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| best biographies of classical composers: Latin American Classical Composers Martha Furman Schleifer, Gary Galván, 2016-01-28 Now in its third edition, Latin American Classical Composers: A Biographical Dictionary provides a singular English-language resource for biographical information on hundreds of composers from Central and South America and the Hispanic Caribbean. Painstakingly gathered from a wide variety of sources, the information updates and expands previous editions and fills in the gaps left by the other major English-language music dictionaries and encyclopedias. Entries provide biographical data comprising full names, birth and death dates and locations, background, education, and training, as well as selective works lists more than 2,300 composers. An index of composers by country and women composers of Latin America complement the volume. An essential part of any music library, Latin American Classical Composers is an invaluable reference for librarians, musicologists, ethnomusicologists, researchers, and music students. |
| best biographies of classical composers: Tchaikovsky David Brown, 2010-12-22 This volume uniquely combines a lively biography of one of the best-loved composers of the nineteenth century with a detailed chronological guide to much of his oeuvre, from the most popular - Swan Lake or the 1812 Overture - to the lesser known pieces. David Brown enthusiastically and sensitively guides the reader through Tchaikovsky's music in the context of his life. His writing on the music is accessible and informative, both for the professional musician and the keen amateur listener. The biographical writing includes fascinating quotations from the composer's letters, and those of his friends; the Tchaikovsky that emerges is, despite his periodic struggle with depression, a man with a positive attitude to life, and a kind and supportive friend to many around him. This is essential reading for anyone with an interest in Tchaikovsky, his music, or the culture of the time. 'One of the finest one-volume biographies to have appeared in recent years, written with such insight that it feels as though one is on a hot-line to the composer himself . . . by the end I felt I knew Tchaikovsky so much better. A classic.' Classic FM Magazine 'I can't imagine a more intelligently sympathetic treatment of the man and his music.' BBC Music Magazine |
| best biographies of classical composers: The Lives of the Great Composers Harold C. Schonberg, 1981-01-01 Biographies of the important composers from Monteverdi and Bach to Bartok and Webern are designed to show the history of music. |
| best biographies of classical composers: Classical Music Phil G. Goulding, 1995-10-17 MAKE A SOUND INVESTMENT IN CLASSICAL MUSIC Who are the ten most important classical composers? Who in the world was Palestrina? Why did Stravinsky's Rite of Spring cause a riot? Which five of each important composer's works should you buy? What is a concerto and how does it differ from a sonata? Maybe you don't know the answers to these questions; author Phil Goulding certainly didn't. When Goulding first tried to learn about classical music, he found himself buried in an avalanche of technical terms and complicated jargon--so he decided to write the book he couldn't find. The result is a complete classical music education in one volume. Comprehensive, discriminating, and delightfully irreverent, Classical Music provides such essential information as: * Rankings of the top 50 composers (Bach is #1. Borodin is #50) * A detailed and anecdotal look at each composer's life and work * The five primary works of each composer and specific recommended CDs for each. * Further great works of each composer--if you really like him * Concise explanations of musical terminology, forms, and periods * A guide to the parts and history of the symphony orchestra This book uses every conceivable gimmick to immerse readers in the richness of classical music: lists, rankings, sidebars devoted to lively anecdotes, and catchy leads. --The Washington Post One terrific music appreciation book...The information is surprisingly detailed but concisely presented. Goulding's writing style is breezy yet mature....[He] has raised music appreciation from a racket to a service. --The Arizona Daily Star |
| best biographies of classical composers: Language of the Spirit Jan Swafford, 2017-04-11 A preeminent composer, music scholar, and biographer presents an engaging and accessible introduction to classical music For many of us, classical music is something serious -- something we study in school, something played by cultivated musicians at fancy gatherings. In Language of the Spirit, renowned music scholar Jan Swafford argues that we have it all wrong: classical music has something for everyone and is accessible to all. Ranging from Gregorian chant to Handel's Messiah, from Vivaldi's The Four Seasons to the postmodern work of Philip Glass, Swafford is an affable and expert guide to the genre. He traces the history of Western music, introduces readers to the most important composers and compositions, and explains the underlying structure and logic of their music. Language of the Spirit is essential reading for anyone who has ever wished to know more about this sublime art. |
| best biographies of classical composers: The Great German Composers George Titus Ferris, 1895 |
