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| beyond caravaggio met: Valentin de Boulogne Annick Lemoine, Keith Christiansen, 2016-10-07 Following Caravaggio's death in 1610, the French artist Valentin de Boulogne (1591-1632) emerged as one of the great champions of naturalistic painting. The eminent art historian Roberto Longhi honored him as the most energetic and passionate of Caravaggio's naturalist followers. In Rome, Valentin—who loved the tavern as much as the painter's pallette—fell in with a rowdy confederation of artists but eventually received commissions from some of the city's most prominent patrons. It was in this artistically rich but violent metropolis that Valentin created such masterworks as a major altarpiece in Saint Peter's Basilica and superb renderings of biblical and secular subjects—until his tragic death at the age of forty-one cut short his ascendant career. With discussions of nearly fifty works, representing practically all of his painted oeuvre, Valentin de Boulogne: Beyond Caravaggio explores both the the artist's superlative depictions of daily life and the tumultuous context in which they were produced. Essays by a team of international scholars consider his key attributions to European painting, his devotion to everyday objects and models from life, his technique of staging pictures with the immediacy of unfolding drama, and his place in the pantheon of French artists. An extensive chronology surveys the rare extant documents that chronicle his biography, while individual entries help situate his works in the contexts of his times. Rich with incident and insight, and beautifully illustrated in Valentin's complex, suggestive paintings, Valentin de Boulogne: Beyond Caravaggio reveals a seminal artist, a practitioner of realism in the seventeenth century who prefigured the naturalistic modernism of Gustave Courbet and Edouard Manet two centuries later. |
| beyond caravaggio met: Painters of Reality Andrea Bayer, Mina Gregori, Metropolitan Museum of Art (New York, N.Y.), 2004 |
| beyond caravaggio met: Caravaggio Gilles Lambert, Michelangelo Merisi da Caravaggio, 2010 Caravaggio was one of the most mysterious and revolutionary painters in the history of art. As this volume shows, he created a new language of theatrical realism that lives on through his paintings. |
| beyond caravaggio met: The Artist Project Christopher Noey, Thomas P. Campbell, 2017-09-19 Artists have long been stimulated and motivated by the work of those who came before them—sometimes, centuries before them. Interviews with 120 international contemporary artists discussing works from The Metropolitan Museum of Art's collection that spark their imagination shed new light on art-making, museums, and the creative process. Images of works from The Met collection appear alongside images of the contemporary artists' work, allowing readers to discover a rich web of visual connections that spans cultures and millennia. |
| beyond caravaggio met: All the Beauty in the World Patrick Bringley, 2023-02-14 A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard-- |
| beyond caravaggio met: A Caravaggio Rediscovered, the Lute Player Keith Christiansen, 1990 Published by the Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY 10028. The catalog (with a lengthy essay and scholarly paraphernalia) for an exhibition of a newly identified work by Caravaggio and other paintings by the artist or related to the musical theme. Annotation copyrighted by Book News, Inc., Portland, OR |
| beyond caravaggio met: Wonder Beyond Belief Navid Kermani, 2017-11-22 What happens when one of Germany’s most important writers, himself a Muslim, immerses himself in the world of Christian art? In this book, Navid Kermani is awestruck by a religion full of sacrifice and lamentation, love and wonder, the irrational and the unfathomable, the deeply human and the divine – a Christianity that today’s Christians rarely speak of so earnestly, boldly and enthusiastically. With the open-minded curiosity of a non-believer – or rather a believer in another faith – Kermani engages with Christian art in its great richness and diversity. The result is an enchanting reflection which reinvests in Christianity both its spectacular beauty and its terror. Kermani struggles with the cross, falls in love at the sight of Mary, experiences the Orthodox Mass and appreciates the greatness of St Francis. He teaches us to see the questions of our present-day lives in the pictures of old masters such as Botticelli, Caravaggio and Rembrandt – not with lectures on art history or theology, but with an intelligent eye for the essential details and the underlying relations to seemingly remote worlds, to literature and to mystical Islam. Kermani’s poetic school of seeing draws us in as we are carried along by his unique perspective on Christianity, rekindling our interest in great art at the same time. We are captivated by his unique and brilliant Islamic reading of the West. |
