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  borrow the babadook pop-up book: A Companion to Australian Cinema Felicity Collins, Jane Landman, Susan Bye, 2019-06-05 The first comprehensive volume of original essays on Australian screen culture in the twenty-first century. A Companion to Australian Cinema is an anthology of original essays by new and established authors on the contemporary state and future directions of a well-established national cinema. A timely intervention that challenges and expands the idea of cinema, this book brings into sharp focus those facets of Australian cinema that have endured, evolved and emerged in the twenty-first century. The essays address six thematically-organized propositions – that Australian cinema is an Indigenous screen culture, an international cinema, a minor transnational imaginary, an enduring auteur-genre-landscape tradition, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max, and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and nature-cam documentaries. New research on trends – such as the convergence of television and film, digital transformations of screen production and the shifting roles of women on and off-screen – highlight how established precedents have been influenced by new realities beyond both cinema and the national. Written in an accessible style that does not require knowledge of cinema studies or Australian studies Presents original research on Australian actors, such as Cate Blanchett and Chris Hemsworth, their training, branding, and path from Australia to Hollywood Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity Expands the critical definition of cinema to include YouTube channels, transmedia documentaries, multiplatform changescapes and cinematic remix Introduces readers to founding texts in Australian screen studies A Companion to Australian Cinema is an ideal introductory text for teachers and students in areas including film and media studies, cultural and gender studies, and Australian history and politics, as well as a valuable resource for educators and other professionals in the humanities and creative arts.
  borrow the babadook pop-up book: The Need Helen Phillips, 2019-07-09 ***LONGLISTED FOR THE NATIONAL BOOK AWARD IN FICTION*** Named one of Time Magazine’s 100 Best Mystery and Thriller Books of All Time “An extraordinary and dazzlingly original work from one of our most gifted and interesting writers” (Emily St. John Mandel, author of The Glass Hotel). The Need, which finds a mother of two young children grappling with the dualities of motherhood after confronting a masked intruder in her home, is “like nothing you’ve ever read before…in a good way” (People). When Molly, home alone with her two young children, hears footsteps in the living room, she tries to convince herself it’s the sleep deprivation. She’s been hearing things these days. Startling at loud noises. Imagining the worst-case scenario. It’s what mothers do, she knows. But then the footsteps come again, and she catches a glimpse of movement. Suddenly Molly finds herself face-to-face with an intruder who knows far too much about her and her family. As she attempts to protect those she loves most, Molly must also acknowledge her own frailty. Molly slips down an existential rabbit hole where she must confront the dualities of motherhood: the ecstasy and the dread; the languor and the ferocity; the banality and the transcendence as the book hurtles toward a mind-bending conclusion. In The Need, Helen Phillips has created a subversive, speculative thriller that comes to life through blazing, arresting prose and gorgeous, haunting imagery. “Brilliant” (Entertainment Weekly), “grotesque and lovely” (The New York Times Book Review, Editor’s Choice), and “wildly captivating” (O, The Oprah Magazine), The Need is a glorious celebration of the bizarre and beautiful nature of our everyday lives and “showcases an extraordinary writer at her electrifying best” (Publishers Weekly, starred review).
  borrow the babadook pop-up book: Monster Etiquette , 2019-04 Fifty etiquette tips for monsters, gargoyles, aliens, and nephews. Illustrated with wry and whimsical drawings by Don Moyer.
  borrow the babadook pop-up book: The Book of Horror Matt Glasby, 2020-09-22 “Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019)
  borrow the babadook pop-up book: The Pop-Up Book of Nightmares Charles Melcher, 2001-11-03 They're gripping, they're realistic, and they're universal--those primal scream-creating nightmares that every reader has had at one time or another. The Pop-Up Book of Nightmares brings them vividly to life with ten richly illustrated, over-the-top pop-ups that put the reader right in the center of a world gone mad. Which one of these nightmares did you have last night? --Being unprepared for a final exam --Going for a midnight snack and finding a refrigerator teeming with rats --Giving birth to a baby that's anything but normal --Being chased by a menace that seems to be everywhere at once --Free falling with no hope of a safe landing The Pop-Up Book of Nightmares is the perfect gift for anyone who wants to mine the psychological riches of their deepest slumber.
