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| bordogni: Melodious Etudes for Trombone Marco Bordogni, 1928 |
| bordogni: Guide to the Tuba Repertoire, Second Edition R. Winston Morris, 2006-11-08 Guide to the Tuba Repertoire is the most comprehensive investigation ever undertaken into the literature and discography of any single musical instrument. Under the direction of R. Winston Morris and Daniel Perantoni, this publication represents more than 40 years of research by dozens of leading professionals throughout the world. The guide defines the current status of the tuba and documents its growth since its inception in 1835. Contributors are Ron Davis, Jeffrey Funderburk, David Graves, Skip Gray, Charles A. McAdams, R. Winston Morris, Mark A. Nelson, Timothy J. Northcut, Daniel Perantoni, Philip Sinder, Joseph Skillen, Kenyon Wilson, and Jerry A. Young. |
| bordogni: An Illustrated Dictionary for the Modern Trombone, Tuba, and Euphonium Player Douglas Yeo, 2021-10-28 Prominent scholar and performer Douglas Yeoprovides an accessible reference guide for all instruments in the low brass family and addresses a broad range of relevant topics with ready answers to issues that students, players, and conductors encounter. Extensive illustrations by Lennie Peterson provide clear insight into many of the entries. |
| bordogni: Twenty Counterparts Tom Ervin, 2005-01-01 |
| bordogni: The Musical World , 1855 |
| bordogni: ITA Journal , 2008 |
| bordogni: A Dictionary of Musical Information John Weeks Moore, 1876 |
| bordogni: Complete Vocalises for Trombone Giulio Bordogni, Michael Mulcahy, 2015-07-03 This Encore edition, by Chicago Symphony Orchestra trombonist Michael Mulcahy, is the only comprehensive version every published for trombone and is carefully engraved to the highest quality standards. The book contains all 120 of the Bordogni Melodious Etudes.The many errors that exist in the old trombone editions are now corrected in this new book. The Bordogni Vocalises (also known as the Melodious Etudes) are essential for all trombonists.In the text, concepts of performance technique are discussed and applied to the music. The more advanced Vocalises are presented in tenor or alto clef. Additionally, Mr. Mulcahy offers several complete interpretations of etudes. In short, this is a new Bordogni. |
| bordogni: Le Guide Musical , 1856 |
| bordogni: To-day , 1852 |
| bordogni: Melodious Etudes for Trombone Marco Bordogni, 1928 |
| bordogni: Bassoon Reed Making Christin Schillinger, 2015-12-14 Withheld by leading pedagogues in an effort to control competition, the art of reed making in the early 20th century has been shrouded in secrecy, producing a generation of performers without reed making fluency. While tenets of past decades remain in modern pedagogy, Christin Schillinger details the historical pedagogical trends of bassoon reed making to examine the impact different methods have had on the practice of reed making and performance today. Schillinger traces the pedagogy of reed making from the earliest known publication addressing bassoon pedagogy in 1687 through the publication of Julius Weissenborn's Praktische Fagott-Schule and concludes with an in-depth look at contemporary methodologies developed by Louis Skinner, Don Christlieb, Norman Herzberg, and Lewis Hugh Cooper. Aimed at practitioners and pedagogues of the bassoon, this book provides a deeper understanding of the history and technique surrounding reed-making craft and instruction. |
| bordogni: A Memoir of Michael William Balfe Charles Lamb Kenney, 1875 |
| bordogni: Technical Studies for the Cornet Herbert L. Clarke, There are many books written for the Piano, Violin, etc., entirely devoted to Technic. This Work is especially written to enable the Student, by practice and application, to overcome any obstacle which may occur in musical passages written for the Cornet. By controlling the Wind Power to play these Exercises as written, in one breath, the Student will acquire ENDURANCE without strain or injury. Train the Muscles which control the Lips, to make them elastic and strong, as only a slight pressure is necessary, and not brute force. The highest as well as the lowest notes can be played with equal tone quality if practiced according to the instructions that precede each Study. Every Cornet Player should have reached a degree of excellence before attempting to play these Exercises. To become an Expert on the Cornet, one should be familiar with as many Cornet Methods as possible, and so gain the experience of each. Every Exercise in this Book is possible, and not so very difficult if practiced slowly at first, and not too long at a time. I have used them for my daily practice for years, and they have been the means