| best biographies of classical composers: The Vintage Guide to Classical Music Jan Swafford, 1992-12-15 The most readable and comprehensive guide to enjoying over five hundred years of classical music -- from Gregorian chants, Johann Sebastian Bach, and Wolfgang Amadeus Mozart to Johannes Brahms, Igor Stravinsky, John Cage, and beyond. The Vintage Guide to Classical Music is a lively -- and opinionated -- musical history and an insider's key to the personalities, epochs, and genres of the Western classical tradition. Among its features: -- chronologically arranged essays on nearly 100 composers, from Guillaume de Machaut (ca. 1300-1377) to Aaron Copland (1900-1990), that combine biography with detailed analyses of the major works while assessing their role in the social, cultural, and political climate of their times; -- informative sidebars that clarify broader topics such as melody, polyphony, atonality, and the impact of the early-music movement; -- a glossary of musical terms, from a cappella to woodwinds; -- a step-by-step guide to building a great classical music library. Written with wit and a clarity that both musical experts and beginners can appreciate, The Vintage Guide to Classical Music is an invaluable source-book for music lovers everywhere. |
| best biographies of classical composers: The Gift of Music Jane Stuart Smith, Betty Carlson, 1995 Fascinating descriptions of forty leading composers whose faith, or lack of it, had an influence on Western civilization. Indexed. Great for all students of music. |
| best biographies of classical composers: Women Composers of Classical Music Mary F. McVicker, 2011-02-14 As early as the 1500s, a surprising number of women have composed classical music. Many were successful, finding venues for both publishing and performing their music; others found the social barriers for women impossible to overcome. This book provides access to these composers, both well known and obscure. Arranged chronologically by era, the profiles are further divided into countries. For each female composer within a country, a brief biographical sketch is provided, as well as a description of her body of work. This text also includes an extensive timeline of operatic works by female composers. |
| best biographies of classical composers: Johann Sebastian Bach Christoph Wolff, 2002 Now available in paperback, this landmark biography was first published in 2000 to mark the 250th anniversary of J. S. Bach's death. Written by a leading Bach scholar, this book presents a new picture of the composer. Christoph Wolff demonstrates the intimate connection between Bach's life and his music, showing how the composer's superb inventiveness pervaded his career as a musician, composer, performer, scholar, and teacher. |
| best biographies of classical composers: The Rest Is Noise Alex Ross, 2007-10-16 Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music. |
| best biographies of classical composers: Beethoven Edmund Morris, 2009-10-13 From the Pulitzer Prize and National Book Award-winning author, “an ideal starting point toward ultimate Beethoven appreciation” (Entertainment Weekly). Ludwig van Beethoven (1770–1827) was a genius so universal that his popularity, extraordinary even during his lifetime, has never ceased to grow. It now encircles the globe: Beethoven’s most famous works are as beloved in Beijing as they are in Boston. Edmund Morris, the author of three bestselling presidential biographies and a lifelong devotee of Beethoven, brings the great composer to life as a man of astonishing complexity and overpowering intelligence. A gigantic, compulsively creative personality unable to tolerate constraints, he was not so much a social rebel as an astute manipulator of the most powerful and privileged aristocrats in Germany and Austria, at a time when their world was threatened by the rise of Napoleon Bonaparte. But Beethoven’s achievement rests in his immortal music. Struggling against progressive, incurable deafness (which he desperately tried to keep secret), he nonetheless produced towering masterpieces, such as his iconic Fifth and Ninth symphonies. With sensitivity and insight, Edmund Morris illuminates Beethoven’s life, including his interactions with the women he privately lusted for but held at bay, and his work, whose grandeur and beauty were conceived “on the other side of silence.” “Vivid . . . Morris deftly sorts his way through Beethoven’s biography.” —The New York Times Book Review “Brilliant . . . superb, elegant writing . . . every word as masterly as the notes of the artist it illuminates.” —Christopher Buckley, Forbes |
| best biographies of classical composers: Beethoven Jan Swafford, 2014-09-02 Sunday Times Classical Music Book of the Year 'Magisterial, warm, and engaging . . . A triumph of scholarship and musical affinity . . . Jan Swafford is to be saluted.' Independent Jan Swafford's biographies of composers Charles Ives and Johannes Brahms have established him as a revered music historian, capable of bringing his subjects vibrantly to life. His magnificent new biography of Ludwig van Beethoven peels away layers of legend to get to the living, breathing human being who composed some of the world's most iconic music. Swafford mines sources never before used in English-language biographies to reanimate the revolutionary ferment of Enlightenment-era Bonn, where Beethoven grew up and imbibed the ideas that would shape all of his future work. Swafford then tracks his subject to Vienna, capital of European music, where Beethoven built his career in the face of critical incomprehension, crippling ill health, romantic rejection, and 'fate's hammer', his ever-encroaching deafness. At the time of his death he was so widely celebrated that over ten thousand people attended his funeral. This book is a biography of Beethoven the man and musician, not the myth, and throughout, Swafford - himself a composer - offers insightful readings of Beethoven's key works. More than a decade in the making, this will be the standard Beethoven biography for years to come. |
