Bohdan Boychuk

  bohdan boychuk: Memories of Love Bohdan Boĭchuk, Mark Rudman, David Ignatow, 1989
  bohdan boychuk: The Couple Mark Rudman, 2012-01-01 In his Rider trilogy, Mark Rudman perfected a mixed genre form — combining dialogue, lyric and prose. While employing some of the same techniques that have become signature Rudman — the compact, colloquial line, dazzling shifts from popular culture to classical history — The Couple also breaks new ground. This new book is a collection of discrete poems organized around four poem sequences, Long-Stemmed Rose, The Shallowness of the Lake, Perseus Surprised, Andromeda Unbound, and Fragile Craft. As the title suggests, the theme of relationships, both dark and erotically-charged, emerges here as Rudman's focus. The couples in the book include parents, lovers, a young boy and girl in elementary school, Perseus and Andromeda, Mary Ure and Robert Shaw, and Dean Martin and Jerry Lewis.
  bohdan boychuk: Realm of Unknowing Mark Rudman, 2012-01-01 Powerful meditations on the nature and limits of human understanding.
  bohdan boychuk: My Sister--life Boris Leonidovich Pasternak, 2001 In Russian poetry, Boris Pasternak's My Sister-Life is the equivalent of The Waste Land, Spring, and Harmonium. Written in 1917, the cycle of poems in My Sister-Life concentrates on personal journeys and loves, but is permeated by the tension and promise of the impending October revolution. Pasternak is an uncompromisingly complex poetic stylist, and his meticulous attention to structure, etymology, and phonetic qualities of words makes his poetry a formidable challenge for the translator.
  bohdan boychuk: The Refugee Experience Wsevolod W. Isajiw, Yuri Boshyk, Roman Senkus, 1992
  bohdan boychuk: Sundays on the Phone Mark Rudman, 2005-10-20 Intimate account of the fierce, unsettling connection between son and mother.
  bohdan boychuk: The Tears and Smiles of Things Andriy Sodomora, 2024-03-12 An evocative collection of vignettes and essays from Ukraine’s “voice” of classical antiquity, now available in English for the first time. Inspired by Virgil’s exquisitely ambivalent phrase “sunt lacrimae rerum” (there are tears of/for/in things), Andriy Sodomora, the Ukrainian “voice” of classical antiquity, has produced a series of original vignettes and essays about things: the big things in our lives (like happiness, loneliness, and aging); the small things we do or see daily, rarely paying attention to them (like a tree’s shadow or the kernels on an ear of corn); and the things (i.e., objects) to which we form connections. The selected stories presented here are the first English translations of Sodomora’s profoundly intellectual and intertextual prose. Through his nostalgic memories and recollections, Sodomora takes readers on a journey through western Ukraine, as well as through world literature, from ancient Greece and Rome to the poetry of Paul Verlaine and Federico García Lorca. This book has been published with the support of the Translate Ukraine Translation Program.
  bohdan boychuk: The Book of Samuel Mark Rudman, 2009-03-21 Crisis, breakdown, rejuvenation: this is the territory of poetry that Rudman takes readers into with this set of essays. Constructed as a series of character studies, the essays are rooted in autobiographical material with biographical counterpoints, tying the poets distinctly to places. Even as they are placed, however, they are displaced: Rudman's subjects, from D.H. Lawrence to Czeslaw Milosz to T. S. Eliot, are almost all exiles, either geographically or within themselves. This exile spins anger into energy, transmuting emotion into imagination the same way that Passaic Falls, known to William Carlos Williams, turns water into power. The mosaic style of the essays touches on nerve after nerve, avoiding the snags of academic jargon to ease towards an illuminating truth about the artists' shifting work and worlds. Some of the Samuels—Beckett and Fuller—were able to navigate these shifts, while others--Coleridge and Johnson--are shown to be less able to transmute their energy into motion.
