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| battle of teutoburg forest painting: Painting Abstract Landscapes Gareth Edwards, Kate Reeve-Edwards, 2021-11-16 Abstract landscape painting expresses emotion while still capturing the essence of a landscape. This compelling book explores this suggestive style first developed by Turner. Using the hauntingly-beautiful paintings of Gareth Edwards, it explores the technical, historical and psychological dimensions of abstract landscape painting to help you develop your own skilful and intensely personal approach. Through this new book you can learn about how to begin an abstract landscape painting, using chance application; understand how to 'manage accidents' to create innovative pieces of work; discover the importance of effective composition and how this navigates the viewer's journey; determine the importance of the 'invisible' elements of painting: the unspoken value of the viewer and the influence of 'looking'. It also reveals how to utilize a convergence of linear and atmospheric perspective to help your viewer traverse the picture plane and helps you understand the importance of light, space, colour, and tone in generating evocative paintings. Finally, it encourages you to be more demanding of your surface, using textural techniques and glazing to achieve professional production values. It is a unique and exciting book into this under-documented genre. |
| battle of teutoburg forest painting: Art of the 20th century Dorothea Eimert, 2016-03-09 The 20th century was a revolutionary period in art history. In the span of a few short years, Modernism exploded into being, disrupting centuries of classical figurative tradition to create something entirely new. This astoundingly thorough survey of art's modern era showcases all of the key artistic movements of the 20th century, from Fauvism to Pop Art, featuring illustrative examples of some of the most renowned works of the era along with illuminating companion essays by expert critics and art historians. A vivid window into the collective psyche of the modern world's great artists, Art of the 20th Century is a must-have for any fan of contemporary art. |
| battle of teutoburg forest painting: Art and architecture of the late 20th century Dorothea Eimert, 2024-11-12 During the second half of the twentieth century, in a world transformed by international tensions, the centre of artistic creation shifted from Europe to the United States. In a world where major countries asserted their power, individualism now ruled. The art world was a perfect example of this phenomenon; even now, the emphasis of creativity is placed on the individual instead of the trend. Moreover, growing globalization and the various types of media have facilitated a multiplication of means and offered artists new possibilities. Now, at the dawn of the twenty-first century, everything has the potential to be art, and art, more than ever, is the opportunity to take risks - to present and transform almost anything. This work invites the reader to discover the diversity of this most recent artistic environment. |
| battle of teutoburg forest painting: Give Me Back My Legions! Harry Turtledove, 2009-04-14 Bestselling author Turtledove turns his attention to an epic battle that pits three Roman legions against Teutonic barbarians in a thrilling novel of Ancient Rome Publius Quinctilius Varus, a Roman politician, is summoned by the Emperor, Augustus Caesar. Given three legions and sent to the Roman frontier east of the Rhine, his mission is to subdue the barbarous German tribes where others have failed, and bring their land fully under Rome’s control. Arminius, a prince of the Cherusci, is playing a deadly game. He serves in the Roman army, gaining Roman citizenship and officer’s rank, and learning the arts of war and policy as practiced by the Romans. What he learns is essential for the survival of Germany, for he must unite his people against Rome before they become enslaved by the Empire and lose their way of life forever. An epic battle is brewing, and these two men stand on opposite sides of what will forever be known as The Battle of the Teutoberg Forest—a ferocious, bloody clash that will change the course of history. |
| battle of teutoburg forest painting: Rome's Greatest Defeat Adrian Murdoch, 2008-07-14 In AD 9 half of Rome's Western army was ambushed in a German forest and annihilated. Three legions, three cavalry units and six auxiliary regiments - some 25,000 men - were wiped out. It dealt a body blow to the empire's imperial pretensions and was Rome's greatest defeat. No other battle stopped the Roman empire dead in its tracks. Although one of the most significant and dramatic battles in European history, this is also one which has been largely overlooked. Drawing on primary sources and a vast wealth of new archaeological evidence, Adrian Murdoch brings to life the battle itself, the historical background and the effects of the Roman defeat as well as exploring the personalities of those who took part. |
| battle of teutoburg forest painting: Media and Nostalgia K. Niemeyer, 2014-05-20 Media and Nostalgia is an interdisciplinary and international exploration of media and their relation to nostalgia. Each chapter demonstrates how nostalgia has always been a media-related matter, studying also the recent nostalgia boom by analysing, among others, digital photography, television series and home videos. |
