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| bill evans twelve tone tune: The Harmony of Bill Evans Jack Reilly, Bill Evans, 1994-05-01 (Keyboard Instruction). Bill Evans, the pianist, is a towering figure acknowledged by the jazz world, fans, musicians and critics. However Bill Evans, the composer, has yet to take his place alongside the great masters of composition. Therein lies the sole purpose of this book. A compilation of articles now revised and expanded that originally appeared in the quarterly newsletter Letter from Evans , this unique folio features extensive analysis of Evans' work. Pieces examined include: B Minor Waltz * Funny Man * How Deep Is the Ocean * I Fall in Love Too Easily * I Should Care * Peri's Scope * Time Remembered * and Twelve Tone Tune. |
| bill evans twelve tone tune: Bill Evans Peter Pettinger, 2002-01-01 Acclaimed by musicologists and illustrated with dozens of photographs, a detailed, painstakingly researched and finely written biography examines the life and music of the influential, classically trained jazz pianist Bill Evans and includes a full discography of his recordings. UP. |
| bill evans twelve tone tune: The Harmony of Bill Evans Jack Reilly, 2010 |
| bill evans twelve tone tune: Bill Evans Omnibook for Piano Bill Evans, 2020-01-01 (Jazz Transcriptions). The ultimate collection for jazz keyboardists to learn 40 Evans classics with exact note-for-note transcriptions. Includes: Alice in Wonderland * Autumn Leaves * Bill's Hit Tune * Blue in Green * Days of Wine and Roses * Emily * Everything Happens to Me * Five * For Nenette * How About You? * How My Heart Sings * I Loves You, Porgy * It Could Happen to You * Just You, Just Me * Letter to Evan * My Foolish Heart * My Funny Valentine * My Romance * Nardis * Night and Day * One for Helen * Peace Piece * Peri's Scope * Quiet Now * Re: Person I Knew * Skating in Central Park * A Sleepin' Bee * Some Other Time * Stella by Starlight * Song from M*A*S*H (Suicide Is Painless) * 34 Skidoo * Time Remembered * The Touch of Your Lips * Turn Out the Stars * Very Early * Waltz for Debby * What Kind of Fool Am I? * Who Can I Turn to (When Nobody Needs Me) * You Go to My Head * You Must Believe in Spring * and more. |
| bill evans twelve tone tune: Music Theory Essentials Jason W. Solomon, 2019-03-15 Music Theory Essentials offers an antidote to music theory textbooks that are overly long and dense. Focusing on the essentials, this text provides a clear-cut guide to the key concepts of music theory. Beginning with no assumptions about music theory knowledge, the book covers the core elements of music fundamentals, diatonic and chromatic harmony, post-tonal theory, and popular music in a single concise volume. Emphasizing critical thinking skills, this book guides students through conceptualizing musical concepts and mastering analytic techniques. Each chapter concludes with a selection of applications designed to enhance engagement: Exercises allow students to apply and practice the skills and techniques addressed in the chapter. Brain Teasers challenge students to expand their musical understanding by thinking outside the box. Exploring Music offers strategies for students to apply learned concepts to the music they are currently learning or listening to. Thinking Critically encourages students to think more deeply about music by solving problems and identifying and challenging assumptions. A companion website provides answers to book exercises, additional downloadable exercises, and audio examples. Straightforward and streamlined, Music Theory Essentials is a truly concise yet comprehensive introduction to music theory that is accessible to students of all backgrounds. |
| bill evans twelve tone tune: The Jazz Piano Style of Bill Evans Joe Utterback, 1984 |
| bill evans twelve tone tune: The Real Book - Volume IV Hal Leonard Corp., 2014-07-01 (Fake Book). Since the 1970s, The Real Book has been the most popular book for gigging jazz musicians. Hal Leonard is proud to publish completely legal and legitimate editions of the original volumes as well as exciting new volumes to carry on the tradition to new generations of players in all styles of music! All the Real Books feature hundreds of time-tested songs in accurate arrangements in the famous easy-to-read, hand-written notation. This all-new 4th volume presents 400 more songs, not previously available in any other volume! Includes: Ashes to Ashes * Button up Your Overcoat * Cocktails for Two * Days of Wine and Roses * Down with Love * A Foggy Day (In London Town) * The Good Life * Home * I Got Rhythm * I Hadn't Anyone Till You * If You Could See Me Now * Just Friends * Kansas City * Linus and Lucy * Lonely Girl * Maybe This Time * My Bells * Night and Day * On Broadway * On Green Dolphin Street * Only the Lonely * The Pink Panther * Puttin' on the Ritz * Relaxin' at the Camarillo * Reunion Blues * The Sermon * The Shadow of Your Smile * Side by Side * Smile * Summertime * Sunny * Them There Eyes * and many more. |