| beyond caravaggio met: Rembrandt, Caravaggio Rembrandt Harmenszoon van Rijn, Duncan Bull, Van Gogh Museum, Amsterdam, Rijksmuseum (Netherlands), 2006 Rembrandt - Caravaggio highlights the two geniuses of baroque painting: Rembrandt, the pre-eminent artist of the Dutch Golden Age, and his Italian counterpart Michelangelo Merisi (also known as Il Caravaggio). Both artists are considered revolutionary innovators in Northern and Southern European art, respectively. With their origins in different painting traditions, each developed an original and striking visual language. The juxtaposition in pairs of paintings by the two artists intensifies the comparison of their work. Although they never met - Caravaggio (1571-1610) died four years after the birth of Rembrandt van Rijn (1606-1669) - many parallels can be drawn between the two master painters and their oeuvres. This is the first publication to comprehensively compare the works of Rembrandt with those of Caravaggio. Exploring the use of contrasting colors and chiaroscuro, both artists achieved unexpected realistic detail. Unsettling to their contemporaries, the realism of the works of Rembrandt and Caravaggio remains exceptionally compelling to this day. Both painters scrutinized humanity in their own way, amplifying the power and enigmatic qualities of major human themes, such as love, religion, sexuality and violence. Rembrandt and Caravaggio changed not only the course of painting, but also our perception of the world. |
| beyond caravaggio met: Beyond Genius Bulent Atalay, 2023-11-07 An in-depth and unified exploration of genius in the arts and sciences through the life and works of five seminal intellectual and cultural figures: Leonardo da Vinci, William Shakespeare, Isaac Newton, Ludwig von Beethoven, and Albert Einstein. Who among us hasn't read Hamlet, listened to the Fifth Symphony, gazed at the Mona Lisa, or marveled at the three laws of physics and the Theory of Relativity and been struck with the same simple question: how on Earth did they do it? Where did these masters draw inspiration to produce some of the most stunning achievements in human history? Were their brains wired differently than ours? Did they have special traits or unique experiences that set them on the path to greatness? Genius is a broad and elusive concept, one that is divisive and hard to define—and gravely misunderstood. There are “ordinary” geniuses who achieve remarkable feats of brilliance, as well as “magicians” (a term James Gleick invoked to describe Richard Feynman) who make an outsize impact on their given field. But highest among them are transformative geniuses, those rare individuals who redefine their fields or open up new universes of thought altogether. These are the masters whose genius Bulent Atalay decodes in his engrossing, enlightening, and revelatory book. No, Atalay doesn’t have a road map for how we might become the next Einstein or Leonardo, but his revolutionary study of genius gives us a stunning new lens through which to view humanity’s most prolific thinkers and creators and perhaps pick up some inspiration along the way. At first, it seems that transformative geniuses don’t follow any sort of topography. Their prodigious output looks effortless, they leap from summit to summit, and they probably couldn’t explain exactly how they went about solving their problems. They might not even recognize themselves in the ways we talk about them today. Atalay argues that these heroes fit more of a mold than we might think. As evidence, he rigorously dissects the lives, traits, habits, and thought patterns of five exemplars—Leonardo, Shakespeare, Newton, Beethoven, and Einstein— to map the path of the transformative genius. How did Beethoven, who could not perform basic multiplication, innately encode the Fibonacci Sequence in his symphonies? Is it possible that we understate Shakespeare’s poetic influence? How did Leonardo become equally prolific in both the arts and the sciences? How did Newton formulate the universal laws of physics, the basis of so many other sciences? And what prompted TIME Magazine to declare Einstein, a man whose very name is synonymous with genius, the “Individual of the 20th Century”? With great clarity and attention to detail, Atalay expertly traces how these five exemplars ascended to immortality and what their lives and legacies reveal about how transformative geniuses are made |