of my reaching the highest notes after playing a two-hour Concert, also of preserving my lips so that they never tire, and what has been a help to me is surely good for other Cornet Players. You cannot expect to attain the highest point of excellence without hard work and perseverance. Never be perfectly satisfied with yourself. Try to make some improvement each day, feeling that it is a pleasure to have conquered that which seemed an impossibility at first. Do not neglect to correct immediately the least fault you make. Bad habits are easily formed, but are difficult to remedy. There are few Celebrated Cornet Soloists, although thousands play the instrument. Most players abuse their practicing by not knowing the proper way, and neglecting to pay more attention to the elementary work. These Studies have been found to be excellent for Clarinet Players as well as Cornet Players. The Clarinet being a Wind Instrument also, all these Exercises will appeal to the Player of that Instrument by following the same instructions. |
| bordogni: Donizetti and His Operas William Ashbrook, 1982 The series will include both new and recent titles drawn from the whole range of the Press's very substantial publishing programs. |
| bordogni: The Low Horn Boot Camp John Ericson, 2019-07-09 A volume of effective materials for initial low horn study, this expanded second edition includes text on low range development and a special edition of the classic Bordogni Vocalises. This version is based on a 19th century vocal edition by Ferdinand Gumbert, presented in low treble clef and low bass clef. The low bass clef version is a fourth lower than that widely used on the trombone, with the low treble clef version providing a logical stepping stone toward developing the lowest range of the horn. |
| bordogni: Revue des deux mondes François Buloz, Charles Buloz, Ferdinand Brunetière, Francis Charmes, René Doumic, André Chaumeix, 1857 |
| bordogni: A Dictionary of Musical Information. Containing ... a List of Modern Musical Works Published in the United States from 1640 to 1875 John Weeks Moore, 1876 |
| bordogni: Critique et littérature musicales Paul Scudo, 1859 |
| bordogni: The National Union Catalog, Pre-1956 Imprints Library of Congress, American Library Association. Committee on Resources of American Libraries. National Union Catalog Subcommittee, 1970 |
| bordogni: Revue des deux mondes , 1857 |
| bordogni: Intermediate Studies for Developing Artists on Trumpet Howard Hilliard, 2013-05-01 (Meredith Music Resource). This text covers every possible style appropriate to an intermediate book for brass. It includes music from the 14th century up to the beginning of the 20th century from dozens of countries, including original compositions that mimic many historic styles. The musical selections outside the standard repertoire compare well in quality to the more famous works, and have unique elements that increase students' musical vocabulary. Includes: challenging and rewarding music in a comfortable range for students with braces; musical exercises to teach phrasing; and lip slur exercises. The great musical examples make practicing feel effortless and enriching! In addition to classical etudes, a number of jazz etudes are incorporated that represent important styles including Dixieland, Swing, Bebop, Blues and various Latin forms. |
| bordogni: Queens of Song Ellen Creathorne Clayton, 1864 |
| bordogni: Auction catalogues of books Puttick and Simpson (messrs.), 1846 |
| bordogni: Sixty years of recollections, tr. with notes by A.D. Vandam Gabriel Jean B. Ernest W. Legouvé, 1893 |
| bordogni: Classic Festival Solos - Tuba, Volume 1 Jack Lamb, 1999-10-06 Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Titles: * Allegro (Saint-Saens, arr. Dishinger) * Aurora (Ostling) * Bordogni Medley (arr. Bowles) * Bourree (Handel, arr. Swanson) * Dance of the Slovaks (Bartok, arr. Dishinger) * The Elephant Dance (Weber) * Gallant Captain (arr. Ostling) * Largetto and Allegro (Handel, arr. Little) * Legend (Stoutamire) * Military March (arr. Little) * Minuet (Eccles, arr. Dishinger) * Sometimes I Feel Like A Motherless Child (Spiritual, arr. Barnes) * Where'er You Walk (Handel, arr. Swanson) * Work Song (Barnes) |
