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| benjamin moore harlem: Richard B. Moore, Caribbean Militant in Harlem Richard Benjamin Moore, 1988 [This] critical edition of a selection of Richard B. Moore's essays closes one more gap in the astonishing history of twentieth-century Afro-American nationalism. -- Journal of American History This first collection of Moore's writings... [is] a welcome and important contribution to scholarship concerned with the political and intellectual history of African peoples in general and of African peoples in the Americas, in particular.... an inspiration to those who follow after to study and emulate his life and achievement. -- Journal of American Ethnic History |
| benjamin moore harlem: Encyclopedia of the Harlem Renaissance Cary D. Wintz, Paul Finkelman, 2012-12-06 From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. For a full list of entries, contributors, and more, visit the Encyclopedia of Harlem Renaissance website. |
| benjamin moore harlem: Prose to the People Katie Mitchell, 2025-04-08 A stunning visual homage to Black bookstores, featuring a selection of shops around the country alongside essays that celebrate the history, community, activism, and culture these spaces embody, with an original foreword by Nikki Giovanni. Black literature is perhaps the most powerful, polarizing force in the modern American zeitgeist. Today—as Black novels draw authoritarian ire, as Black memoirs shape public debates, as Black polemics inspire protest petitions—it’s more important than ever to highlight the places that center these stories: Black bookstores. Traversing teeming metropolises and tiny towns, Prose to the People explores a these spaces, chronicling these Black bookstore's past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader’s road trip companion to the world of Black books. Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, Prose to the People is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography. Interspersed throughout are essays, poems, and interviews by New York Times bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores' role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community. |
| benjamin moore harlem: Encyclopedia of the Harlem Renaissance: K-Y Cary D. Wintz, Paul Finkelman, 2004 An interdisciplinary look at the Harlem Renaissance, it includes essays on the principal participants, those who defined the political, intellectual and cultural milieu in which the Renaissance existed; on important events and places. |
| benjamin moore harlem: CMJ New Music Report , 2002-10-28 CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success. |
| benjamin moore harlem: The Marcus Garvey and Universal Negro Improvement Association Papers, Vol. II Marcus Garvey, 1983-11-04 Africa for the Africans was the name given in Africa to the extraordinary black social protest movement led by Jamaican Marcus Mosiah Garvey (1887-1940). Volumes I-VII of the Marcus Garvey and Universal Negro Improvement Association Papers chronicled the Garvey movement that flourished in the United States during the 1920s. Now, the long-awaited African volumes of this edition (Volumes VIII and IX and a forthcoming Volume X) demonstrate clearly the central role Africans played in the development of the Garvey phenomenon. The African volumes provide the first authoritative account of how Africans transformed Garveyism from an external stimulus into an African social movement. They also represent the most extensive collection of documents ever gathered on the early African nationalism of the inter-war period. Here is a detailed chronicle of the spread of Garvey's call for African redemption throughout Africa and the repressive colonial responses it engendered. Volume VIII begins in 1917 with the little-known story of the Pan-African commercial schemes that preceded Garveyism and charts the early African reactions to the UNIA. Volume IX continues the story, documenting the establishment of UNIA chapters throughout Africa and presenting new evidence linking Garveyism and nascent Namibian nationalism. |
| benjamin moore harlem: Communists in Harlem During the Depression Mark Naison, 2005 Winner of the Ralph Bunche Award, American Political Science Association No socialist organization has ever had a more profound effect on black life than the Communist Party did in Harlem during the Depression. Mark Naison describes how the party won the early endorsement of such people as Adam Clayton Powell Jr. and how its support of racial equality and integration impressed black intellectuals, including Richard Wright, Langston Hughes, and Paul Robeson. This meticulously researched work, largely based on primary materials and interviews with leading black Communists from the 1930s, is the first to fully explore this provocative encounter between whites and blacks. It provides a detailed look at an exciting period of reform, as well as an intimate portrait of Harlem in the 1920s and 30s, at the high point of its influence and pride. |