| beyond caravaggio met: Modern Times: British Prints, 1913–1939 Jennifer Farrell, 2021-10-20 The bold graphic images made by artists affiliated with Vorticism, British Futurism, and the Grosvenor School of Modern Art capture the optimism and anxiety of early twentieth-century Britain. This richly illustrated volume features rare British prints from the Leslie and Johanna Garfield collection dating between 1913 and 1939—a period marked by two world wars, a global pandemic, the Great Depression, and the rise of Fascism and Communism, but also new technologies, women’s suffrage, and a growing focus on public access to art. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. At the heart of the catalogue are the colorful linocuts made by artists associated with London’s celebrated Grosvenor School. The visually striking compositions by Sybil Andrews, Claude Flight, Cyril E. Power, and Lill Tschudi, among others, convey the vitality of quotidian life during the machine age. |
| beyond caravaggio met: Bellini, Titian, and Lotto Andrea Bayer, Giovanni Bellini, Titian, Lorenzo Lotto, Maria Cristina Rodeschini Galati, Metropolitan Museum of Art (New York, N.Y.), Accademia Carrara, 2012 Catalog of an exhibition held at the Metropolitan Museum of Art, New York, May 15-Sept. 3, 2012. |
| beyond caravaggio met: Caravaggio's Secrets Leo Bersani, Ulysse Dutoit, 2001-02 A psychoanalytic reading of the homoerotic messages in the early portraits of Michelangelo Caravaggio explores the artist's attempts to move beyond such relations, his fascination with imaginary secrets, and experiments with a new mode of connectedness in his paintings. Reprint. |
| beyond caravaggio met: In Pursuit of Caravaggio Carolyn Miner, 2016 |
| beyond caravaggio met: Thomas Lawrence Amina Wright, 2020-12-08 A fascinating record of the early years of Thomas Lawrence: the story of an exceptional young portraitist and future president of the Royal Academy. Like his Renaissance predecessors Raphael, Michelangelo and Dürer, the young Thomas Lawrence (1769-1830) was considered to be a boy genius. This survey of Lawrence's first twenty-five years tells the story of an exceptional artist growing up at the end of the century when Britain created its own unique artistic voice. It accompanies a major exhibition at the Holburne Museum in Bath and includes previously unpublished works as well as some of Lawrence's most brilliant masterpieces. Lawrence first came to public attention when he was cited in a scientific paper on 'early genius in children'; shortly afterwards his family moved to Bath where the eleven-year-old was kept busy making likenesses of the spa town's fashionable visitors. By 1790, his spectacular portraits were the most applauded works in the Royal Academy's annual exhibition, which opened days before his twenty-first birthday. This book considers the young artist's self-image as a prodigy, the impact of Bath's rich cultural life on his formation, the rapid development of his painting technique following his move to London, and his use of celebrity, print media and the Royal Academy to grow his reputation. Particular attention is given to Lawrence's perceptive depictions of old age and bold celebrations of youthful energy. His portraits from this time present a fascinating glimpse of British high society at the turn of a memorable century: they include celebrities such as the Duchess of Devonshire, Emma Hamilton and actresses Sarah Siddons and Elizabeth Farren, as well as political leaders, members of the Bluestocking circle and the Royal Family. |
| beyond caravaggio met: The Brothers Le Nain Esther Susan Bell, Claude Douglas Dickerson, Nicolas Milavanovic, Alain Tallon, 2016-01-01 A beautiful volume that brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialized in portraiture, religious subjects, and scenes of everyday peasant life In France in the 17th century, the brothers Antoine (c. 1598-1648), Louis (c. 1600/1605-1648), and Mathieu (1607-1677) Le Nain painted images of everyday life for which they became posthumously famous. They are celebrated for their depictions of middle-class leisure activities, and particularly for their representations of peasant families, who gaze out at the viewer. The uncompromising naturalism of these compositions, along with their oddly suspended action, imparts a sense of dignity to their subjects. Featuring more than sixty paintings highlighting the artists' full range of production, including altarpieces, private devotional paintings, portraits, and the poignant images of peasants for which the brothers are best known, this generously illustrated volume presents new research concerning the authorship, dating, and meaning of the works by well-known scholars in the field. Also groundbreaking are the results of a technical study of the paintings, which constitutes a major contribution to the scholarship on the Le Nain brothers. |
