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| boris godunov pushkin text: The Uncensored Boris Godunov Chester Dunning, Caryl Emerson, Sergei Fomichev, Lidiia Lotman, 2006-04-15 Includes the original Russian text and, for the first time, an English translation of that version. “Antony Wood’s translation is fluent and idiomatic; analyses by Dunning et al. are incisive; and the ‘case’ they make is skillfully argued. . . . Highly recommended.”—Choice |
| boris godunov pushkin text: Two Hundred Years of Pushkin Joe Andrew, Robert Reid, 2003 Pushkin's status as Russia's national poet rests as much on the breadth of his cultural influence as on the intrinsic quality of his works. Pushkin's Legacy reflects in various ways the areas in which this influence has been felt. Part I considers some of the key factors in defining Pushkin for posterity, in particular the crucial role played by the critic Belinskii and the problematics of periodising Pushkin. Part II examines the richness of Pushkin's poetics, including the ways in which his work challenged the established boundaries between poetry and prose. Part III examines Russian music's debt to Pushkin and vice versa: Russian music's role in popularising his works. Part IV examines Pushkin's influence abroad via studies of his influence on Merimee and Henry James and, on a more personal level, through his descendants in England. |
| boris godunov pushkin text: Dimitry's Shade J. Douglas Clayton, 2004-07-15 An original and provocative interpretation of Boris Godunov as a reflection of Pushkin's thought on the Russian state |
| boris godunov pushkin text: Boris Godunov, Little Tragedies, and Others Alexander Pushkin, 2023-01-17 The award-winning translators bring us the complete plays of the most acclaimed Russian writer of the Romantic era. Known as the father of Russian literature, Alexander Pushkin was celebrated for his dramas as well as his poetry and stories. His most famous play is Boris Godunov (later adapted into a popular opera by Mussorgsky), a tale of ambition and murder centered on the sixteenth-century Tsar who preceded the Romanovs. Pushkin was inspired by the example of Shakespeare to create this panoramic drama, with its richly varied cast of characters and artful blend of comic and tragic scenes. Pushkin’s shorter forays into verse drama include The Water Nymph, A Scene from Faust, and the four brief plays known as the Little Tragedies: The Miserly Knight, set in medieval France; Mozart and Salieri, which inspired the popular film Amadeus; The Stone Guest, a tale of Don Juan in Madrid; and A Feast in a Time of Plague, in which a group of revelers defy quarantine in plague-ridden London. These new translations of the complete plays, from the award-winning translators Richard Pevear and Larissa Volokhonsky, freshly reveal the range of Pushkin’s enduring artistry. |
| boris godunov pushkin text: Борис Годунов Александр Сергеевич Пушкин, 2008 Like many writers, Alexander Pushkin often created multiple versions of the same work, leaving readers to wonder which he intended as final and authoritative--a question complicated, moreover, by his fraught relationship with the repressive regime of tsar Nicholas I. Illuminating the creative processes and historical realities that shaped Pushkin's writing, this richly annotated series reproduces each work exactly as it appeared in the final Russian-language edition published during Pushkin's lifetime, resulting in the handsome artifactual feel of an original Pushkin text. In volumes edited by distinguished Pushkin scholars from Russia and beyond, the series offers detailed textological analysis that seeks a balance between the history of a work's conception and its publication. Based on the 1835 edition published by A. F. Smirdin, Boris Godunov is the second volume in the series. Pushkin's only full-length play, it was inspired by the political intrigues, social turmoil, and multifaceted personalities of Russia's Time of Troubles (1598-1613). Completed just months before the suppressed revolt of the Decembrists, the play features a feeble-minded tsar, his able and ambitious brother-in-law, a rightful heir who died under mysterious circumstances, and the pretender who emerged years later to claim the dead youth's identity. Ambiguous and controversial, Boris Godunov provides rich material for the consideration of Pushkin and his artistic legacy. |
