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| brian massumi parables for the virtual: Parables for the Virtual Brian Massumi, 2002-04-09 Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence—movement, affect, and sensation—in favor of concepts derived from linguistic theory. In Parables for the Virtual Brian Massumi views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the post-war French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. If such concepts are as fundamental as signs and significations, he argues, then a new set of theoretical issues appear, and with them potential new paths for the wedding of scientific and cultural theory. Replacing the traditional opposition of literal and figural with new distinctions between stasis and motion and between actual and virtual, Parables for the Virtual tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multi-faceted argument. |
| brian massumi parables for the virtual: The Power at the End of the Economy Brian Massumi, 2015-02-02 Rational self-interest is often seen as being at the heart of liberal economic theory. In The Power at the End of the Economy Brian Massumi provides an alternative explanation, arguing that neoliberalism is grounded in complex interactions between the rational and the emotional. Offering a new theory of political economy that refuses the liberal prioritization of individual choice, Massumi emphasizes the means through which an individual’s affective tendencies resonate with those of others on infra-individual and transindividual levels. This nonconscious dimension of social and political events plays out in ways that defy the traditional equation between affect and the irrational. Massumi uses the Arab Spring and the Occupy Movement as examples to show how transformative action that exceeds self-interest takes place. Drawing from David Hume, Michel Foucault, Gilles Deleuze, Niklas Luhmann and the field of nonconsciousness studies, Massumi urges a rethinking of the relationship between rational choice and affect, arguing for a reassessment of the role of sympathy in political and economic affairs. |
| brian massumi parables for the virtual: Semblance and Event Brian Massumi, 2011 Events are always passing; to experience an event is to experience the passing. Buthow do we perceive an experience that encompasses the just-was and the is-about-to-be as much aswhat is actually present? In Semblance and Event, Brian Massumi, drawing on thework of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept ofsemblance as a way to approach this question. It is, he argues, aquestion of abstraction, not as the opposite of the concrete but as a dimension of it: livedabstraction. A semblance is a lived abstraction. Massumi uses the category of the semblance toinvestigate practices of art that are relational and event-oriented -- variously known asinteractive art, ephemeral art, performance art, art intervention -- which he refers to collectivelyas the occurrent arts. Each art practice invents its own kinds of relational events oflived abstraction, to produce a signature species of semblance. The artwork's relational engagement,Massumi continues, gives it a political valence just as necessary and immediate as the aestheticdimension. |
| brian massumi parables for the virtual: Politics of Affect Brian Massumi, 2015-08-06 'The capacity to affect and to be affected'. This simple definition opens a world of questions - by indicating an openness to the world. To affect and to be affected is to be in encounter, and to be in encounter is to have already ventured forth. Adventure: far from being enclosed in the interiority of a subject, affect concerns an immediate participation in the events of the world. It is about intensities of experience. What is politics made of, if not adventures of encounter? What are encounters, if not adventures of relation? The moment we begin to speak of affect, we are already venturing into the political dimension of relational encounter. This is the dimension of experience in-the-making. This is the level at which politics is emergent. In these wide-ranging interviews, Brian Massumi explores this emergent politics of affect, weaving between philosophy, political theory and everyday life. The discussions wend their way 'transversally': passing between the tired oppositions which too often encumber thought, such as subject/object, body/mind and nature/culture. New concepts are gradually introduced to remap the complexity of relation and encounter for a politics of emergence: 'differential affective attunement', 'collective individuation', 'micropolitics', 'thinking-feeling', 'ontopower', 'immanent critique'. These concepts are not offered as definitive solutions. Rather, they are designed to move the inquiry still further, for an ongoing exploration of the political problems posed by affect. Politics of Affect offers an accessible entry-point into the work of one of the defining figures of the last quarter century, as well as opening up new avenues for philosophical reflection and political engagement. |