| beyond caravaggio met: The Endless Periphery Stephen J. Campbell, 2019-11-26 While the masterpieces of the Italian Renaissance are usually associated with Italy’s historical seats of power, some of the era’s most characteristic works are to be found in places other than Florence, Rome, and Venice. They are the product of the diversity of regions and cultures that makes up the country. In Endless Periphery, Stephen J. Campbell examines a range of iconic works in order to unlock a rich series of local references in Renaissance art that include regional rulers, patron saints, and miracles, demonstrating, for example, that the works of Titian spoke to beholders differently in Naples, Brescia, or Milan than in his native Venice. More than a series of regional microhistories, Endless Periphery tracks the geographic mobility of Italian Renaissance art and artists, revealing a series of exchanges between artists and their patrons, as well as the power dynamics that fueled these exchanges. A counter history of one of the greatest epochs of art production, this richly illustrated book will bring new insight to our understanding of classic works of Italian art. |
| beyond caravaggio met: Caravaggio Andrew Graham Dixon, 2011-07-06 Michelangelo Merisi da Caravaggio lived the darkest and most dangerous life of any of the great painters. The worlds of Milan, Rome and Naples through which Caravaggio moved and which Andrew Graham-Dixon describes brilliantly in this book, are those of cardinals and whores, prayer and violence. On the streets surrounding the churches and palaces, brawls and swordfights were regular occurrences. In the course of this desperate life Caravaggio created the most dramatic paintings of his age, using ordinary men and women - often prostitutes and the very poor - to model for his depictions of classic religious scenes. Andrew Graham-Dixon's exceptionally illuminating readings of Caravaggio'spictures, which are the heart of the book, show very clearly how he created their drama, immediacy and humanity, and how completely he departed from the conventions of his time. |
| beyond caravaggio met: Caravaggio Rossella Vodret, Michelangelo Merisi da Caravaggio, Rossella Vodret Adamo, 2010 Edited and text by Rossella Vodret. |
| beyond caravaggio met: Metropolitan Stories Christine Coulson, 2019-10-08 “Only someone who deeply loves and understands the Metropolitan Museum could deliver such madcap, funny, magical, tender, intimate fables and stories.” —Maira Kalman, artist and bestselling author of The Principles of Uncertainty From a writer who worked at the Metropolitan Museum for more than twenty-five years, an enchanting novel that shows us the Met that the public doesn't see. Hidden behind the Picassos and Vermeers, the Temple of Dendur and the American Wing, exists another world: the hallways and offices, conservation studios, storerooms, and cafeteria that are home to the museum's devoted and peculiar staff of 2,200 people—along with a few ghosts. A surreal love letter to this private side of the Met, Metropolitan Stories unfolds in a series of amusing and poignant vignettes in which we discover larger-than-life characters, the downside of survival, and the powerful voices of the art itself. The result is a novel bursting with magic, humor, and energetic detail, but also a beautiful book about introspection, an ode to lives lived for art, ultimately building a powerful collage of human experience and the world of the imagination. |
| beyond caravaggio met: Beyond the Mirror Susanne von Falkenhausen, 2020-07-07 Since the late 1980s visibility has become a currency of social recognition, and a political issue. It also brought forth a new discipline, visual culture studies, and a hotly contested debate unfolded between art history and visual culture studies over the interpretation of visual culture, whose impact can still be felt today. In this first comparative study Susanne von Falkenhausen reveals the concepts of seeing as scholarly act that underwrite these competing approaches to visuality and society, along with the agendas of identity politics that motivate them. In close readings of key texts spanning from the early 20th century to the present the author crosses expertly between American, German, and British versions of art history, cultural studies, aesthetics, and film studies. |
| beyond caravaggio met: Titian Remade Maria H. Loh, 2007 This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino. |
| beyond caravaggio met: Pierre Bonnard Pierre Bonnard, Nicole R. Myers, Allison Stielau, Metropolitan Museum of Art (New York, N.Y.), 2009 The vibrant late paintings of Pierre Bonnard (1867-1947) are considered by many to be among his finest achievements. Working in a small converted bedroom of his villa in the south of France, Bonnard suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand-usually everyday scenes taken from his immediate surroundings, such as the dining room table being set for breakfast, or a jug of flowers perched on the mantelpiece - Bonnard rarely painted from life. Instead, he preferred to make pencil sketches in small diaries and then rely on these, along with his memory, once in the studio. This volume, which accompanies the first exhibition to focus on the interior and related still-life imagery from the last decades of Bonnard's long career, presents more than seventy-five paintings, drawings, and works on paper, many of them rarely seen in public and in some cases, little known. Although Bonnard's legacy may be removed from the succession of trends that today we consider the foundation of modernism, his contribution to French art in the early decades of the twentieth century is far more profound than history has generally acknowledged. In their insightful essays and catalogue entries the authors bring fresh critical perspectives to the ongoing reappraisal of Bonnard's reputation and to his place within the narrative of twentieth-century art.--Jacket |
