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| cd saxophone solo: Solos for the Tenor Saxophone Player with Piano Accompaniment Larry Teal, 1965 |
| cd saxophone solo: Play Puccini Giacomo Puccini, 2002-04-01 (Instrumental Play-Along). Who needs a singer? With Play Puccini flutists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements, here transcribed for intermediate level solo flute and piano. The book includes a biography of Puccini, notes about the plot of each opera, and the dramatic context of the selected aria. The companion CD features excellent performances, as well as piano accompaniments for practice. Includes arias from: La Boheme , La Fanciulla Del West , Gianni Schicchi , Madama Butterfly , Manon Lescaut , Suor Angelica , Tosca and Turandot . |
| cd saxophone solo: Basic Jazz Conception for Saxophone Volume 1 W/cd Lennie Niehaus, 1966-01-01 |
| cd saxophone solo: Ultimate Movie Instrumental Solos: Alto Sax, Book & Online Audio/Software/PDF Bill Galliford, 2012-08 Alfred's Ultimate Movie Instrumental Solos series arranged for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, cello, and optional piano accompaniment. All wind instrument arrangements are fully compatible, and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment recording is provided, featuring each song as a live performance demo track followed by a play-along track. The media also includes a PDF of the Piano Accompaniment and Alfred's Tempo Changer Software. Contains 60 songs, including: Cantina Band * Follow the Yellow Brick Road / We're Off to See the Wizard * Gollum's Song * Hedwig's Theme * James Bond Theme * Obliviate * Pink Panther Theme * Raiders March * Superman Theme * Wonka's Welcome Song * and many more. Due to level considerations regarding keys and instrument ranges, the wind instrument arrangements are not compatible with the string instrument arrangements in this series. This title is available in MakeMusic Cloud. |
| cd saxophone solo: Hal Leonard Bass Method Book 2 , 1996-04-01 (Bass Method). The Hal Leonard Bass Method is designed for anyone just learning to play electric bass. It is based on years of teaching bass students of all ages and it also reflects some of the best bass teaching ideas from around the world. Book 2 teaches: the box shape; moveable boxes; notes in fifth position; major and minor scales; the classic blues line; the shuffle rhythm; tablature; and more! |
| cd saxophone solo: 101 Disney Songs Hal Leonard Corp., 2018-01-01 (Instrumental Folio). If you play an instrument and you're a Disney fan, you'll love this collection of 101 favorites to learn and play! Songs include: Beauty and the Beast * Can You Feel the Love Tonight * A Dream Is a Wish Your Heart Makes * Evermore * Go the Distance * He's a Pirate * I See the Light * Kiss the Girl * Let It Go * Mickey Mouse March * Reflection * A Spoonful of Sugar * True Love's Kiss * We're All in This Together * When You Wish upon a Star * A Whole New World * You've Got a Friend in Me * Zip-A-Dee-Doo-Dah * and more. |
| cd saxophone solo: Harry Potter Instrumental Solos: Tenor Sax, Book & CD Bill Galliford, 2012-03 This book is part of Alfred's Harry Potter Instrumental Solos series arranged for Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Horn in F, Trombone, and optional Piano Accompaniment. All wind instrument arrangements are fully compatible and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment MP3 CD is provided, featuring each song as a live performance demo track followed by a play-along track. Titles: Double Trouble * Family Portrait * Farewell to Dobby * Fawkes the Phoenix * Fireworks * Harry in Winter * Harry's Wondrous World * Hedwig's Theme * Hogwarts' Hymn * Hogwarts' March * Leaving Hogwarts * Lily's Theme * Obliviate * Statues * A Window to the Past * Wizard Wheezes. Due to level considerations regarding keys and instrument ranges, the wind instrument arrangements are not compatible with the string instrument arrangements in this series. This title is available in SmartMusic. |