| boris godunov pushkin text: Pushkin's Historical Imagination Svetlana Evdokimova, 1999-01-01 This book explores the historical insights of Alexander Pushkin (1799-1837), Russia’s most celebrated poet and arguably its greatest thinker. Svetlana Evdokimova examines for the first time the full range of Pushkin’s fictional and nonfictional writings on the subject of history—writings that have strongly influenced Russians’ views of themselves and their past. Through new readings of his drama, Boris Godunov; such narrative poems as Poltava, The Bronze Horseman, and Count Nulin; prose fiction, including The Captain’s Daughter and Blackamoor of Peter the Great; lyrical poems; and a variety of nonfictional texts, the author presents Pushkin not only as a progenitor of Russian national mythology but also as an original historical and political thinker. Evdokimova considers Pushkin within the context of Romantic historiography and addresses the tension between Pushkin the historian and Pushkin the fiction writer . She also discusses Pushkin’s ideas on the complex relations between chance and necessity in historical processes, on the particular significance of great individuals in Russian history, and on historical truth. |
| boris godunov pushkin text: Boris Godunov Modest Mussorgsky, 2011 English National Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. This famous opera has had a checkered performance history, and Professor Laurel E. Fay points out that the interpretation of the opera depends on which edition is used. Robert Oldani introduces the Boris problem: Pushkin s play was not an obvious choice for a young composer, since it had been banned for40 years, and it is the Russian people, rather than any single character, who is the protagonist. Alex de Jonge examines its uniquely Russian character and notes the unsettling parallels of the history of old Russia with today. Nigel Osborne s comparison of the Rimsky-Korsakov and Mussorgsky versions highlights their individual qualities. |
| boris godunov pushkin text: Pushkin The U. S. S. R. Society for Cultural Rel, 2002 He is the greatest artist in the world, the beginning of all the beginnings of Russian literature. He was the founder of our poetry, and always the teacher of all us. -- Maxim GorkyHe will always remain great, an exemplary master of poetry, and teacher of art. His poetry possessed the peculiar virtue of being able to develop in people a sense of artistic refinement and a sense of humanity... The time will come when he will be held up in Russia as a classical poet, whose works will guide the formation and development of not only the aesthetic but also the moral sense. -- Vissarion BelinskyThe time Belinsky predicted in 1846 has come, for the world. |
| boris godunov pushkin text: Taboo Pushkin Alyssa Dinega Gillespie, 2012-07-24 Since his death in 1837, Alexander Pushkin—often called the “father of Russian literature”—has become a timeless embodiment of Russian national identity, adopted for diverse ideological purposes and reinvented anew as a cultural icon in each historical era (tsarist, Soviet, and post-Soviet). His elevation to mythic status, however, has led to the celebration of some of his writings and the shunning of others. Throughout the history of Pushkin studies, certain topics, texts, and interpretations have remained officially off-limits in Russia—taboos as prevalent in today’s Russia as ever before. The essays in this bold and authoritative volume use new approaches, overlooked archival materials, and fresh interpretations to investigate aspects of Pushkin’s biography and artistic legacy that have previously been suppressed or neglected. Taken together, the contributors strive to create a more fully realized Pushkin and demonstrate how potent a challenge the unofficial, taboo, alternative Pushkin has proven to be across the centuries for the Russian literary and political establishments. |
| boris godunov pushkin text: National Traditions in Nineteenth-Century Opera, Volume II Michael C. Tusa, 2017-03-02 This volume offers a cross-section of English-language scholarship on German and Slavonic operatic repertories of the long nineteenth century, giving particular emphasis to four areas: German opera in the first half of the nineteenth century; the works of Richard Wagner after 1848; Russian opera between Glinka and Rimsky-Korsakov; and the operas of Richard Strauss and Janácek. The essays reflect diverse methods, ranging from stylistic, philological, and historical approaches to those rooted in hermeneutics, critical theory, and post-modernist inquiry. |
| boris godunov pushkin text: An Anthology of Russian Literature from Earliest Writings to Modern Fiction Nicholas Rzhevsky, 2019-09-16 Russia has a rich, huge, unwieldy cultural tradition. How to grasp it? This classroom reader is designed to respond to that problem. The literary works selected for inclusion in this anthology introduce the core cultural and historic themes of Russia's civilisation. Each text has resonance throughout the arts - in Rublev's icons, Meyerhold's theatre, Mousorgsky's operas, Prokofiev's symphonies, Fokine's choreography and Kandinsky's paintings. This material is supported by introductions, helpful annotations and bibliographies of resources in all media. The reader is intended for use in courses in Russian literature, culture and civilisation, as well as comparative literature. |
