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| caetano veloso tropicalia download: Revisões Historiográficas / Historiographical Revisions Ruth Verde Zein, 2021-12-27 Como ensinar e aprender história da arquitetura? Para responder essa inquietação de maneira certeira, são revisitados oito importantes livros panorâmicos sobre a arquitetura brasileira, produzidos em diferentes momentos do século XX e início do XXI. A organizadora e sua equipe de pesquisa exploram a possibilidade de combinar a medição quantitativa com interpretações de natureza mais subjetiva, revelando paradoxos complexos, não intuitivos, e talvez inesperados, dando forma a alguns dos vazios do cânon Este livro apresenta um conjunto metodológico de ferramentas para a revisão crítica de ideias repetidas e axiomas convertidos em cânones, possibilitando questionamentos e a abertura de novos caminhos. As tabelas e gráficos produzidos no livro são livremente interpretados e contraponteados pela visão de dezoito autores e autoras que contribuíram para o livro, desde jovens pesquisadores a renomados especialistas convidados/as. How to teach and learn architectural history? To answer this question, eight important panoramic books on Brazilian architecture, produced at different times in the twentieth century and early twenty-first, are revisited. The organizer and her research team explored the possibility of combining quantitative measurement extracted from these books with interpretations of a more subjective nature, revealing complex, non-intuitive, and unexpected paradoxes, shaping some of the canon's voids. The book presents a methodological set of tools for the critical revision of repeated ideas and axioms converted into canons, allowing for questioning, and opening new paths. The tables and graphs produced in the book are freely interpreted and counterpointed by the views of eighteen contributing authors, ranging from young researchers to renowned guest experts. (Marcio Cotrim, Prof. Dr. Arquiteto, FAU-UFBA). |
| caetano veloso tropicalia download: Tropical Truth Caetano Veloso, Veloso Caetano, 2004 Often described inadequately as the John Lennon or Bob Dylan of Brazil, Caetano Veloso is unquestionably one of the most influential and beloved of Brazilian artists and has developed a world-wide following. Now, in his long awaited memoir, he tells the heroic story of how, in the late 60s, he and a group of friends from the north-eastern state of Bahia created tropicalismo, the movement that shook Brazilian culture and civic order and pushed a nation then on the margins of world politics and economics into the pop avant-garde. Tropical Truth recounts the story of a country, its most subversive generation, and the odyssey of a brilliant constellation of artists. By turns erudite and playful, dreamlike and confessional, Tropical Truth is a revelation of Brazil's most famous artist, one of the greatest popular composers of the past century. |
| caetano veloso tropicalia download: The Mojo Collection Jim Irvin, 2009-06-04 Organised chronologically and spanning seven decades, The MOJO Collection presents an authoritative and engaging guide to the history of the pop album via hundreds of long-playing masterpieces, from the much-loved to the little known. From The Beatles to The Verve, from Duke Ellington to King Tubby and from Peggy Lee to Sly Stone, hundreds of albums are covered in detail with chart histories, full track and personnel listings and further listening suggestions. There's also exhaustive coverage of the soundtrack and hit collections that every home should have. Like all collections, there are records you listen to constantly, albums you've forgotten, albums you hardly play, albums you love guiltily and albums you thought you were alone in treasuring, proving The MOJO Collection to be an essential purchase for those who love and live music |
| caetano veloso tropicalia download: Making It Heard Rui Chaves, Fernando Iazzetta, 2019-12-12 From the mid-20th century to present, the Brazilian art, literature, and music scene have been witness to a wealth of creative approaches involving sound. This is the backdrop for Making It Heard: A History of Brazilian Sound Art, a volume that offers an overview of local artists working with performance, experimental vinyl production, sound installation, sculpture, mail art, field recording, and sound mapping. It criticizes universal approaches to art and music historiography that fail to recognize local idiosyncrasies, and creates a local rationale and discourse. Through this approach, Chaves and Iazzetta enable students, researchers, and artists to discover and acknowledge work produced outside of a standard Anglo-European framework. |
