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| beyond the beach film: Cuba beyond the beach Karen Dubinsky, 2016 |
| beyond the beach film: Beyond the Stars: Locales in American popular film Paul Loukides, Linda K. Fuller, 1990 One of five volumes devoted to exploring some of the peripheral aspects of American films. Essays describe the depiction of such geographical and conceptual places as Arizona and the Arabic world, such public and ritual spaces as churches and western saloons, and such private arenas and commonplace spaces as the men's room and poolsides. Not illustrated. No index. Paper edition (unseen), $18.95. Annotation copyright by Book News, Inc., Portland, OR |
| beyond the beach film: Beyond the Blood, the Beach & the Banana Sandra Courtman, 2004 Beyond the Blood, the Beach and the Banana emphasises the significance of the Caribbean in an increasingly globalised social world and draws attention to the contribution that scholarship in Caribbean Studies makes in coming to terms with a multi-cultural heritage. The compilation deliberately ranges in focus across periods, geographies, linguistic divisions and subject matter to present the fruition of significant research projects by 25 researchers from the Caribbean, North America and Europe. Contributors on the Hispanic, Dutch, African, Indian and Anglophone Caribbean juxtaposed with work on the Caribbean diasporas of the USA, UK, Canada and the Netherlands enrich the text with multiple perspectives. |
| beyond the beach film: Beyond the Movie Theater Gregory A. Waller, 2023-04-11 A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Beyond the Movie Theater excavates the history of non-theatrical cinema before 1920, exploring where and how moving pictures of the 1910s were used in ways distinct from and often alternative to typical theatrical cinema. Unlike commercial cinema, non-theatrical cinema was multi-purpose in its uses and multi-sited in where it could be shown, targeted at particular audiences and, in some manner, sponsored. Relying on contemporary print sources and ephemera of the era to articulate how non-theatrical cinema was practiced and understood in the US during the 1910s, historian Gregory A. Waller charts a heterogeneous, fragmentary, and rich field that cannot be explained in terms of a master narrative concerning origin or institutionalization, progress or decline. Uncovering how and where films were put to use beyond the movie theater, this book complicates and expands our understanding of the history of American cinema, underscoring the myriad roles and everyday presence of moving pictures during the early twentieth century. |
| beyond the beach film: The Persistence of Whiteness Daniel Bernardi, 2007-09-12 The Persistence of Whiteness investigates the representation and narration of race in contemporary Hollywood cinema. Ideologies of class, ethnicity, gender, nation and sexuality are central concerns as are the growth of the business of filmmaking. Focusing on representations of Black, Asian, Jewish, Latina/o and Native Americans identities, this collection also shows how whiteness is a fact everywhere in contemporary Hollywood cinema, crossing audiences, authors, genres, studios and styles. Bringing together essays from respected film scholars, the collection covers a wide range of important films, including Guess Who’s Coming to Dinner, The Color Purple, Star Wars and The Lord of the Rings. Essays also consider genres from the western to blaxploitation and new black cinema; provocative filmmakers such as Melvin Van Peebles and Steven Spielberg and stars including Whoopi Goldberg and Jennifer Lopez. Daniel Bernardi provides an in-depth introduction, comprehensive bibliography and a helpful glossary of terms, thus providing students with an accessible and topical collection on race and ethnicity in contemporary cinema. |
| beyond the beach film: Film Adaptation and Its Discontents Thomas M. Leitch, 2007-06-15 Publisher description |
| beyond the beach film: The World in the Curl Peter J. Westwick, Peter Neushul, 2013-07-23 Draws on decades of experience and the popular team-taught courses at the University of California at Santa Barbara to trace the cultural, political, economic and environmental aspects of surfing while evaluating the diverse range of influences that have rendered the sport a billion-dollar worldwide industry. |
| beyond the beach film: On the Beach Nevil Shute, 2015-09-01 A classic work of post-apocalyptic fiction, and a haunting look at the capacity of humankind for self-destruction. On the Beach is set in the wake of World War III; the world has been rendered almost completely uninhabitable due to Nuclear Fallout, with the only liveable areas, located in the southern part of the planet, on a short clock as air currents threaten to eventually spread the fallout over the entire planet. When Austrlia receives a morse code message from the Seattle area, they dispatch one of the last nuclear submarines in hopes of finding survivors. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved. |
