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| best cavalry charges in movies: The Cavalry Charges Barry Gifford, 2019-08-23 The Cavalry Charges: Writings on Books, Film, and Music, Revised Edition is a collection of anecdotal reflections that relate many of the experiences that shaped Barry Gifford as a writer. Representative of Gifford’s body of work, this volume is divided into three sections: books, film and television, and music. Within these sections, Gifford’s best work is showcased, including a nine-part dossier on Marlon Brando’s One-Eyed Jacks in which Gifford examines the public and private lives of those involved in the film. New to the collection are four previously published essays: a brief look at the novels of Álvaro Mutis; a reflection on Gifford’s schooling under Nebraska poet John Neihardt; an essay on Elliot Chaze and his novel Black Wings Has My Angel; and a short piece on Sailor and Lula. |
| best cavalry charges in movies: The Best of Bova, Volume II Ben Bova, 2016-07-05 VOLUME #2 IN A STERLING COLLECTION OF STORIES FROM LEGENDARY HARD SCIENCE FICTION MASTER BEN BOVA. Selected stories from Bova's amazing career at the center of science fiction and space advocacy. He is the creator of the New York Times best-selling Grand Tour science fiction series, a six time Hugo award winner, and past president of the National Space Society. Volume #2 of 3 of the very best of Ben Bova, a grandmaster of science fiction storytelling. These stories span the five decades of Bova's incandescent career. Here are tales of star-faring adventure, peril, and drama. Here are journeys into the mind-bending landscapes of virtual worlds and alternate realities. Here you'll also find stories of humanity's astounding future on Earth, on Mars and in the Solar System beyond—stories that always get the science right. And Bova's gathering of deeply realized, totally human characters are the heroic, brave, tricky, sometimes dastardly engineers, astronauts, corporate magnates, politicians, and scientists who will make these futures possible—and those who often find that the problems of tomorrow are always linked to human values, and human failings, that are as timeless as the stars. At the publisher's request, this title is sold without DRM (Digital Rights Management). About the award-winning stories and novels of Ben Bova: “Technically accurate and absorbing. . .”—Kirkus “[Bova is] the science fiction author who will have the greatest effect on the world.”—Ray Bradbury “A masterful storyteller”—Vector “Gives a good read while turning your eyes to what might be in the not so distant future, just like Clarke and Asimov used to do so well.”—SFX About Mars, Inc., by Ben Bova.: “. . .perfectly enjoyable as an SF book (could Bova write anything that wasn’t enjoyable?), Mars, Inc.has that torn-from-the-headline vibe that’s obviously intended for a larger audience. . . . the bottom line?Mars, Inc. has inspiration, excitement, thrills, romance, a dash of satire—and is a good, fun read . . . .”—Analog “The Hugo winner returns to his most popular subject: the quest for Mars.”—Publishers Weekly “. . . escapist fantasy for rocket scientists and space engineers, those dreaming of these kinds of missions. Yet Bova’s story is rigorously realistic. . . . a fun read showing you do not need car chases or shootouts to deliver a fast-paced and exciting story.”—Daily News of Galveston County |
| best cavalry charges in movies: The Movie Guide James Monaco, 1992 From The Big Sleep to Babette's Feast, from Lawrence of Arabia to Drugstore Cowboy, The Movie Guide offers the inside word on 3,500 of the best motion pictures ever made. James Monaco is the president and founder of BASELINE, the world's leading supplier of information to the film and television industries. Among his previous books are The Encyclopedia of Film, American Film Now, and How to Read a Film. |
| best cavalry charges in movies: The Quest for Annihilation Chris Perello, 2009 |
| best cavalry charges in movies: Charge! Digby Smith, 2007-01-15 One of the leading voices on national-security issues in the US Congress demonstrates how words have been sharp and powerful weapons of victory in this compilation of great military speeches that helped turn the tide of history. Congressman Israel has included speeches that have motivated and mobilized, challenged and comforted. Some were blurted in the heat of combat, others carefully written in places far removed from the brutality of the battlefield, but all will inspire readers with the courage that moved people forward against all odds. This dramatic sweep of military history in the words of history's military leaders serves to reinforce the concept that the pen is mightier than the sword. Congressman Steve Israel represents New York's second district and is a member of the House Appropriations Committee and former member of the Armed Services Committee. |