| boris godunov pushkin text: The Uncensored Boris Godunov Chester S. L. Dunning, 2006 |
| boris godunov pushkin text: The People's Artist Simon Morrison, 2010-10-25 Sergey Prokofiev was one of the twentieth century's greatest composers--and one of its greatest mysteries. Until now. In The People's Artist, Simon Morrison draws on groundbreaking research to illuminate the life of this major composer, deftly analyzing Prokofiev's music in light of new archival discoveries. Indeed, Morrison was the first scholar to gain access to the composer's sealed files in the Russian State Archives, where he uncovered a wealth of previously unknown scores, writings, correspondence, and unopened journals and diaries. The story he found in these documents is one of lofty hopes and disillusionment, of personal and creative upheavals. Morrison shows that Prokofiev seemed to thrive on uncertainty during his Paris years, stashing scores in suitcases, and ultimately stunning his fellow emigrés by returning to Stalin's Russia. At first, Stalin's regime treated him as a celebrity, but Morrison details how the bureaucratic machine ground him down with corrections and censorship (forcing rewrites of such major works as Romeo and Juliet), until it finally censured him in 1948, ending his career and breaking his health. |
| boris godunov pushkin text: Handbook of Russian Literature Victor Terras, 1985-01-01 Profiles the careers of Russian authors, scholars, and critics and discusses the history of the Russian treatment of literary genres such as drama, fiction, and essays |
| boris godunov pushkin text: In Stravinsky's Orbit Klara Moricz, 2020-08-04 The Bolsheviks’ 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants’ and the Bolsheviks’ contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky’s disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky’s neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky’s neoclassicism, shedding new light on this infinitely elusive term. |
| boris godunov pushkin text: The Daughter of the Commandant Aleksandr Pushkin, 2022-12-08 Pyotr Andreyich Grinyov is the only surviving child of a retired army officer. When Pyotr turns 17, his father sends him into military service in Orenburg. En route Pyotr gets lost in a blizzard, but is rescued by a mysterious man. As a token of his gratitude, Pyotr gives the guide his hareskin jacket. Arriving in Orenburg, Pyotr reports to his commanding officer and is assigned to serve at Belogorsky fortress under captain Ivan Mironov. The fortress is nothing more than a fence around a village, and the captain's wife Vasilisa is really in charge. |
| boris godunov pushkin text: The Modern Russian Theater: A Literary and Cultural History Nicholas Rzhevsky, 2016-09-16 This comprehensive and original survey of Russian theater in the twentieth century and into the twenty-first encompasses the major productions of directors such as Meyerhold, Stanislavsky, Tovostonogov, Dodin, and Liubimov that drew from Russian and world literature. It is based on a close analysis of adaptations of literary works by Pushkin, Dostoevsky, Gogol, Blok, Bulgakov, Sholokhov, Rasputin, Abramov, and many others.The Modern Russian Stage is the result of more than two decades of research as well as the author's professional experience working with the Russian director Yuri Liubimov in Moscow and London. The book traces the transformation of literary works into the brilliant stagecraft that characterizes Russian theater. It uses the perspective of theater performances to engage all the important movements of modern Russian culture, including modernism, socialist realism, post-moderninsm, and the creative renaissance of the first decades since the Soviet regime's collapse. |
| boris godunov pushkin text: Boris Godunov by Alexander Pushkin - Delphi Classics (Illustrated) Alexander Pushkin, 2017-07-17 This eBook features the unabridged text of ‘Boris Godunov by Alexander Pushkin - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Collected Works of Alexander Pushkin’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Pushkin includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Boris Godunov by Alexander Pushkin - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Pushkin’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles |
| boris godunov pushkin text: Settling the Score Ned Rorem, 2013-06-18 DIVDIVNed Rorem explores the state of contemporary classical music in a magnificent collection of personally selected essays and critiques of masterworks, lesser works, and their legendary creators/divDIV Pulitzer Prize–winner Ned Rorem’s musical compositions are considered some of the finest produced in the past century. His literary works have been hailed as “scintillating” (Time magazine) and “extraordinary” (The Washington Post). Rorem’s remarkable twin talents are brilliantly intertwined in Settling the Score, a masterful collection of essays on music, composers, and the state of the art./divDIV /divDIVSelected by Rorem himself, these enthralling and provocative pieces examine the works of the great and (in the author’s lively, unabashed opinion) the not-so-great masters of twentieth-century classical music—Debussy, Ravel, Copland, Gershwin, Barber, Cage, Bernstein, Britten, Stravinsky, and others. With keen precision, he dissects the so-called serious music of our time while predicting where the form is bound in the future. Never lacking in intelligence or wit, each essay in Settling the Score sings in a voice that is clear and true./div/div |
| boris godunov pushkin text: The History of Russian Literature on Film Marina Korneeva, David Gillespie, 2023-12-28 Unlike most previous studies of literature and film, which tend to privilege particular authors, texts, or literary periods, David Gillespie and Marina Korneeva consider the multiple functions of filmed Russian literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In this first and only comprehensive study of cinema's various engagements of Russian literature focusing on the large period 1895-2015, The History of Russian Literature on Film highlights the ways these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history. |
| boris godunov pushkin text: Musorgsky and His Circle Stephen Walsh, 2013-11-05 The extraordinary group of Russian composers who came together in St Petersburg in the 1860s - long known as 'The Mighty Handful', but, as the moguchaya kuchka, better translated as 'the great little heap' - gave rise to one of the most fascinating and colourful stories in all musical history. Stephen Walsh, author of a major biography of their direct successor, Stravinsky, has written an absorbing account of Musorgsky and his circle - Borodin, Cui, Balakirev and Rimsky-Korsakov. With little or no musical education they created works of lasting significance - Musorgsky's Boris Godunov, Borodin's Prince Igor and Rimsky-Korsakov's Sheherazade. Written with deep understanding and panache, The Kuchka, is highly engaging and a significant contribution to cultural history. |
| boris godunov pushkin text: Пушкинский Вестник , 2007 |
| boris godunov pushkin text: Boris Godunov and Other Dramatic Works Alexander Pushkin, 2007-03-08 'The people are silent' So ends Pushkin's great historical drama Boris Godunov, in which Boris's reign as Tsar witnesses civil strife and intrigue, brutality and misery. Its legacy is an uncertain future for the new Tsar whose inauguration is met with devastating silence by the people. Pushkin's dramatic work displays a scintillating variety of forms, from the historical to the metaphysical and folkloric. After Boris Godunov, they evolved into Pushkin's own unique, condensed transformations of Western European themes and traditions. The fearful amorality of A Scene from Faust is followed by the four Little Tragedies which confront greed, envy, lust, and blasphemy , while Rusalka is a tragedy of a different kind - a lyric fairytale of despair and transformation. James E. Falen's verse translations of Pushkin's dramas are here accompanied by an Introduction by Caryl Emerson on Russia's most cosmopolitan playwright. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
| boris godunov pushkin text: Modest Musorgsky and Boris Godunov Caryl Emerson, Robert William Oldani, 2006-11-02 Caryl Emerson and Robert Oldani take a comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov. |
| boris godunov pushkin text: Princeton Alumni Weekly , 2006 |
| boris godunov pushkin text: Nabokov at the Limits Lisa Zunshine, 2013-06-17 The eleven contributors to this volume investigate the connections between Nabokov's output and the fields of painting, music, and ballet. |
| boris godunov pushkin text: The Routledge Companion to Vsevolod Meyerhold Jonathan Pitches, Stefan Aquilina, 2022-11-09 The Routledge Companion to Vsevolod Meyerhold brings together a wealth of scholarship on one of the foremost innovators in European theatre. It presents a detailed picture of the Russian director’s work from when it first emerged on the modern stage to its multifarious present-day manifestations. By combining an historical focus with the latest contemporary research from an international range of perspectives and authors, this collection marks an important moment in Meyerhold studies as well as offering a new assessment of his relation to today's theatre-making. Its dynamic blend of research is presented in five sections: Histories enlarges on more conventional subjects