| battle of teutoburg forest painting: Cultural Sustainability Torsten Meireis, Gabriele Rippl, 2018-09-03 If the political and social benchmarks of sustainability and sustainable development are to be met, ignoring the role of the humanities and social, cultural and ethical values is highly problematic. People’s worldviews, beliefs and principles have an immediate impact on how they act and should be studied as cultural dimensions of sustainability. Collating contributions from internationally renowned theoreticians of culture and leading researchers working in the humanities and social sciences, this volume presents an in-depth, interdisciplinary discussion of the concept of cultural sustainability and the public visibility of such research. Beginning with a discussion of the concept of cultural sustainability, it goes on to explore its interaction with philosophy, theology, sociology, economics, arts and literature. In doing so, the book develops a much needed concept of ‘culture’ that can be adapted to various disciplines and applied to research on sustainability. Addressing an important gap in sustainability research, this book will be of great interest to academics and students of sustainability and sustainable development, as well as those studying sustainability within the humanities and social sciences, such as cultural studies, ethics, theology, sociology, literature and history. |
| battle of teutoburg forest painting: Library of Congress Subject Headings Library of Congress, Library of Congress. Subject Cataloging Division, Library of Congress. Office for Subject Cataloging Policy, 2013 |
| battle of teutoburg forest painting: OOPS! David P. Barash, 2023-08-15 Travel through history and around the world to learn about the greatest mistakes, blunders, and bloopers of all time! Everyone makes mistakes and nearly everyone likes to know about them, especially when made by someone else! The Worst Blunders of All Time: Shocking Tales from Pandora's Box to Putin's Invasion presents some of our most notable blunders, from the silly to the consequential, from ancient history to current events. It offers the pleasure of Schadenfreude and of an easy-going reading experience, as well as—here and there—some learning opportunities. The reader will see when relatively big things have gone wrong and couldn’t be called back, such as iconic, mythical blunders like Pandora opening that troublesome box and Eve taking her ill-advised bite, to great historical oops such as Napoleon’s invasion of Russia in 1812, as well as some less monumental but nonetheless exemplary mistakes, such as the “Curse of the Bambino,” when the Boston Red Sox sold Babe Ruth—at the time, a pitcher—to the New York Yankees. These and other exemplary oops are presented in a light-hearted way, with some exceptions being catastrophic, current catastrophes, such as Trump’s egregious mishandling of the COVID-19 pandemic. Author David P. Barash will take readers from the tragic to the whimsical, with the latter represented by, for example, “Wrong Way Corrigan,” an early twentieth century aviator who thought he was flying nonstop from New York to California, but, confused by a heavy fog, ended up in Ireland. Pointing out these and other mistakes will be an exercise in Monday morning quarterbacking and 20-20 hindsight. Thus, The Worst Blunders of All Time shall “backstrapolate”: looking in the rear-view mirror at mistakes made by others. The Worst Blunders of All Time is neither an advice book nor a series of cautionary tales. It’s an easy and accessible read, especially useful as therapy in these difficult times. However, its nonetheless accurate and informative, giving rise to some potentially useful take-home messages, keyed to its material. Ideally, we should all benefit from our own mistakes, making lemonade out of lemons, while also following Eleanor Roosevelt’s advice: “Learn from the mistakes of others. You cannot live long enough to make them all yourself.” |
| battle of teutoburg forest painting: Library of Congress Subject Headings Library of Congress. Cataloging Policy and Support Office, 2004 |
| battle of teutoburg forest painting: Making Strange Herbert Grabes, 2008 This compact, indispensable overview answers a vexed question: Why do so many works of modern and postmodern literature and art seem designed to appear 'strange', and how can they still cause pleasure in the beholder? To help overcome the initial barrier caused by this 'strangeness', the general reader is given an initial, non-technical description of the 'aesthetic of the strange' as it is experienced in the reading or viewing process. There follows a broad survey of modern and postmodern trends, illustrating their staggering variety and making plain the manifold methods and strategies adopted by writers and artists to 'make it strange'. The book closes with a systematic summary of the theoretical underpinnings of the 'aesthetic of the strange', focussing on the ways in which it differs from both the earlier 'aesthetic of the beautiful' and the 'aesthetic of the sublime'. It is made amply clear that the strangeness characteristic of modern and postmodern art has ushered in an entirely new, 'third' kind of aesthetic - one that has undergone further transformation over the past two decades. Beyond its usefulness as a practical introduction to the 'aesthetic of the strange', the present study also takes up the most recent, cutting-edge aspects of scholarly debate, while initiates are offered an original approach to the theoretical implications of this seminal phenomenon. |