| beyond the beach film: Beyond the Stars Paul Loukides, Linda K. Fuller, 1991 The third of five volumes of new scholarship on American movie conventions. The 19 essays explore cinematic representations of such material items as food, weapons, clothing, tools, technology, and art and literature. Not illustrated. No index. Paper edition (unseen), $13.95. Annotation copyright by Book News, Inc., Portland, OR. |
| beyond the beach film: The Battle for the Bs Blair Davis, 2012-04-06 The emergence of the double-bill in the 1930s created a divide between A-pictures and B-pictures as theaters typically screened packages featuring one of each. With the former considered more prestigious because of their larger budgets and more popular actors, the lower-budgeted Bs served largely as a support mechanism to A-films of the major studios—most of which also owned the theater chains in which movies were shown. When a 1948 U.S. Supreme Court antitrust ruling severed ownership of theaters from the studios, the B-movie soon became a different entity in the wake of profound changes to the corporate organization and production methods of the major Hollywood studios. In The Battle for the Bs, Blair Davis analyzes how B-films were produced, distributed, and exhibited in the 1950s and demonstrates the possibilities that existed for low-budget filmmaking at a time when many in Hollywood had abandoned the Bs. Made by newly formed independent companies, 1950s B-movies took advantage of changing demographic patterns to fashion innovative marketing approaches. They established such genre cycles as science fiction and teen-oriented films (think Destination Moon and I Was a Teenage Werewolf) well before the major studios and also contributed to the emergence of the movement now known as underground cinema. Although frequently proving to be multimillion-dollar box-office draws by the end of the decade, the Bs existed in opposition to the cinematic mainstream in the 1950s and created a legacy that was passed on to independent filmmakers in the decades to come. |
| beyond the beach film: The Beach Alex Garland, 2005-07-05 The irresistible novel that was adapted into a major motion picture starring Leonardo DiCaprio. The Khao San Road, Bangkok -- first stop for the hordes of rootless young Westerners traveling in Southeast Asia. On Richard's first night there, in a low-budget guest house, a fellow traveler slashes his wrists, bequeathing to Richard a meticulously drawn map to the Beach. The Beach, as Richard has come to learn, is the subject of a legend among young travelers in Asia: a lagoon hidden from the sea, with white sand and coral gardens, freshwater falls surrounded by jungle, plants untouched for a thousand years. There, it is rumored, a carefully selected international few have settled in a communal Eden. Haunted by the figure of Mr. Duck -- the name by which the Thai police have identified the dead man -- and his own obsession with Vietnam movies, Richard sets off with a young French couple to an island hidden away in an archipelago forbidden to tourists. They discover the Beach, and it is as beautiful and idyllic as it is reputed to be. Yet over time it becomes clear that Beach culture, as Richard calls it, has troubling, even deadly, undercurrents. Spellbinding and hallucinogenic, The Beach by Alex Garland -- both a national bestseller and his debut -- is a highly accomplished and suspenseful novel that fixates on a generation in their twenties, who, burdened with the legacy of the preceding generation and saturated by popular culture, long for an unruined landscape, but find it difficult to experience the world firsthand. |
| beyond the beach film: Beyond the Happy Ending Kathryn Robson, 2025-02-04 Happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women’s writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women’s writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the ‘happiness turn’ is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women’s writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. |
| beyond the beach film: Beyond the Ruins Jefferson Cowie, Joseph Heathcott, 2003 The immediate impact of deindustrialization?the suffering inflicted upon workers, their families, and their communities?has been widely reported by scholars and journalists. In this important volume, the authors seek to move discussion of America's industrial decline beyond the immediate ramifications of plant shutdowns by placing it into a broader social, political, and economic context. Emphasizing a historical approach, the authors explore the multiple meanings of one of the major transformations of the twentieth century. The concept of deindustrialization entered the popular and scholarly lexicon in 1982 with the publication of The Deindustrialization of America, by Barry Bluestone and Bennett Harrison. Beyond the Ruins both builds upon and departs from the insights presented in that benchmark study. In this volume, the authors rethink the chronology, memory, geography, culture, and politics of industrial change in America. Taken together, these original essays argue that deindustrialization is not a story of a single emblematic place, such as Flint or Youngstown, or a specific time period, such as the 1980s. Nor is it limited to the abandoned factory buildings associated with heavy industry. Rather, deindustrialization is a complex process that is uneven in its causes, timing, and consequences. The essays in this volume examine this process through a wide range of topics, from worker narratives and media imagery, to suburban politics, environmental activism, and commemoration. |