| beyond caravaggio met: Caravaggio Ruth Dangelmaier, 2019-07 The life and work of Michelangelo Merisi, known as Caravaggio, (1571-1610) is more fascinating than that of almost any other artist of his time. He overcame the conventions of the Renaissance. He was not interested in ideal beauty and the exaggeration of reality. His masterful use of light and shadow, as well as the revolutionary use of sacred and profane themes, renewed painting and made him a pioneer of the Baroque. |
| beyond caravaggio met: The Path of Humility Anne H. Muraoka, 2015 The Path of Humility: Caravaggio and Carlo Borromeo establishes a fundamental relationship between the Franciscan humility of Archbishop of Milan Carlo Borromeo and the Roman sacred works of Caravaggio. This is the first book to consider and focus entirely upon these two seemingly anomalous personalities of the Counter-Reformation. The import of Caravaggio's Lombard artistic heritage has long been seen as pivotal to the development of his sacred style, but it was not his only source of inspiration. This book seeks to enlarge the discourse surrounding Caravaggio's style by placing him firmly in the environment of Borromean Milan, a city whose urban fabric was transformed into a metaphorical Via Crucis. This book departs from the prevailing preoccupation - the artist's experience in Rome as fundamental to his formulation of sacred style - and toward his formative years in Borromeo's Milan, where humility reigned supreme. This book is intended for a broad, yet specialized readership interested in Counter-Reformation art and devotion. It serves as a critical text for undergraduate and graduate art history courses on Baroque art, Caravaggio, and Counter-Reformation art. |
| beyond caravaggio met: Velázquez Jonathan Brown, Diego Velázquez, Carmen Garrido, 1998 This study begins with an introduction to Velazquez's life. The authors then examine how the artist devised his techniques and how they changed over time. The photographs aim to demonstrate how Velazquez realised his vision of man and nature through a highly allusive, economical manner of painting. |
| beyond caravaggio met: The Moment of Caravaggio Michael Fried, 2023-10-17 A major reevaluation of Caravaggio from one of today's leading art historians This is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artist's revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, The Moment of Caravaggio displays Fried's unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, providing sustained and unexpected readings of a wide range of major works, from the early Boy Bitten by a Lizard to the late Martyrdom of Saint Ursula. The result is an electrifying new perspective on a crucial episode in the history of European painting. Focusing on the emergence of the full-blown gallery picture in Rome during the last decade of the sixteenth century and the first decades of the seventeenth, Fried draws forth an expansive argument, one that leads to a radically revisionist account of Caravaggio's relation to the self-portrait; of the role of extreme violence in his art, as epitomized by scenes of decapitation; and of the deep structure of his epoch-defining realism. Fried also gives considerable attention to the art of Caravaggio's great rival, Annibale Carracci, as well as to the work of Caravaggio's followers, including Orazio and Artemisia Gentileschi, Bartolomeo Manfredi, and Valentin de Boulogne. Please note: All images in this ebook are presented in black and white and have been reduced in size. |
| beyond caravaggio met: The Metropolitan Museum of Art Guide Philippe De Montebello, 1999-03 Updated to include new acquisitions, attributions, and reevaluations. |
| beyond caravaggio met: Art History for Filmmakers Gillian McIver, 2017-03-23 Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film. |
| beyond caravaggio met: Caravaggio Michelangelo Merisi da Caravaggio, Andrea Pomella, 2004 |
| beyond caravaggio met: Alain Elkann Interviews , 2017-09-15 Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years. |