| battle of teutoburg forest painting: Teutoburg Forest AD 9 Michael McNally, 2011-01-18 Osprey's study of one of the most important battles of the long-elasting Germanic Wars (113 BC - 439 AD). Arminius, a young member of the Cheruscan tribe under the Roman Empire felt that Rome could be beaten in battle and that such a victory would guarantee the freedom of the Germans as a confederation of independent tribes, led by the Cheruscans, who would - in turn - be led by him. Throughout AD 8 and the early part of AD 9, Arminius used his position under the governor of Germania Inferior well, ostensibly promoting Rome whilst in reality welding the tribes together in an anti-Roman alliance, agreeing with his confederates that they would wait until the Roman garrison had moved to their summer quarters and then rise up against the invaders. With the arrival of September, the time soon came for the Roman troops to return to their stations along the Rhine and as they marched westwards through the almost impenetrable Teutoburg Forest, Arminius sprang his trap. In a series of running battles in the forest, Varus' army, consisting of three Roman Legions (XVII, XVIII and XIX) and several thousand auxiliaries - a total of roughly 20,000 men - was destroyed. The consequences for Rome were enormous - the province of Germania was now virtually undefended and Gaul was open to a German invasion which although it never materialized, led a traumatized Augustus to decree that, henceforth, the Rhine would remain the demarcation line between the Roman world and the German tribes, in addition to which the destroyed legions were never re-formed or their numbers reused in the Roman Army: after AD 9, the sequence of numbers would run from I to XVI and then from XX onwards, it was as if the three legions had never existed. |
| battle of teutoburg forest painting: Germany Ann Byers, 2004-12-15 An overview of the history and culture of Germany and its people including the geography, myths, arts, daily life, education, industry, and government, with illustrations from primary source documents. |
| battle of teutoburg forest painting: Icons of Art Jürgen Tesch, Eckhard Hollmann, 1997 Prestel's experienced editors have selected what they consider to be the 100 most important works of art created this century. Each work is reproduced in color on one full page. The facing page contains description and background of the work, concise biography and picture of the artist, and comparative art. 160 color and 140 bandw illustrations. |
| battle of teutoburg forest painting: Research Handbook on Nationalism Liah Greenfeld, Zeying Wu, 2020-09-25 Assembling scholarship on the subject of nationalism from around the world, this Research Handbook brings to the attention of the reader research showcasing the unprecedented expansion of the scholarly field in general and offers a diversity of perspectives on the topic. It highlights the disarray in Western social sciences and the rise in the relative importance of previously independent scholarly traditions of China and post-Soviet societies. Nationalism is the field of study where the mutual relevance of these traditions is both most clearly evident and particularly consequential. |
| battle of teutoburg forest painting: Classical Antiquity in Video Games Christian Rollinger, 2020-01-09 From gaming consoles to smartphones, video games are everywhere today, including those set in historical times and particularly in the ancient world. This volume explores the varied depictions of the ancient world in video games and demonstrates the potential challenges of games for scholars as well as the applications of game engines for educational and academic purposes. With successful series such as “Assassin's Creed” or Civilization” selling millions of copies, video games rival even television and cinema in their role in shaping younger audiences' perceptions of the past. Yet classical scholarship, though embracing other popular media as areas of research, has so far largely ignored video games as a vehicle of classical reception. This collection of essays fills this gap with a dedicated study of receptions, remediations and representations of Classical Antiquity across all electronic gaming platforms and genres. It presents cutting-edge research in classics and classical receptions, game studies and archaeogaming, adopting different perspectives and combining papers from scholars, gamers, game developers and historical consultants. In doing so, it delivers the first state-of-the-art account of both the wide array of 'ancient' video games, as well as the challenges and rewards of this new and exciting field. |
