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| beethoven political views: Ludwig Van Beethoven: Fidelio Paul A. Robinson, Paul Robinson, 1996-09-26 This book explores the fascinating musical and dramatic elements within Fidelio, Beethoven's only complete opera. |
| beethoven political views: Beethoven in German Politics, 1870-1989 David B. Dennis, 1996-01-01 This absorbing book chronicles the exploitation of Beethoven's life and work by German political parties from the founding of the modern nation in 1870 to the peaceful East German Revolution of 1989. David Dennis taps a wealth of new archival resources to examine for the first time how propagandists of every persuasion have transformed Beethoven and his art into powerful, and varied, national symbols. In fascinating detail, Dennis introduces many 'Beethovens, ' each fashioned as part of a process that transformed the composer into the most protean, and widely abused, cultural-political symbol in modern German history.-David Large, Montana State University This book] should fascinate not only Beethoven devotees but also anyone interested in the elusiveness and malleability of historical evidence.-James R. Oestreich, New York Time |
| beethoven political views: Political Beethoven Nicholas Mathew, 2013 Political Beethoven explores Beethoven's music as an active participant in political life from the Napoleonic Wars to the present day. |
| beethoven political views: The Catholic Beethoven Assistant Professor of Musicology Nicholas Chong, 2025-01-23 The Catholic Beethoven offers a new view of Beethoven and his religious music by demonstrating that both the composer and his sacred works were influenced by the German Catholicism of his era to a much greater extent than has been thought. It draws on revisionist historical research into the role of religion in the Enlightenment, especially the Catholic Enlightenment, to interpret both the composer's religious works and documentary evidence of his spiritual outlook. In addition, it is the first book-length treatment of Beethoven's sacred music that is not focused only on the Missa solemnis, but also examines the Mass in C, Christus am Ölberge, and the Gellert Lieder. |
| beethoven political views: Politics in Music Courtney Brown, 2007-09 This book discusses the political content of music over the past 200 years, from the classical to the hip-hop genres and everything in between. Beginning with Beethoven, Courtney Brown describes how Beethoven's music has been used to support a wide variety of political views across the entire ideological spectrum, both during Beethoven's life and long after. Then a provocative comparison of Bob Marley's music and Richard Wagner's Ring operas identifies striking similarities between the political ideas of these two composers relating to the idea of revolution. Nationalist music is then described and elaborated through examples, drawing from a wide range of national identities. Brown then turns to labor music by focusing on the legend of Joe Hill. Movement and non-movement related political music is then explored and compared, including the music associated with the Vietnam War. Finally, the political content of hip-hop is examined. Never before has a book covered such a broad spectrum of political music. This is a timely publication given the exponential growth of contemporary political music. |
| beethoven political views: Beethoven After Napoleon Stephen Rumph, 2004-08-15 A brilliant and unfailingly provocative reading of Beethoven's music. Rumph challenges and refines our views of the subject, reinterpreting overly familiar music in striking new ways. Wonderful critical and interpretive observations abound; the author writes with great imagination and flair.—Scott Burnham, author of Beethoven Hero Rumph shows at last the extent to which Beethoven's late period, the period of his most spiritual and 'inward' music, was a response to political change. In effect his book is an extended retort to E. T. A. Hoffmann's two-centuries-old claim that Beethoven's kingdom was not of this world—and it's about time! Rumph's argument will be resisted by Hoffmann's many heirs; but it is most compelling, not least because it answers so many long-standing questions about 'the music itself' and clears up so many misconceptions about the nature of musical romanticism.—Richard Taruskin, Class of 1955 Professor of Music, University of California, Berkeley |
| beethoven political views: The Cambridge Companion to Beethoven Glenn Stanley, 2000-05-11 This Companion, first published in 2000, provides a comprehensive view of Beethoven and his work. The first part of the book presents the composer as a private individual, as a professional, and at the work-place, discussing biographical problems, Beethoven's professional activities when not composing and his methods as a composer. In the heart of the book, individual chapters are devoted to all the major genres cultivated by Beethoven and to the elements of style and structure that cross all genres. The book concludes by looking at the ways that Beethoven and his music have been interpreted by performers, writers on music, and in the arts, literature, and philosophy. The essays in this volume, written by leading Beethoven specialists, maintain traditional emphases in Beethoven studies while incorporating other developments in musicology and theory. |