  borrow the babadook pop-up book: Motorcycles & Sweetgrass Drew Hayden Taylor, 2010-03-09 A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons. Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.
  borrow the babadook pop-up book: Return of the Monstrous-Feminine Barbara Creed, 2022-07-27 This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women’s equality, violence against women, queer relationships, race and the plight of the planet and its multi-species. Examining a new movement – termed by Creed as Feminist New Wave Cinema – The Return of the Monstrous-Feminine explores a significant change that has occurred over the past two decades in the representation of the monstrous-feminine in visual discourse. The Monstrous-Feminine is a figure in revolt on a journey through the dark night of abjection. Taking particular interest in women directors who create the figure of the Monstrous-Feminine, in cinema that foregrounds everyday horrors in addition to classic horror, Creed looks at a range of diverse films including The Babadook, A Girl Walks Home Alone at Night, Nomadland, Carol, Raw, Revenge, and the television series The Handmaid’s Tale. These films center on different forms of revolt, from inner revolt to social, supernatural and violent revolt, which appear in Feminist New Wave Cinema. These relate in the main to the emergence of a range of social protest movements that have gathered momentum in the new millennium and given voice to new theoretical and critical discourses. These include: third and fourth wave feminism, the #MeToo movement, queer theory, race theory, the critique of anthropocentrism and human animal theory. These theoretical discourses have played a key role in influencing Feminist New Wave Cinema whose films are distinctive, stylish and diverse. This is an essential companion to the original classic text and is ideal for students in Gender and Media, Gender and Horror, Gender and Film and Feminist Film theory courses.
  borrow the babadook pop-up book: Nobody's Perfect Anthony Lane, 2009-08-19 Anthony Lane on Con Air— “Advance word on Con Air said that it was all about an airplane with an unusually dangerous and potentially lethal load. Big deal. You should try the lunches they serve out of Newark. Compared with the chicken napalm I ate on my last flight, the men in Con Air are about as dangerous as balloons.” Anthony Lane on The Bridges of Madison County— “I got my copy at the airport, behind a guy who was buying Playboy’s Book of Lingerie, and I think he had the better deal. He certainly looked happy with his purchase, whereas I had to ask for a paper bag.” Anthony Lane on Martha Stewart— “Super-skilled, free of fear, the last word in human efficiency, Martha Stewart is the woman who convinced a million Americans that they have the time, the means, the right, and—damn it—the duty to pipe a little squirt of soft cheese into the middle of a snow pea, and to continue piping until there are ‘fifty to sixty’ stuffed peas raring to go.” For ten years, Anthony Lane has delighted New Yorker readers with his film reviews, book reviews, and profiles that range from Buster Keaton to Vladimir Nabokov to Ernest Shackleton. Nobody’s Perfect is an unforgettable collection of Lane’s trademark wit, satire, and insight that will satisfy both the long addicted and the not so familiar.
  borrow the babadook pop-up book: Laid Waste Julia Gfrörer, 2016-11-02 In a plague-ravaged medieval city, survival is a harsher fate than death. As corpses accumulate around her, Agnes, a young widow possessed of supernatural strength, must weigh her obligations to the dead and dying against her desire to protect what little remains. Laid Waste is a graphic novella about love and kindness among vermin in the putrid miasma at the end of the world. As with her evocative debut book, Black is the Color, Julia Gfrörer's delicate, gothic drawing style perfectly complements the period era of the book’s setting, bringing the lyricism and romanticism of her prose to the fore.
  borrow the babadook pop-up book: The lost boys Craig Shaw Gardner, Janice Fischer, James Jeremias, Jeffrey Baom, 1988