| caetano veloso tropicalia download: Memory, Empire, and Postcolonialism Alec Hargreaves, 2005-09-08 Long repressed following the collapse of empire, memories of the French colonial experience have recently gained unprecedented visibility. In popular culture, scholarly research, personal memoirs, public commemorations, and new ethnicities associated with the settlement of postcolonial immigrant minorities, the legacy of colonialism is now more apparent in France than at any time in the past. How is this upsurge of interest in the colonial past to be explained? Does the commemoration of empire necessarily imply glorification or condemnation? To what extent have previously marginalized voices succeeded in making themselves heard in new narratives of empire? While veils of secrecy have been lifted, what taboos still remain and why? These are among the questions addressed by an international team of leading researchers in this interdisciplinary volume, which will interest scholars in a wide range of disciplines including French studies, history, literature, cultural studies, and anthropology. |
| caetano veloso tropicalia download: Contracultura Christopher Dunn, 2016-11-14 Christopher Dunn’s history of authoritarian Brazil exposes the inventive cultural production and intense social transformations that emerged during the rule of an iron-fisted military regime during the sixties and seventies. The Brazilian contracultura was a complex and multifaceted phenomenon that developed alongside the ascent of hardline forces within the regime in the late 1960s. Focusing on urban, middle-class Brazilians often inspired by the international counterculture that flourished in the United States and parts of western Europe, Dunn shows how new understandings of race, gender, sexuality, and citizenship erupted under even the most oppressive political conditions. Dunn reveals previously ignored connections between the counterculture and Brazilian music, literature, film, visual arts, and alternative journalism. In chronicling desbunde, the Brazilian hippie movement, he shows how the state of Bahia, renowned for its Afro-Brazilian culture, emerged as a countercultural mecca for youth in search of spiritual alternatives. As this critical and expansive book demonstrates, many of the country’s social and justice movements have their origins in the countercultural attitudes, practices, and sensibilities that flourished during the military dictatorship. |
| caetano veloso tropicalia download: Brutality Garden Christopher Dunn, 2001 Brutality Garden: Tropicalia and the Emergence of a Brazilian Counterculture |
| caetano veloso tropicalia download: Rhythm Planet Tom Schnabel, 1998 Public Radio personality Tom Schnabel spotlights giants of the global genre like the late Sufi singer Nusrat Feteh Ali Kahn and this year's Grammy winner Milton Nascimiento, making Rhythm Planet both an antidote to the latest flavor of pop and an affirmation of music's power. 125 illustrations, 25 in color. |
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| caetano veloso tropicalia download: Cantaoras Loren Chuse, 2013-10-11 This book provides an in-depth ethnographic investigation of the greatly underestimated and underappreciated contributions of women singers, the cantaoras, to the creation, transmission and innovation in flamenco song. Situating the study of flamenco in the context of social and political currents that have shaped twentieth-century Spain, and drawing on interviews with the cantaoras themselves, Loren Chuse shows how flamenco is a complex of cultural practices at once musical, physical, verbal and social, involving the expression and negotiation of complex multi-layered identities, including notions of Andalusian, regional, gypsy and gender identity. Chuse shows how women are engaged in the formation of flamenco today, and how they respond to the balance and tensions between tradition and innovation. In so doing, she encourages a deeper appreciation of flamenco and initiates new approaches within ethnomusicology, feminist scholarship, flamenco, gender and popular music studies. |
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| caetano veloso tropicalia download: RITA LEE Wemerson Oliveira, 2023-05-15 Olá, sou Wemerson Oliveira, professor e observador da vida! Sendo professor, elaborei diversos livros para Concursos e Exames Seletivos. E também diversos tipos de materiais de estratégias e pesquisas sobre assuntos variados. Como observador da vida tenho escrito sobre assuntos relacionados sobre afetividade, emoções e desenvolvimento pessoal. Esse livro é uma homenagem a eterna Rita Lee, de ovelha negra da família da família, para Ovelha Ruiva do Rock. Rita Lee foi uma cantora, compositora, multi-instrumentista e ícone da música brasileira. Ela nasceu em São Paulo, em 1947, e desde cedo demonstrou interesse pela música. Aos 16 anos, ela se juntou aos Mutantes, banda que foi fundamental para sua carreira artística. Ao longo de sua carreira, Rita Lee se destacou não só como cantora, mas também como compositora, sendo responsável por muitos sucessos da música brasileira. Além disso, ela sempre se mostrou uma artista versátil, incorporando diferentes gêneros musicais em sua obra, desde o rock psicodélico dos Mutantes até o pop e a música eletrônica. Rita Lee também se envolveu em diversas polêmicas ao longo de sua carreira, incluindo questões relacionadas a drogas e política. No entanto, ela sempre se mostrou uma artista corajosa, que não tinha medo de expressar suas opiniões. Ovelha Negra, assim se dizia Que era Rita Lee, liberdade ou rebeldia? Sempre uma revolução Um estilo único, sem nenhuma limitação Banho de Espuma, um relaxamento Em meio à agitação, um momento de alento Entre shows e turnês, um