American aspects of Ives's music--from his penchant for quotation to his juxtaposition of disparate styles--have strong precedents and parallels among European composers. Ives emerges as a composer at home in the classical tradition, engaged in exploring the same issues that confronted composers of his generation on both sides of the Atlantic.
  burkholder music history: Study and Listening Guide for a History of Western Music , Seventh Edition, by J. Peter Burkholder, Donald Jay Grout and Claude V. Palisca and Norton Anthology of Western Music , Fifth Edition, by J. Peter Burkholder and Claude V. Palisca James Peter Burkholder, 1998
  burkholder music history: Listen to This Alex Ross, 2010-09-28 One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely.
  burkholder music history: Study and Listening Guide for A History of Western Music, Eighth Edition, by J. Peter Burkholder, Donald Jay Grout and Claude V. Palisca, And, Norton Anthology of Western Music, Sixth Edition, by J. Peter Burkholder and Claude V. Palisca James Peter Burkholder, Jennifer Lee King, 2010
  burkholder music history: Manual for Ear Training and Sight Singing GARY S. KARPINSKI, 2021-08-30 A research-based aural skills curriculum that reflects the way students learn.
  burkholder music history: History of Music Hugh Milton Miller, 1973 This outline-history is a guide to the music of all ages ... a concise summary which traces the development of musical art from ancient civilizations to contemporary composes.
  burkholder music history: Chemistry , 2019 Chemistry, science, stoichiometry, thermodynamics, organic chemistry.
  burkholder music history: Color in the Classroom Zoe Burkholder, 2011-10-05 Between the turn of the twentieth century and the Brown v. Board of Education decision in 1954, the way that American schools taught about race changed dramatically. This transformation was engineered by the nation's most prominent anthropologists, including Franz Boas, Ruth Benedict, and Margaret Mead, during World War II. Inspired by scientific racism in Nazi Germany, these activist scholars decided that the best way to fight racial prejudice was to teach what they saw as the truth about race in the institution that had the power to do the most good-American schools. Anthropologists created lesson plans, lectures, courses, and pamphlets designed to revise what they called the 'race' concept in American education. They believed that if teachers presented race in scientific and egalitarian terms, conveying human diversity as learned habits of culture rather than innate characteristics, American citizens would become less racist. Although nearly forgotten today, this educational reform movement represents an important component of early civil rights activism that emerged alongside the domestic and global tensions of wartime.Drawing on hundreds of first-hand accounts written by teachers nationwide, Zoe Burkholder traces the influence of this anthropological activism on the way that teachers understood, spoke, and taught about race. She explains how and why teachers readily understood certain theoretical concepts, such as the division of race into three main categories, while they struggled to make sense of more complex models of cultural diversity and structural inequality. As they translated theories into practice, teachers crafted an educational discourse on race that differed significantly from the definition of race produced by scientists at mid-century.Schoolteachers and their approach to race were put into the spotlight with the Brown v. Board of Education case, but the belief that racially integrated schools would eradicate racism in the next generation and eliminate the need for discussion of racial inequality long predated this. Discussions of race in the classroom were silenced during the early Cold War until a new generation of antiracist, multicultural educators emerged in the 1970s.
  burkholder music history: Listening to Charles Ives James Peter Burkholder, 2021 Charles Ives is widely regarded as the first great American composer of classical music. But listening to his music is an adventure--hearing how a piece begins may not prepare you for what comes next, or how it ends. Knowing one Ives piece may not prepare you for another. Award-winning music historian J. Peter Burkholder provides an introduction to the composer's diverse musical output and unusual career to readers of any background, discussing about forty of the best and most characteristic pieces framed with biographical sketches. Burkholder shows how Ives mastered each tradition he encountered, from American popular music to classical European genres, from Protestant church music to his own unique experimental idiom, and then interwove elements from all these traditions in the astonishing works of his maturity. Listening to Charles Ives contains compelling walkthroughs of select pieces and ultimately reveals that there is an Ives piece for everyone.
  burkholder music history: Brian Eno Eric Tamm, 1989 A thoughtful look at one of the most important current musician/composers, the man who produced U2's Joshua Tree.
  burkholder music history: A History of Western Music (Tenth Edition) J. Peter Burkholder, Donald Jay Grout, Claude V. Palisca, 2019
  burkholder music history: The Musician's Guide to Theory and Analysis Jane Piper Clendinning, Elizabeth West Marvin, 2016-06-01 The Musician’s Guide to Theory and Analysis is a complete package of theory and aural skills resources that covers every topic commonly taught in the undergraduate sequence. The package can be mixed and matched for every classroom, and with Norton’s new Know It? Show It! online pedagogy, students can watch video tutorials as they read the text, access formative online quizzes, and tackle workbook assignments in print or online. In its third edition, The Musician’s Guide retains the same student-friendly prose and emphasis on real music that has made it popular with professors and students alike.
  burkholder music history: Colonial Latin America Mark A. Burkholder, Lyman L. Johnson, 1994 Now featuring scholarship published since the first edition, revised lists of recommended readings that include important books published since 1988, and appendices of rulers of Spain and Portugal, this lively, very readable history provides a concise yet comprehensive study of the Iberian colonies in the New World from the pre-conquest background through European exploration, conquest, and colonization, to the wars of independence in the early nineteenth century. As before, numerous photographs and maps lend immediacy to the narrative, and biographical examples of both conqueror and conquered illustrate colonial life. Clear and engaging, this extremely well-balanced book is invaluable for anyone who wants to learn about Latin America's colonial legacy and difficult transition into the modern era.