  bohdan boychuk: The Essential Poetry of Bohdan Ihor Antonych Bohdan-Ihor Antonych, 2010 The essential Poetry of Bohdan Ihor Antonych: Estasies and Elegies includes ninety-one of the best works of this great Modernist Ukrainian poet, who was born in the Lemko region of Poland and who died in 1937 at the age of twenty-eight. It includes selections from A Greeting to Life (1931), The Grand Harmony (1932-33), Three Rings (1934), The Book of the Lion (1936), The Green Gospel (1938), and Rotations (1938), as well as poetry published outside of collections. Over half of the translations are appearing in English for the first time. Scholars have compared Antonych to Walt Whitman, Dylan Thomas, T.S. Eliot, Rainer Marie Rilke, and Federico Garcia Lorca. Michael M. Naydan is Woskob Family Professor of Ukrainian Studies at The Pennsylvanina State University. Lidia Stefania is Senior Researcher at the Polish Academy of Sciences.
  bohdan boychuk: The Millennium Hotel Mark Rudman, 1996 In this captivating sequel to his award-winning Rider, Mark Rudman reclaims a sacred space for poetry. The Millennium Hotel is a world of dazzling imitations, a vast casino where personal narrative is recognized as a fiction and death always holds the winning hand. Rudman asks, How not to be seduced by the new? as he illustrates the intimate ways in which facade, gender, and memory inform both our private and public realms. Here the interlocutor's voice shifts and freely crosses gender lines, especially in poems about early erotic experience. Mothers, daughters, lovers, and wives are passionately engaged. Its inclusiveness and wide range of tonal registers enable The Millennium Hotel to blend seamlessly the intimate, the social, the comic, and the apocalyptic. The book moves like a series of sonatas, melding childhood, the diaspora, and eros.
  bohdan boychuk: The Selected Poetry of Bohdan Rubchak Bohdan Rubchak, 2021-06-07 Only a handful of prominent émigré Ukrainian poet-scholar Bohdan Rubchak’s poems have appeared in English translation prior to the publication of this volume. Rubchak died in 2018 at the age of 83 after publishing six collections of poetry, the last for which he received the prestigious Pavlo Tychyna Prize in Ukraine in 1993. Rubchak was part of the extremely talented displaced generation that escaped from the traumatic experiences of World War II to find a new life and creative inspiration in a new land. As an integral part of the New York Group of Ukrainian poets, his complex, at times seemingly cryptic poetry, makes the translator’s task imposing. His poems are filled with meaning on multiple levels – semantic, syntactic, auditory, symbolic, and allusive. The volume, co-translated by Michael M. Naydan and Svitlana Budzhak-Jones, includes selections from all six of Rubchak’s published collections of poetry: The Stone Garden (1956), The Radiant Betrayal (1960), The Girl without a Country (1963), A Personal Clio (1967), Drowning Marena that appeared as part of The Wing of Icarus (1983) selected works volume, and the expanded selected works edition The Wing of Icarus (1991), which was the poet’s only collection of poetry published in Ukraine. The book also contains an intimate and revealing biographical essay based on the poet’s unpublished diaries by his wife of over fifty years Marian J. Rubchak, illuminating essays on his poetry by Svitlana Budzhak-Jones and Mykola Riabchuk, and a brief biographical essay and timeline by Michael M. Naydan, the editor of the volume.
  bohdan boychuk: The Grand Harmony Bohdan Ihor Antonych, 2018-01-01 The extraordinarily inventive Ukrainian poet and literary critic Bohdan Ihor Antonych (1909-1937), the son of a Catholic priest, died prematurely at the early age of 28 of pneumonia. Originally from the mountainous Lemko region in Poland, where a variant of Ukrainian is spoken, he was home-schooled for the first eleven years of his life because of frequent illness. He began to write poetry in Ukrainian after he moved to the Western Ukrainian city of Lviv to continue his studies at the University of Lviv. He published just three collections of poetry in his lifetime: A Greeting to Life (1931), Three Rings (1934), and The Book of the Lion (1936), with the latter two firmly establishing his reputation as one of the best poets of his time in Ukraine. Three additional collections, The Green Gospel (1938), Rotations (1938), and The Grand Harmony (1967), were published posthumously. A collection of poems on religious themes written in 1932 and 1933, The Grand Harmonyis a subtle and supple examination of Antonych’s intimately personal journey to faith, with all its revelatory verities as well as self-questioning and doubt. The collection marks the beginning of Antonych’s development into one of the greatest poets of his time. During Soviet times it was banned for its religious content. It was first published in its entirety in 1967 in New York. The Grand Harmony first appeared in English translation in a bilingual edition with Litopys Publishers in 2007, which has long been sold out. The poems “Musica Noctis,” “De Morte I,” “Ars Poetica 1” and “Liber Peregrinorum 3” were reprinted in The Essential Poetry of Bohdan Ihor Antonych: Ecstasies and Elegies (Bucknell University Press, 2010). One can find additional poetic renderings of Antonych’s selected poetry in the translations of various well-known American poets under the title A Square of Angels (Ann Arbor: Ardis Publishers, 1977), which was edited by Bohdan Boychuk.