| brian massumi parables for the virtual: Canonic Texts in Media Research Elihu Katz, 2003 Media studies is more than 50 years old, and the authors in this text offer their own candidate texts for canonization. Each essay presents a critical reading of one of these classics and debates its candidacy. The texts are summarized, analysed and re-examined for their contemporary relevance. |
| brian massumi parables for the virtual: A Shock to Thought Brian Massumi, 2005-07-05 A Shock to Thought brings together essays that explore Deleuze and Guattari's philosophy of expression in a number of contemporary contexts. It will be of interest to all those in philosophy, cultural studies and art theory. The volume also contains an interview with Guattari which clearly restates the 'aesthetic paradigm' that organizes both his and Deleuze's work. |
| brian massumi parables for the virtual: Too Soon Too Late Meaghan Morris, 1998-08-22 Author Meaghan Morris asks how feminist culture critics can participate in political struggles about history. Questioning both contemporary cultural theory that imagines a world beyond history and feminist approaches to culture that minimize questions of economy, class, and nation, Morris argues that history created by popular culture is never truly national in scale or force. 11 photos. |
| brian massumi parables for the virtual: The New Bergson John Mullarkey, 1999 At the threshold of the twentieth century, Bergson reset the agenda for philosophy and its relationship with science, art and even life itself. Concerned with both examining and extolling the phenomena of time, change, and difference, he was at one point held as both the greatest thinker in the world and the most dangerous man in the world. Yet the impact of his ideas was so all-pervasive among artists, philosophers and politicians alike, that by the end of the First World War it had become impossibly diffuse. In a manner imitating his own cult of change, the Bergsonian school departed from the scene almost as quickly as it had arrived. As part of a current resurgence of interest in Bergson, both in Europe and in North America, this collection of essays addresses the significance of his philosophical legacy for contemporary thought. |
| brian massumi parables for the virtual: The Political Life of Sensation Davide Panagia, 2009-04-17 The taste of chocolate, the noise of a crowd, the visual impressions of filmic images—such sensory perceptions are rarely if ever discussed in relation to democratic theory. In response, Davide Panagia argues that by overlooking sensation political theorists ignore a crucial dimension of political life. Drawing on Gilles Deleuze’s and Jacques Rancière’s readings of Kantian aesthetics, Panagia posits sensation as a radical democratic moment of aesthetic judgment. He contends that sensory experience interrupts our perceptual givens, creating occasions to suspend authority and reconfigure the arrangement of a political order. Panagia claims that the rule of narrative governs our inherited notions of political subjectivity and agency, such that reading and writing are the established modes of political deliberation. Yet the contemporary citizen-subject is a viewing subject, influenced by film, photos, and other perceptual stimuli as much as by text. Challenging the rule of narrative, Panagia analyzes diverse sites of cultural engagement including the visual dynamics portrayed in the film The Ring, the growth of festival culture in late-fifteenth-century Florence, the practices of convivium espoused by the Slow Food movement, and the architectural design of public newsstands. He then ties these occasions for sensation to notable moments in the history of political thought and shows the political potential of a dislocated subjectivity therein. Democratic politics, Panagia concludes, involves a taking part in those everyday practices that interrupt our common modes of sensing and afford us an awareness of what had previously been insensible. |
| brian massumi parables for the virtual: The Cinematic Body Steven Shaviro, 1994 A radical approach to film viewing |
| brian massumi parables for the virtual: Colour Trevor Lamb, Janine Bourriau, 1995-03-16 A fully illustrated collection of eight essays on colour for the non-specialist reader. |
| brian massumi parables for the virtual: Affect and Literature Alex Houen, 2020-02-06 Explores a wide range of affects, affect theory, and literature to consolidate a fresh understanding of literary affect. |
| brian massumi parables for the virtual: Philosophy and the Adventure of the Virtual Keith Ansell-Pearson, Keith Ansell Pearson, 2002-08-27 This lucid collection of essays the continental-analytic divide, bringing the virtual to centre stage and arguing its importance for re-thinking such central philosophical questions as time and life. |
