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borrowed love original song: Borrowed Love Poems John Yau, 2002-03-26 More information to be announced soon on this forthcoming title from Penguin USA |
borrowed love original song: The Origins of the Love Song Nino Tsitsishvili, 2022-11-18 The book offers a radically new perspective on the origins of the love song and human sexuality in an evolutionary context. By comparing different human societies and animal species, past and present, it reveals that love songs, romantic love and exclusive pair-bonds are not the original evolutionary features of Homo sapiens. One of the key findings of the book is that early humans practiced multiple-partner sexual relations, similar to our closest relatives bonobos and chimpanzees, but, with the emergence of culture and sexual taboo, their behaviour had to adjust. It contends that, since the exodus from Africa and the rise of culture, humans started to distance themselves from the rest of the animal kingdom, drastically restraining their innate sexual nature. The book will appeal to both scholars and laypeople with an interest in evolutionary theory, socio-biology, anthropology, and the origins of culture. |
borrowed love original song: One Hundred Original Songs John Mitchell (of Paisley.), 1845 |
borrowed love original song: The Voice of the People Matthew Campbell, Michael Perraudin, 2013-11-01 ‘The Voice of the People’ presents a series of essays on literary aspects of the European folk revival of the eighteenth and nineteenth centuries, and focuses on two key practices of antiquarianism: the role that collecting and editing played in the formation of ethnological study in the European academy; and the business of publishing and editing, which produced many ‘folkloric’ texts of dubious authenticity. The volume also presents new readings of various genres, including the epic, song, tale and novel, and contributes to the study of several crucial European literary figures. Above all, it investigates the great anonymous authors of the European folk tradition – in narrative and lyric art – and their relation to the cultural movements and imagined identities of the peoples of the emerging nineteenth-century European nation. |
borrowed love original song: What Goes On Walter Everett, Tim Riley, 2019-06-21 In a stretch of just seven years, the Beatles recorded hundreds of songs which tower above those of their worthy peers as both the product of cultural leadership and an artistic reflection of their turbulent age, the1960s. Walter Everett and Tim Riley's What Goes On: The Beatles, Their Music, and Their Time blends historical narrative, musicology, and music analysis to tell the full story of the Beatles and how they redefined pop music. The book traces the Beatles' development chronologically, marking the band's involvement with world events such as the Vietnam War, strides in overcoming racial segregation, gender stereotyping, student demonstrations, and the generation gap. It delves deeply into their body of work, introducing the concepts of musical form, instrumentation, harmonic structure, melodic patterns, and rhythmic devices in a way that is accessible to musicians and non-musicians alike. Close readings of specific songs highlight the tensions between imagination and mechanics, songwriting and technology, and through the book's musical examples, listeners will learn how to develop strategies for creating their own rich interpretations of the potential meanings behind their favorite songs. Videos hosted on the book's companion website offer full definitions and performance demonstrations of all musical concepts discussed in the text, and interactive listening guides illustrate track details in real-time listening. The unique multimedia approach of What Goes On reveals just how great this music was in its own time, and why it remains important today as a body of singular achievement. |
borrowed love original song: You Don't Own Me Trevor Tolliver, 2015-08 YOU DON'T OWN ME: THE LIFE AND TIMES OF LESLEY GORE |
borrowed love original song: The Monthly Musical Record , 1877 |
borrowed love original song: Monthly musical record , 1877 |
borrowed love original song: Let The Music Play: How R&B Fell In Love With 80s Synths Steven Vass, 2024-02-02 Let the Music Play is the overlooked story of how R&B, disco and funk were transformed by the explosion of music tech in the era of ghetto blasters and Ronald Reagan. It traces how pioneers like Stevie Wonder and Herbie Hancock inspired a new generation of black musicians and producers to reinvent music with a whole new set of rules. From superstars like Prince and Sade to production geniuses like Kashif and Jam & Lewis, it tells the fascinating stories of the artists involved and how they made some of the best-loved records of the era – creating a blueprint for music today. |