pouco de paz Um banho quente, a alma se refaz Agora Só Falta Você, a busca pelo amor Depois de muitos relacionamentos, a esperança enfim chegou Encontrou Roberto de Carvalho, seu grande amor Juntos na música e na vida, um casal de valor Lança Perfume, a sedução em forma de canção Uma mistura de rock e pop, uma explosão O refrão chiclete, que não sai da cabeça Um clássico atemporal, que sempre enalteça Baila Comigo, a festa não pode parar Uma música contagiante, que faz dançar Uma vida intensa, cheia de emoção A música sempre presente, em toda situação Cor de Rosa Choque, o empoderamento feminino Uma música para mulheres, que lutam pelo seu destino Uma cor vibrante, que mostra a personalidade Rita Lee sempre autêntica, em sua verdade Mania de Você, o amor em sua forma mais pura Uma canção romântica, que acalenta a alma insegura A letra sensível, que fala do coração Rita Lee sempre intensa, em sua expressão Esse Tal de Rock Row, o rock em sua essência Uma música rebelde, que causa reboliço na audiência A guitarra rasgada, o ritmo acelerado Rita Lee sempre autêntica, sem nunca ter se afastado Doce Vampiro, o mistério em forma de música Uma letra que fala do desejo, que enlouquece a mente lúdica A voz sedutora, cheia de luz que encanta e seduz Nem Luxo, Nem Lixo, a simplicidade em sua forma Uma música que mostra que a vida não tem norma A letra crítica, que questiona o sistema Rita Lee sempre engajada, em sua luta extrema Caso Sério, a reflexão em forma de canção Uma letra que fala da vida, das suas transformações A voz forte, que mostra a sua opinião Rita Lee sempre corajosa, em sua expressão Amor e Sexo, a liberdade em sua plenitude Uma música que fala do amor, sem nenhuma atitude A letra quebra tabus, que mostra a verdadeira essência Rita Lee sempre à frente, em sua inteligência. |
| caetano veloso tropicalia download: Billboard , 2000-04-08 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| caetano veloso tropicalia download: New Spirits Stuart Baker, 2014 At the start of the 1960s, jazz entered a unique period of revolution as African-American musicians redefined the art form in the context of the Civil Rights Movement, Afro-centric rhythm and thought and an ideology of black economic empowerment. John Coltrane, Ornette Coleman, Sun Ra, Pharoah Sanders, Albert Ayler and others developed a new cosmology of sound that was as revolutionary as the social and political changes that took place in America throughout the decade. From the musical explorations of John Coltrane, Cecil Taylor and Ornette Coleman to the collective and community concerns of Chciago's Association for the Advancement of Creative Musicians and the black science fiction of Sun Ra, the new jazz musicians created a musical and cultural landscape from which jazz never looked back. This large-format deluxe hardback book features hundreds of stunning photographs of the new jazz musicians in the USA throughout the 1960s, presented with an introductory essay and biographies on the many artists included in the book. |
| caetano veloso tropicalia download: Ecstatic Encounters Mattijs van de Port, 2011 Reality does not comply with our narrations of it. And that is most certainly the case with the narrations produced in academia. An anthropologist in Bahia, Brazil, fears to become possessed by the spirits he had come to study; falls madly in love withan 'informant'; finds himself baffled by the sayings of a clairvoyant; and has to come to grips with the murder of one of his best friends. Unsettling events that do not belong to the orderly world of scientific research, yet leave their imprint on the way the anthropologist comes to understand the world. REflecting on his long research experience with the spirit possession cult Candomblâe, the author shows, in a probing manner, how definitions of reality always require the exclusion of certain perceptions, experiences and insights. And yet, this 'rest-of-what-is' turns out to be an inexhaustible source of amazement, seduction and renewal. --P [4] of cover. |
| caetano veloso tropicalia download: Universal Emancipation Nick Nesbitt, 2008 The Haitian Revolution was the first in a modern state to implement human rights universally and unconditionally. Going beyond the selective emancipation of white adult male property owners, the Haitian Revolution is of vital importance, the author argues, in thinking today about the urgent problems of social justice, human rights, imperialism, torture, and, above all, human freedom. He explores the invention of universal emancipation both in the context of the Age of Enlightenment (Spinoza, Rousseau, Kant, Hegel) and in relation to certain key figures (Ranciere, Laclau, Habermas) and trends (such as the turn to ethics, human rights, and universalism) in contemporary political philosophy. |