| cd saxophone solo: Improvised Tenor Saxophone Solos: Sonny Stitt Sonny Stitt, Gary Keller, He's played with the best in jazz. Now you can improve your playing with his practice tips. The book features a biography and table of abbreviations. Titles: * It Could Happen to You * Just You, Just Me * Over the Rainbow * Stella by Starlight |
| cd saxophone solo: 101 Hit Songs Hal Leonard Corp., 2021-10-01 (Instrumental Folio). This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include: All About That Bass * All of Me * Brave * Breakaway * Call Me Maybe * Clocks * Fields of Gold * Firework * Hello * Hey, Soul Sister * Ho Hey * I Gotta Feeling * I Will Remember You * Jar of Hearts * Love Story * 100 Years * Roar * Rolling in the Deep * Royals * Say Something * Shake It Off * Smells like Teen Spirit * Uptown Funk * When You Say Nothing at All * and more. |
| cd saxophone solo: Body and Soul -- the Evolution of a Tenor Saxophone Standard Eric Allen, 2016-02 Body & Soul, a song with music by Johnny Green and lyrics by Frank Eyton, Edward Heyman, and Robert Sour, was first published in 1930. It became a popular tune for jazz musicians. This volume presents transcriptions and analyses of recorded solos by Coleman Hawkins, Lester Young, Stan Getz, Sonny Rollins, John Coltrane, Dexter Gordon, Michael Brecker, and Chris Potter. With a foreword by Chris Potter. |
| cd saxophone solo: The Essence Of The Blues Jim Snidero, 2018-04-09 The Essence of the Blues by Jim Snidero provides beginners and moderately advanced musicians with an introduction to the language of the blues. In 10 etudes focusing on various types of the blues, the musician learns to master the essential basics step by step. Each piece comes with an in-depth analysis of blues styles and music theory, appropriate scale exercises, tips for studying and practicing, suggestions for improvising, recommended listening, and specific techniques used by some of the all-time best jazz/blues musicians, including Miles Davis, Charlie Parker, B.B. King, Stanley Turrentine, and others. The accompanying play-along CD features world famous New York recording artists including Eric Alexander, Jeremy Pelt, Jim Snidero, Steve Davis, Mike LeDonne, Peter Washington, and others. Recorded at a world-class studio, these play alongs are deeply authentic, giving the musician a real-life playing experience to learn and enjoy the blues. |
| cd saxophone solo: Anatomy of a Song Marc Myers, 2016-11-01 “A winning look at the stories behind 45 pop, punk, folk, soul and country classics” in the words of Mick Jagger, Stevie Wonder, Cyndi Lauper and more (The Washington Post). Every great song has a fascinating backstory. And here, writer and music historian Marc Myers brings to life five decades of music through oral histories of forty-five era-defining hits woven from interviews with the artists who created them, including such legendary tunes as the Isley Brothers’ Shout, Led Zeppelin’s Whole Lotta Love, Janis Joplin’s Mercedes Benz, and R.E.M’s Losing My Religion. After receiving his discharge from the army in 1968, John Fogerty did a handstand—and reworked Beethoven’s Fifth Symphony to come up with Proud Mary. Joni Mitchell remembers living in a cave on Crete with the mean old