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| battle los angeles 1940: Benjamin "Bugsy" Siegel Larry D. Gragg, 2015-01-16 This intriguing biography recounts the life of the legendary Benjamin Bugsy Siegel, revealing his true role in the development of Las Vegas and debunking some of the common myths about his notoriety. This account of the life of Benjamin Bugsy Siegel follows his beginnings in the Lower East Side of New York to his role in the development of the famous Flamingo Hotel and Casino. Larry D. Gragg examines Siegel's image as portrayed in popular culture, dispels the myths about Siegel's contribution to the founding of Las Vegas, and reveals some of the more lurid details about his life. Unlike previous biographies, this book is the first to make use of more than 2,400 pages of FBI files on Siegel, referencing documents about the reputed gangster in the New York City Municipal Archives and reviewing the 1950–51 testimony before the Senate Committee on organized crime. Chapters cover his early involvement with gangs in New York, his emergence as a favorite among the Hollywood elite in the late 1930s, his lucrative exploits in illegal gambling and horse racing, and his opening of the fabulous Flamingo in 1946. The author also draws upon the recollections of Siegel's eldest daughter to reveal a side of the mobster never before studied—the nature of his family life. |
| battle los angeles 1940: The Making of Zoot Suiters in Early 1940s Mexican Los Angeles David Alfonso-José Rojas, 2001 |
| battle los angeles 1940: Peter Arno Michael Maslin, 2016-04-19 The incredible, wild life of Peter Arno, the fabled cartoonist whose racy satire and bold visuals became the unforgiving mirror of his times and the foundation of the New Yorker cartoon. In the summer of 1925, The New Yorker was struggling to survive its first year in print. They took a chance on a young, indecorous cartoonist who was about to give up his career as an artist. His name was Peter Arno, and his witty social commentary, blush-inducing content, and compositional mastery brought a cosmopolitan edge to the magazine’s pages—a vitality that would soon cement The New Yorker as one of the world’s most celebrated publications. Alongside New Yorker luminaries such as E.B. White, James Thurber, and founding editor Harold Ross, Arno is one of the select few who made the magazine the cultural touchstone it is today. In this intimate biography of one of The New Yorker’s first geniuses, Michael Maslin dives into Arno’s rocky relationship with the magazine, his fiery marriage to the columnist Lois Long, and his tabloid-cover altercations involving pistols, fists, and barely-legal debutantes. Maslin invites us inside the Roaring Twenties’ cultural swirl known as Café Society, in which Arno was an insider and observant outsider, both fascinated and repulsed by America’s swelling concept of “celebrity.” Through a nuanced constellation of Arno’s most defining experiences and escapades that inspired his work in the pages of The New Yorker, Maslin explores the formative years of the publication and its iconic cartoon tradition. In tandem, he traces the shifting gradations of Arno’s brushstrokes and characters over the decades—all in light of the cultural upheavals that informed Arno’s sardonic humor. In this first-ever portrait of America’s seminal cartoonist, we finally come eye-to-eye with the irreverent spirit at the core of theNew Yorker cartoon—a genre in itself—and leave with no doubt as to how and why this genre came to be embraced by the masses as a timeless reflection of ourselves. |
| battle los angeles 1940: Armed Jews in the Americas Raanan Rein, David M.K. Sheinin, 2021-07-05 A Jewish weapons manufacturer during the American Civil War, a Jewish-Canadian chair of the Metropolitan Toronto Police Board, and Jewish-Argentine guerrilla fighters—these are some of the individuals discussed in this first-of-its-kind volume. It brings together some of the best new works on armed Jews in the Americas. Links between Jews and their ties to weapons are addressed through multiple cultural, political, social, and ideological contexts, thus breaking down longstanding, stilted myths in many societies about Jews and weaponry. Anti-Semitism and Jewish self-defense, Jewish volunteers in the Spanish Civil War and in the 1948 Arab-Israeli war, and Jewish-American gangsters as ethnic heroes form part of the little-researched topic of Jews and arms in the Americas. |
| battle los angeles 1940: A Blueprint for War Susan Dunn, 2018-01-01 One hundred days that set the stage for the American Century |
