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| bodys isek kingelez artworks: Perspectives 145 Bodys Isek Kingelez, 2005 |
| bodys isek kingelez artworks: Home and the World Ismail Serageldin, Bodys Isek Kingelez, 1993 |
| bodys isek kingelez artworks: Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018 Peter Schjeldahl, 2020-05-12 Hot Cold Heavy Light collects 100 writings--some long, some short--that taken together forma group portrait of many of the world's most significant and interesting artists. From Pablo Picasso to Cindy Sherman, Old Masters to contemporary masters, paintings to comix, and saints to charlatans, Schjeldahl ranges widely through the diverse and confusing art world, an expert guide to a dazzling scene. No other writer enhances the reader's experience of art in precise, jargon-free prose as Schjeldahl does. His reviews are more essay than criticism, and he offers engaging and informative accounts of artists and their work. For more than three decades, he has written about art with Emersonian openness and clarity. A fresh perspective, an unexpected connection, a lucid gloss on a big idea awaits the reader on every page of this big, absorbing, buzzing book. |
| bodys isek kingelez artworks: The Alternative Guide to the Universe Ralph Rugoff, 2013 This text surveys work that creates unexpected possibilities in art, science and architecture, possibilities so profound that they suggest an alternate reality. Many of the featured practitioners investigate larger systems of knowledge in their work, while others develop particular disciplines and art forms in unexpected and idiosyncratic directions. |
| bodys isek kingelez artworks: Futures and Fictions Simon O'Sullivan, Henriette Gunkell, Ayesha Hameed, 2017-11-21 Futures and Fictions is a book of essays and conversations that explore possibilities for a different ‘political imaginary’ or, more simply, the imagining and imaging of alternate narratives and image-worlds that might be pitched against the impasses of our neoliberal present. In particular, the book contributes to prescient discussions around decolonization, post-capitalism and new kinds of social movements – exploring the intersections of these with contemporary art practice and visual culture. Contributions range from work on science, sonic and financial fictions and alternative space-time plots to myths and images generated by marginalized and ‘minor’ communities, queer-feminist strategies of fictioning, and the production of new Afro- and other futurisms. Contributors to thsi volume include Ursula K. Le Guin, Theo Reeves-Evisson, Bridget Crone, Kodwo Eshun, Louis Moreno, Laboria Cuboniks, Luciana Parisi, Stefan Helmreich, Mark Fisher, Judy Thorne, Annett Busch, Harold Offeh, Robin Mackay, Elvira Dyangani Ose, Kemang Wa Lehulere, and Oreet Ashery. |
| bodys isek kingelez artworks: Contemporary African Art (Second) (World of Art) Sidney Littlefield Kasfir, 2020-04-14 A revised edition of this seminal title, surveying the diverse, ever-evolving field of contemporary African art from the 1950s to today, illustrated in color throughout. Contemporary African art has grown out of the diverse histories and cultural heritage of the African continent and its diaspora. It is not characterized by one particular style, technique, or theme, but by a bricolage-like attitude toward art making, incorporating and building upon the structures from which older, pre- colonial and colonial genres were made. In this revised and updated edition of Contemporary African Art, Sidney Littlefield Kasfir examines the major themes, developments, and accomplishments in African art of the twentieth and twenty-first centuries. Organized thematically, the book includes new chapters on the history of African photography and the growth of the global art market, alongside significant discussions of patronage, mediation, artistic training, and national and diaspora identities. Generously illustrated throughout, including work by artists such as El Anatsui, Yinka Shonibare, William Kentridge, and Ibrahim El-Salahi, the book draws on interviews with many contemporary artists and art world professionals. Contemporary African Art is a fascinating, comprehensive survey of art from the African continent and its global diaspora. |
| bodys isek kingelez artworks: Unveiling the Treasures of Congo: A Journey Through Its Art and Culture Pasquale De Marco, 2025-03-15 Journey into the heart of Congolese artistry and culture with Unveiling the Treasures of Congo: A Journey Through Its Art and Culture. This captivating book takes you on an immersive exploration of the diverse artistic expressions that have shaped the identity of this remarkable nation. From the intricate carvings of the Kuba people to the vibrant paintings of the Democratic Republic of the Congo, Congolese art is a testament to the creativity, resilience, and spirit of its people. Discover the significance of music and dance in Congolese culture, where rhythm and melody intertwine to create a symphony of sound and movement. Explore the artistry of Congolese textiles, where intricate patterns and vibrant colors tell tales of history, identity, and ritual. Unravel the mysteries of Congolese masks, intricate