| brian massumi parables for the virtual: Relationscapes Erin Manning, 2009 With Relationscapes, Erin Manning offers a new philosophy of movement challenging the idea that movement is simple displacement in space, knowable only in terms of the actual. Exploring the relation between sensation and thought through the prisms of dance, cinema, art, and new media, Manning argues for the intensity of movement. From this idea of intensity -- the incipiency at the heart of movement -- Manning develops the concept of preacceleration, which makes palpable how movement creates relational intervals out of which displacements take form. Discussing her theory of incipient movement in terms of dance and relational movement, Manning describes choreographic practices that work to develop with a body in movement rather than simply stabilizing that body into patterns of displacement. She examines the movement-images of Leni Riefenstahl, �tienne-Jules Marey, and Norman McLaren (drawing on Bergson's idea of duration), and explores the dot-paintings of contemporary Australian Aboriginal artists. Turning to language, Manning proposes a theory of prearticulation claiming that language's affective force depends on a concept of thought in motion. Relationscapes takes a Whiteheadian perspective, recognizing Whitehead's importance and his influence on process philosophers of the late twentieth century -- Deleuze and Guattari in particular. It will be of special interest to scholars in new media, philosophy, dance studies, film theory, and art history. |
| brian massumi parables for the virtual: The Coming Community Giorgio Agamben, 1993 Unquestionably an influential thinker in Italy today, Giorgio Agamben has contributed to some of the most vital philosophical debates of our time. The Coming Community is an indispensable addition to the body of his work. How can we conceive a human community that lays no claim to identity - being American, being Muslim, being communist? How can a community be formed of singularities that refuse any criteria of belonging? Agamben draws on an eclectic and exciting set of sources to explore the status of human subjectivities outside of general identity. From St Thomas' analysis of halos to a stocking commercial shown in French cinemas, and from the Talmud's warning about entering paradise to the power of the multitude in Tiananmen Square, Agamben tracks down the singular subjectivity that is coming in the contemporary world and shaping the world to come. Agamben develops the concept of community and the social implications of his philosophical thought. The Coming Community offers both a philosophical mediation and the beginnings of a new foundation for ethics, one grounded beyond subjectivity, ideology, and the concepts of good and evil. Agamben's exploration is, in part, a contemporary and creative response to the work of Heidegger, Wittgenstein, Blanchot, Jean-Luc Nancy, and, more historically, Plato, Spinoza, and medieval scholars and theorists of Judeo-Christian scriptures. This volume is the first in a new series that encourages transdisciplinary exploration and destabilizes traditional boundaries between disciplines, nations, genders, races, humans, and machines. Giorgio Agamben currently teaches philosophy at the College International de Philosophie in Paris and at the University of Macerata (Italy). He is the author of Language and Death (Minnesota, 1991) and Stanzas (Minnesota, 1992). This book is intended for those in the fields of cultural theory, literary theory, philosophy. |
| brian massumi parables for the virtual: Ugly Feelings Sianne Ngai, 2007-03-01 Ngai mobilizes the aesthetics of unprestigious negative affects such as irritation, envy, and disgust to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism. |
| brian massumi parables for the virtual: The Art of the Motor Paul Virilio, 1995 The Art of the Motor includes analyses of such recent developments as nanotechnology and virtual reality. It conjures a world in which information is speed and duration is no more. Information as speed? This, Paul Virilio tells us, is the third dimension of matter-the speed of the transmission of information has collapsed the extension of the dimension of space and the duration of the dimension of time. |
| brian massumi parables for the virtual: The Anthropology of the Future Rebecca Bryant, Daniel M. Knight, 2019-03-28 Anticipation -- Expectation -- Speculation -- Potentiality -- Hope -- Destiny. |
| brian massumi parables for the virtual: Affect and Emotion Margaret Wetherell, 2012-02-13 Absolutely essential reading for those wanting to understand the recent ′turn′ to affect. Offering an extensive analysis of all the perspectives available, including the psycho, neuro, bio and social, Margie Wetherell treads a magisterial path through the radically different offerings, one that illuminates key ideas and will save the uninitiated wandering down many pointless avenues. A path-setting book. - Professor Beverley Skeggs, Goldsmiths In recent years there has been a huge surge of interest in affect and emotion. Scholars want to discover how people are moved, and understand embodied social action, feelings and passions. How do social formations ′grab′ people? How do roller coasters of contempt, patriotism, hate and euphoria power public life? A new social science understanding of affect and emotion is long overdue and Margaret Wetherell′s voice is timely, providing a coherent and pragmatic text. It will be invaluable reading for those interested in this fascinating field across the social and behavioural sciences. |