| beethoven political views: Beethoven William Kinderman, 2009-04-10 Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early chamber music, his songs, his opera Fidelio, and to a number of often-neglected works of the composer's later years and fascinating projects left incomplete. A revised view emerges from this of Beethoven's aesthetics and the musical meaning of his works. Rather than the conventional image of a heroic and tormented figure, Kinderman provides a more complex, more fully rounded account of the composer. Although Beethoven's deafness and his other personal crises are addressed, together with this ever-increasing commitment to his art, so too are the lighter aspects of his personality: his humor, his love of puns, his great delight in juxtaposing the exalted and the commonplace. |
| beethoven political views: Beethoven: The Relentless Revolutionary John Clubbe, 2019-07-09 A fascinating and in-depth exploration of how the Enlightenment, the French Revolution, and Napoleon shaped Beethoven’s political ideals and inspired his groundbreaking compositions. Beethoven imbibed Enlightenment and revolutionary ideas in his hometown of Bonn, where they were fervently discussed in cafés and at the university. Moving to Vienna at the age of twenty-one to study with Haydn, he gained renown as a brilliant pianist and innovative composer. In that conservative city, capital of the Hapsburg empire, authorities were ever watchful to curtail and punish overt displays of radical political views. Nevertheless, Beethoven avidly followed the meteoric rise of Napoleon. As Napoleon had made strides to liberate Europe from aristocratic oppression, so Beethoven desired to liberate humankind through music. He went beyond the musical forms of Haydn and Mozart, notably in the Eroica Symphony and his opera Fidelio, both inspired by the French Revolution and Napoleon. John Clubbe illuminates Beethoven as a lifelong revolutionary through his compositions, portraits, and writings, and by setting him alongside major cultural figures of the time—among them Schiller, Goethe, Byron, Chateaubriand, and Goya. |
| beethoven political views: Diagnosing Genius François Martin Mai, 2007-02-09 Beethoven's extraordinary ability to compose great music despite severe health problems, including deafness and depression, has puzzled and inspired. In Diagnosing Genius François Martin Mai looks at the relationship between Beethoven's health and creativity to show how the composer was able to transcend physical and emotional torment to produce some of the most powerful and beautiful music in Western culture. |
| beethoven political views: Music Ted Gioia, 2019-10-15 A dauntingly ambitious, obsessively researched (Los Angeles Times) global history of music that reveals how songs have shifted societies and sparked revolutions. Histories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources. In Music: A Subversive History, Ted Gioia reclaims the story of music for the riffraff, insurgents, and provocateurs. Gioia tells a four-thousand-year history of music as a global source of power, change, and upheaval. He shows how outcasts, immigrants, slaves, and others at the margins of society have repeatedly served as trailblazers of musical expression, reinventing our most cherished songs from ancient times all the way to the jazz, reggae, and hip-hop sounds of the current day. Music: A Subversive History is essential reading for anyone interested in the meaning of music, from Sappho to the Sex Pistols to Spotify. |
| beethoven political views: Style and Music Leonard B. Meyer, 2024-12-23 Leonard Meyer proposes a theory of style and style change that relates the choices made by composers to the constraints of psychology, cultural context, and musical traditions. He explores why, out of the abundance of compositional possibilities, composers choose to replicate some patterns and neglect others. Meyer devotes the latter part of his book to a sketch-history of nineteenth-century music. He shows explicitly how the beliefs and attitudes of Romanticism influenced the choices of composers from Beethoven to Mahler and into our own time. A monumental work. . . . Most authors concede the relation of music to its cultural milieu, but few have probed so deeply in demonstrating this interaction.—Choice Probes the foundations of musical research precisely at the joints where theory and history fold into one another.—Kevin Korsyn, Journal of American Musicological Society A remarkably rich and multifaceted, yet unified argument. . . . No one else could have brought off this immense project with anything like Meyer's command.—Robert P. Morgan, Music Perception Anyone who attempts to deal with Romanticism in scholarly depth must bring to the task not only musical and historical expertise but unquenchable optimism. Because Leonard B. Meyer has those qualities in abundance, he has been able to offer fresh insight into the Romantic concept.—Donal Henahan, New York Times |
