Advertisement
| beti ne new york: A Handbook to the Reception of Greek Drama Betine van Zyl Smit, 2016-02-29 A Handbook to the Reception of Greek Drama offers a series of original essays that represent a comprehensive overview of the global reception of ancient Greek tragedies and comedies from antiquity to the present day. Represents the first volume to offer a complete overview of the reception of ancient drama from antiquity to the present Covers the translation, transmission, performance, production, and adaptation of Greek tragedy from the time the plays were first created in ancient Athens through the 21st century Features overviews of the history of the reception of Greek drama in most countries of the world Includes chapters covering the reception of Greek drama in modern opera and film |
| beti ne new york: Black Odysseys Justine McConnell, 2013-06-20 This book explores works from Africa and the African diaspora which respond to the Homeric Odyssey. As a founding text of the Western canon, and as a homecoming trope and quest for identity, the Odyssey has inspired writers who are simultaneously striving against and appropriating the very forms which had been used to oppress them. |
| beti ne new york: The Reception of Aeschylus’ Plays through Shifting Models and Frontiers , 2016-11-21 The Reception of Aeschylus' Plays through Shifting Models and Frontiers addresses the need for an integrated approach to the study and staging of Aeschylus’ plays. It offers an invigorating discussion about the transmission and reception of his plays and explores the interrelated tasks of editing, translating, adapting and remaking them for the page and the stage. The volume seeks to reshape current debates about the place of his tragedies in the curriculum and the repertory in a scholarly manner that is accessible and innovative. Each chapter makes a significant and original contribution to its selected topic, but the collective strength of the volume rests on its simultaneous appeal to readers in theatre studies, classical studies, performance studies, comparative studies, translation studies, adaptation studies, and, naturally, reception studies. |
| beti ne new york: A Cultural History of Tragedy in the Early Modern Age Naomi Conn Liebler, 2021-05-20 In this volume, 8 lively, original essays by eminent scholars trace the kaleidoscopically shifting dramatic forms, performance contexts, and social implications of tragedy throughout the period and across geographic, political, and social references. They attend not only to the familiar cultural lenses of English and mainstream Continental dramas but also to less familiar European exempla from Croatia and Hungary. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality. |
| beti ne new york: Memories of the Classical Underworld in Irish and Caribbean Literature Madeleine Scherer, 2021-09-20 Classical Memories is an intervention into the field of adaptation studies, taking the example of classical reception to show that adaptation is a process that can be driven by and produce intertextual memories. I see ‘classical memories’ as a memory-driven type of adaptation that draws on and reproduces schematic and otherwise de-contextualised conceptions of antiquity and its cultural ‘exports’ in, broadly speaking, the twentieth and twenty-first centuries. These memory-driven adaptations differ, often in significant ways, from more traditional adaptations that seek to either continue or deconstruct a long-running tradition that can be traced back to antiquity as well as its canonical points of reception in later ages. When investigating such a popular and widespread set of narratives, characters, and images like those that remain of Graeco-Roman antiquity, terms like ‘adaptation’ and ‘reception’ could and should be nuanced further to allow us to understand the complex interactions between modern works and classical antiquity in more detail, particularly when it pertains to postcolonial or post-digital classical reception. In Classical Memories, I propose that understanding certain types of adaptations as intertextual memories allows us to do just that. |
| beti ne new york: Alternation , 1996 |
| beti ne new york: Monthly Catalogue, United States Public Documents , 1994 |
| beti ne new york: The Noir Atlantic Pim Higginson, 2011-06-08 The Noir Atlantic follows the influence of African American author Chester Himes on francophone African crime fiction. |
| beti ne new york: The Official Railway Guide , 1900 |
| beti ne new york: Documents of the Assembly of the State of New York New York (State). Legislature. Assembly, 1899 |
| beti ne new york: Monthly Catalog of United States Government Publications , 1995 |