| bill evans twelve tone tune: Jazz Theory Dariusz Terefenko, 2017-09-22 Jazz Theory: From Basic to Advanced Study, Second Edition, is a comprehensive textbook for those with no previous study in jazz, as well as those in advanced theory courses. Written with the goal to bridge theory and practice, it provides a strong theoretical foundation from music fundamentals to post-tonal theory, while integrating ear training, keyboard skills, and improvisation. It hosts play-along audio tracks on a Companion Website, including a workbook, ear-training exercises, and an audio compilation of the musical examples featured in the book. Jazz Theory is organized into three parts: Basics, Intermediate, and Advanced. This approach allows for success in a one-semester curriculum or with subsequent terms. If students sense that theory can facilitate their improvisational skills or can help them develop their ears, they become more engaged in the learning process. The overall pedagogical structure accomplishes precisely that in an original, creative—and above all, musical—manner. KEY FEATURES include 390 musical examples, ranging from original lead sheets of standard tunes, jazz instrumentals, transcriptions, and original compositions, to fully realized harmonic progressions, sample solos, and re-harmonized tunes. The completely revamped Companion Website hosts: 46 Play Along Sessions audio tracks, offering experiences close to real-time performance scenarios. Over 1,000 (audio and written) exercises covering ear training, rhythm, notation, analysis, improvisation, composition, functional keyboard, and others. Recordings of all 390 musical examples from the textbook. Links: Guide to Making Transcriptions, List of Solos to Transcribe, Selected Discography, Classification of Standard Tunes, and more. Lists of well-known standard tunes, including a comprehensive list of 999 Standard Tunes – Composers and Lyricists. NEW TO THE SECOND EDITION are instructors’ tools with answer keys to written and ear-training exercises, 380 rhythmic calisthenics featuring exercises from the swing, bebop, and Latin rhythmic traditions, a new improvisation section, a set of 140 Comprehensive Keyboard exercises, plus an expanded ear-training section with 125 melodic, 50 rhythmic dictations, and 170 harmonic dictations, plus 240 written exercises, 25 composition assignments, and 110 singing exercises. The paperback TEXTBOOK is also paired with the corresponding paperback WORKBOOK in a discounted PACKAGE (9780367321963). |
| bill evans twelve tone tune: Better Git It in Your Soul Krin Gabbard, 2016-02-08 Charles Mingus is one of the most important—and most mythologized—composers and performers in jazz history. Classically trained and of mixed race, he was an outspoken innovator as well as a bandleader, composer, producer, and record-label owner. His vivid autobiography, Beneath the Underdog, has done much to shape the image of Mingus as something of a wild man: idiosyncratic musical genius with a penchant for skirt-chasing and violent outbursts. But, as the autobiography reveals, he was also a hopeless romantic. After exploring the most important events in Mingus’s life, Krin Gabbard takes a careful look at Mingus as a writer as well as a composer and musician. He digs into how and why Mingus chose to do so much self-analysis, how he worked to craft his racial identity in a world that saw him simply as “black,” and how his mental and physical health problems shaped his career. Gabbard sets aside the myth-making and convincingly argues that Charles Mingus created a unique language of emotions—and not just in music. Capturing many essential moments in jazz history anew, Better Git It in Your Soul will fascinate anyone who cares about jazz, African American history, and the artist’s life. |
| bill evans twelve tone tune: The Essential Jazz Records: Modernism to postmodernism Max Harrison, Charles Fox, Eric Thacker, Stuart Nicholson, 2000-01-01 Following the same format as the acclaimed first volume, this selection of the best 250 modern jazz records and CDs places each in its musical context and reviews it in depth. Additionally, full details of personnel, recording dates, and locations are given. Indexes of album titles, track titles, and musicians are included. |
| bill evans twelve tone tune: Bill Evans Fake Book Bill Evans, 2000-03 (Richmond Music Folios). Over 60 original compositions transcribed and edited by Pascal Wetzel. Leadsheets generally follow the latest recording to show the evolution of the tune and maturation of the artist. Counterlines, codas, chord extensions and chord changes for improvisation are included. Added features are lyric versions of 10 tunes, 3 essays about Bill Evans' life and music, photographs, and discography. Includes: Fudgesickle Built for Four * Interplay * Laurie * My Bells * Orbit * Song for Helen * Time Remembered * Turn Out the Stars * Very Early * Waltz for Debby * and more. |