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| caetano veloso tropicalia download: Writing by Ear Marilia Librandi, 2016-06-26 Considering Brazilian novelist Clarice Lispector’s literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion According to G.H. (1964), Agua Viva (1973), The Hour of the Star (1977), and A Breath of Life (1978). What is the specific aesthetic for which listening-in-writing calls? What is the relation that listening-in-writing establishes with silence, echo, and the sounds of the world? How are we to understand authorship when writers present themselves as objects of reception rather than subjects of production? In which ways does the robust oral and aural culture of Brazil shape literary genres and forms? In addressing these questions, Writing by Ear works in dialogue with philosophy, psychoanalysis, and sound studies to contemplate the relationship between orality and writing. Citing writers such as Machado de Assis, Oswald de Andrade and João Guimarães Rosa, as well as Mia Couto and Toni Morrison, Writing By Ear opens up a broader dialogue on listening and literature, considering the aesthetic, ethical, and ecological reverberations of the imaginary. Writing by Ear is concerned at once with shedding light on the narrative representation of listening and with a broader reconceptualization of fiction through listening, considering it an auditory practice that transcends the dichotomy of speech and writing. |
| caetano veloso tropicalia download: Roberto Burle Marx Jens Hoffmann, Claudia J. Nahson, 2016-01-01 An unprecedented look at the wide-ranging artistic work of one of the 20th century's most significant landscape architects The modernist parks and gardens of Brazilian landscape architect and garden designer Roberto Burle Marx (1909-1994) earned him awards, widespread acclaim, and international fame. Over a 60-year career, he designed more than 2,000 gardens worldwide, the most famous of which are those he created in collaboration with the architect Oscar Niemeyer for Brasília. Although he is best known for his landscape work, Burle Marx was a prolific artist in a variety of media, and his larger body of work--which includes paintings, drawings, tile mosaics, sculpture, textile design, jewelry, theater costumes, and more--is critical to understanding his importance as a modernist. An avid horticulturalist, he was among the first to denounce deforestation in the Amazon region; he also discovered over thirty species of Brazilian flora, which bear his name. This beautifully illustrated and groundbreaking publication covers the full range of Burle Marx's artistic output, as well as his remarkable home, an abandoned estate that he transformed into his office, workshop, gallery, and living space. The enduring influence of Burle Marx's work is also explored through interviews with seven contemporary artists: Juan Araujo, Paloma Bosquê, Dominique González-Foerster, Luisa Lambri, Arto Lindsay, Nick Mauss, and Beatriz Milhazes. These artists exemplify the extent to which his work continues to be a source of inspiration. |
| caetano veloso tropicalia download: The Radicalisation of Bradley Manning Tim Price, 2014-03-10 It's 2011: Bradley Manning is the 24-year-old US soldier accused of releasing 250,000 secret embassy cables and military logs from the Iraq and Afghan wars. After nearly two years in prison without charge, Manning now faces a court martial, accused of crimes that could mean life in prison. But just a few years ago, Manning was a teenager in west Wales. How did this happen? And who is responsible for this radicalisation? Tim Price's extraordinary play tackles one of the most controversial political stories of our age, placing it in the context of other great Welsh radicals, from the Chartists to Aneurin Bevan. The Radicalisation of Bradley Manning was performed by National Theatre Wales across Wales in April 2012. In 2013, the play won the James Tait Black Prize for Drama. |
| caetano veloso tropicalia download: Brazilian Art Under Dictatorship Claudia Calirman, 2012-05-28 After the Brazilian military took power in a coup in 1964, many artists tried to distance themselves from politics; others went into exile. This book covers the most culturally repressive years of the regime, from 1968-74 and looks at artists who found their own visual language of resistance, outside government-controlled cultural centers or the militant left. |
| caetano veloso tropicalia download: The Last Party John Harris, 2003 Drawing on interviews from all the major bands of the Britpop era - including Oasis, Blur, Elastica and Suede - and from music journalists, record executives and those close to government, John Harris charts the rise and fall of this cultural movement. |
| caetano veloso tropicalia download: Brazilian Popular Music and Citizenship Idelber Avelar, Christopher Dunn, 2011-05-09 Covering more than one hundred years of history, this multidisciplinary collection of essays illuminates the important links between citizenship, national belonging, and popular music in Brazil. |
| caetano veloso tropicalia download: Cosmococa Hélio Oiticica, Neville d' Almeida, 2005 Comprehensive edition regarding the first 5 multimedia installations as originally envisioned by artist Oiticica (b. Brazil) and conceived in collaboration with the filmmaker D'Almeida (b. Brazil). The Cosmococa photographic series consist of single rolls of film in accordance with the artist's concept of quasi-cinema, participative spaces that transcend the cinematographic experience and call into question the contemplative nature of the art object and designed as collective experiences making the spectator an active participant. The present edition is faithful to the artist's original concept in it's presentation of facsimiles of both his notebooks in which the works were conceptualized and Oiticica's own typewritten transcriptions along photographs of installations recently mounted at the Pinacoteca de Sao Paulo and at the Centro de Arte Hélio Oiticica in Rio de Janeiro, two multimedia installations that precede the original photographs for Cosmacoca. The book also contains critical essays by César Oiticica Filho (curator of Projeto Hélio Oiticica), Paulo Herkenhoff and Kátia Maciel. |
