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| biggest left turn in music history: This Day in Music Neil Cossar, 2010 Based on the massively popular Web site thisdayinmusic.com, this extraordinary day-by-day diary recounts the musical firsts and lasts, blockbuster albums and chart-topping tunes, and other significant happenings on each of the 365 days 0f the year. |
| biggest left turn in music history: Billboard , 2001-06-16 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| biggest left turn in music history: Radiohead's OK Computer Dai Griffiths, 2004-08-11 Seemingly granted 'classic album' status within days of its release in 1997, OK Computer transformed Radiohead from a highly promising rock act into The Most Important Band in the World – a label the band has been burdened by (and has fooled around with) ever since. Through close musical analysis of each song, Dai Griffiths explores the themes and ideas that have made this album resonate so deeply with its audience, and argues that OK Computer is one of the most successfully realized CD albums so far created. |
| biggest left turn in music history: History of the Celebration of the One Hundredth Anniversary of the Promulgation of the Constitution of the United States Hampton Lawrence Carson, 1889 |
| biggest left turn in music history: Ted Templeman Templeman Ted, Greg Renoff, 2020-04-21 Crafting smash hits with Van Halen, The Doobie Brothers, Nicolette Larson, and Van Morrison, legendary music producer Ted Templeman changed the course of rock history This autobiography (as told to Greg Renoff) recounts Templeman’s remarkable life from child jazz phenom in Santa Cruz, California, in the 1950s to Grammy-winning music executive during the ’70s and ’80s. Along the way, Ted details his late ’60s stint as an unlikely star with the sunshine pop outfit Harpers Bizarre and his grind-it-out days as a Warner Bros. tape listener, including the life-altering moment that launched his career as a producer: his discovery of the Doobie Brothers. Ted Templeman: A Platinum Producer’s Life in Music takes us into the studio sessions of No. 1 hits like “Black Water” by the Doobie Brothers and “Jump” by Van Halen, as Ted recounts memories and the behind-the-scene dramas that engulfed both massively successful acts. Throughout, Ted also reveals the inner workings of his professional and personal relationships with some of the most talented and successful recording artists in history, including Steven Tyler and Joe Perry of Aerosmith, Eric Clapton, Lowell George, Sammy Hagar, Linda Ronstadt, David Lee Roth, and Carly Simon. |
| biggest left turn in music history: The Dangerous Philosophies of Michael Jackson Elizabeth Amisu, 2016-09-26 An essential companion to Michael Jackson's music, films, and books, this work offers 21 original, academic essays on all things Jackson-from film, music, and dance to fashion, culture, and literature. Going well beyond the average celebrity biography, this comprehensive book looks at why Jackson is regarded as one of the most important musicians of our time, offering insights into every facet of his art, life, and artistic afterlife. It looks at the methods by which his work was created, presented, received, and appropriated; discusses Jackson's varied personas along with his public and private appearances, albums, conceptual art, short films, and dance; and considers his use of costume, makeup, and reinvention. To help readers understand the phenomenon that was-and is-Michael Jackson, the book focuses on Jackson's historical context through an analysis of his films, songs, and books, examining him as an artist and shedding light on the political and ideological debates that surrounded him. Not shying away from the controversial aspects of Jackson's life and legacy, it also tackles questions of sexuality and racism, gender, and class, comparing Jackson to artists ranging from J. S. Bach to Andy Warhol. Through its examination of Jackson's entire catalog, the work connects all the aspects of his art and life to exemplify-and explain-the performer's unparalleled influence in the 20th and 21st centuries. |
| biggest left turn in music history: Complete Encyclopaedia of Music, Elementary, Technical, Historical, Biographical, Vocal and Instrumental John William Moore, 1875 |
| biggest left turn in music history: Musical World and New York Musical Times , 1853 |
| biggest left turn in music history: DanceForum , 1998 |
| biggest left turn in music history: The Musical World , 1861 |
| biggest left turn in music history: Journal of the Fine Arts and Musical World , 1853 |