| beethoven political views: Beethoven Essays Maynard Solomon, 1988 This book contains virtually all of my important Beethoven essays, most of which were written during the past ten years. Primarily, these are depth studies of psychological, historical, and creative issues whose implications cannot be fully explored within the confines of a narrative biography. |
| beethoven political views: The Great Symphony Pasquale De Marco, 2025-05-08 **The Great Symphony** offers a comprehensive exploration of the life and work of Ludwig van Beethoven, one of the most influential composers in Western classical music. This in-depth book delves into Beethoven's musical innovations, personal struggles, and the enduring legacy of his compositions. Through a combination of historical research, musical analysis, and personal anecdotes, **The Great Symphony** paints a vivid portrait of Beethoven's extraordinary life and career. Readers will gain a deeper understanding of his groundbreaking compositions, which pushed the boundaries of classical music and continue to be performed and admired around the world. The book also sheds light on Beethoven's personal struggles, including his deafness, which began in his early thirties. Despite this adversity, Beethoven persevered, composing some of his most renowned works during this challenging period. His resilience and determination serve as an inspiration to musicians and artists alike. In addition to exploring Beethoven's musical and personal life, **The Great Symphony** examines the enduring legacy of his compositions. His symphonies, concertos, and sonatas have had a profound impact on subsequent generations of composers and continue to be performed and recorded by orchestras and musicians worldwide. Whether you are a seasoned music lover or a newcomer to the world of classical music, **The Great Symphony** offers a fascinating and informative journey into the life and work of one of the greatest composers who ever lived. Through its engaging narrative and insightful analysis, this book will deepen your appreciation for Beethoven's genius and the timeless power of his music. If you like this book, write a review on google books! |
| beethoven political views: Beethoven’s Dedications Artur Pereira, 2020-12-30 The dedication of a piece of music is a feature generally overlooked, but it can reveal a great deal about the work, the composer, the society and the music world in which the composer lived. This book explores the musical, biographical and sociological aspects of the practice of dedicating new compositions in the late 18th and early 19th centuries, and makes a significant contribution towards a better understanding of the impact these tributes had on Beethoven’s life and work, and their function within the context of the musical, cultural and economic environments in which they appeared. As the first of its kind, this study demonstrates that, as a result of their different functions, published dedications and handwritten inscriptions are distinct from one another, and for that reason they have been classified in different categories. This book, therefore, challenges the idea of what exactly can be termed as a ‘dedication’, a concept which extends far beyond the dedication of musical works. |
| beethoven political views: Beethoven Laura Tunbridge, 2020-07-16 **WINNER of Presto Books' Best Composer Biography** NINE WORKS OF BEETHOVEN, NINE WINDOWS INTO THE LIFE AND LEGACY OF A MUSICAL GENIUS. 'We are doubly blessed that Beethoven should have led such an extraordinary life. Laura has combined the two - the genius of his music and the richness of his experiences - to shine a revealing light on our greatest composer' John Humphrys _________________________ Ludwig van Beethoven: to some, simply the greatest ever composer of Western classical music. Yet his life remains shrouded in myths. In Beethoven, Oxford professor Laura Tunbridge cuts through the noise. With each chapter focusing on a period of his life, piece of music and revealing theme - from family to friends, from heroism to liberty - she provides a rich insight into the man and the music. Revealing a wealth of never-before-seen material, this tour de force is a compelling, accessible portrayal of one of the world's most creative minds and it will transform how you listen for ever. _________________________ 'Tunbridge has come up with the seemingly impossible: a new way of approaching Beethoven's life and music . . . profoundly original and hugely readable' John Suchet, author Beethoven: The Man Revealed 'This well researched and accessible book is a must read for all who seek to know more about the flesh and blood tangible Beethoven.' John Clubbe, author of Beethoven: The Relentless Revolutionary 'This book is really wonderful! ... However many books on Beethoven you own, find the space for one more. This one' Stephen Hough, pianist, composer, writer 'In a year when everyone's looking for a new take on Beethoven, Laura Tunbridge has found nine. Fresh and engaging' Norman Lebrecht, author of Genius and Anxiety 'Remarkable . . . she captures the essence of his genius and character. I'll always want to keep it in easy reach' Julia Boyd, author of Travellers in the third Reich |