| battle los angeles 1940: Creating the Illusion Jay Jorgensen, Donald L. Scoggins, Turner Classic Movies, 2015-10-06 Marilyn Monroe made history by standing over a subway grating in a white pleated halter dress designed by William Travilla. Hubert de Givenchy immortalized the Little Black Dress with a single opening scene in Breakfast at Tiffany's. A red nylon jacket signaled to audiences that James Dean was a Rebel Without a Cause. For more than a century, costume designers have left indelible impressions on moviegoers' minds. Yet until now, so little has been known about the designers themselves and their work to complement and enrich stories through fashion. Creating the Illusion presents the history of fashion on film, showcasing not only classic moments from film favorites, but a host of untold stories about the creative talent working behind the scenes to dress the stars from the silent era to the present day. Among the book's sixty-five designer profiles are Clare West, Howard Greer, Adrian, Walter Plunkett, Travis Banton, Irene, Edith Head, Cecil Beaton, Bob Mackie, and Colleen Atwood. The designers' stories are set against the backdrop of Hollywood: how they collaborated with great movie stars and filmmakers; how they maneuvered within the studio system; and how they came to design clothing that remains iconic decades after its first appearance. The array of films discussed and showcased through photos spans more than one hundred years, from draping Rudolph Valentino in exotic sheik dress to the legendary costuming of Gone with the Wind, Alfred Hitchcock thrillers, Bonnie and Clyde, Reservoir Dogs, and beyond. This gloriously illustrated volume includes candid photos of the designers at work, portraits and wardrobe tests of stars in costume, and designer sketches. Drawing from archival material and dozens of new interviews with award-winning designers, authors Jay Jorgensen and Donald L. Scoggins offer a highly informative, lavish, and entertaining history of Hollywood costume design. About TCM: Turner Classic Movies is the definitive resource for the greatest movies of all time. It engages, entertains, and enlightens to show how the entire spectrum of classic movies, movie history, and movie-making touches us all and influences how we think and live today. |
| battle los angeles 1940: Against Labor Rosemary Feurer, Chad Pearson, 2017-03-21 Against Labor highlights the tenacious efforts by employers to organize themselves as a class to contest labor. Ranging across a spectrum of understudied issues, essayists explore employer anti-labor strategies and offer incisive portraits of people and organizations that aggressively opposed unions. Other contributors examine the anti-labor movement against a backdrop of larger forces, such as the intersection of race and ethnicity with anti-labor activity, and anti-unionism in the context of neoliberalism. Timely and revealing, Against Labor deepens our understanding of management history and employer activism and their metamorphic effects on workplace and society. Contributors: Michael Dennis, Elizabeth Esch, Rosemary Feurer, Dolores E. Janiewski, Thomas A. Klug, Chad Pearson, Peter Rachleff, David Roediger, Howard Stanger, and Robert Woodrum. |
| battle los angeles 1940: Planet Utopia Mark Featherstone, 2017-02-17 It has become clear that utopian thought has returned to the political scene. Featherstone traces the history of utopia and also discusses a number of contemporary case studies. This examination of the nature of utopian politics in the twenty-first century will be essential reading for political scientists and sociologists. |
| battle los angeles 1940: Just Remember This Colin Bratkovich, 2014-05-08 I have completed this manuscript Just Remember This, or as American Pop Singers 1900-1950+, about music before the 1950s in America. It perhaps offers knowledge and insights not previously found in other musical reference books. I have moreover been working on this book very meticulously over the past twelve-plus years. It started as a bit of fun and gradually became serious as I began to listen along with the vocalists of popular music, of the era before 1950, essentially just before the dawn of rock and roll. If you can call it that! Indeed genre and labeling of American music started here, and then from everywhere. While the old adage of always starting from somewhere could be noted in every century, the 1900s had produced the technology. Understanding the necessity, more so, finds a curiosity on the part of a general public hungry for entertainment, despite 6 day work weeks, World War I, the Great Depression, and World War II. |
| battle los angeles 1940: Contemporary Military Culture and Strategic Studies Alastair Finlan, 2013-09-02 This book explores and compares the contemporary military cultures of the United States and the United Kingdom. The last decade has witnessed astonishing global events, from 9/11 and military operations in Afghanistan in the same year, to the military intervention in Libya in 2011. Western military forces have been involved in all of these campaigns and have been engaged in continuous military operations for over ten years. It is therefore now apt to focus a spotlight on the military cultures of these state-based armed forces. This book examines how contemporary American and British military culture is formed, focusing explicitly on the six major military institutions. The author dedicates a chapter to each of these institutions with each one sharing a unifying analytical framework. These chapters explore the formation and sustenance of US/UK military culture under the rubric of common themes that include social origins, transformative events, leaders, approaches to war, technology and contemporary identity. To conclude, the book considers the impact of the War on Terror on the military cultures of the US and UK, as well as likely directions for the future. This book will be of much interest to students of military studies, strategic studies, security studies and comparative politics. |