like the grotesque and Biomechanics, to overlooked topics such as Meyerhold's ‘failed’ projects and his work in film; Collaborations and Connections extends understandings of Meyerhold’s well-known collaborative capacities to consider new cultural influences and lesser known working relationships; Sources engages with hitherto untapped material in Meyerhold’s oeuvre by reproducing and contextualising previously untranslated primary sources on his work; Practitioner Voices offer lively, on the ground, testimony of the contemporary impact of Meyerhold's practice; Meyerhold in New Contexts maps the routes of his practice across continents and examines ways in which his work is being applied in a number of contemporary scenarios, such as motion capture, computer-based 3D visualisations, and the ‘new normal’ of digital pedagogy. This is a key resource for students and scholars of European Theatre, acting theory, and actor training, as well as for those more broadly interested in the socio-political impact of theatre. |
| boris godunov pushkin text: Stanislavski On Opera Constantin Stanislavski, Pavel Rumyantsev, 2013-10-28 Best known for his fundamental work on acting, Stanislavski was deeply drawn to the challenges of opera. His brilliant chapters here on Russian classics--Boris Gudonov and The Queen of Spades among them--as well as La Boheme will amaze and delight lovers of opera. Also includes 12 musical examples. |
| boris godunov pushkin text: Stanislavski on Opera Pavel Ivanovich Rumi︠a︡nt︠s︡ev, Constantin Stanislavski, Pavel Rumyantsev, 1998 First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company. |
| boris godunov pushkin text: Beyond the Flesh Jenifer Presto, 2009-01-15 Though the Russian Symbolist movement was dominated by a concern with transcending sex, many of the writers associated with the movement exhibited an intense preoccupation with matters of the flesh. Drawing on poetry, plays, short stories, essays, memoirs, and letters, as well as feminist and psychoanalytic theory, Beyond the Flesh documents the often unexpected form that this obsession with gender and the body took in the life and art of two of the most important Russian Symbolists. Jenifer Presto argues that the difficulties encountered in reading Alexander Blok and Zinaida Gippius within either a feminist or a traditional, binary gendered framework derive not only from the peculiarities of their creative personalities but also from the specific Russian cultural context. Although these two poets engaged in gendered practices that, at times, appeared to be highly idiosyncratic and even incited gossip among their contemporaries, they were not operating in a vacuum. Instead, they were responding to philosophical concepts that were central to Russian Symbolism and that would continue to shape modernism in Russia. |
| boris godunov pushkin text: Boris Godunov Caryl Emerson, 1986-12-22 Within a Bakhtinian framework, Caryl Emerson explores these three versions of the Boris Tale, the context of their genesis, and their complex interrelationships. |
| boris godunov pushkin text: Eugene Onegin Pyotr Ilyich Tchaikovsky, 2018-01-01 Eugene Onegin is the most popular of Tchaikovsky's operas. Entitled 'Lyrical Scenes after Pushkin' by the composer, the work takes as its basis the poem of the same name by the great Russian writer Alexander Pushkin. Its story of the unrequited love of Tatyana for the world-weary Onegin has exerted an irresistible hold over audiences for over a hundred years. With its combination of intimate private moments and sumptuous public scenes, the opera is one of the most fully achieved ever written.In this guide there is an article comparing Pushkin's original with its treatment in the opera, a detailed musical analysis and an appreciation of Tchaikovsky's particular skill as a word-setter. An essay on its performance history details the contributions of the most notable artists who have taken part in productions of the work. Illustrations, a thematic guide, the full libretto with English translation and reference sections are also included.Contains:Pushkin into Tchaikovsky, Caryl EmersonTchaikovsky's Eugene Onegin, Roland John WileyAn Appreciation of Eugene Onegin, Natalia ChallisA Domestic Love, Marina Frolova-WalkerEugene Onegin: A Selective Performance History, John AllisonEugene Onegin: Libretto by Pyotr Ilyich Tchaikovsky, Konstantin Shilovsky and Modest Tchaikovsky after the novel in verse by Alexander PushkinEugene Onegin: English Translation by Opernfuehrer |