| battle of teutoburg forest painting: Artists and Society in Germany, 1850-1914 Robin Lenman, 1997 In times past, everyday business might mean making a trip to the pawnbroker, giving a loan to a trusted friend of selling off a coat, all to make ends meet. Both women and men engaged in this daily budgeting, but women's roles were especially important in achieving some level of comfort and avoiding penury. In some communities, the daily practices in place in the seventeenth century persisted into the twentieth, whilst other groups adopted new ways, such as using numbers to chart domestic affairs and turning to the savings banks that appeared in the nineteenth century. These strategies promised respectability and greater access to new consumer goods: better clothes and finer furnishings accompanied a newly disciplined behaviour. Therefore, in the material world of the past and in the changing habits of earlier generations lie crucial turning points. This book explores these previously under-researched patterns and practices that gave shape to modern consumer society. |
| battle of teutoburg forest painting: Historia and Fabula Peter G. Bietenholz, 1994-09-01 Historical thought, whether it is expressed in writing or through works of art, inevitably contains elements of fiction. Thus in every phase of the development of historical thinking the question arises: were these fictional elements recognized and if so, how was their function perceived? Was any effort made to distinguish between a documented fact and any assumptions or deductions related to it? In examining the past, was it deemed important to curb the free play of imagination or was it thought that any explanation, no matter how fanciful and irrational, was better than none? This is the question that this book attempts to answer. In doing so, it examines a rich variety of texts and also some works of art ranging from the Ancient Near East to the nineteenth century. |
| battle of teutoburg forest painting: Viking Warriors Ben Hubbard, 2016-12-15 In Viking Warriors, the Norse invaders, as infamous for their brutality as their exploration, come to life. Students will read about raids, battles, and key fighters and leaders. Illustrations, engravings, and relics depict the Norse culture, marine and combat technology, and fighting styles that gave them the advantage in battle. Maps and diagrams demonstrate their ambitious expansion and conquest of cities and people throughout the Northern hemisphere. With their far-reaching longships and fierce tactics, the influence and violence of the Vikings spread from America to the Middle East, leaving behind traces of an iconic culture and combative strategy. |
| battle of teutoburg forest painting: Right Way to Lose a War Dominic Tierney, 2015-06-02 Why has America stopped winning wars? For nearly a century, up until the end of World War II in 1945, America enjoyed a Golden Age of decisive military triumphs. And then suddenly, we stopped winning wars. The decades since have been a Dark Age of failures and stalemates-in Korea, Vietnam, Iraq, and Afghanistan-exposing our inability to change course after battlefield setbacks. In this provocative book, award-winning scholar Dominic Tierney reveals how the United States has struggled to adapt to the new era of intractable guerrilla conflicts. As a result, most major American wars have turned into military fiascos. And when battlefield disaster strikes, Washington is unable to disengage from the quagmire, with grave consequences for thousands of U.S. troops and our allies. But there is a better way. Drawing on interviews with dozens of top generals and policymakers, Tierney shows how we can use three key steps-surge, talk, and leave-to stem the tide of losses and withdraw from unsuccessful campaigns without compromising our core values and interests. Weaving together compelling stories of military catastrophe and heroism, this is an unprecedented, timely, and essential guidebook for our new era of unwinnable conflicts. The Right Way to Lose a War illuminates not only how Washington can handle the toughest crisis of all-battlefield failure-but also how America can once again return to the path of victory. |
| battle of teutoburg forest painting: Arminius the Liberator Martin M. Winkler, 2016 Arminius the Liberator deals with the modern reception of Arminius. Martin M. Winkler examines the ideological abuse of historical myth in German nationalism and National Socialism and its various international ramifications up until today. Special emphasis is on the representation of Arminius in visual media. |
| battle of teutoburg forest painting: The Geographic Imagination of Modernity Chenxi Tang, 2008 This book is a study of the emergence of the geographic paradigm in modern Western thought around 1800. |