| benjamin moore harlem: A History of Conversion to Islam in the United States, Volume 2 Patrick D. Bowen, 2017-09-11 In A History of Conversion to Islam in the United States, Volume 2: The African American Islamic Renaissance, 1920-1975 Patrick D. Bowen offers an in-depth account of African American Islam as it developed in the United States during the fifty-five years that followed World War I. Having been shaped by a wide variety of intellectual and social influences, the ‘African American Islamic Renaissance’ appears here as a movement that was characterized by both great complexity and diversity. Drawing from a wide variety of sources—including dozens of FBI files, rare books and periodicals, little-known archives and interviews, and even folktale collections—Patrick D. Bowen disentangles the myriad social and religious factors that produced this unprecedented period of religious transformation. |
| benjamin moore harlem: CMJ New Music Report , 2002-11-04 CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success. |
| benjamin moore harlem: In Defense of Housing Peter Marcuse, David Madden, 2024-08-27 In every major city in the world there is a housing crisis. How did this happen and what can we do about it? Everyone needs and deserves housing. But today our homes are being transformed into commodities, making the inequalities of the city ever more acute. Profit has become more important than social need. The poor are forced to pay more for worse housing. Communities are faced with the violence of displacement and gentrification. And the benefits of decent housing are only available for those who can afford it. In Defense of Housing is the definitive statement on this crisis from leading urban planner Peter Marcuse and sociologist David Madden. They look at the causes and consequences of the housing problem and detail the need for progressive alternatives. The housing crisis cannot be solved by minor policy shifts, they argue. Rather, the housing crisis has deep political and economic roots—and therefore requires a radical response. |
| benjamin moore harlem: New-York: Past, Present, and Future Ezekiel Porter Belden, 1849 |
| benjamin moore harlem: CMJ New Music Report , 2002-11-18 CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success. |
| benjamin moore harlem: New-York Ezekiel Porter Belden, 1849 |
| benjamin moore harlem: Encyclopedia of the African Diaspora Carole Boyce Davies, 2008-07-29 The authoritative source for information on the people, places, and events of the African Diaspora, spanning five continents and five centuries. The field of African Diaspora studies is rapidly growing. Until now there was no single, authoritative source for information on this broad, complex discipline. Drawing on the work of over 300 scholars, this encyclopedia fills that void. Now the researcher, from high school level up, can go to a single reference for information on the historical, political, economic, and cultural relations between people of African descent and the rest of the world community. Five hundred years of relocation and dislocation, of assimilation and separation have produced a rich tapestry of history and culture into which are woven people, places, and events. This authoritative, accessible work picks out the strands of the tapestry, telling the story of diverse peoples, separated by time and distance, but retaining a commonality of origin and experience. Organized in A–Z sections covering global topics, country of origin, and destination country, the work is designed for easy use by all. |
| benjamin moore harlem: Harlem's Rattlers and the Great War Jeffrey T. Sammons, John H. Morrow, Jr., 2015-09-26 When on May 15, 1918 a French lieutenant warned Henry Johnson of the 369th to move back because of a possible enemy raid, Johnson reportedly replied: I'm an American, and I never retreat. The story, even if apocryphal, captures the mythic status of the Harlem Rattlers, the African-American combat unit that grew out of the 15th New York National Guard, who were said to have never lost a man to capture or a foot of ground that had been taken. It also, in its insistence on American identity, points to a truth at the heart of this book--more than fighting to make the world safe for democracy, the black men of the 369th fought to convince America to live up to its democratic promise. It is this aspect of the storied regiment's history--its place within the larger movement of African Americans for full citizenship in the face of virulent racism--that