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| cafesjian art trust photos: After the Dance Jan Gaye, David Ritz, 2015-05-19 A riveting cautionary tale about the ecstasy and dangers of loving Marvin Gaye, a performer passionately pursued by all—and a searing memoir of drugs, sex, and old school R&B from the wife of legendary soul icon Marvin Gaye. After her seventeenth birthday in 1973, Janis Hunter met Marvin Gaye—the soulful prince of Motown with the seductive liquid voice whose chart-topping, socially conscious album What’s Going On made him a superstar two years earlier. Despite a seventeen-year-age difference and Marvin’s marriage to the sister of Berry Gordy, Motown’s founder, the enchanted teenager and the emotionally volatile singer began a scorching relationship. One moment Jan was a high school student; the next she was accompanying Marvin to parties, navigating the intriguing world of 1970s-‘80s celebrity; hanging with Don Cornelius on the set of Soul Train, and helping to discover new talent like Frankie Beverly. But the burdens of fame, the chaos of dysfunctional families, and the irresistible temptations of drugs complicated their love. Primarily silent since Marvin’s tragic death in 1984, Jan at last opens up, sharing the moving, fervently charged story of one of music history’s most fabled marriages. Unsparing in its honesty and insight, illustrated with sixteen pages of black-and-white photos, After the Dance reveals what it’s like to be in love with a creative genius who transformed popular culture and whose artistry continues to be celebrated today. |
| cafesjian art trust photos: World Museum Publications 1982 , 1982 |
| cafesjian art trust photos: Knowing about Genocide Joachim J. Savelsberg, 2021-03-30 A free open access ebook is available upon publication. Learn more at www.luminosoa.org. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of the University of Minnesota. Learn more at the TOME website, available at openmonographs.org. How do victims and perpetrators generate conflicting knowledge about genocide? Using a sociology of knowledge approach, Savelsberg answers this question for the Armenian genocide committed in the context of the First World War. Focusing on Armenians and Turks, he examines strategies of silencing, denial, and acknowledgment in everyday interaction, public rituals, law, and politics. Drawing on interviews, ethnographic accounts, documents, and eyewitness testimony, Savelsberg illuminates the social processes that drive dueling versions of history. He reveals counterproductive consequences of denial in an age of human rights hegemony, with implications for populist disinformation campaigns against overwhelming evidence. |
| cafesjian art trust photos: The Golden Age of Automatic Musical Instruments Arthur A. Reblitz, 2001 Image from the collections of Henry Ford Museum & Greenfield Village used on p. 14;neg. no. P.833.95043.2 Acc 1660. |
| cafesjian art trust photos: Essays on Sound and Vision John Richardson, Stan Hawkins, 2009 |
| cafesjian art trust photos: A Shameful Act Taner Akçam, 2007-08-21 A landmark study of Turkish involvement in the Armenian genocide: A “groundbreaking and lucid account by a prominent Turkish scholar” (Publishers Weekly, starred review). In 1915, under the cover of a world war, some one million Armenians were killed through starvation, forced marches, exile, and mass acts of slaughter. Although Armenians and world opinion have held the Ottoman powers responsible, Turkey has consistently rejected claims of genocide. Now Turkish historian Taner Akçam has made extensive and unprecedented use of Ottoman and other sources to produce a scrupulous charge sheet against the Turkish authorities. The first scholar of any nationality to mine the significant evidence—in Turkish military and court records, parliamentary minutes, letters, and eyewitness accounts—Akçam follows the chain of events leading up to the killing and then reconstructs its systematic orchestration by coordinated departments of the Ottoman state, the ruling political parties, and the military. He also examines how Turkey succeeded in evading responsibility, pointing to competing international interests in the region, the priorities of Turkish nationalists, and the international community’s inadequate attempts to bring the perpetrators to justice. |
| cafesjian art trust photos: Bi America William Burleson, 2014-04-04 Gain an in-depth understanding of the unique struggles of the bisexual community! “To me the gay and straight worlds are exactly the same; equally limited, judgmental, and bourgeois . . . just mirror images of each other. I truly like and overlap with some of the gay world, but my roots refuse to take hold there and grow. Unfortunately, my well-established roots in the straight world are simultaneously shriveling and dying too, leaving me feeling extremely unstable.” —“Cool,” a bisexual woman involved in a support group There are at least five million bisexual people in America, generally invisible to straight society, the gay community, and even to each other. While the vast majority of these five million live within the straight or gay world, there are a few who have formed a community of their own. Bi America: Myths, Truths, and Struggles of an Invisible