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| bete noire magazine: 'Choosing Tough Words' Angelica Michelis, Antony Rowland, 2003 If the post of Poet Laureate was allocated on the basis of popularity, Carol Ann Duffy would have been the first woman to hold this prestigious post. Like Philip Larkin in his day, Duffy is both a poet respected by many academics and teachers, and widely read and enjoyed by children and adult readers of poetry. This is the first full-length collection of essays on the poetry of Carol Ann Duffy, approaching and exploring her work from a variety of literary theoretical perspectives, including feminism, masculinity, national identity, and post-structuralism. This lively anthology situates Duffy's poems in relation to current debates about the state, value and social relevance of contemporary British poetry. |
| bete noire magazine: The Gentleman's Magazine , 1883 |
| bete noire magazine: Detectives of the Fantastic Thirteen O'Clock Press, 2015-09 Join editor George Wilhite and the authors of Thirteen O'Clock Press on a hunt for the bizarre and strange. Is what they find supernatural, or is there a logical explanation for the terror they experience? What recorded stories will YOU come across in this anthology of the strange? The accounts appear real enough. They're just stories... right? Or perhaps some of these tales are real afterall... |
| bete noire magazine: The Creative Writing Coursebook Julia Bell, Paul Magrs, 2016-01-28 A fully updated comprehensive guide for improving and practicing your creative writing, including contributions from Ali Smith and Kit de Waal The Creative Writing Coursebook, edited by Julia Bell and Paul Magrs, takes aspiring writers through three stages of essential practice: Gathering – getting started, learning how to keep notes, making observations and using memory; Shaping – looking at structure, point of view, character and setting; and Finishing – being your own critic, joining workshops and finding publishers. Fully updated and including a foreword by Marina Warner and contributions from forty-four authors such as Kit de Waal and Amy Liptrot, this is the perfect book for people who are just starting to write as well as for those who want some help honing work already completed. Filled with a wealth of exercises and activities, it will inspire budding writers to develop and hone their skills. Whether writing for publication, in a group or just for pleasure this comprehensive guide is for anyone who is ready to put pen to paper. |
| bete noire magazine: The Short Story Ailsa Cox, 2009-03-26 Long regarded as an undervalued and marginalised genre, the short story is undergoing a renaissance. The Short Story celebrates its unique appeal. Practitioners and scholars address the issues facing short story criticism in the 21st century. Author A.L. Kennedy shares the pleasures and frustrations of writing the short story in the literary marketplace. This is followed by an assessment of recent attempts to promote short story readership in the UK. Other contributors look at forms such as the short-short and the short story sequence. The range of authors discussed includes Martin Amis, Anita Desai, Salman Rushdie and James Joyce. The short story is the most international of genres; this is reflected in chapters on Jorge Luis Borges and Italo Calvino and on Japanese short fiction. Postcolonial and translation theory are combined with the close reading of specific texts. Neglected authors, such as the Welsh writer Dorothy Edwards and the colonial figure Frank Swettenham, are re-evaluated and we also consider genre writing, with chapters on crime fiction and Ray Bradbury’s Martian Chronicles. Integrating theory and practice, The Short Story will appeal both to writers and to students of literary criticism. |
| bete noire magazine: Admans Dilemma Paul Rutherford, 2018-01-01 The Adman's Dilemma is a cultural biography that explores the rise and fall of the advertising man as a figure who became effectively a licensed deceiver in the process of governing the lives of American consumers. Apparently this personage was caught up in a contradiction, both compelled to deceive yet supposed to tell the truth. It was this moral condition and its consequences that made the adman so interesting to critics, novelists, and eventually filmmakers. The biography tracks his saga from its origins in the exaggerated doings of P.T. Barnum, the emergence of a new profession in the 1920s, the heyday of the adman's influence during the post-WW2 era, the later rebranding of the adman as artist, until the apparent demise of the figure, symbolized by the triumph of that consummate huckster, Donald Trump. In The Adman's Dilemma, author Paul Rutherford explores how people inside and outside the advertising industry have understood the conflict between artifice and authenticity. The book employs a range of fictional and nonfictional sources, including memoirs, novels, movies, TV shows, websites, and museum exhibits to suggest how the adman embodied some of the strange realities of modernity. |