| beyond the beach film: Endings in the Cinema Michael Walker, 2020-03-13 This book offers a new way of thinking about film endings. Whereas existing works on the subject concentrate on narrative resolution, this book explores the way film endings blend together a complex of motifs, tropes and other elements to create the sense of an ending—that is, it looks at ‘endings as endings’. Drawing on a wide range of examples taken from films of different periods and national cinemas, the author identifies three key features which structure the work: thresholds and boundaries, water, and, above all, the beach. The beach combines water and a boundary and is the most resonant of the key sites to which film endings gravitate. Although beach endings go back to at least 1910, they have increased markedly in post-classical cinema, and can be found across all genres and in films from many different countries. As the leading example of the book’s argument, they illustrate both the aesthetic richness and the structural complexity of film endings. |
| beyond the beach film: Beyond the Stars: The material world in American popular film Paul Loukides, Linda K. Fuller, 1990 The third of five volumes of new scholarship on American movie conventions. The 19 essays explore cinematic representations of such material items as food, weapons, clothing, tools, technology, and art and literature. Not illustrated. No index. Paper edition (unseen), $13.95. Annotation copyright by Book News, Inc., Portland, OR |
| beyond the beach film: The Films of Steven Spielberg Charles L. P. Silet, 2002-10-02 The Films of Steven Spielberg provides for the first time a collection of critical writings by professional film critics about the director and his films, bringing together many articles and reviews scattered in often inaccessible specialist publications and professional journals. The opinions vary from complimentary to critical, but they definitely provide a well-rounded view of the films and the director. Twelve of Spielberg's major box office sellers are represented in essays that vary complexity ranging from the heavily theoretical to the more general. For both film students and professionals in the film industry. |
| beyond the beach film: Fear and Nature Christy Tidwell, Carter Soles, 2021-07-07 Ecohorror represents human fears about the natural world—killer plants and animals, catastrophic weather events, and disquieting encounters with the nonhuman. Its portrayals of animals, the environment, and even scientists build on popular conceptions of zoology, ecology, and the scientific process. As such, ecohorror is a genre uniquely situated to address life, art, and the dangers of scientific knowledge in the Anthropocene. Featuring new readings of the genre, Fear and Nature brings ecohorror texts and theories into conversation with other critical discourses. The chapters cover a variety of media forms, from literature and short fiction to manga, poetry, television, and film. The chronological range is equally varied, beginning in the nineteenth century with the work of Edgar Allan Poe and finishing in the twenty-first with Stephen King and Guillermo del Toro. This range highlights the significance of ecohorror as a mode. In their analyses, the contributors make explicit connections across chapters, question the limits of the genre, and address the ways in which our fears about nature intersect with those we hold about the racial, animal, and bodily “other.” A foundational text, this volume will appeal to specialists in horror studies, Gothic studies, the environmental humanities, and ecocriticism. In addition to the editors, the contributors include Kristen Angierski, Bridgitte Barclay, Marisol Cortez, Chelsea Davis, Joseph K. Heumann, Dawn Keetley, Ashley Kniss, Robin L. Murray, Brittany R. Roberts, Sharon Sharp, and Keri Stevenson. |
