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| carl czerny op 261: Czerny -- 125 Exercises for Passage Playing, Op. 261 Maurice Hinson, 1991 Op. 261 is a set of studies that covers a wide range of technical problems in a short, clear manner. They are appropriate for both early and advanced pianists. Techniques include arpeggios, change of fingers on repeated notes, change of hand position, chords, and many others. This collection is especially suitable to students with small hands since exercises in octave playing are not included. |
| carl czerny op 261: Carl Czerny Op.261 Carl Czerny, 1896 |
| carl czerny op 261: 101 Exercises Op. 261 Carl Czerny, Christine Brown, 2005-06-01 A brand new edition from Faber Music of Carl Czerny's famous piano studies. These 101 exercises cover a wide range of piano technique in a clear and concise manner, focusing on strengthening fingers, developing stylistic awareness and improving technical control. Edited by one the UK's leading piano pedagogues Christine Brown, there are also helpful practice notes included, making this an invaluable resource for every pianist, whether beginner or returning to piano study. |
| carl czerny op 261: 100 Progressive Studies without Octaves, Op. 139 Carl Czerny, Maurice Hinson, 2005-05-03 Op. 139 begins with an easy level of pieces and gradually increases to a moderately difficult level. Some of the technical devices in these pieces include: right-hand melody with left-hand accompaniment; diatonic and chromatic scalar and arpeggio figurations; syncopated melodies and trills. Many of the studies can be transposed into other keys and practiced at varied tempos. |
| carl czerny op 261: School of Velocity, Op. 299 (Complete) Carl Czerny, Willard A. Palmer, 2005-05-03 This popular volume offers practical training in well-articulated pianistic passage work, particularly in playing the virtuoso music of the romantic period. In addition to this, each study is a complete music composition, demanding attention to dynamics and phrasing. Students who master Opus 299 have indeed progressed a long way in the school of velocity. Available in a 112-page complete volume or in two separate books. |
| carl czerny op 261: 160 8-Measure Exercises, Op. 821 Carl Czerny, Maurice Hinson, 2005-05-03 Czerny's Op. 821 is an enjoyable collection of eight-measure exercises including scalar figurations, contrast of legato and staccato, trills, arpeggios, transposition, ornamentation and more. Their brevity and attractive melodies and figurations make them most appealing. Czerny himself recommended that each of these exercises be practiced at least eight times in succession. They are written for the intermediate to advanced student. |
| carl czerny op 261: Czerny -- Selected Piano Studies, Vol 1 Carl Czerny, 1986-10 As there are several hundred piano studies by Czerny, it might become confusing to attempt to pick out the most effective exercises. To overcome this problem, Heinrich Germer, the original editor, chose those he thought were best. Willard A. Palmer has made several changes to metronome markings, fingerings and pedal indications where he felt certain passages needed clarification. |
| carl czerny op 261: The Young Pianist, Opus 823 (Complete) Carl Czerny, Willard A. Palmer, 2005-05-03 Carl Czerny, a student of Ludwig van Beethoven, who then taught Franz Liszt, combined his ability to analyze technique with his years of teaching experience to create exercises that increase the technical ability of the piano student. In this 80-page edition, his pieces systematically introduce notes of various time-values and other musical principles in similar order. The book's many exercises are preceded by invaluable reference materials. In the second half of this volume, the exercises move into a more difficult study of such things as turns, trills, arpeggios, phrasing and more. |