| beyond caravaggio met: I Know What I Am Gina Siciliano, 2019-09-11 In 17th century Rome, where women are expected to be chaste and yet are viewed as prey by powerful men, the extraordinary painter Artemisia Gentileschi fends off constant sexual advances as she works to become one of the greatest painters of her generation. Frustrated by the hypocritical social mores of her day, Gentileschi releases her anguish through her paintings and, against all odds, becomes a groundbreaking artist. Meticulously rendered in ballpoint pen, this gripping graphic biography serves as an art history lesson and a coming-of-age story. Resonant in the #MeToo era, I Know What I Amhighlights a fierce artist who stood up to a shameful social status quo. |
| beyond caravaggio met: Dalí - Freud Stephanie Auer, Juan Manuel Bonet, Ulrike Kadi, Robert S. Lubar, Agustín Sánchez Vidal, Ingrid Schaffner, 2022 Salvador Dali and Sigmund Freud. The art of one is inconceivable without the theories of the other. They seem inexorably linked, even though their paths only crossed once: in London, in July 1938. Dali's memoris of Vienna, the birthplace of psychoanalysis, represent the starting point of this volume, which shines a light on the artist against the background of his complex family relationships and follows his life from his discovery of Freud's writings to his meeting with the founder of psychoanalysis in his London exil in 1938. |
| beyond caravaggio met: Augustine beyond the Book , 2012-05-11 Augustine of Hippo (354-430) is arguably the most influential thinker and Latin author of the Early Christian period. His widespread legacy has been explored to date only in part, and largely with respect to his textual reception. This interdisciplinary volume attempts to redress this emphasis with a set of analyses of Augustine's impact in the visual arts, drama, devotional practices, music, the science-faith debate and psychotherapy. The included studies trace intricate and occasionally surprising instances of Augustine's ubiquitous presence in intellectual, spiritual and artistic terms. The result is a far more differentiated and dynamic picture of the mechanisms by which the legacy of an historical figure may be perpetuated, including the sometimes supra-rational and imaginative dimensions of transmission. |
| beyond caravaggio met: Modern Art Despite Modernism Robert Storr, Museum of Modern Art (New York, N.Y.), 2000 Essay by Robert Storr. Foreword by Glenn D. Lowry. |
| beyond caravaggio met: Jesu, Priceless Treasure: Saatb (English Language Edition) , 1985-03 A choral worship cantata composed by Johann Sebastian Bach. |
| beyond caravaggio met: Ribera Edward Payne, Xavier Bray, 2018 Explores the representation of highly realistic and violent subjects in the paintings, prints and drawings of Jusepe de Ribera (1591-1652). |
| beyond caravaggio met: Beyond Recognition Craig Owens, 1992 On the arts and postmodernism |
| beyond caravaggio met: Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018 Peter Schjeldahl, 2020-05-12 Hot Cold Heavy Light collects 100 writings--some long, some short--that taken together forma group portrait of many of the world's most significant and interesting artists. From Pablo Picasso to Cindy Sherman, Old Masters to contemporary masters, paintings to comix, and saints to charlatans, Schjeldahl ranges widely through the diverse and confusing art world, an expert guide to a dazzling scene. No other writer enhances the reader's experience of art in precise, jargon-free prose as Schjeldahl does. His reviews are more essay than criticism, and he offers engaging and informative accounts of artists and their work. For more than three decades, he has written about art with Emersonian openness and clarity. A fresh perspective, an unexpected connection, a lucid gloss on a big idea awaits the reader on every page of this big, absorbing, buzzing book. |
| beyond caravaggio met: Sudden Death Álvaro Enrigue, 2016-04-14 Selected as a Guardian best book of 2016 A funny and mind-bending novel about the clash of empires and ideas in the sixteenth century, told over the course of one dazzling tennis match A brutal tennis match in Rome. Two formidable opponents: the wild Italian painter Michelangelo Merisi da Caravaggio and the loutish Spanish poet Francisco de Quevedo. Galileo, Saint Matthew and Mary Magdalene heckle from the sidelines. In England, Thomas Cromwell and Henry VIII execute Anne Boleyn, and her executioner transforms her legendary locks into the most sought-after tennis balls of the time. Across the ocean in Mexico, the last Aztec emperors play their own games, as Hern�n Cort�s and his Mayan translator and lover scheme and conquer, fight and fuck, not knowing that their domestic comedy will change the course of history. Over the course of one dazzling tennis match - through assassinations and executions, carnal liaisons and papal dramas, artistic and religious revolutions, love and war - Sudden Death tells the grand adventure of the clash of empires and the dawn of the modern era. |
| beyond caravaggio met: Historical Painting Techniques, Materials, and Studio Practice Arie Wallert, 1996 |
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