  borrow the babadook pop-up book: Women, Monstrosity and Horror Film Erin Harrington, 2017-08-10 Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement, of terror and dread, and one that relishes the complexities that arise when boundaries – of taste, of bodies, of reason – are blurred and dismantled. It is also a site of expression and exploration that leverages the narrative and aesthetic horrors of the reproductive, the maternal and the sexual to expose the underpinnings of the social, political and philosophical othering of women. This book offers an in-depth analysis of women in horror films through an exploration of ‘gynaehorror’: films concerned with all aspects of female reproductive horror, from reproductive and sexual organs, to virginity, pregnancy, birth, motherhood and finally to menopause. Some of the themes explored include: the intersection of horror, monstrosity and sexual difference; the relationships between normative female (hetero)sexuality and the twin figures of the chaste virgin and the voracious vagina dentata; embodiment and subjectivity in horror films about pregnancy and abortion; reproductive technologies, monstrosity and ‘mad science’; the discursive construction and interrogation of monstrous motherhood; and the relationships between menopause, menstruation, hagsploitation and ‘abject barren’ bodies in horror. The book not only offers a feminist interrogation of gynaehorror, but also a counter-reading of the gynaehorrific, that both accounts for and opens up new spaces of productive, radical and subversive monstrosity within a mode of representation and expression that has often been accused of being misogynistic. It therefore makes a unique contribution to the study of women in horror film specifically, while also providing new insights in the broader area of popular culture, gender and film philosophy.
  borrow the babadook pop-up book: The Discursive Power of Memes in Digital Culture Bradley E. Wiggins, 2019-02-25 Shared, posted, tweeted, commented upon, and discussed online as well as off-line, internet memes represent a new genre of online communication, and an understanding of their production, dissemination, and implications in the real world enables an improved ability to navigate digital culture. This book explores cases of cultural, economic, and political critique levied by the purposeful production and consumption of internet memes. Often images, animated GIFs, or videos are remixed in such a way to incorporate intertextual references, quite frequently to popular culture, alongside a joke or critique of some aspect of the human experience. Ideology, semiotics, and intertextuality coalesce in the book’s argument that internet memes represent a new form of meaning-making, and the rapidity by which they are produced and spread underscores their importance.
  borrow the babadook pop-up book: The Sigla of Finnegans Wake Roland McHugh, 1976
  borrow the babadook pop-up book: The Pop-Up Book of Phobias Gary Greenberg, 1999-10-20 Pop-up illustrations capture the nature of common phobias, including the dentist's drill, heights, flying, and spiders
  borrow the babadook pop-up book: New Mexico Bouldering Owen Summerscales, 2016-03-10 The Land of Enchantment is known for its scenic natural beauty and plentiful rock climbing, with its rich geology and excellent climate. This book is the first guide to bouldering in the state and compiles over 1000 problems in central and northern NM, with 40 maps and 240 topographic photos. Areas covered include: Socorro Box Canyon, Albuquerque Sandia Mountains, Ponderosa, the Ortegas and Roy.
  borrow the babadook pop-up book: Genre, Authorship and Contemporary Women Filmmakers Katarzyna Paszkiewicz, 2018-06-06 Examining the significance of women's work in popular film genres, this test sheds light on women's contribution to genre cinema through an exploration of filmmakers like Kathryn Bigelow, Diablo Cody, Sofia Coppola, and Kelly Reichard.
  borrow the babadook pop-up book: Windeye Brian Evenson, 2012 Brian Evenson is one of the treasures of American story writing, a true successor both to the generation of Coover, Barthelme, Hawkes and Co., but also to Edgar Allan Poe. --Jonathan Lethem A woman falling out of sync with the world; a king's servant hypnotized by his murderous horse; a transplanted ear with a mind of its own--the characters in these stories live as interlopers in a world shaped by mysterious disappearances and unfathomable discrepancies between the real and imagined. Brian Evenson, master of literary horror, presents his most far-ranging collection to date, exploring how humans can persist in an increasingly unreal world. Haunting, gripping, and psychologically fierce, these tales illuminate a dark and unsettling side of humanity. Praised by Peter Straub for going furthest out on the sheerest, least sheltered narrative precipice, Brian Evenson is the author of ten books of fiction. He has been a finalist for the Edgar Award, the Shirley Jackson Award, and the World Fantasy Award, and the winner of the International Horror Guild Award, and the American Library Association's award for Best Horror Novel. Fugue State was named one of Time Out New York's Best Books of 2009. The recipient of a National Endowment for the Arts fellowship and three O. Henry Prizes, including one for the title story in Windeye, Evenson lives in Providence, Rhode Island, where he directs Brown University's Literary Arts Department.