| best biographies of classical composers: The Complete Classical Music Guide DK, 2020-08-11 What makes Mozart's music so great? Why does a minor chord sound sad and a major chord sound happy? What's the difference between opera and operetta? From Bach to Bernstein, this definitive guide offers a complete survey of the history of classical music. Whether you already love classical music or you're just beginning to explore it, The Complete Classical Music Guide invites you to discover the spirituality of Byrd's masses, the awesome power of Handel's Messiah, and the wonders of Wagner's operas, as well as hundreds of more composers and their masterpieces. This guide takes you on a journey through more than 1,000 years, charting the evolution of musical instruments, styles, and genres. Biographies of major and lesser-known composers offer rich insights into their music and the historical and cultural contexts that influenced their genius. The book explores the features that defined each musical era - from the ornate brilliance of the Baroque, through the drama of Romantic music, to contemporary genres such as minimalism and electronic music. Timelines, quotes, and color photographs give a voice to this music and the exceptionally gifted individuals who created it. |
| best biographies of classical composers: The Lives and Times of the Great Composers Michael Steen, 2011-07-01 'A glorious plum-pudding of a book, to be consulted, with pleasure and profit, over and over again' Sir Jeremy Isaacs Michael Steen's 'Great Composers' was originally published in 2003. A lifetime's work and almost 1000 pages long, it has since become 'the' reference point and key read on the biographical backgrounds to classical music's biggest names. Authoritative and hugely detailed - but nonetheless a joy to read - this new edition will expand its readership further and capitalise on a newfound popular interest in classical music. Steen's book helps you explore the story of Bach, the respectable burgher much of whose vast output was composed amidst petty turf disputes in Lutheran Leipzig; or the ugly, argumentative Beethoven in French-occupied Vienna, obsessed by his laundry; or Mozart, the over-exploited infant prodigy whose untimely death was shrouded in rumour. Read about Verdi, who composed against the background of the Italian Risorgimento; or about the family life of the Wagners; and, Brahms, who rose from the slums of Hamburg to become a devotee of beer and coffee in fin-de-siecle Vienna, a cultural capital bent on destroying Mahler ... and much, much more. |
| best biographies of classical composers: Mozart Jan Swafford, 2020-12-08 From the acclaimed composer and biographer Jan Swafford comes the definitive biography of one of the most lauded musical geniuses in history, Wolfgang Amadeus Mozart. At the earliest ages it was apparent that Wolfgang Mozart’s singular imagination was at work in every direction. He hated to be bored and hated to be idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun. Mozart was known to be an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to a leap over the furniture. He was forever drumming on things, tapping his feet, jabbering away, but who could grasp your hand and look at you with a profound, searching, and melancholy look in his blue eyes. Even in company there was often an air about Mozart of being not quite there. It was as if he lived onstage and off simultaneously, a character in life’s tragicomedy but also outside of it watching, studying, gathering material for the fabric of his art. Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself. |
| best biographies of classical composers: Let's Meet Famous Composers Harriet R. Kinghorn, Jacqueline Badman, Lisa Lewis-Spicer, 1992 Composers are: Bach, Beethoven, Bernstein, Brahms, Chopin, Ellington, Gershwin, Handel, Haydn, Mendelssohn, Mozart, Porter, Prokofiev, Schubert, Schumann, Tchaikovsky, Vivaldi. |