Community offers an inside look at the American bisexual community and gives an understanding of the special circumstances unique to being bisexual. The book takes the reader to bi community events from picnics, to conferences, to support groups, to performances in order to expose the everyday trials of the bisexual community. Bi America includes very personal stories that let the voice of everyday bisexuals be heard through interviews, the “Bisexual History Project,” in which ten bisexual people tell their life stories, and the “Online Support Group,” a group of about 75 people who meet in cyberspace to talk about their lives and challenges. The book also includes the findings of a 2002 survey of about 300 bisexual people conducted via the Internet, an appendix that offers a concise list of resources for further study and personal enrichment, and an unabridged transcript of the “Bisexual History Project.” Get the answers to these questions in Bi America: What is bisexuality? Is there a bisexual community? What is the culture of the bisexual community? What are commonalities and differences between the experiences of bi men and bi women? What is the special relationship between the bisexual and the transgender community? How have bisexuals and the bi community been affected by HIV/AIDS? What is the future of bisexual activism, if any? and many more! Bi America is a fascinating resource that exposes the challenges, struggles, and triumphs of bisexuals in America. Bisexuals, especially those newly coming out, can use this book to help understand their identity, and family members and friends seeking some insight into the unique circumstances faced by their loved ones will also find it helpful. This book will interest those concerned with the sociology of deviance or with subcultures in general. It is also appropriate for undergraduate sociology and cultural anthropology, as well as feminist studies and LGBT studies classes. This book offers one of the few accessible, nonacademic looks at this unique and interesting community. Visit the book's Web site at http://www.bi101.org |
| cafesjian art trust photos: Dear Prudence Prudence Bruns, 2015-06-26 Lines from John Lennon's ballad, Dear Prudence, are easily recognizable by anyone who enjoys the Beatles' music. But who was Prudence? Prudence Farrow Bruns, a daughter of the prominent Farrow family that includes sister Mia Farrow, finally sets the story straight. She touches on her own famous family's heartaches and triumphs, even as she voices the experiences of an entire generation through a single iconic song. |
| cafesjian art trust photos: Feast of Ashes Sato Moughalian, 2019-04-23 The compelling life story of Armenian ceramicist David Ohannessian, whose work changed the face of Jerusalem—and a granddaughter's search for his legacy. Along the cobbled streets and golden walls of Jerusalem, brilliantly glazed tiles catch the light and beckon the eye. These colorful wares—known as Armenian ceramics—are iconic features of the Holy City. Silently, these works of ceramic art—art that also graces homes and museums around the world—represent a riveting story of resilience and survival: In the final years of the Ottoman Empire, as hundreds of thousands of Armenians were forcibly marched to their deaths, one man carried the secrets of this age-old art with him into exile toward the Syrian desert. Feast of Ashes tells the story of David Ohannessian, the renowned ceramicist who in 1919 founded the art of Armenian pottery in Jerusalem, where his work and that of his followers is now celebrated as a local treasure. Ohannessian's life encompassed some of the most tumultuous upheavals of the modern Middle East. Born in an isolated Anatolian mountain village, he witnessed the rise of violent nationalism in the waning years of the Ottoman Empire, endured arrest and deportation in the Armenian Genocide, founded a new ceramics tradition in Jerusalem under the British Mandate, and spent his final years, uprooted, in Cairo and Beirut. Ohannessian's life story is revealed by his granddaughter Sato Moughalian, weaving together family narratives with newly unearthed archival findings. Witnessing her personal quest for the man she never met, we come to understand a universal story of migration, survival, and hope. |
| cafesjian art trust photos: The Book Made Art Jeffrey Abt, University of Chicago. Library, 1986 |
| cafesjian art trust photos: Groundwater Hydrology David Keith Todd, 1959 |
| cafesjian art trust photos: Feminists Who Changed America, 1963-1975 Barbara J. Love, 2006-09-22 Documents the key feminists who ignited the second wave women's movement. This work tells the stories of more than two thousand individual women and a few notable men who together reignited the women's movement and made permanent changes to entrenched customs and laws. |