| carl czerny op 261: 125 Exercises for Passage Playing, Op. 261 Carl Czerny, Maurice Hinson, 2005-05-03 Op. 261 is a set of studies that covers a wide range of technical problems in a short, clear manner. They are appropriate for both early and advanced pianists. Techniques include arpeggios, change of fingers on repeated notes, change of hand position, chords, and many others. This collection is very suitable for students with small hands because exercises in octave playing are not included. |
| carl czerny op 261: Czerny-Schaum, Book Two Carl Czerny, John W. Schaum, 1999-12-14 Every pianist needs a book of exercises to help them develop technical skills needed to perform any type of music from classical to jazz and pop to rock. Carl Czery is considered the founder of modern piano technique, and using the Czerny-Schaum exercises will improve piano technique for all late elementary to early intermediate students. The Czerny-Schaum edition is based on selections from Op. 599, Op. 139, Op. 821, Op. 718, Op. 636, and Op. 261. The objective is to bring together excerpts that stress many varieties of technical problems. Special emphasis is placed on equal development of both hands and the technical points are equally divided between the right and the left hands. Using the Czerny-Schaum exercises will improve piano technique for all late elementary to early intermediate students. |
| carl czerny op 261: 24 Studies for the Left Hand, Op. 718 Carl Czerny, Maurice Hinson, 2005-05-03 Czerny's Op. 718 is a set of 24 studies that emphasize training of the left hand. The work is not a collection of left-hand solo studies as one might guess from the title, though it focuses on the dexterity of the left hand. The studies include the following types of technique: scales, double thirds, full (four-note) chords, arpeggios, skips, melody and accompaniment in the left-hand part, and many others. |
| carl czerny op 261: My Music Journal - Student Assignment Book Hal Leonard Corp, 1997-04 (Educational Piano Library). Includes a one-year practice planner with lesson assignment pages, a dictionary of music terms, a music history timeline, keyboard guide, and staff paper. |
| carl czerny op 261: After the Golden Age Kenneth Hamilton, 2008 Hamilton dissects the oft invoked myth of a 'Great Tradition', or Golden Age of pianism. He then goes on to discuss the performance style great pianists, from Liszt to Paderewski, and delves into the far from inevitable development of the piano recital. |
| carl czerny op 261: Practical Method, Op. 599 (Complete) Carl Czerny, Willard A. Palmer, 2005-05-03 While Czerny's excellent fingering has been preserved, all unnecessary fingering has been removed by editor Willard A. Palmer. The book begins with lessons on learning the notes and introduces students to the various technical studies of keyboard music. In this edition, the music has been widely spaced for easy reading. |
| carl czerny op 261: Technical Skills, Level 6 Jane Magrath, A progressive series of motivating technical volumes for students who may not always desire technical work. Useful for the transfer student as well as for students working in progressive order. Designed to develop finger fluency and skill in playing chords. May be used with Masterwork Classics or separately. |
| carl czerny op 261: Selected Piano Studies Carl Czerny, Heinrich Germer, 2012 |
| carl czerny op 261: Carl Czerny - Practical Method for Beginners, Op. 599 (Music Instruction) Matthew Edwards, 2011-12-01 (Schirmer Performance Editions). Czerny's popular piano exercises now available in an easy-to-read edition with performance and historical notes. Includes audio of performances demonstrating how the pieces may be thought of as real literature rather than mechanical etudes. |
| carl czerny op 261: Two-part inventions Johann Sebastian Bach, Christopher Taylor, 2014 Classical/Opera Piano Solos |