  borrow the babadook pop-up book: Freaky in Fresno Laurie Boyle Crompton, 2020-02-11 One pink convertible, two estranged cousins, and a fateful summer road trip. When geeky horror movie fanatic Ricki and makeup guru Lana accidentally switch bodies they will have to work together to straighten out their lives and swap back to their rightful body beforecalamity strikes. Freaky in Frenso is a fresh take that is part Freaky Friday, part romcom, and all heart. Ricki has one goal: save the Starlight Drive-in movie theater from going dark forever. Okay, make that two goals … she may also want a first kiss from her cinema-rescuing partner and major crush, Jake. Lana definitely has only one goal: grow her online makeup channel to keep her momager off her back, even if the posts attract ugly internet trolls. The two cousins couldn’t be more different, but their opposite personalities come crashing to a head when their aunt gifts the girls a vintage cotton-candy-pink convertible. To share. Ricki wants the convertible for the drive-in’s grand reopening, but it’s the same day as Digifest, a huge event where Lana needs to shine. After a major fight and a minor electric shock while wrestling over the wheel, Ricki wakes up as Lana, and Lana wakes up as Ricki. Ricki and Lana have only a day to un-swap themselves, a task made even more difficult as they try to keep up appearances on Lana’s channel and with Ricki’s hopefully-soon-to-be-kissed crush. But it turns out experiencing a day as each other—with a mini road trip and Chihuahua wrangling—may be the one thing that help the cousins see each other and?themselves more clearly. Freaky in Fresno: Addresses topics such as family and friendship, mental health and self-worth, andonline presence Pays homage to beloved 80s movies, hilarious Freaky Friday twists, cult horror classics, and scream queens like Jamie Lee Curtis Is perfect for fans of contemporary YA, Christian Riccio, and Morgan Matson
  borrow the babadook pop-up book: Post-Horror David Church, 2022-11-30 Horror's longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism with established genre conventions. Variously dubbed 'elevated horror' and 'post-horror, ' films such as The Babadook, It Follows, The Witch, It Comes at Night, Get Out, The Invitation, Hereditary, Midsommar, A Ghost Story, and mother! represent an emerging nexus of taste, politics, and style that has often earned outsized acclaim from critics and populist rejection by wider audiences. Post-Horror is the first full-length study of one of the most important and divisive movements in twenty-first-century horror cinema.
  borrow the babadook pop-up book: Where Is Your Sister? Puck Koper, 2019-03-07 *Winner of the Opera Prima Bologna Ragazzi Prize 2020* A stylish and funny search-and-find adventure with a twist, packed with twin-sister mischief. The store is a riot of dots and stripes, patterns and checks, so it's not easy to find one little girl in a spotty dress. Children will love finding Harriet on every page as the madcap chase moves from the fashion floor to home furnishings and into the toy department. More and more people join in until at last naughty Harriet is reunited with her family. Jam-packed with action and details to find and spot, Where Is Your Sister? is a strikingly confident debut from Puck Koper. Her blue, red and black artwork is printed in eye-catching pantone inks, and her remarkable eye for composition and funny characters marks her out as a talent to watch.
  borrow the babadook pop-up book: Awake in the Dark Roger Ebert, 2017-04-06 A collection of greatest film reviews from a critic who “understands how to pop the hood of a movie and tell us how it runs” (Steven Spielberg). Pulitzer Prize–winning film critic Roger Ebert wrote movie reviews for the Chicago Sun-Times for over forty years. His wide knowledge, keen judgment, and sharp sense of humor made him America’s most celebrated film critic—the only one to have a star dedicated to him on the Hollywood Walk of Fame. His hit TV show, At the Movies, made ‘‘two thumbs up’’ a coveted hallmark in the industry. From The Godfather to GoodFellas, from Cries and Whispers to Crash, the reviews in Awake in the Dark span some of the most exceptional periods in film history, from the dramatic rise of rebel Hollywood and the heyday of the auteur, to the triumph of blockbuster films such as Star Wars and Raiders of the Lost Ark, to the indie revolution. The extraordinary interviews included capture Ebert engaging with such influential directors as Martin Scorsese, Steven Spielberg, Woody Allen, Robert Altman, Werner Herzog, and Ingmar Bergman, as well respected actors as diverse as Robert Mitchum, James Stewart, Warren Beatty, and Meryl Streep. Also gathered here are some of his most admired esssays, among them a moving appreciation of John Cassavetes and a loving tribute to the virtues of black-and-white films. A treasure trove for film buffs, Awake in the Dark is a compulsively readable chronicle of film since the late 1960s. “[Ebert] has a keen understanding of the way [movies] work.” —Martin Scorsese “[Ebert’s] criticism shows a nearly unequalled grasp of film history and technique.” —A.O. Scott, New York Times