| brian massumi parables for the virtual: Cinema: The time-image Gilles Deleuze, 1986 Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories |
| brian massumi parables for the virtual: Traumatic Affect Meera Atkinson, Michael Richardson, 2013-08-19 Traumatic Affect examines the intersection of trauma theory and affect theory, two areas of crucial relevance to contemporary thought. While both fields continue to offer insights into individual and collective experience, exploring their nexus offers timely and necessary critiques of film, literature, art, culture and politics. This collection of essays by established and emerging thinkers considers the dynamic relations within and between affect and trauma. Varied in style and approach, this volume asks how the relational subject conceived by affect theory might bring into question certain presuppositions common to trauma theory and how the ethical imperatives of trauma might require a rethinking of aspects of affect theory. Thus the contributors reimagine the unrepresentability of trauma, reveal its affective economies, and chart innovative understandings of experiences, embodiments, and events. From the silence into which Walter Benjamin fell after the suicide of his closest friend to the trauma of becoming the emblematic media figure of the London bombings, Traumatic Affect traverses diverse terrain: gesture and the everyday, cinema and torture, art and writing, civility and specters, media representation and Indigenous Australian film. Featuring essays by Shoshana Felman, Karyn Ball, Jennifer L. Biddle, Anna Gibbs, Ben O’Loughlin, Anne Rutherford, Magdalena Zolkos, Aaron Kerner, Ricardo Mbarkho, Jonathan L. Knapp, Michael Richardson and Meera Atkinson, Traumatic Affect ventures into bold new territories at the juncture between trauma and affect, illuminating pressing realities that demand engagement. |
| brian massumi parables for the virtual: Ordinary Affects Kathleen Stewart, 2007-09-20 Ordinary Affects is a singular argument for attention to the affective dimensions of everyday life and the potential that animates the ordinary. Known for her focus on the poetics and politics of language and landscape, the anthropologist Kathleen Stewart ponders how ordinary impacts create the subject as a capacity to affect and be affected. In a series of brief vignettes combining storytelling, close ethnographic detail, and critical analysis, Stewart relates the intensities and banalities of common experiences and strange encounters, half-spied scenes and the lingering resonance of passing events. While most of the instances rendered are from Stewart’s own life, she writes in the third person in order to reflect on how intimate experiences of emotion, the body, other people, and time inextricably link us to the outside world. Stewart refrains from positing an overarching system—whether it’s called globalization or neoliberalism or capitalism—to describe the ways that economic, political, and social forces shape individual lives. Instead, she begins with the disparate, fragmented, and seemingly inconsequential experiences of everyday life to bring attention to the ordinary as an integral site of cultural politics. Ordinary affect, she insists, is registered in its particularities, yet it connects people and creates common experiences that shape public feeling. Through this anecdotal history—one that poetically ponders the extremes of the ordinary and portrays the dense network of social and personal connections that constitute a life—Stewart asserts the necessity of attending to the fleeting and changeable aspects of existence in order to recognize the complex personal and social dynamics of the political world. |
| brian massumi parables for the virtual: The Universe of Things Steven Shaviro, 2014-10-01 From the rediscovery of Alfred North Whitehead’s work to the rise of new materialist thought, including object-oriented ontology, there has been a rapid turn toward speculation in philosophy as a way of moving beyond solely human perceptions of nature and existence. Now Steven Shaviro maps this quickly emerging speculative realism, which is already dramatically influencing how we interpret reality and our place in a universe in which humans are not the measure of all things. The Universe of Things explores the common insistence of speculative realism on a noncorrelationist thought: that things or objects exist apart from how our own human minds relate to and comprehend them. Shaviro focuses on how Whitehead both anticipates and offers challenges to prevailing speculative realist thought, moving between Whitehead’s own panpsychism, Harman’s object-oriented ontology, and the reductionist eliminativism of Quentin Meillassoux and Ray Brassier. The