| best cavalry charges in movies: Native Americans in the Movies Michael Hilger, 2015-10-16 Since the early days of the silent era, Native Americans have been captured on film, often in unflattering ways. Over the decades, some filmmakers have tried to portray the Native American on screen with more balanced interpretations—to varying degrees of success. More recent films such as The New World, Flags of Our Fathers, and Frozen River have offered depictions of both historical and contemporary Native Americans, providing viewers with a range of representations. In Native Americans in the Movies: Portrayals from Silent Films to the Present, Michael Hilger surveys more than a century of cinema. Drawing upon his previous work, From Savage to Nobleman, Hilger presents a thorough revision of the earlier volume. The introductory material has not only been revised with updated information and examples but also adds discussions of representative films produced since the mid-1990s. Now organized alphabetically, the entries on individual films cover all relevant works made over the past century, and each entry contains much more information than those in the earlier book. Details include film summary nation represented image portrayal production details DVD availability Many of the entries also contain comments from film critics to indicate how the movies were regarded at the time of their theatrical release. Supplemented by appendixes of image portrayals, representations of nations, and a list of made-for-television movies, this volume offers readers a comprehensive and up-to-date overview of hundreds of films in which Native American characters have appeared on the big screen. As such, Native Americans in the Movies will appeal not only to scholars of media, ethnic studies, and history but also to anyone interested in the portrayal of Native Americans in cinema. |
| best cavalry charges in movies: World War One Lawrence Sondhaus, 2020-10-29 This revised and updated interpretation of World War I highlights the revolutionary nature and legacy of the conflict of 1914-1919. It examines the political, economic, social and cultural history of the war at home as well as the war's origins, ending and subsequent legacy. |
| best cavalry charges in movies: Enduring Images Paul Fazekas, 2009-02-17 Enduring Images describes the personal cost of war paid by combat veterans and their loved ones over the course of a lifetime. Dr. Paul Fazekas was drafted into the U.S. Army in 1969 at the age of nineteen and participated in the most unpopular and controversial war in American history. He reluctantly, and sometimes defiantly, served as a rifleman with the First Air Cavalry Division (Airmobile) and the 11th Light Infantry Brigade for a one-year tour in Vietnam. Despite his best efforts to forget combat trauma, he was forced to confront the ghosts of Vietnam in 2002, when he met the family of his squad leader who was mortally wounded in an ambush and died in his arms. This providential meeting opened the way to a more meaningful healing from posttraumatic stress, a disorder that many combat veterans and their families can identify with along their own journeys. He was awarded the Combat Infantryman Badge along with other military medals and decorations. |
| best cavalry charges in movies: The End May Be Farther Than You Think Jack Uresk, 2011-08-01 Is it possible that: The earth will be devastated by objects from space prior to the second coming of Jesus Christ? There may be a considerable length of time, perhaps decades, between the first signs of the coming of the Lord and the actual descent? The four horsemen of the apocalypse have no relationship to the last days? Armageddon will be the greatest battle never fought? There may be more than one coming of Christ? Everyone will be left behind because there will be no pre-tribulation rapture? Weve already missed the Great Tribulation? This book explores these and other possibilities. |
| best cavalry charges in movies: Cavalry Operations in the Ancient Greek World Robert E. Gaebel, 2002 Gaebel dokumenterer såvel militært som historisk, at rytteriet - indtil Alexander den Store's død i 323 f.K - spillede en større rolle end hidtil opfattet. Som dokumentation gennemgås 50 markante slag, hvorunder Alexander bl.a. ændrede anvendelsen af rytteriet fra logistiske til offensive funktionenr. |
| best cavalry charges in movies: The Movie Guide James Pallot, 1995 The Movie Guide is the most comprehensive, in-depth film reference available in a single volume - the indispensable sourcebook for movie buffs and film scholars alike. Collected from the vast databases of CineBooks, the world's leading film authority, The Movie Guide provides key information not available in other single-volume guides. With longer, more detailed reviews and fascinating film facts, this easy-to-use, alphabetized guide covers well over 3,000 of the most important films ever made - from accepted classics such as Citizen Kane and Schindler's List, to cult hits and sleepers like The Crying Game and Strictly Ballroom, to the most-talked-about films of the year. Whether it's foreign films or The Flintstones, every movie fan will applaud The Movie Guide's in-depth coverage and special features: Comprehensive reviews - with detailed plot synopses and probing critical insights, often supplemented by special anecdotal material not found in other film guides. Complete cast listings - including major cast information (up to ten main actors) and the names of the characters played. Academy Awards - the special honors that each film has received. Not only the winners in every category, but the nominees as well. Top creative credits - including director, producer, cinematographer, editor, art director, music composer, costume designer, special effects, and more. Essential for the true fan who appreciates the collaborative nature of film. Production information - crucial film facts such as year of release, running time, distributor, production company, country of origin, and color code. Rating systems - not only the MPAA rating (essential for family viewing), but a special star ratingsystem based on the film's overall critical merit. |