  bohdan boychuk: “In the Tight Triangle of the Night” Maria Grazia Bartolini, 2024-03-19 This book examines the early poetry (1956–1971) of the Ukrainian/American writer Yuriy Tarnawsky, one of the founders of the New York Group of Ukrainian poets and a unique figure among Ukrainian writers with regard to his experiments with forms. Demonstrating the radical changes that occurred in his poetic style between the 1950s and 1970s, Maria Grazia Bartolini analyzes the relationship between these innovations and the similar shifts taking place in Western poetry and culture during the 1950s and 1960s, when new forms of expression and a new consciousness developed in the interstices between modernism and nascent postmodernism. The book provides the reader with a selection of unpublished materials from the Yuriy Tarnawsky Papers at the Bakhmeteff Archive of Columbia University.
  bohdan boychuk: Russian Literature Triquarterly , 1991
  bohdan boychuk: Poets on the Edge , 2012-02-01 Poets on the Edge introduces four decades of Israel's most vigorous poetic voices. Selected and translated by author Tsipi Keller, the collection showcases a generous sampling of work from twenty-seven established and emerging poets, bringing many to readers of English for the first time. Thematically and stylistically innovative, the poems chart the evolution of new currents in Hebrew poetry that emerged in the late 1950s and early 1960s and, in breaking from traditional structures of line, rhyme, and meter, have become as liberated as any contemporary American verse. Writing on politics, sexual identity, skepticism, intellectualism, community, country, love, fear, and death, these poets are daring, original, and direct, and their poems are matched by the freshness and precision of Keller's translations.
  bohdan boychuk: 2009 Poet's Market - Listings Editors Of Writers Digest Books, 2008-07-01 2009 Poet's Market will give you all the information necessary to research markets and submit your poetry for publication. In addition to market listings, you'll find guidance for preparing and submitting manuscripts, identifying markets, relating to editors, and more. Plus, the book includes additional listings for conferences, workshops, organizations for poets, print and online resources, and the latest trends in poetry writing and publishing.
  bohdan boychuk: Pavlo Tychyna Pavlo Tychyna, 2018-01-01 Pavlo Tychyna (1891-1967) is arguably the greatest Ukrainian poet of the twentieth century and has been described as a “tillerman’s Orpheus” by Ukrainian poet and literary critic Vasyl Barka. With his innovative poetics, deep spirituality and creative word play, Tychyna deserves a place among the pantheon of his European contemporaries such as T.S. Eliot, Ezra Pound, Rainer Maria Rilke, Federico Garcia Lorca, and Osip Mandelstam. His early collections Clarinets of the Sun (1918), The Plow (1920), Instead of Sonnets and Octaves (1920), The Wind from Ukraine (1924), and his poetic cycle In the Orchestra of the Cosmos (1921) mark the pinnacle of his creativity and poetically document the emotional and spiritual toll of the Revolution of 1917 as well as the Civil War and its aftermath in Ukraine. Tychyna coined the term “Clarinetism” to describe his earliest works, which intrinsically exhibit the clarity and the haunting sound of a clarinet. He harkens back to ancient Greek literature to form what has been called the “tragic lyric” in his short collection Instead of Sonnets and Octaves, which gives a personal, humanistic understanding to the tragic events of the Revolution. John Fizer has noted Tychyna’s close affinity with Walt Whitman’s cosmism, particularly in his cycle In the Orchestra of the Cosmos. While Tychyna in may ways displays the moral conscience of his times in his early works, later in his life he acquiesced to Soviet authorities in order to survive the horrors of Stalin’s regime. He was forced by authorities to refuse a nomination for the Nobel Prize, the only reason for which would have been his Ukrainian ethnicity. This edition of Tychyna’s complete early works includes translations of all his major early collections as well as his poetic masterpieces “Mother was Pealing Potatoes,” “Funeral of My Friend,” and his highly patriotic “In Memory of the Thirty.” The volume includes a guest introduction by eminent Ukrainian poet Viktor Neborak. Translated by Michael M. Naydan.