stakes of this recent speculative realist thought—of the effort to develop new ways of grasping the world—are enormous as it becomes clear that our inherited assumptions are no longer adequate to describe, much less understand, the reality we experience around us. As Shaviro acknowledges, speculative realist thought has its dangers, but it also, like the best speculative fiction, holds the potential to liberate us from confining views of what is outside ourselves and, he believes, to reclaim aesthetics and beauty as a principle of life itself. Bringing together a wide array of contemporary thought, and evenhandedly assessing its current debates, The Universe of Things is an invaluable guide to the evolution of speculative realism and the provocation of Alfred North Whitehead’s pathbreaking work. |
| brian massumi parables for the virtual: The Affective Turn Patricia Ticineto Clough, Jean Halley, 2007-07-12 DIVLinking cultural studies and sociology, this collection explores the role of affect in the theorization of the social./div |
| brian massumi parables for the virtual: Phenomenology as Performative Exercise , 2020-02-10 This volume, edited by Lucilla Guidi and Thomas Rentsch, establishes the first systematic connection between phenomenology and performativity. On the one hand, it outlines the performativity of phenomenology by exploring its enactment and the transformation of attitude it effects; this exploration is conducted through a number of parallels between phenomenology and the ancient understanding of philosophy as an exercise and a way of life. On the other hand, the volume examines different notions of performativity from a phenomenological perspective, so as to show that a phenomenological understanding of embodied experience complements a linguistic account of performativity and can also offer a ground for bodily practices of resistance, critique, and self-transformation in our own day and age. |
| brian massumi parables for the virtual: Human Emotions Carroll E. Izard, 2013-11-11 In recent years-especially the past decade, in sharp contrast to preceding decades-knowledge in the field of emotions has been steadily increasing. This knowledge comes from many different specialties: Emotion is a truly interdisciplinary subject. Workers in the fields of physiology, neurology, ethology, physiological psychology, personality and social psychology, clinical psychology and psychiatry, medicine, nursing, social work, and the clergy are all directly concerned with emotion. Professions such as law and architecture have an obvious concern with emotions as they affect human motives and needs. The various branches of art, especially the performing arts, certainly deal with the emotions, especially with the expression of emotions. Constantine Stanislavsky, the Russian theatrical genius, revolu tionized modem theater by developing a training method for actors and actresses that emphasized creating genuine emotion on the stage, the emotion appropriate to the character and the life situation being depicted. Indeed, one can hardly think of any human activity that is not related in some way to the field of emotion. Since the contributions to the subject of emotions come from so many different disciplines, it is difficult to find the important common themes that can yield an understanding of the field as a whole. This volume will attempt to make that task easier, but I recognize that no one can treat all of the diverse material expertly and in detail. My aim will be to represent all important types of contributions and perhaps point the way for further and more intensive study of special topics. |
| brian massumi parables for the virtual: Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music Dr Nick Nesbitt, Professor Brian Hulse, 2013-01-28 It is the contention of the editors and contributors of this volume that the work carried out by Gilles Deleuze, where rigorously applied, has the potential to cut through much of the intellectual sedimentation that has settled in the fields of music studies. Deleuze is a vigorous critic of the Western intellectual tradition, calling for a 'philosophy of difference', and, despite its ambitions, he is convinced that Western philosophy fails to truly grasp (or think) difference as such. It is argued that longstanding methods of conceptualizing music are vulnerable to Deleuze's critique. But, as Deleuze himself stresses, more important than merely critiquing established paradigms is developing ways to overcome them, and by using Deleuze's own concepts this collection aims to explore that possibility. |
| brian massumi parables for the virtual: Intensive Science and Virtual Philosophy Manuel DeLanda, 2013-06-27 First published 10 years ago, Manuel DeLanda's Intensive Science and Virtual Philosophy rapidly established itself as a landmark text in contemporary continental thought. DeLanda here draws on the realist philosophy of Gilles Deleuze to the domain of philosophy of science. As well as contemporary philosophical insights, the book also tackles new developments in geometry, complexity theory and chaos theory to bring new insights to our understanding of a scientific knowledge liberated from traditional ideas of essence. |
