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| burkholder history of western music: A History of Western Music Donald Jay Grout, Claude V. Palisca, 2001-01-01 This is a chronological presentation of the development of Western music within Western culture. This edition has increased coverage of 20th-century music, and timelines covering musical events throughout history. |
| burkholder history of western music: Norton Anthology of Western Music Claude V. Palisca, 1996 |
| burkholder history of western music: A History of Western Music Burkholder, J. Peter, Grout, Donald Jay, Palisca, Claude V, 2019-02-08 The definitive survey, combining current scholarship with a vibrant narrative. Carefully informed by feedback from dozens of scholars, it remains the book that students and teachers trust to explain what's important, where it fits, and why it matters. Peter Burkholder weaves a compelling story of people, their choices, and the western musical tradition that emerged. From chant to hip-hop, he connects past to present to create a context for tomorrow's musicians. |
| burkholder history of western music: A History of Western Music (Ninth Edition) J. Peter Burkholder, Donald Jay Grout, Claude V. Palisca, 2014-04-15 The definitive history of Western music, now with Total Access. Combining current scholarship with cutting-edge pedagogy, the Ninth Edition of A History of Western Music is the text that students and professors have trusted for generations. Because listening is central to music history, the new Total Access program provides a full suite of media resources—including an ebook and premium streaming recordings of the entire Norton Anthology of Western Music repertoire—with every new text. Combining thoughtful revisions—particularly to chapters on the twentieth and twenty-first centuries—with exceptional media resources, A History of Western Music provides all the resources that students need in a text that will last a lifetime. |
| burkholder history of western music: Concise History of Western Music Barbara Russano Hanning, 1998 Concise History of Western Music combines Grout and Palisca's uncompromising reliability, scope, and respect for the narrative, while offering many more pedagogical aids, such as chapter preludes and postludes; Etudes, excursions that explore the material more deeply than the main text; and Windows, boxed discussions of special topics. |
| burkholder history of western music: Music for Sight Singing Robert W. Ottman, Nancy Rogers, 2011 ...Developing the mind's ear--the ability to imagine how music sounds without first playing it on an instrument--is essential to any musician and sight singing (in conjunction with ear training and other studies in musicianship) is invaluable in reaching this fundamental goal...[This book has an] abundance of meticulously organized melodies drawn from the literature of composed music and a wide range of the world's folk music...Each chapter methodically introduces elements one at a time, steadily increasing in difficulty while providing a musically meaningful framework around which students can hone their skills...--preface. |
| burkholder history of western music: The Well-Tempered Clavier Johann Sebastian Bach, 2012-11-13 All 48 preludes and fugues in all major and minor keys. Authoritative Bach-Gesellschaft edition. Explanation of ornaments in English, tempo indications, music corrections. |
| burkholder history of western music: A Concise History of Western Music Paul Griffiths, 2009 |
| burkholder history of western music: Ideas and Styles in the Western Musical Tradition Douglass Seaton, 2010 Ideas and Styles in the Western Musical Tradition, Third Edition, explores the conceptual frameworks that have shaped musical development from antiquity to the present. In a lively narrative that prompts readers to think both critically and creatively, Douglass Seaton uses historical documents from thinkers, artists, and musicians to add rich detail to the compelling story of Western music. This brief and accessible narrative of music history features numerous works of art, literature, and music that immerse the reader in the historical and intellectual contexts of musical styles. In addition, the thoroughly updated and revised third edition: * Includes the most current historiography * Clarifies the interconnections and divisions between musical periods, moving away from -periodization- terms * Offers an updated and comprehensive timeline * Expands the final chapter with additional recent works and more reflection on postmodernism * Features a unique anthology-free design that allows instructors the flexibility to choose their own musical examples (a correlation guide to the major score anthologies is included in the Companion Website) The third edition is also enhanced by a new Companion Website (www.oup.com/us/seaton) with study aids, teaching tips, chapter synopses, review and quiz materials, and listening recommendations. Also included are questions for study and reflection, guidance for research and writing in music history, and hints for pronouncing church Latin, as well as a correlation guide to the major score anthologies. |