borrowed love original song: Revolving Shades of Blue Jeanne Campbell, 2016-05-11 Editing these poems decades later, I am remembering something that I lost or surrendered. As a young adult, I struggled to reconcile awareness of my higher self and spirit guide with the day-to-day reality. As a result, I lost faith in both. Today, at fifty-four years young, I have come home to the open channel of youth. My higher self and spirit guide are a comfort to me still. They have cared for and protected me in some of the most peculiar situations. I have listened to them and ignored them over the years. They have loved me unconditionally, regardless. Life is a journey that explores the spiritual realms of Being, weaving our souls contracts into meaningful purpose. |
borrowed love original song: Courtly Love Songs of Medieval France Mary J. O'Neill, 2006 Examines the legacy of the medieval poet composers of Northern France, the trouveres. For many years problems and difficulties concerning the surviving melodies, have prevented us from accessing these songs. This book addresses many of these problems, helping us develop an understanding of the repertoire. |
borrowed love original song: Blues & Soul , 1989-07 |
borrowed love original song: Hit Songs, 1900-1955 Don Tyler, 2007-04-16 This is a chronology of the most famous songs from the years before rock 'n' roll. The top hits for each year are described, including vital information such as song origin, artist(s), and chart information. For many songs, the author includes any web or library holdings of sheet music covers, musical scores, and free audio files. An extensive collection of biographical sketches follows, providing performing credits, relevant professional awards, and brief biographies for hundreds of the era's most popular performers, lyricists, and composers. Includes an alphabetical song index and bibliography. |
borrowed love original song: Love Songs Perrine Moran, 2025-01-16 The dilemma of how to be emotionally dependent on another without losing oneself underlies many issues that couples bring to therapy and is the stuff of many love songs. Its management results in different dynamics, which the chapters of this book identify. A psychoanalytic understanding of the connections between early, primary relationships and those formed in adulthood sheds light on the experiences of couples, whether or not they enter therapy. Written in an accessible and relatable style, Perrine Moran brings psychoanalytic concepts to couple relationships through the medium of music. In her clinical work as a couple therapist, she often found herself thinking of a specific song that encapsulated something at the core of a couple. At other times, a song came to mind that captured a pattern repeated in a number of couples. Intrigued, Moran began to explore in depth the link between love songs and couples. The result is a book that focuses on different types of couple dynamics, such as disappointment, enmeshment, and difference, and the songs and case vignettes that best illustrate them. Love Songs: Listening to Couples is ideal for practitioners and trainees working with couples and will appeal to a wide range of readers who enjoy popular music and are curious, for personal, academic or professional reasons, about couple dynamics and problematic interactions. |
borrowed love original song: Love Songs in Motion Christina J. Woolner, 2023-11-24 At first listen, music is conspicuously absent from Somaliland's public soundscapes. The lingering effects of a war that devastated the artistic community and the increasing presence of Salafist groups, which see music as incompatible with Islamic principles, have muted musical practice. Nonetheless, as Christina Woolner undertook research in postwar peacebuilding in Somaliland's capital, Hargeysa, she continually heard snippets of songs. Many of these, she learned, were about love. In a time and region riddled with precarity, hees jacayl permits singers to sing from the heart, a mode of voicing songs that Woolner calls envocalization, which allows the possibility of dareen-wadaang (feeling sharing). Despite their intense intimacy, that is, hees jacayl transcend the connection between the lover and the beloved, becoming also, perhaps paradoxically, an outward-facing, unifying force that powerfully draws together those suffering from love, poets, composers, singers, and listeners, in both private and public spaces. Taking us from 1950s recordings preserved on dusty cassettes to contemporary, often improvisatory performances in a scandalous venue where the author herself eventually performs, Woolner offers an understanding of love songs across time and space that opens new realms of possibility, for relating to others and for local reconciliation, which are otherwise closed off by overwhelming conditions of precarity-- |
borrowed love original song: Love Songs of France Albert Lamartine, 1896 |
borrowed love original song: The Echo, Or, Borrowed Notes for Home Circulation Charles Fenno Hoffman, 1844 |
borrowed love original song: Catalog of Copyright Entries Library of Congress. Copyright Office, 1962 |