| caetano veloso tropicalia download: Retro Elizabeth E. Guffey, 2006-11-15 Bell-bottoms are in. Bell-bottoms are out. Bell-bottoms are back in again. Fads constantly cycle and recycle through popular culture, each time in a slightly new incarnation. The term “retro” has become the buzzword for describing such trends, but what does it mean? Elizabeth Guffey explores here the ambiguous cultural meanings of the term and reveals why some trends just never seem to stay dead. Drawing upon a wealth of original research and entertaining anecdotal material, Guffey unearths the roots of the term “retro” and chronicles its evolving manifestations in culture and art throughout the last century. Whether in art, design, fashion, or music, the idea of retro has often meant a reemergence of styles and sensibilities that evoke touchstones of memory from the not-so-distant past, ranging from the drug-induced surrealism of psychedelic art to the political expression of 1970s afros. Guffey examines how and why the past keeps coming back to haunt us in a variety of forms, from the campy comeback of art nouveau nearly fifty years after its original decline, to the infusion of art deco into the kitschy glamor of pop art, to the recent popularity of 1980s vogue. She also considers how advertisers and the media have employed the power of such cultural nostalgia, using recycled television jingles, familiar old advertising slogans, and famous art to sell a surprising range of products. An engrossing, unprecedented study, Retro reveals the surprising extent to which the past is embedded in the future. |
| caetano veloso tropicalia download: The Politics of Military Rule in Brazil, 1964-1985 Thomas E. Skidmore, 1990-03-08 The largest and most important country in Latin America, Brazil was the first to succumb to the military coups that struck that region in the 1960s and the early 1970s. In this authoritative study, Thomas E. Skidmore, one of America's leading experts on Latin America and, in particular, on Brazil, offers the first analysis of more than two decades of military rule, from the overthrow of João Goulart in 1964, to the return of democratic civilian government in 1985 with the presidency of José Sarney. A sequel to Skidmore's highly acclaimed Politics in Brazil, 1930-1964, this volume explores the military rule in depth. Why did the military depose Goulart? What kind of economic miracle did their technocrats fashion? Why did General Costa e Silva's attempts to humanize the Revolution fail, only to be followed by the most repressive regime of the period? What led Generals Geisel and Golbery to launch the liberalization that led to abertura? What role did the Brazilian Catholic Church, the most innovative in the Americas, play? How did the military government respond in the early 1980s to galloping inflation and an unpayable foreign debt? Skidmore concludes by examining the early Sarney presidency and the clues it may offer for the future. Will democratic governments be able to meet the demands of urban workers and landless peasants while maintaining economic growth and international competitiveness? Can Brazil at the same time control inflation and service the largest debt in the developing world? Will its political institutions be able to represent effectively an electorate now three times larger than in 1964? What role will the military play in the future? In recent years, many Third World nations--Argentina, the Philippines, and Uruguay, among others--have moved from repressive military regimes to democratic civilian governments. Skidmore's study provides insight into the nature of this transition in Brazil and what it may tell about the fate of democracy in the Third World. |
| caetano veloso tropicalia download: World Cinema and the Ethics of Realism Lúcia Nagib, 2011-01-20 World Cinema and the Ethics of Realism is a highly original study. Traditional views of cinematic realism usually draw on the so-called classical cinema and its allegiance to narrative mimesis, but Nagib challenges this, drawing instead on the filmmaker's commitment to truth and to the film medium's material bond with the real. Starting from the premise that world cinema's creative peaks are governed by an ethics of realism, Nagib conducts comparative case studies picked from world new waves, such as the Japanese New Wave, the French nouvelle vague, the Cinema Novo, the New German Cinema, the Russo-Cuban Revolutionary Cinema, the Portuguese self-performing auteur and the Inuit Indigenous Cinema. Drawing upon Badiou and Rancière, World Cinema and the Ethics of Realism revisits and reformulates several fundamental concepts in film studies, such as illusionism, identification, apparatus, alienation effects, presentation and representation. Its groundbreaking scholarship takes film theory in a bold new direction. |