| best biographies of classical composers: Beethoven John Suchet, 2013-12-02 “An ideal ‘first book’ on Beethoven” from one of the world’s most eminent classical music aficionados (Booklist). Beethoven scholar and classical radio host John Suchet has had a lifelong, ardent interest in the man and his music. Here, in his first full-length biography, Suchet illuminates the composer’s difficult childhood, his struggle to maintain friendships and romances, his ungovernable temper, his obsessive efforts to control his nephew’s life, and the excruciating decline of his hearing. This absorbing narrative provides a comprehensive account of a momentous life, as it takes the reader on a journey from the composer’s birth in Bonn to his death in Vienna. Chronicling the landmark events in Beethoven’s career—from his competitive encounters with Mozart to the circumstances surrounding the creation of the well-known “Für Elise” and Moonlight Sonata—this book enhances understanding of the composer’s character, inspiring a deeper appreciation for his work. Beethoven scholarship is constantly evolving, and Suchet draws on the latest research, using rare source material (some of which has never before been published in English) to paint a complete and vivid portrait of the legendary prodigy. “A gripping and thought-provoking read.” —Howard Shelley, pianist and conductor “By exercising a genuine authority in identifying how Beethoven, the man, manifests himself in our appreciation of the music, Suchet brings an incisive freshness to an extraordinary life.” —Jonathan Freeman-Attwood, Principal of the Royal Academy of Music |
| best biographies of classical composers: Words Without Music Philip Glass, 2015-03-31 Rapturous in its ability to depict the creative process, Words Without Music allows readers to experience that sublime moment of creative fusion when life merges with art. Biography lovers will be inspired by the story of a precocious Baltimore boy, the son of a music-shop owner, who entered college at age fifteen, before traveling to Paris to study under the legendary Nadia Boulanger; Glass devotees will be fascinated by the stories behind Einstein on the Beach and Satyagraha, among so many other works. Whether recalling his experiences working at Bethlehem Steel, traveling in India, driving a cab in 1970s New York, or his professional collaborations with the likes of Allen Ginsberg, Ravi Shankar, Robert Wilson, Doris Lessing, and Martin Scorsese, Words Without Music affirms the power of music to change the world. |
| best biographies of classical composers: Complete Book of Classical Music , 1965 |
| best biographies of classical composers: Debussy Stephen Walsh, 2018-02-27 Debussy's life is of extraordinary interest because, like Wagner and Stravinsky, he crossed artistic boundaries, associating as much with poets and artists as with musicians. His father was active in the 1871 Paris Commune and the composer's childhood was thus unsettled, his musical preparation erratic, and his subsequent lifestyle somewhat bohemian by the bourgeois norms of the French musical establishment. He never went to a proper school, but was enough of a pianist to enter the Paris Conservatoire at the age of 10. Whilst still a student he rebelled against the academy-taught rules of composition and constructed a language of his own, in constant rebellion against the heavy Wagnerian influence prevalent at that time. In the early 1900s he worked in Paris as a music critic. His own music during these years includes some of the greatest and most influential works of the early twentieth century: the opera Pelléas et Mélisande, his orchestral masterpieces La Mer and Images, a series of profoundly original piano works (including two books of Préludes), and the ballet Jeux, premiered in Diaghilev's 1913 season just before Stravinsky's Rite of Spring (which Debussy attended). His later years were plagued by the rectal cancer that eventually killed him in 1918. But he continued to compose until 1917 This was a period of political and cultural turmoil in French life, the Franco-Prussian war and its aftermath, the Dreyfus affair with its religious and military undercurrents, the general instability of the Third Republic, and the First World War. Stephen Walsh's study combines chronological biography with a contextualised picture placing Debussy in the broad artistic and social environment of turn-of-the-century France, making this a significant contribution to the cultural history of the time. |
| best biographies of classical composers: The Great Composers Wendy Thompson, 2001 This new authoritative reference provides an illustrated guide to the most influential western composers of classical music: the ones who have defined or developed particular styles of composition, and who have created for themselves a significant place in music history. |
| best biographies of classical composers: Guillaume de Machaut Lawrence Earp, 2013-08-21 First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company. |
| best biographies of classical composers: Stories of the Great Composers: Book & CD Maurice Hinson, June C. Montgomery, 2000-07 It is important that young students learn about the lives of the great composers who have enriched our lives with beautiful music. The 12 units in Stories of the Great Composers give elementary students a glimpse into each composer's life, character and music. Includes a CD recording of the suggested listening, featuring one composition by each composer. |
| best biographies of classical composers: George Gershwin Howard Pollack, 2007-01-15 This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials—including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982—to create an expansive chronicle of Gershwin’s meteoric rise to fame. He also traces Gershwin’s powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses. Pollack’s lively narrative describes Gershwin’s family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin’s entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours. |