| beti ne new york: A Cultural History of Comedy in the Early Modern Age Andrew McConnell Stott, 2021-12-30 Drawing together scholars with a wide range of expertise across the early modern period, this volume explores the rich field of early modern comedy in all its variety. It argues that early modern comedy was shaped by a series of cultural transformations that included the emergence of the entertainment industry, the rise of the professional comedian, extended commentaries on the nature of comedy and laughter, and the development of printed jestbooks. It was the prime site from which to satirize a rapidly-changing world and explore the formation of new social relations around questions of gender, authority, identity, and commerce, amongst others. Yet even as it reacted to the novel and the new, comedy also served as a receptacle for the celebration of older social rituals such as May games and seasonal festivities. The result was a complex and contested mix of texts, performances, and concepts providing a deep tradition that abides to this day. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter and ethics. These eight different approaches to early modern comedy add up to an extensive, synoptic coverage of the subject. |
| beti ne new york: The Tragic Transformed Burç İdem Dinçel, 2024-03-08 This book provides a novel way of looking at translational phenomena in contemporary performances of Attic tragedies via the formidable work of three directors, each of whom bears the aesthetic imprint of Samuel Beckett: Theodoros Terzopoulos, Şahika Tekand and Tadashi Suzuki. Through a discerningly transdisciplinary approach, translation becomes re(trans)formed into a mode of physical action, its mimetic nature reworked according to the individual directors’ responses to Attic tragedies. As such, the highly complex notion of mimesis comes into prominence as a thematic thread, divulging the specific ways in which the pathos epitomised in the works of Aeschylus, Sophocles and Euripides is reawakened on the contemporary stage. By employing mimesis as a conceptual motor under the overarching rubric of the art of tragic theatre, the monograph appeals to a wide range of scholarly readers and practitioners across the terrains of Translation Studies, Theatre Studies, Classical Reception, Comparative Literature and Beckett Studies. |
| beti ne new york: Once and Future Antiquities in Science Fiction and Fantasy Brett M. Rogers, Benjamin Eldon Stevens, 2018-12-27 In 15 all-new essays, this volume explores how science fiction and fantasy draw on materials from ancient Greece and Rome, 'displacing' them from their original settings-in time and space, in points of origins and genre-and encouraging readers to consider similar 'displacements' in the modern world. Modern examples from a wide range of media and genres-including Philip Pullman's His Dark Materials and the novels of Helen Oyeyemi, the Rocky Horror Picture Show and Hayao Miyazaki's Spirited Away, and the role-playing games Dungeons and Dragons and Warhammer 40K-are brought alongside episodes from ancient myth, important moments from history, and more. All together, these multifaceted studies add to our understanding of how science fiction and fantasy form important areas of classical reception, not only transmitting but also transmuting images of antiquity. The volume concludes with an inspiring personal reflection from the New York Times-bestselling author of speculative fiction, Catherynne M. Valente, offering her perspective on the limitless potential of the classical world to resonate with experience today. |
| beti ne new york: Iconic Works of Art by Feminists and Gender Activists Brenda Schmahmann, 2021-07-22 In this book, contributors identify and explore a range of iconic works – Mistress-Pieces – that have been made by feminists and gender activists since the 1970s. The first volume for which the defining of iconic feminist art is the raison d’être, its contributors interpret a Mistress-Piece as a work that has proved influential in a particular context because of its distinctiveness and relevance. Reinterpreting iconic art by Alice Neel, Hannah Wilke and Ana Mendieta, the authors also offer important insights about works that may be less well known – those by Natalia LL, Tanja Ostojić, Swoon, Clara Menéres, Diane Victor, Usha Seejarim, Ilse Fusková, Phaptawan Suwannakudt □and Tracey Moffatt, among others. While in some instances revealing cross influences between artists working in different frameworks, the publication simultaneously makes evident how social and political factors specific to particular countries had significant impact on the making and reception of art focused on gender. The book will be of interest to scholars working in art history, visual studies and gender studies. |