| bete noire magazine: Stand Magazine , 1996 |
| bete noire magazine: The Editor , 1899 |
| bete noire magazine: Sex Magazines in the Library Collection Peter Gellatly, 2019-12-05 This full-length scholarly study, first published in 1981, is devoted to a specific consideration of the sex magazine in the library and the inherent problems and issues attending its controversial presence. |
| bete noire magazine: The Galaxy , 1873 |
| bete noire magazine: Awkword Moments Ross Petras, Kathryn Petras, 2020-03-10 A compendium of 100 words and phrases smart people use--even if they only kinda sorta (secretly don't) know what they mean--with pithy definitions and fascinating etymologies to solidify their meanings. Your boss makes a joke about Schrodinger's cat--which is something you've heard of but you're a little vague about what exactly happened (or didn't happen) with that cat. Or you're reading a New Yorker article that explains that Solecism slipped into solipsism into full-blown narcissistic project. An excellent point . . . if you're sure what solecism means . . . or, for that matter, solipsism. Language gurus Ross Petras and Kathryn Petras to the rescue! In the breezy and entertaining yet informative style of their New York Times bestseller You're Saying It Wrong, they give you a brief rundown on words smart people should know--from the worlds of science and the arts to philosophy, and from broader topics like quantum physics and ontology to more specific ones like Plato's cave and trompe l'oeil. They cover the Latin phrases we hear and read (prima facie, sui generis, and the like) as well as those that have entered our vocabularies from other languages (bildungsroman, sturm und drang). These are the words that, if you were asked directly, What does this mean? you might hem and haw and try to change the subject. After reading this book, you won't have to. |
| bete noire magazine: Los Angeles Magazine , 2005-12 Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian. |
| bete noire magazine: Grandville Bete Noir Bryan Talbot, 2012-12-25 The baffling murder of a famed Parisian artist in his locked and guarded studio takes the tenacious Detective Inspector LeBrock of Scotland Yard and his faithful adjunct, Detective Ratzi, into the cutthroat Grandville art scene to track the mysterious assassin. As the body count mounts and events spiral out of control, the investigation points to Toad Hall, where a cabal of industrialists and fat cats plot the overthrow of the French State... by use of steam-driven automaton soldiers! * Grandville was nominated for an Eisner Award and a Hugo Award. * Also look for Dotter of Her Father's Eyes and Cherubs from Dark Horse. The universe Talbot creates is visually stunning and intellectually engaging.MadAboutComics.com |
| bete noire magazine: Vaudeville and Other Nightmares Greg Chapman, 2019-02-22 In this UPDATED AND ILLUSTRATED COLLECTION Australian horror author Greg Chapman will take you deeper in the recesses of the psyche and introduce you to abominations that only hell would welcome. |
| bete noire magazine: Plan B: Volume IV Frank Byrnes, Laird Long, Daniel Marshall Wood, Adam Howe, J. M. Vogel, Michael McGlade, MJ Gardner, Dan Stout, Lavie Tidhar, Richard Zwicker, Jeff Poole, C. D. Reimer, Doug J. Black, 2014-05-20 Taking something away from others — their possessions, their dignity, their liberty, their lives — is the root of taboo. All the stories in this, the fourth collection of tales from Plan B Magazine, touch on what happens when people put their will above that of others. Sometimes it’s amusing, other times heartbreaking, but it no matter what, someone’s day won’t be going according to plan. Table of Contents “Old Friends” by Frank Byrns “Write Your Epitaph” by Laird Long “An Unexpected Invitation” by Daniel Marshall Wood “Bad John” by Adam Howe “Death by Fiction” by J. M. Vogel “The Chunk” by Michael McGlade “The Basement” by MJ Gardner “The Bulldog Ant is Not a Team Player” by Dan Stout “The Mystery of the Missing Puskat” by Lavie Tidhar “Other Wishes” by Richard Zwicker “Afterwards” by Jeff Poole “The World’s Best Coffee” by C. D. Reimer “Zero Sum Game” by Doug J. Black |