| bill evans twelve tone tune: Explorations in Music Theory Dariusz Terefenko, Benjamin Wadsworth, 2024-12-16 Explorations in Music Theory: Harmony, Musicianship, Improvisation offers an innovative learning approach to music theory, centered on instrumental skills, improvisation, and composition. Providing a comprehensive textbook to support music theory curricula, along with an accompanying workbook, it includes extensive performance-based exercises in each chapter, alongside written theory and analysis. This book teaches harmony as a series of historical practices, each with different advantages and disadvantages. Classes are empowered to critically compare these practices and adopt those that they find most effective. Designed to support multiple learning modalities, and incorporating repertoire from a diverse array of composers, this book offers instructors and students a comprehensive and engaging foundation in music theory. Features of this book include: Modular lessons centered on inquiry-driven pedagogy, offering flexibility Lesson difficulty is marked to allow instructors to easily organize their course A wide variety of exercises and practice tasks incorporated throughout the chapters Improvisation Labs allow students to practice concepts through improvisation Historical Minutes introduce students to historical theorists and enable them to understand music theory as a living practice Composer Spotlights highlight the stories of composers whose work is featured in the chapter, bringing forward underrepresented composers Explore Online features provide additional exercises and coverage of advanced topics through an accompanying online resource A flexible, modular organization allows the book to be used in a variety of course structures, accommodating a wide variety of schools. Enhancing improvisation and composition skills, introducing historical perspectives, incorporating diverse repertoire, and enabling students to better connect theory concepts with practical applications, this text provides a new and effective way to teach harmony. |
| bill evans twelve tone tune: Lexicon of Geometric Patterns for Jazz Improvisation Masaya Yamaguchi, 2012-02-14 The book is divided into two hierarchically organized parts. In Part I, the various Melodic Shapes for creative writing and improvisation serve as the important aesthetic substance. In Part II, materials quoted from John Coltrane and others are integrated in a fashion convenient to improvisers who seek the technical proficiency of an instrumentalist. Admittedly, the beginning of Lexicon of Geometric Patterns for Jazz Improvisation was already revealed in Chapter IV of my other book Symmetrical Scales for Jazz Improvisation (Masaya Music, 2006). Over the course of a decade, however, I have developed my ideas into the more intelligible format shown in this book, so that even musicians who have difficulty conceiving of dissonant melodies may learn to create their own patterns to be used in improvisation. Dedicated to David Liebman and Dr. Lewis Porter, who have improved the quality of jazz education remarkably. |
| bill evans twelve tone tune: Splasc(H) Records Francesco Fini, 1997 |
| bill evans twelve tone tune: Jazz in the Sixties Michael J. Budds, 1990 In this valuable compendium, Budds critically evaluates the stylistic experimentation which characterized the musical goals of jazz musicians during the complicated, controversial sixties. Rather than merely offering portraits of significant players of the era, he identifies resources and techniques new to jazz or regards those which were reintroduced into a new musical context. To direct the reader to the music itself, he cites eighty-five basic recordings from the period. For this expanded edition, Budds has added a substantial chapter describing the extramusical content proclaimed by many leading musicians of the day. Jazz as a mode of program music and jazz in the service of social protest and religious expression are documented. In addition, this edition includes an insightful summary of the jazz legacy of the sixties. |
| bill evans twelve tone tune: Jazz Education Guide , 2004 |
| bill evans twelve tone tune: CD Review Digest , 1994 |
| bill evans twelve tone tune: Harmonic Experience W. A. Mathieu, 1997-08-01 An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies. His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses. |
| bill evans twelve tone tune: NAJE Educator National Association of Jazz Educators, 1976 |