daddy who inspired her 1971 hit Carey. Elvis Costello talks about writing (The Angels Wanna Wear My) Red Shoes in ten minutes on the train to Liverpool. And Mick Jagger, Jimmy Page, Rod Stewart, the Clash, Jimmy Cliff, Roger Waters, Stevie Wonder, Keith Richards, Cyndi Lauper, and many other leading artists reveal the emotions, inspirations, and techniques behind their influential works. Anatomy of a Song is a love letter to the songs that have defined generations of listeners and “a rich history of both the music industry and the baby boomer era” (Los Angeles Times Book Review). |
| cd saxophone solo: Jazz Conception Jim Snidero, 1999 |
| cd saxophone solo: A New tune a day for alto saxophone Ned Bennett, 2006 Now, for the first time, C. Paul Herfurth's original books have been completely rewritten with new music and the latest in instrument technique for a new generation of musicians. A New Tune A Day books have the same logical, gentle pace, and keen attention to detail, but with a host of innovations. |
| cd saxophone solo: Ultimate Pop & Rock Instrumental Solos: Alto Sax, Book & Online Audio/Software/PDF [With CD (Audio)] Bill Galliford, 2013 Alfred's Ultimate Pop & Rock Instrumental Solos series is arranged for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, cello, and optional piano accompaniment. All wind instrument arrangements are fully compatible, and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment MP3 CD is provided, featuring each song as a live performance demo track followed by a play-along track. The CD also contains a PDF of the piano accompaniment and Alfred's Tempo Changer Software. Titles: 21 Guns * 25 or 6 to 4 * A Whiter Shade of Pale * All I Have to Do Is Dream * Animal * Blueberry Hill * Both Sides Now * Boulevard of Broken Dreams * Dancing Queen * Desperado * Domino * Don't Stop Believin' * Dynamite * Everybody Talks * Firework * and many, many more. |
| cd saxophone solo: Rubank Book of Alto Saxophone Solos - Intermediate Level: Book/Online Audio Hal Leonard Corp, Hal Leonard Corp. Staff, 2016-07 (Rubank Book/Audio Products). This compilation of 10 alto saxophone solos from the legendary Rubank educational library now includes online access to: * Full-performance and accompaniment-only audio tracks * PDF piano accompaniment files * PLAYBACK+ A multi-functional audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Contents: Allegretto Brillante (Demersseman) * Andante and Allegro (Chailleux) * Badine (Scherzo) (Gabriel-Marie) * Canzonetta (d'Ambrosio) * Carnival of Venice (Davis) * The Duchess (Rehl) * Elegie (Baret) * Estilian Caprice (Paul) * Hungarian Dance No. 5 (Brahms) * Polovtsian Dance (Borodin) * Solo de L'Arlesienne (Bizet). |
| cd saxophone solo: Favorite Hymns Instrumental Solos: Flute, Book & CD Bill Galliford, 2010-06 This collection includes 12 of the most popular and favorite hymns of all time. These beautifully crafted arrangements are fun to play and will be sure to please any audience or congregation. The arrangements are specifically designed for the level 2-3 wind or string player and contain a play-along CD. Titles: A Mighty Fortress Is Our God * All Creatures of Our God and King * Amazing Grace * Be Thou My Vision * Great Is Thy Faithfulness * His Eye Is on the Sparrow * Holy, Holy, Holy (Lord God Almighty) * How Great Thou Art * It Is Well with My Soul * Joyful, Joyful, We Adore Thee * O the Deep, Deep Love of Jesus * 'Tis So Sweet to Trust in Jesus. |