| best cavalry charges in movies: Gettysburg's Forgotten Cavalry Actions Eric J. Wittenberg, 2011-10-27 An award-winning historical study of the important role played by Union and Confederate horse soldiers on the Civil War battlefield at Gettysburg. The Union army’s victory at Gettysburg, Pennsylvania, on July 3, 1863, is widely considered to have been the turning point in America’s War between the States. But the valuable contributions of the mounted troops, both Northern and Rebel, in the decisive three-day conflict have gone largely unrecognized. Acclaimed Civil War historian Eric J. Wittenberg now gives the cavalries their proper due. In Gettysburg’s Forgotten Cavalry Actions, Wittenberg explores three important mounted engagements undertaken during the battle and how they influenced the final outcome. The courageous but doomed response by Brig. Gen. Elon J. Farnsworth’s cavalry brigade in the wake of Pickett’s Charge is recreated in fascinating detail, revealing the fatal flaws in the general’s plan to lead his riders against entrenched Confederate infantry and artillery. The tenacious assault led by Brig. Gen. Wesley Merritt on South Cavalry Field is also examined, as is the strategic victory at Fairfield by Southern troops that nearly destroyed the Sixth US Cavalry and left Hagerstown Road open, enabling General Lee’s eventual retreat. Winner of the prestigious Bachelder-Coddington Award for historical works concerning the Battle of Gettysburg, Eric J. Wittenberg’s Gettysburg’s Forgotten Cavalry Actions rights a long-standing wrong by lifting these all-important engagements out of obscurity. A must-read for Civil War buffs everywhere, it completes the story of the battle that changed American history forever. |
| best cavalry charges in movies: The Charge of the Light Brigade and Other Poems Alfred, Lord Tennyson, 2012-03-05 Treasury of verse by the great Victorian poet, including the long narrative poem, Enoch Arden, plus The Lady of Shalott, The Charge of the Light Brigade, selections from The Princess, Maud and The Brook, more. |
| best cavalry charges in movies: Best Years Charles Affron, Mirella Jona Affron, 2009-08-14 Americans flocked to the movies in 1945 and 1946ùthe center point of the three-decade heyday of the studio system's sound era. Why? Best Years is a panoramic study, shining light on this critical juncture in American historyand the history of American cinemaùthe end of World War II (1945) and a year of unprecedented success in Hollywood's Golden Age (1946). This unique time, the last year of war and the first full year of peace, provides a rich blend of cinema genres and typesùfrom the battlefront to the home front, the peace film to the woman's film, psychological drama, and the period's provocative new style, film noir. Best Years focuses on films that were famous, infamous, forgotten, and unforgettable. Big budget A-films, road shows, and familiar series share the spotlight. From Bergman and Grant in Notorious to Abbott and Costello in Lost in a Harem, Charles Affron and Mirella Jona Affron examine why the bond between screen and viewer was perhaps never tighter. Paying special attention to the movie-going public in key cities--Atlanta, New York, Boston, Honolulu, and Chicago--this ambitious work takes us on a cinematic journey to recapture a magical time. |
| best cavalry charges in movies: HORSEMEN IN NO MAN'S LAND DAVID. KENYON, 2019 |
| best cavalry charges in movies: Instrument of War Dennis Showalter, 2016-11-17 Drawing on more than a half-century of research and teaching, Dennis Showalter presents a fresh perspective on the German Army during World War I. Showalter surveys an army at the heart of a national identity, driven by – yet also defeated by – warfare in the modern age, which struggled to capitalize on its victories and ultimately forgot the lessons of its defeat. Exploring the internal dynamics of the German Army and detailing how the soldiers coped with the many new forms of warfare, Showalter shows how the army's institutions responded to, and how Germany itself was changed by war. Detailing the major campaigns on the Western and Eastern fronts and the forgotten war fought in the Middle East and Africa, this comprehensive volume examines the army's operational strategy, the complexities of campaigns of movement versus static trench warfare, and the effects of changes in warfare. |
| best cavalry charges in movies: The Mourning Bride William Congreve, 1779 |
| best cavalry charges in movies: Hell Riders Terry Brighton, 2015-07-23 On 25 October 1854, during the Crimean War, the Light Brigade of the British Cavalry Division made the most magnificent and most brutal charge in military history. Almost 700 men armed with sabre and lance, charged straight at the muzzles of Russian cannons. This vivid and extraordinarily detailed account of the charge and the bloody mêlée that followed, by an author with unique access to regimental archives, is told largely in the words of the survivors themselves. Terry Brighton takes the reader closer than ever before to the experience of charging down the Valley of Death. |
| best cavalry charges in movies: Western Movies William T. Pilkington, Don Graham, 1979 |
| best cavalry charges in movies: Becoming John Wayne Larry Powell, Jonathan H. Amsbary, 2018-03-01 Exploring the early westerns of John Wayne--from his first starring role in the The Big Trail (1930) to his breakthrough as the Ringo Kid in John Ford's Stagecoach (1939)--the authors trace his transformation from Marion Mitchell Morrison, movie studio prop man, into John Wayne, a carefully crafted film persona of his own invention that made him world famous. Wayne's years of training went well beyond honing his acting skill, as he developed the ability to do his own stunts, perfected his technique as a gun handler and became an expert horseman. |