  burkholder music history: Study and Listening Guide for A History of Western Music, Seventh Edition, by J. Peter Burkholder, Donald Jay Grout and Claude V. Palisca and Norton Anthology of Western Music, Fifth Edition, [edited] by J. Peter Burkholder and Claude V. Palisca James Peter Burkholder, Jennifer Lee King, 2006 The Study and Listening Guide provides chapter outlines and objectives, study questions, review questions, and valuable guides to help students listen more productively.
  burkholder music history: Language of the Spirit Jan Swafford, 2017-04-11 A preeminent composer, music scholar, and biographer presents an engaging and accessible introduction to classical music For many of us, classical music is something serious -- something we study in school, something played by cultivated musicians at fancy gatherings. In Language of the Spirit, renowned music scholar Jan Swafford argues that we have it all wrong: classical music has something for everyone and is accessible to all. Ranging from Gregorian chant to Handel's Messiah, from Vivaldi's The Four Seasons to the postmodern work of Philip Glass, Swafford is an affable and expert guide to the genre. He traces the history of Western music, introduces readers to the most important composers and compositions, and explains the underlying structure and logic of their music. Language of the Spirit is essential reading for anyone who has ever wished to know more about this sublime art.
  burkholder music history: The Origins of Music Nils L. Wallin, Bjorn Merker, Steven Brown, 2001-07-27 The book can be viewed as representing the birth of evolutionary biomusicology. What biological and cognitive forces have shaped humankind's musical behavior and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures? In this groundbreaking book, musicologists, biologists, anthropologists, archaeologists, psychologists, neuroscientists, ethologists, and linguists come together for the first time to examine these and related issues. The book can be viewed as representing the birth of evolutionary biomusicology—the study of which will contribute greatly to our understanding of the evolutionary precursors of human music, the evolution of the hominid vocal tract, localization of brain function, the structure of acoustic-communication signals, symbolic gesture, emotional manipulation through sound, self-expression, creativity, the human affinity for the spiritual, and the human attachment to music itself. Contributors Simha Arom, Derek Bickerton, Steven Brown, Ellen Dissanayake, Dean Falk, David W. Frayer, Walter Freeman, Thomas Geissmann, Marc D. Hauser, Michel Imberty, Harry Jerison, Drago Kunej, François-Bernard Mâche, Peter Marler, Björn Merker, Geoffrey Miller, Jean Molino, Bruno Nettl, Chris Nicolay, Katharine Payne, Bruce Richman, Peter J.B. Slater, Peter Todd, Sandra Trehub, Ivan Turk, Maria Ujhelyi, Nils L. Wallin, Carol Whaling
  burkholder music history: I Want More Pizza Steve Burkholder, 2017-04-10 You are not alone; it is often difficult to reach young adults on the topic of money management, but look no further. I Want More Pizza finally has teenagers excited about personal finance and is giving them the confidence that they can succeed. This resource is being used in classrooms around the nation as young adults enjoy the pizza model for learning about money management. Now available for the first time for you to bring into your home, give your young adult the gift of financial literacy and they will thank you for a lifetime. I am sure you have heard a few of these: I don't need it, I'm too young, I need to spend my money on _____ , and the list goes on. The pizza model for learning personal finance breaks down those barriers because, well, everyone loves pizza! Just because money management is extremely important doesn't mean that it has to be extremely complex. I Want More Pizza leaves them in complete control to find the plan that works for your young adult - it's their choice. If they don't enjoy math or don't like to plan, no problem, we've got them covered as well. And it's only 70 pages, which young adults love given their busy social calendars. Money doesn't have to be stressful. Finally reach your young adult and help them become financially literate for a lifetime. After all, there is a lot of pizza in life to enjoy!
  burkholder music history: Music in Jewish history and culture Emanuel Rubin, John H. Baron, 2006
  burkholder music history: Rhythmic Training Robert Starer, 1985 (Instructional). A continuation of Basic Rhythmic Training , this collection of progressive rhythmic drills is designed to increase a music student's proficiency in executing and understanding Rhythm. The exercises begin very simply and proceed to more complex meters, beat divisions and polyrhythms. The book can be used as a supplement to any method, or as a drill book for the musician who wishes to solidify and expand his/her rhythmic abilities.
  burkholder music history: History of Western Music J. Peter Burkholder, 2008
  burkholder music history: Charles Ives J. Peter Burkholder, 1987-01-01 Looks at how Ives' music changed over the course of his career, identifies the most important influences, and discusses the themes of Ives' work
  burkholder music history: Listen Joseph Kerman, Gary Tomlinson, 2015 Also contains 6-CD set by Joseph Kerman and Gary Tomlinson.
  burkholder music history: Music in the Baroque (Western Music in Context: A Norton History) Wendy Heller, 2014 Companion to Music in the baroque.
  burkholder music history: Amish Confidential Chris Burkholder, 2006 Scandal rocks Amish Clan: Murder, Sexual Depravity . Forget the images of 19th century farmers, close-knit families and hard-working craftsmen immune to the stresses of our modern times. The Amish find themselves facing ever-greater scrutiny as reports of polio outbreaks, child abuse, rape, incest, and bestiality grab the headlines. Once the symbol of better, simpler times, the closeted world of the Amish is now in the spotlight and at the center of growing controversies. Chris Burkholder, the son of an Amish bishop, has shattered the silence. At the cost of being excommunicated and ostracized by his own father, Chris reveals what it is like to grow up in a world where brainwashing, terrifying violence and sexual depravity are commonplace. In Amish Condifential Chris Burkholder shares his harrowing tale of abuse and reasons that compelled him to leave his family and faith in search of a new life among the sinful and comdemned world of the rest of us Americans.
  burkholder music history: A History of Western Music Donald Jay Grout, 1981
  burkholder music history: Baroque Music John Walter Hill, 2005 John Walter Hill's highly anticipated text presents a broad survey of the music of Western Europe from 1580 to 1750.
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