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| billboard top 40 hits 1990: The Billboard Book of Top 40 Hits, 9th Edition Joel Whitburn, 2010-10-05 The Essential Reference Guide to America’s Most Popular Songs and Artists Spanning More than Fifty Years of Music Beginning with Bill Haley & His Comets’ seminal “Rock Around the Clock” all the way up to Lady Gaga and her glammed-out “Poker face,” this updated and unparalleled resource contains the most complete chart information on every artist and song to hit Billboard’s Top 40 pop singles chart all the way back to 1955. Inside, you’ll find all of the biggest-selling, most-played hits for the past six decades. Each alphabetized artist entry includes biographical info, the date their single reached the Top 40, the song’s highest position, and the number of weeks on the charts, as well as the original record label and catalog number. Other sections—such as “Record Holders,” “Top Artists by Decade,” and “#1 Singles 1955-2009”—make The Billboard Book of Top 40 Hits the handiest and most indispensable music reference for record collectors, trivia enthusiasts, industry professionals and pop music fans alike. Did you know? • Beyoncé’s 2003 hit “Crazy in Love” spent 24 weeks in the Top 40 and eight of them in the #1 spot. • Billy Idol has had a total of nine Top 40 hits over his career, the last being “Cradle of Love” in 1990. • Of Madonna’s twelve #1 hits, her 1994 single “Take a Bow” held the spot the longest, for seven weeks—one week longer than her 1984 smash “Like a Virgin.” • Marvin Gaye’s song “Sexual Healing” spent 15 weeks at #3 in 1982, while the same song was #1 on the R&B chart for 10 weeks. • Male vocal group Boyz II Men had three of the biggest chart hits of all time during the 1990s. • The Grateful Dead finally enjoyed a Top 10 single in 1987 after 20 years of touring. • Janet Jackson has scored an impressive 39 Top 40 hits—one more than her megastar brother Michael! |
| billboard top 40 hits 1990: The Billboard Book of Top 40 Hits, 9th Edition Joel Whitburn, 2010-10-05 The Essential Reference Guide to America’s Most Popular Songs and Artists Spanning More than Fifty Years of Music Beginning with Bill Haley & His Comets’ seminal “Rock Around the Clock” all the way up to Lady Gaga and her glammed-out “Poker face,” this updated and unparalleled resource contains the most complete chart information on every artist and song to hit Billboard’s Top 40 pop singles chart all the way back to 1955. Inside, you’ll find all of the biggest-selling, most-played hits for the past six decades. Each alphabetized artist entry includes biographical info, the date their single reached the Top 40, the song’s highest position, and the number of weeks on the charts, as well as the original record label and catalog number. Other sections—such as “Record Holders,” “Top Artists by Decade,” and “#1 Singles 1955-2009”—make The Billboard Book of Top 40 Hits the handiest and most indispensable music reference for record collectors, trivia enthusiasts, industry professionals and pop music fans alike. Did you know? • Beyoncé’s 2003 hit “Crazy in Love” spent 24 weeks in the Top 40 and eight of them in the #1 spot. • Billy Idol has had a total of nine Top 40 hits over his career, the last being “Cradle of Love” in 1990. • Of Madonna’s twelve #1 hits, her 1994 single “Take a Bow” held the spot the longest, for seven weeks—one week longer than her 1984 smash “Like a Virgin.” • Marvin Gaye’s song “Sexual Healing” spent 15 weeks at #3 in 1982, while the same song was #1 on the R&B chart for 10 weeks. • Male vocal group Boyz II Men had three of the biggest chart hits of all time during the 1990s. • The Grateful Dead finally enjoyed a Top 10 single in 1987 after 20 years of touring. • Janet Jackson has scored an impressive 39 Top 40 hits—one more than her megastar brother Michael! |
| billboard top 40 hits 1990: How Hip Hop Became Hit Pop Amy Coddington, 2024-07-26 A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream. The author gratefully acknowledges the AMS 75 PAYS Fund of the American Musicological Society, supported in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. |