| beyond the beach film: Beyond the Looking Glass Ana Salzberg, 2014-08-01 As living subjects rather than static icons, studio-era Hollywood actresses actively negotiated a balance between their public personas, film roles, and corporeal presence. The contemporary audience’s engagement with the experience of these actresses unsettles the traditional model of narcissistic identification, which divides the off-screen spectator from his/her on-screen ideal. Exploring the fan’s desire for a material connection to the performer – as well as the star’s own dialogue between embodied experience and idealized image – Beyond the Looking Glass traces on- and off-screen representations of narcissistic femininity in classical Hollywood through studies of stars like Greta Garbo, Ava Gardner, and Marilyn Monroe. Merging historical and theoretical concerns, with particular attention to the resonance of golden-age Hollywood in new media, this book explores the movie screen as a medium of shared experience between spectator and star. |
| beyond the beach film: Queering Teen Culture Jeffery P Dennis, 2013-12-16 Why did Fonzie hang around with all those high school boys? Is the overwhelming boy-meets-girl content of popular teen movies, music, books, and TV just a cover for an undercurrent of same-sex desire? From the 1950s to the present, popular culture has involved teenage boys falling for, longing over, dreaming about, singing to, and fighting over, teenage girls. But Queering Teen Culture analyzes more than 200 movies and TV shows to uncover who Frankie Avalon’s character was really in love with in those beach movies and why Leif Garrett became a teen idol in the 1970s. In Top 40 songs, teen magazines, movies, TV soap operas and sitcoms, teenagers are defined by their pubescent “discovery” of the opposite sex, universally and without exception. Queering Teen Culture looks beyond the litany to find out when adults became so insistent about teenage sexual desire—and why—and finds evidence of same-sex desire, romantic interactions, and identities that, according to the dominant ideology, do not and cannot exist. This provocative book examines the careers of male performers whose teenage roles made them famous (including Ricky Nelson, Pat Boone, Fabian, and James Darren) and discusses examples of lesbian desire (including I Love Lucy and Laverne and Shirley). Queering Teen Culture examines: Ozzie and Harriet, Father Knows Best, and Leave It to Beaver: Were Ricky, Bud, and Wally sufficiently straight? the juvenile delinquent films of the 1950s: Why weren’t the rebel-without-a-cause “bad boys” interested in girls? horror, sci-fi, and zombies from outer space: “Body of a boy! Mind of a monster! Soul of an unearthly thing!” teen idols—pretty, androgynous, and feminine: No wonder they were rumored to be “funny” beach movies: She wants to plan their wedding but he wants to surf, sky-dive and go drag racing with the guys Biker-hippies boys of the late 1960s: “I know your scene—don’t think I don’t!” the 1950s nostalgia of the 1970s: Why does Fonzie spend all his time with high school boys? teen gore: What makes the psycho-killer angry? and much more, including Gidget, the Brat Pack, buddy dramas, nerds and “operators,” Saved by the Bell, The Real World, and the incredible shrinking teenager Queering Teen Culture is an essential read for academics working in cultural and gay studies, and for anyone else with an interest in popular culture. |
| beyond the beach film: Subversive Horror Cinema Jon Towlson, 2014-03-13 Horror cinema flourishes in times of ideological crisis and national trauma--the Great Depression, the Cold War, the Vietnam era, post-9/11--and this critical text argues that a succession of filmmakers working in horror--from James Whale to Jen and Sylvia Soska--have used the genre, and the shock value it affords, to challenge the status quo during these times. Spanning the decades from the 1930s onward it examines the work of producers and directors as varied as George A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian Yuzna and the ways in which films like Frankenstein (1931), Cat People (1942), The Woman (2011) and American Mary (2012) can be considered subversive. |
| beyond the beach film: Italian Ecocinema Beyond the Human Elena Past, 2019-01-09 Entangled in the hybrid fields of ecomedia studies and material ecocriticism, Elena Past examines five Italian films shot on location and ponders the complex relationships that the production crews developed with the filming locations and the nonhuman cast members. She uses these films—Red Desert (1964), The Winds Blows Round (2005), Gomorrah (2008), Le quattro volte (2010), and Return to the Aeolian Islands (2010)—as case studies to explore pressing environmental questions such as cinema's dependence on hydrocarbons, the toxic waste crisis in the region of Campania, and our reliance on the nonhuman world. Dynamic and unexpected actors emerge as the subjects of each chapter: playful goats, erupting volcanoes, airborne dust particles, fluid petroleum, and even the sound of silence. Based on interviews with crew members and close readings of the films themselves, Italian Ecocinema Beyond the Human theorizes how filmmaking practice—from sound recording to location scouting to managing a production—helps uncover cinema's ecological footprint and its potential to open new perspectives on the nonhuman world. |