| carl czerny op 261: Essential Keyboard Études Albert Mendoza, 2015-08-18 This essential collection of 100 piano études is divided into 15 units that survey the technical challenges at the early intermediate, intermediate, and late intermediate levels. The early units review technical issues that students experience at the elementary levels, such as five-finger patterns and articulations. The later units introduce more difficult technical challenges that prepare students for advanced repertoire, such as playing ornamentation, octaves, and large chords. Each unit contains between five and ten études written by master composers from the Baroque, Classical, Romantic, and Contemporary periods. Within each unit, the études are arranged in order of difficulty. Each piece appears in its original form; notes have not been added or removed. The composers' original dynamics, tempo marks, phrase indications, and articulations have been preserved. Ornamentation is realized in footnotes. Added measure numbers provide easy reference, and editorial suggestions for fingering and pedaling have been provided. A concise foreword discusses technique at the intermediate levels. Two indexes are included: one by unit and technical skill, and another by level and composer. Unit listing: * Five-Finger Patterns * Articulation * Coordination between the Hands * Scales * Triads, Inversions, and Broken Chords * Double Notes * Left-Hand Development * Velocity * Arpeggios * Finger and Hand Independence * Repeated Notes * Accompaniment Patterns * Ornamentation * Octaves * Four- and Five-Note Chords Titles: * Alla Tarantella (from 12 Études), Op. 39, No. 2 (MacDowell) * Étude in A Minor (Arabesque) (from 25 Easy and Progressive Studies), Op. 100, No. 2 (Burgmüller) * Étude in B-flat Major (from 25 Melodious Studies), Op. 108, No. 10 (Schytte) * Étude in C Major (from Practical Method for the Pianoforte), Op. 249, No. 65 (Köhler) * Étude in F Major (from The First Steps of the Young Pianist), Op. 82, No. 39 (Gurlitt) * Étude in G Major (from 25 Elementary Studies), Op. 176, No. 20 (Duvernoy) * Étude in D Minor (Warrior's Song) (from 25 Melodic Studies), Op. 45, No. 15 (Heller) * Étude in G Minor (from Training of the Left Hand), Op. 89, Book II, No. 6 (Berens) * Exercise in C Major (from Étude for the Pianoforte), Op. 39, No. 1 (Cramer) * Little Étude (from Album for the Young), Op. 68, No. 14 (Schumann) * Maria (romanza sin palabras) (from Six Expressive Studies) (Granados) * Menuetto (from First Term at the Piano), Sz. 53, No. 16 (Bartók) and many more! |
| carl czerny op 261: Czerny-Schaum, Book One Carl Czerny, John W. Schaum, 1999-12-14 Carl Czerny was a prolific composer who wrote approximately 1,000 published works. As a pupil of Beethoven and the teacher of Franz Liszt, he was a transmitter of ideas from one great master to another. His many collections of exercises and studies range from the easy and progressive to the virtuoso. The Czerny-Schaum edition is based on selections from Op. 599, Op. 139, Op. 821, Op. 718, Op. 636, and Op. 261. The objective is to bring together, in condensed form, excerpts that stress many varieties of technical problems. Special emphasis is placed on equal development of both hands. The technical points are equally divided between the right and the left hands. The exercises are purposely left brief, thereby avoiding stiffness and tension. Using the Czerny-Schaum exercises will improve piano technic when used in conjunction with a program of balanced repertoire. |
| carl czerny op 261: Pischna -- Technical Studies , 1971-06 Comprised of 60 challenging and musically satisfying exercises, this book accentuates dynamics, rhythm and sensitivity to tempo. With a steady progression of difficulty, these rigorous studies also strengthen the hand, build greater flexibility and enhance finger dexterity. The exercises are transposed and written out in every key. Notations for fingering, dynamics and tempo have been included by the editor. |