| best cavalry charges in movies: Video Movie Guide 1998 Mick Martin, Marsha Porter, 1997 Reviews thousands of movies and rates each film according to a five-star rating system, and features cross-indexing by title, director, and cast. |
| best cavalry charges in movies: Roger Ebert's Movie Yearbook 2013 Roger Ebert, 2012-12-04 Reviews originally appeared in the Chicago sun-times. |
| best cavalry charges in movies: Turner Classic Movies Presents Leonard Maltin's Classic Movie Guide Leonard Maltin, 2015-09-29 The definitive guide to classic films from one of America's most trusted film critics Thanks to Netflix and cable television, classic films are more accessible than ever. Now co-branded with Turner Classic Movies, Leonard Maltin’s Classic Movie Guide covers films from Hollywood and around the world, from the silent era through 1965, and from The Maltese Falcon to Singin’ in the Rain and Godzilla, King of the Monsters! Thoroughly revised and updated, and featuring expanded indexes, a list of Maltin’s personal recommendations, and three hundred new entries—including many offbeat and obscure films—this new edition is a must-have companion for every movie lover. |
| best cavalry charges in movies: The Charge of the Light Brigade Charles River Charles River Editors, 2014-12-04 *Includes pictures *Includes descriptions of the charge made by survivors *Examines the myths and legends surrounding the charge *Includes a bibliography for further reading *Includes a table of contents The Charge of the Light Brigade is the most famous British cavalry charge in history, possibly also eclipsing the renown of any other mounted attack conducted by the armed forces of other nations in the general imagination. This cavalry action is certainly remembered far more vividly than the 1854 Battle of Balaclava during which it occurred, and even the wider Crimean War that led to the battle. Of course, the prominence of the Charge in popular and historical memory is due primarily to Alfred, Lord Tennyson's poem describing the events of that distant late October afternoon. The bearded Poet Laureate crafted a powerful, gripping poetic narrative that fixed the encounter firmly in both the popular imagination and in the English literary oeuvre. Millions of people who know nothing else of the Crimean War between Great Britain and the Russian Empire are familiar with Tennyson's memorable verses. At the same time, however, his words also created a narrative about the combat which has obscured much contrary evidence, replacing fact with legend and completely obscuring the true significance of the Charge of the Light Brigade. Indeed, its perception by historians and depiction in history books has been massively influenced by the sheer artistic power of Tennyson's poem. Sober historians have unwitting cherry-picked the existing original documents to support Tennyson's version of the events while disregarding much contrary evidence that provides a very different perspective of the Light Brigade's attack. In fact, a closer examination of source materials casts the Charge of the Light Brigade in a very different light than the widely accepted version of men so highly disciplined and obedient that they obeyed a suicidal order without question. So unquestioningly obedient were the British cavalrymen, the legend declares, that they were willing to charge into a cannon's mouth and die rather than raise a voice of protest against the imbecility of their incompetent officers. This mix of doomed courage and absolute, unfaltering compliance with the orders of their superiors, however idiotic, had given the Light Brigade and the British soldier in general a character of tragic heroism. Powerful as this vision of buffoonish commanders leading soldiers infused with ant-like obedience may be in the world of poetry, considerable documentation still exists which at least partially refutes such an interpretation. These documents, recently revisited by a handful of historians, greatly diminish the role of upper-echelon mistakes in causing the Charge. They restore agency and initiative to the ordinary British soldiers, highlighting them as fierce, independent-minded, and energetic actors in their own right, who very nearly changed the outcome of the entire Battle of Balaclava with their skill, courage, and daring. Ironically, it is possible to argue that the Charge of the Light Brigade was an attack mostly initiated by the rank and file, and that it was largely successful. The actual blunder was the failure of other commanders to support the charge by sending in infantry in its wake, which could potentially have led to the complete rout of the Russian forces. Instead, the British commanders did nothing to exploit the breakthrough created by the initiative, skill, and ferocity of the ordinary cavalryman, squandering the opportunity they had been offered. The Charge of the Light Brigade chronicles the history and legacy of the ill-fated cavalry charge. Along with pictures of important people, places, and events, you will learn about the Charge of the Light Brigade like never before, in no time at all. |