| battle los angeles 1940: The American Imperial Gothic Johan Höglund, 2016-03-16 The imagination of the early twenty-first century is catastrophic, with Hollywood blockbusters, novels, computer games, popular music, art and even political speeches all depicting a world consumed by vampires, zombies, meteors, aliens from outer space, disease, crazed terrorists and mad scientists. These frequently gothic descriptions of the apocalypse not only commodify fear itself; they articulate and even help produce imperialism. Building on, and often retelling, the British ’imperial gothic’ of the late nineteenth century, the American imperial gothic is obsessed with race, gender, degeneration and invasion, with the destruction of society, the collapse of modernity and the disintegration of capitalism. Drawing on a rich array of texts from a long history of the gothic, this book contends that the doom faced by the world in popular culture is related to the current global instability, renegotiation of worldwide power and the American bid for hegemony that goes back to the beginning of the Republic and which have given shape to the first decade of the millennium. From the frontier gothic of Charles Brockden Brown's Edgar Huntly to the apocalyptic torture porn of Eli Roth's Hostel, the American imperial gothic dramatises the desires and anxieties of empire. Revealing the ways in which images of destruction and social upheaval both query the violence with which the US has asserted itself locally and globally, and feed the longing for stable imperial structures, this book will be of interest to scholars and students of popular culture, cultural and media studies, literary and visual studies and sociology. |
| battle los angeles 1940: Gay L.A. Lillian Faderman, Stuart Timmons, 2009-08-03 Charts LA's gay history, from the first missionary encounters with Native American cross-gendered 'two spirits' to cross-dressing frontier women in search of their fortunes, and from the 1960s gay liberation movement to the creation of gay marketing in the 1990s. |
| battle los angeles 1940: Racial Propositions Daniel Martinez HoSang, 2010-10-28 This book looks beyond the headlines to uncover the controversial history of California's ballot measures over the past fifty years. As the rest of the U.S. watched, California voters banned public services for undocumented immigrants, repealed public affirmative action programs, and outlawed bilingual education, among other measures. Why did a state with a liberal political culture, an increasingly diverse populace, and a well-organized civil rights leadership roll back civil rights and anti-discrimination gains? Daniel Martinez HoSang finds that, contrary to popular perception, this phenomenon does not represent a new wave of color-blind policies, nor is a triumph of racial conservatism. Instead, in a book that goes beyond the conservative-liberal divide, HoSang uncovers surprising connections between the right and left that reveal how racial inequality has endured. Arguing that each of these measures was a proposition about the meaning of race and racism, his deft, convincing analysis ultimately recasts our understanding of the production of racial identity, inequality, and power in the postwar era. |
| battle los angeles 1940: The Premature Antifascists John Gerassi, 1986 |
| battle los angeles 1940: Freewaytopia: How Freeways Shaped Los Angeles Paul Haddad, 2021-10-05 Freewaytopia: How Freeways Shaped Los Angeles explores how social, economic, political, and cultural demands created the web of expressways whose very form—futuristic, majestic, and progressive—perfectly exemplifies the City of Angels. From the Arroyo Seco, which began construction during the Great Depression, to the Simi Valley and Century Freeways, which were completed in 1993, author Paul Haddad provides an entertaining and engaging history of the 527 miles of road that comprise the Los Angeles freeway system. Each of Los Angeles’s twelve freeways receives its own chapter, and these are supplemented by “Off-Ramps”—sidebars that dish out pithy factoids about Botts’ Dots, SigAlerts, and all matter of freeway lexicon, such as why Southern Californians are the only people in the country who place the word “the” in front of their interstates, as in “the 5,” or “the 101.” Freewaytopia also explores those routes that never saw the light of day. Imagine superhighways burrowing through Laurel Canyon, tunneling under the