| beyond the beach film: At the Beach Jean-Didier Urbain, 2003 Around the world, when people think of vacation it's the beach they want-even when long distances must be traversed, the seashore is the place to escape the rigors of modern life. How did this come to be, and what does our ongoing love affair with the beach mean? How do shore vacations differ from traditional tourism, and what does this tell us about our dreams and fears? In At the Beach, Jean-Didier Urbain offers witty and insightful answers to these questions. |
| beyond the beach film: The Aesthetic Pleasures of Girl Teen Film Samantha Colling, 2017-07-27 What is 'fun' about the Hollywood version of girlhood? Through re-evaluating notions of pleasure and fun, The Aesthetic Pleasures of Girl Teen Film forms a study of Hollywood girl teen films between 2000-2010. By tracing the aesthetic connections between films such as Mean Girls (Waters, 2004), Hairspray (Shankman, 2007), and Easy A (Gluck, 2010), the book articulates the specific types of pleasure these films offer as a means to understand how Hollywood creates gendered ideas of fun. Rather than condemn these films as 'guilty pleasures' this book sets out to understand how they are designed to create experiences that feel as though they express desires, memories, or fantasies that girls supposedly share in common. Providing a practical model for a new approach to cinematic pleasures The Aesthetic Pleasures of Girl Teen Film proposes that these films offer a limited version of girlhood that feels like potential and promise but is restricted within prescribed parameters. |
| beyond the beach film: Encyclopedia of Television Film Directors Jerry Roberts, 2009-06-05 From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium. |
| beyond the beach film: Einstein on the Beach: Opera beyond Drama Jelena Novak, John Richardson, 2019-12-06 Philip Glass and Robert Wilson’s most celebrated collaboration, the landmark opera Einstein on the Beach, had its premiere at the Avignon Festival in 1976. During its initial European tour, Metropolitan Opera premiere, and revivals in 1984 and 1992, Einstein provoked opposed reactions from both audiences and critics. Today, Einstein is well on the way itself to becoming a canonized avant-garde work, and it is widely acknowledged as a profoundly significant moment in the history of opera or musical theater. Einstein created waves that for many years crashed against the shores of traditional thinking concerning the nature and creative potential of audiovisual expression. Reaching beyond opera, its influence was felt in audiovisual culture in general: in contemporary avant-garde music, performance art, avant-garde cinema, popular film, popular music, advertising, dance, theater, and many other expressive, commercial, and cultural spheres. Inspired by the 2012–2015 series of performances that re-contextualized this unique work as part of the present-day nexus of theoretical, political, and social concerns, the editors and contributors of this book take these new performances as a pretext for far-reaching interdisciplinary reflection and dialogue. Essays range from those that focus on the human scale and agencies involved in productions to the mechanical and post-human character of the opera’s expressive substance. A further valuable dimension is the inclusion of material taken from several recent interviews with creative collaborators Philip Glass, Robert Wilson, and Lucinda Childs, each of these sections comprising knee plays, or short intermezzo sections resembling those found in the opera Einstein on the Beach itself. The book additionally features a foreword written by the influential musicologist and cultural theorist Susan McClary and an interview with film and theater luminary Peter Greenaway, as well as a short chapter of reminiscences written by the singer-songwriter Suzanne Vega. |
| beyond the beach film: Sites of Sport Patricia Anne Vertinsky, John Bale, 2004 This collection uses spatial concepts and examples to examine the nature and development of sporting practices. It shows how the study of built environments such as gymnasiums and football stadiums can provide unique information about the body. |
| beyond the beach film: Beyond the Latin Lover Jacqueline Reich, 2004-03-19 Marcello Mastroianni is considered by many to be the consummate symbol of Italian masculinity. In this work, Jacqueline Reich goes behind the popular image to reveal a figure at odds with and out of place in the unstable political, social and sexual climate of post-war Italy. |