| best cavalry charges in movies: Battle of Britain The Movie Robert J. Rudhall, Dilip Sarkar, 2023-06-30 Released in 1969, the film Battle of Britain went on to become one of the most iconic war movies ever produced. The film drew many respected British actors to accept roles as key figures of the battle, including Sir Laurence Olivier as Hugh Dowding and Trevor Howard as Keith Park. It also starred Michael Caine, Christopher Plummer and Robert Shaw as squadron leaders. As well as its large all-star international cast, the film was notable for its spectacular flying sequences which were on a far grander scale than anything that had been seen on film before. At the time of its release, Battle of Britain was singled out for its efforts to portray the events of the summer of 1940 in great accuracy. To achieve this, Battle of Britain veterans such as Group Captain Tom Gleave, Wing Commander Robert Stanford Tuck, Wing Commander Douglas Bader, Squadron Leader Boleslaw Drobinski and Luftwaffe General Adolf Galland were all involved as consultants. This detailed description of the making of the film is supported by a mouth-watering selection of pictures that were taken during the production stages. The images cover not only the many vintage aircraft used in the film, but also the airfields, the actors, and even the merchandise which accompanied the film’s release in 1969 – plus a whole lot more. There are numerous air-to-air shots of the Spitfires, Messerschmitts, Hurricanes and Heinkels that were brought together for the film. There are also images that capture the moment that Battle of Britain veterans, some of whom were acting as consultants, visited the sets. Interviews with people who worked on the film, such as Hamish Mahaddie, John Blake and Ron Goodwin, among others, bring the story to life. |
| best cavalry charges in movies: The First World War Holger H. Herwig, 2014-04-24 The Great War toppled four empires, cost the world 24 million dead, and sowed the seeds of another worldwide conflict 20 years later. This is the only book in the English language to offer comprehensive coverage of how Germany and Austria-Hungary, two of the key belligerents, conducted the war and what defeat meant to them. This new edition has been thoroughly updated throughout, including new developments in the historiography and, in particular, addressing new work on the cultural history of the war. This edition also includes: - New material on the domestic front, covering Austria-Hungary's internal political frictions and ethnic fissures - More on Austria-Hungary and Germany's position within the wider geopolitical framework - Increased coverage of the Eastern front The First World War: Germany and Austria-Hungary, 1914-1918 offers an authoritative and well-researched survey of the role of the Central powers that will be an invaluable text for all those studying the First World War and the development of modern warfare. |
| best cavalry charges in movies: Western Film Highlights Henryk Hoffmann, 2015-07-11 Westerns may have had their heyday, but they remain popular. The greatest films from 1914, when The Squaw Man and The Virginian were among the genre's best, through 2001, when American Outlaws and Texas Rangers were tops, are the subject of this work. For each year, the author names the outstanding western films in the following categories: picture, screenplay (original and adaptation), direction, cinematography, music, male and female leading roles, and male and female supporting roles. Also for each year, the author lists the westerns that received Academy Award nominations (and those that won), makes note of the births and deaths of notable actors, directors, producers, composers, cinematographers, authors and other such personalities, and describes the genre's significant achievements. |
| best cavalry charges in movies: Armored Cav Tom Clancy, 1994-11-01 A penetrating look inside an armored cavalry regiment -- the technology, the strategies, and the people . . . profiled by Tom Clancy. His first non-fiction book, Submarine, captured the reality of life aboard a nuclear warship. Now, the #1 bestselling author of Clear and Present Danger and Without Remorse portrays today's military as only army personnel can know it. With the same compelling, you-are-there immediacy of his acclaimed fiction, Tom Clancy provides detailed descriptions of tanks, helicopters, artillery, and more -- the brilliant technology behind the U. S. Army. He captures military life -- from the drama of combat to the daily routine -- with total accuracy, and reveals the roles and missions that have in recent years distinguished our fighting forces. Armored Cav includes: Descriptions of the M1A2 Main Battle Tank, the AH-64A Apache Attack Helicopter, and more An interview with General Frederick Franks Strategies behind the Desert Storm account Exclusive photograph, illustrations and diagrams PLUS: From West Point cadet to Desert Storm commander . . . an interview with a combat cavalry officer on the rise. |
| best cavalry charges in movies: Custer at Gettysburg Phillip Thomas Tucker, 2023-06-14 “A mosaic of thousands of tiny pieces that, seen whole, amounts to a fascinating picture of what probably was the most important moment of the Civil War.” —Thomas E. Ricks, New York Times bestselling author of The Generals George Armstrong Custer is famous for his fatal defeat at the Little Bighorn in 1876, but Custer’s baptism of fire came during the Civil War. His true rise to prominence began at Gettysburg in 1863. On the eve of the Battle of Gettysburg, Custer received promotion to brigadier general and command—his first direct field command—of the Michigan Cavalry Brigade, the “Wolverines.” Custer did not disappoint his superiors, who promoted him in a search for more aggressive cavalry officers. At approximately noon on July 3, 1863, the melee that was East Cavalry Field at Gettysburg began. An hour or two into the battle, after many of his cavalrymen had been reduced to hand-to-hand infantry-style fighting, Custer ordered a charge of one of his regiments and led it into action himself, screaming one of the battle’s most famous lines: “Come on, you Wolverines!” Around three o’clock, the Confederates led by Stuart mounted a final charge, which mowed down Union cavalry—until it ran into Custer’s Wolverines, who stood firm, breaking the Confederates’ last attack. In a book combining two popular subjects, Tucker recounts the story of Custer at Gettysburg with verve, shows how the Custer legend was born on the fields of the war’s most famous battle, and offers eye-opening new perspectives on Gettysburg’s overlooked cavalry battle. “A thoughtful and challenging new look at the great assault at Gettysburg . . . Tucker is fresh and bold in his analysis and use of sources.” —William C. Davis, author of Crucible of Command |