| bill evans twelve tone tune: Tony Oxley - Discography Rainer Thieme, 2020-05-18 Tony Oxley - Discography. Das Buch beinhaltet alle Tonträger die von und mit dem englischen Freejazz-Schalgzeuger von 1965 bis 2020 veröffentlicht wurden. Außerdem eine Kurzbiografie in deutsch und englisch. Seit ca. 30 Jahren lebt Tony Oxley in Deutschland und spielte weltweit mit internationalen Jazzmusikern zusammen. Alle Produktionen sind hier chronologisch aufgelsitet, mit Angaben zum Titel des Tonträgers, LP, CD, AudioKassette..., mit der Besetzung mit Instrumenten, Produzent, Tontechniker, Trackliste mit Laufzeitlänge...Teilweise mit einem Querverweiss auf andere Tonträger. Alle cover in Farbe und teilweise das dazugehörige Label. |
| bill evans twelve tone tune: Jazz Harmony Frank Sikora, 2022-07-18 How do we bridge the gap between theory and the music we love? This book aims to establish as close a relationship as possible between theory, the ear and our instrument. 'Jazz Theory - Think Listen Play' is a comprehensive approach to improvisation, translating knowledge into sound, developing out musical imagination and finding our 'inner voice', which then guides us on our instrument. It will be a rewarding journey for any aspiring musician, music teacher and Jazz player. Always remember - there is no truth in theory, only in music. Enjoy! |
| bill evans twelve tone tune: 60 Years of Recorded Jazz, 1917-1977: E-Goram , 1979* |
| bill evans twelve tone tune: Schoenberg's New World Sabine Feisst, 2017-01-01 Arnold Schoenberg was a polarizing figure in twentieth century music, and his works and ideas have had considerable and lasting impact on Western musical life. A refugee from Nazi Europe, he spent an important part of his creative life in the United States (1933-1951), where he produced a rich variety of works and distinguished himself as an influential teacher. However, while his European career has received much scholarly attention, surprisingly little has been written about the genesis and context of his works composed in America, his interactions with Americans and other émigrés, and the substantial, complex, and fascinating performance and reception history of his music in this country. Author Sabine Feisst illuminates Schoenberg's legacy and sheds a corrective light on a variety of myths about his sojourn. Looking at the first American performances of his works and the dissemination of his ideas among American composers in the 1910s, 1920s and early 1930s, she convincingly debunks the myths surrounding Schoenberg's alleged isolation in the US. Whereas most previous accounts of his time in the US have portrayed him as unwilling to adapt to American culture, this book presents a more nuanced picture, revealing a Schoenberg who came to terms with his various national identities in his life and work. Feisst dispels lingering negative impressions about Schoenberg's teaching style by focusing on his methods themselves as well as on his powerful influence on such well-known students as John Cage, Lou Harrison, and Dika Newlin. Schoenberg's influence is not limited to those who followed immediately in his footsteps-a wide range of composers, from Stravinsky adherents to experimentalists to jazz and film composers, were equally indebted to Schoenberg, as were key figures in music theory like Milton Babbitt and David Lewin. In sum, Schoenberg's New World contributes to a new understanding of one of the most important pioneers of musical modernism. |
| bill evans twelve tone tune: The Cambridge Companion to Tango Kristin Wendland, Kacey Link, 2024-03-28 Tango music rapidly became a global phenomenon as early as the beginning of the twentieth century, with about 30% of gramophone records made between 1903 and 1910 devoted to it. Its popularity declined between the 1950s and the 1980s but has since risen to new heights. This Companion offers twenty chapters from varying perspectives around music, dance, poetry, and interdisciplinary studies, including numerous visual and audio illustrations in print and on the accompanying webpages. Its multidisciplinary approach demonstrates how different disciplines intersect through performative, historical, ethnographic, sociological, political, and anthropological perspectives. These thematic continuities illuminate diverse international perspectives and highlight how the art form flourished in Argentina, Uruguay and abroad, while tracing its international and cultural impact over the last century. This book is an innovative resource for scholars and students of tango music, particularly those seeking a diverse international perspective on the subject. |
| bill evans twelve tone tune: New Structures in Jazz and Improvised Music Since 1960 R. T. Dean, 1992 |
| bill evans twelve tone tune: Jazz Times , 2007 |
| bill evans twelve tone tune: Bill Evans Songbook Bill Evans, 2011-12-01 (Piano Solo Personality). 24 essential Evans standards arranged for piano solo, including: Alice in Wonderland * Autumn Leaves * But Beautiful * Everything Happens to Me * Here's That Rainy Day * How Deep Is the Ocean (How High Is the Sky) * In a Sentimental Mood * My Foolish Heart * Night and Day * Some Day My Prince Will Come * Suicide Is Painless (Song from M*A*S*H) * Witchcraft * and more. |