Hollywood Sign, or spanning the waters of Santa Monica Bay. With a few more legislative strokes of the pen, you wouldn’t have to imagine them—they’d already exist. Haddad notably gives voice to those individuals whose lives were inextricably connected—for better or worse—to the city’s freeways: The hundreds of thousands of mostly minority and lower-class residents who protested against their displacement as a result of eminent domain. Women engineers who excelled in a man’s field. Elected officials who helped further freeways . . . or stop them dead in their tracks. And he pays tribute to the corps of civic and state highway employees whose collective vision, expertise, and dedication created not just the most famous freeway network in the world, but feats of engineering that, at their best, achieve architectural poetry. Finally, let’s not forget the beauty queens—no freeway in Los Angeles ever opened without their royal presence. |
| battle los angeles 1940: The Greatest Minor League Dennis Snelling, 2019-02-06 In 1903, a small league in California defied Organized Baseball by adding teams in Portland and Seattle to become the strongest minor league of the twentieth century. Calling itself the Pacific Coast League, this outlaw association frequently outdrew its major league counterparts and continued to challenge the authority of Organized Baseball until the majors expanded into California in 1958. The Pacific Coast League introduced the world to Joe, Vince and Dom DiMaggio, Paul and Lloyd Waner, Ted Williams, Tony Lazzeri, Lefty O’Doul, Mickey Cochrane, Bobby Doerr, and many other baseball stars, all of whom originally signed with PCL teams. This thorough history of the Pacific Coast League chronicles its foremost personalities, governance, and contentious relationship with the majors, proving that the history of the game involves far more than the happenings in the American and National leagues. |
| battle los angeles 1940: Martín Ramírez Víctor M. Espinosa, 2015-11-01 Martín Ramírez, a Mexican migrant worker and psychiatric patient without formal artistic training, has been hailed by leading New York art critics as one of the twentieth century’s greatest artists. His work has been exhibited alongside masters such as José Clemente Orozco, Diego Rivera, Rufino Tamayo, Salvador Dalí, Marc Chagall, Paul Klee, and Joan Miró. A landmark exhibition of Ramírez’s work at the American Folk Art Museum in 2007 broke attendance records and garnered praise from major media, including the New York Times, New Yorker, and Village Voice. Martín Ramírez offers the first sustained look at the life and critical reception of this acclaimed artist. Víctor Espinosa challenges the stereotype of outsider art as an indecipherable enigma by delving into Ramírez’s biography and showing how he transformed memories of his life in Mexico, as well as his experiences of displacement and seclusion in the United States, into powerful works of art. Espinosa then traces the reception of Ramírez’s work, from its first anonymous showings in the 1950s to contemporary exhibitions and individual works that have sold for as much as a half-million dollars. This eloquently told story reveals how Ramírez’s three-decades-long incarceration in California psychiatric institutions and his classification as “chronic paranoid schizophrenic” stigmatized yet also protected what his hands produced. Stripping off the labels “psychotic artist” and “outsider master,” Martín Ramírez demonstrates that his drawings are not passive manifestations of mental illness. Although he drew while confined as a psychiatric patient, the formal elements and content of Ramírez’s artwork are shaped by his experiences of cultural and physical displacement. |
| battle los angeles 1940: American World War II Orphans Network , 2005-03 |
| battle los angeles 1940: The Woman in the Zoot Suit Catherine S. Ramírez, 2009-01-16 The Mexican American woman zoot suiter, or pachuca, often wore a V-neck sweater or a long, broad-shouldered coat, a knee-length pleated skirt, fishnet stockings or bobby socks, platform heels or saddle shoes, dark lipstick, and a bouffant. Or she donned the same style of zoot suit that her male counterparts wore. With their striking attire, pachucos and pachucas represented a new generation of Mexican American youth, which arrived on the public scene in the 1940s. Yet while pachucos have often been the subject of literature, visual art, and scholarship, The Woman in the Zoot Suit is the first book focused on pachucas. Two events in wartime Los Angeles thrust young Mexican American zoot suiters into the media spotlight. In the Sleepy Lagoon incident, a man was murdered during a mass brawl in August 1942. Twenty-two young men, all but one of Mexican descent, were tried and convicted of the crime. In the Zoot Suit Riots of June 1943, white servicemen attacked young zoot suiters, particularly Mexican Americans, throughout Los Angeles. The Chicano movement of the 1960s–1980s cast these events as key moments in the political awakening