| burkholder history of western music: Teaching Music History Mary Natvig, 2017-07-05 Unlike their colleagues in music theory and music education, teachers of music history have tended not to commit their pedagogical ideas to print. This collection of essays seeks to help redress the balance, providing advice and guidance to those who teach a college-level music history or music appreciation course, be they a graduate student setting out on their teaching career, or a seasoned professor having to teach outside his or her speciality. Divided into four sections, the book covers the basic music history survey usually taken by music majors; music appreciation and introductory courses aimed at non-majors; special topic courses such as women and music, music for film and American music; and more general issues such as writing, using anthologies, and approaches to teaching in various situations. In addition to these specific areas, broader themes emerge across the essays. These include how to integrate social history and cultural context into music history teaching; the shift away from the 'classical canon'; and how to organize a course taking into consideration time constraints and the need to appeal to students from a diverse range of backgrounds. With contributions from both teachers approaching retirement and those at the start of their careers, this volume provides a spectrum of experience which will prove valuable to all teachers of music history. |
| burkholder history of western music: Study and Listening Guide for A History of Western Music, Fifth Edition, by Donald Jay Grout and Claude V. Palisca and Norton Anthology of Western Music, Third Edition, by Claude V. Palisca James Peter Burkholder, 1996 |
| burkholder history of western music: Study & Listening Guide for Concise History of Western Music James Peter Burkholder, 1998-01 Study and listening guide for Concise history of western music by Barbara Russano Hanning and Norton anthology of western music. |
| burkholder history of western music: Dvorak's Prophecy: And the Vexed Fate of Black Classical Music Joseph Horowitz, 2021-11-23 A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America stayed white—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.” |
| burkholder history of western music: A History of Western Music Donald Jay Grout, Claude V. Palisca, 1988 History and criticism of western music with chronologies and bibliographies following each chapter. |
| burkholder history of western music: All Made of Tunes James Peter Burkholder, 1995-01-01 Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of quotations in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing. |
| burkholder history of western music: Listen to This Alex Ross, 2010-09-28 One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely. |
| burkholder history of western music: Charles Ives and the Classical Tradition Geoffrey Block, J. Peter Burkholder, 1996-01-01 Although Charles Ives has long been viewed as the quintessential American composer, he placed himself in the European classical tradition, drew on it heavily for his aesthetic philosophy and musical techniques, and extended it to create something new. This book illuminates Ives's music by comparing it with that of other composers in Europe and the United States. Edited by two highly regarded Ives scholars, the book begins with essays that examine the influences on Ives of his musical predecessors and concludes with essays that find extensive parallels between Ives and such European contemporaries as Mahler, Schoenberg, Berg, and Stravinsky, whose music he knew little or not at all, but with whom he shared influences and concerns. Taken together, these chapters demonstrate that even apparently strange or distinctively American aspects of Ives's music--from his penchant for quotation to his juxtaposition of disparate styles--have strong precedents and parallels among European composers. Ives emerges as a composer at home in the classical tradition, engaged in exploring the same issues that confronted composers of his generation on both sides of the Atlantic. |
| burkholder history of western music: Manual for Ear Training and Sight Singing GARY S. KARPINSKI, 2021-08-30 A research-based aural skills curriculum that reflects the way students learn. |
| burkholder history of western music: Study and Listening Guide for a History of Western Music , Seventh Edition, by J. Peter Burkholder, Donald Jay Grout and Claude V. Palisca and Norton Anthology of Western Music , Fifth Edition, by J. Peter Burkholder and Claude V. Palisca James Peter Burkholder, 1998 |
| burkholder history of western music: History of Music Hugh Milton Miller, 1973 This outline-history is a guide to the music of all ages ... a concise summary which traces the development of musical art from ancient civilizations to contemporary composes. |
| burkholder history of western music: Study and Listening Guide for A History of Western Music, Eighth Edition, by J. Peter Burkholder, Donald Jay Grout and Claude V. Palisca, And, Norton Anthology of Western Music, Sixth Edition, by J. Peter Burkholder and Claude V. Palisca James Peter Burkholder, Jennifer Lee King, 2010 |
| burkholder history of western music: The Musician's Guide to Theory and Analysis Jane Piper Clendinning, Elizabeth West Marvin, 2016-06-01 The Musician’s Guide to Theory and Analysis is a complete package of theory and aural skills resources that covers every topic commonly taught in the undergraduate sequence. The package can be mixed and matched for every classroom, and with Norton’s new Know It? Show It! online pedagogy, students can watch video tutorials as they read the text, access formative online quizzes, and tackle workbook assignments in print or online. In its third edition, The Musician’s Guide retains the same student-friendly prose and emphasis on real music that has made it popular with professors and students alike. |
| burkholder history of western music: Chemistry , 2019 Chemistry, science, stoichiometry, thermodynamics, organic chemistry. |