| beti ne new york: Race Denise Eileen McCoskey, 2021-03-25 How do different cultures think about race? In the modern era, racial distinctiveness has been assessed primarily in terms of a person's physical appearance. But it was not always so. As Denise McCoskey shows, the ancient Greeks and Romans did not use skin colour as the basis for categorising ethnic disparity. The colour of one's skin lies at the foundation of racial variability today because it was used during the heyday of European exploration and colonialism to construct a hierarchy of civilizations and then justify slavery and other forms of economic exploitation. Assumptions about race thus have to take into account factors other than mere physiognomy. This is particularly true in relation to the classical world. In fifth century Athens, racial theory during the Persian Wars produced the categories 'Greek' and 'Barbarian', and set them in brutal opposition to one another: a process that could be as intense and destructive as 'black and 'white' in our own age. Ideas about race in antiquity were therefore completely distinct but as closely bound to political and historical contexts as those that came later. This provocative book boldly explores the complex matrices of race - and the differing interpretations of ancient and modern - across epic, tragedy and the novel. Ranging from Theocritus to Toni Morrison, and from Tacitus and Pliny to Bernal's seminal study Black Athena, this is a powerful and original new assessment. |
| beti ne new york: A Cultural History of Comedy in Antiquity Michael Ewans, 2021-12-30 Drawing together contributions from scholars in a wide range of fields inside Classics and Drama, this volume traces the development of comedic performance and examines the different characteristics of Greek and Roman comedy. Although the origins of comedy are obscure, this study argues that comedic performances were at the heart of Graeco-Roman culture from around 486 BCE to the mid first century BCE. It explores the range of comedies during this period, which were fictional dramas that engaged with the political and social concerns of ancient society, and also at times with mythology and tragedy. The volume centres largely around the surviving work of Aristophanes and Menander in Athens, and Plautus and Terence in Rome, but authors whose plays survive only in fragments are also discussed. Performances and plays drew on a range of forms, including satire and fantasy, and were designed to entertain and amuse their audiences while also asking them to question issues of morality, privilege and class. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter and ethics. These eight different approaches to ancient comedy add up to an extensive, synoptic coverage of the subject. |
| beti ne new york: Antígonas Moira Fradinger, 2023 Antígonas rethinks the paradigms through which we understand the presence of ancient cultural materials in former colonial territories by analysing the reimagination if the Antigone myth in the theatres of Latin America. |
| beti ne new york: Research in African Literatures , 1986 |
| beti ne new york: The Ancient Greek Roots of Human Rights Rachel Hall Sternberg, 2021-06-29 Although the era of the Enlightenment witnessed the rise of philosophical debates around benevolent social practice, the origins of European humane discourse date further back, to Classical Athens. The Ancient Greek Roots of Human Rights analyzes the parallel confluences of cultural factors facing ancient Greeks and eighteenth-century Europeans that facilitated the creation and transmission of humane values across history. Rachel Hall Sternberg argues that precursors to the concept of human rights exist in the ancient articulation of emotion, though the ancient Greeks, much like eighteenth-century European societies, often failed to live up to those values. Merging the history of ideas with cultural history, Sternberg examines literary themes upholding empathy and human dignity from Thucydides’s and Xenophon’s histories to Voltaire’s Candide, and from Greek tragic drama to the eighteenth-century novel. She describes shared impacts of the trauma of war, the appeal to reason, and the public acceptance of emotion that encouraged the birth and rebirth of humane values. |
| beti ne new york: Art as an Interface of Law and Justice Frans-Willem Korsten, 2021-02-25 This book looks at the way in which the 'call for justice' is portrayed through art and presents a wide range of texts from film to theatre to essays and novels to interrogate the law. 'Calls for justice' may have their positive connotations, but throughout history most have caused annoyance. Art is very well suited to deal with such annoyance, or to provoke it. This study shows how art operates as an interface, here, between two spheres: the larger realm of justice and the more specific system of law. This interface has a double potential. It can make law and justice affirm or productively disturb one another. Approaching issues of injustice that are felt globally, eight chapters focus on original works of art not dealt with before, including Milo Rau's The Congo Tribunal, Elfriede Jelinek's Ulrike Maria Stuart, Valeria Luiselli's Tell Me How It Ends and Nicolas Winding Refn's Only God Forgives. They demonstrate how through art's interface, impasses are addressed, new laws are made imaginable, the span of systems of laws is explored, and the differences in what people consider to be just are brought to light. The book considers the improvement of law and justice to be a global struggle and, whilst the issues dealt with are culture-specific, it argues that the logics introduced are applicable everywhere. |