creations that embody the spiritual beliefs and traditions of the Congolese people. Be captivated by the stunning architecture of Congo, from the sacred temples of the past to the modern skyscrapers that dot the skylines of its cities. Through the eyes of renowned artists, scholars, and cultural enthusiasts, this book unveils the treasures of Congo's artistic heritage. It invites you to witness the beauty, diversity, and resilience of a nation's creative spirit. Gain a deeper appreciation for the rich tapestry of Congolese art and culture as you turn each page. Unveiling the Treasures of Congo is not just a collection of artistic wonders; it is a celebration of the Congolese people's creativity, passion, and unwavering spirit. It is an invitation to immerse yourself in the vibrant cultural heritage of Congo and to discover the stories that lie beneath the surface of its artistic expressions. Uncover the hidden gems of Congolese art and culture with this comprehensive guide. Delve into the history, traditions, and techniques that have shaped the artistic landscape of Congo. Gain insights into the lives and works of renowned Congolese artists, and explore the role of art in shaping the nation's identity and heritage. If you like this book, write a review! |
| bodys isek kingelez artworks: Congoville Pieter Boons, Sandrine Colard , 2021-06-01 One hundred years after the founding of the École Coloniale Supérieure in Antwerp, the adjacent Middelheim Museum invites Sandrine Colard, researcher and curator, to conceive an exhibition that probes silenced histories of colonialism in a site-specific way. For Colard, the term Congoville encompasses the tangible and intangible urban traces of the colony, not on the African continent but in 21st-century Belgium: a school building, a park, imperial myths, and citizens of African descent. In the exhibition and this adjoining publication, the concept Congoville is the starting point for 15 contemporary artists to address colonial history and ponder its aftereffects as black flâneurs walking through a postcolonial city. Due to the multitude of perspectives and voices, this book is both a catalogue and a reference work comprised of artistic and academic contributions. Together, the participating artists and invited authors unfold the blueprint of Congoville, an imaginary city that still subconsciously affects us, but also encourages us to envision a decolonial utopia. Een eeuw na de oprichting van de École Coloniale Supérieure in Antwerpen nodigt het naburige Middelheimmuseum onderzoeker en curator Sandrine Colard uit om een tentoonstelling te creëren die sitespecifiek peilt naar de stille geschiedenissen van het kolonialisme. Congoville duidt op de zichtbare en onzichtbare stedelijke sporen van de kolonie, niet op het Afrikaanse continent, maar pal in het België van vandaag: een schoolgebouw, een park, imperialistische mythes en burgers van Afrikaanse origine. Doorheen de tentoonstelling en deze bijhorende publicatie is Congoville de context waarbinnen 15 hedendaagse kunstenaars, als zwarte flâneurs op pad in een postkoloniale stad, het koloniale verleden en de impact ervan adresseren. Door de veelheid aan perspectieven en stemmen is dit boek tegelijk een catalogus en een naslagwerk met zowel academische als artistieke bijdragen. Samen ontvouwen de betrokken kunstenaars en auteurs de blauwdruk van Congoville, een imaginaire stad die ons nog steeds onbewust in haar greep houdt, maar ons ook aanspoort om na te denken over een de-koloniaal utopia. With contributions by/Met bijdragen van: Pieter Boons, Sandrine Colard, Filip De Boeck, Bas De Roo, Nadia Yala Kisukidi, Sorana Munsya & Léonard Pongo, Herman Van Goethem, Sara Weyns, Nabilla Ait Daoud Participating artists/Deelnemende kunstenaars: Sammy Baloji, Bodys Isek Kingelez, Maurice Mbikayi, Jean Katambayi, KinAct Collective, Simone Leigh, Hank Willis Thomas, Zahia Rahmani, Ibrahim Mahama, Ângela Ferreira, Kapwani Kiwanga, Sven Augustijnen, Pascale Marthine Tayou, Elisabetta Benassi, Pélagie Gbaguidi For more information, visit www.middelheimmuseum.be/nl/activiteit/congoville |
| bodys isek kingelez artworks: Congo Art Works Bambi Ceuppens, Sammy Baloji, 2016 -Showcases paintings by innovative Congolese artists from Lubumbashi, Kinshasa, Bunia, Mbandaka, Kikwit and Kisangani -Explores the concept of painting as visual memory Painting was one of the defining factors in the formation of Congolese national culture during the seventies and eighties. Looking back on works from this era, we gain a clear impression of the country's collective memory. The exhibition of paintings featured in this book explores the development of Congolese society from 1968-2012. Portraits, landscapes and allegorical paintings alternate with urban scenes, historical figures and critical reflections on religion, politics and social problems. Humor is never far away. Historical objects, photos, drawings and archive footage provide a broader perspective, and similarities to older art forms and other genres from Congo are clearly visible. The importance of popular paintings is not fundamentally different from that of more traditionally respected art; both are crucial reflections on their contexts, and informed the development of Congolese society. |