| beethoven political views: Nature, Politics, and the Arts Hermione de Almeida, 2015-03-18 This interdisciplinary book honors Columbia professor and New York intellectual Carl Woodring. The depth of these original perspectives on the literature, art, politics, science, and philosophy of transatlantic nineteenth-century culture will foster future conversations. |
| beethoven political views: Beethoven Michael Spitzer, 2017-07-05 Our image of Beethoven has been transformed by the research generated by a succession of scholars and theorists who blazed new trails from the 1960s onwards. This collection of articles written by leading Beethoven scholars brings together strands of this mainly Anglo-American research over the last fifty years and addresses a range of key issues. The volume places Beethoven scholarship within a historical and contemporary context and considers the future of Beethoven studies. |
| beethoven political views: Morality and Viennese Opera in the Age of Mozart and Beethoven Martin Nedbal, 2016-09-13 This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about German national theater. In Vienna, the idea that vernacular theater should cultivate the moral sensibilities of its German-speaking audiences became prominent during the reign of Empress Maria Theresa, when advocates of German plays and operas attempted to deflect the imperial government from supporting exclusively French and Italian theatrical performances. Morality continued to be a dominant aspect of Viennese operatic culture in the following decades, as critics, state officials, librettists, and composers (including Gluck, Mozart, and Beethoven) attempted to establish and define German national opera. Viennese concepts of operatic didacticism and national identity in theater further transformed in response to the crisis of Emperor Joseph II’s reform movement, the revolutionary ideas spreading from France, and the war efforts in facing Napoleonic aggression. The imperial government promoted good morals in theatrical performances through the institution of theater censorship, and German-opera authors cultivated intensely didactic works (such as Die Zauberflöte and Fidelio) that eventually became the cornerstones for later developments of German culture. |
| beethoven political views: Revival: Beethoven (1933) Harvey Grace, 2018-03-29 The original intention was that this book should be entirely biographical. If it be true, however, that out main interest is (or ought to be) in what a composer did rather than in what he was, the truth applies especially to Beethoven, and above all at the present time. The scheme of the book has therefore been modified so as to include a survey of his work. An attempt to make such survey cover the whole of Beethoven’s output would result in little more than a catalogue, with annotations to brief as to convey hardly anything of the essential quality of the music. It seemed, therefore, that the limited space would be best used, and the needs of the general reader more fully met, by a much less rigid and comprehensive method. My aim has been to indicate some, at least, of the more important characteristics of Beethoven’s works, and to show their influence on his successors. |
| beethoven political views: Music for the Revolution Amy Nelson, 2010-02-24 Mention twentieth-century Russian music, and the names of three &giants&&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change. |
| beethoven political views: Notes Music Library Association, 2001 |
| beethoven political views: Ludwig van Beethoven (1927) Harvey Grace, 2018-12-14 This volume was first published in 1927, on the centenary of Beethoven’s death, as part of the Masters of Music series. The author was an established biographer of organ composers, such as The Organ Works of Bach. Attributing Beethoven’s disagreeable demeanour to his childhood, the author embarks on a passionate defence of Beethoven’s essential nobility of character, hoping to assuage the then-prevalent anti-Beethoven chill and to encourage readers to discover Beethoven anew. The volume covers an overview of Beethoven’s life, followed by his personality and an assessment of his works in an exploration of the most important characteristics of Beethoven’s works and their influence on his successors. |
| beethoven political views: Beethoven: Eroica Symphony Thomas Sipe, 1998 The Eroica Symphony is perhaps Beethoven's most provocative work. Its unprecedented design and its powerful emotional impact forever redefined the potential of musical expression. The work was conceived as a homage to Napoleon Bonaparte, but understood for over a century as a passionate rejection of the tyranny he came to represent. This book traces the compositional process and puts the Eroica in precise historical and aesthetic perspective: the political situations that brought about both the dedication to Napoleon and its withdrawal show that Beethoven followed diplomatic developments astutely. Early interpretations by Beethoven's contemporaries show that they understood the work's import clearly. This study focuses on Beethoven's unique ability to imbue traditional symphonic forms with the idealism of his philosophical mentor, Friedrich Schiller. |