| beti ne new york: A New English Dictionary on Historical Principles , 1887 |
| beti ne new york: National Union Catalog , 1956 Includes entries for maps and atlases |
| beti ne new york: Présence francophone , 1993 |
| beti ne new york: Records & Briefs New York State Appellate Division , |
| beti ne new york: New York Review of the Telegraph and Telephone and Electrical Journal , 1920 |
| beti ne new york: Dionysus Since 69 Edith Hall, Fiona Macintosh, Amanda Wrigley, 2004-01-08 Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization. |
| beti ne new york: Metals in Coastal Environments of Latin America Ulrich Seeliger, Luiz D. de Lacerda, S.R. Patchineelam, 2012-12-06 For the first time a state-of-the-art of present metal pollution along the coastline of Latin America is provided. This collection of papers from a conference held in August 1986 in Rio de Janeiro, Brazil is designed to inform readers of recent advances in an important, interdisciplinary field. Primary focus is on: - Metal Surveys, Metals in Sediments, Metals in Biota, Metal Transport and Cycles, Metal Monitoring. A final chapter combines conclusion, outlook and recommendations of how to master the critical situation of metal concentrations in coastal environments of Latin America. This book fills a long-standing gap in the literature and will be of prime interest to researchers, students and professionals in geology, biology and chemistry. |
| beti ne new york: Amerikas Forenede Staters historie .... David Monrad Schøyen, 1893 |
| beti ne new york: Barbarian: Explorations of a Western Concept in Theory, Literature, and the Arts Markus Winkler, Maria Boletsi, 2023-07-31 This two-volume co-authored study explores the history of the concept of barbarism from the eighteenth century to the present and highlights its foundational role in modern European and Western identity. It constitutes an original comparative and interdisciplinary exploration of the concept’s modern European and Western history and combines overviews with detailed analyses of representative works of literature, art, film, philosophy, and political and cultural theory. Volume 2 broaches figurations of barbarism and mobilizations of the barbarian across diverse contexts, media, and fields from the early twentieth century to our present: from avant-garde manifestoes to contemporary multilingual literature and adaptations of the Medea myth, from anti-colonial to eco-socialist texts, from political philosophy and ethno-anthropology to contemporary pop culture, from Russian poetry to Western political rhetoric, from Europe to Latin America, from cinema to art biennials, and from (neo-)Marxists to the Alt-Right. |
| beti ne new york: The National Union Catalogs, 1963- , 1964 |
| beti ne new york: Working-Class Women in Irish Literature and Theatre Clara Mallon, Salomé Paul, 2025-07-25 Working-Class Women in Irish Literature and Theatre critically engages with works of theatre both by and about working-class women, historically and presently. Addressing professional and community theatre productions, from both textual and performative perspectives, this volume focuses on works of theatre by practitioners, directors, playwrights, and performance artists across rural and urban contexts. Irish theatre has a long history of signifying social class. Yet the representations of working-class women in Irish theatrical history also encompass several problematic issues, starting with the fact that these depictions were created by male writers like J. M Synge and Seán O'Casey to name but a few. Nonetheless, the theatre’s emphasis on embodied performance and its ability to reach its public in an unmediated way has attracted working-class engagement perhaps more than other art forms in Ireland. Contemporary playwrights in the Republic and the north of Ireland have tirelessly striven to illuminate working-class women’s lived experiences and have reframed the characterisation of working-class women by drawing out the intersection of social class with sexualities, ethnic minorities, and racial identities. This edited collection also includes the voices of directors, playwrights, and performers who identify with a working-class social background, offering first-hand accounts of their lived experience in the theatre industry. |