| biggest left turn in music history: Louise Blanchard Bethune Kelly Hayes McAlonie, 2023-03-01 As America's first professional female architect, Louise Blanchard Bethune broke barriers in a male-dominated profession that was emerging as a vital force in a rapidly growing nation during the Gilded Age. Yet, Bethune herself is an enigma. Due to scant information about her life and her firm, Bethune, Bethune & Fuchs, scholars have struggled to provide a complete picture of this trailblazer. Using a newly discovered archival source of photographs, architectural drawings, and personal documents, Kelly Hayes McAlonie paints a picture of Bethune never before seen. Born in 1856 in Waterloo and raised in Buffalo, New York, Bethune wanted to be an architect from childhood. In fulfilling her dream, she challenged the nation to reconsider what a woman could do. A bicycle-riding advocate for coeducation, Bethune believed in women's emancipation through equal pay for equal work. This belief would be tested during the design competition for the Woman's Building for the 1893 World's Columbian Exposition, where female entrants were not paid for their work. Bethune refused to participate on principle, but nonetheless her career thrived, culminating in the most important commission of her life, Buffalo's Hotel Lafayette. A comprehensive biography of the first professional woman architect in the United States, who was also the first woman to be admitted to the American Institute of Architects, this book serves as an important addition to New York and architectural history. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of the State University of New York and the University at Buffalo Libraries. Learn more at the TOME website, available at: https://www.openmonographs.org/. It can also be found in the SUNY Open Access Repository at https://soar.suny.edu/handle/20.500.12648/8382. |
| biggest left turn in music history: kstar 노광철, |
| biggest left turn in music history: Rock the Nation Roberto Avant-Mier, 2010-05-06 Rock the Nation analyzes Latino/a identity through rock 'n' roll music and its deep Latin/o history. By linking rock music to Latinos and to music from Latin America, the author argues that Latin/o music, people, and culture have been central to the development of rock music as a major popular music form, in spite of North American racial logic that marginalizes Latino/as as outsiders, foreigners, and always exotic. According to the author, the Latin/o Rock Diaspora illuminates complex identity issues and interesting paradoxes with regard to identity politics, such as nationalism. Latino/as use rock music for assimilation to mainstream North American culture, while in Latin America, rock music in Spanish is used to resist English and the hegemony of U.S. culture. Meanwhile, singing in English and adopting U.S. popular culture allows youth to resist the hegemonic nationalisms of their own countries. Thus, throughout the Americas, Latino/as utilize rock music for assimilation to mainstream national culture(s), for resistance to the hegemony of dominant culture(s), and for mediating the negotiation of Latino/a identities. |
| biggest left turn in music history: Billboard , 1966-02-05 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| biggest left turn in music history: Encyclopedia of Great Popular Song Recordings Steve Sullivan, 2013-10-04 The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the full range of popular music recordings with virtually unprecedented breadth and depth. In this 2-volume encyclopedia, Sullivan explores approximately 1,000 song recordings from 1889 to the present, telling the stories behind the songs, recordings, performers, and songwriters. From the Victorian parlor ballad and ragtime hit at the end of the 19th century to today’s rock classics, the Encyclopedia progresses through a parade popular music styles, from jazz to blues to country Western, as well as the important but too often neglected genres of ethnic and world music, gospel, and traditional folk. This book is the ideal research tool for lovers of popular music in all its glorious variety. |
| biggest left turn in music history: The Music Documentary Benjamin Halligan, Robert Edgar, Kirsty Fairclough-Isaacs, 2013-06-26 The Music Documentary offers a wide-range of approaches, across key moments in the history of popular music, in order to define and interrogate this prominent genre of film-making. The writers in this volume argue persuasively that the music documentary must be considered as an essential cultural artefact in documenting stars and icons, and musicians and their times – particularly for those figures whose fame was achieved posthumously. In this collection of fifteen essays, the reader will find comprehensive discussions of the history of music documentaries, insights in their production and promotion, close studies of documentaries relating to favourite bands or performers, and approaches to questions of music documentary and form, from the celluloid to the digital age. |
| biggest left turn in music history: Billboard , 1995-04-22 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| biggest left turn in music history: Music Trades , 1919 |
| biggest left turn in music history: Arctic Monkeys - Uncensored on the Record , |