| best biographies of classical composers: Samuel Barber Barbara B. Heyman, 2020 Samuel Barber (1910-1981) is one of the most admired and honored American composers of the twentieth century. An unabashed Romantic, largely independent of worldwide trends and the avant-garde, he infused his works with poetic lyricism and gave tonal language and forms new vitality. His rich legacy includes every genre, including the famous Adagio for Strings, Knoxville: Summer of 1915, three concertos, a plethora of songs, and two operas, the Pulitzer prize-winning Vanessa, and Antony and Cleopatra, the commissioned work that opened the new Metropolitan Opera House at Lincoln Center in 1966. Generously documented by letter, sketches, autograph manuscripts, and interviews with friends, colleagues, and performers with whom he worked, this ASCAP-Award winning book is still unquestionably the most authoritative biography on Barber, covering his entire career and interweaving the events of his life with his compositional process. This second edition benefits from many new discoveries, including a Violin Sonata recovered from an artist's estate, a diary Barber kept his seventeenth year, a trove of letters and manuscripts that were recovered from a suitcase found in a dumpster, documentation that dispels earlier myths about the composition of Barber's Violin Concerto, and research of scholars that was stimulated by Heyman's work. Barber's intimate relations are discussed when they bear on his creativity. A testament to the lasting significance of Romanticism, Samuel Barber stands as a model biography of an important musical figure. |
| best biographies of classical composers: Sergei Rachmaninoff Sergei Bertensson, 2017-04-07 Throughout his career as composer, conductor, and pianist, Sergei Rachmaninoff (1873-1943) was an intensely private individual. When Bertensson and Leyda’s 1956 biography appeared, it lifted the veil of secrecy from several areas of Rachmaninoff’s life, especially concerning the genesis of his compositions and how their critical reception affected him. The authors consulted a number of people who knew Rachmaninoff, who worked with him, and who corresponded with him. Even with the availability of such sources and full access to the Rachmaninoff Archive at the Library of Congress, Bertensson and Leyda were tireless in their pursuit of privately held documents, particularly correspondence. The wonderfully engaging product of their labors masterfully incorporates primary materials into the narrative. Almost half a century after it first appeared, this volume remains essential reading. Sergei Bertensson, who knew Rachmaninoff, published other works on music and film, often with a documentary emphasis. |
| best biographies of classical composers: Instrumental James Rhodes, 2017-02-07 An intense, eloquent, and appropriately furious memoir with the transporting beauty of classical music . . . The cumulative effect of the literary concert [Rhodes] gives in these pages is transcendence, both for him and for the reader. --Los Angeles Review of Books “A mesmeric combination of vivid, keen, obsessive precision and raw, urgent energy.” --Zoe Williams, The Guardian James Rhodes's passion for music has been his lifeline--the thread that has held through a life encompassing abuse and turmoil. But whether listening to Rachmaninov on a loop as a traumatized teenager or discovering a Bach adagio while in a hospital ward, he survived his demons by encounters with musical miracles. These--along with a chance encounter with a stranger--inspired him to become the renowned concert pianist he is today. Instrumental is a memoir like no other: unapologetically candid, boldly outspoken, and surprisingly funny--shot through with a mordant wit, even in its darkest moments. A feature film adaptation of Rhodes's incredible story is now in development from Monumental Pictures and BBC Films, following a competitive bidding war involving major U.S. and U.K. companies. An impassioned tribute to the therapeutic powers of music, Instrumental also weaves in fascinating facts about how classical music actually works and about the extraordinary lives of some of the great composers. It explains why and how music has the potential to transform all of our lives. |
| best biographies of classical composers: The Letters of Mozart and his Family Wolfgang Amadeus Mozart, Stanley Sadie, Fiona Smart, 1989-05-29 This study has been revised to include new finds about the composition dates of several Mozart works. A new bibliography and a collation with the Neue Mozart-Ausgabe edition of letters, edited by O.E.Deutsch, W.A.Bauer and J.H.Eibl: Baerenreiter, 1962-75 is also included. |
| best biographies of classical composers: Wolfgang Amadeus Mozart and Ludwig Van Beethoven: Masters of Classical Music. the Biography Collection The History Hour, 2019-02-18 Probably the most naturally gifted musician the world has ever known, Mozart began his career early as a child prodigy. By the age five, he was already proficient on the violin, the harpsichord and piano keyboard, and had begun composing music that had integrity. He was a showman as well, according to contemporary documents, and charmed many of the crowned heads of Europe with his performance and his manner.Inside you'll read aboutEarly Years of ProdigyThe Grand Tour 1763-66Setbacks and Success in ViennaThe Solo Trip to ItalySalzburg to ViennaAugsburg, Mannheim, Paris, and MunichMunich and IdomeneoAnd much more!Unlike other child prodigies though, Mozart developed gradually into a mature musician, composing operas, concertos, forty-one symphonies, string quartets, piano sonatas, and many other kinds of music. Although he died when he was only thirty-five years old, he is still one of the most prolific composers who ever lived.