| beethoven political views: Beethoven Elliott Graeme, 1870 |
| beethoven political views: Beethoven Forum Beethoven Forum, 2000-03-01 Collecting the best of international Beethoven studies, Beethoven Forum promotes and sustains the high level of scholarship inspired by Beethoven's extraordinary works. |
| beethoven political views: Late Beethoven Maynard Solomon, 2003 Using Beethoven's letters, diaries and conversation books, this text traces his attraction to a constellation of heterogeneous ideas, drawn from Romanticism, Freemasonry, comparative religion, Eastern initiatory ritual, Mediterranean mythology, aesthetics and classical and contemporary thought. |
| beethoven political views: Beethoven in America Michael Broyles, 2011-10-27 Examines America's early reception to Beethoven, the use of his work and image in American music, movies, stage works, and other forms of popular culture, and related topics. |
| beethoven political views: Opera, Sex and Other Vital Matters Paul Robinson, 2002-06-08 Opera, Sex, and Other Vital Matters gathers both classic and never-before-published essays from one of the leading stylists in contemporary American letters, and one of our more revered public intellectuals, Paul Robinson. Diverse and elegant, the essays in this new collection showcase the sly wit and lightly worn erudition of their author. Each celebrates art and the flesh, directing us to the twin ecstasies of music and eros. The essays on opera gathered here explore how masterpieces like Fidelio and The Magic Flute reflect the intellectual currents of their day. Be it the work of Verdi or Mozart, Wagner or Strauss, Robinson compels us to search for meaning not just in the lyrics of opera but also in the music. In melody, not libretto, we are more likely to discern key historical complexities and appreciate the way opera transcends language and time. The essays on sexuality, meanwhile, are ruminative, funny, and even moving. At one moment, Robinson measures whether homosexuality is the result of destiny or free choice. In another, he shares a touching exchange of letters with a gay student in the process of coming out. The final essays that encompass other vital matters find Robinson at his most incisive. Whether defending Freud as the most influential thinker of the twentieth century, attacking the dreaded use of semicolons, reflecting on his own mortality, or even meditating on the nature of cats, Sex, Opera, and Other Vital Matters is an eclectic work that will appeal to any reader interested in the continuing relevance of ideas to life. |
| beethoven political views: Ludwig Van Beethoven, 1770-1970 , 1970 |
| beethoven political views: Thayer's Life of Beethoven Alexander Wheelock Thayer, 1967-05-21 Although some portions of Thayer's original text have been deleted because recent Beethoven research has proved them inaccurate, the majority of the text used consists of the coordinated treatment of Thayer's notes and manuscript by these three editors [H. Deiters, H. Riemann, and H. Krehbiel] with additions and corrections by the present editor. |
| beethoven political views: Beethoven's Assassins Andrew Crumey, 2025-06-01 Beethoven’s Assassins is impeccably ambitious, reliably 'Entertaining and a little over the top. It’s what happens when everything is allowed.' John Self in The Financial Times 'Crumey gives each of his chapters its own period and central character, and flips from one to another with the dexterity and humour of a champion juggler. Matters of art, science and philosophy are deftly discussed and sometimes linked to each other within the narrative. 'Seeing connections everywhere is a hallmark of madness as well as German Romanticism' is just one of Crumey’s witty remarks, with a hint of self-mockery to it. But Crumey is not mad or a German Romantic; he is just full of pizzazz and fun.' Paul Griffith in The Literary Review 'It’s great cerebral fun, with its quantum physics, telepathy, time travel and fraying of fact and fiction. But all this is its own misdirection. Coyle’s mother has died suddenly, and his father has dementia. The writing here about the soul-grinding nature of the bureaucracy surrounding illness and death is chillingly good. The questions the novel poses about science and aesthetics (is Einstein as good as Beethoven?) pale in comparison to the rawness of the loss it depicts with the same scrutiny as an equation or a late quartet.' Stuart Kelly in The Spectator ' The intensity with which the story questions the very nature of time, though – and follows its central voice, Robert Coyle, through the strange reality-shifting nightmare of the pandemic – seems