| billboard top 40 hits 1990: Rock Music in American Popular Culture III Frank Hoffmann, B Lee Cooper, Wayne S Haney, 2014-02-04 Rock Music in American Popular Culture III: More Rock ’n’Roll Resources explores the fascinating world of rock music and examines how this medium functions as an expression of cultural and social identity. This nostalgic guide explores the meanings and messages behind some of the most popular rock ’n’roll songs that captured the American spirit, mirrored society, and reflected events in our history. Arranged by themes, Rock Music in American Popular Culture III examines a variety of social and cultural topics with related songs, such as: sex and censorship--“Only the Good Die Young” by Billy Joel and “Night Moves” by Bob Seger and The Silver Bullet Band holiday songs--“Rockin’Around the Christmas Tree” by Brenda Lee and “The Christmas Song” by Nat King Cole death--“Leader of the Pack” by The Shangri-Las and “The Unknown Soldier” by The Doors foolish behavior--“When a Man Loves a Woman” by Percy Sledge and “What Kind of Fool” by Barbra Streisand and Barry Gibb jobs and the workplace--“Don’t Stand So Close to Me” by The Police and “Dirty Laundry” by Don Henley military involvements--“Boogie Woogie Bugle Boy” by the Andrews Sisters and “War” by Edwin Starr novelty recordings--“The Purple People Eater” by Sheb Wooley and “Eat It” by Weird Al Yankovic letters and postal images--“P. S. I Love You” by The Beatles and “Return to Sender” by Elvis Presely In addition, a discography and a bibliography after each section give further examples of the themes and resources being discussed, as do extensive lists of print references at the end of the text. |
| billboard top 40 hits 1990: Remixing the Hip-Hop Narrative James Barber, Christian Büschges, Dianne Violeta Mausfeld, Britta Sweers, 2024-09-03 Although hip hop is now a well-established global music genre and cultural form, its history and current impact have not yet been sufficiently studied. The interdisciplinary contributions to this volume address hip hop's historical and regional struggles for representation of race, gender, generation, place, and language, as well as the tension between authenticity and commercialization. Contributors offer approaches to historicizing hip-hop culture, and present new theoretical perspectives and methodological tools for addressing hip hop's global impact. This volume targets not only scholars and students but also resonates with recent public debates about identity politics and cultural appropriation. |
| billboard top 40 hits 1990: The Concise Encyclopedia of American Radio Christopher H. Sterling, Cary O'Dell, 2010-04-12 The Concise Encyclopedia of American Radio is an essential single-volume reference guide to this vital and evolving medium. Comprised of more than 300 entries spanning the invention of radio to the Internet, this refernce work addresses personalities, music genres, regulations, technology, programming and stations, the golden age of radio and other topics relating to radio broadcasting throughout its history. The entries are updated throughout and the volume includes nine new entries on topics ranging from podcasting to the decline of radio. |
| billboard top 40 hits 1990: A Guide to Popular Music Reference Books Gary Haggerty, 1995-09-30 A guide to locating information on popular music and the people who create it, this volume is designed as a desk reference—to locate answers to specific questions and to direct library users to key resources. More than 400 comprehensive titles are carefully annotated, describing content, scope, and special features. The focus is on the musical styles that have developed measurable commercial success through recordings and live performance. Along with academic titles, many important titles from the popular press are included, as well as selected electronic resources. A necessary reference tool for any library, scholar, student, and popular music buff. The work covers bibliographies, indexes, discographies, dictionaries and encyclopedias, biographical resources, directories, almanacs, yearbooks, and guidebooks on styles that include jazz, swing, Tin Pan Alley, country, gospel, blues, rhythm and blues, soul, rockabilly, rock, heavy metal, musical theater, and film music. Its extensive appendices feature discographies and bibliographies of individual artists and ensembles. A detailed index combining authors, titles, and subjects makes cross-referencing easy. The entries are modeled after the immensely useful The Guide to Reference Books. |
| billboard top 40 hits 1990: Billboard , 1998-08-15 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| billboard top 40 hits 1990: Chronology of American Popular Music, 1900-2000 Frank Hoffmann, 2016-05-23 The field of Popular Music Studies is growing, but still lacks some basic reference materials. The Chronology of American Popular Music, 1899-2000 fills this gap by offering a comprehensive overview of the field. It will be a must-own for libraries and individuals interested in this growing field of research. |
| billboard top 40 hits 1990: The New Blue Music Richard J. Ripani, 2006 A study that finds African influences of melody, harmony, rhythm, and form in the top 25 songs from each decade of R&B |
| billboard top 40 hits 1990: Focus On: 100 Most Popular Billboard Mainstream Top 40 (Pop Songs) Number-one Singles Wikipedia contributors, |