| beti ne new york: Literary Legacies of the South African TRC Francesca Mussi, 2020-05-18 Since the 1970s, truth and reconciliation commissions have become increasingly popularised as options for addressing historical injustices, especially within the context of dictatorial regimes. Of the many truth commissions to date, the South African TRC has been the one that has captured public attention throughout the world, providing a model for subsequent truth commissions. The South African TRC has also constituted and still constitutes an intriguing source for writing. Literary Legacies of the South African TRC explores the capacities of fiction for providing the TRC and people’s testimonies with a productive afterlife, for challenging definitions of trauma, truth and reconciliation, for inviting readers to keep the dialogue about the past open, and to think actively about the strategies adopted in addressing that past and their implications in the present. It explores these capabilities as evidenced in the work of a wide range of writers, some known to international Anglophone readers, including J.M. Coetzee and Nadine Gordimer, some less well-known, including Afrikaans-language novelist Marlene van Niekerk, and others from a new generation including Marli Roode, Kopano Matlwa, and Thando Mgqolozana. The book aims to contribute to discourses of trauma, truth-telling, and reconciliation from a literary perspective, as well as placing emphasis on the profound interconnection between fiction, history, and trauma in conflict and post-conflict areas such as South Africa. |
| beti ne new york: A Cultural History of Tragedy in the Middle Ages Jody Enders, Theresa Coletti, John T. Sebastian, Carol Symes, 2021-05-20 For the first time, a group of distinguished authors come together to provide an authoritative exploration of the cultural history of tragedy in the Middle Ages. Reports of the so-called death of medieval tragedy, they argue, have been greatly exaggerated; and, for the Middle Ages, the stakes couldn't be higher. Eight essays offer a blueprint for future study as they take up the extensive but much-neglected medieval engagement with tragic genres, modes, and performances from the vantage points of gender, politics, theology, history, social theory, anthropology, philosophy, economics, and media studies. The result? A recuperated medieval tragedy that is as much a branch of literature as it is of theology, politics, law, or ethics and which, at long last, rejoins the millennium-long conversation about one of the world's most enduring art forms. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality. |
| beti ne new york: Dictionary Catalog of the Negro Collection of the Fisk University Library, Nashville, Tennessee Fisk University. Library, 1974 |
| beti ne new york: Sweet's Contract Interiors Catalog File , 2000 |
| beti ne new york: Homer's Daughters Fiona Cox, Elena Theodorakopoulos, 2019-10-03 This collection of essays examines the various ways in which the Homeric epics have been responded to, reworked, and rewritten by women writers of the twentieth and early twenty-first centuries. Beginning in 1914 with the First World War, it charts this understudied strand of the history of Homeric reception over the subsequent century up to the present day, analysing the extraordinary responses both to the Odyssey and to the Iliad by women from around the world. The backgrounds of these authors and the genres they employ - memoir, poetry, children's literature, rap, novels - testify not only to the plasticity of Homeric epic, but also to the widening social classes to whom Homer appeals, and it is unsurprising to see the myriad ways in which women writers across the globe have played their part in the story of Homer's afterlife. From surrealism to successive waves of feminism to creative futures, Homer's footprint can be seen in a multitude of different literary and political movements, and the essays in this volume bring an array of critical approaches to bear on the work of authors ranging from H.D. and Simone Weil to Christa Wolf, Margaret Atwood, and Kate Tempest. Students and scholars of not only classics, but also translation studies, comparative literature, and women's writing will find much to interest them, while the volume's concluding reflections by Emily Wilson on her new translation of the Odyssey are an apt reminder to all of just how open a text can be, and of how great a difference can be made by a woman's voice. |
| beti ne new york: Performing Gods in Classical Antiquity and the Age of Shakespeare Dustin W. Dixon, John S. Garrison, 2021-05-20 The gods have much to tell us about performance. When human actors portray deities onstage, such divine epiphanies reveal not only the complexities of mortals playing gods but also the nature of theatrical spectacle itself. The very impossibility of rendering the gods in all their divine splendor in a truly convincing way lies at the intersection of divine power and the power of the theater. This book pursues these dynamics on the stages of ancient Athens and Rome as well on those of Renaissance England to shed new light on theatrical performance. The authors reveal how gods appear onstage both to astound and to dramatize the very machinations by which theatrical performance operates. Offering an array of case studies featuring both canonical and lesser-studied texts, this volume discusses work of Aeschylus, Sophocles, Euripides, Aristophanes, and Plautus as well as Beaumont, Heywood, Jonson, Marlowe, and Shakespeare. This book uniquely brings together the joint perspectives of two experts on classical and Renaissance drama. This volume will appeal to students and enthusiasts of literature, classics, theater, and performance studies. |