| bill evans twelve tone tune: Original Jazz Classics Collector's Guide Fantasy, Incorporated, 1995 An easy guide to 200 of the most popular classic jazz albums currently available on CD. Includes complete listings of tunes and personnel, cover graphics, historical and contemporary critical notes, selected biographies, and never-before-seen-photographs plus a complete numerical listing of OJCs on compact disc. -- |
| bill evans twelve tone tune: Journal of Jazz Studies , 1975 Includes discographies. |
| bill evans twelve tone tune: Understanding Jazz Leroy Ostransky, 1977 |
| bill evans twelve tone tune: Improvising Improvisation Gary Peters, 2017-05-29 There is an ever-increasing number of books on improvisation, ones that richly recount experiences in the heat of the creative moment, theorize on the essence of improvisation, and offer convincing arguments for improvisation’s impact across a wide range of human activity. This book is nothing like that. In a provocative and at times moving experiment, Gary Peters takes a different approach, turning the philosophy of improvisation upside-down and inside-out. Guided by Kant, Hegel, Heidegger, and especially Deleuze—and exploring a range of artists from Hendrix to Borges—Peters illuminates new fundamentals about what, as an experience, improvisation truly is. As he shows, improvisation isn’t so much a genre, idiom, style, or technique—it’s a predicament we are thrown into, one we find ourselves in. The predicament, he shows, is a complex entwinement of choice and decision. The performativity of choice during improvisation may happen “in the moment,” but it is already determined by an a priori mode of decision. In this way, improvisation happens both within and around the actual moment, negotiating a simultaneous past, present, and future. Examining these and other often ignored dimensions of spontaneous creativity, Peters proposes a consistently challenging and rigorously argued new perspective on improvisation across an extraordinary range of disciplines. |
| bill evans twelve tone tune: Canadiana , 1991 |
| bill evans twelve tone tune: Playing Changes Nate Chinen, 2019-07-23 One of the Best Books of the Year: NPR, GQ, Billboard, JazzTimes In jazz parlance, “playing changes” refers to an improviser’s resourceful path through a chord progression. In this definitive guide to the jazz of our time, leading critic Nate Chinen boldly expands on that idea, taking us through the key changes, concepts, events, and people that have shaped jazz since the turn of the century—from Wayne Shorter and Henry Threadgill to Kamasi Washington and Esperanza Spalding; from the phrase “America’s classical music” to an explosion of new ideas and approaches; from claims of jazz’s demise to the living, breathing scene that exerts influence on mass culture, hip-hop, and R&B. Grounded in authority and brimming with style, packed with essential album lists and listening recommendations, Playing Changes takes the measure of this exhilarating moment—and the shimmering possibilities to come. |
| bill evans twelve tone tune: The Music Sound Nicolae Sfetcu, 2014-05-07 A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music. |
| bill evans twelve tone tune: Keyboard , 1993 |
| bill evans twelve tone tune: Jazz Journal International , 2007 |
| bill evans twelve tone tune: Jazzology Robert Rawlins, Nor Eddine Bahha, 2005-01-01 Provides information jazz theory for all types of musicians, and covers harmony, scales and modes, voicing, arrangement techniques, improvisational strategies, fundamentals, and other related topics; and also includes exercises. |
| bill evans twelve tone tune: Jazz Icons Tony Whyton, 2013-01-17 Today, jazz history is dominated by iconic figures who have taken on an almost God-like status. From Satchmo to Duke, Bird to Trane, these legendary jazzmen form the backbone of the jazz tradition. Jazz icons not only provide musicians and audiences with figureheads to revere but have also come to stand for a number of values and beliefs that shape our view of the music itself. Jazz Icons explores the growing significance of icons in jazz and discusses the reasons why the music's history is increasingly dependent on the legacies of 'great men'. Using a series of individual case studies, Whyton examines the influence of jazz icons through different forms of historical mediation, including the recording, language, image and myth. The book encourages readers to take a fresh look at their relationship with iconic figures of the past and challenges many of the dominant narratives in jazz today. |
| bill evans twelve tone tune: The Song Index of the Enoch Pratt Free Library Ellen Luchinsky, 2020-12-23 The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index. |
| bill evans twelve tone tune: Billboard , 2000-10-21 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
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