Harlem's Rattlers and the Great War brings to the fore. With sweeping vision, historical precision, and unparalleled research, this book will stand as the definitive study of the 369th. Though discussed in numerous histories and featured in popular culture (most famously the film Stormy Weather and the novel Jazz), the 369th has become more a matter of mythology than grounded, factually accurate history--a situation that authors Jeffrey T. Sammons and John H. Morrow, Jr. set out to right. Their book--which eschews the regiment's famous nickname, the Harlem Hellfighters, a name never embraced by the unit itself--tells the full story of the self-proclaimed Harlem Rattlers. Combining the fighting focus of military history with the insights of social commentary, Harlem's Rattlers and the Great War reveals the centrality of military service and war to the quest for equality as it details the origins, evolution, combat exploits, and postwar struggles of the 369th. The authors take up the internal dynamics of the regiment as well as external pressures, paying particular attention to the environment created by the presence of both black and white officers in the unit. They also explore the role of women--in particular, the Women's Auxiliary of the 369th--as partners in the struggle for full citizenship. From its beginnings in the 15th New York National Guard through its training in the explosive atmosphere in the South, its singular performance in the French army during World War I, and the pathos of postwar adjustment--this book reveals as never before the details of the Harlem Rattlers' experience, the poignant history of some of its heroes, its place in the story of both World War I and the African American campaign for equality--and its full i |
| benjamin moore harlem: Silent History Dr. Gregory Hinds, 2025-03-07 This book illuminates the often overlooked contributions of Black figures throughout history, from ancient African civilizations to contemporary movements like Black Lives Matter. By weaving together narratives of resilience, resistance, and excellence, it highlights significant yet underrepresented individuals and events that shaped not only Black history but the broader human experience. The exploration begins with the rich legacies of ancient African civilizations, such as the kingdom of Mali and the Great Zimbabwe, showcasing leaders like Mansa Musa, whose wealth and wisdom influenced global trade networks (Levtzion and Hopkins 2000). As the narrative transitions to the transatlantic slave trade, it unearths the stories of enslaved Africans who resisted their subjugation, exemplified by figures like Olaudah Equiano, whose autobiography brought awareness to the horrors of slavery (Equiano 1789). The book further examines Black military contributions, emphasizing the valor of soldiers in the Civil War, such as the Fifty-Fourth Massachusetts Regiment, and their crucial roles in shaping the fight for freedom (Horton and Horton 2005). It delves into the antebellum and Civil War periods, highlighting the abolitionist efforts of individuals like Frederick Douglass and Harriet Tubman. The narrative continues through the Great Migration and the Jim Crow era, showcasing the resilience of Black communities and the cultural explosion of the Harlem Renaissance, featuring luminaries like Langston Hughes and Zora Neale Hurston (Lewis 1981). The civil rights movement is presented through the lens of grassroots activism, spotlighting figures like Ella Baker and Bayard Rustin, whose contributions have often been overshadowed by more prominent leaders (Fairclough 2001). In examining international Black history, the book connects local struggles to global movements, emphasizing the Pan-African connections that have influenced social justice efforts worldwide. It concludes by celebrating the ongoing legacy of Black excellence in the arts and sciences, highlighting contemporary figures who continue to break barriers and inspire future generations. By reclaiming these narratives, this book aims to provide a comprehensive understanding of Black history that honors the contributions of individuals who have shaped the past and continue to inspire the future. |
| benjamin moore harlem: The American Aberdeen-Angus Herd Book , 1890 |