  bohdan boychuk: “Quiet Spiders of the Hidden Soul” Mykola Bazhan, 2020-11-03 This bilingual Ukrainian-English collection brings together the most interesting experimental works by Mykola (Nik) Bazhan, one of the major Ukrainian poets of the twentieth century. As he moved from futurism to neoclassicism, symbolism to socialist realism, Bazhan consistently displayed a creative approach to theme, versification, and vocabulary. Many poems from his three remarkable early collections (1926, 1927, and 1929) remain unknown to readers, both in Ukraine and the West. Because Bazhan was later forced into the straitjacket of officially sanctioned socialist realism, his early poetry has been neglected. This collection makes these outstanding works available for the first time.
  bohdan boychuk: World Encyclopedia of Contemporary Theatre Peter Nagy, Phillippe Rouyer, Don Rubin, 2013-09-13 This new paperback edition of the The World Encyclopedia of Contemporary Theatre: Europe covers theatre since World War II in forty-seven European nations, including the nations which re-emerged following the break-up of the former USSR, Czechoslovakia and Yugoslavia. Each national article is divided into twelve sections - History, Structure of the National Theatre Community, Artistic profile, Music Theatre, Theatre for Young Audiences, Puppet Theatre, Design, Theatre, Space and Architecture, Training, Criticism, Scholarship and Publishing and Further Reading - allowing the reader to use the book as a source for both area and subject studies. A new preface and further reading sections by the Series Editor brings the Encyclopedia bang up-to-date making it invaluable to anyone interested in European theatre, as well as students and scholars of performance studies, history, anthropology and cultural studies.
  bohdan boychuk: Totalitarianism and Literary Discourse Irma Ratiani, 2011-10-18 The collection Totalitarianism and Literary Discourse represents selected proceedings from the conference, Totalitarianism and Literary Discourse: 20th Century Experience, held in Tbilisi, Georgia, in October 2009. The Tbilisi conference pioneered scholarly inquiry into post-Soviet space, which evaluated political and cultural realia, emphasizing the challenges facing literature and culture in totalitarian strangleholds, various kinds of ideological diktat, their possible forms and consequences. The Soviet type of totalitarianism was especially accentuated. Decades after the collapse of the Soviet Union, full comprehension of the process of Sovietization has become possible, and in the field of literary studies scholars have worked on a number of issues: assessing conceptual and motivational models of Soviet-period texts; demonstrating the reaction of literary discourse to intellectual terror and systematizing alternative models offered by anti-Soviet discourse; exhibiting the myths and stereotypes of the totalitarian epoch; and classifying literary genres. The collection Soviet Totalitarianism and Literary Discourse has gathered papers by scholars from almost all of the post-Soviet states, as well as of some other countries. It is a first attempt to solve the above-mentioned issues and offers a wide array of questions.
  bohdan boychuk: 2009 Poet's Market Editors Of Writers Digest Books, 2008-07-01 2009 Poet's Market will give you all the information necessary to research markets and submit your poetry for publication. In addition to market listings, you'll find guidance for preparing and submitting manuscripts, identifying markets, relating to editors, and more. Plus, the book includes additional listings for conferences, workshops, organizations for poets, print and online resources, and the latest trends in poetry writing and publishing.