| bodys isek kingelez artworks: Art Mike Evans, 2008 A decade-by-decade review of key events and pivotal works of art since 1960. |
| bodys isek kingelez artworks: The Routledge Companion to Decolonizing Art History Tatiana Flores, Florencia San Martín, Charlene Villaseñor Black, 2023-11-27 This companion is the first global, comprehensive text to explicate, theorize, and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. Art history as a discipline and its corollary institutions - the museum, the art market - are not only products of colonial legacies but active agents in the consolidation of empire and the construction of the West. The Routledge Companion to Decolonizing Art History joins the growing critical discourse around the decolonial through an assessment of how art history may be rethought and mobilized in the service of justice - racial, gender, social, environmental, restorative, and more. This book draws attention to the work of artists, art historians, and scholars in related fields who have been engaging with disrupting master narratives and forging new directions, often within a hostile academy or an indifferent art world. The volume unpacks the assumptions projected onto objects of art and visual culture and the discourse that contains them. It equally addresses the manifold complexities around representation as visual and discursive praxis through a range of epistemologies and metaphors originated outside or against the logic of modernity. This companion is organized into four thematic sections: Being and Doing, Learning and Listening, Sensing and Seeing, and Living and Loving. The book will be of interest to scholars working in art history, visual culture, museum studies, race and ethnic studies, cultural studies, disability studies, and women’s, gender, and sexuality studies. |
| bodys isek kingelez artworks: African Art Reframed Bennetta Jules-Rosette, J.R. Osborn, 2020-06-22 Once seen as a collection of artifacts and ritual objects, African art now commands respect from museums and collectors. Bennetta Jules-Rosette and J.R. Osborn explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa. The authors take a three-pronged approach. Part One ranges from curiosity cabinets to virtual websites to offer a history of ethnographic and art museums and look at their organization and methods of reaching out to the public. In the second part, the authors examine museums as ecosystems and communities within communities, and they use semiotic methods to analyze images, signs, and symbols drawn from the experiences of curators and artists. The third part introduces innovative strategies for displaying, disseminating, and reclaiming African art. The authors also propose how to reinterpret the art inside and outside the museum and show ways of remixing the results. Drawing on extensive conversations with curators, collectors, and artists, African Art Reframed is an essential guide to building new exchanges and connections in the dynamic worlds of African and global art. |
| bodys isek kingelez artworks: Africa Remix Simon Njami, Lucy Durán, 2005 In 2005, The Hayward Presents The Largest exhibition of contemporary African art ever seen in Europe. An international collaboration with major galleries in Dusseldorf, Paris and Tokyo, this ground-breaking exhibition and book bring together works in every medium by more than 70 artists. From Cairo to Cape Town, African artists from across the continent and from the diaspora are taking part in this spectacular survey of African creativity. This richly illustrated book includes colour reproductions and information on each of the artists. |
| bodys isek kingelez artworks: Still Life Fernando Domínguez Rubio, 2020-08-20 How do you keep the cracks in Starry Night from spreading? How do you prevent artworks made of hugs or candies from disappearing? How do you render a fading photograph eternal—or should you attempt it at all? These are some of the questions that conservators, curators, registrars, and exhibition designers dealing with contemporary art face on a daily basis. In Still Life, Fernando Domínguez Rubio delves into one of the most important museums of the world, the Museum of Modern Art (MoMA) in New York, to explore the day-to-day dilemmas that museum workers face when the immortal artworks that we see in the exhibition room reveal themselves to be slowly unfolding disasters. Still Life offers a fascinating and detailed ethnographic account of what it takes to prevent these disasters from happening. Going behind the scenes at MoMA, Domínguez Rubio provides a rare view of the vast technological apparatus—from climatic infrastructures and storage facilities, to conservation labs and machine rooms—and teams of workers—from conservators and engineers to guards and couriers—who fight to hold artworks still. As MoMA reopens after a massive expansion and rearranging of its space and collections, Still Life not only offers a much-needed account of the spaces, actors, and forms of labor traditionally left out of the main narratives of art, but it also offers a timely meditation on how far we, as a society, are willing to go to keep the things we value from disappearing into oblivion. |