  borrow the babadook pop-up book: Plastic Man (2018-) Gail Simone, 2019-04-16 Meet Eel OÕBrian: a petty thug, thief and con artist who runs a strip club. Hey, heÕs also dead, at least according to the gang that tossed him out like last weekÕs garbage. Literally. DonÕt worry, thoughÑhe bounced back from all that, and now heÕs trying to make a new life for himself, but the effort is stretching him pretty thin. How can he get revenge on his old boss, keep a street kid out of trouble, make a dancer fall in love with him and stop a mysterious society from taking over the world? Eel has no idea! Find out in this title collecting the six-issue miniseries.
  borrow the babadook pop-up book: Baroque Music in Post-War Cinema Donald Greig, 2021-03-04 Studies of pre-existing music in narrative cinema often focus on a single film, composer or director. The approach here adopts a wider perspective, placing a specific musical repertoire - baroque music - in the context of its reception to explore its mobilisation in post-war cinema. It shows how various revivals have shaped musical fashion, and how cinema has drawn on resultant popularity and in turn contributed to it. Close analyses of various films raise issues of baroque musical style and form to question why eighteenth-century music remains an exception to dominant film-music discourses. Account is taken of changing modern performance practice and its manifestation in cinema, particularly in the biopic. This question of the reimagining of baroque repertoire leads to consideration of pastiches and parodies to which cinema has been particularly drawn, and subsequently to the role that neobaroque music has played in more recent films.
  borrow the babadook pop-up book: The Fellowship of the Ring John Ronald Reuel Tolkien, 2005 Frodo the hobbit and a band of warriors from the different kingdoms set out to destroy the Ring of Power before the evil Sauron grasps control.
  borrow the babadook pop-up book: The Anthology of Babel Ed Simon, 2020-01-21 Why should there only be literary scholarship about authors who actually lived, and texts which exist? Where are the articles on Enoch Campion, Linus Withold, Redondo Panza, Darshan Singh, or Heidi B. Morton? That none of these are real authors should be no impediment to interpreting their invented writings. In the first collection of its kind, The Anthology of Babel publishes academic articles by scholars on authors, books, and movements that are completely invented. Blurring the lines between scholarship and creative writing, The Anthology of Babel inaugurates a completely new literary genre perfectly attuned to the era we live in, a project evocative of Jorge-Louis Borges, Umberto Eco, and Italo Calvino.
  borrow the babadook pop-up book: The Grotlyn Benji Davies, 2017-09-07 A stunningly illustrated picture book full of mystery and suspense, from the bestselling author of THE STORM WHALE and GRANDAD’S ISLAND.
  borrow the babadook pop-up book: Steven Spielberg Brent Notbohm, Lester D. Friedman, 2019-08-01 More than four decades after the premiere of his first film, Steven Spielberg (b. 1946) continues to be a household name whose influence on popular culture extends far beyond the movie screen. Now in his seventies, Spielberg shows no intention of retiring from directing or even slowing down. Since the publication of Steven Spielberg: Interviews in 2000, the filmmaker has crafted some of the most complex movies of his extensive career. His new movies consistently reinvigorate entrenched genres, adding density and depth. Many of the defining characters, motifs, tropes, and themes that emerge in Spielberg’s earliest movies shape these later works as well, but often in new configurations that probe deeper into more complicated subjects—dangerous technology rather than man-eating sharks, homicidal rather than cuddly aliens, lethal terrorism instead of rampaging dinosaurs. Spielberg's movies continue to display a remarkably sophisticated level of artistry that matches, and sometimes exceeds, the memorable visual hallmarks of his prior work. His latest series of films continue to demonstrate an ongoing intellectual restlessness and a willingness to challenge himself as a creative artist. With this new collection of interviews, which includes eleven original interviews from the 2000 edition and nine new interviews, readers will recognize the themes that motivate Spielberg, the cinematic techniques he employs to create his feature films, and the emotional connection he has to his movies. The result is a nuanced and engaging portrait of the most popular director in American cinema history.