| benjamin moore harlem: The Five Books of Van Gross's Kenneth Bruce Van Gross M.D., 2021-11-11 Reawaken, you awoken wokesters and anti-leftist xenophobes, and get your new bible. The Five Books of Van Gross’s focuses hearkens back to the “Middle Aughts” which is the period that included launching weather crusades, being a birther or talking nonsense at Townhall Meetings about healthcare (which is really medical care plus a gym membership, glasses and teeth cleaning); here was the mid-Decade of the Zeroes or the zeros, or zorro, the fox so cunning and free, that epoch from 2003-2007, in that Aughts Decade, that Would've, Could've, Should've Oughts Decade, or as some have called it, That Aughtistic Period (or at least an ADD case) demanding an explanation, couched in brain/mind disturbances via satirical essays. This five-volume set containing nearly 500 humor essays opens with They Shoot Lesbians Don’t They? covering most of 2004, followed by Deep Tricksters-From the Felt Man to the Veep Man-November 2004 to June 2005, the executive branch hunting related extravaganza Duck, It's Dick.. Not me Dick, the Duck, June 2005- March 2006 and is followed by Van Gross Misconduct February 2006 to August 2006 and finally Van Maniac September 2006- March 2007. The urgency for this historic volume draws from where we were in the lead up to where we are. Has political and cultural satire dwindled over the century’s first two decades plus? Hardly. And supporting works (essays and poetry) by Van Gross, MD dating back to the Bill Clinton Style impeachment period and post- Five Books works in pre-print that include the pre-teens to mid teen years constituting the sacred Obama period of carefully manufactured total boredom followed by the culminating late teen epoch of Donald Trump which featured our polarization insanity half decade 2016-2020 highlighted by Impeachments Gone Wild. If the country is not formally institutionalized in padded rooms by 2021, the roaring or throat clearing Jabiden ‘20’s should offer opportunities for millions to hop, skip and jump over to their local bookstore or online outlet for Five Books to buttress the smirk packed absurdity that has become the rule in the dawn of this third millennium since Christ sashayed over hills, dales and water staying vigilant for some upcoming Van Gross, MD masterpiece called the Jabiden Chronicles- Crash and Burn by ’29 or Bust, Seems Like Old Times |
| benjamin moore harlem: American Aberdeen-Angus Herd Book American Angus Association, 1890 |
| benjamin moore harlem: The American Aberdeen-Angus Herd-book American Aberdeen-Angus Breeders' Association, 1890 |
| benjamin moore harlem: Manual of the Board of Education of the City and County of New York New York (N.Y.). Board of Education, 1862 |
| benjamin moore harlem: CMJ New Music Report , 2002-11-25 CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success. |
| benjamin moore harlem: Whose Harlem Is This, Anyway? Shannon King, 2015-07-03 2015 Choice Outstanding Academic Title Winner of the Anna Julia Cooper/CLR James Award for Outstanding Book in Africana Studies presented by the National Council for Black Studies Demonstrates how Harlemite’s dynamic fight for their rights and neighborhood raised the black community’s racial consciousness and established Harlem’s legendary political culture In Whose Harlem Is This, Anyway?, Shannon King vividly uncovers early twentieth century Harlem as an intersection between the black intellectuals and artists who created the New Negro Renaissance and the working class who found fought daily to combat institutionalized racism and gender discrimination in both Harlem and across the city. New Negro activists, such as Hubert Harrison and Frank Crosswaith, challenged local forms of economic and racial inequality in attempts to breakdown the structural manifestations that upheld them. Insurgent stay-at-home black mothers took negligent landlords to court, complaining to magistrates about the absence of hot water and heat in their apartment buildings. Black men and women, propelling dishes, bricks, and other makeshift weapons from their apartment windows and their rooftops, retaliated against hostile policemen harassing blacks on the streets of Harlem. From the turn of the twentieth century to the Great Depression, black Harlemites mobilized around local issues—such as high rents, jobs, leisure, and police brutality—to make their neighborhood an autonomous black community. In Whose Harlem Is This, Anyway?, Shannon King demonstrates how, against all odds, the Harlemite’s dynamic fight for their rights and neighborhood raised the black community’s racial consciousness and established Harlem’s legendary political culture. By the end of the 1920s, Harlem had experience a labor strike, a tenant campaign for affordable rents, and its first race riot. These public forms of protest and discontent represented the dress rehearsal for black mass mobilization in the 1930s and 1940s. By studying blacks' immense investment in community politics, King makes visible the hidden stirrings of a social movement deeply invested in a Black Harlem. Whose Harlem Is This, Anyway? is a vibrant story of the shaping of a community during a pivotal time in American History. |