| bordogni: The Bassoon James B. Kopp, 2012-01-01 This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years' experience playing the instrument to provide an up-to-date and lively portrait of today's bassoon and its intriguing predecessors. He discusses the bassoon's makers, its players, its repertory, its myths, and its audiences, all in unprecedented detail. The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for processionals and marching. Composers were quick to exploit its agility and unique timbre. Later, during the reign of Louis XIV, the instrument underwent a major redesign, giving voice to its tenor register. In the early 1800s new scientific precepts propelled a wave of invention and design modifications. In the twentieth century, the multiplicity of competing bassoon designs narrowed to a German (or Heckel) type and a French type, the latter now nearly extinct. The author examines the acoustical consequences of these various redesigns. He also offers new coverage of the bassoon's social history, including its roles in the military and church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume [Publisher description]. |
| bordogni: Sixty Years of Recollections Ernest Legouvé, 1893 |
| bordogni: Liszt Letters in the Library of Congress Franz Liszt, Library of Congress, 2003 Yet he did and, thankfully, considerable insight may be gained from this as to his relationships, compositional methods - especially with regard to publication of his works - philosophical thoughts, attitudes to literature, to other composers, other artists in different spheres, even, though more rarely, his approach to politics and, equally important, his religious leanings.. |
| bordogni: Records of the New York stage, from 1750 to 1860 Joseph Norton Ireland, 1867 |
| bordogni: Intermediate Studies for Developing Artists on Trombone/Euphonium Howard Hilliard, 2013-06-01 (Meredith Music Resource). This text covers every possible style appropriate to an intermediate book for brass. It includes music from the 14th century up to the beginning of the 20th century from dozens of countries, including original compositions that mimic many historic styles. The musical selections outside the standard repertoire compare well in quality to the more famous works, and have unique elements that increase students' musical vocabulary. Includes: challenging and rewarding music in a comfortable range for students with braces; musical exercises to teach phrasing; and lip slur exercises. The great musical examples make practicing feel effortless and enriching! In addition to classical etudes, a number of jazz etudes are incorporated that represent important styles including Dixieland, Swing, Bebop, Blues and various Latin forms. |
| bordogni: Rethinking Difference in Music Scholarship Olivia Ashley Bloechl, Melanie Diane Lowe, Jeffrey Kallberg, 2015-01-08 This major essay collection takes a fresh look at how differences among people matter for music and musical thought. |
| bordogni: Arban Complete Method for Tuba J. Arban, Jerry Young, Wesley Jacobs, 2015-06-13 The Arban Complete Method for Tuba-334 pages in length-is the premier publication for tubists. It is used at virtually every University and Conservatory in the world and it is at the core of every tubist's library. This book contains all of the original material from Arban's Trumpet Method plus extensive text by Dr. Jerry Young, Professor Emeritus of Tuba, The University of Wisconsin, Eau Claire. Tubists no longer need to transpose a trombone or trumpet version of Arban because this edition-complete in every way-is made for tuba. The Arban Method covers practically every aspect of technique. Dr. Young's superb explanations add unique value to this edition. This comprehensive book is in a class by itself and it is one of the essential books for tubists. This edition, printed by Amazon, is exactly the same as the U.S. edition but is not spiral bound. |
| bordogni: Complete Catalogue of Sheet Music and Musical Works published by the Board of Music Trade, etc Board of Music Trade (UNITED STATES OF AMERICA), 1870 |
| bordogni: Belle Assemblée , 1829 |
| bordogni: Le Mercure de France , 1835 |
| bordogni: La Belle Hélène. Opéra bouffe en 3 actes. Paroles de MM. H. Meilhac et L. Halévy. Partition Chant et Piano Jacques Offenbach, 1865 |
| bordogni: Critique et littérature P. Scudo, 1859 |
| bordogni: Les Bavards. Opéra Bouffe en 2 actes. Paroles de C. Nuitter Jacques Offenbach, 1863 |
| bordogni: Almanach musical , 1857 |
Marco Bordogni - Wikipedia
Giulio Marco Bordogni (23 January 1789 – 31 July 1856), usually called just Marco Bordogni, was an Italian operatic tenor and singing teacher of great popularity and success, whose mature …
Marco Bordogni (January 23, 1789 — July 31, 1856), Italian opera …
Giulio Marco Bordogni, usually called Marco Bordogni, was an Italian operatic tenor and singing teacher of great popularity and success, whose mature career was based in Paris. Bordogni …
M. Bordogni - Vocalise #1 [Play along] - YouTube
👉 Scores PDF: https://www.trumpetrecords.net/2023/0... ️ N.2: • M. Bordogni - Vocalise #2 [Play along] ...more
Category:Bordogni, Marco - IMSLP
Compositions by: Bordogni, Marco The following 4 pages are in this category, out of 4 total.
