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| brian mchale postmodernist fiction: Postmodernist Fiction Brian McHale, 2003-09-02 In this trenchant and lively study Brian McHale undertakes to construct a version of postmodernist fiction which encompasses forms as wide-ranging as North American metafiction, Latin American magic realism, the French New New Novel, concrete prose and science fiction. Considering a variety of theoretical approaches including those of Ingarden, Eco, Dolezel, Pavel, and Hrushovski, McHale shows that the common denominator is postmodernist fiction's ability to thrust its own ontological status into the foreground and to raise questions about the world (or worlds) in which we live. Exploiting various theoretical approaches to literary ontology - those of Ingarden, Eco, Dolezel, Pavel, Hrushovski and others - and ranging widely over contemporary world literature, McHale assembles a comprehensive repertoire of postmodernist fiction's strategies of world-making and -unmaking. |
| brian mchale postmodernist fiction: Constructing Postmodernism Brian McHale, 2012-11-12 Brian McHale provides a series of readings of a wide range of postmodernist fiction, from Eco's Foucault's Pendulum to the works of cyberpunk science-fiction, relating the works to aspects of postmodern popular culture. |
| brian mchale postmodernist fiction: The Cambridge History of Postmodern Literature Brian McHale, Len Platt, 2020-12-17 The Cambridge History of Postmodern Literature offers a comprehensive survey of the field, from its emergence in the mid-twentieth century to the present day. It offers an unparalleled examination of all facets of postmodern writing that helps readers to understand how fiction and poetry, literary criticism, feminist theory, mass media, and the visual and fine arts have characterized the historical development of postmodernism. Covering subjects from the Cold War and countercultures to the Latin American Boom and magic realism, this History traces the genealogy of a literary tradition while remaining grounded in current scholarship. It also presents new critical approaches to postmodern literature that will serve the needs of students and specialists alike. Written by a host of leading scholars, this History will not only engage readers in contemporary debates but also serve as a definitive reference for years to come. |
| brian mchale postmodernist fiction: The Cambridge Introduction to Postmodern Fiction Bran Nicol, 2009-10-08 Postmodern fiction presents a challenge to the reader: instead of enjoying it passively, the reader has to work to understand its meanings, to think about what fiction is, and to question their own responses. Yet this very challenge makes postmodern writing so much fun to read and rewarding to study. Unlike most introductions to postmodernism and fiction, this book places the emphasis on literature rather than theory. It introduces the most prominent British and American novelists associated with postmodernism, from the 'pioneers', Beckett, Borges and Burroughs, to important post-war writers such as Pynchon, Carter, Atwood, Morrison, Gibson, Auster, DeLillo, and Ellis. Designed for students and clearly written, this Introduction explains the preoccupations, styles and techniques that unite postmodern authors. Their work is characterized by a self-reflexive acknowledgement of its status as fiction, and by the various ways in which it challenges readers to question common-sense and commonplace assumptions about literature. |
| brian mchale postmodernist fiction: A Poetics of Postmodernism Linda Hutcheon, 2003-09-02 First published in 1988. Postmodernism is a word much used and misused in a variety of disciplines, including literature, visual arts, film, architecture, literary theory, history, and philosophy. A Poetics of Postmodernism is neither a defense nor a denunciation of the postmodern. It continues the project of Hutcheon's Narcissistic Narrative and A Theory of Parody in studying formal self-consciousness in art, but adds to this both a historical and ideological dimension. Modelled on postmodern architecture, postmodernism is the name given here to current cultural practices characterized by major paradoxes of form and of ideology. The poetics of postmodernism offered here is drawn from these contradictions, as seen in the intersecting concerns of both contemporary theory and cultural practice. |
| brian mchale postmodernist fiction: Postmodernism and the Contemporary Novel Bran Nicol, 2002 Collects together the most important contributions to the theory of the postmodern novel over the last 40 years, guiding readers through the complex questions and wide-ranging debates. |
| brian mchale postmodernist fiction: The Cambridge Companion to American Crime Fiction Catherine Ross Nickerson, 2010-07-08 From the execution sermons of the Colonial era to television programs like The Wire and The Sopranos, crime writing has played an important role in American culture. Its ability to register fear, desire and anxiety has made it a popular genre with a wide audience. These new essays, written for students as well as readers of crime fiction, demonstrate the very best in contemporary scholarship and challenge long-established notions of the development of the detective novel. Each chapter covers a sub-genre, from 'true crime' to hard-boiled novels, illustrating the ways in which 'popular' and 'high' literary genres influence and shape each other. With a chronology and guide to further reading, this Companion is a helpful guide for students of American literature and readers of crime fiction. |
| brian mchale postmodernist fiction: The Cambridge Companion to American Fiction After 1945 John N. Duvall, 2012 A comprehensive 2011 guide to the genres, historical contexts, cultural diversity and major authors of American fiction since the Second World War. |