of Mexican Americans and pachucos as exemplars of Chicano identity, resistance, and style. While pachucas and other Mexican American women figured in the two incidents, they were barely acknowledged in later Chicano movement narratives. Catherine S. Ramírez draws on interviews she conducted with Mexican American women who came of age in Los Angeles in the late 1930s, 1940s, and 1950s as she recovers the neglected stories of pachucas. Investigating their relative absence in scholarly and artistic works, she argues that both wartime U.S. culture and the Chicano movement rejected pachucas because they threatened traditional gender roles. Ramírez reveals how pachucas challenged dominant notions of Mexican American and Chicano identity, how feminists have reinterpreted la pachuca, and how attention to an overlooked figure can disclose much about history making, nationalism, and resistant identities. |
| battle los angeles 1940: Asians and Pacific Islanders in American Football Joel S. Franks, San Jose State University, 2018-05-04 This study examines the historical and contemporary experiences of Asian Americans and Pacific Islanders with American football. It analyzes how they have used the sport to maintain a sense of community while encountering racial exclusion, labor exploitation, and colonialism. |
| battle los angeles 1940: Cora Witherspoon Axel Nissen, 2022-04-19 Born into an upper-crust family in New Orleans, Cora Bell Witherspoon (1890-1957) was an orphan by the age of 10 and a professional actress by 15. She was seen on Broadway from 1910 till 1946 in 36 productions and was a popular character actress in Hollywood between 1931 and 1954. On stage she played roles like Sallie McBride in Daddy Long Legs, Josephine Trent in The Awful Truth, Martha Culver in The Constant Wife, Prudence in Camille, and Mrs. Grant in The Front Page. Like many Hollywood supporting players, her screen time was limited. She made the most of it, whether as W.C. Fields's shrewish wife in The Bank Dick, Bette Davis's fair weather friend Carrie in Dark Victory, the earthy, amorous maid Patty in Quality Street, or the overbearing dowager Mrs. Williamson in The Mating Season. On both stage and screen, Witherspoon portrayed a range of stereotypes of older women. In the end, though, she created her own type, incarnating the fashionable, frivolous, flighty, and fawning society woman, often with a thinly veiled libidinous quality. In addition to a detailed account of Witherspoon's theater and film career, this groundbreaking biography reveals her upbringing and family background and discusses her struggle with substance abuse, which resulted in two highly publicized arrests and one conviction. |
| battle los angeles 1940: Made in California Stephanie Barron, Sheri Bernstein, Ilene Susan Fort, 2000 Made in California is divided into five twenty-year sections, each including a narrative essay discussing the history of that era and highlighting topics relevant to its visual culture.--BOOK JACKET. |
| battle los angeles 1940: Catalog of Copyright Entries. Part 1. [B] Group 2. Pamphlets, Etc. New Series Library of Congress. Copyright Office, 1941 |
| battle los angeles 1940: Newshawks in Berlin Larry Heinzerling, Randy Herschaft, 2024-03-05 After the Nazis came to power in Germany in 1933, the Associated Press (AP) brought news about life under the Third Reich to tens of millions of American readers. The AP was America’s most important source for foreign news, but to continue reporting under the Nazi regime the agency made both journalistic and moral compromises. Its reporters and photographers in Berlin endured onerous censorship, complied with anti-Semitic edicts, and faced accusations of spreading pro-Nazi propaganda. Yet despite restrictions, pressures, and concessions, AP’s Berlin “newshawks” provided more than a thousand U.S. newspapers with extensive coverage of the Nazi campaigns to conquer Europe and annihilate the continent’s Jews. Newshawks in Berlin reveals how the Associated Press covered Nazi Germany from its earliest days through the aftermath of World War II. Larry Heinzerling and Randy Herschaft accessed previously classified government documents; plumbed diary entries, letters, and memos; and reviewed thousands of published stories and photos to examine what the AP reported and what it left out. Their research uncovers fierce internal debates about how to report in a dictatorship, and it reveals decisions that sometimes prioritized business ambitions over journalistic ethics. The book also documents the AP’s coverage of the Holocaust and its unveiling. Featuring comprehensive research and a memorable cast of characters, this book illuminates how the dilemmas of reporting on Nazi Germany remain familiar for journalists reporting on authoritarian regimes today. |
| battle los angeles 1940: Catalogue of Copyright Entries ... Library of Congress. Copyright Office, 1939 |
| battle los angeles 1940: The Struggle for the Streets of Berlin Molly Loberg, 2018-03-29 Contests over Berlin's streets in the interwar period reveal the fragility of consumer capitalism, urban order, and liberal democracy. |