| billboard top 40 hits 1990: An Avid's Guide to Sixties Songwriters Peter Dunbavan, 2017-02-28 An essential reference book for sixties music lovers, this encyclopedic overview includes detailed chart statistics and biographical information for eighty songwriters and covers around two thousand songs, some of which are among the greatest ever written. |
| billboard top 40 hits 1990: Another Famous DiMaggio Robert Joseph DiMaggio, 2014-07-08 This book, in its entirety, is dedicated in memory and in honor of my beloved wife Francine Veronica DiMaggio — a very special woman and wife that I was most fortunate and blessed to know and love in my lifetime, wholeheartedly and unconditionally. I'll always love her till the end of time, and because she was very special to me. I love and miss her very much, and she was, still is, and will always be The Love of My Life. We were married for nearly fifty-two wonderful years, and during that period, I always put Francine on a pedestal, because she was a very special person, my best friend and deserved this honor. Robert Joseph DiMaggio Author of Another Famous DiMaggio Website: www.anotherfamousdimaggio.com In this book, author Robert Joseph DiMaggio tells about his fondest dream to follow the footsteps of his famous cousin, Mr. Joe DiMaggio, his adventures and the meaningful journey he lived with the love of his life, Francine. He has always focused more on 'My Message in the Music' project, entitled A Special Tribute to America, including the three special songs he wrote Peace on Earth, Our Missing Children and So Please Give With Me. Also, refer to Mr. DiMaggio's heartfelt Thank You and 3 wishes displayed at the beginning of his book. Another Famous DiMaggio is more than an autobiography. This is an inspiring life story of a man that will change the readers' view about life and motivate them to discover their own purpose in this world. The two most favorite Record Album projects released by RJD Records is A Special Tribute to America, and the second most favorite is the one displayed below. I'm not like my famous cousin, Mr. Joe DiMaggio, one of the Worlds' greatest baseball players of all time, who set some outstanding records, and hitting many home runs, but I'm hitting home runs in the music and entertainment business. God bless you Mr. Joe DiMaggio |
| billboard top 40 hits 1990: Billboard , 1992-08-01 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| billboard top 40 hits 1990: Billboard , 1992-06-13 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| billboard top 40 hits 1990: Eight Days a Week Kenneth Best, 1992 |
| billboard top 40 hits 1990: Alice in Chains: in the Studio Jake Brown, 2011-03-16 According to Billboard Magazine, “in many ways, Alice in Chains was the definitive heavy metal band of the early '90s,” while MTV.com has “placed them among the front ranks of the Seattle-based grunge bands.” All Music Guide would further add that “Alice in Chains were arguably the most metallic of grunge bands, which gave them a definite appeal outside the underground.” As the band grew overnight into Grunge superstars from their initial signing to Columbia Records in 1990, Rolling Stone Magazine would further report that “Alice in Chains was among the biggest to emerge from the grunge scene that spawned Nirvana, Pearl Jam, and Soundgarden.” Going on to produce such genre-defining hits as ‘Man in the Box, Again, Rooster, Angry Chair, Got Me Wrong, and Dirt among their 11 Top 10 hit singles on the Billboard Singles Charts among 19 Billboard Top 40 hits, Alice in Chains would eventually sell 14 million albums worldwide, including two Billboard Top 200 Album Chart # 1 LPs, including ‘Jar of Flies’ and ‘Alice in Chains.’ The band’s critical accolades would further include 6 Grammy Nominations, and an MTV Music Video Award win, and to date, Alice in Chains remains both a critical, commercial and fan favorite! Now, for the first time, within the pages of ‘Alice in Chains: in the Studio,’ fans get the first-hand account of how their favorite AIC hits were written and recorded, recounted via exclusive interviews with band producers including Dave Jerden and Toby Wright, engineers Bryan Calstrom, Ronnie Champagne and others, as well as interview material with band members, etc. A sure-fire hit with AIC listeners old and new, ‘Alice in Chains: in the Studio’ is truly one of a kind, and a must-have for any true Alice in Chains fan! |
| billboard top 40 hits 1990: Focus On: 100 Most Popular American Stage Actresses Wikipedia contributors, |
| billboard top 40 hits 1990: Focus On: 100 Most Popular American Musical Theatre Actresses Wikipedia contributors, |
| billboard top 40 hits 1990: Billboard Hot 100 Charts - The Sixties Joel Whitburn, 1990 Includes alphabetical list of song titles. |