| caetano veloso tropicalia download: Vozes de Opinião Sylvia Toledo, 2020-10-08 Em fevereiro de 1965, sobre o palco do show Opinião, ganhava espaço no cenário artístico nacional Maria Bethânia Telles Vianna Veloso. O espetáculo, produzido pelo Teatro de Arena e dirigido por Augusto Boal, tivera sua estreia em dezembro do ano anterior, com um elenco formado por João do Vale, Zé Keti e Nara Leão, depois substituída por Bethânia. |
| caetano veloso tropicalia download: Participation Claire Bishop, 2006 Participation in art has become a prevalent and contested phenomenon since the 1990s. Artists have increasingly sought to create situations and events that invite spectators to become active participants, in dialogue both with their context and with each other. This reader charts a historical lineage and theoretical framework for this tendency, presented through the writings of artists, curators and philosophers from the late 1950s to the present--Publisher's description. |
| caetano veloso tropicalia download: Choreutics Rudolf von Laban, 1966 'Choreutics' can be said to contain the essence of Laban's thought as well as an elaboration of the framework which he found useful for the penetration of the bewildering complexity of human movement. This he based on the unity of space and movement and he recognised a natural order in which the energy from within unfolds in space. |
| caetano veloso tropicalia download: Hindi Film Songs and the Cinema Anna Morcom, 2017-07-05 Since their beginnings in the 1930s, Hindi films and film songs have dominated Indian public culture in India, and have also made their presence felt strongly in many global contexts. Hindi film songs have been described on the one hand as highly standardized and on the other as highly eclectic. Anna Morcom addresses many of the paradoxes eccentricities and myths of not just Hindi film songs but also of Hindi cinema by analysing film songs in cinematic context. While the presence of songs in Hindi films is commonly dismissed aspurely commercial this book demonstrates that in terms of the production process, musical style, and commercial life, it is most powerfully the parent film that shapes and defines the film songs and their success rather than the other way round. While they constitute India‘s still foremost genre of popular music, film songs are also situational, dramatic sequences, inherently multi-media in style and conception. This book is uniquely grounded in detailed musical and visual analysis of Hindi film songs, song sequences and films as well as a wealth of ethnographic material from the Hindi film and music industries. Its findings lead to highly novel ways of viewing Hindi film songs, their key role in Hindi cinema, and how this affects their wider life in India and across the globe. It will be indispensable to scholars seeking to understand both Hindi film songs and Hindi cinema. It also forms a major contribution to popular music, popular culture, film music studies and ethnomusicology, tackling pertinent issues of cultural production, (multi-)media, and the cross-cultural use of music in Hindi cinema. The book caters for both music specialists as well as a wider audience. |
| caetano veloso tropicalia download: World Music Michael B. Bakan, Heidi Senungetuk, Stephanie Shonekan, 2022-10 World Music: Traditions and Transformations, fourth edition, is an introductory-level survey of diverse musics from around the world. It assumes no prior formal training or education in music, and with one brief exception avoids the use of Western music notation entirely. It is written primarily for undergraduate nonmusic majors but is equally appropriate for music majors, and is therefore ideal for courses enrolling music and nonmusic stu-dents alike-- |
| caetano veloso tropicalia download: The Spectrum of Social Time G. Gurvitch, 1963-07-31 American sociologists know Georges Gurvitch as one of the editors of Twentieth Century Sociology and as the author of the Sociology of Law. His fame in France is confirmed by a long list of publications beginning in 1932 with Idee du droit social and Le temps present et ['idee du droit social, followed by Experience juridique et philosophie pluraliste du droit (1936), La morale theorique et la science des maurs (1937, third edition 1961), Essais de sociologie (1938), and after the second World War by La vocation actuelle de la sociologie (1950, third edition in two volumes 1963), Les determinismes sociaux et la liberte humaine (1955, second edition 1963), Traite de sociologie in two volumes (directed by him and to which he made important contributions in 1958, second edition 1963), and finally Socio [ogie et diaiectique (1962). In addition a number of courses presented at the Sorbonne have been published in mimeographed form, such as the lectures on the sociological theories of Saint-Simon, Comte, Proudhon and on The social class concept from Marx till today (1954, second edition 1960). Translations of these books have appeared in German, Italian, Spanish, Portuguese, Serbian and Japanese. Georges Gurvitch is recognized as one of the major figures in con temporary sociology. |