| battle los angeles 1940: Dashing to the End Eric Monder, 2025-05-15 Born Alfred Reginald John Truscott-Jones, Welsh American actor Ray Milland (1907–1986) appeared in more than 135 theatrical releases between 1929 and 1985 and on radio, television, and the stage, while also becoming a film director; Milland’s extensive canon across such a period is remarkable, especially considering his lack of formal training, his belated start in show business in his late twenties, and the fact he only lived to age seventy-nine. Perhaps best remembered for his Oscar-winning performance as the tortured alcoholic in Billy Wilder’s The Lost Weekend (1945) or his outstanding collaboration with Alfred Hitchcock in Dial M for Murder (1954), there is much more to Milland’s life and career than the few films that elevated him from star to icon. Despite his prolific and successful career, Dashing to the End: The Ray Milland Story is the first comprehensive biography of the star. Milland’s personal and professional trajectory epitomize quintessential Hollywood lore: the British army soldier-turned-actor who went from unknown, struggling bit player to Oscar-winning star to aging, scandal-haunted “has-been” to comeback character actor to present-day cult figure. Using interviews with Milland’s costars and colleagues, as well as research from several major archives, author Eric Monder brings into sharp relief both the positive and negative aspects of the Hollywood film and television industries and paints a well-rounded portrait of this complex man and artist. |
| battle los angeles 1940: Joe E. Brown Wes D. Gehring, 2006-09-28 As a young boy in the depths of the 1890s depression, Joe E. Brown had a job: making faces at the firemen on passing coal-burning trains so they would throw coal at him. As a child he also worked as a circus acrobat and newsboy. His inventiveness and spunk helped his family get through hard times but also fueled his fascination with entertainment, and he built up a repertoire of rubber-faced expressions and funny antics that would make his stage and screen work memorable. Baseball was a favorite pursuit in his life and thus a recurring theme in his films and skits. In this biography--the first on one of the top film comedians of the 1930s--the reader learns of Joe's challenging childhood and how it prepared him for later screen roles, and how his love of baseball translated into screen successes. His early career in vaudeville is discussed, his work as a Broadway comedian in the Roaring Twenties, his road to movie stardom, and how he parlayed his love of sports into big hits like 1930's Elmer the Great. The year 1935 gets its own chapter; its films are considered the pinnacle of Brown's career, including Alibi Ike, Bright Lights and A Midsummer Night's Dream. The final chapters reveal what happened after he left Warner Bros., including the bittersweet 1940s, when he entertained troops around the globe while mourning a son lost to the war. The book concludes with a comprehensive filmography of his features from 1928 to 1963. |
| battle los angeles 1940: Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office Library of Congress. Copyright Office, 1941 |
| battle los angeles 1940: A Companion to the War Film Douglas A. Cunningham, John C. Nelson, 2016-05-31 A Companion to the War Film contains 27 original essays that examine all aspects of the genre, from the traditional war film, to the new global nature of conflicts, and the diverse formats that war stories assume in today’s digital culture. Includes new works from experienced and emerging scholars that expand the scope of the genre by applying fresh theoretical approaches and archival resources to the study of the war film Moves beyond the limited confines of “the combat film” to cover home-front films, international and foreign language films, and a range of conflicts and time periods Addresses complex questions of gender, race, forced internment, international terrorism, and war protest in films such as Full Metal Jacket, Good Kill, Grace is Gone, Gran Torino, The Messenger, Snow Falling on Cedars, So Proudly We Hail, Tae Guk Gi: The Brotherhood of War, Tender Comrade, and Zero Dark Thirty Provides a nuanced vision of war film that brings the genre firmly into the 21st Century and points the way for exciting future scholarship |
| battle los angeles 1940: Index-catalogue of the Library of the Surgeon General's Office, United States Army (Armed Forces Medical Library). Armed Forces Medical Library (U.S.), National Library of Medicine (U.S.), Library of the Surgeon-General's Office (U.S.), 1955 Collection of incunabula and early medical prints in the library of the Surgeon-general's office, U.S. Army: Ser. 3, v. 10, p. 1415-1436. |