***Ludwig van Beethoven is a crucial figure in the transition between the Classical and Romantic eras in Classical music. Beethoven displayed his musical talents at an early age and was taught by his father Johann van Beethoven and by composer and conductor Christian Gottlob Neefe.Inside you'll read aboutBackground and early lifeEstablishing his career in ViennaMusical maturityLoss of hearingPatronageMiddle periodPersonal and family difficultiesLate worksIllness and deathAnd much more!At the age of 21, he moved to Vienna, where he began studying composition with Joseph Haydn and gained a reputation as a virtuoso pianist. He lived in Vienna until his death. By his late 20s his hearing began to deteriorate, and by the last decade of his life, he was almost completely deaf. In 1811 he gave up conducting and performing in public but continued to compose; many of his most admired works come from these last 15 years of his life. |
| best biographies of classical composers: Mozart Robert W. Gutman, 2001-07-05 Mozart- A Cultural Biography is a fresh interpretation of a musical genius, meticulously researched and gracefully written. It places Mozart's life and music in the context of the intellectual, political, and artistic currents of eighteenth-century Europe. Even as he delves into philosophic and aesthetic questions, Robert Gutman keeps in sight, clearly and firmly, the composer and his works. He discusses the major genres in which Mozart worked - chamber music, liturgical, theatre, and keyboard compositions, concerto, symphony, opera and oratorio. All of these riches unfold within the framework of the composer's brief but remarkable life |
| best biographies of classical composers: Who Is Florence Price? , 2021-09-30 Florence loved her mother's piano playing and wanted to be just like her. When she was just four years old she played her first piano concert and as she grew up she studied and wrote music hoping one day to hear her own music performed by an orchestra. This is the story of a brilliant musician who prevailed against race and gender prejudices to become the first Black woman to be recognised as a symphonic composer and be performed by a major American orchestra in 1933. |
| best biographies of classical composers: The Life of Schubert Christopher H. Gibbs, 2015-03-05 Franz Schubert's tragically short life was lived in one of Europe's most richly musical cities: a Vienna that worshipped Beethoven and where Rossini and Paganini drew crowds. Christopher Gibbs considers how and what Schubert composed, taking a fresh look at this misunderstood composer, particularly the unfolding of his professional career, his relationship to Beethoven, the growth of his reputation and public image and his darker side of drinking, depression and sexual ambiguity. This searching and sympathetic biography questions the customary sentimental clichés and the recent revisionist views concerning this elusive genius. |
| best biographies of classical composers: Franz Liszt Oliver Hilmes, 2016 An engrossing new biography of the musical revolutionary who was the world s first international megastar |
| best biographies of classical composers: Every Good Boy Does Fine Jeremy Denk, 2022-03-03 THE NEW YORK TIMES BESTSELLER 'A virtuosic memoir . . . elegant, frank and well-structured, that entirely resists cliche . . . readable for both diehard classical music fans and complete newcomers alike . . . A rare feat.' - The Guardian A uniquely illuminating memoir of the making of a musician, in which renowned pianist Jeremy Denk explores what he learned from his teachers about classical music: its forms, its power, its meaning - and what it can teach us about ourselves. In this searching and funny memoir, based on his popular New Yorker article, renowned pianist Jeremy Denk traces an implausible journey. Life is difficult enough as a precocious, temperamental, and insufferable six-year-old piano prodigy in New Jersey. But then a family meltdown forces a move to New Mexico, far from classical music’s nerve centers, and he has to please a new taskmaster while navigating cacti, and the perils of junior high school. Escaping from New Mexico at last, he meets a bewildering cast of college music teachers, ranging from boring to profound, and experiences a series of humiliations and triumphs, to find his way as one of the world’s greatest living pianists, a MacArthur 'Genius,' and a frequent performer at Carnegie Hall. There are few writers working today who are willing to eloquently explore both the joys and miseries of artistic practice. Hours of daily repetition, mystifying early advice, pressure from parents and teachers who drove him on – an ongoing battle of talent against two enemies: boredom and insecurity. As we meet various teachers, with cruel and kind streaks, Denk composes a fraught love letter to the act of teaching. He brings you behind the scenes, to look at what motivates both student and teacher, locked in a complicated and psychologically perilous relationship. In Every Good Boy Does Fine, Denk explores how classical music is relevant to 'real life,' despite its distance in time. He dives into pieces and composers that have shaped him – Bach, Mozart, Schubert, and Brahms, among others – and gives unusual lessons on melody, harmony, and rhythm. Why and how do these fundamental elements have such a visceral effect on us? He tries to sum up many of the lessons he has received, to repay the debt of all his amazing teachers; to remind us that music is our creation, and that we need to keep asking questions about its purpose. 'Denk . . . has written a book that shows what it’s like to be a pianist, but also what it’s like to be Jeremy Denk. As if that were not enough, it is also about the elements of music, and beyond that an account of the ways in which music and life mirror each other. It is a book like none other' - Simon Callow, The New York Review of Books |