| caetano veloso tropicalia download: Postclassicisms The Postclassicisms Collective, 2019-12-27 Made up of nine prominent scholars, The Postclassicisms Collective aims to map a space for theorizing and reflecting on the values attributed to antiquity. The product of these reflections, Postclassicisms takes up a set of questions about what it means to know and care about Greco-Roman antiquity in our turbulent world and offers suggestions for a discipline in transformation, as new communities are being built around the study of the ancient Greco-Roman world. Structured around three primary concepts—value, time, and responsibility—and nine additional concepts, Postclassicisms asks scholars to reflect upon why they choose to work in classics, to examine how proximity to and distance from antiquity has been—and continues to be—figured, and to consider what they seek to accomplish within their own scholarly practices. Together, the authors argue that a stronger critical self-awareness, an enhanced sense of the intellectual history of the methods of classics, and a greater understanding of the ethical and political implications of the decisions that the discipline makes will lead to a more engaged intellectual life, both for classicists and, ultimately, for society. A timely intervention into the present and future of the discipline, Postclassicisms will be required reading for professional classicists and students alike and a model for collaborative disciplinary intervention by scholars in other fields. |
| caetano veloso tropicalia download: Translation and Music Sebnem Susam-Sarajeva, 2016-04-08 Popular and multimodal forms of cultural products are becoming increasingly visible within translation studies research. Interest in translation and music, however, has so far been relatively limited, mainly because translation of musical material has been considered somewhat outside the limits of translation studies, as traditionally conceived. Difficulties associated with issues such as the 'musicality' of lyrics, the fuzzy boundaries between translation, adaptation and rewriting, and the pervasiveness of covert or unacknowledged translations of musical elements in a variety of settings have generally limited the research in this area to overt and canonized translations such as those done for the opera. Yet the intersection of translation and music can be a fascinating field to explore, and one which can enrich our understanding of what translation is and how it relates to other forms of expression. This special issue is an attempt to open up the field of translation and music to a wider audience within translation studies, and to an extent, within musicology and cultural studies. The volume includes contributions from a wide range of musical genres and languages: from those that investigate translation and code-switching in North African rap and rai, and the intertextual and intersemiotic translations revolving around Mahler's lieder in Chinese, to the appropriation and after-life of Kurdish folk songs in Turkish, and the emergence of rock'n roll in Russian. Other papers examine the reception of Anglo-American stage musicals and musical films in Italy and Spain, the concept of 'singability' with examples from Scandinavian languages, and the French dubbing of musical episodes of TV series. The volume also offers an annotated bibliography on opera translation and a general bibliography on translation and music. |
| caetano veloso tropicalia download: Brazilian Railway Culture Martin Cooper, 2011-07-12 Brazilian Railway Culture examines the cultural relationship Brazil has had with its railways since tracks were first laid by British, American and French engineers in the nineteenth century. ‘Railway’ and ‘Brazil’ are words not often found in the same sentence. Yet each year over seven hundred million passengers are carried by train in the major urban centres, and tens of thousands of visitors enjoy heritage steam rides at over a dozen restored lines and museums. Brazilian Railway Culture starts from the premise that Brazilian society and culture is not just samba, football and sex. The book takes a journey through Brazilian cultural output from 1865 to the present day, examining novels, poetry, music, art, film and television, as well as autobiographies, written histories, and museums to uncover ways in which the railway has been represented. This interdisciplinary study engages with theories of informal empire and postcolonialism, Latin American studies, cultural studies, film and television studies, literary criticism, art history and criticism, museum and heritage studies, as well as railway studies. This is a supplementary text for use by students on both undergraduate and postgraduate courses. It will also be of interest to academics, researchers, and railway historians across a range of disciplines. |