| biggest left turn in music history: George Valentine's Retirement Plan Laurence Cooper, 2014-05-28 They say power corrupts; and those who want it get it by exposing those who have it. It’s a dog eat dog world – and George Valentine is its middleman. George Valentine’s Retirement Plan is a quirky, fictional look at the world of political scandal as seen by those that dig up the dirt. It features larger than life characters, comedy and farce… From their South London home, George and Dorothy Valentine dig up dirt for divorces, corporate battles and political smear campaigns. They’ve decided to retire after their next case. When their last mark turns out to be the Home Secretary, George dreams of a grand finale while Dot fears disaster. Chaos rules as George’s retirement plan unravels and his maverick family must pit their wits against an oligarch, a Bulgarian hitman and the Albanian sex trade - as well as the Westminster elite. George Valentine’s Retirement Plan is a wild romp through a world where reputations are traded like commodities. It will appeal to cynics with an interest in political thrillers, satire fans, and all who like a crime caper, comic adventure – as well as a hint of romance! |
| biggest left turn in music history: Corsica Rough Guides Snapshot France (includes Bastia, Île Rousse, Calvi, Ajaccio, Bonifacio and Corte) Rough Guides, 2012-04-12 The Rough Guide Snapshot to Corsica is the ultimate travel guide to this beautiful island off the southeastern tip of France. It guides you around the island with reliable information and comprehensive coverage of all the sights and attractions, from tackling the arduous GR20 footpath and sunbathing and swimming at exquisite Plage de Saleccia, to examining the mysterious menhir sites at Filitosa and enjoying tasty local dishes such as fritelli a gajui frescu (chestnut fritters). Detailed maps and up-to-date listings pinpoint the best cafés, restaurants, hotels, shops, bars and nightlife, ensuring you have the most memorable possible, whether passing through, staying for the weekend or longer. Also included is the Basics section from The Rough Guide to France, with all the practical information you need for travelling in and around the country, including transport, food, drink, costs, health and festivals. Also published as part of The Rough Guide to France. Full coverage: Bastia, Cap Corse, The Nebbio, The Balagne, L'Île Rousse, Calvi, The Réserve, Naturelle de Scandola, Porto, The Calanches, The Gorges de Spelunca, Ajaccio, Le Golfe de Valinco, Filitosa, Sartène, Bonifacio, Porto-Vecchio, Aléria, Corte (Equivalent printed page extent 91 pages). |
| biggest left turn in music history: Corsica Rough Guides Snapshot France (includes Bastia, Ãle Rousse, Calvi, Ajaccio, Bonifacio and Corte) Rough Guides Snapshot, 2012-04-12 The Rough Guide Snapshot to Corsica is the ultimate travel guide to this beautiful island off the southeastern tip of France. It guides you around the island with reliable information and comprehensive coverage of all the sights and attractions, from tackling the arduous GR20 footpath and sunbathing and swimming at exquisite Plage de Saleccia, to examining the mysterious menhir sites at Filitosa and enjoying tasty local dishes such as fritelli a gajui frescu (chestnut fritters). Detailed maps and up-to-date listings pinpoint the best caf�s, restaurants, hotels, shops, bars and nightlife, ensuring you have the most memorable possible, whether passing through, staying for the weekend or longer. Also included is the Basics section from The Rough Guide to France, with all the practical information you need for travelling in and around the country, including transport, food, drink, costs, health and festivals. Also published as part of The Rough Guide to France. Full coverage: Bastia, Cap Corse, The Nebbio, The Balagne, L'�le Rousse, Calvi, The R�serve, Naturelle de Scandola, Porto, The Calanches, The Gorges de Spelunca, Ajaccio, Le Golfe de Valinco, Filitosa, Sart�ne, Bonifacio, Porto-Vecchio, Al�ria, Corte (Equivalent printed page extent 91 pages). |
| biggest left turn in music history: Billboard , 1996-08-03 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| biggest left turn in music history: Billboard , 2000-03-11 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| biggest left turn in music history: The Encyclopedia of Country Music Michael McCall, John Rumble, Paul Kingsbury, 2012-02-01 Immediately upon publication in 1998, the Encyclopedia of Country Music became a much-loved reference source, prized for the wealth of information it contained on that most American of musical genres. Countless fans have used it as the source for answers to questions about everything from country's first commercially successful recording, to the genre's pioneering music videos, to what conjunto music is. This thoroughly revised new edition includes more than 1,200 A-Z entries covering nine decades of history and artistry, from the Carter Family recordings of the 1920s to the reign of Taylor Swift in the first decade of the twenty-first century. Compiled by a team of experts at the Country Music Hall of Fame and Museum, the