| brian mchale postmodernist fiction: The Routledge Companion to Experimental Literature Joe Bray, Alison Gibbons, Brian McHale, 2012 The Routledge Companion to Experimental Literature maps this expansive and multifaceted field, with essays on: the history of literary experiment from the beginning of the twentieth century to the present the impact of new media on literature, including multimodal literature, digital fiction and code poetry the development of experimental genres from graphic narratives and found poetry through to gaming and interactive fiction experimental movements from Futurism and Surrealism to Postmodernism, Avant-Pop and Flarf. Shedding new light on often critically neglected terrain, the contributors introduce this vibrant area, define its current state, and offer exciting new perspectives on its future. |
| brian mchale postmodernist fiction: The Cambridge Introduction to Postmodernism Brian McHale, 2015-06-25 The Cambridge Introduction to Postmodernism surveys the full spectrum of postmodern culture - high and low, avant-garde and popular, famous and obscure - across a range of fields, from architecture and visual art to fiction, poetry, and drama. It deftly maps postmodernism's successive historical phases, from its emergence in the 1960s to its waning in the first decades of the twenty-first century. Weaving together multiple strands of postmodernism - people and places from Andy Warhol, Jefferson Airplane and magical realism, to Jean-François Lyotard, Laurie Anderson and cyberpunk - this book creates a rich picture of a complex cultural phenomenon that continues to exert an influence over our present 'post-postmodern' situation. Comprehensive and accessible, this Introduction is indispensable for scholars, students, and general readers interested in late twentieth-century culture. |
| brian mchale postmodernist fiction: The Cambridge Companion to Don DeLillo John N. Duvall, 2008-05-29 With the publication of his seminal novel White Noise, Don DeLillo was elevated into the pantheon of great American writers. His novels are admired and studied for their narrative technique, political themes, and their prophetic commentary on the cultural crises affecting contemporary America. In an age dominated by the image, DeLillo's fiction encourages the reader to think historically about such matters as the Cold War, the assassination of President Kennedy, threats to the environment, and terrorism. This Companion charts the shape of DeLillo's career, his relation to twentieth-century aesthetics, and his major themes. It also provides in-depth assessments of his best-known novels, White Noise, Libra, and Underworld, which have become required reading not only for students of American literature, but for all interested in the history and the future of American culture. |
| brian mchale postmodernist fiction: Uncertain Mirrors Jesús Benito Sánchez, Ana María Manzanas Calvo, Begoña Simal González, 2009 Uncertain Mirrors realigns magical realism within a changing critical landscape, from Aristotelian mimesis to Adorno's concept of negative dialectics. In between, the volume traverses a vast theoretical arena, from postmodernism and postcolonialism to Lévinasian philosophy and eco-criticism. The volume opens and closes with dialectical instability, as it recasts the mutability of the term mimesis as both a world-reflecting and a world-creating mechanism. Magical realism, the authors contend, offers another stance of the possible; it also situates the reader at a hybrid aesthetic matrix inextricably linked to postcolonial theory, postmodernism, Bakhtinian theory, and quantum physics. As Uncertain Mirrors explores, magical realist texts partake of modernist exhaustion as much as of postmodernist replenishment, yet they stem from a different location of culture and direction of culture; they offer complex aesthetic artifacts that, in their recreation of alternative geographic and semiotic spaces, dislocate hegemonic texts and ideologies. Their unrealistic excess effects a breach in the totalized unity represented by 19th century realism, and plays the dissonant chord of the particular and the non-identical. |
| brian mchale postmodernist fiction: Everything, All the Time, Everywhere Stuart Jeffries, 2022-09-27 A radical new history of a dangerous idea Post-Modernity is the creative destruction that has shattered our present times into fragments. It dynamited modernism which had dominated the western world for most of the 20th century. Post-modernism stood for everything modernism rejected: fun, exuberance, irresponsibility. But beneath its glitzy surface, post-modernism had a dirty secret: it was the fig leaf for a rapacious new kind of capitalism. It was also the forcing ground of the 'post truth', by means of which western values got turned upside down. But where do these ideas come from and how have they impacted on the world? In his brilliant history of a dangerous idea, Stuart Jeffries tells a narrative that starts in the early 1970s and continue to today. He tells this history through a riotous gallery that includes David Bowie, the Ipod, Frederic Jameson, the demolition of Pruit-Igoe, Madonna, Post-Fordism, Jeff Koon's 'Rabbit', Deleuze and Guattari, the Nixon Shock, The Bowery series, Judith Butler, Las Vegas, Margaret Thatcher, Grand Master Flash, I Love Dick, the RAND Corporation, the Sex Pistols, Princess Diana, the Musee D'Orsay, Grand Theft Auto, Perry Anderson, Netflix, 9/11 We are today scarcely capable of conceiving politics as a communal activity because we have become habituated to being consumers rather than citizens. Politicians treat us as consumers to whom they must deliver. Can we do anything else than suffer from buyer's remorse? |
| brian mchale postmodernist fiction: International Postmodernism Johannes Willem Bertens, Hans Bertens, Douwe Fokkema, 1997 Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism. |
| brian mchale postmodernist fiction: Contemporary Political Satire M. D. Fletcher, 1987 |