| cd saxophone solo: Rock Saxophone Method Peter Gelling, 2004-02-01 Specifically designed for students wishing to play rock sax, either in a group or solo for fun. The emphasis is on making music immediately. Covers a variety of sounds, rhythms and techniques essential to Rock playing. Also contains lessons on transposing, playing in all keys and improvisation. Anyone who completes this book will be well on the way to becoming an excellent Rock sax player. Includes a CD matching the lessons in the book. |
| cd saxophone solo: Play-along soul with a live band Barry Miles, Paul Honey, 2008 |
| cd saxophone solo: Alto Sax Solos for the Performing Artist , 1997-11 This exciting new series teams renowned pianist/composer Michael Garson with three top instrumentalists to create unique play-along packages for trumpet, flute and clarinet. Each package contains a solo part with four advanced level solos, a piano accompaniment part and a high-quality compact disc. The recordings feature full performances by Allen Vizzutti, Jim Walker and Eddie Daniels as well as the piano accompaniment part. |
| cd saxophone solo: 25 Great Sax Solos Eric J. Morones, 2008-04-01 (Sax Instruction). From Chuck Rio and King Curtis to David Sanborn and Kenny G, take an inside look at the genesis of pop saxophone. This book/audio pack provides solo transcriptions in standard notation, lessons on how to play them, bios, equipment, photos, history, and much more. The audio features full-band demos of every sax solo in the book. Songs include: After the Love Has Gone * Deacon Blues * Just the Two of Us * Just the Way You Are * Mercy, Mercy Me * Money * Respect * Spooky * Take Five * Tequila * Yakety Sax * and more. |
| cd saxophone solo: The Easyway to Play Saxophone Procopio Joe, 2013-01-07 The very best and lowest priced music ebook for Saxophone available worldwide.The only book designed to have you playing saxophone as quickly as possible from a saxophone virtuoso and master teacher with proven success.Includes the EasyWay to learn all your chords in one beautiful easy exercise along with exclusive saxophone solos for 1 or 2 saxes. |
| cd saxophone solo: Jump Right in Alto Saxophone Solo Book 1A and CD Richard F. Grunow, Edwin E. Gordon, Christopher D. Azzara, 2003-01-01 |
| cd saxophone solo: The Blues Play-A-Long and Solos Collection for Eb (alto) sax Beginner Series Andrew D. Gordon, 1900 Catalog Number: ADG165 Author: Andrew D. Gordon Publisher: ADG Productions Andrew D. Gordon has created 30; 12bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisational solos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues. |
| cd saxophone solo: Solo Saxophone. Book with Audio-CD-Pack Jeremy Harmer, 2011-07 |
| cd saxophone solo: For Saxes Only! , 2001-04 For Saxes Only! 10 Jazz Duets for Saxophone is a fantastic collection of jazz standards, all arranged for two easy- to intermediate-level players. These jazz duets include music by George Gershwin, Cole Porter, and Dizzy Gillespie, as well as a few originals composed especially for this book. The duets are written for performance by two instruments pitched in the same key, such as a B-flat tenor with a B-flat soprano, or an E-flat alto with an E-flat baritone. The enclosed CD features Greg Yasinitsky playing all the duets, with each part recorded on a separate channel. To play along with the CD, the saxophonist simply turns off one of the stereo channels. A great way to work on jazz concept, phrasing, intonation, and blend, and a fun way to make music with friends! Titles are: Bye Bye Blackbird * A Foggy Day * The Man I Love * But Not for Me * What Is This Thing Called Love * Groovin' High * Fly by Night * Good to Go * Big Sky * Crazy Eights. |