| best cavalry charges in movies: The Last Great Cavalry Charge Joe Robinson, Janet Robinson, Francis Hendriks, 2017-05-03 The Battle of the Silver Helmets was an engagement orchestrated according to the previous successes of the cavalry of Frederick the Great. It was staged so that the magnificently equipped and trained German Fourth Cavalry Division would charge into glory, sabres rattling; instead, 24 German officers, 468 men, and 843 horses were lost during the eight separate charges conducted that day. The entire right wing of the Imperial German Army consisted of only nine cavalry brigades in the Schlieffen Plan, and in the battle of 12 August 1914, two of these brigades were catastrophically beaten. This battle has not yet been explored in the English language because it took place before the British Expeditionary Force (BEF) landed in the Channel ports and well before any American involvement. British historians have also generally focused on Germany s efforts to enter Belgium through the forts at Liège, which are east of Halen. However, the Battle of the Silver Helmets so impacted century-old cavalry tradition that large-scale charges would never again be attempted on the Western Front. Thoroughly researched and hugely revelatory, The Last Great Cavalry Charge is a blow-by-blow account of the moment that the cavalry went from a prestigious, pivotal role in German Army tactics to obsolescence in the face of newly mechanised infantry. It provides essential and moving insight into the wider socio-cultural repercussions of technical military innovations in the First World War. |
| best cavalry charges in movies: Films and Filming , 1966 |
| best cavalry charges in movies: Nebraskaland , 1980 |
| best cavalry charges in movies: Envoy of Jerusalem Helena P. Schrader, 2016-08 Balian has survived the devastating defeat of the Christian army on the Horns of Hattin, and walked away a free man after the surrender of Jerusalem, but he is baron of nothing in a kingdom that no longer exists. Haunted by the tens of thousands of Christians now enslaved by the Saracens, he is determined to regain what has been lost. The arrival of a vast crusading army under the soon-to-be-legendary Richard the Lionheart offers hope -- but also conflict, as natives and crusaders clash and French and English quarrel. |
| best cavalry charges in movies: Chancellorsville Gary W. Gallagher, 2012-01-01 A variety of important but lesser-known dimensions of the Chancellorsville campaign of spring 1863 are explored in this collection of eight original essays. Departing from the traditional focus on generalship and tactics, the contributors address the campaign’s broad context and implications and revisit specific battlefield episodes that have in the past been poorly understood. Chancellorsville was a remarkable victory for Robert E. Lee’s troops, a fact that had enormous psychological importance for both sides, which had met recently at Fredericksburg and would meet again at Gettysburg in just two months. But the achievement, while stunning, came at an enormous cost: more than 13,000 Confederates became casualties, including Stonewall Jackson, who was wounded by friendly fire and died several days later. The topics covered in this volume include the influence of politics on the Union army, the importance of courage among officers, the impact of the war on children, and the state of battlefield medical care. Other essays illuminate the important but overlooked role of Confederate commander Jubal Early, reassess the professionalism of the Union cavalry, investigate the incident of friendly fire that took Stonewall Jackson’s life, and analyze the military and political background of Confederate colonel Emory Best’s court-martial on charges of abandoning his men. Contributors Keith S. Bohannon, Pennsylvania State University and Greenville, South Carolina Gary W. Gallagher, University of Virginia A. Wilson Greene, Petersburg, Virginia John J. Hennessy, Fredericksburg, Virginia Robert K. Krick, Fredericksburg, Virginia James Marten, Marquette University Carol Reardon, Pennsylvania State University James I. Robertson Jr., Virginia Polytechnic Institute and State University |
| best cavalry charges in movies: War Horse Steven Spielberg, 2011-12-27 Brimming with more than 140 dramatic images, this is the stunning, visual companion to Steven Spielberg's epic adventure, set in rural England and Europe, about a young man and his horse and their separate journeys through the battlefields of the First World War. One of the great stories of friendship and war, the successful novel War Horse not only inspired the award-winning stage play, but also inspired one of the great directors in film history to commit his talent, vision, and resources to make this extraordinary movie, which was shot in the countryside of England. I first fell in love with the story of War Horse because I was moved by the relationship between a boy and an animal in Michael Morpurgo's novel and the screenplay by Richard Curtis and Lee Hall, writes Steven Spielberg in his foreword. But, ultimately, I made it because of what the book