| best biographies of classical composers: Fryderyk Chopin Dr. Alan Walker, 2025-12-23 A New York Times Book Review Editors' Choice. The Sunday Times (U.K.) Classical Music Book of 2018 and one of The Economist's Best Books of 2018. A magisterial portrait. --Corinna da Fonseca-Wollheim, The New York Times Book Review A landmark biography of the Polish composer by a leading authority on Chopin and his time Based on ten years of research and a vast cache of primary sources located in archives in Warsaw, Paris, London, New York, and Washington, D.C., Alan Walker’s monumental Fryderyk Chopin: A Life and Times is the most comprehensive biography of the great Polish composer to appear in English in more than a century. Walker’s work is a corrective biography, intended to dispel the many myths and legends that continue to surround Chopin. Fryderyk Chopin is an intimate look into a dramatic life; of particular focus are Chopin’s childhood and youth in Poland, which are brought into line with the latest scholarly findings, and Chopin’s romantic life with George Sand, with whom he lived for nine years. Comprehensive and engaging, and written in highly readable prose, the biography wears its scholarship lightly: this is a book suited as much for the professional pianist as it is for the casual music lover. Just as he did in his definitive biography of Liszt, Walker illuminates Chopin and his music with unprecedented clarity in this magisterial biography, bringing to life one of the nineteenth century’s most confounding, beloved, and legendary artists. |
| best biographies of classical composers: Béla Bartók Benjamin Suchoff, 2001 Overview: This compilation of essays, lectures, and scholarly papers on Bartok studies from 1953 to the present includes insights obtained by the author over a half-century career as a Bartok specialist. Divided into three parts, chapters examine Bartok as a multifaceted music figure: composer, folklorist, pianist, and teacher. As composer, it includes program notes, an introduction to his principles of composition, and theoretic-analytical discussion of selected works, including Mikrokosmos. As folklorist, it examines the outcome of Bartok's fieldwork, methodology, and findings in East European, Arabic, and Turkist autochthonous folk music materials. Bartok's American years are also discussed. The narrative is supported by a substantial number of musical examples and references. |
| best biographies of classical composers: Getting to Know the World's Greatest Composers (Spring 2017 Set Of 4) Scholastic Library Publishing, 2017-02 These books are without a doubt the definitive - and most entertaining - biographies of great composers for young readers. Author/artist Mike Venezia provides hilarious, cartoon-style illustrations to complement his easy-to-read text. These books will help children get to know the world's greatest composers |
| best biographies of classical composers: Opera as Drama Joseph Kerman, 1959 |
| best biographies of classical composers: The 100 Greatest Composers and Their Musical Works Gary A. Smook, 2019-06-10 His fascinating exploration takes you inside the rich music and colorful lives of the world’s greatest classical composers. From Bach to Stravinsky and beyond, you will learn how the unique life stories of these gifted composers are reflected in the musical masterpieces that we enjoy to this day. Designed as an introductory book on classical music, this comprehensive collection presents biographical snapshots of the major composers in the context of distinct historical and stylistic periods and in relation to their notable contemporaries. Special attention is given to recognizing their prominent musical works. The book delineates the many forms of instrumental and vocal music; and it explores the “basics” of tonality, musical structure, performance criteria, the orchestra and its instruments, orchestration, chamber music, and the cataloguing of musical works. As well, the newcomer to classical music will find advice on building a musical library. This book is an excellent source of information about classical music in a unique and entertaining format. It will help lay the foundation for a lifelong love of classical music, through the great musical heritage of these fine composers. |
difference - "What was best" vs "what was the best"? - English Lan…
Oct 18, 2018 · On the linked page, best is used as an adverb, modifying the verb knew. In that context, the phrase the best can also be used as if it were an adverb. The meaning is approximately the same in that case. In …
adverbs - About "best" , "the best" , and "most" - English Language ...