| cafesjian art trust photos: Dream Country Shannon Gibney, 2018-09-11 The heartbreaking story of five generations of young people from a single African-and-American family pursuing an elusive dream of freedom. Gut wrenching and incredible.”— Sabaa Tahir #1 New York Times bestselling author of An Ember in the Ashes This novel is a remarkable achievement.—Kelly Barnhill, New York Times bestselling author and Newbery medalist Beautifully epic.—Ibi Zoboi, author American Street and National Book Award finalist Dream Country begins in suburban Minneapolis at the moment when seventeen-year-old Kollie Flomo begins to crack under the strain of his life as a Liberian refugee. He's exhausted by being at once too black and not black enough for his African American peers and worn down by the expectations of his own Liberian family and community. When his frustration finally spills into violence and his parents send him back to Monrovia to reform school, the story shifts. Like Kollie, readers travel back to Liberia, but also back in time, to the early twentieth century and the point of view of Togar Somah, an eighteen-year-old indigenous Liberian on the run from government militias that would force him to work the plantations of the Congo people, descendants of the African American slaves who colonized Liberia almost a century earlier. When Togar's section draws to a shocking close, the novel jumps again, back to America in 1827, to the children of Yasmine Wright, who leave a Virginia plantation with their mother for Liberia, where they're promised freedom and a chance at self-determination by the American Colonization Society. The Wrights begin their section by fleeing the whip and by its close, they are then the ones who wield it. With each new section, the novel uncovers fresh hope and resonating heartbreak, all based on historical fact. In Dream Country, Shannon Gibney spins a riveting tale of the nightmarish spiral of death and exile connecting America and Africa, and of how one determined young dreamer tries to break free and gain control of her destiny. |
| cafesjian art trust photos: Divided Soul: The Life Of Marvin Gaye David Ritz, 2010-01-07 David Ritz presents his uniquely candid and and intimate account of the tumultuous life of the Prince of Soul music, Marvin Gaye. Author Ritz has assembled years of conversations and interviews from his life as a close friend and lyricist to the gifted Soul sensation, and tells the Marvin Gaye story with fly-on-the-wall accuracy and detail. From his early years as an abused child in the slums of Washington DC, through his rise to the very peaks of the Motown phenomenon, his fall from grace and subsequent comeback, to his untimely death at the hands of his father, Marvin's story is the stuff of legends. The cast of characters includes the Jacksons, Smokey Robinson, Diana Ross and countless other icons of the world of soul music.The definitive biography of an enormously gifted and sensitive musician. |
| cafesjian art trust photos: Museums for Peace Worldwide Kazuyo Yamane, Ikuro Anzai, 2020-10-02 Museums for Peace Worldwide, edited by Kazuyo Yamane and Ikuro Anzai. Museums for Peace Worldwide is an international directory of over 300 museums, across 49 countries, which document tragedies of war and violence or promote the human endeavour for peace. There are descriptions of each museum - its mission, vision, exhibitions - and both geographical and internet contact details. This is a 2020 publication of the International Network of Museums for Peace (INMP). Edited by Kazuyo Yamane and Ikuro Anzai, Museums for Peace Worldwide includes an essay, Critical Museums for Peace: Visiting Museums for Peace Worldwide, by Joyce Apsel. Editorial Committee Members: Joyce Apsel, Clinical Professor, New York University, and President, Institute for Study of Genocide; Clive Barrett, Chair of Trustees, The Peace Museum, Bradford, UK; Kya Kim, Director, Peace Mask Project; Robert Kowalczyk, Professor (retired), Kindai University, Japan; Roy Tamashiro, Professor Emeritus, Webster University, USA; Peter van den Dungen, INMP former Coordinator. |
| cafesjian art trust photos: Gems, Jewelers' Materials, and Ornamental Stones of California George Frederick Kunz, 2022-10-27 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| cafesjian art trust photos: Documents on the Laws of War , 1982 |
| cafesjian art trust photos: The Will and the Spirit , |
| cafesjian art trust photos: Carbon in Earth Robert M. Hazen, Adrian P. Jones, John A. Baross, 2018-12-17 Volume 75 of Reviews in Mineralogy and Geochemistry addresses a range of questions that were articulated in May 2008 at the First Deep Carbon Cycle Workshop in Washington, DC. At that meeting 110 scientists from a dozen countries set forth the state of knowledge about Earth's carbon. They also debated the key opportunities and top objectives facing the community. Subsequent deep carbon meetings in Bejing, China (2010), Novosibirsk, Russia (2011), and Washington, DC (2012), as well as more than a dozen smaller workshops, expanded and refined the DCO's decadal goals. The 20 chapters that follow elaborate on those opportunities and objectives. |
| cafesjian art trust photos: The Bauhaus Group Nicholas Fox Weber, 2011 Originally published: New York: Alfred A. Knopf, 2009. |
| cafesjian art trust photos: Institution for the Future Biljana Ciric, Sally Lai, 2012 Institution for the Future will showcase artists from various Asian countries who have actively engaged with their local arts scenes and who attempt to contribute in the development of an arts infrastructure in their regions. This exhibition is part of the Asia Triennial Manchester 2011 and features artists from Cambodia, China, Indonesia, Malaysia, Singapore, Taiwan, and Vietnam. It serves as a platform to foster understanding of their work not only in UK and Europe, but also strengthen their dialogue across Asia. |