borrowed love original song: Early Musical Borrowing Honey Meconi, 2004-03 First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company. |
borrowed love original song: True Love C Minor Zeng YiSheng, 2020-06-01 The first time he saw Chen Chang, Ze Ming knew that he was in love with him.Thus, when Chen Chang invited him to form a band, he chose to join without hesitation.When he found out that Chen Chang had a girlfriend, Ze Ming's heart felt like it was being stabbed by a knife. However, he was unwilling to let Chen Chang know what he was thinking.It was only when he regretted that Chen Chang entered a hopeless situation.Was this love too heavy?He shook his head. |
borrowed love original song: Love Me Tonight Geoffrey Holden Block, Distinguished Professor of Music History and Humanities Emeritus Geoffrey Block, 2024 In this Oxford Guide to Film Musicals, renowned author Geoffrey Block introduces scholars, students, and general readers to the remarkable musical film, Love Me Tonight (1932) from a accessible musicological perspective, giving readers of all stripes new ways to hear this classic film. |
borrowed love original song: Musorgsky and His Circle Stephen Walsh, 2013-11-05 The extraordinary group of Russian composers who came together in St Petersburg in the 1860s - long known as 'The Mighty Handful', but, as the moguchaya kuchka, better translated as 'the great little heap' - gave rise to one of the most fascinating and colourful stories in all musical history. Stephen Walsh, author of a major biography of their direct successor, Stravinsky, has written an absorbing account of Musorgsky and his circle - Borodin, Cui, Balakirev and Rimsky-Korsakov. With little or no musical education they created works of lasting significance - Musorgsky's Boris Godunov, Borodin's Prince Igor and Rimsky-Korsakov's Sheherazade. Written with deep understanding and panache, The Kuchka, is highly engaging and a significant contribution to cultural history. |
borrowed love original song: Exhibitors Herald World , 1930 |
borrowed love original song: The Bookman , 1898 |
borrowed love original song: Racial Things, Racial Forms Joseph Jonghyun Jeon, 2012-03-15 In Racial Things, Racial Forms, Joseph Jonghyun Jeon focuses on a coterie of underexamined contemporary Asian American poets — Theresa Hak Kyung Cha, Myung Mi Kim, Mei-mei Berssenbrugge, and John Yau — who reject many of the characteristics of traditional minority writing. In the poets’ various treatments of things (that is, objects of art), one witnesses a confluence of the avant-garde interest in objecthood and the racial question of objectification.-- Back cover. |
borrowed love original song: 19th Century Love Affair of Joseph Smith & Emma Hale Annette Bolton, 2017-12-14 The 19th Century Love Affair of Joseph Smith and Emma Hale was born out of the author's study of LDS polygamy, polyandry, and child marriage within the early days of the LDS Church. The author's grandfather was a polygamist and could, first-hand, see the strain on the last wife of her grandfather. Grandma Cleo worked and cooked for 45 children, during family gatherings. I never saw her tire, but I was always sorry for her. I tried to stay out of the way and not get into trouble, so I minded my business, as was the discipline at that time. My father did not want anything to do with polygamy, so our immediate family was spared the pain of that God-forsaken lifestyle. |
borrowed love original song: Surviving with Uncle Janka Goldberger, 1995 A young Jewish boy fights and survives the Nazi occupation, under a multitude of names, in cellars, sewers, and forests. |
borrowed love original song: The Wind on the Heath - A Gypsy Anthology (Romany History Series) John Sampson, 2020-07-14 This magnificent Gypsy anthology was first published in London 1930. It contains over 300 items of prose and verse gleaned from classical literature, folklore, history and true Gypsy life. It has long been considered unique in its field and is very hard to find in its first edition. We have now re-published this scarce book incorporating the original text and illustrations. The book's 380 pages are divided into 12 sections designed to bring to light the chief facets of Gypsy life. They have been chosen for their historical and anthropological interest and are supported with illustrations of the real Gypsy way of life, and yet the same wind blows over all on this Gypsy heath. Contents include: The Dark Race. - The Roaming Life. - Field and Sky. - Gypsies and Gentiles. - The Romany Chye. - Gypsy Children. - Sturt and Strife. - Black Arts. - A Gypsy Bestiary. - Egipte Speche. - Scholar Gypsies. - Envoy. Also included is a glossary of Romani words. This important book is thoroughly recommended for inclusion on the bookshelf of all with an interest in Gypsy ways. |