| bodys isek kingelez artworks: Empire lost Elisabeth Mudimbe-Boyi, 2009-03-16 Despite the loss of the French Empire, France and its former colonies are still bound by a common historical past. With the new global promotion of la Francophonie, the relation between the various constituencies of the French-speaking regions of the world is reexamined and debated in this book, through the conversation between scholars dealing with diverse texts and contexts that present the colonial contact and its imprint. The book illustrates how, in France and in its other worlds, that contact, its repercussions, and its memory are lived and expressed today in a variety of textual representations. The historical contact between France and its other worlds has given birth to new kinds of cross-cultural expressions in the arts, in literature, and in aesthetics, establishing interrelations and generating appropriations from both sides of the Hexagon frontier, highlighting the fluidity and the permeability of its cultural borders. The book subtext tells that the frontier between France and its other worlds is no more an unshakable geographical, political, and cultural limit, but rather a line that has become mobile, fluctuating, and permeable, and across which currents, ideas, sensitivities, and creativity are expressed, bearing testimony to vitality and diversity but also to a cross-fertilization of cultures and societies (re) crossing or meeting at that line. Seen from this latter perspective, the book comes also as an interrogation of the inclusiveness or exclusiveness of the words francophone and Francophonie, and, at an academic level, a mutual exclusion of French and Francophone Studies. |
| bodys isek kingelez artworks: Situating Global Art Sarah Dornhof, Nanne Buurman, Birgit Hopfener, Barbara Lutz, 2018-09-05 In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception. |
| bodys isek kingelez artworks: "Exhibiting Outside the Academy, Salon and Biennial, 1775-1999 " Andrew Graciano, 2017-07-05 In recent years, there has been increasing scholarly interest in the history of museums, academies and major exhibitions. There has been, however, little to no sustained interest in the histories of alternative exhibitions (single artwork, solo artist, artist-mounted, entrepreneurial, privately funded, ephemeral, etc.) with the notable exception of those publications that deal with situations involving major artists or those who would become so - for example J.L. David?s exhibition of Intervention of the Sabine Women (1799) and The First Impressionist Exhibition of 1874 - despite the fact that these sorts of exhibitions and critical scholarship about them have become commonplace (and no less important) in the contemporary art world. The present volume uses and contextualizes eleven case studies to advance some overarching themes and commonalities among alternative exhibitions in the long modern period from the late-eighteenth to the late-twentieth centuries and beyond. These include the issue of control in the interrelation and elision of the roles of artist and curator, and the relationship of such alternative exhibitions to the dominant modes, structures of display and cultural ideology. |
| bodys isek kingelez artworks: Bodys Isek Kingelez Bodys Isek Kingelez, Jean Hubert Martin, 2005 |
| bodys isek kingelez artworks: You Will Be Able to Collage by the End of This Book Stephanie Hartman, 2023-05-25 Get started, get inspired, and get creating your own stunning collage artworks. The ultimate accessible artform, collage is truly for everyone. Stephanie Hartman, creator of Collage Club Ldn, takes you through all the basics you'll need to create your own works of collage. Learn how to find and choose materials, what tools you'll need in your basic kit and how to get started on your artistic journey. Simple warm-up exercises give you the confidence to overcome the fear of the blank page, and more complex step-by- step exercises will motivate you to push your practice to the next level. Never be stuck for inspiration again, and discover a unique, tactile and transformative artform that anyone can learn. |
| bodys isek kingelez artworks: Flash Art , 2003 |
| bodys isek kingelez artworks: Home and the World Ismail Serageldin, Bodys Isek Kingelez, 1993 |
| bodys isek kingelez artworks: Sculpted Ambiances in Africana Landscape George Joshua Orwel, 2024-07-19 Sculpted Ambiances in Africana Landscape centers on ambiance as it affects the expanded sculptural field, particularly filling a gap in aesthetics left by a lack of focus on sculptures and installations in the Africana world and elsewhere. This book differentiates ambiance from other affective states and emotions and explores its production. It provides an introduction to the history of ambiance and vividly demonstrates, through immersive and experiential writing, how ambiance manifests in different artistic situations and social settings. The book considers the neglected and unique importance of sculptural ambiance to the history of Africana visual culture, and what these works mean in terms of their social, historical, cultural, political, and ecological imagination of space. The book is written in an episodic style and begins with a description of an image before presenting an analysis of the artist’s style and staging for ambient experience. This book will benefit college and university students; scholars of art, architecture, aesthetics, philosophy, geography, anthropology, and sociology; and curators and galleries. |