| billboard top 40 hits 1990: Songbooks Eric Weisbard, 2021-04-23 In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre—cultural studies in the form of notes on the fly, on sounds that never cease to change meaning. |
| billboard top 40 hits 1990: Turn on Your Mind Jim DeRogatis, 2003-01-01 (Book). Turn On Your Mind: Four Decades of Great Psychedelic Rock is a history and critical examination of rock's most inventive genre. Whether or not psychedelic drugs played a role (and as many musicians say they've used them as not), psychedelic rock has consistently charted brave new worlds that exist only in the space between the headphones. The history books tell us the music's high point was the Haight-Ashbury scene of 1967, but the genre didn't start in San Francisco, and its evolution didn't end with the Summer of Love. A line can be drawn from the hypnotic drones of the Velvet Underground to the disorienting swirl of My Bloody Valentine; from the artful experiments of the Beatles' Revolver to the flowing, otherworldly samples of rappers P.M. Dawn; from the dementia of the 13th Floor Elevators to the grungy lunacy of the Flaming Lips; and from the sounds and sights at Ken Kesey's '60s Acid Tests to those at present-day raves. Turn On Your Mind is an attempt to connect the dots from the very first groups who turned on, tuned in, and dropped out, to such new-millennial practitioners as Wilco, the Elephant 6 bands, Moby, the Super Furry Animals, and the so-called stoner-rock and ork-pop scenes. |
| billboard top 40 hits 1990: Encyclopedia of Recorded Sound Frank Hoffmann, 2004-11-12 First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company. |
| billboard top 40 hits 1990: Everynight Life Celeste Fraser Delgado, José Esteban Muñoz, 1997 The function of dance in Latin/o American culture is the focus of the essays collected in Everynight Life. The contributors interpret how Latin/o culture expresses itself through dance, approaching the material from the varying perspectives of literary, cultural, dance, performance, queer, and feminist studies. Viewing dance as privileged sites of identity formation and cultural resistance in Latin/o America, Everynight Life translates the motion of bodies into speech, and the gestures of dance into a provocative socio-political grammar. This anthology looks at many modes of dance--including salsa, merengue, cumbia, rumba, mambo, tango, samba, and norteño--as models for the interplay of cultural memory and regional conflict. Barbara Browning's essay on capoeira, for instance, demonstrates how dance has been used as a literal form of resistance, while José Piedra explores the meanings conveyed by women of color dancing the rumba. Pieces such as Gustavo Perez Fírmat's I Came, I Saw, I Conga'd and Jorge Salessi's Medics, Crooks, and Tango Queens illustrate the lively scope of this volume's subject matter. Contributors. Barbara Browning, Celeste Fraser Delgado, Jane C. Desmond, Mayra Santos Febres, Juan Carlos Quintero Herencia, Josh Kun, Ana M. López, José Esteban Muñoz, José Piedra, Gustavo Perez Fírmat, Augusto C. Puleo, David Román, Jorge Salessi, Alberto Sandoval |
| billboard top 40 hits 1990: Top 40 Democracy Eric Weisbard, 2014-11-27 If you drive into any American city with the car stereo blasting, you’ll undoubtedly find radio stations representing R&B/hip-hop, country, Top 40, adult contemporary, rock, and Latin, each playing hit after hit within that musical format. American music has created an array of rival mainstreams, complete with charts in multiple categories. Love it or hate it, the world that radio made has steered popular music and provided the soundtrack of American life for more than half a century. In Top 40 Democracy, Eric Weisbard studies the evolution of this multicentered pop landscape, along the way telling the stories of the Isley Brothers, Dolly Parton, A&M Records, and Elton John, among others. He sheds new light on the upheavals in the music industry over the past fifteen years and their implications for the audiences the industry has shaped. Weisbard focuses in particular on formats—constructed mainstreams designed to appeal to distinct populations—showing how taste became intertwined with class, race, gender, and region. While many historians and music critics have criticized the segmentation of pop radio, Weisbard finds that the creation of multiple formats allowed different subgroups to attain a kind of separate majority status—for example, even in its most mainstream form, the R&B of the Isley Brothers helped to create a sphere where black identity was nourished. Music formats became the one reliable place where different groups of Americans could listen to modern life unfold from their distinct perspectives. The centers of pop, it turns out, were as complicated, diverse, and surprising as the cultural margins. Weisbard’s stimulating book is a tour de force, shaking up our ideas about the mainstream music industry in order to tease out the cultural importance of all performers and songs. |