borrowed love original song: The Globalization of Irish Traditional Song Performance Susan H. Motherway, 2016-03-09 In The Globalization of Irish Traditional Song Performance Susan Motherway examines the ways in which performers mediate the divide between local and global markets by negotiating this dichotomy in performance practice. In so doing, she discusses the globalizing processes that exert transformative influences upon traditional musics and examines the response to these influences by Irish traditional song performers. In developing this thesis the book provides an overview of the genre and its subgenres, illustrates patterns of musical change extant within the tradition as a result of globalization, and acknowledges music as a medium for re-negotiating an Irish cultural identity within the global. Given Ireland’s long history of emigration and colonisation, globalization is recognised as both a synchronic and a diachronic phenomenon. Motherway thus examines Anglo-Irish song and songs of the Irish Diaspora. Her analysis reaches beyond essentialist definitions of the tradition to examine evolving sub-genres such as Country & Irish, Celtic and World Music. She also recognizes the singing traditions of other ethnic groups on the island of Ireland including Orange-Order, Ulster-Scots and Traveller song. In so doing, she shows the disparity between native conceptions and native realities in respect to Irish cultural Identity. |
borrowed love original song: Ever Fallen in Love Pete Shelley, Louie Shelley, 2021-06-10 *** 'Lots of great stories... A fascinating insight.' -JOHN MAHER, Buzzcocks 'Perfectly executed, highly detailed, incredibly interesting.' -HENRY ROLLINS, Black Flag 'Pete and Buzzcocks were there right from the beginning.' -BERNARD SUMNER, Joy Division, New Order When Pete Shelley, lead singer of legendary punk band Buzzcocks, passed away in 2018 we lost the chance to hear one of music's brightest stars tell his story. Or so it seemed. Now, recordings have surfaced of a series of remarkable interviews in which Pete tells the story of his life, his band and his place at the beating heart of the punk explosion in fascinating detail. Recorded over a series of late-night calls with a close friend, the tapes hear Pete talk song-by-song through Buzzcocks releases to reveal the personal memories behind the music and the inspiration for masterpieces such as 'Ever Fallen in Love (With Someone You Shouldn't've)' and 'What Do I Get?'. Published for the first time and with the blessing of Pete's estate, Ever Fallen In Love: The Lost Buzzcocks Tapes is a tribute to a founding member of punk and a chance to hear one of music's true visionaries tell his own story at last. 'A true gentleman and a great artist and songwriter.' -PETER HOOK, Joy Division, New Order 'Shot through with self-doubt and mild regret, Pete Shelley's lovesick pop classics have a bittersweet charm that will forever speak to the young romantic' -JOHN COOPER CLARKE 'Buzzcocks were the blue touchpaper for my love of music. Pure pop met punk and the result was perfection.' -TIM BURGESS, The Charlatans |
borrowed love original song: The Song Remains the Same Andrew Ford, Anni Heino, 2019-12-02 An illuminating history of the song for every kind of music lover Often today, the word ‘song’ is used to describe all music. A free-jazz improvisation, a Hindustani raga, a movement from a Beethoven symphony: apparently, they’re all songs. But they’re not. From Sia to Springsteen, Archie Roach to Amy Winehouse, a song is a specific musical form. It’s not so much that they all have verses and choruses – though most of them do – but that they are all relatively short and self-contained; they have beginnings, middles and ends; they often have a single point of view, message or story; and, crucially, they unite words and music. Thus, a Schubert song has more in common with a track by Joni Mitchell or Rihanna than with one of Schubert’s own symphonies. The Song Remains the Same traces these connections through seventy-five songs from different cultures and times: love songs, anthems, protest songs, lullabies, folk songs, jazz standards, lieder and pop hits; ‘When You Wish Upon a Star’ to ‘We Will Rock You’, ‘Jerusalem’ to ‘Jolene’. Unpicking their inner workings makes familiar songs strange again, explaining and restoring the wonder, joy (or possibly loathing) the reader experienced on first hearing. ‘As much about singing, musicianship and recording as it is about songwriting, this eclectic ride through a unique choice of songs (everyone will argue for alternatives) is cleverly curated and littered with intriguing details about the creators and their times, filled with loving cross-references to other songs and deft musical analysis. I defy anyone not to leap online to listen to the unfamiliar, or re-listen to old favourites in light of new detail. One of the best games in this book is figuring out why one song follows the other: there’s always an intelligent, often very funny, link.’ —Robyn Archer |