| brian mchale postmodernist fiction: Approaching Postmodernism Douwe Wessel Fokkema, Johannes Willem Bertens, 1986 Most of the essays collected in this volume deal with theoretical issues that dominate the international debate on Postmodernism, issues such as the shifting nature of the concept, the problem of periodization and the problem of historicity. Other essays offer readings of Postmodernist texts and relate practical criticism to a theoretical framework. Hans Bertens (Utrecht) sketches the historical development of the concept Postmodernism in American criticism, distinguishing between the various definitions that have been proposed over the last twenty-five years, in an attempt to bring some order to the field and to facilitate future discussion. Brian McHale (Tel Aviv) and Douwe Fokkema (Utrecht) offer models for the description of Postmodernist texts. Richard Todd (Amsterdam) argues convincingly that Postmodernism is much more of a presence in contemporary British fiction than has so far been assumed, and Herta Schmid (Munich) presents a similar argument with respect to Russian avant-garde theater. Elrud Ibsch (Amsterdam) presents a contrastive analysis of Thomas Bernhard and Robert Musil; Ulla Musarra (Nijmegen) writes on Italo Calvino. The relation between Existentialism and Postmodernism is examined by Gerhard Hoffman (Wurzburg); Theo D'haen (Utrecht) finds important parallels between Postmodernism in literature and in the visual arts; Matei Calinescu (Bloomington, Ind.) relates literary Postmodernism to a far more general cultural shift, rejecting, however, Foucault's notion of an epistemic break and arguing for both continuity and discontinuity. Finally, Helmut Lethen (Utrecht) and Susan Suleiman (Harvard) sharply question the concept of Postmodernism. Suleiman argues that the supposed Postmodernist reaction against Modernism may well be a critical myth or, if it isn't, a reaction limited to the American literary situation. |
| brian mchale postmodernist fiction: The Cambridge Companion to Thomas Pynchon Inger H. Dalsgaard, Luc Herman, Brian McHale, 2012 This essential Companion to Thomas Pynchon provides all the necessary tools to unlock the challenging fiction of this postmodern master. |
| brian mchale postmodernist fiction: Pynchon's California Scott McClintock, John Miller, 2014-11-01 Pynchon’s California is the first book to examine Thomas Pynchon’s use of California as a setting in his novels. Throughout his 50-year career, Pynchon has regularly returned to the Golden State in his fiction. With the publication in 2009 of his third novel set there, the significance of California in Pynchon’s evolving fictional project becomes increasingly worthy of study. Scott McClintock and John Miller have gathered essays from leading and up-and-coming Pynchon scholars who explore this topic from a variety of critical perspectives, reflecting the diversity and eclecticism of Pynchon’s fiction and of the state that has served as his recurring muse from The Crying of Lot 49 (1965) through Inherent Vice (2009). Contributors explore such topics as the relationship of the “California novels” to Pynchon’s more historical and encyclopedic works; the significance of California's beaches, deserts, forests, freeways, and “hieroglyphic” suburban sprawl; the California-inspired noir tradition; and the surprising connections to be uncovered between drug use and realism, melodrama and real estate, private detection and the sacred. The authors bring insights to bear from an array of critical, social, and historical discourses, offering new ways of looking not only at Pynchon’s California novels, but at his entire oeuvre. They explore both how the history, geography, and culture of California have informed Pynchon’s work and how Pynchon’s ever-skeptical critical eye has been turned on the state that has been, in many ways, the flagship for postmodern American culture. CONTRIBUTORS: Hanjo Berressem, Christopher Coffman, Stephen Hock, Margaret Lynd, Scott MacLeod, Scott McClintock, Bill Millard, John Miller, Henry Veggian |
| brian mchale postmodernist fiction: Feminism and the Postmodern Impulse Magali Cornier Michael, 1996-07-03 Michael analyzes the intersections between feminist politics and postmodern aesthetics as demonstrated in recent Anglo-American fiction. While much has been written on various aspects of postmodernism and postmodern fiction and of feminism and feminist fiction, very little attention has been given to the postmodern aesthetic strategies that surface in post-World War II feminist fiction. Feminism and the Postmodern Impulse examines ways in which many widely read and acclaimed novels with feminist impulses engage and transform subversive aesthetic strategies usually associated with postmodern fiction to strengthen their feminist political edge. The author discusses many examples of recent feminist-postmodern fiction, and explores in greater depth Doris Lessing's The Golden Notebook, Marge Piercy's Woman on the Edge of Time, Margaret Atwood's The Handmaid's Tale, and Angela Carter's Nights at the Circus. She shows that feminist-postmodern fiction's emphasis on the material historical situation—the link to activist politics and commitment to enacting concrete changes in the world, and thus the need to reach a large reading public—often results in a blending and transformation of postmodern and realist aesthetic forms. Moreover, feminist fiction uses deconstructive strategies not only to disrupt the status quo but also to create a space for reconstruction, particularly of recreating new forms of female subjectivities and feminist aesthetics. |
| brian mchale postmodernist fiction: Storming the Reality Studio Larry McCaffery, 1991 The term cyberpunk entered the literary landscape in 1984 to describe William Gibson's pathbreaking novel Neuromancer. Cyberpunks are now among the shock troops of postmodernism, Larry McCaffery argues in Storming the Reality Studio, marshalling the resources of a fragmentary culture to create a startling new form. Artificial intelligence, genetic engineering, multinational machinations, frenetic bursts of prose, collisions of style, celebrations of texture: although emerging largely from science fiction, these features of cyberpunk writing are, as this volume makes clear, integrally related to the aims and innovations of the literary avant-garde. By bringing together original fiction by well-known contemporary writers (William Burroughs, Thomas Pynchon, Don DeLillo, Kathy Acker, J. G. Ballard, Samuel R. Delany), critical commentary by some of the major theorists of postmodern art and culture (Jacques Derrida, Fredric Jameson, Timothy Leary, Jean-François Lyotard), and work by major practitioners of cyberpunk (William Gibson, Rudy Rucker, John Shirley, Pat Cadigan, Bruce Sterling), Storming the Reality Studio reveals a fascinating ongoing dialog in contemporary