| carl czerny op 261: Liszt in Context Joanne Cormac, 2021-10-31 Liszt in Context explores the political, social, philosophical and professional currents that surrounded Franz Liszt and illuminates the competing forces that influenced his music. Liszt was immersed in the religious, political and cultural debates of his day, and moved between institutions, places, and social circles with ease. All of this makes for a rich contextual tapestry against which Liszt composed some of the most iconic, popular, and also contentious music of the nineteenth century. His significance and astonishing reach cannot be over-stated, and his presence in nineteenth-century European culture, and his continuing influence into the twentieth and twenty-first centuries, are overwhelming. The focus on context, reception, and legacy that this volume provides reveals the multifaceted nature of Liszt's impact during his lifetime and beyond. |
| carl czerny op 261: Hanon-Schaum, Bk 1 , 2002-02 The Virtuoso Pianist first appeared in 1873 and has become one of the standards of piano technique throughout the world. For this edition, Mr. Schaum has used eighth notes instead of sixteenth notes and has indicated hands played two octaves apart for ease in reading. With the modifications indicated by Mr. Schaum, this valuable set of exercises is suitable for elementary students. Mr. Schaum also provides valuable performance suggestions and an informative preface by Charles Hanon. |
| carl czerny op 261: Technical Skills, Level 4 Jane Magrath, A progressive series of motivating technical volumes for students who may not always desire technical work. Useful for the transfer student as well as for students working in progressive order. Designed to develop finger fluency and skill in playing chords. May be used with Masterwork Classics or separately. |
| carl czerny op 261: 101 exercises, op. 261 Carl Czerny, 1900 |
| carl czerny op 261: Accenting the Classics Deborah Mawer, Barbara L. Kelly, Rachel Moore, Graham Sadler, 2023 Brings new insights to the music of well-known European composers by telling a fascinating, little-known story about French music publishing, specifically through the lens of Jacques Durand's Édition Classique. French composers, performers and musicologists acted as editors of eighteenth- and nineteenth-century European 'classics', primarily for piano. Among these editors were Fauré, Saint-Saëns, Debussy, Ravel and Dukas; the objects of their enquiries included core works by Rameau, Bach, Mozart, Beethoven, Mendelssohn, Schumann and Chopin. Presenting six composer-editor case studies, the volume shows that the French 'accent', both musical and cultural, upon this predominantly Austro-German music was highly varied. Editorial responses range from scholarly approaches to those directed by performance or compositional agendas, and from pan-European to strongly patriotic stances. Intriguing intersections are revealed between old and new, and between French and cross-European canons. Beyond editing, the book explores the Édition's role in pedagogy and performance, including by pianists Robert Casadesus and Yvonne Loriod, and in the reassertion of contemporary French composition, especially regarding innovation around neoclassicism. It will interest a wide readership, including musicologists, performers and concert-goers, cultural historians and other humanities scholars. |
| carl czerny op 261: Catalogue of (printed) music. Music. Accessions, pt.[1]-94 British museum dept. of pr. books, 1884 |
| carl czerny op 261: Technical Skills, Level 5 Jane Magrath, A progressive series of motivating technical volumes for students who may not always desire technical work. Useful for the transfer student as well as for students working in progressive order. Designed to develop finger fluency and skill in playing chords. May be used with Masterwork Classics or separately. |
| carl czerny op 261: Catalogue of Music British Museum, 1889 |
| carl czerny op 261: O Grande Livro Volume 16 Marcelo Torca, 2019-06-15 Coleção Variada: Grupo Instrumental Marcelo Torca Marcelo Torca Instrumental Repertório MACRISAN 2017 Coleção Verão |
| carl czerny op 261: Coleção Variada Marcelo Torca, 2012-04-17 50 músicas de vários autores. |