| boris godunov pushkin text: The Spectre of Tradition and the Aesthetic-Political Movement of Theatre and Performance Min Tian, 2022-10-25 This book interrogates anew the phenomenon of tradition in a dialogical debate with a host of Western thinkers and critical minds. In contrast to the predominantly Western approaches, which look at traditions (Western and non-Western) from a predominantly (Western) modernist perspective, this book interrogates, from an intercultural perspective, the transnational and transcultural consecration, translation, (re)invention, and displacement of traditions (theatrical and cultural) in the aesthetic-political movement of twentieth-century theatre and performance, as exemplified in the case studies of this book. It looks at the question of traditions and modernities at the centre of this aesthetic-political space, as modernities interculturally evoke and are haunted by traditions, and as traditions are interculturally refracted, reconstituted, refunctioned, and reinvented. It also looks at the applicability of its intercultural perspective on tradition to the historical avant-garde in general, postmodern, postcolonial, and postdramatic theatre and performance and to the twentieth-century classical intercultural theatre and the twenty-first-century new interculturalisms in theatre and performance. To conclude, it looks at the future of tradition in the ecology of our globalized theatrum mundi and considers two important interrelated concepts, future tradition and intercultural tradition. This book will be of great interest to students and scholars in performance studies. |
| boris godunov pushkin text: Musorgsky Richard Taruskin, 1997-07-27 Incorporating both new and now-classic essays, this book sets the vocal works of Modest Musorgsky in a fully detailed cultural, political, and historical context, elevating the composer's image over other biographers. Among the book's many offerings are the most complete explanation of the revision of the opera Boris Godunov, and a revisionary characterization of Khovanshchina as an aristocratic tragedy resulting from a pessimistic view of history. Includes 102 music examples. |
| boris godunov pushkin text: Social Functions of Literature Paul Debreczeny, 1997 This study of the effect of literature on readers, both as individuals and as members of social groups, focuses on Russia's national poet, Alexander Pushkin, as a model for investigating the aesthetic and social functions of literature. The individual reader's response to the literary text is demonstrated in Part One through a broad range of memoirs, diaries, and correspondences in which Russian readers recorded their reactions to Pushkin. Among the reactions are testimonies that Pushkin's works helped readers form their personalities, provided cathartic relief in times of stress, and aided them in releasing their suppressed emotions. In his analysis, the author draws on various psychological approaches, from studies of perception through developmental psychology to psychoanalysis. Part Two exposes the extent to which individuals' aesthetic responses are conditioned by their social environment. Against the backdrop of Russian social history in the early nineteenth century, the author describes the dissemination of new aesthetic norms, notably the relations of the Russian literary elite to lowbrow and middlebrow groups. In this context, he analyzes a number of Pushkin imitations (with Pushkin's responses to them) and links Nikolai Gogol's development as a writer to the social groups surrounding Pushkin. Among the other topics discussed are the popularization of Pushkin on the stage and his inclusion in school textbooks and anthologies. The aura surrounding the personality of an author is the subject of Part Three, in which the author shows how Pushkin's death in a duel with a foreigner contributed to his emergence as a symbol of the Russian nation, and how deep-seated anxiety about national identity gave rise to the Pushkin myth and to the canonization of the poet as martyr. The author also describes how the combined effect of the widespread reading of Pushkin's work and his legend as martyr allowed him to remain Russia's main mythic figure despite the Soviet Union's attempts to supplant him with Lenin. Throughout the book, theoretical arguments are buttressed by close readings of Pushkin's works, especially The Prisoner of the Caucasus, Eugene Onegin, Poltava, Egyptian Nights, and several lyric poems. |
| boris godunov pushkin text: The Queen of Spades and Selected Works Alexander Pushkin, 2024-05-07 Selected works from one of Russia’s greatest writers, including “The Queen of Spades”, “The Stationmaster” and a selection of Pushkin’s best poetic work In a fabulous translation by Anthony Briggs, The Queen of Spades and Selected Works offers the most comprehensive overview of Pushkin’s mastery of the written word. This stunning volume contains a diverse range of Pushkin’s literary works, including The Queen of Spades, the most celebrated short story in Russian literature which served as inspiration for Tchaikovsky's eponymous opera. In The Stationmaster, Pushkin reimagines the parable of the Prodigal Son; Tsar Nikita and His Forty Daughters showcases some of his more provocative early poetry; and the narrative poem The Bronze Horseman, inspired by a statue of Peter the Great, is one of Pushkin’s most celebrated works. Alongside this is a selection of Pushkin’s best lyric poetry, extracts of his best plays and an excerpt from his classic novel in verse, Yevgeny Onegin. |