| beyond the beach film: Sexuality, Nudity and the Body in Soviet Cinema Birgit Beumers, Catherine Géry, Eugénie Zvonkine, 2025-07-18 This book explores evocations of and allusions to sexual desire in Soviet cinema, 1919–1991. By deploying several lines of investigation – from the cult of the masculine, strong body in Stalinist cinema to the shifting signification of the naked body (male and female) in post-war cinema and to the display of a sexualised body in the late Soviet era – this book establishes the extent to which Soviet cinema actually did reveal sexuality. It also explores how external political and social factors impacted representation. Overall, the contributions challenge the narrative of Soviet cinema as an art form where the representation of sexuality was taboo and outline shifts in the concepts of the naked and sexualised body, of sexuality and sexual relationships. This book will be of interest to scholars and researchers in the field of film studies, Slavic and Soviet studies, cultural studies, politics and gender studies. |
| beyond the beach film: Writing the Australian Beach Elizabeth Ellison, Donna Lee Brien, 2020-03-02 Writing the Australian Beach is the first book in fifteen years to explore creative and cultural representations of this iconic landscape, and how writers and scholars have attempted to understand and depict it. Although the content chiefly focuses on Australia, the beach as both a location and idea resonates deeply with readers around the world. This edited collection includes three sections. Forms of Beach Writing examines the history of beach writing in Australia and in a number of forms: screenwriting, social media writing, and food writing. In turn, Multiplicities of Australian Beach Writing examines how forms of writing—poetry, travel writing, horror film, and memoir—engage with some specific beaches in Australia. And, finally, Reading the Beach as a Text considers how the beach itself functions in cultural narratives: how we walk the beach; the revealing story of beach soccer; and the design and use of ocean baths. Given its scope, the collection offers a unique resource for scholars of Australian culture and creative writing, and for all those interested in Australian beaches. |
| beyond the beach film: In Search of La Grande Illusion Nicholas Macdonald, 2013-11-22 This is an extended analysis of the film, from different perspectives. The first half is largely a discussion of the cinematic technique, with key sequences analyzed shot by shot. The second half approaches the film from many other angles, including its history, the critical reception, Renoir's life and career, and film theory, e.g., film in relation to music. A case is made that Renoir's career was inconsistent, especially after La Regle du jeu but also during the 1930s. And rather than emphasizing the humanist, anti-war thrust of La Grande Illusion, the film is approached as a work of art that is deeply expressive cinematically. |
| beyond the beach film: The Cinema of Takeshi Kitano Sean Redmond, 2013-03-19 The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan's finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano's oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity, schizophrenia, and radical alterity; and through the aesthetic temperatures of color, light, camera movement, performance and urban and oceanic space. In this highly original monograph, all of Kitano's films are given due consideration, including A Scene at the Sea (1991), Sonatine (1993), Dolls (2002), and Outrage (2010). |
| beyond the beach film: The Lure of the Beach Robert C. Ritchie, 2023-04-25 A human and global take on a beloved vacation spot. The crash of surf, smell of salted air, wet whorls of sand underfoot. These are the sensations of the beach, that environment that has drawn humans to its life-sustaining shores for millennia. And while the gull’s cry and the cove’s splendor have remained constant throughout time, our relationship with the beach has been as fluid as the runnels left behind by the tide’s turning. The Lure of the Beach is a chronicle of humanity's history with the coast, taking us from the seaside pleasure palaces of Roman elites and the aquatic rituals of medieval pilgrims, to the venues of modern resort towns and beyond. Robert C. Ritchie traces the contours of the material and social economies of the beach throughout time, covering changes in the social status of beach goers, the technology of transport, and the development of fashion (from nudity to Victorianism and back again), as well as the geographic spread of modern beach-going from England to France, across the Mediterranean, and from nineteenth-century America to the world. And as climate change and rising sea levels erode the familiar faces of our coasts, we are poised for a contemporary reckoning with our relationship—and responsibilities—to our beaches and their ecosystems. The Lure of the Beach demonstrates that whether as a commodified pastoral destination, a site of ecological resplendency, or a flashpoint between private ownership and public access, the history of the beach is a human one that deserves to be told now more than ever before. |