| carl czerny op 261: Coleção Variada Viii Marcelo Torca, 2012-04-21 A coleção completa, tendo os livros de Acordeão, Cavaquinho, Piano, Guitarra, Viola Caipira, Violão, Bandolim, Escaleta, Baixo, Flauta-doce. A Coleção Variada VIII reúne os livros da Coleção Variada de I a VII. Carl Czerny. 1. Op. 261 nº 1. 2. Op. 261 nº 5. 3. Op. 261 nº 10. 4. Op. 261 nº 4. 5. Op. 261 nº 11. 6. Op. 261 nº 12. 7. Op. 599 nº 18. Georges Bull. Do livro 25 Pequenos Estudos, Op. 80. 8. A Passos Curtos. 9. Passeio Matinal. 10. A Hora de Aula. 11. Perto da Lareira. 12. Fuga Para o Campo. Johann Sebastian Bach. Do livro O Pequeno Livro de Anna Magdalena. 13. Minueto IV. 14. Minueto V. 15. Minueto VII. 16. Polonese X. 17. Minueto XV. 18. Marcha XVIII. 19. Museta XXII. 20. Minueto XXXVI. Marcelo Torcato. 21. Prova 7. 22. Prova 1. 23. Prova 2. 24. Alegre. 25. Escala em Dó Maior: Exercício 1. 26. É Folia. 27. Escala em Sol maior: Exercício 2. 28. A Pedra. 29. Bem Rápido. 30. A Cesta. 31. Em Quiálteras. 32. Marcha do Amanhecer. 33. Pensando 34. Escala em Mib Maior: Exercício 3. 35. Uma Tristeza. 36. Tocar. 37. Ilha Kwep. 38. Simples 2. 39. correndo. 40. Refletindo. Vários Autores. 41. Dona Nobis Pacem. Anônimo. 42. Minueto. Luigi Boccherini. 43. First Theme From Polovetzian Dances. From Prince Igor. Alexander Borodin. 44. Lullaby. Johannes Brahms. 45. Pompas e Circunstâncias Marcha nº 1. Edward Elgar. 46. Hallelujan. George Frideric Handel. 47. Lasciatemi Morire. Claudio Monteverdi. 48. Can Can. Jacques Offenbach. 49. The Strifes Is O´Er. Giovanni Pierluigi da Palestrina. 50. Valsa das Flores. Pyotr Il´yich Tchaikovsky. |
| carl czerny op 261: Coleção Variada Iii Marcelo Torca, 2012-04-21 Carl Czerny. 1. Op. 261 nº 1. 2. Op. 261 nº 5. 3. Op. 261 nº 10. 4. Op. 261 nº 4. 5. Op. 261 nº 11. 6. Op. 261 nº 12. 7. Op. 599 nº 18. Georges Bull. Do livro 25 Pequenos Estudos, Op. 80. 8. A Passos Curtos. 9. Passeio Matinal. 10. A Hora de Aula. 11. Perto da Lareira. 12. Fuga Para o Campo. Johann Sebastian Bach. Do livro O Pequeno Livro de Anna Magdalena. 13. Minueto IV. 14. Minueto V. 15. Minueto VII. 16. Polonese X. 17. Minueto XV. 18. Marcha XVIII. 19. Museta XXII. 20. Minueto XXXVI. Marcelo Torcato. 21. Prova 7. 22. Prova 1. 23. Prova 2. 24. Alegre. 25. Escala em Dó Maior: Exercício 1. 26. É Folia. 27. Escala em Sol maior: Exercício 2. 28. A Pedra. 29. Bem Rápido. 30. A Cesta. 31. Em Quiálteras. 32. Marcha do Amanhecer. 33. Pensando 34. Escala em Mib Maior: Exercício 3. 35. Uma Tristeza. 36. Tocar. 37. Ilha Kwep. 38. Simples 2. 39. correndo. 40. Refletindo. Vários Autores. 41. Dona Nobis Pacem. Anônimo. 42. Minueto. Luigi Boccherini. 43. First Theme From Polovetzian Dances. From Prince Igor. Alexander Borodin. 44. Lullaby. Johannes Brahms. 45. Pompas e Circunstâncias Marcha nº 1. Edward Elgar. 46. Hallelujan. George Frideric Handel. 47. Lasciatemi Morire. Claudio Monteverdi. 48. Can Can. Jacques Offenbach. 49. The Strifes Is O´Er. Giovanni Pierluigi da Palestrina. 50. Valsa das Flores. Pyotr Il´yich Tchaikovsky. |
| carl czerny op 261: Coleção Variada Iv Marcelo Torca, 2012-04-21 Carl Czerny. 1. Op. 261 nº 1. 2. Op. 261 nº 5. 3. Op. 261 nº 10. 4. Op. 261 nº 4. 5. Op. 261 nº 11. 6. Op. 261 nº 12. 7. Op. 599 nº 18. Georges Bull. Do livro 25 Pequenos Estudos, Op. 80. 8. A Passos Curtos. 9. Passeio Matinal. 10. A Hora de Aula. 11. Perto da Lareira. 12. Fuga Para o Campo. Johann Sebastian Bach. Do livro O Pequeno Livro de Anna Magdalena. 13. Minueto IV. 14. Minueto V. 15. Minueto VII. 16. Polonese X. 17. Minueto XV. 18. Marcha XVIII. 19. Museta XXII. 20. Minueto XXXVI. Marcelo Torcato. 21. Prova 7. 22. Prova 1. 23. Prova 2. 24. Alegre. 25. Escala em Dó Maior: Exercício 1. 26. É Folia. 27. Escala em Sol maior: Exercício 2. 28. A Pedra. 29. Bem Rápido. 30. A Cesta. 31. Em Quiálteras. 32. Marcha do Amanhecer. 33. Pensando 34. Escala em Mib Maior: Exercício 3. 35. Uma Tristeza. 36. Tocar. 37. Ilha Kwep. 38. Simples 2. 39. correndo. 40. Refletindo. Vários Autores. 41. Dona Nobis Pacem. Anônimo. 42. Minueto. Luigi Boccherini. 43. First Theme From Polovetzian Dances. From Prince Igor. Alexander Borodin. 44. Lullaby. Johannes Brahms. 45. Pompas e Circunstâncias Marcha nº 1. Edward Elgar. 46. Hallelujan. George Frideric Handel. 47. Lasciatemi Morire. Claudio Monteverdi. 48. Can Can. Jacques Offenbach. 49. The Strifes Is O´Er. Giovanni Pierluigi da Palestrina. 50. Valsa das Flores. Pyotr Il´yich Tchaikovsky. |