culture. What emerges most strikingly from the colloquy is a shared preoccupation with the force of technology in shaping modern life. It is precisely this concern, according to McCaffery, that has put science fiction, typically the province of technological art, at the forefront of creative explorations of our unique age. A rich opporunity for reading across genres, this anthology offers a new perspective on the evolution of postmodern culture and ultimately shows how deeply technological developments have influenced our vision and our art. Selected Fiction contributors: Kathy Acker, J. G. Ballard, William S. Burroughs, Pat Cadigan, Samuel R. Delany, Don DeLillo, William Gibson, Harold Jaffe, Richard Kadrey, Marc Laidlaw, Mark Leyner, Joseph McElroy, Misha, Ted Mooney, Thomas Pynchon, Rudy Rucker, Lucius Shepard, Lewis Shiner, John Shirley, Bruce Sterling, William Vollman Selected Non-Fiction contributors: Jean Baudrillard, Jacques Derrida, Joan Gordon, Veronica Hollinger, Fredric Jameson, Arthur Kroker and David Cook, Timothy Leary, Jean-François Lyotard, Larry McCaffery, Brian McHale, Dave Porush, Bruce Sterling, Darko Suvin, Takayuki Tatsumi |
| brian mchale postmodernist fiction: Aggressive Fictions Kathryn Hume, 2012-01-15 A frequent complaint against contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or annoy their readers—or to disorient them by shunning traditional plot patterns and character development. Kathryn Hume calls such works aggressive fiction. Why would authors risk alienating their readers—and why should readers persevere? Looking beyond the theory-based justifications that critics often provide for such fiction, Hume offers a commonsense guide for the average reader who wants to better understand and appreciate books that might otherwise seem difficult to enjoy. In her reliable and sympathetic guide, Hume considers roughly forty works of recent American fiction, including books by William Burroughs, Kathy Acker, Chuck Palahniuk, and Cormac McCarthy. Hume gathers attacks on the reader into categories based on narrative structure and content. Writers of some aggressive fictions may wish to frustrate easy interpretation or criticism. Others may try to induce certain responses in readers. Extreme content deployed as a tactic for distancing and alienating can actually produce a contradictory effect: for readers who learn to relax and go with the flow, the result may well be exhilaration rather than revulsion. |
| brian mchale postmodernist fiction: Dream of Fair to Middling Women Samuel Beckett, 2020-03-31 Beckett's first 'literary landmark' ( St Petersburg Times) is a wonderfully savoury introduction to the Nobel Prize-winning author. Written in 1932, when the twenty-six-year-old Beckett was struggling to make ends meet, the novel offers a rare and revealing portrait of the artist as a young man. When submitted to several publishers, all of them found it too literary, too scandalous or too risky; it was only published posthumously in 1992. As the story begins, Belacqua - a young version of Molloy, whose love is divided between two women, Smeraldina-Rima and the little Alba - 'wrestles with his lusts and learning across vocabularies and continents, before a final relapse into Dublin' ( New Yorker). Youthfully exuberant and Joycean in tone, Dream is a work of extraordinary virtuosity. |
| brian mchale postmodernist fiction: The Obligation Toward the Difficult Whole Brian McHale, 2004 A smart, eclectic analysis of nine long poems written by postmodernist poets Addressing subjects as wide-ranging as angelology, the court masque, pop art, caricature, the cult of the ruin, hip-hop, Spense''s Irish policy, and the aesthetics of silence, Brian McHale pulls varied threads together to identify a repertoire of postmodernist elements characteristic of the long poems he examines. As critic Jed Rasula explains, McHale is wonderfully resourceful in changing the subject from chapter to chapter to fit the poems discussed, and while his approach adheres to the conventions of textual exegesis, the chapters really shine as orchestrations of issues. For instance, James Merrill's The Changing Light at Sandover works unexpectedly well in raising the subject of found poetry and procedural composition; Melvin Tolso''s Harlem Gallery and Edward Dorn's Gunslinger are effectively paired to demonstrate the period flavor of pastiche; Geoffrey Hill's Mercian Hymns and Armand Schwerner's The Tablets explode the modernist fixation with depth; John Ashbery's work is given a nuanced reading as proto-theory; Letter to an Imaginary Friend by Thomas McGrath provides a lucid backdrop to raise the question of political efficacy in approaching language poet Bruce Andrews; and Susan Howe's The Europe of Trusts is explored for its intertextual tapestry. McHale shows how elements from these long poems overlap, interfere, pull in different directions, jar against, and even contradict each other; and he demonstrates how they also echo, amplify, and reinforce each other. They do not slot smoothly together like pieces in a jigsaw puzzle, but they do form (what else?) a difficult whole. |
| brian mchale postmodernist fiction: Design and Debris Joseph Conte, 2002-04-24 Reading eight major contemporary authors through the lens of chaos theory, Conte offers new and original interpretations of works that have been the subject of much critical debate Design and Debris discusses the relationship between order and disorder in the works of John Hawkes, Harry Mathews, John Barth, Gilbert Sorrentino, Robert Coover, Thomas Pynchon, Kathy Acker, and Don DeLillo. In analyzing their work, Joseph Conte brings to bear a unique approach adapted from scientific thought: chaos theory. His chief concern is illuminating those works whose narrative structures locate order hidden in disorder (whose authors Conte terms “proceduralists”), and those whose structures reflect the opposite, disorder emerging from states of order (whose authors Conte calls “disruptors”). Documenting the paradigm shift from modernism, in which artists attempted to impose order on a disordered world, to postmodernism, in which the artist portrays the process of “orderly disorder,” Conte shows how the shift has led to postmodern artists' embrace of science in their treatment of complex ideas. Detailing how chaos theory interpenetrates disciplines as varied as economics, politics, biology, and cognitive science, he suggests a second paradigm shift: from modernist specialization to postmodern pluralism. In such a pluralistic world, the novel is freed from the purely literary and engages in a greater degree of interactivity-between literature and science, and between author and reader. Thus, Conte concludes, contemporary literature is a literature of flux and flexibility. |