| boris godunov pushkin text: Alexander Pushkin's Little Tragedies Svetlana Evdokimova, 2003 Alexander Pushkin's four compact plays, later known as The Little Tragedies, were written at the height of the author's creative powers, and their influence on many Russian and Western writers cannot be overestimated. Yet Western readers are far more familiar with Pushkin's lyrics, narrative poems, and prose than with his drama. The Little Tragedies have received few translations or scholarly examinations. Setting out to redress this and to reclaim a cornerstone of Pushkin's work, Evodokimova and her distinguished contributors offer the first thorough critical study of these plays. They examine the historical roots and connective themes of the plays, offer close readings, and track the transformation of the works into other genres. This volume includes a significant new translation by James Falen of the plays--The Covetous Knight, Mozart and Salieri, The Stone Guest, and A Feast in Time of Plague. |
| boris godunov pushkin text: National Union Catalog , 1982 Includes entries for maps and atlases. |
| boris godunov pushkin text: Pushkin, the Decembrists, and Civic Sentimentalism Emily Wang, 2023-10-31 In December 1825, a group of liberal aristocrats, officers, and intelligentsia mounted a coup against the tsarist government of Russia. Inspired partially by the democratic revolutions in the United States and France, the Decembrist movement was unsuccessful; however, it led Russia’s civil society to new avenues of aspiration and had a lasting impact on Russian culture and politics. Many writers and thinkers belonged to the conspiracy while others, including the poet Alexander Pushkin, were loosely or ambiguously affiliated. While the Decembrist movement and Pushkin’s involvement has been well covered by historians, Emily Wang takes a novel approach, examining the emotional and literary motivations behind the movement and the dramatic, failed coup. Through careful readings of the literature of Pushkin and others active in the northern branch of the Decembrist movement, such as Kondraty Ryleev, Wilhelm Küchelbecker, and Fyodor Glinka, Wang traces the development of “emotional communities” among the members and adjacent writers. This book illuminates what Wang terms “civic sentimentalism”: the belief that cultivating noble sentiments on an individual level was the key to liberal progress for Russian society, a core part of Decembrist ideology that constituted a key difference from their thought and Pushkin’s. The emotional program for Decembrist community members was, in other ways, a civic program for Russia as a whole, one that they strove to enact by any means necessary. |
| boris godunov pushkin text: That Third Guy Sigizmund Krzhizhanovsky, 2018-08-07 Part I. Krzhizhanovsky on theater -- Part II. That third guy -- Part III. Krzhizhanovsky on Shaw and Shakespeare -- Part IV. Krzhizhanovsky on Pushkin. |
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May 31, 2025 · Boris Johnson (born June 19, 1964, New York City, New York, U.S.) is an American-born British journalist and Conservative Party politician who became prime minister …
Boris Johnson resigns amid scandal: Live updates | AP News
Prime Minister Boris Johnson has announced his resignation amid a mass revolt by top members of his government. His departure marks an end to three tumultuous years in power in which he …
Boris Johnson Resigns From Parliament - The New York Times
Jun 9, 2023 · Britain’s former prime minister, Boris Johnson, abruptly resigned his parliamentary seat on Friday, another dramatic twist in the career of one of the country’s most flamboyant …
Boris Johnson - Prime Minister, Resignation & Brexit - Biography
Dec 1, 2022 · Conservative British politician Boris Johnson became the second elected mayor of London before overseeing the U.K.'s departure from the European Union as prime minister.
Boris Johnson | World Leaders Forum - Columbia University
Sep 15, 2009 · Boris Johnson was born in June 1964 in New York. His family moved to London when he was five years old. Few Londoners have entirely English descent, and Johnson is no …
Boris Johnson biography: The controversies and career that ...
Jul 7, 2022 · Boris Johnson, U.K. Prime Minister since 2019, resigned on July 7, 2022; Here is a summary of his career and controversies that led to this pivotal moment.