encyclopedia has been brought completely up-to-date, with new entries on the artists who have profoundly influenced country music in recent years, such as the Dixie Chicks and Keith Urban. The new edition also explores the latest and most critical trends within the industry, shedding light on such topics as the digital revolution, the shifting politics of country music, and the impact of American Idol (reflected in the stardom of Carrie Underwood). Other essays cover the literature of country music, the importance of Nashville as a music center, and the colorful outfits that have long been a staple of the genre. The volume features hundreds of images, including a photo essay of album covers; a foreword by country music superstar Vince Gill (the winner of twenty Grammy Awards); and twelve fascinating appendices, ranging from lists of awards to the best-selling country albums of all time. Winner of the Best Reference Award from the Popular Culture Association Any serious country music fan will treasure this authoritative book. --The Seattle Times A long-awaited, major accomplishment, which educators, historians and students, broadcasters and music writers, artists and fans alike, will welcome and enjoy. --The Nashville Musician Should prove a valuable resource to those who work in the country music business. But it's also an entertaining read for the music's true fans. --Houston Chronicle This big, handsome volume spans the history of country music, listing not only artists and groups but also important individuals and institutions. --San Francisco Examiner Promises to be the definitive historical and biographical work on the past eight decades of country music. Well written and heavily illustratedan unparalleled work, worth its price and highly recommended. --Library Journal |
| biggest left turn in music history: Art Music Activism Maria Cristina Fava, 2024-02-27 Surrounded by the widespread misery of the Depression, left-leaning classical music composers sought a musical language that both engaged the masses and gave voice to their concerns. Maria Cristina Fava explores the rich creative milieu shaped by artists dedicated to using music and theater to advance the promotion, circulation, and acceptance of leftist ideas in 1930s New York City. Despite tensions between aesthetic and pragmatic goals, the people and groups produced works at the center of the decade’s sociopolitical and cultural life. Fava looks at the Composers’ Collective of New York and its work on proletarian music and workers’ songs before turning to the blend of experimentation and vernacular idioms that shaped the political use of music within the American Worker’s Theater Movement. Fava then reveals how composers and theater practitioners from these two groups achieved prominence within endeavors promoted by the Works Project Administration. Fava’s history teases out fascinating details from performances and offstage activity attached to works by composers such as Marc Blitzstein, Charles Seeger, Ruth Crawford Seeger, Elie Siegmeister, and Harold Rome. Endeavors encouraged avant-garde experimentation while nurturing innovations friendly to modernist approaches and an interest in non-western music. Blitzstein’s The Cradle Will Rock offered a memorable example that found popular success, but while the piece achieved its goals, it became so wrapped up in myths surrounding workers’ theater that critics overlooked Blitzstein’s musical ingenuity. Provocative and original, Art Music Activism considers how innovative classical composers of the 1930s balanced creative aims with experimentation, accessible content, and a sociopolitical message to create socially meaningful works. |
| biggest left turn in music history: Greece: The Peloponnese Andrew Bostock, Philip Briggs, 2019 This new edition of Bradt's Greece: The Peloponnese with Athens, Delphi and Kythira remains the only dedicated guidebook to the southern part of the Greek mainland and provides more detailed coverage of the peninsula than any other rival book, making it an indispensable read for travellers to this small but fascinating part of Greece. It also incorporates a focussed mini-guide to the Greek capital of Athens and nearby world famous site of Delphi and is particularly strong on off-the-beaten-track sites, background information, accommodation and other subjects of interest for both independent travellers and those travelling as part of a group. Originally written by Andrew Bostock, an expert on Greece and former resident of the Peloponnese, this fourth edition has been updated by Bradt's most prolific and experienced guidebook writer Philip Briggs. Selective listings have been refreshed to reflect a growing trend towards eco-conscious boutique hotels. As with previous editions, in-depth coverage of well-known sites is supplemented by descriptions of lesser-known attractions and independent tours and activities, reflecting the reality that the Peloponnese, more than any other part of Greece, exemplifies the ideals of 'slow