Marco Bordogni - Historical Tenors
Bordogni became a very important voice teacher, with lots of later famous pupils. Bordogni was praised for his virtuosity, his musicality and his vocal technique; not that much for the quality of …
319 THE USE OF SELECTED VOCALISES OF MARCO …
I shall review the "vocal" history of the trombone, similarities of developing legato style n the voice trombone, and specifically, the use of selected vocalises of Marco Bordogni (1789-1856)3 as …
Melodious Etudes For Trombone, Selected from the Vocalises of …
Apr 3, 2024 · From Rochut's afterword: "These Etudes transcribed from the Vocalises of Bordogni have been specially prepared for use by trombonists, to perfect their technic generally and in …
The Bordogni Vocalises - Nyx
Vocalises by Giulio Marco Bordogni (1789-1856) in large, handsome books, together with audio compact discs of Bordogni's own piano accompaniments created by computer synthesis. …
Bordogni, Giulio Marco - MGG Online
Bordogni, Giulio Marco *23. Jan. 1789 in Gazzaniga (bei Bergamo), †31. Juli 1856 in Paris, Sänger und Gesangspädagoge. Giulio Marco Bordogni entstammte einer armen Bauernfamilie.
Marco Bordogni - Free sheet music to download in PDF, MP3
Giulio Marco Bordogni (23 January 1789 ? 31 July 1856), usually called Marco Bordogni, was an Italian operatic tenor and singing teacher of great popularity and success, whose mature …
Marco Bordogni - Wikipedia
Giulio Marco Bordogni (23 January 1789 – 31 July 1856), usually called just Marco Bordogni, was an Italian operatic tenor and singing teacher of great popularity and success, whose mature …
Marco Bordogni (January 23, 1789 — July 31, 1856), Italian opera …
Giulio Marco Bordogni, usually called Marco Bordogni, was an Italian operatic tenor and singing teacher of great popularity and success, whose mature career was based in Paris. Bordogni …
M. Bordogni - Vocalise #1 [Play along] - YouTube
👉 Scores PDF: https://www.trumpetrecords.net/2023/0... ️ N.2: • M. Bordogni - Vocalise #2 [Play along] ...more
Category:Bordogni, Marco - IMSLP
Compositions by: Bordogni, Marco The following 4 pages are in this category, out of 4 total.
Marco Bordogni - Historical Tenors
Bordogni became a very important voice teacher, with lots of later famous pupils. Bordogni was praised for his virtuosity, his musicality and his vocal technique; not that much for the quality of …
319 THE USE OF SELECTED VOCALISES OF MARCO …
I shall review the "vocal" history of the trombone, similarities of developing legato style n the voice trombone, and specifically, the use of selected vocalises of Marco Bordogni (1789-1856)3 as …
Melodious Etudes For Trombone, Selected from the Vocalises of …
Apr 3, 2024 · From Rochut's afterword: "These Etudes transcribed from the Vocalises of Bordogni have been specially prepared for use by trombonists, to perfect their technic generally and in …
The Bordogni Vocalises - Nyx
Vocalises by Giulio Marco Bordogni (1789-1856) in large, handsome books, together with audio compact discs of Bordogni's own piano accompaniments created by computer synthesis. …
Bordogni, Giulio Marco - MGG Online
Bordogni, Giulio Marco *23. Jan. 1789 in Gazzaniga (bei Bergamo), †31. Juli 1856 in Paris, Sänger und Gesangspädagoge. Giulio Marco Bordogni entstammte einer armen Bauernfamilie.
Marco Bordogni - Free sheet music to download in PDF, MP3
Giulio Marco Bordogni (23 January 1789 ? 31 July 1856), usually called Marco Bordogni, was an Italian operatic tenor and singing teacher of great popularity and success, whose mature …