Oct 20, 2016 · I like you best. I like chocolate best, better than anything else. can be used when what one is choosing from is not specified. I like you the best. Between chocolate, vanilla, and strawberry, I like …
articles - "it is best" vs. "it is the best" - English Language ...
Jan 2, 2016 · This is the best car in the garage. We use articles like the and a before nouns, like car. The word "best" is an adjective, and adjectives do not take articles by themselves. Because the noun car is modified by the …
expressions - "it's best" - how should it be used? - English Langu…
Dec 8, 2020 · 3 "It's best (if) he (not) buy it tomorrow." is not a subjunctive form, and some options do not work well. 3A It's best he buy it tomorrow. the verb tense is wrong with 3A. Better would be: 3A1. It's best that …
word choice - "his best-seller book" or "his best-selling book ...
Jun 12, 2016 · @J.R. If something is a New York Times Best Seller, the whole five word string is the adjective in use to modify book, although why book is specified is beyond me; perhaps to distinguish it from a "best …
difference - "What was best" vs "what was the best"? - English …
Oct 18, 2018 · On the linked page, best is used as an adverb, modifying the verb knew. In that context, the phrase the best can also be used as if it were an adverb. The meaning is …
adverbs - About "best" , "the best" , and "most" - English …
Oct 20, 2016 · I like you best. I like chocolate best, better than anything else. can be used when what one is choosing from is not specified. I like you the best. Between chocolate, vanilla, and …
articles - "it is best" vs. "it is the best" - English Language ...
Jan 2, 2016 · This is the best car in the garage. We use articles like the and a before nouns, like car. The word "best" is an adjective, and adjectives do not take articles by themselves. …
expressions - "it's best" - how should it be used? - English …
Dec 8, 2020 · 3 "It's best (if) he (not) buy it tomorrow." is not a subjunctive form, and some options do not work well. 3A It's best he buy it tomorrow. the verb tense is wrong with 3A. Better would …
word choice - "his best-seller book" or "his best-selling book ...
Jun 12, 2016 · @J.R. If something is a New York Times Best Seller, the whole five word string is the adjective in use to modify book, although why book is specified is beyond me; perhaps to …
Word choice - Way of / to / for - Way of / to / for - English …
Jun 16, 2020 · The best way to use "the best way" is to follow it with an infinitive. However, this is not the only way to use the phrase; "the best way" can also be followed by of with a gerund: …
plural forms - It's/I'm acting in your best interest/interests ...
Dec 17, 2014 · have someone's (best) interests at heart (=want to help them): He claims he has only my best interests at heart. be in someone's/something's (best) interest(s) (=bring an …
"Best regards" vs. "Best Regards" - English Language Learners …
Dec 28, 2013 · The rule for formal letters is that only the first word should be capitalized (i.e. "Best regards"). Emails are less formal, so some of the rules are relaxed. That's why you're seeing …
Would be or will be - English Language Learners Stack Exchange
Oct 1, 2019 · It indicates items that (with the best understanding) are going to happen. Would is a conditional verb form. It states that something happens based on something else. Sometimes …
What is the correct usage of "deems fit" phrase?
Nov 15, 2016 · This plan of creating an electoral college to select the president was expected to secure the choice by the best citizens of each state, in a tranquil and deliberate way, of the …