  bohdan boychuk: The Oxford Handbook of Soviet Underground Culture Mark Lipovetsky, Professor at the Department of Slavic Languages Mark Lipovetsky, Maria Engström, Professor of Russian at the Department of Modern Languages Maria Engström, Professor at the Department of Slavic Studies Tomás Glanc, Tomás Glanc, Coordinator for Russian Language Studies Ilja Kukuj, Ilja Kukuj, Klavdia Smola, Professor and Chair of Slavic Literatures Klavdia Smola, 2024-04-26 The Oxford Handbook of Soviet Underground Culture is the first comprehensive English-language volume covering a history of Soviet artistic and literary underground. In forty-four chapters, an international group of leading scholars introduce readers to a web of subcultures within the underground, highlight the culture achievements of the Soviet underground from the 1930s through the 1980s, emphasize the multimediality of this cultural phenomenon, and situate the study of underground literary texts and artworks into their broader theoretical, ideological, and political contexts.
  bohdan boychuk: Living the Independence Dream: Ukraine and Ukrainians in Contemporary Socio-Political Context Lada Kolomiyets, 2024-09-03 For many Ukrainians, 1991 was a crucial point when their long-held dream of independence came true. The image of the future life in independent Ukraine was then almost identical to folklore images of Ukraine as the land of milk and honey. Living the Independence Dream takes a multi-dimensional look at the period of regained independence as a time of advancement towards the realization of collective dreams shaping the post-Soviet nation, even through everyday disappointments, anxiety, and uncertainty. The collection features personal accounts of several generations of Ukrainians who found themselves displaced by political upheavals in foreign lands, as well as the voices of recently displaced people who left the Donbas or other regions of Ukraine following the outbreak of the Russian aggression. It revisits the legacy of Soviet dissidents and explores the ideologies of Ukrainian language revival and the ways that memory and language construct Ukrainian identity and generate vital energy amidst war. The collection Living the Independence Dream aims to analyze the agency of contemporary Ukrainian people and the role of media, literature, and digital folklore in creating new messages, meanings, and values formed during the Independence decades.
  bohdan boychuk: Modernism in Kyiv Irena Makaryk, Virlana Tkacz, 2010-05-22 The study of modernism has been largely focused on Western cultural centres such as Paris, Vienna, London, and New York. Extravagantly illustrated with over 300 photos and reproductions, Modernism in Kyiv demonstrates that the Ukrainian capital was a major centre of performing and visual arts as well as literary and cultural activity. While arguing that Kyiv's modernist impulse is most prominently displayed in the experimental work of Les Kurbas, one of the masters of the early Soviet stage, the contributors also examine the history of the city and the artistic production of diverse groups including Ukrainians, Russians, Jews, and Poles. Until now a silent presence in Western accounts of the cultural topography of modernism, multicultural Kyiv is here restored to its historical, intellectual, and artistic complexity. Excerpts taken from the works of artists, writers, and critics as well as the numerous illustrations help give life to the exciting creativity of this period. The first book-length examination of this subject, Modernism in Kyiv is a breakthrough accomplishment that will become a standard volume in the field.
  bohdan boychuk: Conversant Essays James McCorkle, 1990
  bohdan boychuk: The Routledge Encyclopedia of Jewish Writers of the Twentieth Century Sorrel Kerbel, 2004-11-23 Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.
  bohdan boychuk: “Gypsies” in European Literature and Culture V. Glajar, D. Radulescu, 2008-04-28 This book traces representations of Gypsies that have become prevalent in the European imagination and culture and influenced the perceptions of Roma in Eastern and Western European societies.
  bohdan boychuk: Encyclopedia of the Literature of Empire Mary Ellen Snodgrass, 2010 Examines the world's greatest literature about empires and imperialism, including more than 200 entries on writers, classic works, themes, and concepts.
  bohdan boychuk: Feminists Despite Themselves Martha Bohachevsky-Chomiak, 1988-10-12 The first history of the women's movement in Ukraine.
  bohdan boychuk: Shakespeare in the Undiscovered Bourn Irene Rima Makaryk, 2004-01-01 This book is a study of the theatre in Kyiv and Kharkiv in the years following the 1917 Revolution. Irena Makaryk draws on her knowledge of Shakespearian scholarship and postcolonial theory in order to illuminate Kurbas's contest with the ethnographic realist traditions of Ukraine and with the Soviet authorities. --book jacket.