| battle los angeles 1940: Negotiating Performance Diana Taylor, Juan Villegas Morales, 1994 In Negotiating Performance, major scholars and practitioners of the theatrical arts consider the diversity of Latin American and U. S. Latino performance: indigenous theater, performance art, living installations, carnival, public demonstrations, and gender acts such as transvestism. By redefining performance to include such events as Mayan and AIDS theater, the Mothers of the Plaza de Mayo, and Argentinean drag culture, this energetic volume discusses the dynamics of Latino/a identity politics and the sometimes discordant intersection of gender, sexuality, and nationalisms. The Latin/o America examined here stretches from Patagonia to New York City, bridging the political and geographical divides between U.S. Latinos and Latin Americans. Moving from Nuyorican casitas in the South Bronx, to subversive street performances in Buenos Aires, to border art from San Diego/Tijuana, this volume negotiates the borders that bring Americans together and keep them apart, while at the same time debating the use of the contested term Latino/a. In the emerging dialogue, contributors reenvision an inclusive América, a Latin/o America that does not pit nationality against ethnicity--in other words, a shared space, and a home to all Latin/o Americans. Negotiating Performance opens up the field of Latin/o American theater and performance criticism by looking at performance work by Mayans, women, gays, lesbians, and other marginalized groups. In so doing, this volume will interest a wide audience of students and scholars in feminist and gender studies, theater and performance studies, and Latin American and Latino cultural studies. Contributors. Judith Bettelheim, Sue-Ellen Case, Juan Flores, Jean Franco, Donald H. Frischmann, Guillermo Gómez-Peña, Jorge Huerta, Tiffany Ana López, Jacqueline Lazú, María Teresa Marrero, Cherríe Moraga, Kirsten F. Nigro, Patrick O'Connor, Jorge Salessi, Alberto Sandoval, Cynthia Steele, Diana Taylor, Juan Villegas, Marguerite Waller |
| battle los angeles 1940: Handbook for the Amateur UFO Investigator Brian D. Parsons, 2017-07-06 The Handbook for the Amateur UFO Investigator explores the historical and cultural side of UFOs as it ties into our current beliefs in UFO and related experiences. From there it pulls back the curtain to reveal some of the logical explanations behind an overwhelming majority of UFO sightings. This book provides a balanced view of Unidentified Flying Objects and attempts to arm the reader with a skeptical mind and an eye for detail. A thorough interviewing methodology, basic investigation and research methods, as well as a variety of additional resources will help get you started on your way to becoming a successful UFO researcher and investigator. |
| battle los angeles 1940: Catalog of Copyright Entries , 1941 |
| battle los angeles 1940: Making a Non-White America Allison Varzally, 2008-04-02 The stories in Varzally's book are great, and they drive the analysis, which really does tell us a lot about how people form interracial relationships and how interethnic coalitions–indeed, how races–are formed in the everyday reality of people's experiences. –Paul Spickard, author of Almost All Aliens: Immigration, Race, and Colonialism in American History and Identity Most important among its contributions, this book points towards a broad reconceptualization of America's past that incorporates the various cultural communities of the United States, not as subordinate actors in an Anglo-centric narrative, but as equal participants in our nation's history. –Mark Wild, author of Street Meeting: Multiethnic Neighborhoods in Early Twentieth Century Los Angeles |
| battle los angeles 1940: Democracy's Data Dan Bouk, 2022-08-23 ONE OF THE NEW YORK TIMES BOOK REVIEW'S 100 NOTABLE BOOKS OF 2022 From the historian Dan Bouk, a lesson in reading between the lines of the U.S. census to uncover the stories behind the data. The census isn’t just a data-collection process; it’s a ritual, and a tool, of American democracy. Behind every neat grid of numbers is a collage of messy, human stories—you just have to know how to read them. In Democracy’s Data, the data historian Dan Bouk examines the 1940 U.S. census, uncovering what those numbers both condense and cleverly abstract: a universe of meaning and uncertainty, of cultural negotiation and political struggle. He introduces us to the men and women employed as census takers, bringing us with them as they go door to door, recording the lives of their neighbors. He takes us into the makeshift halls of the Census Bureau, where hundreds of civil servants, not to mention machines, labored with pencil and paper to divide and conquer the nation’s data. And he uses these little points to paint bigger pictures, such as of the ruling hand of white supremacy, the place of queer people in straight systems, and the struggle of ordinary people to be seen by the state as they see themselves. The 1940 census is a crucial entry in American history, a controversial dataset that enabled the creation of New Deal era social programs, but that also, with the advent of World War Two, would be weaponized against many of the citizens whom it was supposed to serve. In our age of quantification, Democracy’s Data not only teaches us how to read between the lines but gives us a new perspective on the relationship between representation, identity, and governance today. |