  borrow the babadook pop-up book: Gothic Film Richard J. Hand, 2020-02-03 This anthology explores the resilience and ubiquity of the Gothic in cinema from its earliest days to its most contemporary iterations.
  borrow the babadook pop-up book: Annotations to Finnegans Wake Roland McHugh, James Joyce, 1991 The biggest stumbling block facing any prospective reader of Finnegans Wake is the book itself, with its thousands of words of Joyce's inventions, derived from nearly every foreign language imaginable and from a host of other sources. Now extensively revised, expanded, and corrected, Roland McHugh's Annotations is a unique one-volume guidebook designed to be read side by side with the Wake itself.
  borrow the babadook pop-up book: From Caligari to Hitler Siegfried Kracauer, 2019-04-02 An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.
  borrow the babadook pop-up book: American–Australian Cinema Adrian Danks, Stephen Gaunson, Peter C. Kunze, 2018-01-29 This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s.
  borrow the babadook pop-up book: The Melting Lize Spit, 2021-05-13 'Challenging and disturbing, The Melting is an incredibly cruel fable about friendship and adolescence . . . Spit knows no fear. It is we, the readers, that are left trembling.' - Leïla Slimani, author of Lullaby Eva can trace the route to Pim’s farm with her eyes closed, even though she has not been to Bovenmeer for many years. There she grew up among the rape fields and dairy farms. There lies also the root of all their grief. Eva was one of three children born in her small Flemish town in 1988. Growing up alongside the boys Laurens and Pim, Eva sought refuge from her loveless family life in the company of her two friends. But with adolescence came a growing awareness of their burgeoning sexuality. Driven by their newly found desires, the children begin a game that will have serious and violent consequences for them all. Thirteen years after the summer she’s tried for so long to forget, Eva is returning to her village. Everything fell apart that summer, but this time she’ll be prepared. She has a large block of ice in her car boot and she’s ready to settle the score . . . Part thriller, part coming-of-age novel, The Melting is an extraordinary and unsettling debut from Lize Spit, a reckoning with adolescent cruelty and the scars it leaves.
  borrow the babadook pop-up book: The Green Mill Murder Kerry Greenwood, 2011-09-30 Anyone who hasn't discovered Phryne Fisher by now should start making up for lost time. —Booklist Phryne Fisher is doing one of her favorite things—dancing to the music of Tintagel Stone's Jazzmakers at the Green Mill, Melbourne's premier dance hall. And she's wearing a sparkling lobelia-colored georgette dress. Nothing can flap the unflappable Phryne—especially on a dance floor with so many delectable partners. Nothing but death, that is. The dance competition is trailing into its last hours when suddenly a figure slumps to the ground. Phryne, conscious of how narrowly the weapon missed her own bare shoulder, back, and dress, investigates. Phryne follows the deadly trail into the dark smoky jazz clubs of Fitzroy, into the arms of eloquent strangers, and finally into the sky, as she uncovers a complicated family tragedy from the Great War and the damaged men who came back from ANZAC cove.
  borrow the babadook pop-up book: Camera Man Dana Stevens, 2022-01-25 From the chief film critic of Slate comes a fresh and captivating biography on comedy legend and acclaimed filmmaker Buster Keaton that also explores the evolution of film from the silent era to the 1940s. As one of the most famous faces of silent cinema, Buster Keaton was and continues to be revered for his stoic expressions, clever visual gags, and acrobatic physicality in classics such as Sherlock Jr., The General, and The Cameraman. In this spirited biography, every aspect of Buster Keaton's astonishing life is explored, from his humble beginnings in vaudeville with his parents to his meteoric rise to Hollywood stardom during the silent era. Based on vigorous research of both Keaton and the film industry, it also delves into the dark sides of fame, such as Keaton's ill-advised businesses deals and alcoholism, to his unexpected resurgence in the 1940s as his contributions as both an actor and director were finally celebrated. This is a fascinating and uniquely astounding look at both the classic era of Hollywood and one of its most beloved stars.