  bohdan boychuk: Writing from Ukraine Mark Andryczyk, 2022-08-04 A selection of fifteen of Ukraine's most important, dynamic and entertaining contemporary writers Under USSR rule, the subject matter and style of literary expression in Ukraine was strictly controlled and censored. But once Ukraine gained independence in 1991 its literary scene flourished, as the moving and delightful poems, essays and extracts collected here show. There are fifteen authors included in this book, both established and emerging, and in this anthology we see them grappling with history and the future, with big questions and small moments. From essays about Chernobyl to poetry about Robbie Williams, from fiction discussing Jimmy Hendrix live in Lviv to underground Ukrainian poetry of the Soviet era, WRITING FROM UKRAINE offers a unique window into a rich culture, a chance to experience a particularly Ukrainian sensibility and to celebrate Ukraine's nationhood, as told by its writers.
  bohdan boychuk: The Oxford Guide to Literature in English Translation Peter France, 2000 This guide highlights the place of translation in our culture, encouraging awareness of the process of translating and the choices involved, making the translator more 'visible'. Concentrating on major writers and works, it covers translations out of many languages, from Greek to Hungarian, Korean to Turkish. For some works (e.g. Virgil's Aeneid) which have been much translated, the discussion is historical and critical, showing how translation has evolved over the centuries and bringing out the differences between versions. Elsewhere, with less familiar literatures, the Guide examines the extent to which translation has done justice to the range of work available.
  bohdan boychuk: Icarus with Butterfly Wings & Other Poems Vasylʹ Holoborodʹko, 1991
  bohdan boychuk: Modern Slavic Literatures: Bulgarian, Czechoslovak, Polish, Ukrainian, and Yugoslav literatures Vasa D. Mihailovich, 1972
  bohdan boychuk: The Princeton Encyclopedia of Poetry and Poetics Stephen Cushman, Clare Cavanagh, Jahan Ramazani, Paul Rouzer, 2012-08-26 The most important poetry reference for more than four decades—now fully updated for the twenty-first century Through three editions over more than four decades, The Princeton Encyclopedia of Poetry and Poetics has built an unrivaled reputation as the most comprehensive and authoritative reference for students, scholars, and poets on all aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more. Now this landmark work has been thoroughly revised and updated for the twenty-first century. Compiled by an entirely new team of editors, the fourth edition—the first new edition in almost twenty years—reflects recent changes in literary and cultural studies, providing up-to-date coverage and giving greater attention to the international aspects of poetry, all while preserving the best of the previous volumes. At well over a million words and more than 1,000 entries, the Encyclopedia has unparalleled breadth and depth. Entries range in length from brief paragraphs to major essays of 15,000 words, offering a more thorough treatment—including expert synthesis and indispensable bibliographies—than conventional handbooks or dictionaries. This is a book that no reader or writer of poetry will want to be without. Thoroughly revised and updated by a new editorial team for twenty-first-century students, scholars, and poets More than 250 new entries cover recent terms, movements, and related topics Broader international coverage includes articles on the poetries of more than 110 nations, regions, and languages Expanded coverage of poetries of the non-Western and developing worlds Updated bibliographies and cross-references New, easier-to-use page design Fully indexed for the first time
  bohdan boychuk: My Memoirs Taras Hunczak, 2015-12-01 Hunczak reflects on his youth growing up in Europe during WWII in this revealing memoir. Having witnessed prisoner of war camps and displaced persons camps, Hunczak tells unique and personal stories of tragedies and developments with a focus on the importance of friends and family.
  bohdan boychuk: A Celebration for Stanley Kunitz on His Eightieth Birthday Stanley Kunitz, 1986-12 Gathers poems and reminiscences by friends and colleagues of the American poet.
  bohdan boychuk: Anti-Imperial Choice Yohanan Petrovsky-Shtern, 2009-04-28 Providing extensive historical background, biographical detail and analysis of each writer's poetry and prose, Petrovsky-Shtern shows how a Ukrainian-Jewish literary tradition emerged. Along the way, he challenges assumptions about modern Jewish acculturation and Ukrainian-Jewish relations.
  bohdan boychuk: Fifteen Years in Exile Barry Callaghan, 1992
  bohdan boychuk: Reference Guide to Russian Literature Neil Cornwell, 2013-12-02 First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
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