travel'. With Bradt's Greece: The Peloponnese, discover hidden villages, sophisticated towns and other top attractions, including one of Europe's most spectacular train journeys and the tower houses of the famed Mani. Explore hidden sites, including places not covered anywhere else. The guide is packed with information on agritourism spots, camping under the stars, rustic tavernas and locally grown produce. For those coming out of high season, revel in the delights of the wildflowers of spring, the joys of the olive harvest in late autumn and skiing opportunities during the winter. Bird life and marine life are also a huge attraction for visitors to the Peloponnese. The guide also focuses on the colourful life of the traditional 'paneyiri' and those who still embrace the Greek spirit of 'philoxenia'. |
| biggest left turn in music history: Soviet Life , 1978 |
| biggest left turn in music history: New York Musical Review and Choral Advocate , 1855 |
| biggest left turn in music history: Billboard , 1972-09-30 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| biggest left turn in music history: The Nonconformist Musical Journal , 1896 |
| biggest left turn in music history: The Journal of Southern History Wendell Holmes Stephenson, 2006 Includes section Book reviews. |
| biggest left turn in music history: Gateways to Understanding Music Timothy Rice, Dave Wilson, 2022-11-14 Gateways to Understanding Music, Second Edition, explores music in all the categories that constitute contemporary musical experience: European classical, popular, jazz, and world music. Covering the oldest forms of human music making to the newest, this chronology presents music from a global rather than a Eurocentric perspective. Each of 60 gateways addresses a particular genre, style, or period of music. Every gateway opens with a guided listening example that unlocks a world of music through careful study of its structural elements. How did the piece come to be composed or performed? How did it respond to the social and cultural issues at the time, and what does that music mean today? Students learn to listen to, explain, understand, and ultimately value all the music they encounter in their world. New to this edition is a broader selection of musical examples that reflect the values of diversity, equity, and inclusion advocated by North American universities. Eight gateways have been replaced. A timeline of gateways helps students see the book’s historical narrative at a glance. Features Values orientation - Diverse, equitable, and inclusive approach to music history. All genres of music - Presents all music as worthy of study, including classical, world, popular, and jazz. Global scope within a historical narrative - Begins with small-scale forager societies up to the present, with a shifting focus from global to European to American influences. Recurring themes - Aesthetics, emotion, social life, links to culture, politics, economics, and technology. Modular framework - 60 gateways - each with a listening example - allow flexibility to organize chronologically or by the seven themes. Consistent structure - With the same step-by-step format, students learn through repeated practice how to listen and how to think about music. Anthology of scores - For those courses that use the textbook in a music history sequence. Gateways to Understanding Music continues to employ a website to host the audio examples and instructor’s resources. |
| biggest left turn in music history: Billboard , 1967-11-11 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| biggest left turn in music history: Ebony , 1996-04 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| biggest left turn in music history: SPIN , 2009-02 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| biggest left turn in music history: The Youngs Jesse Fink, 2014-08-05 The Youngs: The Brothers Who Built AC/DC is unlike any AC/DC book you've read before. Less a biography, more a critical appreciation, it tells the story of the trio through 11 classic rock songs and reveals some of the personal and creative secrets that went into their making. Important figures from AC/DC's long way to the top open up for the very first time, while unsung heroes behind the band's success are given the credit they are due. Accepted accounts of events are challenged while sensational new details emerge to cast a whole new light on the band's history—especially their early years with Atlantic Records in the United States. Former AC/DC members and musicians from bands such as Guns N' Roses, Dropkick Murphys, Airbourne and Rose Tattoo also give their take on the Youngs' brand of magic.Their music has never pulled its punches. Neither does The Youngs. After 40 years, AC/DC might just have gotten the serious book it deserves. |
| biggest left turn in music history: Billboard , 1982-03-27 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| biggest left turn in music history: Music , 1893 |
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