  borrow the babadook pop-up book: Red Metropolis Owen Hatherley, 2020-11-10 A polemical history of municipal socialism in London - and an argument for turning this capitalist capital red again. A polemical history of municipal socialism in London -- and an argument for turning this capitalist capital red again. London is conventionally seen as merely a combination of the financial centre in the City and the centre of governmental power in Westminster, a uniquely capitalist capital city. This book is about the third London - a social democratic twentieth-century metropolis, a pioneer in council housing, public enterprise, socialist design, radical local democracy and multiculturalism. This book charts the development of this municipal power base under leaders from Herbert Morrison to Ken Livingstone, and its destruction in 1986, leaving a gap which has been only very inadequately filled by the Greater London Authority under Livingstone, Boris Johnson and Sadiq Khan. Opposing currently fashionable bullshit about an imaginary metropolitan elite, this book makes a case for London pride on the left, and makes an argument for using that pride as a weapon against a government of suburban landlords that ruthlessly exploits Londoners.
  borrow the babadook pop-up book: The Painted Bird Jerzy Kosinski, 2000 Winner of the National Book Award The Painted Bird is one of the most shocking indictments of Nazi madness and terrors of the Holocaust during World War II. It is a story about the proximity of terror and savagery to innocence and love. It is a vivid and graphic portrayal of the hellish Nazi occupation of Eastern Europe as seen through the eyes of a boy struggling for survival, an alien child lost in a world gone mad.
  borrow the babadook pop-up book: Social Cognition Susan Fiske, 2023-01-09 This collection of selected publications illustrates the foundations of modern social cognition research and its development in the late 20th and early 21st century.
  borrow the babadook pop-up book: The Yellow Wallpaper Annotated Charlotte Perkins Gilman, 2021-04-16 The Yellow Wallpaper is a 6,000-word short story by American writer Charlotte Perkins Gilman, first published in January 1892 in New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's physical and mental health.The story is written in the first person as a series of journal entries. The narrator is a woman whose husband -- a physician -- has confined her to the upstairs bedroom of a house he has rented for the summer. She is forbidden from working and has to hide her journal entries from him so that she can recuperate from what he has diagnosed as a temporary nervous depression -- a slight hysterical tendency; a diagnosis common to women in that period. The windows of the room are barred, and there is a gate across the top of the stairs, allowing her husband to control her access to the rest of the house.The story illustrates the effect of confinement on the narrator's mental health, and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the room's wallpaper.
  borrow the babadook pop-up book: The Wild Simon Arizpe, 2016-05-01 THE WILD pop-up book is a new form of storytelling that allows the reader to interact with the story in a whole new way.
  borrow the babadook pop-up book: Pop-Up Peekaboo! Pumpkin DK, 2016-05-02 An interactive pop up book that inspires hands-on learning. Tactile elements and delightful imagery will encourage the development of motor skills and early learning. Bold, brightly colored pictures, lift-the-flap pages and entertaining rhymes. Pop up Peekaboo: Pumpkin provides slots of opportunities for parent-and-child interaction and hours of Halloween fun! Babies and toddlers will be enchanted by finding the surprises behind each flap. This interactive toddler book for 2 year olds helps teach young children object permanence, which is an important step in childhood development. Turning the pages and moving the pop-ups help toddlers learn motor control for improved dexterity. Inside the pages of this pop-up adventure book, you’ll find: Hands-on play that builds confident book skills Look-and-find peekaboo games that reward curiosity Rhythmic, read-aloud text that aids language development Rounded edges and chunky pages, protecting babys and their growing teeth! This pop up book has been designed as an all-round activity learning experience, to get the most out of story time. Read aloud the lively rhymes that create the amusing story for your kids to follow, and play a guessing game of who is behind the flap! The rhymes and the easy-to-read text help preschoolers remember the new words they are learning for early language development. Complete the Pop up book series! Surprise! The peekaboo fun doesn't stop here! Your little one will enjoy hours of hide-and-seek surprises with the My Pop-Up Series. Find your farmyard friends with Pop-Up Peekaboo! Farm, search the oceans in Pop-Up Peekaboo! Under the Sea and travel back in time to find dinosaurs in Pop-up Peekaboo! Baby Dinosaur and more!
BORROW Definition & Meaning - Merriam-Webster
The meaning of BORROW is to receive with the implied or expressed intention of returning the same or an equivalent. How to use borrow in a sentence.