| caetano veloso tropicalia download: Speaking of Flowers Victoria Langland, 2013-05-30 Speaking of Flowers is an innovative study of student activism during Brazil's military dictatorship (1964–85) and an examination of the very notion of student activism, which changed dramatically in response to the student protests of 1968. Looking into what made students engage in national political affairs as students, rather than through other means, Victoria Langland traces a gradual, uneven shift in how they constructed, defended, and redefined their right to political participation, from emphasizing class, race, and gender privileges to organizing around other institutional and symbolic forms of political authority. Embodying Cold War political and gendered tensions, Brazil's increasingly violent military government mounted fierce challenges to student political activity just as students were beginning to see themselves as representing an otherwise demobilized civil society. By challenging the students' political legitimacy at a pivotal moment, the dictatorship helped to ignite the student protests that exploded in 1968. In her attentive exploration of the years after 1968, Langland analyzes what the demonstrations of that year meant to later generations of Brazilian students, revealing how student activists mobilized collective memories in their subsequent political struggles. |
| caetano veloso tropicalia download: Rogério Duprat Jonas Soares Lana, 2022-09-13 Violoncelista, compositor de vanguarda, criador de trilhas sonoras para o cinema e arranjador, Rogério Duprat foi um nome fundamental para a música brasileira, especialmente na elaboração de uma linguagem e de uma estética sonora para o movimento tropicalista no final da década de 1960. Seus arranjos, incorporando elementos musicais e de sonoplastia, ajudaram a ampliar os sentidos das composições e até mesmo o modo de ouvir e perceber as canções da época, que hoje soam atuais. O trabalho de Jonas Soares Lana parte desse personagem emblemático para fazer uma costura entre música, história e antropologia, e joga novas luzes (e sons) sobre a trajetória de Duprat e sobre a proposta estética tropicalista, nos oferecendo uma verdadeira revolução musical que iria influenciar as novas gerações de maneira significativa. Sua importância é aqui muito bem delineada, seja oferecendo uma oportuna reconstituição biográfica de Duprat, seja discutindo a importância e a relevância dos arranjos nas composições tropicalistas, sem os quais muito se perderia. Uma das características marcantes do livro são as entrevistas realizadas com diversos nomes importantes dos bastidores do movimento, como o quarto mutante Claudio Cesar Dias Baptista, cujo trabalho ajudou a moldar a sonoridade do grupo Os Mutantes e de discos como Tropicalia ou Panis et Circencis. As minuciosas análises dos arranjos de Duprat para canções como Não identificado, de Caetano Veloso (na gravação de Gal Costa), da clássica Chão de estrelas, de Sílvio Caldas e Orestes Barbosa, na gravação dos Mutantes, e de Marginália II, de Gilberto Gil e Torquato Neto, ajudam a compreender melhor o efeito e o papel dos arranjos e dos recursos utilizados por Duprat para essa sonoplastia inovadora, muitos dos quais empregados na música de cinema de então. |
| caetano veloso tropicalia download: Race in Translation Robert Stam, Ella Shohat, 2012-05-28 While the term “culture wars” often designates the heated arguments in the English-speaking world spiraling around race, the canon, and affirmative action, in fact these discussions have raged in diverse sites and languages. Race in Translation charts the transatlantic traffic of the debates within and between three zones—the U.S., France, and Brazil. Stam and Shohat trace the literal and figurative translation of these multidirectional intellectual debates, seen most recently in the emergence of postcolonial studies in France, and whiteness studies in Brazil. The authors also interrogate an ironic convergence whereby rightist politicians like Sarkozy and Cameron join hands with some leftist intellectuals like Benn Michaels, Žižek, and Bourdieu in condemning “multiculturalism” and “identity politics.” At once a report from various “fronts” in the culture wars, a mapping of the germane literatures, and an argument about methods of reading the cross-border movement of ideas, the book constitutes a major contribution to our understanding of the Diasporic and the Transnational. |
Caetano Veloso - Wikipedia
Caetano Emanuel Viana Teles Veloso (Brazilian Portuguese: [kajˈtɐnu emɐnuˈɛw viˈɐnɐ ˈtɛliz veˈlozu]; born 7 August 1942) is a Brazilian composer, singer, guitarist, writer, and political …
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How Caetano Veloso Revolutionized Brazil’s Sound and Spirit
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Caetano Veloso é um músico, produtor, arranjador e escritor brasileiro. Com uma carreira que ultrapassa cinco décadas, Caetano construiu uma obra musical marcada pela releitura e...
Caetano - Wikipedia
Caetano is a Portuguese given name and surname derived from Latin Caietanus. [1] It also appears in Lusophone place names named after Saint Cajetan (São Caetano in Portuguese).
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The name "Caetano" is of Portuguese origin and is derived from the Latin name "Caietanus," meaning "from Caieta." Caieta was an ancient Roman town located in present-day Italy. The …
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