| battle of teutoburg forest painting: Lire Les Images, Voir Les Textes Louise Maurer, Roger Hillman, 2006 The essays in this volume are situated in French and Australian contexts and focus on texts linking language and visual images. There is an emerging debate in universities concerning the interpretation of images, whether in the field of aesthetics, politics or technology. The contributors focus on images ranging from photography to maps, films, paintings and computer games. In addition they consider relations between genders and nations, as understood in particular historical or semiological contexts. Geographic and disciplinary boundaries are consciously transgressed and blurred, so that a new interdisciplinary dialogue between written texts and visual arts emerges. Ce recueil d'essais, situé dans le contexte d'échanges franco-australiens, a pour objet les liens entre images et langage sur le plan du discours. L'interprétation du visuel fait l'objet d'un débat émergeant dans les universités, que ce soit dans le domaine de l'esthétique, du politique ou de la technologie. Les contributions analysent des images allant de la photographie, aux jeux multimédia en passant par les cartes, le cinéma et la peinture. Par ailleurs, elles interrogent les relations tant au niveau de l'individu que des nations dans des contextes historiques et sémiologiques spécifiques. Les contributeurs traversent les frontières disciplinaires et géographiques, de façon à susciter un nouveau dialogue interdisciplinaire entre textes et arts visuels. |
| battle of teutoburg forest painting: National Geographic Visual History of the World Klaus Berndl, 2005 Publisher Description |
| battle of teutoburg forest painting: Tacitus Victoria Emma Pagán, 2017-02-20 The greatest of Roman historians, Publius Cornelius Tacitus (56-117 CE) studied rhetoric in Rome. His rhetorical and oratorical gifts are evident throughout his most substantial works, the incomplete but still remarkable Annals and Histories. In concise and concentrated prose, marked by sometimes bitter and ironic reflections on the human capacity to misuse power, Tacitus charts the violent trajectory of the Roman Empire from Augustus' death in 14 CE to the end of Domitian's rule in 96. Victoria Emma Pagan looks at Tacitus from a range of perspectives: as a literary stylist, perhaps influenced by Sallust; his notion of time; his modes of discourse; his place in the historiography of the era; and the later reception of Tacitus in the Renaissance and early modern periods. Tacitus remains of major interest to students of the Bible, as well as classicists, by virtue of his reference to 'Christus' and Nero's persecution of the Christians after the great fire of Rome in 64 CE. This lively survey enables its readers fully to appreciate why, in holding a mirror up to venality and greed, the work of Tacitus remains eternal. |
| battle of teutoburg forest painting: Ecological Thought in German Literature and Culture Gabriele Duerbeck, Urte Stobbe, Hubert Zapf, Evi Zemanek, 2017-10-16 This volume surveys the contribution of German literature and culture to the evolution of ecological thought from the age of Goethe to the present. In a broad spectrum of essays from different periods, disciplines, and genres, it conveys both the uniqueness and the transnational significance of German ecological thought. |
| battle of teutoburg forest painting: German Art in the 20th Century Werner Becker, Royal Academy of Arts (Great Britain), 1985 Udgivet i forbindelse med udstilling på Royal Academy of Arts i London |
| battle of teutoburg forest painting: In the Beginning Was the Image David H. Price, 2020-11-20 This pioneering study focuses on the decisive contributions of the three leading artists of the Northern Renaissance--Albrecht Dürer, Lucas Cranach the Elder, and Hans Holbein the Younger--to the printed Bible and to the transformation of ecclesiastical art in the Protestant Reformation. A time of artistic and theological revolution, the Renaissance and Reformation also witnessed a visual reformation of the Bible. In David H. Price's new interpretation, these artists emerge as major reformers in their own right who created a dynamic and innovative visual culture of biblicism. In the Beginning Was the Image explicitly addresses a key paradox of the Bible's new cultural status: as divergent Bible editions and translations shattered the unity of Christianity, new artistic approaches arose to accommodate theological and textual diversity. Rulers and theologians produced new Bibles as foundations for transformative socio-political movements, and their success, according to Price's compelling research, depended on the inventiveness and creativity of these artists. Written in a style designed to be accessible to a broad range of readers, Price's richly nuanced study explores the art of Dürer, Cranach, and Holbein and the biblical iconographies they developed to connect the new biblicism to faith and political authority. |
| battle of teutoburg forest painting: Early Germanic Literature and Culture Brian Murdoch, Malcolm Kevin Read, 2004 A collection of fresh essays examining the wide scope and significance of early Germanic culture and literature. The first volume of this set views the development of writing in German with respect to broad aspects of the early Germanic past, drawing on a range of disciplines including archaeology, anthropology, and philology in addition toliterary history. The first part considers the whole concept of Germanic antiquity and the way in which it has been approached, examines classical writings about Germanic origins and the earliest Germanic tribes, and looks at thetwo great influences on the early Germanic world: the confrontation with the Roman Empire and the displacement of Germanic religion by