| brian mchale postmodernist fiction: RE: Reading the Postmodern Robert David Stacey, 2011-01-14 It would be difficult to exaggerate the worldwide impact of postmodernism on the fields of cultural production and the social sciences over the last quarter century—even if the concept has been understood in various, even contradictory, ways. An interest in postmodernism and postmodernity has been especially strong in Canada, in part thanks to the country’s non-monolithic approach to history and its multicultural understanding of nationalism, which seems to align with the decentralized, plural, and open-ended pursuit of truth as a multiple possibility as outlined by Jean-François Lyotard. In fact, long before Lyotard published his influential work The Postmodern Condition in 1979, Canadian writers and critics were employing the term to describe a new kind of writing. RE: Reading the Postmodern marks a first cautious step toward a history of Canadian postmodernism, exploring the development of the idea of the postmodern and debates about its meaning and its applicability to various genres of Canadian writing, and charting its decline in recent years as a favoured critical trope. |
| brian mchale postmodernist fiction: In the Country of Last Things Paul Auster, 1988-05-02 From New York Times bestselling author Paul Auster, a dystopian, post-apocalyptic novel “reminiscent in many ways of Orwell’s 1984” (The Atlanta Journal-Constitution). “Powerful, original, imaginative, and handled with artistry . . . One of the better modern attempts at describing hell.”—The Washington Post Book World In a distant and unsettling future, the masses are homeless, theft is so rampant it is no longer a crime, and death—by arranging either a suicide or an assassination—is the only way out. It is in these circumstances that Anna Blume begins her search for her brother, a one-time journalist who may or may not still be alive, in an unnamed city whose destitute inhabitants dig through garbage and elusive government provides nothing but corruption. In her struggle to survive, Anna becomes a scavenger of objects from the past to sell for food and shelter. But she will also find friendship—and even love—in this devastated world. In the Country of Last Things is a tour de force that reaffirms Paul Auster’s stature as one of the most accomplished and singular talents of his generation. |
| brian mchale postmodernist fiction: Writing the Nation: A Concise Introduction to American Literature 1865 to Present Amy Berke, Robert Bleil, Jordan Cofer, Doug Davis, 2023-12-01 In 'Writing the Nation: A Concise Introduction to American Literature 1865 to Present,' editors Amy Berke, Robert Bleil, Jordan Cofer, and Doug Davis curate a comprehensive exploration of American literary evolution from the aftermath of the Civil War to contemporary times. This anthology expertly weaves a tapestry of diverse literary styles and themes, encapsulating the dynamic shifts in American culture and identity. Through carefully selected works, the collection illustrates the rich dialogue between historical contexts and literary expression, showcasing seminal pieces that have shaped American literatures landscape. The diversity of periods and perspectives offers readers a panoramic view of the countrys literary heritage, making it a significant compilation for scholars and enthusiasts alike. The contributing authors and editors, each with robust backgrounds in American literature, bring to the table a depth of scholarly expertise and a passion for the subject matter. Their collective work reflects a broad spectrum of American life and thought, aligning with major historical and cultural movements from Realism and Modernism to Postmodernism. This anthology not only marks the evolution of American literary forms and themes but also mirrors the nations complex history and diverse narratives. 'Writing the Nation' is an essential volume for those who wish to delve into the heart of American literature. It offers readers a unique opportunity to experience the multitude of voices, styles, and themes that have shaped the countrys literary tradition. This collection represents an invaluable resource for students, scholars, and anyone interested in the development of American literature and the cultural forces that have influenced it. The anthology invites readers to engage with the vibrant dialogue among its pages, fostering a deeper understanding and appreciation of the United States' literary and cultural heritage. |
| brian mchale postmodernist fiction: Orhan Pamuk and the Poetics of Fiction Umer O. Thasneem, 2019-07-08 This volume marks an exhilarating tour through the mesmerizing and labyrinthine fictional world of the Nobel Prize-winning Turkish author Orhan Pamuk. Despite being ranked alongside Marquez, Cortazar, Calvino, Borges and Eco, Pamuk is yet to receive due critical attention in the Anglophone world, where he has millions of readers. This book takes the reader on a fascinating ride through Pamuk’s novels from The Silent House, written in the early Eighties, to the recently published The Red Haired Woman. The nine novels that form the focus of this study straddle a period of more than three decades that witnessed the emergence of Pamuk as Turkey’s foremost novelist and a master fabulist. The book details the chemistry of the thematics and architectonics of Pamuk’s craft in a style shorn of dry pedantry and jargon trotting. Examining the intricate pattern of his creative topography in the light of theories ranging from psychoanalysis to spectral criticism, it represents a timely and illuminating contribution to the study of contemporary fiction. |