| cafesjian art trust photos: Anahid Played Soorp Mark Kadian, 2012-08-01 Aran Pirian, the twelve year old son of an academician father and musician mother living in 1915 Constantinople, had all of life's essentials and more. The Armenian Genocide intervened, though. Forced into hiding with his little sister, Anahid, found and imprisoned, then sent into the desert borderlands of the Ottoman Empire to escape with a caravan of Armenian deportees, Aran became despondent over all that he lost, his realizations about himself, what he had become, and what he learned. Summoning those who touched his life along the way, Aran seeks to find all that was lost and to reclaim himself. |
| cafesjian art trust photos: Salpi / ¿¿¿¿¿ Raffi (Hagop Melik-Hagopian), 2014-02 Hakob Melik Hakobian, better known by his pen name Raffi, is a renowned Armenian author born in 1835 in Payajouk, an Armenian village situated in the Salmas province (presently in the north of Iran, near Urmia Lake) in Persia. He died in 1888 in Tiflis (present-day Tbilisi). Raffi is a prominent figure of Armenian literature. |
| cafesjian art trust photos: The Problem of Reading Moyra Davey, 2003-01-01 |
| cafesjian art trust photos: Look Both Ways Jennifer Baumgardner, 2008-03-04 For author and activist Baumgardner, bisexuality has always been more than the sexual non-preference of the '90s. Here she takes a close look at gay and bisexual people on the national cultural stage and the issues their growing visibility raises. In a society supposedly grown more open and accepting, what can it mean that bisexuality continues to be marginalized by both gay and straight cultures, and dismissed either as a phase or, worse, a cop-out? Baumgardner discusses her own experience as a bisexual, and the struggle she's undergone to reconcile the privilege of a woman who is perceived as straight, and the empowerment and satisfaction she's derived from her relationships with women. Her book is a study in bisexual lives lived secretly and openly, and an exploration of the lessons learned by writers, artists, and activists who have refused the either/or paradigm defended by both gay and straight communities.--From publisher description. |
| cafesjian art trust photos: Ludwig goes pop Stephan Diederich, Luise Pilz, 2014 Ludwig Goes Pop tells the story of Peter and Irene Ludwig's Pop Art collection and its surprising and rapid development during the art-market upheavals of the late 1960s.With its unusual design, the book formally references the spectacular catalogue created by artist Wolf Vostell for the first exhibition of the collection in Cologne in 1968, Art of the Sixties.Artists and contemporaries such as Jim Dine, James Rosenquist, Jasper Johns and David Hockney recount their personal experiences with the Ludwigs and their extraordinary passion for collecting.Photos and documents supplement the comprehensive selection of major works of Pop Art.Published on the occasion of the exhibition Ludwig goes Pop at Museum Ludwig, Cologne, 2 October 2014 - 11 January 2015, and at mumok, Vienna, 13 February - 13 September 2015.English and German text. |
| cafesjian art trust photos: Istanbul Thomas F. Madden, 2016-11-22 One of Time’s 12 Books for the History Buffs on Your Holiday Gift List The first single-volume history of Istanbul in decades: a biography of the city at the center of civilizations past and present. For more than two millennia Istanbul has stood at the crossroads of the world, perched at the very tip of Europe, gazing across the shores of Asia. The history of this city--known as Byzantium, then Constantinople, now Istanbul--is at once glorious, outsized, and astounding. Founded by the Greeks, its location blessed it as a center for trade but also made it a target of every empire in history, from Alexander the Great and his Macedonian Empire to the Romans and later the Ottomans. At its most spectacular Emperor Constantine I re-founded the city as New Rome, the capital of the eastern Roman empire, and dramatically expanded the city, filling it with artistic treasures, and adorning the streets with opulent palaces. Around it all Constantine built new walls, truly impregnable, that preserved power, wealth, and withstood any aggressor--walls that still stand for tourists to visit. From its ancient past to the present, we meet the city through its ordinary citizens--the Jews, Muslims, Italians, Greeks, and Russians who used the famous baths and walked the bazaars--and the rulers who built it up and then destroyed it, including Mustafa Kemal Ataturk, the man who christened the city Istanbul in 1930. Thomas F. Madden's entertaining narrative brings to life the city we see today, including the rich splendor of the churches and monasteries that spread throughout the city. Istanbul draws on a lifetime of study and the latest scholarship, transporting readers to a city of unparalleled importance and majesty that holds the key to understanding modern civilization. In the words of Napoleon Bonaparte, If the Earth were a single state, Istanbul would be its capital. |
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