| cd saxophone solo: The Science and Art of Saxophone Teaching Ray Smith, 2021-02-24 The Science and Art of Saxophone Teaching will become a standard resource for saxophone teachers the world over. Perhaps no other book has brought so many practical ideas and approaches for the saxophonist and the pedagogue under one cover. This book can be equally valuable for the serious intermediate to advanced saxophone student. The video demonstrations that are paired with the book will be invaluable to all saxophonists. |
| cd saxophone solo: The New Blue Music Richard J. Ripani, 2009-09-23 Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called “doo-wop,” “soul,” “funk,” “urban contemporary,” or “hip-hop,” R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to nineteenth-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top twenty-five songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a “re-Africanization” over time. By investigating musical elements of form, style, and content in R&B—and offering numerous musical examples—the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock 'n' roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical “super-genre” which he labels “The New Blue Music.” |
| cd saxophone solo: Chop-Monster, Bk 2 Shelly Berg, 2002-12 Chop-Monster is a sequential jazz improvisation method by acclaimed jazz pianist and educator Shelly Berg that utilizes a call-and-response approach: students listen to a jazz idea, imitate it until it is internalized, and then try it on their own. In Chop-Monster 1, students will hear and improvise to the Ima7, iimi7, and V7 chords in the key of B-flat, plus a basic blues progression. In Chop-Monster 2 students will hear and improvise to the ii-V-I progression in three keys (concert B-flat, E-flat, F). |
| cd saxophone solo: Jazz Standards for Vocalists with Combo Accompaniment Dave Wolpe, Belwin Jazz offers ten great jazz standards arranged for solo vocalist with a nine or ten piece combo accompaniment. These songs are superbly arranged by one of the finest writers in the business, Dave Wolpe. This collection is ideal for a vocalist who needs a smaller ensemble with four or five horns and rhythm section. The combo horns are trumpet, alto sax, tenor sax, trombone and baritone sax. The baritone sax part adds additional color to the texture but is optional. The rhythm section is scored for guitar, bass, drumset and a piano/conductor part which includes cues for the horns. Titles: * How High the Moon * I Get a Kick Out of You * I've Got You Under My Skin * Just Friends * My Funny Valentine * Night and Day * Something's Gotta Give * Summer Wind * They Can't Take That Away From Me * Too Close For Comfort |
| cd saxophone solo: The Penguin Guide to Jazz on CD, LP and Cassette , 1992 |
| cd saxophone solo: The Biographical Encyclopedia of Jazz Leonard Feather, 2007-04 Offers more than 3,300 entries covering musicians such as Louis Armstrong, Toshiko Akiyoshi, Thelonious Monk, and Wynton Marsalis. |
| cd saxophone solo: History and Tradition of Jazz Thomas E. Larson, Tom Larson, 2002 |
| cd saxophone solo: Jump Right in Alto Saxophone Solo Book 1B and CD Richard F. Grunow, Edwin E. Gordon, Christopher D. Azzara, 2003-01-01 |