| benjamin moore harlem: When Harlem Was in Vogue David L. Lewis, 1997-06 Stretching from the close of World War I to immediately after the Depression, the Harlem Renaissance was a time of glorious artistic freedom and intellectual collaboration between black artists and white bohemians of Greenwich village. In his masterful and fascinating study of this era, Lewis takes a daring look at what was considered to be a successful utopian effort at assimilating and validating black culture in white America. photos. |
| benjamin moore harlem: Tied Caribbean Icons samuel nathan, 2011-10-11 Tied Caribbean Icons is the second and last part of two part sequel of individuals from the West Indies who contributed towards the development of the region. |
| benjamin moore harlem: Encyclopedia of African American Religions Larry G. Murphy, J. Gordon Melton, Gary L. Ward, 2013-11-20 Preceded by three introductory essays and a chronology of major events in black religious history from 1618 to 1991, this A-Z encyclopedia includes three types of entries: * Biographical sketches of 773 African American religious leaders * 341 entries on African American denominations and religious organizations (including white churches with significant black memberships and educational institutions) * Topical articles on important aspects of African American religious life (e.g., African American Christians during the Colonial Era, Music in the African American Church) |
| benjamin moore harlem: The College Year-Book and Athletic Record , 1897 |
| benjamin moore harlem: The College Year-book and Athletic Record for the Academic Year, 1896-97 Edwin Emerson, 1896 |
| benjamin moore harlem: Slumming Chad Heap, 2008-11-15 During Prohibition, “Harlem was the ‘in’ place to go for music and booze,” recalled the African American chanteuse Bricktop. “Every night the limousines pulled up to the corner,” and out spilled affluent whites, looking for a good time, great jazz, and the unmatchable thrill of doing something disreputable. That is the indelible public image of slumming, but as Chad Heap reveals in this fascinating history, the reality is that slumming was far more widespread—and important—than such nostalgia-tinged recollections would lead us to believe. From its appearance as a “fashionable dissipation” centered on the immigrant and working-class districts of 1880s New York through its spread to Chicago and into the 1930s nightspots frequented by lesbians and gay men, Slumming charts the development of this popular pastime, demonstrating how its moralizing origins were soon outstripped by the artistic, racial, and sexual adventuring that typified Jazz-Age America. Vividly recreating the allure of storied neighborhoods such as Greenwich Village and Bronzeville, with their bohemian tearooms, rent parties, and “black and tan” cabarets, Heap plumbs the complicated mix of curiosity and desire that drew respectable white urbanites to venture into previously off-limits locales. And while he doesn’t ignore the role of exploitation and voyeurism in slumming—or the resistance it often provoked—he argues that the relatively uninhibited mingling it promoted across bounds of race and class helped to dramatically recast the racial and sexual landscape of burgeoning U.S. cities. Packed with stories of late-night dance, drink, and sexual exploration—and shot through with a deep understanding of cities and the habits of urban life—Slumming revives an era that is long gone, but whose effects are still felt powerfully today. |
| benjamin moore harlem: Jet , 1984-11-12 The weekly source of African American political and entertainment news. |
| benjamin moore harlem: Transcript of the Enrollment Books New York (N.Y.). Board of Elections, 1934 |
| benjamin moore harlem: Hearings United States. Congress. House, 1938 |
| benjamin moore harlem: Paint, Oil and Chemical Review ... , 1899 |
| benjamin moore harlem: Paint, Oil and Drug Review , 1899 |
| benjamin moore harlem: Encyclopedia of the Harlem Renaissance Aberjhani, Sandra L. West, 2003 Presents articles on the period known as the Harlem Renaissance, during which African American artists, poets, writers, thinkers, and musicians flourished in Harlem, New York. |
| benjamin moore harlem: Letters from Langston Langston Hughes, 2016-02-01 Langston Hughes, one of America's greatest writers, was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. Accessible, personal, and inspirational, Hughes’s poems portray the African American community in struggle in the context of a turbulent modern United States and a rising black freedom movement. This indispensable volume of letters between Hughes and four leftist confidants sheds vivid light on his life and politics. Letters from Langston begins in 1930 and ends shortly before his death in 1967, providing a window into a unique, self-created world where Hughes lived at ease. This distinctive volume collects the stories of Hughes and his friends in an era of uncertainty and reveals their visions of an idealized world—one without hunger, war, racism, and class oppression. |