| beyond the beach film: Beyond the Aquila Rift Alastair Reynolds, 2016-07-21 This is an amazing collection of some of the best short fiction ever written in the SF genre, by an author acclaimed as 'the mastersinger of space opera' The Times This collection includes ZIMA BLUE, one of the standout episodes in Netflix's LOVE, DEATH AND ROBOTS With an introduction by noted SF critic Johnathan Strahan, this collection of twenty short stories, novellettes and novellas includes ZIMA BLUE, one of the standout shorts in Netflix's LOVE, DEATH AND ROBOTS, as well as MINLA'S FLOWERS, SIGNAL TO NOISE, TROIKA, and seven previous uncollected stories, including TRAUMA POD, THE WATER THIEF and IN BABELSBERG. Alastair Reynolds has won the Sidewise Award and been nominated for The Hugo Awards for his short fiction. One of the most thought-provoking and accomplished short-fiction writers of our time, this collection is a delight for all SF readers. Readers are hooked on Alastair Reynolds' short stories: 'This collection was my first introduction to Alastair Reynolds' work. I'm impressed - this is good stuff!' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'Reynolds is at his best . . . one of the best collections that I've ever read' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'This book contains a brilliant collection of short stories, all of them highlighting Reynolds' great imaginative powers and his first-class worldbuilding' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'These stories of his are SO COOL. I mean, like glittering jewels of complete mind-blowing and written with real talent and clear vision' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'Big questions and existential dread creeping through the elegantly described universes' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'He achieves with his stories something sublime in science fiction writing. There are some truly inspiring ideas and fantastic tales to be read here. I can truly attest that Reynolds is a true genius in the short story form' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ |
| beyond the beach film: Eastwood's Iwo Jima Anne Gjelsvik, Rikke Schubart, 2013-06-25 With Flags of Our Fathers (2006) and Letters from Iwo Jima (2006), Clint Eastwood made a unique contribution to film history, being the first director to make two films about the same event. Eastwood's films examine the battle over Iwo Jima from two nations' perspectives, in two languages, and embody a passionate view on conflict, enemies, and heroes. Together these works tell the story behind one of history's most famous photographs, Leo Rosenthal's Raising the Flag on Iwo Jima. In this volume, international scholars in political science and film, literary, and cultural studies undertake multifaceted investigations into how Eastwood's diptych reflects war today. Fifteen essays explore the intersection among war films, American history, and Japanese patriotism. They present global attitudes toward war memories, icons, and heroism while offering new perspectives on cinema, photography, journalism, ethics, propaganda, war strategy, leadership, and the war on terror. |
| beyond the beach film: Atomic Bomb Cinema Jerome F. Shapiro, 2013-05-13 Unfathomably merciless and powerful, the atomic bomb has left its indelible mark on film. In Atomic Bomb Cinema, Jerome F. Shapiro unearths the unspoken legacy of the bombing of Nagasaki and Hiroshima and its complex aftermath in American and Japanese cinema. According to Shapiro, a Bomb film is never simply an exercise in ideology or paranoia. He examines hundreds of films like Godzilla, Dr. Strangelove, and The Terminator as a body of work held together by ancient narrative and symbolic traditions that extol survival under devastating conditions. Drawing extensively on both English-language and Japanese-language sources, Shapiro argues that such films not only grapple with our nuclear anxieties, but also offer signs of hope that humanity is capable of repairing a damaged and divided world. www.atomicbombcinema.com |
| beyond the beach film: Zombie Movies Glenn Kay, 2008 Zombie Movies is an essential purchase for all those who love (or fear) horror cinema’s most popular and terrifying creation. This thorough and authoritative yet uproarious guide • reviews and rates nearly 300 zombie films—from Bela Lugosi’s White Zombie (1932) to George A. Romero’s Diary of the Dead (2008) • traces the evolution of the zombie over the decades, from voodoo slave to brain-eating undead to raging infected • lays out what makes a zombie a zombie, as opposed to a ghost, ghoul, vampire, mummy, pod person, rabid sicko, or Frankenstein’s monster • includes a detailed and chilling journal from the filming of Land of the Dead • lists the oddest and most gruesome things ever seen in undead cinema • covers not only mainstream American movies but also small independent productions, Spanish and Italian exploitation pictures, and bizarre offerings from Japan and Hong Kong • provides a detailed rundown of the 25 greatest zombie films ever made • features in-depth interviews with actors, directors, makeup effects wizards, and other zombie experts For serious fans and casual moviegoers alike, Zombie Movies will provide plenty of informative and entertaining brain food. |