Christianity. A chapter on orality -- the earliest stage of all literature -- provides a bridgeto the earliest Germanic writings. The second part of the book is devoted to written Germanic -- rather than German -- materials, with a series of chapters looking first at the Runic inscriptions, then at Gothic, the first Germanic language to find its way onto parchment (in Ulfilas's Bible translation). The topic turns finally to what we now understand as literature, with general surveys of the three great areas of early Germanic literature: Old Norse, Old English, and Old High and Low German. A final chapter is devoted to the Old Saxon Heliand. Contributors: T. M. Andersson, Heinrich Beck, Graeme Dunphy, Klaus Düwel, G. Ronald Murphy, Adrian Murdoch, Brian Murdoch, Rudolf Simek, Herwig Wolfram. Brian Murdoch and Malcolm Read both teach in the German Department of the University of Stirling in Scotland. |
| battle of teutoburg forest painting: Clara Schumann Studies Joe Davies, 2021-12-02 Develops a holistic and gender-aware understanding of Clara Schumann as pianist, composer and teacher in nineteenth-century Germany. |
| battle of teutoburg forest painting: After the Nazis Michael H. Kater, 2023-09-26 A wide-ranging, insightful history of culture in West Germany—from literature, film, and music to theater and the visual arts After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period’s progressive ideals. In this moment of cultural stasis, how could West Germany’s artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen’s innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past—and eventually allow democracy to reemerge. |
| battle of teutoburg forest painting: The Art Journal , 1851 |
| battle of teutoburg forest painting: The art journal London , 1851 |
| battle of teutoburg forest painting: Franz Schubert Graham Johnson, 2014-12-16 This three-volume boxed set is the definitive work on Franz Schubert’s vocal music with piano. A richly illustrated encyclopedia, these substantial volumes contain more than seven hundred song commentaries with parallel text and translations (by Richard Wigmore), detailed annotations on the songs’ poetic sources, and biographies of one hundred and twenty poets, as well as general articles on accompaniment, tonality, transcriptions, singers, and more. Written by Graham Johnson—celebrated accompanist, author, and the first pianist ever to record all of Schubert’s songs and part-songs—this sumptuous work is a must for performers, scholars, and all lovers of Schubert lieder. |
| battle of teutoburg forest painting: Literary Gazette and Journal of Belles Lettres, Arts, Sciences, &c , 1851 |
| battle of teutoburg forest painting: The Classic Myths in English Literature and in Art, Based Originally on Bulfinch's "Age of Fable" (1855) Charles Mills Gayley, 1995 An illustrated anthology of classical myths, based on Bulfinch's nineteenth-century Age of Fable, examining myths of divinities and heroes, and including commentary. |
| battle of teutoburg forest painting: 19th-century Art Národní galerie v Praze, Tomáš Hladík, 2002 |
| battle of teutoburg forest painting: History in Mighty Sounds Barbara Eichner, 2012 An indispensable study of nineteenth-century German music, history and nationalism. Music played a central role in the self-conception of middle-class Germans between the March Revolution of 1848 and the First World War. Although German music was widely held to be 'universal' and thus apolitical, it participated- like the other arts - in the historicist project of shaping the nation's future by calling on the national heritage. Compositions based on - often heavily mythologised - historical events and heroes, such as the Battle of the Teutoburg Forest or the medieval Emperor Barbarossa, invited individual as well as collective identification and brought alive a past that compared favourably with contemporary conditions. History in Mighty Sounds mapsout a varied picture of these 'invented traditions' and the manifold ideas of 'Germanness' to which they gave rise, exemplified through works by familiar composers like Max Bruch or Carl Reinecke as well as their nowadays little-known contemporaries. The whole gamut of musical genres, ranging from pre- and post-Wagnerian opera to popular choruses to symphonic poems, contributes to a novel view of the many ways in which national identities were constructed, shaped and celebrated in and through music. How did artists adapt historical or literary sources to their purpose, how did they negotiate the precarious balance of aesthetic autonomy and political relevance, and how did notions of gender, landscape and religion influence artistic choices? All musical works are placed within their broader historical and biographical contexts, with frequent nods to other arts and popular culture. History in Mighty Sounds will be indispensable reading for anyone interested in nineteenth-century German music, history and nationalism. Barbara Eichner is Senior Lecturer in Musicology at Oxford Brookes University. |
| battle of teutoburg forest painting: Art of Rome, Etruria, and Magna Graecia German Hafner, 1969 |
| battle of teutoburg forest painting: Postmodern Studies , 2008 |
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