| cd saxophone solo: House of Hits Andy Bradley, Roger Wood, 2010-04-01 Founded in a working-class neighborhood in southeast Houston in 1941, Gold Star/SugarHill Recording Studios is a major independent studio that has produced a multitude of influential hit records in an astonishingly diverse range of genres. Its roster of recorded musicians includes Lightnin’ Hopkins, George Jones, Willie Nelson, Bobby “Blue” Bland, Junior Parker, Clifton Chenier, Sir Douglas Quintet, 13th Floor Elevators, Freddy Fender, Kinky Friedman, Ray Benson, Guy Clark, Lucinda Williams, Beyoncé and Destiny’s Child, and many, many more. In House of Hits, Andy Bradley and Roger Wood chronicle the fascinating history of Gold Star/SugarHill, telling a story that effectively covers the postwar popular music industry. They describe how Houston’s lack of zoning ordinances allowed founder Bill Quinn’s house studio to grow into a large studio complex, just as SugarHill’s willingness to transcend musical boundaries transformed it into of one of the most storied recording enterprises in America. The authors offer behind-the-scenes accounts of numerous hit recordings, spiced with anecdotes from studio insiders and musicians who recorded at SugarHill. Bradley and Wood also place significant emphasis on the role of technology in shaping the music and the evolution of the music business. They include in-depth biographies of regional stars and analysis of the various styles of music they represent, as well as a list of all of Gold Star/SugarHill’s recordings that made the Billboard charts and extensive selected historical discographies of the studio’s recordings. |
| cd saxophone solo: Playing Jazz Piano Bob Mintzer, For an aspiring jazz instrumentalist, playing piano is one of the most important skills for developing a jazz vocabulary. Bob Mintzer is a renowned jazz composer, arranger, saxophonist, pianist, bandleader, educator and member of the group, the Yellowjackets. His new book is designed for the instrumentalist who is not an accomplished piano player but wants to acquire basic jazz piano skills and jazz vocabulary. The book includes etudes that make players aware of the sound, texture, cause, effect and function of jazz chords and harmony. The 22 piano etudes feature a variety of styles, tempos, chord progressions and a the book also includes a chord voicing glossary. Mintzer offers a practical guide with a realistic approach. |
| cd saxophone solo: Sync or Swarm, Revised Edition David Borgo, 2022-02-10 The revised edition of Sync or Swarm promotes an ecological view of musicking, moving us from a subject-centered to a system-centered view of improvisation. It explores cycles of organismic self-regulation, cycles of sensorimotor coupling between organism and environment, and cycles of intersubjective interaction mediated via socio-technological networks. Chapters funnel outward, from the solo improviser (Evan Parker), to nonlinear group dynamics (Sam Rivers trio), to networks that comprise improvisational communities, to pedagogical dynamics that affect how individuals learn, completing the hermeneutic circle. Winner of the Society for Ethnomusicology's Alan Merriam prize in its first edition, the revised edition features new sections that highlight electro-acoustic and transcultural improvisation, and concomitant issues of human-machine interaction and postcolonial studies. |
| cd saxophone solo: My Very Best Christmas, Alto Sax and Baritone Sax Edition Karen Khanagov, 2010-12-29 The seventeen Christmas songs in this volume are arranged in comfortable keys for players at all levels and for all occasions. It includes two parts for either solo or duet performance and piano accompaniment. the books for flute, trombone, trumpet and alto sax are compatible so that ensembles may mix and match parts as desired. Suzuki groups may particularly enjoy these arrangements. the CD provides the piano accompaniments alone to be used for back-up, improvisatory play-along, or for pleasant listening by itself. |