| battle los angeles 1940: Catalog of Copyright Entries. Part 1. [C] Group 3. Dramatic Composition and Motion Pictures. New Series Library of Congress. Copyright Office, 1941 |
| battle los angeles 1940: The Magnificent Max Baer Colleen Aycock, David W. Wallace, 2018-08-20 Boxing might not have survived the 1930s if not for Max Baer. A contender for every heavyweight championship 1932-1941, California's Glamour Boy brought back the million-dollar gate not seen since the 1920s. His radio voice sold millions of Gillette razor blades; his leading-man appeal made him a heartthrob in The Prizefighter and the Lady (1933). The film was banned in Nazi Germany--Baer had worn a Star of David on his trunks when he TKOed German former champ Max Schmeling. Baer defeated 275-pound Primo Carnera in 1934 for the championship, losing it to Jim Braddock the next year. Contrary to Cinderella Man, (2005), Baer--favored 10 to 1--was not a villain and the fight was more controversial than the film suggested. His battle with Joe Louis three months later drew the highest gate of the decade. This first comprehensive biography covers Baer's complete ring record, his early life, his career on radio, film, stage and television, and his World War II army service. |
| battle los angeles 1940: C.R.I.S.: United States history , 1977 |
| battle los angeles 1940: The Moguls and the Dictators David Welky, 2008 This author's analytical approach will be appreciated by historians as well as film buffs. He examines Hollywood's response to the rise of fascism and the beginning of the Second World War. Welky traces the shifting motivations and arguments of the film industry, politicians, and the public as they negotiated how or whether the silver screen would portray certain wartime attributes. |
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Jul 24, 2012 · The Battle of Johnsonville was fought November 4–5, 1864, in Benton County, Tennessee and Humphreys County, Tennessee, during the American Civil War. Confederate …
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Oct 30, 2018 · The Battle of Williamsburg, by Julian Scott... featuring General Hancock, at left.... View attachment 548282 Among the slain, was Colonel George T. Ward of the 2nd Florida …
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Nov 8, 2018 · I never trust union accounts when they talk about the number of confederate dead left on a battlefield. I learned this by studying the battle of pilot knob, Missouri, September 27, …
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About us. At Battlelog.co, we offer high quality game enhancements. We ensure the highest quality through in-depth development, testing and maintenance.
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When it comes to Warzone, the effectiveness of your hacks is only half the battle. The real challenge lies in staying undetected and keeping your account safe. At Battlelog, we specialize …
The Battle of Williamsburg - American Civil War Forums
a battle there which ultimately allowed the Confederates to reach Richmond before McClellan. This thesis briefly outlines the events of the Civil War leading up to the Battle of Williamsburg, …
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It's great when it works. Followed all steps and even contact Chat 24/7 twice and both times the team member were brilliant, polite and professional The issues with strike is that when you …
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Updated; Apex Cronos uploaded new loader - 10/06/2025 - 7:24 CET; R6 Fang set to working - 11/06/2025 - 09:44 CET
Battle of Johnsonville, TN | Period Photos & Examinations
Jul 24, 2012 · The Battle of Johnsonville was fought November 4–5, 1864, in Benton County, Tennessee and Humphreys County, Tennessee, during the American Civil War. Confederate …
The Battle of Williamsburg | Eastern Theater
Oct 30, 2018 · The Battle of Williamsburg, by Julian Scott... featuring General Hancock, at left.... View attachment 548282 Among the slain, was Colonel George T. Ward of the 2nd Florida …
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Aug 15, 2020 · It's great when it works. Followed all steps and even contact Chat 24/7 twice and both times the team member were brilliant, polite and professional The issues with strike is that …
Battle Summaries - American Civil War Forums
Oct 27, 2020 · This collection of Civil War Battle Summaries were originally researched and written by Dale E. Floyd and David W. Lowe, staff members of the Civil War Sites Advisory …
Confederate Casualties in the Battle of Atlanta
Nov 8, 2018 · I never trust union accounts when they talk about the number of confederate dead left on a battlefield. I learned this by studying the battle of pilot knob, Missouri, September 27, …