| bete noire magazine: The Oxford Critical and Cultural History of Modernist Magazines Peter Brooker, Andrew Thacker, 2009-03-26 The first full study of the role of 'little magazines' and their contribution to the making of artistic modernism. A major scholarly achievement of immense value to teachers, researchers and students interested in the material culture of the first half of the 20th century and the relation of the arts to social modernity. |
| bete noire magazine: Little Magazines Profiles Wolfgang Görtschacher, 1993 |
| bete noire magazine: Werner's Magazine , 1894 |
| bete noire magazine: The Oxford Handbook of British Romantic Prose British Academy Global Professor Robert Morrison, Robert Morrison, 2024-09-13 The Oxford Handbook of British Romantic Prose is a full-length essay collection devoted entirely to British Romantic nonfiction prose. Organized into eight parts, each containing between five and nine chapters arranged alphabetically, the Handbook weaves together familiar and unfamiliar texts, events, and authors, and invites readers to draw comparisons, reimagine connections and disconnections, and confront frequently stark contradictions, within British Romantic nonfiction prose, but also in its relationship to British Romanticism more generally, and to the literary practices and cultural contexts of other periods and countries. The Handbook builds on previous scholarship in the field, considers emerging trends and evolving methodologies, and suggests future areas of study. Throughout the emphasis is on lucid expression rather than gnomic declaration, and on chapters that offer, not a dutiful survey, but evaluative assessments that keep an eye on the bigger picture yet also dwell meaningfully on specific paradoxes and the most telling examples. Taken as a whole the volume demonstrates the energy, originality, and diversity at the crux of British Romantic nonfiction prose. It vigorously challenges the traditional construction of the British Romantic movement as focused too exclusively on the accomplishments of its poets, and it reveals the many ways in which scholars of the period are steadily broadening out and opening up delineations of British Romanticism in order to encompass and thoroughly evaluate the achievements of its nonfiction prose writers. |
| bete noire magazine: A History of American Magazines, Volume III: 1865-1885 Frank Luther Mott, 1938 The first volume of this work, covering the period from 1741-1850, was issued in 1931 by another publisher, and is reissued now without change, under our imprint. The second volume covers the period from 1850 to 1865; the third volume, the period from 1865 to 1885. For each chronological period, Mr. Mott has provided a running history which notes the occurrence of the chief general magazines and the developments in the field of class periodicals, as well as publishing conditions during that period, the development of circulations, advertising, payments to contributors, reader attitudes, changing formats, styles and processes of illustration, and the like. Then in a supplement to that running history, he offers historical sketches of the chief magazines which flourished in the period. These sketches extend far beyond the chronological limitations of the period. The second and third volumes present, altogether, separate sketches of seventy-six magazines, including The North American Review, The Youth's Companion, The Liberator, The Independent, Harper's Monthly, Leslie's Weekly, Harper's Weekly, The Atlantic Monthly, St. Nicholas, and Puck. The whole is an unusual mirror of American civilization. |
| bete noire magazine: Distant Early Warning Alex Kitnick, 2021-06-29 Marshall McLuhan (1911–1980) is best known as a media theorist—many consider him the founder of media studies—but he was also an important theorist of art. Though a near-household name for decades due to magazine interviews and TV specials, McLuhan remains an underappreciated yet fascinating figure in art history. His connections with the art of his own time were largely unexplored, until now. In Distant Early Warning, art historian Alex Kitnick delves into these rich connections and argues both that McLuhan was influenced by art and artists and, more surprisingly, that McLuhan’s work directly influenced the art and artists of his time. Kitnick builds the story of McLuhan’s entanglement with artists by carefully drawing out the connections among McLuhan, his theories, and the artists themselves. The story is packed with big names: Marcel Duchamp, Niki de Saint Phalle, Jasper Johns, Andy Warhol, Nam June Paik, and others. Kitnick masterfully weaves this history with McLuhan’s own words and his provocative ideas about what art is and what artists should do, revealing McLuhan’s influence on the avant-garde through the confluence of art and theory. The illuminating result sheds light on new aspects of McLuhan, showing him not just as a theorist, or an influencer, but as a richly multifaceted figure who, among his many other accolades, affected multiple generations of artists and their works. The book finishes with Kitnick overlaying McLuhan’s ethos onto the state of contemporary and post-internet art. This final channeling of McLuhan is a swift and beautiful analysis, with a personal touch, of art’s recent transgressions and what its future may hold. |