| brian mchale postmodernist fiction: From Comic Strips to Graphic Novels Daniel Stein, Jan-Noël Thon, 2015-04-24 This essay collection examines the theory and history of graphic narrative as one of the most interesting and versatile forms of storytelling in contemporary media culture. Its contributions test the applicability of narratological concepts to graphic narrative, examine aspects of graphic narrative beyond the ‘single work’, consider the development of particular narrative strategies within individual genres, and trace the forms and functions of graphic narrative across cultures. Analyzing a wide range of texts, genres, and narrative strategies from both theoretical and historical perspectives, the international group of scholars gathered here offers state-of-the-art research on graphic narrative in the context of an increasingly postclassical and transmedial narratology. This is the revised second edition of From Comic Strips to Graphic Novels, which was originally published in the Narratologia series. |
| brian mchale postmodernist fiction: Pricksongs and Descants Robert Coover, 2000-01-05 Pricksongs & Descants, originally published in 1969, is a virtuoso performance that established its author - already a William Faulkner Award winner for his first novel - as a writer of enduring power and unquestionable brilliance, a promise he has fulfilled over a stellar career. It also began Coover's now-trademark riffs on fairy tales and bedtime stories. In these riotously word-drunk fictional romps, two children follow an old man into the woods, trailing bread crumbs behind and edging helplessly toward a sinister end that never comes; a husband walks toward the bed where his wife awaits his caresses, but by the time he arrives she's been dead three weeks and detectives are pounding down the door; a teenaged babysitter's evening becomes a kaleidoscope of dangerous erotic fantasies-her employer's, her boyfriend's, her own; an aging, humble carpenter marries a beautiful but frigid woman, and after he's waited weeks to consummate their union she announces that God has made her pregnant. Now available in a Grove paperback, Pricksongs & Descants is a cornerstone of Robert Coover's remarkable career and a brilliant work by a major American writer. |
| brian mchale postmodernist fiction: Historicizing Fiction/Fictionalizing History Nishevita J. Murthy, 2014-10-16 Historicizing Fiction/Fictionalizing History brings together two authors, Umberto Eco and Orhan Pamuk, not frequently studied in comparison. By focusing on their non/fictional works to present a unique study of the methods and concepts of representation, Murthy uses contemporary historical novels to examine fictional depictions of reality, and provides a fresh perspective on representation studies in literature. Written in an accessible style, and tapping into fields as varied as literary and critical theory, the historical novel, postmodernism, and historiography, Historicizing Fiction/Fictionalizing History considers the ways in which reality, as discourse, confronts a text-external reality, and how this confrontation affects the autonomy of the fictional space – topics that remain persistently problematic areas within literary studies. Eco’s The Name of the Rose and Baudolino, and Pamuk’s My Name is Red and Snow, with their topical concerns and methods of representation, promise a rewarding comparative study. This book provides an early critical framework for these four works, placing them within the rubric of the postmodernist historical novel, as creative works that also comment on the process of literary writing through their recreation of historical pasts. In this respect, Historicizing Fiction/Fictionalizing History promises to be an engaging read in literary criticism and historiography, as well as a handy companion for Eco and Pamuk enthusiasts. |
| brian mchale postmodernist fiction: The Book of Laughter and Forgetting Milan Kundera, 2020-11-09 'A masterpiece' (Salman Rushdie) by the author of modern classic The Unbearable Lightness of Being. 'It took the temperature of the age as no other book did. It was the great novel of the end of European Communism: a novel of ideas and eroticism, the surreal and the naturalistic.' Howard Jacobson 'One is torn between profound pleasure in the novel's execution and wonder at the pain that inspired it.' Ian McEwan One freezing day in 1948, Klement Gottwald addresses Prague, wearing his comrade Clementis' fur cap - and Communist Czechoslovakia is born. But after being hanged for treason, Clementis is airbrushed out of propaganda photographs. All that remains is a bare wall, and his cap. So begins an unforgettable voyage through seven narratives, interspersed with luminous meditations on politics, philosophy, music and history. A dissident seeks his first lover - now a Party loyalist - to persuade her to return his romantic letters. A married couple manages their ménage-à-trois as Mother moves in. A clandestine horoscope writer is questioned. An émigré widow struggles to reconstruct memories of her late husband, before finding herself on an island of children. A butcher's wife embarks on an affair with a poetic student. And one man prepares to cross the border . . . What readers are saying: 'Kundera embrace politics, sex, philosophy and history, with a seen-it-all cynicism that nevertheless manages to be fascinating and even uplifting ... It was addictive and fun, sexy and cool, easy to read, and made me feel brighter, switched on, and more alive.' 'You must read this novel. Can't tell you about it, you just have to do it yourself. Its bonkers-brilliant! Phantasmagoric originality like this comes very seldom in a reader's so-sweet life.' 'Kundera's unique writing style comes as a revelation ... This holds a special place in my reading history as the one book that I instantly began re-reading as soon as I finished it.' 'Absolutely enchanted me. It's such an unique novel. It speaks of so many things, from communism and regimes to love and art. For me personally, it is a perfect book.' 'I am not going to spoil the story here, but while the story is not supernatural in any way, it takes on a fantastical flavor, full of mysteries and strange emotions ... It is obvious that Kundera has thought a lot about life, about the meaning of life, and lets the reader in on his secrets.' 'Such a unique writer, Kundera! What a way he has to shine the brightest light on the deepest corners of human psyche.' |