| carl czerny op 261: Catalogue of the Library of the Sacred Harmonic Society Sacred Harmonic Society (London, England), 1853 |
| carl czerny op 261: They Shot, He Scored James K. Wright, 2019-04-30 Eldon Davis Rathburn (1916-2008), one of the most multi-dimensional, prolific, and endlessly fascinating composers of the twentieth century, wrote more music than any other Canadian composer of his generation. During a long and productive career that spanned seventy-five years, Rathburn served for thirty years as a staff composer with the National Film Board of Canada (1947-76), scored the first generation of IMAX films, and created a diverse catalogue of orchestral and chamber works. With the aid of extensive archival and documentary materials, They Shot, He Scored chronicles Rathburn's life and works, beginning with his formative years in Saint John, New Brunswick, and his breakthrough in Los Angeles in connection with Arnold Schoenberg and the LA Philharmonic Orchestra. The book follows his work at the NFB, his close encounters with some of the most celebrated international figures in his field, and his collaboration with the team of innovators who launched the IMAX film corporation. James Wright undertakes a close analytical reading of Rathburn's film and concert scores to outline his methods, compositional techniques, influences, and idiosyncratic approach to instrumentation, as well as his proto-postmodern proclivity for borrowing from diverse styles and genres. Authoritative and insightful, They Shot, He Scored illuminates the extraordinary career of an unsung creative force in the film and music industry. |
| carl czerny op 261: Catalogue of the Library of the Sacred Harmonic Society Sacred Harmonic Society (London), 1853 |
| carl czerny op 261: Catalogue of the library of The Sacerd Harmonic Sooiety. A new edition, revised and augmented , 1872 |
如何通俗的解释普票与专票的区别？ - 知乎
2.关注Carl的财税圈，帮你合法合理地省钱，立志让你做最省心的老板。 3.解读最新的税收热点，分享最优的税筹方式。 Carl的财税圈，您身边的财税管家。 全网最全税筹防坑指南 “假税筹” …
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上了大学之后都说他破罐破摔放弃自己，可是Carl给他打电话时候，他迫不及待想多知道点家里的事，问liam的湿疹，问缺不缺钱，他也想家呀。
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19世纪，一位名叫卡尔·温德利希（Carl Wunderlich）的德国内科医生首次确定人体正常体温为37 ℃，超过38 ℃即为发热，这种说法一直延续至今。 而根据现代医学家测量的数据，近百年 …
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其实完全不用外部工具，Word就有很好的效果。
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Carl的财税圈，您身边的财税管家。 全网最全税筹防坑指南 “假税筹”的风险，你还不知道？ 一文读懂企业税筹：避开95%的坑。 注重自家税务问题，会计不是万能的！ 你还在用私账发工资 …
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如何通俗的解释普票与专票的区别？ - 知乎
2.关注Carl的财税圈，帮你合法合理地省钱，立志让你做最省心的老板。 3.解读最新的税收热点，分享最优的税筹方式。 Carl的财税圈，您身边的财税管家。 全网最全税筹防坑指南 “假税 …
对一个陌生的英文名字，如何快速确定哪个是姓哪个是名？ - 知乎
这里我以美国人的名字为例，在美国呢，人们习惯于把自己的名字 (first name)放在前,姓放在后面 (last name). 这也就是为什么叫first name或者last name的原因（根据位置摆放来命名的）。 比 …
如何评价《无耻之徒》（Shameless）中 Lip 这一角色？ - 知乎
上了大学之后都说他破罐破摔放弃自己，可是Carl给他打电话时候，他迫不及待想多知道点家里的事，问liam的湿疹，问缺不缺钱，他也想家呀。
人体正常的体温范围是多少? - 知乎
19世纪，一位名叫卡尔·温德利希（Carl Wunderlich）的德国内科医生首次确定人体正常体温为37 ℃，超过38 ℃即为发热，这种说法一直延续至今。 而根据现代医学家测量的数据，近百年 …
如何优雅地在文档中插入代码？ - 知乎
其实完全不用外部工具，Word就有很好的效果。
我自己是公司法定代表人，从公司对公账户转到我自己私人账户违 …
Carl的财税圈，您身边的财税管家。 全网最全税筹防坑指南 “假税筹”的风险，你还不知道？ 一文读懂企业税筹：避开95%的坑。 注重自家税务问题，会计不是万能的！ 你还在用私账发工资 …
做影响因素分析都有哪些方法，怎么确定用哪种模型？ - 知乎
上面是随机找的2020年前的DEMATEL-ISM联用的方法。注意，上面没有一篇是对的。 全特么的错的，而且全部是目测可见的错误。 DEMATEL方法本身也是可以做影响因素分析的。 这个方 …
我注册了一个个人有限公司，想自己报税，应该怎么做？ - 知乎
刚注册公司，想自己记账报税不懂怎么做？ 看我这篇就够了！全网最全报税攻略，建议收藏！ 小白看一遍就会了！看不懂的话就只能建议花点钱交给第三方了。 前几年，我朋友想注册一家 …
历史上最伟大的数学家有哪些 或者 给出top10排名？ - 知乎
分个类 第一级别，传说级数学家，达到可以开宗立派，改写数学史的级别，没有这个人，数学发展不起来。 这一个级别中我认为有四个，欧拉，高斯，黎曼，牛顿 第二级别，大师级数学家， …
真空中光速为什么是 299792458 米/秒？ - 知乎
韦伯受高斯（Carl Friedrich Gauss）邀请，共同研究电磁学中的单位转换问题。 在研究过程中，为了测定一个关键的转换量，他和科尔劳斯进行了相关测定实验。 这个测定的量纲为速度的常 …