| bete noire magazine: Seeing Red Theodore Kornweibel, 1998 Now in Paper! Seeing RedFederal Campaigns Against Black Militancy, 1919-1925Theodore Kornweibel, Jr. A gripping, painstakingly documented account of a neglected chapter in the history of American political intelligence. Kornweibel is an adept storyteller who admits he is drawn to the role of the historian-as-detective....What emerges is a fascinating tale of secret federal agents, many of them blacks, who were willing to take advantage of the color of their skin to spy upon others of their race. And it is a tale of sometimes desperate and frequently angry government officials, including J. Edgar Hoover, who were willing to go to great lengths to try to stop what they perceived as threats to continued white supremacy. -- Patrick S. Washburn, Journalism History Theodore Kornweibel, Jr., Professor of African American history in the Africana Studies Department at San Diego State University, is author of No Crystal Stair and In Search of the Promised Land. Blacks in the Diaspora -- Darlene Clark Hine, John McCluskey, Jr., and David Barry Gaspar, general editors |
| bete noire magazine: The Cultural Politics of Chick Lit Heike Missler, 2016-11-03 Chick lit is the marketing label attributed to a surge of books published in the wake of Helen Fielding's Bridget Jones's Diary (1996) and Candace Bushnell's Sex and the City (1997). Branded by their pink or pastel-coloured book covers, chick-lit novels have been a highly successful and ubiquitous product of women's popular culture since the late 1990s. This study traces the evolution of chick lit not only as a genre of popular fiction, but as a cultural phenomenon. It complicates the genealogy of the texts by situating them firmly in the context of age-old debates about female literary creation, and by highlighting the dynamics of the popular-fiction market. Offering a convincing dissection of the formula which lies at the heart of chick lit, as well as in-depth analyses of a number of chick-lit titles ranging from classic to more recent and edgier texts, this book yields new insights into a relatively young field of academic study. Its close readings provide astute assessments of chick lit's notoriously skewed representational politics, especially with regard to sexuality and ethnicity, which feed into current discussions about postfeminism. Moreover, the study makes a unique contribution to the scholarly debate of chick lit by including an analysis of the (online) fan communities the genre has fostered. The Cultural Politics of Chick Lit weaves a sound methodological network, drawing on reader-response criticism; feminist, gender, and queer theory; affect studies; and whiteness studies. This book is an accessible and engaging study for anyone interested in postfeminism and popular culture. |
| bete noire magazine: The Cultural Cold War Frances Stonor Saunders, 2013-11-05 During the Cold War, freedom of expression was vaunted as liberal democracy's most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called the most comprehensive account yet of the [CIA's] activities between 1947 and 1967 by the New York Times, the book presents shocking evidence of the CIA's undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA's astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is a real contribution to popular understanding of the postwar period (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today. |