and the screenplay say about courage. I t is about the courage of the horse Joey and what he endures to survive, and the courage of Albert in his attempt to find his best friend in a time of war. With every frame of this film, it was my hope to issue a call for courage in our daily lives. A call to ‘be brave.' Additional forewords by producer Kathleen Kennedy, novelist Michael Morpurgo, and co-screenwriter Richard Curtis reveal their feelings about the story and the process of moving it from page to screen. The main body of the book is divided into three sections: Part 1: Joey's Journey—A visual retelling, along with script excerpts and filmmakers' comments, of the journey taken by Joey, the horse trained by his beloved Albert, from the striking verdant countryside of Dartmoor, Devon, to training in the British cavalry, to trench warfare in France. Part 2: The Making of War Horse—An insider's glimpse of the movie-making process highlighted with fascinating insights from the international cast and the crew about the casting, locations, costumes, horse training, and much more. Part 3: The History of War Horses—An illuminating section on the role of horses in battle, illustrated with iconic images from history, vivid drawings, paintings and photographs. This beautiful book is a testament to what can be done when people become impassioned about a goal. As producer Kathleen Kennedy expresses in her foreword: War Horse was one of those unusual productions that comes together in an incredibly short time, and for all the right reasons. Everyone involved understood the film's potential, the richness of the characters, the depth of emotion, and the strength of the story's message. |
| best cavalry charges in movies: The Video Movie Guide 2001 Mick Martin, Marsha Porter, 2000 Presents brief reviews of more than nineteen thousand films and other videos that are available at rental stores and through mail order, arranged alphabetically by title; also includes actor and director indexes. |
| best cavalry charges in movies: Secrets of the Temple William Greider, 1989-01-15 Reveals how the Federal Reserve under Paul Volcker engineered changes in America's economy. |
| best cavalry charges in movies: Vietnam at the Movies Michael Lee Lanning, 1994 FOR THE FIRST TIME EVER, A COMPREHENSIVE AND FASCINATING CRITIQUE OF MOVIES ABOUT VIETNAM! Heroic. Brave. Daring. Until the 1960s, movies about war were good box office. That all changed with Vietnam. Since the war was unpopular and confusing -- lacking clear objectives and easily identified enemies --movie-makers, like many Americans, transferred their dislike for the conflict onto the soldier. Consequently, Hollywood produced pictures that can now be recognizes as misleading, distorted, sensationalistic, or just plain dishonest. In Vietnam at the Movies, Vietnam vet Michael Lee Lanning traces the genesis of the war movie from the Spanish American War all the way up to Vietnam, taking Tinseltown to task for its treatment of the Viet vet--painstakingly separating fact from the fiction, and reviewing the quality and accuracy of more than 380 films and TV movies, including: Air America * The Big Chill * Birdy * Born on the Fourth of July * Casualties of War * Coming Home * The Deer Hunter * Dogfight * Easy Rider * First Blood * For the Boys * Friendly Fire * Full Metal Jacket * Good Morning Vietnam * Hair * In Country * JFK * The Killing Fields * Lethal Weapon * Nashville * Platoon * Running On Empty * Slaughterhouse-Five * Streamers * Suspect * Swimming to Cambodia * Taxi Driver * Tender Mercies * Top Gun * Year of the Dragon * And many more! Alphabetically organized for quick and easy access, this comprehensive volume gives film audiences and VCR viewers the opportunity to understand exactly what they are watching when they see Vietnam at the movies. |
| best cavalry charges in movies: Video Movie Guide 2002 Mick Martin, Marsha Porter, 2001 This bestselling video guide to films, serials, TV movies, and old TV series available on video is completely updated with the newest releases. Containing more than 18,000 listings, this revised edition includes 400 new entries that are detailed with a summary, commentary, director, cast members, MPAA rating, and authors' rating. |
| best cavalry charges in movies: Western Movies Michael R. Pitts, 2012-12-13 This revised and greatly expanded edition of a well-established reference book presents 5105 feature length (four reels or more) Western films, from the early silent era to the present. More than 900 new entries are in this edition. Each entry has film title, release company and year, running time, color indication, cast listing, plot synopsis, and a brief critical review and other details. Not only are Hollywood productions included, but the volume also looks at Westerns made abroad as well as frontier epics, north woods adventures and nature related productions. Many of the films combine genres, such as horror and science fiction Westerns. The volume includes a list of cowboys and their horses and a screen names cross reference. There are more than 100 photographs. |
difference - "What was best" vs "what was the best"? - English …
Oct 18, 2018 · On the linked page, best is used as an adverb, modifying the verb knew. In that context, the phrase the best can also be used as if it were an adverb. The meaning is …
adverbs - About "best" , "the best" , and "most" - English …
Oct 20, 2016 · I like you best. I like chocolate best, better than anything else. can be used when what one is choosing from is not specified. I like you the best. Between chocolate, vanilla, and …
articles - "it is best" vs. "it is the best" - English Language ...