| beyond the beach film: Immanent Frames John Caruana, Mark Cauchi, 2018-05-31 For some time now, thinkers across the humanities and social sciences have increasingly called into question the once-dominant view of the relationship between modernity and secularism, prompting some to speak of a postsecular turn. Until now, film studies has largely been silent about this development, even though cinema itself has been a major vehicle for such reflection. This fact became inescapable in 2011 when Terrence Malick's The Tree of Life and Lars von Trier's Melancholia were released within days of each other. While these two audacious and controversial films present seemingly opposite perspectives—the former a thoughtful meditation on faith, the latter a portrayal of nontriumphalist atheism—together they raise critical questions about transcendence and immanence in modern life. These films are, however, only the most conspicuous of a growing body of works that call forth similar and related questions—what this collection aptly calls postsecular cinema. Taking the nearly simultaneous release of The Tree of Life and Melancholia as its starting point and framing device, this pioneering collection sets out to establish the idea of postsecular cinema as a distinct body of films and a viable critical category. Adopting a film-philosophy approach, one group of essays examines Malick's and von Trier's films, while another looks at works by Chantal Akerman, Denys Arcand, the Dardenne brothers, and John Michael McDonagh, among others. The volume closes with two important interviews with Luc Dardenne and Jean-Luc Nancy that invite us to reflect more deeply on some of the central concerns of postsecular cinema. |
| beyond the beach film: Tourism and Australian Beach Cultures Christine Metusela, Gordon Waitt, 2012-04-16 This book explores the ever-changing relationships between bodies, oceans, beaches and tourism. Drawing on feminist scholarship, the book focuses on the emergence of Australian beach cultures beyond metropolitan centres from the early 19th century to the early 20th century on the Illawarra beaches, some 80 kilometres south of Sydney. |
| beyond the beach film: Golden State, Golden Youth Kirse Granat May, 2010-03-15 Seen as a land of sunshine and opportunity, the Golden State was a mecca for the post-World War II generation, and dreams of the California good life came to dominate the imagination of many Americans in the 1950s and 1960s. Nowhere was this more evident than in the explosion of California youth images in popular culture. Disneyland, television shows such as The Mickey Mouse Club, Gidget and other beach movies, the music of the Beach Boys--all these broadcast nationwide a lifestyle of carefree, wholesome fun supposedly enjoyed by white, middle-class, suburban young people in California. Tracing the rise of the California teen as a national icon, Kirse May shows how idealized images of a suburban youth culture soothed the nation's postwar nerves while denying racial and urban realities. Unsettling challenges to this mass-mediated picture began to arise in the mid-1960s, however, with the Free Speech Movement's campus revolt in Berkeley and race riots in Watts. In his 1966 campaign for the governorship of California, Ronald Reagan transformed the backlash against the dangerous youths who fueled these actions into political triumph. As May notes, Reagan's victory presaged a rising conservatism across the nation. |
| beyond the beach film: The Pop Musical Alberto Mira, 2021-11-09 After Hollywood and Tin Pan Alley’s iron grip on the movie musical began to slip in the face of pop’s cultural dominance, many believed that the musical genre entered a terminal decline and finally wore itself out by the 1980s. Though the industrial model of the musical was disrupted by the emergence of pop, the Hollywood musical has not gone extinct. Many Hollywood productions from the 1960s to the present have revisited the forms and conventions of the classic musical—except instead of drawing from showtunes and jazz standards, they employ the styles and iconography of pop. Alberto Mira offers a new account of how pop music revolutionized the Hollywood musical. He shows that while the Hollywood system ceased producing large-scale traditional musicals, different pop strains—disco, rock ’n’ roll, doo-wop, glam, and hip-hop—renewed the genre, giving it a new life. While the classical musical presented a world light on conflict, defined by theatricality and where effortless talent can shine through, the introduction of pop spurred musicals to address contemporary social and political conditions. Mira traces the emergence of a new set of themes—such as the painful hard work depicted in Dirty Dancing (1987); the double-edged fandom of Velvet Goldmine (1998); and the racial politics of Dreamgirls (2006)—to explore why the Hollywood musical has found renewed relevance. |
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