| bete noire magazine: A History of American Magazines, Volume II: 1850-1865 Frank Luther Mott, 1938 The first volume of this work, covering the period from 1741-1850, was issued in 1931 by another publisher, and is reissued now without change, under our imprint. The second volume covers the period from 1850 to 1865; the third volume, the period from 1865 to 1885. For each chronological period, Mr. Mott has provided a running history which notes the occurrence of the chief general magazines and the developments in the field of class periodicals, as well as publishing conditions during that period, the development of circulations, advertising, payments to contributors, reader attitudes, changing formats, styles and processes of illustration, and the like. Then in a supplement to that running history, he offers historical sketches of the chief magazines which flourished in the period. These sketches extend far beyond the chronological limitations of the period. The second and third volumes present, altogether, separate sketches of seventy-six magazines, including The North American Review, The Youth's Companion, The Liberator, The Independent, Harper's Monthly, Leslie's Weekly, Harper's Weekly, The Atlantic Monthly, St. Nicholas, and Puck. The whole is an unusual mirror of American civilization. |
| bete noire magazine: Women, Culture, and Politics in Latin America Seminar on Feminism & Culture in Latin America, 2023-07-28 The result of a collaboration among eight women scholars, this collection examines the history of women’s participation in literary, journalistic, educational, and political activity in Latin American history, with special attention to the first half of this century. The result of a collaboration among eight women scholars, this collection examines the history of women’s participation in literary, journalistic, educational, and political activity in Latin American history, with special attention to the first half of t |
| bete noire magazine: ‘Preparing for Power’ Jack Hepworth, 2023-08-10 This book employs a history of ideas approach to trace the complex journey of the Revolutionary Communist Party (RCP) and its afterlives. Although the RCP existed for barely two decades, it left a curiously lasting impact on British politics, and its legacies have provoked bewilderment, suspicion, and animosity. Formed as the Revolutionary Communist Tendency in 1978, the RCP represented a distinct and often controversial offshoot of the Trotskyist left. Campaigning principally around 'unconditional support for Irish freedom' and anti-racism, RCP cadres expounded an independent revolutionary politics to supersede capitalism. In the 1990s, however, the RCP leadership ruefully declared that the working class had suffered an historic defeat, and the party dissolved in 1996. Combining wide-ranging archival research and twenty-four life-history interviews with former activists, Preparing for Power examines ideological continuity and change among the ex-RCP milieu. Explaining the party's key ideas, their evolution, and their retrospective contestation, Jack Hepworth analyses the RCP's trajectory in a broader political context. In doing so, Hepworth illuminates a network which has been the subject of considerable media sensation and polemical attention. |
| bete noire magazine: Spectres of 1919 Barbara Foley, 2010-10-01 A look at the violent “Red Summer of 1919” and its intersection with the highly politicized New Negro movement and the Harlem Renaissance With the New Negro movement and the Harlem Renaissance, the 1920s was a landmark decade in African American political and cultural history, characterized by an upsurge in racial awareness and artistic creativity. In Spectres of 1919 Barbara Foley traces the origins of this revolutionary era to the turbulent year 1919, identifying the events and trends in American society that spurred the black community to action and examining the forms that action took as it evolved. Unlike prior studies of the Harlem Renaissance, which see 1919 as significant mostly because of the geographic migrations of blacks to the North, Spectres of 1919 looks at that year as the political crucible from which the radicalism of the 1920s emerged. Foley draws from a wealth of primary sources, taking a bold new approach to the origins of African American radicalism and adding nuance and complexity to the understanding of a fascinating and vibrant era. |
| bete noire magazine: The Gentleman's Magazine , 1967 |
| bete noire magazine: The Arena , 1898 |
| bete noire magazine: Contemporary British Poetry and the City Peter Barry, 2000 Peter Barry explores a range of poets who visit and celebrate the mean streets of the contemporary urban scene. Poets discussed include Ken Smith, Iain Sinclair, Roy Fisher, Edwin Morgan, Sean O'Brien, Ciaran Carson, Peter Reading, Matt Simpson, Douglas Houston, Deryn Rees-Jones, Denise Riley, Ken Edwards, Levi Tafari, Aidan Hun, and Robert Hampson writing on Hull, Liverpool, London, Birmingham, Belfast, Glasgow, and Dundee. |
| bete noire magazine: Pound/the Little Review Ezra Pound, 1988 Gathers Pound's letters to the publisher of the Little Review and provides background information on this period in Pound's life. |