entirely of this moment; as if Crumey were leading us into a terminal vortex of history and thought, music and culture, parallel universes and competing realities, where all things sparkle and implode with extraordinary vividness, on the edge of oblivion.' Joyce McMillan in The Scotsman 'Beethoven’s Assassins is that refreshing thing, a novel of ideas with all the intrigue and momentum (and occasional red herring) of an absorbing mystery, underscored by a dark, ironic sense of humour. Coyle’s shifting relationship with his dementia-afflicted father, Crouch’s feelings of inadequacy, Marion’s compassion for the boy in her care and Therese’s willingness to forgive her brother-in-law Beethoven on his deathbed all anchor the story in a relatable humanity, even as the characters are drawn inexorably into a weird hinterland of esoteric lore, paranormal phenomena and ancient conspiracies.' Alastair Mabbott in The Herald |
| beethoven political views: Beethoven: A Memoir (2nd Ed.) Elliott Graeme, 2019-12-13 In the second edition of Beethoven: A Memoir, Elliott Graeme offers a compelling and nuanced exploration of the life and creative genius of Ludwig van Beethoven. With a blend of biographical detail and analytical insight, Graeme delves into the socio-historical context of Beethoven's prolific output, employing a lyrical literary style that captures the tumultuous spirit of the composer's life. The book takes readers through key moments, both personal and professional, illuminating how Beethoven'Äôs deafness shaped his innovative compositions and profound emotional depth. Graeme's exploration is enriched by his use of primary source materials and critical discourse, positioning the work within the broader canon of musicology and literary biography. Elliott Graeme, an esteemed musicologist and author, has dedicated his career to the study of classical music, particularly the transformative figures of the Romantic era. His passion for music, inspired by early experiences with performance and academia, provides a rich backdrop to his writing. Graeme's extensive research and travel through historical sites associated with Beethoven inform his empathetic and insightful portrayal of the maestro, making this memoir not just a work of art but a significant scholarly contribution. Beethoven: A Memoir is essential reading for both music enthusiasts and scholars alike, as it weaves a tender narrative that invites readers to appreciate the complexities of Beethoven'Äôs character and the enduring legacy of his compositions. Through Graeme's eloquent prose and keen observations, this revised edition illuminates not only the man but the music that continues to resonate across centuries. |
| beethoven political views: Thayer's Life of Beethoven, Part II Elliot Forbes, 2021-07-13 Alexander Wheelock Thayer's Life of Beethoven. has long been recognized as the classic biography of Beethoven. Thayer, with his calm and logical mind, scrupulous, magnanimous and spacious...had set out to describe for posterity the great man as he was and lived...and his patient realism and all but inexhaustible industry had created an irreplaceable and masterly portrait. So Van Wyck Brooks described this monumental work of the 1880's. Thayer talked with Beethoven's surviving friends, gathered anecdotes, and sifted hundreds of documents. The resulting wealth of detail stimulated other students, and a mass of Beethoven scholarship appeared. Now Elliot Forbes, one of the foremost Beethoven scholars of our time, has used this new material to bring the Life up to elate without sacrificing Thayer's text. |
| beethoven political views: Delphi Masterworks of Ludwig van Beethoven (Illustrated) Ludwig van Beethoven, 2017-11-01 Widely regarded as the greatest composer that ever lived, Ludwig van Beethoven was the principal musical figure in the transitional period between the Classical and Romantic eras. Dominating a period of musical history as no other composer before or since, Beethoven produced monumental works that combine a forceful intensity of feeling with a perfection of design. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Beethoven’s masterworks in succinct detail, with informative introductions, accompanying illustrations and the usual Delphi bonus features. (Version 1) * Concise and informative overview of Beethoven’s masterworks * Learn about the classical pieces that made Beethoven a celebrated composer * Links to popular streaming services (free and paid), allowing you to listen to the masterpieces you are reading about * Features a special ‘Complete Compositions’ section, with an index of Beethoven’s complete works and links to popular streaming services * Includes Beethoven’s letters (translated by Lady Wallace) - spend hours exploring the composer’s personal correspondence * Also features four biographies, including Thayer’s seminal study - explore Beethoven's intriguing musical and personal life Please visit www.delphiclassics.com to browse through our range of exciting eBooks CONTENTS: The Masterworks Cantata on the Death of Emperor Joseph II Piano Concerto