| burkholder history of western music: Listening to Charles Ives James Peter Burkholder, 2021 Charles Ives is widely regarded as the first great American composer of classical music. But listening to his music is an adventure--hearing how a piece begins may not prepare you for what comes next, or how it ends. Knowing one Ives piece may not prepare you for another. Award-winning music historian J. Peter Burkholder provides an introduction to the composer's diverse musical output and unusual career to readers of any background, discussing about forty of the best and most characteristic pieces framed with biographical sketches. Burkholder shows how Ives mastered each tradition he encountered, from American popular music to classical European genres, from Protestant church music to his own unique experimental idiom, and then interwove elements from all these traditions in the astonishing works of his maturity. Listening to Charles Ives contains compelling walkthroughs of select pieces and ultimately reveals that there is an Ives piece for everyone. |
| burkholder history of western music: Brian Eno Eric Tamm, 1989 A thoughtful look at one of the most important current musician/composers, the man who produced U2's Joshua Tree. |
| burkholder history of western music: Language of the Spirit Jan Swafford, 2017-04-11 A preeminent composer, music scholar, and biographer presents an engaging and accessible introduction to classical music For many of us, classical music is something serious -- something we study in school, something played by cultivated musicians at fancy gatherings. In Language of the Spirit, renowned music scholar Jan Swafford argues that we have it all wrong: classical music has something for everyone and is accessible to all. Ranging from Gregorian chant to Handel's Messiah, from Vivaldi's The Four Seasons to the postmodern work of Philip Glass, Swafford is an affable and expert guide to the genre. He traces the history of Western music, introduces readers to the most important composers and compositions, and explains the underlying structure and logic of their music. Language of the Spirit is essential reading for anyone who has ever wished to know more about this sublime art. |
| burkholder history of western music: Music in Jewish history and culture Emanuel Rubin, John H. Baron, 2006 |
| burkholder history of western music: The Origins of Music Nils L. Wallin, Bjorn Merker, Steven Brown, 2001-07-27 The book can be viewed as representing the birth of evolutionary biomusicology. What biological and cognitive forces have shaped humankind's musical behavior and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures? In this groundbreaking book, musicologists, biologists, anthropologists, archaeologists, psychologists, neuroscientists, ethologists, and linguists come together for the first time to examine these and related issues. The book can be viewed as representing the birth of evolutionary biomusicology—the study of which will contribute greatly to our understanding of the evolutionary precursors of human music, the evolution of the hominid vocal tract, localization of brain function, the structure of acoustic-communication signals, symbolic gesture, emotional manipulation through sound, self-expression, creativity, the human affinity for the spiritual, and the human attachment to music itself. Contributors Simha Arom, Derek Bickerton, Steven Brown, Ellen Dissanayake, Dean Falk, David W. Frayer, Walter Freeman, Thomas Geissmann, Marc D. Hauser, Michel Imberty, Harry Jerison, Drago Kunej, François-Bernard Mâche, Peter Marler, Björn Merker, Geoffrey Miller, Jean Molino, Bruno Nettl, Chris Nicolay, Katharine Payne, Bruce Richman, Peter J.B. Slater, Peter Todd, Sandra Trehub, Ivan Turk, Maria Ujhelyi, Nils L. Wallin, Carol Whaling |
| burkholder history of western music: Study and Listening Guide for A History of Western Music, Seventh Edition, by J. Peter Burkholder, Donald Jay Grout and Claude V. Palisca and Norton Anthology of Western Music, Fifth Edition, [edited] by J. Peter Burkholder and Claude V. Palisca James Peter Burkholder, Jennifer Lee King, 2006 The Study and Listening Guide provides chapter outlines and objectives, study questions, review questions, and valuable guides to help students listen more productively. |
| burkholder history of western music: Music in the Baroque (Western Music in Context: A Norton History) Wendy Heller, 2014 Companion to Music in the baroque. |
| burkholder history of western music: A Dictionary of Medieval Terms and Phrases Christopher Corèdon, Ann Williams, 2004 This dictionary of medieval terms is intended for the non-specialist with an interest in the medieval world |
| burkholder history of western music: Charles Ives J. Peter Burkholder, 1987-01-01 Looks at how Ives' music changed over the course of his career, identifies the most important influences, and discusses the themes of Ives' work |
| burkholder history of western music: Listen Joseph Kerman, Gary Tomlinson, 2015 Also contains 6-CD set by Joseph Kerman and Gary Tomlinson. |
| burkholder history of western music: Baroque Music John Walter Hill, 2005 John Walter Hill's highly anticipated text presents a broad survey of the music of Western Europe from 1580 to 1750. |
| burkholder history of western music: A History of Western Music (Tenth Edition) J. Peter Burkholder, Donald Jay Grout, Claude V. Palisca, 2019 |
| burkholder history of western music: The Oxford History of Western Music Richard Taruskin, Christopher Howard Gibbs, 2018-01-16 Takes students beyond the who, what, and when, exploring the how and why behind the story of Western MusicNow in its second edition, this text immerses students in the engaging story of the Western musical tradition. By emphasizing the connections among works, both within cultural eras and across time and place, the text goes beyond a basic retelling of the music's history to build students' ability tolisten critically to key works. The Oxford History of Western Music, College Edition is a complete program for building students' understanding and appreciation of the classical canon. |