| cd saxophone solo: Chop-Monster, Bk 2 Shelly Berg, 2002-12 Chop-Monster is a sequential jazz improvisation method by acclaimed jazz pianist and educator Shelly Berg that utilizes a call-and-response approach: students listen to a jazz idea, imitate it until it is internalized, and then try it on their own. In Chop-Monster 1, students will hear and improvise to the Ima7, iimi7, and V7 chords in the key of B-flat, plus a basic blues progression. In Chop-Monster 2 students will hear and improvise to the ii-V-I progression in three keys (concert B-flat, E-flat, F). |
| cd saxophone solo: Best of Belwin Jazz: Young Jazz Collection for Jazz Ensemble Staff, Alfred Publishing, The Best of Belwin Jazz: Young Jazz Collection includes twelve outstanding jazz arrangements for the young ensemble. Each chart is written by experienced educational jazz arrangers and composers in a variety of styles and tempos: swing, ballad, holiday, rock, Latin and pop. The collection is written for full instrumentation, but can accommodate reduced instrumentation of four saxes, three trumpets, two trombones and three rhythm. Additional optional parts are available for flute, clarinet, horn in F, baritone horn T.C./tenor sax and tuba. The rhythm section parts offer suggestions for rhythms, piano chord voicings and guitar chord frames. All solos are written-out in improvised sections. Titles: * Big Band Holiday * Cantaloupe Island * Count Bubba's Revenge * Drummin' Man * Grooved Pavement * Moondance * My Funny Valentine * Now What * Sambeando * Sing, Sing, Sing * Stompin' at the Savoy * Swingin' Shanty |
2020年了CD碟在音质上还占有优势吗？ - 知乎
很多从认为cd的格式以上是没有意义的，但实际上我比较过，同一张唱片的sacd和cd的音质是有明显区别的。cd只是逼近人耳听音极限不是人耳的听音极限，这个概念不要搞错。人耳的听音极限这个值 …
C盘APPData目录如何清理，目前占用了几十G？ - 知乎
C盘APPData目录如何清理，目前占用了几十G。C盘已经飘红了。
什么是「黑胶唱片」？与 CD 有哪些区别？ - 知乎
黑胶唱片是模拟信号，cd是数字信号。 黑胶唱片是唱片，cd也是唱片，但“唱片”这个词有时候是特指黑胶的。这是一个历史遗留的用法，不必特意去遵守。就像你现在说“出租车”好像特指那种绿色的出租 …
流明，尼特，勒克斯，烛光，坎德拉有什么区别有什么关系啊？怎 …
尼特(nits, cd/m^2)是光亮度(luminance)的单位，光亮度是指被照物每单位面积在某一方向上所发出或反射的发光强度，定义：光亮度L=光强度I [cd]/所见之被照面面积[m^2]。对于一个漫散射面，尽管各 …
圆二色谱的数据要怎么分析得到各个结构的比例呢？ - 知乎
圆二色谱(简称cd)是应用最为广泛的测定蛋白质二级结构的方法，是研究稀溶液中蛋白质构象的一种快速、简单、较准确的方法。 它可以在溶液状态下测定，较接近其生理状态。
在cmd中cd切换目录，为什么提示'系统找不到指定的路径'？ - 知乎
使用直接cd目录的话实在当前目录位置下查找你输入的文件，所在你现在应该是在是system32这个文件夹下面找的。 如果需要通过命令的方式定位到文件夹的位置你可以先查看文件夹的位置属性：
win10 除了C,D,E,F盘外突然多了一个CD驱动器，怎么删都删不 …
我也是这个情况，因为我用这台电脑引导过linux系统，解决方法是把 引导U盘 插上电脑之后，原先显示CD驱动器的那个盘会变成 系统U盘 ，同时会出现一个新的系统U盘，也就是会出现两个名称一样的 …
以ftp开头的网址怎么打开? - 知乎
FTP开头的网址可以通过浏览器、FTP客户端或命令行工具打开。
显示器的 HDR10 HDR400 HDR600 和 HDR1000 都有什么区别？
通常人眼可感知亮度的范围是 10¹² cd/m²，但传统的显示设备只能显示 10³ cd/m²，然而，HDR 显示设备可以显示的亮度宽度为 10⁵ cd/m²，换句话说，它可以捕捉到传统显示设备100倍以上的亮度。 实际 …
在知网下载的是CAJ怎么打开？ - 知乎
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业、友善的社区 …
2020年了CD碟在音质上还占有优势吗？ - 知乎
很多从认为cd的格式以上是没有意义的，但实际上我比较过，同一张唱片的sacd和cd的音质是有明显区别的。cd只是逼近人耳听音极限不是人耳的听音极限，这个概念不要搞错。人耳的听音极 …
C盘APPData目录如何清理，目前占用了几十G？ - 知乎
C盘APPData目录如何清理，目前占用了几十G。C盘已经飘红了。
什么是「黑胶唱片」？与 CD 有哪些区别？ - 知乎
黑胶唱片是模拟信号，cd是数字信号。 黑胶唱片是唱片，cd也是唱片，但“唱片”这个词有时候是特指黑胶的。这是一个历史遗留的用法，不必特意去遵守。就像你现在说“出租车”好像特指那种 …
流明，尼特，勒克斯，烛光，坎德拉有什么区别有什么关系啊？怎 …
尼特(nits, cd/m^2)是光亮度(luminance)的单位，光亮度是指被照物每单位面积在某一方向上所发出或反射的发光强度，定义：光亮度L=光强度I [cd]/所见之被照面面积[m^2]。对于一个漫散射 …
圆二色谱的数据要怎么分析得到各个结构的比例呢？ - 知乎
圆二色谱(简称cd)是应用最为广泛的测定蛋白质二级结构的方法，是研究稀溶液中蛋白质构象的一种快速、简单、较准确的方法。 它可以在溶液状态下测定，较接近其生理状态。
在cmd中cd切换目录，为什么提示'系统找不到指定的路径'？ - 知乎
使用直接cd目录的话实在当前目录位置下查找你输入的文件，所在你现在应该是在是system32这个文件夹下面找的。 如果需要通过命令的方式定位到文件夹的位置你可以先查看文件夹的位置 …
win10 除了C,D,E,F盘外突然多了一个CD驱动器，怎么删都删不掉， …
我也是这个情况，因为我用这台电脑引导过linux系统，解决方法是把 引导U盘 插上电脑之后，原先显示CD驱动器的那个盘会变成 系统U盘 ，同时会出现一个新的系统U盘，也就是会出现两个 …
以ftp开头的网址怎么打开? - 知乎
FTP开头的网址可以通过浏览器、FTP客户端或命令行工具打开。
显示器的 HDR10 HDR400 HDR600 和 HDR1000 都有什么区别？
通常人眼可感知亮度的范围是 10¹² cd/m²，但传统的显示设备只能显示 10³ cd/m²，然而，HDR 显示设备可以显示的亮度宽度为 10⁵ cd/m²，换句话说，它可以捕捉到传统显示设备100倍以上的 …
在知网下载的是CAJ怎么打开？ - 知乎
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