| bodys isek kingelez artworks: MoMA Masterpieces Ann Temkin, 2015 Since its founding in 1929, The Museum of Modern Art in New York has brought the history of modern and contemporary art to vivid life through its extraordinary holdings. MoMA Masterpieces provides a fresh look at the Museum's exceptional collection as it stands today. Ann Temkin's introduction addresses the historical construction of the Museum's collection and explores the shifting issues that have guided its acquisitions, while the thoughtful selection of reproduced works highlights the range of artworks and ideas that constitute the evolving foundation of the Museum's collection. With 126 years spanning the distance between the works on the first and last pages of this book, MoMA Masterpieces offers an unparalleled opportunity to immerse oneself in the multitude of artistic approaches encompassed under the banner of modern art. |
| bodys isek kingelez artworks: Art Journal , 1960 |
| bodys isek kingelez artworks: Douglas Gordon Douglas Gordon, Ian Rankin, 2006-11-30 This volume will accompany a major solo exhibition of Douglas Gordon's work in Scotland. He works with film, video, photographs, objects and text, examining issues such as memory and identity, good and evil, and life and death. He makes great play with the doubling of images often in positive and negative or in mirrored form. |
| bodys isek kingelez artworks: Model Ladislav Kesner, 2015-08-04 |
| bodys isek kingelez artworks: David Hockney David Hockney, Maurice Tuchman, Stephanie Barron, Los Angeles County Museum of Art, 1988 This volume celebrates more than a quarter-century of Hockney's work and forms a unique record of his hugely successful and astonishingly varied creative output from the late 1950's right up to the present. |
| bodys isek kingelez artworks: Kinshasa Filip De Boeck, Marie-Françoise Plissart, 2014-03-24 Reading African cities into contemporary theory—reprint of a richly illustrated reference work In their internationally acclaimed publication Kinshasa: Tales of the Invisible City, anthropologist Filip De Boeck and photographer Marie-Françoise Plissart provide a history not only of the physical and visible urban reality that Kinshasa presents today, but also of a second, invisible city as it exists in the mind and imagination of its inhabitants. They bring to light a mirroring reality lurking underneath the surface of the visible world and explore the constant transactions that take place between these two levels in Kinshasa’s urban scape. With the exhibition that accompanied the release of their Kinshasa book, the authors won a Golden Lion at the 11th International Architecture Bienniale in Venice, 2004. This beautifully illustrated publication is now again made available. Based on longstanding field research, it provides insight into local social and cultural imaginaries, and thus in the imaginative ways in which local urban subjects continue to make sense of their worlds and invent cultural strategies to cope with the breakdown of urban infrastructure. |
| bodys isek kingelez artworks: Cite , 2005 |
| bodys isek kingelez artworks: Democratic Republic of the Congo Sean Rorison, 2025-04-18 New from Bradt, Democratic Republic of the Congo is the only dedicated, up-to-date, English-language guidebook to this thrilling African destination. Almost twice the size of the European Union, the continent’s second-largest country offers plenty for adventurous travellers to explore. The mighty River Congo rises in the south before winding along the Equator for nearly 5,000 km to reach the Atlantic Ocean. On either side, twenty different ecosystems give rise to a multitude of landscapes, from tropical rainforests (which serve as the world’s second-largest carbon sink) to volcanic mountains, and great lakes to savanna plateaus. DRC’s National Parks and nature reserves cover around 12% of the country and are well worth the effort to get to, as they host some of the world’s most exciting wildlife-watching opportunities – the main reason why many people visit DRC. As well as harbouring more bird species than other African countries, nowhere else in the world provides the chance to see the giraffe-like okapi (a bizarre giraffe-like creature) and bonobo (formerly known as pygmy chimpanzee). Moreover, sites for both mountain and eastern lowland gorillas lie firmly on the tourist trail at the world-famous locations of Virunga and Kahuzi-Biega national parks. Even if wildlife does not float your boat, there is much to savour. The capital, Kinshasa, is one of Africa’s great cities. This is the home of musique congolaise, enjoyed all over Africa and beyond – and of the sapeurs (DRC’s renowned snappy dressers). Historic Kisangani is the furthest navigable point on the River Congo; Katherine Hepburn and Humphrey Bogart stayed here when filming The African Queen. The city of Lubumbashi offers wide boulevards and art-deco buildings, plus good hotels and restaurants in which to relax. Once rested, if the area is at peace, why not hike to the summit of Nyiragongo volcano and spend the night beside the world’s largest lava lake? With its wide-ranging coverage offering advice on everything from tour operators to accommodation, and security to visiting national parks, Bradt’s Democratic Republic of the Congo is your essential travel companion. |