borrowed love original song: This Ain't the Summer of Love Steve Waksman, 2009-02-04 Waksman brings a new understanding to familiar material by treating it in an original and stimulating manner. This book tells 'the other side of the story.'—Philip Auslander, author of Performing Glam Rock: Gender and Theatricality in Popular Music While there are a number of histories of punk and metal and numerous biographies of important bands within each genre, there is no comparable book to This Ain't the Summer of Love. The ultimate contribution the book makes is to provoke the reader into rethinking the ongoing fluid relationship between punk, a music that enjoyed considerable critical support, and metal, a music that has been systematically denigrated by critics. This book is the product of superior scholarship; it truly breaks fresh ground and as such it is an important book that will be regularly cited in future work.—Rob Bowman, Professor of Music at York University and author of Soulsville USA: The Story of Stax Records Debunking simplistic assumptions that punk rebelled and heavy metal conformed, Steve Waksman demonstrates with precisely chosen examples that for decades the two shared strategies and concerns. As a result, this important volume is among the first to extend to rock history the same much-needed revisionism that elsewhere has transformed our understanding of minstrelsy, blues, country music, and pop.—Eric Weisbard, author of Use Your Illusion I & II |
borrowed love original song: Collectible Compact Disc Price Guide 2 Gregory Cooper, 1998 Collectible Compact Disc Price Guide II gives the resale value of more than 50,000 rare, common, import, out-of-print, and promo CDs. The introduction features a detailed history of the CD, defines what is collectible, and even describes how a CD is manufactured and why it's so durable. Hundreds of photos. Four basic elements that determine a worthy collectible CD: popularity of the artist, presence of unreleased tracks, special packaging, availability of the CD. 8.5 X 11. 1998 values. |
borrowed love original song: The Great Song Thesaurus Roger Lax, Frederick Smith, 1984 This unique reference covers every aspect of the literature of popular songs from the 16th century to 1987. Compiling 11,000 songs from the English-Speaking world, The Great Song Thesaurus, Second Edition, Updated and Expanded provides pertinent information about each entry - including year of popularity, the composer, lyricist, record sales, Hit Parade and air ranking, and the names of artists who recorded the 'Top Hit' songs since 1940 - and indexes these song titles by subject, key word, key lyric line and category. Completely cross-referenced throughout, information associated with each song is easily accessible in any of the book's ten parts. |
borrowed love original song: Hindi Film Songs and the Cinema Anna Morcom, 2007-01-01 Since their beginnings in the 1930s, Hindi films and film songs have dominated popular culture in South Asia and the diaspora and more recently gained popularity in Russia, the Middle East, parts of Africa, Britain and the US. Anna Morcom examines Hindi f |
borrowed love original song: Love Songs Ted Gioia, 2015 Uncovers the unexplored history of the love song, from the fertility rites of ancient cultures to the sexualized YouTube videos of the present day, and discusses such topics as censorship, the legacy of love songs, and why it is a dominant form of modern musical expression. |
borrowed love original song: Watson's Weekly Art Journal , 1886 |
borrowed love original song: Musician , 1986 |
borrowed love original song: Music Borrowing and Copyright Law Enrico Bonadio, Chen Wei Zhu, 2023-10-19 This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Indian traditional music, Australian indigenous music, Maori music and many others. This genre-conscious analysis builds on a theoretical section in which musicologists and lawyers offer their insights into fundamental issues concerning music genre categorisation, the typology of music borrowing and copyright law's ontological struggle with musical borrowing in theory and practice. The chapters are threaded together by a central theme, ie, that the cumulative nature of music creativity is the result of collective bargaining processes among many 'musicking' parties that have socially constructed creative music authorship under a rich mix of generic conventions. |
borrowed love original song: The End of Love Sabrina Strings, 2024-01-30 From Playboy to Jay-Z, the racial origins of toxic masculinity and its impact on women, especially Black and “insufficiently white” women More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness. Connecting the past to the present, sociologist Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces. Using historical research, personal stories, and critical analysis, Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination. |
BORROW Definition & Meaning - Merriam-Webster
The meaning of BORROW is to receive with the implied or expressed intention of returning the same or an equivalent. How to use borrow in a sentence.