No. 2 Piano Sonata No. 8, Pathétique Symphony No. 1 Piano Sonata No. 14, Moonlight Sonata Violin Sonata No. 9, Kreutzer Sonata Symphony No. 3, Eroica Fidelio Violin Concerto in D major Symphony No. 5 Symphony No. 6, Pastoral Egmont Bagatelle No. 25, Für Elise Piano Concerto No. 5, Emperor Concerto Piano Trio No. 7, Archduke Symphony No. 7 Missa solemnis Symphony No. 9 String Quartet No. 14 Complete Compositions Index of Beethoven’s Compositions The Letters Beethoven’s Letters (1790-1826) The Biographies Life of Beethoven by Anton Schindler The Life of Ludwig van Beethoven by Alexander Wheelock Thayer Beethoven: A Memoir by Elliott Graeme Brief Biography: Ludwig van Beethoven by Donald Francis Tovey Please visit www.delphiclassics.com to learn more about our wide range of exciting titles |
| beethoven political views: Beethoven's Symphonies Arranged for the Chamber Nancy November, 2021-06-10 Reveals the importance of arrangements of Beethoven's works for nineteenth-century domestic music-making to the history of the classical symphony. |
| beethoven political views: The Life of Ludwig Van Beethoven: Volume 2 Alexander Wheelock Thayer, Hermann Deiters, Hugo Riemann, 2013-09-05 The 1921 three-volume English edition of a landmark biography of one of the world's greatest composers. |
| beethoven political views: Ludwig van Beethoven (Biography in 3 Volumes) Alexander Wheelock Thayer, 2020-12-17 This biography of Ludwig van Beethoven is the first scholarly biography of Ludwig van Beethoven, covering Beethoven's life to 1816. Thayer became aware of many discrepancies in the already existing biographies of Beethoven, so in 1849 he sailed for Europe to undertake his own researches, learning German and collecting information. Still after many updates Thayer's biography of Beethoven is regarded as a standard work of reference on the composer. |
| beethoven political views: The Life of Ludwig van Beethoven (Vol. 1-3) Alexander Wheelock Thayer, 2023-12-13 In 'The Life of Ludwig van Beethoven,' Alexander Wheelock Thayer masterfully chronicles the life and times of one of classical music's most influential composers, Ludwig van Beethoven. Over three meticulously researched volumes, Thayer employs a biographical approach enriched with textual analysis, weaving historical context with personal anecdotes. His work stands as a monumental contribution to musicology, showcasing Beethoven'Äôs evolution as an artist against the backdrop of the social and political changes of the late 18th and early 19th centuries, while maintaining a narrative style that balances scholarly rigor with engaging storytelling. Thayer, an American musicologist and biographer, dedicated much of his life to studying Beethoven, driven by an enduring passion for music and its historical significance. His profound admiration for Beethoven's genius prompted Thayer to travel extensively throughout Europe, collecting first-hand accounts, artifacts, and archival materials that enliven his portrayal of the composer. This scholarly pursuit was not only a testament to his love for Beethoven but also an essential endeavor to preserve the legacy of a revolutionary figure in Western music. For readers who seek a comprehensive understanding of Beethoven'Äôs life journey and artistic legacy, Thayer's work is indispensable. This authoritative biography offers not only insights into the composer'Äôs struggles and triumphs but also places his music within the broader tapestry of historical events. Ideal for both music enthusiasts and scholars alike, 'The Life of Ludwig van Beethoven' is an enriching exploration of a prodigious talent whose influence resonates even today. |
| beethoven political views: Mozart, Haydn and Early Beethoven: 1781-1802 Daniel Heartz, 2008-11-17 A vivid portrait of Mozart and Haydn's greatest achievements and young Beethoven's works under their influence. Completing the trilogy begun with Haydn, Mozart and the Viennese School, 1740-1780 and continued in Music in European Capitals: The Galant Style, 1720-1780, Daniel Heartz concludes his extensive chronicle of the Classical Era with this much-anticipated third volume. By the early years of the nineteenth century, Haydn, Mozart and Beethoven had become a catchphrase—a commonplace expression signifying musical excellence. Indeed, even in his early career, Beethoven was hailed as the only musician worthy to stand beside Haydn and Mozart. In this volume, Heartz winds up the careers of Haydn and Mozart (who during the 1780s produced their most famous and greatest works) and describes Beethoven's first decade in Vienna, during which he began composing by patterning his works on the two masters. The tumult and instability of the French Revolution serves as a vivid historical backdrop for the tale. |
Ludwig van Beethoven - Wikipedia
Ludwig van Beethoven[n 1] (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; …
Ludwig van Beethoven | Biography, Music, & Facts | Britannica
4 days ago · Ludwig van Beethoven, German composer, the predominant musical figure in the transitional period between the Classical and Romantic eras.