| brian mchale postmodernist fiction: Postmodern Science Fiction and Temporal Imagination Elana Gomel, 2010-10-28 Through the lens of science fiction, this book investigates representations of time in postmodernism. |
| brian mchale postmodernist fiction: Metafiction Patricia Waugh, 1984-01-01 |
| brian mchale postmodernist fiction: The Cambridge Companion to British Fiction: 1980-2018 Peter Boxall, 2019-06-27 From 1980 to the present, huge transformations have occurred in every area of British cultural life. The election of Margaret Thatcher in 1979 ushered in a new neoliberal era in politics and economics that dramatically reshaped the British landscape. Alongside this political shift, we have seen transformations to the public sphere caused by the arrival of the internet and of social media, and changes in the global balance of power brought about by 9/11, the emergence of China and India as superpowers, and latterly the British vote to leave the European Union. British fiction of the period is intimately interwoven with these historical shifts. This collection brings together some of the most penetrating critics of the contemporary, to explore the role that the British novel has had in shaping the cultural landscape of our time, at a moment, in the wake of the EU referendum of 2016, when the question of what it means to be British has become newly urgent. |
| brian mchale postmodernist fiction: Mumbo Jumbo Ishmael Reed, 2013-01-29 DIVDIVIshmael Reed’s inspired fable of the ragtime era, in which a social movement threatens to suppress the spread of black culture—hailed by Harold Bloom as one of the five hundred greatest books of the Western canon/divDIV In 1920s America, a plague is spreading fast. From New Orleans to Chicago to New York, the “Jes Grew” epidemic makes people desperate to dance, overturning social norms in the process. Anyone is vulnerable and when they catch it, they’ll bump and grind into a frenzy. Working to combat the Jes Grew infection are the puritanical Atonists, a group bent on cultivating a “Talking Android,” an African American who will infiltrate the unruly black communities and help crush the outbreak. But PaPa LaBas, a houngan voodoo priest, is determined to keep his ancient culture—including a key spiritual text—alive. /divDIV /divDIVSpanning a dizzying host of genres, from cinema to academia to mythology, Mumbo Jumbo is a lively ride through a key decade of American history. In addition to ragtime, blues, and jazz, Reed’s allegory draws on the Harlem Renaissance, the Back to Africa movement, and America’s occupation of Haiti. His style throughout is as avant-garde and vibrant as the music at its center./divDIV /divDIVThis ebook features an illustrated biography of Ishmael Reed including rare images of the author./div/div |
| brian mchale postmodernist fiction: Postmodern Belief Amy Hungerford, 2010-07-01 How can intense religious beliefs coexist with pluralism in America today? Examining the role of the religious imagination in contemporary religious practice and in some of the best-known works of American literature from the past fifty years, Postmodern Belief shows how belief for its own sake--a belief absent of doctrine--has become an answer to pluralism in a secular age. Amy Hungerford reveals how imaginative literature and religious practices together allow novelists, poets, and critics to express the formal elements of language in transcendent terms, conferring upon words a religious value independent of meaning. Hungerford explores the work of major American writers, including Allen Ginsberg, Don DeLillo, Cormac McCarthy, Toni Morrison, and Marilynne Robinson, and links their unique visions to the religious worlds they touch. She illustrates how Ginsberg's chant-infused 1960s poetry echoes the tongue-speaking of Charismatic Christians, how DeLillo reimagines the novel and the Latin Mass, why McCarthy's prose imitates the Bible, and why Morrison's fiction needs the supernatural. Uncovering how literature and religion conceive of a world where religious belief can escape confrontations with other worldviews, Hungerford corrects recent efforts to discard the importance of belief in understanding religious life, and argues that belief in belief itself can transform secular reading and writing into a religious act. Honoring the ways in which people talk about and practice religion, Postmodern Belief highlights the claims of the religious imagination in twentieth-century American culture. |
| brian mchale postmodernist fiction: Edinburgh Companion to Twentieth-Century Literatures in English Brian McHale, 2006-06-28 An imaginatively constructed new literary history of the twentieth century.This companion with a difference sets a controversial new agenda for literary -historical analysis. Far from the usual forced march through the decades, genres and national literatures, this reference work for the new century cuts across familiar categories, focusing instead on literary 'hot spots': Freud's Vienna and Conrad's Congo in 1899, Chicago and London in 1912, the Somme in July 1916, Dublin, London and Harlem in 1922, and so on, down to Bradford and Berlin in 1989 (the fatwa against Salman Rushdie, the new digital media), Stockholm in 1993 (Toni Morrison's Nobel Prize) and September 11, 2001. |
Brian L. Christensen, NP - Provo, UT - Family Medicine
Jan 30, 2024 · Brian is absolutely amazing! He listens to me and is always positive and optimistic! He “gets it”! It’s hard and depressing to deal with some days and to have a provider who is …
Brian Bradshaw, MD | Dermatologist | Revere Health
(801) 429-8000. patientconcerns@reverehealth.com. 1055 North 500 West Provo, UT 84604
BRIAN ANDERSON, MD, MHA - Summit Brain and Spine
BRIAN ANDERSON, MD, MHA Neurosurgeon - Payson, Provo & Lehi, Utah. Dr. Brian Anderson was born and raised on a farm in Delta, Utah. He received his BS degree at the University of …
Brian - Wikipedia
Brian (sometimes spelled Bryan in English) is a male given name of Irish and Breton origin, [1] as well as a surname of Occitan origin. [2] It is common in the English-speaking world.