| billboard top 40 hits 1990: Encyclopedia of Contemporary Christian Music Don Cusic, 2009-11-12 The first comprehensive overview of contemporary inspirational music, covering its historical roots and dramatic growth into one of America's most vital music genres. The Encyclopedia of Contemporary Christian Music: Pop, Rock, and Worship is the first comprehensive reference work on a form of American music that is far more popular than nonfans may realize. It fills a major gap in the literature on American music and Christian culture, looking at this increasingly popular genre in the context of the overall history of religious music in the United States. With over 200 entries, The Encyclopedia of Contemporary Christian Music covers important performers and industry figures, songs and albums, concerts and festivals, the rise of Christian radio and television, and other issues related to the growth of inspirational music. Scholars and fans alike will find a wealth of revealing information and insightful coverage illustrating the influence of gospel on modern American music with musicians such as Elvis, Sam Cooke, Johnny Cash, Bob Dylan, and U2.The work also examines the use of fundamental rock, pop, and rap music templates in the service of songs of faith. |
| billboard top 40 hits 1990: Rock Music in American Popular Culture Frank Hoffmann, B Lee Cooper, Wayne S Haney, 2013-01-11 How does rock music impact culture? According to authors B. Lee Cooper and Wayne S. Haney, it is central to the definition of society and has had a great impact on shaping American culture. In Rock Music in American Popular Culture, insightful essays and book reviews explore ways popular culture items can be used to explore American values. This fascinating book is arranged alphabetically for quick and easy reference to specific topics, but the book is equally enjoyable to read straight through.The influence of rock era music is evident throughout the text, demonstrating how various topics in the popular culture field are interconnected. Students in popular culture survey courses and American studies classes will be fascinated by these unique explorations of how family businesses, games, nursery rhymes, rock and roll legends, and other musical ventures shed light on our society and how they have shaped American values over the years. |
| billboard top 40 hits 1990: Early '70s Radio Kim Simpson, 2011-07-21 Early '70s Radio focuses on the emergence of commercial music radio formats, which refer to distinct musical genres aimed toward specific audiences. This formatting revolution took place in a period rife with heated politics, identity anxiety, large-scale disappointments and seemingly insoluble social problems. As industry professionals worked overtime to understand audiences and to generate formats, they also laid the groundwork for market segmentation. Audiences, meanwhile, approached these formats as safe havens wherein they could re-imagine and redefine key issues of identity. A fresh and accessible exercise in audience interpretation, Early '70s Radio is organized according to the era's five prominent formats and analyzes each of these in relation to their targeted demographics, including Top 40, soft rock, album-oriented rock, soul and country. The book closes by making a case for the significance of early '70s formatting in light of commercial radio today. |
| billboard top 40 hits 1990: Amy 27 Howard Sounes, 2013-07-23 When singer-songwriter Amy Winehouse died tragically on July, 23, 2011, at the age of twenty-seven, she joined the infamous 27 Club, whose members include Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison, and Kurt Cobain. Howard Sounes, author of Fab and Down the Highway, conducted interviews with more than 180 people, and his research yields new insights into the lives of the members of the 27 Club. Cutting through the record company PR and tabloid gossip to reveal the real Amy Winehouse, and with unprecedented access to friends and family, including Amy’s ex-husband Blake Fielder-Civil, and her last boyfriend, Reg Traviss, Sounes reveals striking factors in common among Winehouse and the other artists who died so young. Amy, 27 will be published to coincide with the second anniversary of her death and with the lead-up to the twentieth anniversary of the death of Kurt Cobain. |