| bete noire magazine: International Who's Who in Poetry 2005 Europa Publications, 2004-08-02 The 13th edition of the International Who's Who in Poetry is a unique and comprehensive guide to the leading lights and freshest talent in poetry today. Containing biographies of more than 4,000 contemporary poets world-wide, this essential reference work provides truly international coverage. In addition to the well known poets, talented up-and-coming writers are also profiled. Contents:* Each entry provides full career history and publication details * An international appendices section lists prizes and past prize-winners, organizations, magazines and publishers * A summary of poetic forms and rhyme schemes * The career profile section is supplemented by lists of Poets Laureate, Oxford University professors of poetry, poet winners of the Nobel Prize for Literature, winners of the Pulitzer Prize for American Poetry and of the King's/Queen's Gold medal and other poetry prizes. |
| bete noire magazine: Freedom Season Peniel E. Joseph, 2025-05-13 A “captivating and compelling” (Keisha N. Blain, coeditor of the #1 New York Times–bestseller Four Hundred Souls) narrative history of 1963, the pivotal moment in America’s long civil rights movement—the year of the March on Washington, Martin Luther King Jr.’s “Letter from Birmingham Jail,” and the assassinations of Medgar Evers and John F. Kennedy In Freedom Season, acclaimed historian Peniel E. Joseph offers a stirring narrative history of 1963, marking it as the defining year of the Black freedom struggle—a year when America faced a deluge of political strife and violence and emerged transformed. Nineteen sixty-three opened with the centenary of the Emancipation Proclamation and ended with America in a state of mourning. The months in between brought waves of racial terror, mass protest, and police repression that shocked the world, inspired radicals and reformers, and forced the hands of moderate legislators. By year’s end the murders of John F. Kennedy, Medgar Evers, and four Black girls at a church in Alabama left the nation determined to imagine a new way forward. Alongside the stories of historical giants like James Baldwin and Martin Luther King Jr., Joseph uplifts the perspectives of less celebrated leaders like playwright Lorraine Hansberry and activist Gloria Richardson. Over one heartbreakingly tumultuous year, America unraveled and remade itself as the world looked on. Freedom Season shows how the upheavals of 1963 planted the seeds for watershed civil rights legislation and renewed hope in the promise and possibility of freedom. |
| bete noire magazine: Poetry Wales , 1987 |
| bete noire magazine: Laurentian University Review , 1977 |
| bete noire magazine: Reviews Оскар Уайльд, 2021-12-02 |
| bete noire magazine: Reviews Oscar Wilde, 2019-11-25 In Reviews, Oscar Wilde showcases his wit and keen aesthetic sensibility through a collection of critiques addressing the artistic landscape of the late 19th century. With a style that deftly melds eloquence with incisive commentary, Wilde illuminates the cultural dialogues of his time. These reviews, ranging from evaluations of theater to literature and art, reflect not only his profound understanding of aesthetics but also his ability to engage with the contemporary issues faced by the Victorian society. Wilde's prose brims with an infectious passion for beauty and expression, making each review an exhilarating exploration of art's multifaceted impact on human experience. Oscar Wilde, a celebrated playwright, poet, and novelist, was deeply immersed in the artistic movements of his era, which undoubtedly informed his critical perspective in Reviews. Known for his flamboyant style and sharp social commentary, Wilde navigated the complexities of aestheticism and moral philosophy, often challenging societal norms. His unique background'Äîmarked by a classical education and a penchant for the literary avant-garde'Äîshaped his ability to articulate both the merits and failings of his contemporaries. For readers seeking to understand the interplay between art and society in the Victorian age, Reviews offers a compelling gateway into Wilde's brilliant mind. It is not only a reflection of his philosophy on aesthetics but also a valuable historical document that enriches our appreciation of art's role in shaping cultural identity. Wilde's sharp insights and literary flair make this collection a must-read for scholars and art enthusiasts alike. |
| bete noire magazine: The Little Magazine in Canada, 1925-80 Ken Norris, 1984 |
| bete noire magazine: Photo-era Magazine Juan C. Abel, Thomas Harrison Cummings, Wilfred A. French, A. H. Beardsley, 1919 |
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