Brian J. Buckner, D.O. - Valley Women's Health
Brian J. Buckner, D.O. Obstetrician and Gynecologist Dr. Buckner is our newest physician with our Provo Group! After graduating from A.T. Still University School of Osteopathic Medicine, he …
Utah father and son arrested in connection to massive drug bust
Jan 24, 2025 · PROVO, Utah — The Utah County Sheriff's Office has arrested a father and son in connection to a massive drug bust in Provo. Brian Lee Pendleton, 64, and Clint James …
Brian Kofford, CPA, MAcc - STRIV CPA Services for ... - LinkedIn
“Brian Kofford has been our business CPA for since 2001. During that time our experience with Brian and his team have been exemplary. Brian is a fantastic strategic thinker and has proven …
Tip leads Utah County detectives to massive drug bust in ...
Jan 24, 2025 · A father and son were arrested after detectives confiscated a stockpile of drugs and several firearms in Provo, the Utah County Sheriff’s Office announced in a press release …
Brian Christensen, Nurse Practitioner | Provo, UT - WebMD
Brian Christensen is a nurse practitioner in Provo, UT with undefined years of experience. This nurse practitioner's office accepts 13 insurance plans including Medicare and Medicaid. New …
where to see - k e r s h i s n i k
The Difficult Part: Brian Kershisnik, aMid-Career Retrospective Brigham Young University Museum of Art, Provo, UT. This exhibition, a mid-career retrospective, will feature over 100 …
Brian L. Christensen, NP - Provo, UT - Family Medicine
Jan 30, 2024 · Brian is absolutely amazing! He listens to me and is always positive and optimistic! He “gets it”! It’s hard and depressing to deal with some days and to have a provider who is …
Brian Bradshaw, MD | Dermatologist | Revere Health
(801) 429-8000. patientconcerns@reverehealth.com. 1055 North 500 West Provo, UT 84604
BRIAN ANDERSON, MD, MHA - Summit Brain and Spine
BRIAN ANDERSON, MD, MHA Neurosurgeon - Payson, Provo & Lehi, Utah. Dr. Brian Anderson was born and raised on a farm in Delta, Utah. He received his BS degree at the University of …
Brian - Wikipedia
Brian (sometimes spelled Bryan in English) is a male given name of Irish and Breton origin, [1] as well as a surname of Occitan origin. [2] It is common in the English-speaking world.
Brian J. Buckner, D.O. - Valley Women's Health
Brian J. Buckner, D.O. Obstetrician and Gynecologist Dr. Buckner is our newest physician with our Provo Group! After graduating from A.T. Still University School of Osteopathic Medicine, …
Utah father and son arrested in connection to massive drug bust
Jan 24, 2025 · PROVO, Utah — The Utah County Sheriff's Office has arrested a father and son in connection to a massive drug bust in Provo. Brian Lee Pendleton, 64, and Clint James …
Brian Kofford, CPA, MAcc - STRIV CPA Services for ... - LinkedIn
“Brian Kofford has been our business CPA for since 2001. During that time our experience with Brian and his team have been exemplary. Brian is a fantastic strategic thinker and has proven …
Tip leads Utah County detectives to massive drug bust in ...
Jan 24, 2025 · A father and son were arrested after detectives confiscated a stockpile of drugs and several firearms in Provo, the Utah County Sheriff’s Office announced in a press release …
Brian Christensen, Nurse Practitioner | Provo, UT - WebMD
Brian Christensen is a nurse practitioner in Provo, UT with undefined years of experience. This nurse practitioner's office accepts 13 insurance plans including Medicare and Medicaid. New …
where to see - k e r s h i s n i k
The Difficult Part: Brian Kershisnik, aMid-Career Retrospective Brigham Young University Museum of Art, Provo, UT. This exhibition, a mid-career retrospective, will feature over 100 …