| burkholder history of western music: Rhythmic Training Robert Starer, 1985 (Instructional). A continuation of Basic Rhythmic Training , this collection of progressive rhythmic drills is designed to increase a music student's proficiency in executing and understanding Rhythm. The exercises begin very simply and proceed to more complex meters, beat divisions and polyrhythms. The book can be used as a supplement to any method, or as a drill book for the musician who wishes to solidify and expand his/her rhythmic abilities. |
| burkholder history of western music: French, Cajun, Creole, Houma Carl A. Brasseaux, 2005-03-01 In recent years, ethnographers have recognized south Louisiana as home to perhaps the most complex rural society in North America. More than a dozen French-speaking immigrant groups have been identified there, Cajuns and white Creoles being the most famous. In this guide to the amazing social, cultural, and linguistic variation within Louisiana's French-speaking region, Carl A. Brasseaux presents an overview of the origins and evolution of all the Francophone communities. Brasseaux examines the impact of French immigration on Louisiana over the past three centuries. He shows how this once-undesirable outpost of the French empire became colonized by individuals ranging from criminals to entrepreneurs who went on to form a multifaceted society -- one that, unlike other American melting pots, rests upon a French cultural foundation. A prolific author and expert on the region, Brasseaux offers readers an entertaining history of how these diverse peoples created south Louisiana's famous vibrant culture, interacting with African Americans, Spaniards, and Protestant Anglos and encountering influences from southern plantation life and the Caribbean. He explores in detail three still cohesive components in the Francophone melting pot, each one famous for having retained a distinct identity: the Creole communities, both black and white; the Cajun people; and the state's largest concentration of French speakers -- the Houma tribe. A product of thirty years' research, French, Cajun, Creole, Houma provides a reliable and understandable guide to the ethnic roots of a region long popular as an international tourist attraction. |
| burkholder history of western music: Concise History of Western Music J. Peter Burkholder, Jennifer L. Hund-King, 2010-03-25 Study Space. Visit WWnorton.com/studyspace and select Concise History of Western Music from the Music menu. Use the free registration code from your text to access streamed music, style identification quizzes, composer biographies, and more. Each chapter is structured to help you organize (with study plans and chapter outlines), learn (with quizzes and flashcards), and connect the music with the history. Norton Anthology of Western Music, Sixth Edition A three-volume set of-spiral- bound scores for 97 works featured (and 205 works mentioned) in Concise History of Western Music and on the recordings. Volume 1,Ancient to Baroque: Volume 2,Classic to Romantic: Volume 3,Twentieth Century: Norton Recorded Anthology of Western Music, Sixth Edition Three volumes of CDs containing the entire Norton Anthology of Western Music repertoire. Volyrne1 (6 CDs): Volume2 (5 CDs): Volume3 (3 CDs): Concise (6 CDs): Book jacket. |
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Lyal Burkholder Academy of Environmental Science
The CCSD School Board of Trustees has voted and approved our new school name, Burkholder Academy of Environmental Science! Explore. Innovate. Sustain. Hands in the Dirt – …
Burkholder Fabrics - Your Hometown Quilting & Sewing Source!
Burkholder Fabrics is your resource for quilting and sewing supplies. We have a vast inventory of the finest quality cotton fabrics, apparel fabric, notions and more.
Burkholder Funeral Chapel | Bedford & Seymour, IN
Burkholder Funeral Chapel of Thorne-George Family Funeral Homes serves Seymour, Columbus, Cortland, Crothersville, Kurtz, Medora, Freetown, Brownstown, Norman, and Vallonia. We can …
Heating and Air Conditioning | Burkholder's HVAC
May 30, 2025 · Whether you’re a general contractor or a business property owner, Burkholder’s HVAC has got you covered with commercial HVAC systems and maintenance plans. Our …
Trailer sales | Central PA dealer, Burkholder Manufacturing
With a wide range of new trailers for sale to choose from, including our own custom trailers for sale manufactured on-site, Burkholder Manufacturing provides trailers for all equipment and …
Obituaries at Burkholder Family Funeral Home in McBain
May 26, 2025 · Robert Norman Ziegler, age 84 of McBain, passed away on Monday, May 26, 2025 at Munson Medical Center in Traverse City. He was born on March 5, 1941 in Detroit to …
J S Burkholder Funeral Home Inc - Allentown, PA
May 26, 2025 · I believe out of the years my family has dealt with Burkholder's, you never had to second guess your decisions, Burkholder uses every question that gives the family peace and …
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May 20, 2025 · Search Burkholder family obituaries and memoriams on Legacy.com. There are 1843 obituaries and memoriams for the surname Burkholder.
Burkholder Family Funeral Home
Burkholder Family Funeral Home is a comfortable, up to date facility located at 211 N. Pine St. McBain, MI 49657. The funeral home offer a comfortable, quaint environment for family to hold …
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