| benjamin moore harlem: City of Islands Tammy L. Brown, 2015-09-02 Tammy L. Brown uses the life stories of Caribbean intellectuals as “windows” into the dynamic history of immigration to New York and the long battle for racial equality in modern America. The majority of the 150,000 black immigrants who arrived in the United States during the first-wave of Caribbean immigration to New York hailed from the English-speaking Caribbean—mainly Jamaica, Barbados, and Trinidad. Arriving at the height of the Industrial Revolution and a new era in black culture and progress, these black immigrants dreamed of a more prosperous future. However, northern-style Jim Crow hindered their upward social mobility. In response, Caribbean intellectuals delivered speeches and sermons, wrote poetry and novels, and created performance art pieces challenging the racism that impeded their success. Brown traces the influences of religion as revealed at Unitarian minister Ethelred Brown's Harlem Community Church and in Richard B. Moore's fiery speeches on Harlem street corners during the age of the “New Negro.” She investigates the role of performance art and Pearl Primus's declaration that “dance is a weapon for social change” during the long civil rights movement. Shirley Chisholm's advocacy for women and all working-class Americans in the House of Representatives and as a presidential candidate during the peak of the Feminist Movement moves the book into more overt politics. Novelist Paule Marshall's insistence that black immigrant women be seen and heard in the realm of American Arts and Letters at the advent of “multiculturalism” reveals the power of literature. The wide-ranging styles of Caribbean campaigns for social justice reflect the expansive imaginations and individual life stories of each intellectual Brown studies. In addition to deepening our understanding of the long battle for racial equality in America, these life stories reveal the powerful interplay between personal and public politics. |
| benjamin moore harlem: The New York and New Jersey Campaign , |
| benjamin moore harlem: Congressional Record United States. Congress, 1876 |
| benjamin moore harlem: Investigation of Un-American Propaganda Activities in the United States United States. Congress. House. Special Committee on Un-American Activities (1938-1944), 1938 |
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Feb 7, 2024 · I just started using Benjamin 4 days ago and have earned $3 thus far by watching ads and connecting my checking account as well as credit cards. I have not cashed out yet. …
I am Benjamin Byron Davis the actor who plays Dutch van der
Sep 2, 2019 · Hi, Benjamin! Thanks for doing this AMA. I recently came across the dialogue where you say to John, "Alone we're just sickly bison, waiting for the wolves," which is such a …
Arborcoat vs Woodluxe : r/Housepainting101 - Reddit
Mar 22, 2024 · Apparently the solid body (640) is the same formula but it does not sound like the case with the rest of the line. There is a Benjamin Moore marketing bus or something coming …
My thoughts on Breaking Benjamin and religion, their overall
Mar 13, 2018 · If you extrapolate meaning from music then you know of the term as above so below. I’ll demonstrate “are we listening to ‘Benjamin Breaking’ or ‘Breaking Benjamin’ either …
Comprehensive tier list for CHIMPS by path, version 40.x : r/btd6
Benjamin is really good on round 98, so in CHIMPS people calculate when to drop him to get syphon funding as late as possible to use it on r98. Reply reply SearPigeon95
FantanoHeads - Reddit
r/fantanoforever: The Internet's Busiest Music Nerd's Subreddit! To me it’s just a 6 or 7/10 but all I seem to see is people saying its masterpiece or album of the decade and basketball shoes is …
Bloons TD 6 - Reddit
r/btd6: For discussion of Bloons TD 6 by Ninja Kiwi with Ninja Kiwi!
FC Inter Milan - Reddit
[OptaJean] 2 - Benjamin Pavard is the first player to score two headed goals in a single game for France since Zinédine Zidane in the 1998 World Cup final. Iconic. x
r/DadJokes - the best (and worst) Dad Jokes on reddit
Welcome! This is a friendly place for those cringe-worthy and (maybe) funny attempts at humour that we call dad jokes. Often (but not always) a verbal or visual pun, if it elicited a snort or face …
The back page of the internet. - Reddit
This subreddit is for the discussion of soccer/football. GIF requests, and threads about betting, video games, surveys, fantasy football, kits, line-ups, buying/selling/trading merchandise or …