BORROWED | English meaning - Cambridge Dictionary
BORROWED definition: 1. past simple and past participle of borrow 2. to get or receive something from someone with the…. Learn more.
Borrowed - definition of borrowed by The Free Dictionary
1. to take or obtain with the promise to return the same or an equivalent: to borrow a pencil. 2. to appropriate or introduce from another source or from a foreign source: to borrow a word from …
Borrow - Definition, Meaning & Synonyms | Vocabulary.com
The word borrow means to take something and use it temporarily. You can borrow a book from the library, or borrow twenty bucks from your mom, or even borrow an idea from your friend. …
BORROW definition and meaning | Collins English Dictionary
If you borrow something that belongs to someone else, you take it or use it for a period of time, usually with their permission. Can I borrow a pen please? [VERB noun] He wouldn't let me …
borrowed | English Definition & Examples | Ludwig
The word "borrowed" is correct and usable in written English. You can use it when referring to something that was taken or obtained from someone else with the intention of returning it at a …
borrow verb - Definition, pictures, pronunciation and usage notes ...
1 to still be alive after the time when you were expected to die He's been living on borrowed time ever since his last heart attack. 2 to be doing something that other people are likely to stop you …
What does Borrowed mean? - Definitions.net
Definition of Borrowed in the Definitions.net dictionary. Meaning of Borrowed. What does Borrowed mean? Information and translations of Borrowed in the most comprehensive …
BORROW Definition & Meaning | Dictionary.com
Borrow definition: to take or obtain with the promise to return the same or an equivalent.. See examples of BORROW used in a sentence.
BORROWED Synonyms: 70 Similar and Opposite Words - Merriam-Webster
Synonyms for BORROWED: assumed, worn, secondhand, old, hand-me-down, reach-me-down, pre-owned, adopted; Antonyms of BORROWED: unused, new, customized, custom, tailored, …
BORROW Definition & Meaning - Merriam-Webster
The meaning of BORROW is to receive with the implied or expressed intention of returning the same or an equivalent. How to use borrow in a sentence.
BORROWED | English meaning - Cambridge Dictionary
BORROWED definition: 1. past simple and past participle of borrow 2. to get or receive something from someone with the…. Learn more.
Borrowed - definition of borrowed by The Free Dictionary
1. to take or obtain with the promise to return the same or an equivalent: to borrow a pencil. 2. to appropriate or introduce from another source or from a foreign source: to borrow a word from …
Borrow - Definition, Meaning & Synonyms | Vocabulary.com
The word borrow means to take something and use it temporarily. You can borrow a book from the library, or borrow twenty bucks from your mom, or even borrow an idea from your friend. …
BORROW definition and meaning | Collins English Dictionary
If you borrow something that belongs to someone else, you take it or use it for a period of time, usually with their permission. Can I borrow a pen please? [VERB noun] He wouldn't let me …
borrowed | English Definition & Examples | Ludwig
The word "borrowed" is correct and usable in written English. You can use it when referring to something that was taken or obtained from someone else with the intention of returning it at a …
borrow verb - Definition, pictures, pronunciation and usage notes ...
1 to still be alive after the time when you were expected to die He's been living on borrowed time ever since his last heart attack. 2 to be doing something that other people are likely to stop you …
What does Borrowed mean? - Definitions.net
Definition of Borrowed in the Definitions.net dictionary. Meaning of Borrowed. What does Borrowed mean? Information and translations of Borrowed in the most comprehensive …
BORROW Definition & Meaning | Dictionary.com
Borrow definition: to take or obtain with the promise to return the same or an equivalent.. See examples of BORROW used in a sentence.
BORROWED Synonyms: 70 Similar and Opposite Words - Merriam-Webster
Synonyms for BORROWED: assumed, worn, secondhand, old, hand-me-down, reach-me-down, pre-owned, adopted; Antonyms of BORROWED: unused, new, customized, custom, tailored, …