| brian massumi parables for the virtual: The Anime Machine Thomas Lamarre, 2013-11-30 Despite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies. Thomas Lamarre contends that the history, techniques, and complex visual language of animation, particularly Japanese animation, demands serious and sustained engagement, and in The Anime Machine he lays the foundation for a new critical theory for reading Japanese animation, showing how anime fundamentally differs from other visual media. The Anime Machine defines the visual characteristics of anime and the meanings generated by those specifically “animetic” effects—the multiplanar image, the distributive field of vision, exploded projection, modulation, and other techniques of character animation—through close analysis of major films and television series, studios, animators, and directors, as well as Japanese theories of animation. Lamarre first addresses the technology of anime: the cells on which the images are drawn, the animation stand at which the animator works, the layers of drawings in a frame, the techniques of drawing and blurring lines, how characters are made to move. He then examines foundational works of anime, including the films and television series of Miyazaki Hayao and Anno Hideaki, the multimedia art of Murakami Takashi, and CLAMP’s manga and anime adaptations, to illuminate the profound connections between animators, characters, spectators, and technology. Working at the intersection of the philosophy of technology and the history of thought, Lamarre explores how anime and its related media entail material orientations and demonstrates concretely how the “animetic machine” encourages a specific approach to thinking about technology and opens new ways for understanding our place in the technologized world around us. |
| brian massumi parables for the virtual: The User Illusion Tor Norretranders, 1999-08-01 Explore the depths of consciousness through the essential groundbreaking international bestseller. “Finally, a book that really does explain consciousness.”—John Casti, scientist and author of What Scientists Can Know About the Future With foundations in psychology, evolutionary biology, and information theory, Demark’s leading science writer argues a revolutionary point: that consciousness represents only an infinitesimal fraction of our ability to process information. Although we are unaware of it, our brains sift through and discard billions of pieces of data in order to allow us to understand the world around us. In this thought-provoking work, Norretranders argues that our perceptions are not direct representations of the world we experience, but instead, illusions our brains craft to process it. More timely and relevant than ever, in light of rapid development in artificial intelligence and large language models, this informative study of consciousness provides the framework to reflect on the inner workings of the mind and understand the self. As engaging as it is insightful, this important book encourages us to rely more on what our instincts and our senses tell us so that we can better appreciate the richness of human life. |
| brian massumi parables for the virtual: Fires on the Border Rosemary Hennessy, 2013 Fires on the Border takes up questions of labor and community organizing--its affect-culture--on Mexico's northern border from the early 1970s to the present day. Through these campaigns, Rosemary Hennessy illuminates the attachments and identifications that motivate people to act on behalf of one another and that bind them to a common cause. |
| brian massumi parables for the virtual: Affective Publics Zizi Papacharissi, 2014-11-05 Over the past few decades, we have witnessed the growth of movements using digital means to connect with broader interest groups and express their points of view. These movements emerge out of distinct contexts and yield different outcomes, but tend to share one thing in common: online and offline solidarity shaped around the public display of emotion. Social media facilitate feelings of engagement, in ways that frequently make people feel re-energized about politics. In doing so, media do not make or break revolutions but they do lend emerging, storytelling publics their own means for feeling their way into events, frequently by making those involved a part of the developing story. Technologies network us but it is our stories that connect us to each other, making us feel close to some and distancing us from others. Affective Publics explores how storytelling practices facilitate engagement among movements tuning into a current issue or event by employing three case studies: Arab Spring movements, various iterations of Occupy, and everyday casual political expressions as traced through the archives of trending topics on Twitter. It traces how affective publics materialize and disband around connective conduits of sentiment every day and find their voice through the soft structures of feeling sustained by societies. Using original quantitative and qualitative data, Affective Publics demonstrates, in this groundbreaking analysis, that it is through these soft structures that affective publics connect, disrupt, and feel their way into everyday politics. |