Jan 2, 2016 · This is the best car in the garage. We use articles like the and a before nouns, like car. The word "best" is an adjective, and adjectives do not take articles by themselves. …
expressions - "it's best" - how should it be used? - English …
Dec 8, 2020 · 3 "It's best (if) he (not) buy it tomorrow." is not a subjunctive form, and some options do not work well. 3A It's best he buy it tomorrow. the verb tense is wrong with 3A. Better would …
word choice - "his best-seller book" or "his best-selling book ...
Jun 12, 2016 · @J.R. If something is a New York Times Best Seller, the whole five word string is the adjective in use to modify book, although why book is specified is beyond me; perhaps to …
Word choice - Way of / to / for - Way of / to / for - English …
Jun 16, 2020 · The best way to use "the best way" is to follow it with an infinitive. However, this is not the only way to use the phrase; "the best way" can also be followed by of with a gerund: …
plural forms - It's/I'm acting in your best interest/interests ...
Dec 17, 2014 · have someone's (best) interests at heart (=want to help them): He claims he has only my best interests at heart. be in someone's/something's (best) interest(s) (=bring an …
"Best regards" vs. "Best Regards" - English Language Learners …
Dec 28, 2013 · The rule for formal letters is that only the first word should be capitalized (i.e. "Best regards"). Emails are less formal, so some of the rules are relaxed. That's why you're seeing …
Would be or will be - English Language Learners Stack Exchange
Oct 1, 2019 · It indicates items that (with the best understanding) are going to happen. Would is a conditional verb form. It states that something happens based on something else. Sometimes …
What is the correct usage of "deems fit" phrase?
Nov 15, 2016 · This plan of creating an electoral college to select the president was expected to secure the choice by the best citizens of each state, in a tranquil and deliberate way, of the …
difference - "What was best" vs "what was the best"? - English …
Oct 18, 2018 · On the linked page, best is used as an adverb, modifying the verb knew. In that context, the phrase the best can also be used as if it were an adverb. The meaning is …
adverbs - About "best" , "the best" , and "most" - English …
Oct 20, 2016 · I like you best. I like chocolate best, better than anything else. can be used when what one is choosing from is not specified. I like you the best. Between chocolate, vanilla, and …
articles - "it is best" vs. "it is the best" - English Language ...
Jan 2, 2016 · This is the best car in the garage. We use articles like the and a before nouns, like car. The word "best" is an adjective, and adjectives do not take articles by themselves. …
expressions - "it's best" - how should it be used? - English …
Dec 8, 2020 · 3 "It's best (if) he (not) buy it tomorrow." is not a subjunctive form, and some options do not work well. 3A It's best he buy it tomorrow. the verb tense is wrong with 3A. Better would …
word choice - "his best-seller book" or "his best-selling book ...
Jun 12, 2016 · @J.R. If something is a New York Times Best Seller, the whole five word string is the adjective in use to modify book, although why book is specified is beyond me; perhaps to …
Word choice - Way of / to / for - Way of / to / for - English …
Jun 16, 2020 · The best way to use "the best way" is to follow it with an infinitive. However, this is not the only way to use the phrase; "the best way" can also be followed by of with a gerund: …
plural forms - It's/I'm acting in your best interest/interests ...
Dec 17, 2014 · have someone's (best) interests at heart (=want to help them): He claims he has only my best interests at heart. be in someone's/something's (best) interest(s) (=bring an …
"Best regards" vs. "Best Regards" - English Language Learners …
Dec 28, 2013 · The rule for formal letters is that only the first word should be capitalized (i.e. "Best regards"). Emails are less formal, so some of the rules are relaxed. That's why you're seeing …
Would be or will be - English Language Learners Stack Exchange
Oct 1, 2019 · It indicates items that (with the best understanding) are going to happen. Would is a conditional verb form. It states that something happens based on something else. Sometimes …
What is the correct usage of "deems fit" phrase?
Nov 15, 2016 · This plan of creating an electoral college to select the president was expected to secure the choice by the best citizens of each state, in a tranquil and deliberate way, of the …