| beti ne new york: Imitation and Contamination of the Classics in the Comedies of Ben Jonson Tom Harrison, 2022-10-12 This book focuses on the influence of classical authors on Ben Jonson’s dramaturgy, with particular emphasis on the Greek and Roman playwrights and satirists. It illuminates the interdependence of the aspects of Jonson’s creative personality by considering how classical performance elements, including the Aristophanic ‘Great Idea,’ chorus, Terentian/Plautine performative strategies, and ‘performative’ elements from literary satire, manifest themselves in the structuring and staging of his plays. This fascinating exploration contributes to the ‘performative turn’ in early modern studies by reframing Jonson’s classicism as essential to his dramaturgy as well as his erudition. The book is also a case study for how the early modern education system’s emphasis on imitative-contaminative practices prepared its students, many of whom became professional playwrights, for writing for a theatre that had a similar emphasis on recycling and recombining performative tropes and structures. |
| beti ne new york: Improvising Reconciliation Ed Charlton, 2021-11-15 Improvising Reconciliation lobbies for an expanded approach to South Africa's formal transition from apartheid, grappling with reconciliation's ongoing potential. Rather than correcting the contradictions that have done much to corrupt the concept, it surveys the improvised approach to reconciliation that has emerged from the country's cultural sphere in recent decades. |
Soccer Betting | Football Betting Odds | Betika
Bet on soccer easily and securely with Betika, view soccer betting odds and place your soccer bets online. Instant cashback …
Online Aviator Game in Kenya | Betika
Overview of The Aviator Game The Aviator Game is a thrilling crash gambling game that's gained popularity among players in Kenya for its simplicity and captivating …
Sign Up - Betika
Responsible Gaming This is a real-money gambling app. Please gamble responsibly and only bet what you can afford. For gambling addiction help and support, please contact …
Betika | Ethiopia's Best Betting Site
Betika offers the most competitive odds, great refferal and top up bonus, this weeks Jackpot games & More. Welcome to Ethiopia's most loved sports betting website
Best Online Casino Games in Kenya | Betika
Play the best online casino games at Betika. Enjoy slots, table games, and live dealer games. Sign up now for exclusive bonuses!
Soccer Betting | Football Betting Odds | Betika
Bet on soccer easily and securely with Betika, view soccer betting odds and place your soccer bets online. Instant cashback bonuses.
Online Aviator Game in Kenya | Betika
Overview of The Aviator Game The Aviator Game is a thrilling crash gambling game that's gained popularity among players in Kenya for its simplicity and captivating gameplay. Set against a …
Sign Up - Betika
Responsible Gaming This is a real-money gambling app. Please gamble responsibly and only bet what you can afford. For gambling addiction help and support, please contact our Responsible …
Betika | Ethiopia's Best Betting Site
Betika offers the most competitive odds, great refferal and top up bonus, this weeks Jackpot games & More. Welcome to Ethiopia's most loved sports betting website
Best Online Casino Games in Kenya | Betika
Play the best online casino games at Betika. Enjoy slots, table games, and live dealer games. Sign up now for exclusive bonuses!
Betika Betika | Best Online Sports Betting in Kenya
We have the fastest live, instant deposits and withdrawals and deposit cashback bonus. Sign up or log in to your account
Betika | Best Online Sports Betting Site in Ethiopia
We have the fastest live, instant deposits and withdrawals, deposit. Sign up or log in to your account
Betika | Les Meilleurs Paris Sportifs en ligne en RDC
Inscrivez-vous ou connectez-vous pour obtenir des paiements et des versements instantanés, les paris en direct les plus rapides et les bonus de versement quotidiens!
Betika | Best Online Sports Betting in Uganda
We have the fastest live, instant deposits and withdrawals and deposit cashback bonus. Sign up or log in to your account
Betika Soccer Betting | Football Betting Odds
Bet on soccer easily and securely with Betika, view soccer betting odds and place your soccer bets online. Instant cashback bonuses.