| brian massumi parables for the virtual: Culture Tony Bennett, 1998-07-29 This major work, by one of the key figures in cultural studies, critically examines the theory, history and practice of culture. It is a comprehensive review of the main debates in cultural studies that is grounded in an historical account of the modern relations between culture and government. The book illuminates the relationship between culture and the social, as well as offering an important assessment of the role of intellectuals in relation to the organization of contemporary cultural life. Culture: A Reformer's Science is a major reappraisal of cultural studies; an engagement with the relations of culture and policy; and a critical examination of the conditions for intellectual work. |
| brian massumi parables for the virtual: Animate Literacies Nathan Snaza, 2019-08-16 In Animate Literacies Nathan Snaza proposes a new theory of literature and literacy in which he outlines how literacy is both constitutive of the social and used as a means to define the human. Weaving new materialism with feminist, queer, and decolonial thought, Snaza theorizes literacy as a contact zone in which humans, nonhuman animals, and nonvital objects such as chairs and paper all become active participants. In readings of classic literature by Kate Chopin, Frederick Douglass, James Joyce, Toni Morrison, Mary Shelley, and others, Snaza emphasizes the key roles that affect and sensory experiences play in literacy. Snaza upends common conceptions of literacy and its relation to print media, showing instead how such understandings reinforce dehumanizations linked to dominant imperialist, heterosexist, and capitalist definitions of the human. The path toward disrupting such exclusionary, humanist frameworks, Snaza contends, lies in formulating alternative practices of literacy and literary study that escape disciplined knowledge production. |
| brian massumi parables for the virtual: The Minor Gesture Erin Manning, 2016-06-03 In this wide-ranging and probing book Erin Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture. The minor gesture, although it may pass almost unperceived, transforms the field of relations. More than a chance variation, less than a volition, it requires rethinking common assumptions about human agency and political action. To embrace the minor gesture's power to fashion relations, its capacity to open new modes of experience and manners of expression, is to challenge the ways in which the neurotypical image of the human devalues alternative ways of being moved by and moving through the world—in particular what Manning terms autistic perception. Drawing on Deleuze and Guattari's schizoanalysis and Whitehead's speculative pragmatism, Manning's far-reaching analyses range from fashion to depression to the writings of autistics, in each case affirming the neurodiversity of the minor and the alternative politics it gestures toward. |
| brian massumi parables for the virtual: Ways of Following Katve-Kaisa Kontturi, 2018-11-26 Ways of Following offers rare, intimate access to artists' studios and exhibitions, where art processes thrive in their material-relational becoming. The book proposes an ethical mode of attending to art-in-process that embraces the more-than human in artistic practice and foregrounds art's capacity to suggest new futures. |
| brian massumi parables for the virtual: Feminist Theory and Cultural Studies Sue Thornham, 2001-03-30 Feminist theory has become a central strand of cultural studies. This book explores the history of feminist cultural studies from the early work of Mary Wollstonecraft, Charlotte Perkins Gilman, Virginia Woolf, Simone de Beauvoir, through the 1970s Women's Liberation Movement. It also provides a comprehensive introduction to the contemporary key approaches, theories and debates of feminist theory within cultural studies, offering a major re-mapping of the field. It will be an essential text for students taking courses within both cultural studies and women's studies departments. |
| brian massumi parables for the virtual: The Cinema Effect Sean Cubitt, 2004 A history of images in motion that explores thespecial effect of cinema. |