BORROW | English meaning - Cambridge Dictionary
BORROW definition: 1. to get or receive something from someone with the intention of giving it back after a period of…. Learn more.

Borrow - Definition, Meaning & Synonyms - Vocabulary.com
The word borrow means to take something and use it temporarily. You can borrow a book from the library, or borrow twenty bucks from your mom, or even borrow an idea from your friend.

borrow verb - Definition, pictures, pronunciation and usage notes ...
Definition of borrow verb in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.

Borrow - definition of borrow by The Free Dictionary
If you borrow something that belongs to someone else, you use it for a period of time and then return it. Could I borrow your car? I borrowed this book from the library.

BORROW - Definition & Translations | Collins English Dictionary
If you borrow something that belongs to someone else, you take it, usually with their permission, intending to return it.

BORROW Definition & Meaning | Dictionary.com
Borrow definition: to take or obtain with the promise to return the same or an equivalent.. See examples of BORROW used in a sentence.

What does Borrow mean? - Definitions.net
Borrow refers to the act of taking or receiving something from someone with the intention of returning it after a certain period of time.

Lend or borrow ? - Grammar - Cambridge Dictionary
Borrow is a regular verb meaning ‘get something from someone, intending to give it back after a short time’: Could I borrow your pen for a minute, please? Laura used to borrow money from …

Borrow - Wikipedia
Borrow or borrowing can mean: to receive (something) from somebody temporarily, expecting to return it.

BORROW Definition & Meaning - Merriam-Webster
The meaning of BORROW is to receive with the implied or expressed intention of returning the same or an equivalent. How to use borrow in a sentence.

BORROW | English meaning - Cambridge Dictionary
BORROW definition: 1. to get or receive something from someone with the intention of giving it back after a period of…. Learn more.

Borrow - Definition, Meaning & Synonyms - Vocabulary.com
The word borrow means to take something and use it temporarily. You can borrow a book from the library, or borrow twenty bucks from your mom, or even borrow an idea from your friend.

borrow verb - Definition, pictures, pronunciation and usage notes ...
Definition of borrow verb in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.

Borrow - definition of borrow by The Free Dictionary
If you borrow something that belongs to someone else, you use it for a period of time and then return it. Could I borrow your car? I borrowed this book from the library.

BORROW - Definition & Translations | Collins English Dictionary
If you borrow something that belongs to someone else, you take it, usually with their permission, intending to return it.

BORROW Definition & Meaning | Dictionary.com
Borrow definition: to take or obtain with the promise to return the same or an equivalent.. See examples of BORROW used in a sentence.

What does Borrow mean? - Definitions.net
Borrow refers to the act of taking or receiving something from someone with the intention of returning it after a certain period of time.

Lend or borrow ? - Grammar - Cambridge Dictionary
Borrow is a regular verb meaning ‘get something from someone, intending to give it back after a short time’: Could I borrow your pen for a minute, please? Laura used to borrow money from …

Borrow - Wikipedia
Borrow or borrowing can mean: to receive (something) from somebody temporarily, expecting to return it.