Frequently Asked Questions about Ludwig van Beethoven
Explore the life of Ludwig van Beethoven, the innovative composer who transformed music history by bridging the Classical and Romantic eras with his revolutionary works.
Ludwig van Beethoven | Biography, history, music, facts - Classic FM
Ludwig van Beethoven (1770-1827) was a German composer and pianist, who is arguably the defining figure in the history of Western classical music.
Ludwig Van Beethoven - Encyclopedia.com
May 14, 2018 · Beethoven, Ludwig van, great German composer whose unsurpassed genius, expressed with supreme mastery in his syms., chamber music, concertos, and piano sonatas, …
Beethoven: A Brief History - Carnegie Hall
Apr 30, 2021 · Beethoven wrote nine symphonies, 32 piano sonatas, 16 string quartets, an opera, and choral music, as well as many other works for soloists and orchestra, solo instruments, …
Ludwig van Beethoven - Symphonies, Deafness & Race - Biography
Jul 17, 2024 · Ludwig van Beethoven was a German composer whose Symphony 5 is a beloved classic. Some of his greatest works were composed while Beethoven was going deaf.
Ludwig van Beethoven - World History Encyclopedia
Ludwig van Beethoven (1770-1827) was a German composer of Classical and Romantic music; he is widely regarded as one of the greatest musicians to have ever lived. Most famous for his …
Ludwig van Beethoven - Wikiwand
Ludwig van Beethoven was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most per...
Beethoven Biography | Biography Online
Ludwig van Beethoven (1770 – 1827) is one of the most widely respected composers of classical music. He played a crucial role in the transition from classical to romantic music and is …
Ludwig van Beethoven - Wikipedia
Ludwig van Beethoven[n 1] (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; …
Ludwig van Beethoven | Biography, Music, & Facts | Britannica
4 days ago · Ludwig van Beethoven, German composer, the predominant musical figure in the transitional period between the Classical and Romantic eras.
Frequently Asked Questions about Ludwig van Beethoven
Explore the life of Ludwig van Beethoven, the innovative composer who transformed music history by bridging the Classical and Romantic eras with his revolutionary works.
Ludwig van Beethoven | Biography, history, music, facts - Classic …
Ludwig van Beethoven (1770-1827) was a German composer and pianist, who is arguably the defining figure in the history of Western classical music.
Ludwig Van Beethoven - Encyclopedia.com
May 14, 2018 · Beethoven, Ludwig van, great German composer whose unsurpassed genius, expressed with supreme mastery in his syms., chamber music, concertos, and piano sonatas, …
Beethoven: A Brief History - Carnegie Hall
Apr 30, 2021 · Beethoven wrote nine symphonies, 32 piano sonatas, 16 string quartets, an opera, and choral music, as well as many other works for soloists and orchestra, solo instruments, …
Ludwig van Beethoven - Symphonies, Deafness & Race - Biography
Jul 17, 2024 · Ludwig van Beethoven was a German composer whose Symphony 5 is a beloved classic. Some of his greatest works were composed while Beethoven was going deaf.
Ludwig van Beethoven - World History Encyclopedia
Ludwig van Beethoven (1770-1827) was a German composer of Classical and Romantic music; he is widely regarded as one of the greatest musicians to have ever lived. Most famous for his …
Ludwig van Beethoven - Wikiwand
Ludwig van Beethoven was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most per...
Beethoven Biography | Biography Online
Ludwig van Beethoven (1770 – 1827) is one of the most widely respected composers of classical music. He played a crucial role in the transition from classical to romantic music and is …