| billboard top 40 hits 1990: Billboard , 1993-09-04 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| billboard top 40 hits 1990: American Social and Political Movements, 1945-2000 Robert J. Allison, Benjamin Frankel, 2000 This guide presents differing perspectives on the Cold War drawn from all parts of the world. |
| billboard top 40 hits 1990: Billboard , 2010-07-03 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| billboard top 40 hits 1990: Billboard , 2000-12-30 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| billboard top 40 hits 1990: Pop Music and Easy Listening Stan Hawkins, 2017-07-05 What defines pop music? Why do we consider some styles as easier listening than others? Arranged in three parts: Aesthetics and Authenticity - Groove, Sampling and Industry - Subjectivity, Ethnicity and Politics, this collection of essays by a group of international scholars deals with these questions in diverse ways. This volume prepares the reader for the debates around pop's intricate historical, aesthetic and cultural roots. The intellectual perspectives on offer present the interdisciplinary aspects of studying music and, spanning more than twenty-five years, these essays form a snapshot of some of the authorial voices that have shaped the specific subject matter of pop criticism within the broader field of popular music studies. A common thread running through these essays is the topic of interpretation and its relation to conceptions of musicality, subjectivity and aesthetics. The principle aim of this collection is to demonstrate that pop music needs to be evaluated on its own terms within the cultural contexts that make it meaningful. |
| billboard top 40 hits 1990: Focus On: 100 Most Popular American Dance Musicians Wikipedia contributors, |
| billboard top 40 hits 1990: Black Diamond Queens Maureen Mahon, 2020-10-09 African American women have played a pivotal part in rock and roll—from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century. |
| billboard top 40 hits 1990: Cold War America, 1946 To 1990 Facts on File Inc, Ross Gregory, 2014-05-14 Uses statistical tables, charts, photographs, maps, and illustrations to explore everyday life in the United States during the Cold War period. |
| billboard top 40 hits 1990: Continuum Encyclopedia of Popular Music of the World, Volume 1 John Shepherd, David Horn, Dave Laing, Paul Oliver, Peter Wicke, 2003-03-06 The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided. This and all other volumes of the Encyclopedia are now available through an online version of the Encyclopedia: https://www.bloomsburypopularmusic.com/encyclopedia-work?docid=BPM_reference_EPMOW. A general search function for the whole Encyclopedia is also available on this site. A subscription is required to access individual entries. Please see: https://www.bloomsburypopularmusic.com/for-librarians. |
| billboard top 40 hits 1990: Buddy Holly: A Biography Ellis Amburn, 2014-04-22 In Buddy Holly, best-selling biographer Ellis Amburn brings this musical genius, this flamboyant West Texas rebel, back to life. Having interviewed over two hundred people, Ellis Amburn has written the most revealing and definitive biography of Holly's life. The result is a triumphant American work. |
| billboard top 40 hits 1990: Who Did It First? Bob Leszczak, 2014-07-10 In Who Did It First?: Great Rock and Roll Cover Songs and Their Original Artists, the third volume in Bob Leszczak’s excitingWho Did It First? series,readers explore the hidden history of the most famous, indeed legendary, rock and roll classics. As Leszczak points out, the version you purchased, played air guitar to, sang along to, and grew up with is often not the first version recorded. Like wine and cheese, some tunes do get better with age, and behind each there is a story. Little-known facts and amusing anecdotes, often gathered through Leszczak’s vast archive of personal interviews with the singers and songwriters, record producers and label owners, who wrote, sang, recorded, and distributed either the original first cut or one of its classic covers. |
Billboard – Music Charts, News, Photos & Video
Popular on Billboard 24 Hours With ‘Weird Al’ Yankovic in L.A.: Teases Broadway Musical & Why He Doesn’t Do Parodies Anymore | Billboard Cover
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The Billboard Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by Billboard magazine. Chart rankings …
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Billboard – Music Charts, News, Photos & Video
Popular on Billboard 24 Hours With ‘Weird Al’ Yankovic in L.A.: Teases Broadway Musical & Why He Doesn’t Do Parodies Anymore | Billboard Cover
Billboard Hot 100 - Wikipedia
The Billboard Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by Billboard magazine. Chart rankings …
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