| brian massumi parables for the virtual: Affect, Architecture, and Practice Akari Nakai Kidd, 2021-05-17 Affect, Architecture, and Practice builds on and contributes to work in theories of affect that have risen within diverse disciplines, including geography, cultural studies, and media studies, challenging the nature of textual and representational-based research. Although numerous studies have examined how affect emerges in architectural spaces, little attention has been paid to the creative process of architectural design and the role that affect plays in the many contingencies and uncertainties that arise in the process. The book traces the critical, philosophic, and architectural theories to examine how affect, architecture, and practice are interlinked. Through a series of conversations and reflections, it examines three key contemporary architects, their practices and projects, all within a single coherent theme. Reiser + Umemoto (RUR Architecture DPC), USA, Kerstin Thompson Architects, Australia, and Shigeru Ban Architects, Japan, are critically studied through the lens of different aspects of practice, namely image-making, the design process, and the making of an everyday object/material. Through this investigation, author Akari Nakai Kidd demonstrates how affect theory allows a critical interrogation of the in-betweens of practice, its liminality and limits. It questions the stability of objects, the smooth temporality of practice, and its often under-conceptualised non-human dimensions. More significantly, the book demonstrates architectural practice’s contribution to the reconceptualisation of theories of affect. |
| brian massumi parables for the virtual: Refrains for Moving Bodies Derek P. McCormack, 2014-02-07 In Refrains for Moving Bodies, Derek P. McCormack explores the kinds of experiments with experience that can take place in the affective spaces generated when bodies move. Drawing out new connections between thinkers including Henri Lefebvre, William James, John Dewey, Gregory Bateson, Félix Guattari, and Gilles Deleuze, McCormack argues for a critically affirmative experimentalism responsive to the opportunities such spaces provide for rethinking and remaking maps of experience. Foregrounding the rhythmic and atmospheric qualities of these spaces, he demonstrates the particular value of Deleuze and Guattari's concept of the refrain for thinking and diagramming affect, bodies, and space-times together in creative ways, putting this concept to work to animate empirical encounters with practices and technologies as varied as dance therapy, choreography, radio sports commentary, and music video. What emerges are geographies of experimental participation that perform and disclose inventive ways of thinking within the myriad spaces where the affective capacities of bodies are modulated through moving. |
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Brian - Wikipedia
Brian (sometimes spelled Bryan in English) is a male given name of Irish and Breton origin, [1] as well as a surname of Occitan origin. [2] It is common in the English-speaking world.
Brian J. Buckner, D.O. - Valley Women's Health
Brian J. Buckner, D.O. Obstetrician and Gynecologist Dr. Buckner is our newest physician with our Provo Group! After graduating from A.T. Still University School of Osteopathic Medicine, …
Utah father and son arrested in connection to massive drug bust
Jan 24, 2025 · PROVO, Utah — The Utah County Sheriff's Office has arrested a father and son in connection to a massive drug bust in Provo. Brian Lee Pendleton, 64, and Clint James …
Brian Kofford, CPA, MAcc - STRIV CPA Services for ... - LinkedIn
“Brian Kofford has been our business CPA for since 2001. During that time our experience with Brian and his team have been exemplary. Brian is a fantastic strategic thinker and has proven …
Tip leads Utah County detectives to massive drug bust in ...
Jan 24, 2025 · A father and son were arrested after detectives confiscated a stockpile of drugs and several firearms in Provo, the Utah County Sheriff’s Office announced in a press release …
Brian Christensen, Nurse Practitioner | Provo, UT - WebMD
Brian Christensen is a nurse practitioner in Provo, UT with undefined years of experience. This nurse practitioner's office accepts 13 insurance plans including Medicare and Medicaid. New …
where to see - k e r s h i s n i k
The Difficult Part: Brian Kershisnik, aMid-Career Retrospective Brigham Young University Museum of Art, Provo, UT. This exhibition, a mid-career retrospective, will feature over 100 …
Brian L. Christensen, NP - Provo, UT - Family Medicine
Jan 30, 2024 · Brian is absolutely amazing! He listens to me and is always positive and optimistic! He “gets it”! It’s hard and depressing to deal with some days and to have a provider who is …
Brian Bradshaw, MD | Dermatologist | Revere Health
(801) 429-8000. patientconcerns@reverehealth.com. 1055 North 500 West Provo, UT 84604
BRIAN ANDERSON, MD, MHA - Summit Brain and Spine
BRIAN ANDERSON, MD, MHA Neurosurgeon - Payson, Provo & Lehi, Utah. Dr. Brian Anderson was born and raised on a farm in Delta, Utah. He received his BS degree at the …
Brian - Wikipedia
Brian (sometimes spelled Bryan in English) is a male given name of Irish and Breton origin, [1] as well as a surname of Occitan origin. [2] It is common in the English-speaking world.
Brian J. Buckner, D.O. - Valley Women's Health
Brian J. Buckner, D.O. Obstetrician and Gynecologist Dr. Buckner is our newest physician with our Provo Group! After graduating from A.T. Still University School of Osteopathic Medicine, he …