| bodys isek kingelez artworks: Art and Politics Claudia Mesch, 2014-10-10 Contemporary art is increasingly concerned with swaying the opinions of its viewier. To do so, the art employs various strategies to convey a political message. This book provides readers with the tools to decode and appreciate political art, a crucial and understudied direction in post-war art. From the postwar works of Pablo Picasso and Alexander Deineka to thie Border Film Project and web-based works of Beatriz da Costa, Art and Politics: a Small History of Art for Social Change after 1945 considers how artists visual or otherwise have engaged with major political and grassroots movements, particularly after 1960. With its broad definition of the political, this book features chapters on postcolonialism, feminism, the anti-war movement, environmentalism, gay rights and anti-globiliaztion. It charts how individual artworks reverberated with enormous idealogical shifts. While emphasising the West, Art and Politics takes global developments into account as well - looking at art production practiced by postcolonial African, Latin American and Middle Eastern artists. Its case-study approach to the subject provides the reader with an overview of a most complex subject. This book will also challenge its readers to consider often devalued and marginalised political artworks as properly part of the history of modern and contemporary art. |
| bodys isek kingelez artworks: Asian Art News , 2000-07 |
| bodys isek kingelez artworks: Contemporary African Art Sidney Littlefield Kasfir, 2000-01 A critical history of the major themes and accomplishments of well-known and obscure African art over the past fifty years examines artists and the new avenues of creative expression in post-colonial Africa. |
| bodys isek kingelez artworks: African Art Now André Magnin, 2005 Published to accompany the exhibition at the Museum of Fine Arts, Houston, 29 January - 8 May 2005. |
| bodys isek kingelez artworks: Nu , 2001 |
| bodys isek kingelez artworks: Decolonizing Colonial Heritage Britta Timm Knudsen, John Oldfield, Elizabeth Buettner, Elvan Zabunyan, 2021-09-29 Decolonizing Colonial Heritage explores how different agents practice the decolonization of European colonial heritage at European and extra-European locations. Assessing the impact of these practices, the book also explores what a new vision of Europe in the postcolonial present could look like. Including contributions from academics, artists and heritage practitioners, the volume explores decolonial heritage practices in politics, contemporary history, diplomacy, museum practice, the visual arts and self-generated memorial expressions in public spaces. The comparative focus of the chapters includes examples of internal colonization in Europe and extends to former European colonies, among them Shanghai, Cape Town and Rio de Janeiro. Examining practices in a range of different contexts, the book pays particular attention to sub-national actors whose work is opening up new futures through their engagement with decolonial heritage practices in the present. The volume also considers the challenges posed by applying decolonial thinking to existing understandings of colonial heritage. Decolonizing Colonial Heritage examines the role of colonial heritage in European memory politics and heritage diplomacy. It will be of interest to academics and students working in the fields of heritage and memory studies, colonial and imperial history, European studies, sociology, cultural studies, development studies, museum studies, and contemporary art. The Open Access version of this book, available at www.taylor francis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. |
| bodys isek kingelez artworks: Fresh Widow Maria Müller-Schareck, Kunstsammlung Nordrhein-Westfalen (Germany), 2012 Leon Battista Alberti's 1435 treatise De pictura influenced generations of painters by suggesting that a painting should be approached as an open window. By the twentieth century, the window had transformed into a motif that would test the limits of painting. With his 1920 Fresh Widow--a replica of a French window with panes covered in black leather--Marcel Duchamp postulated a farewell to illusionist painting. This publication presents the development of window painting by artists such as Robert Delaunay, Henri Matisse, Marcel Duchamp, Ren Magritte, Ellsworth Kelly, Eva Hesse, Gerhard Richter and many others. |
| bodys isek kingelez artworks: Disguise Pamela McClusky, Erika Dalya Massaquoi, 2015 African masks changed the face of modern art in the early twentieth century. Today, a century later, young artists are again looking at masks in museums for inspiration. In this era of innovation, when digital culture is upending our visual framework, artists are reinventing form in an ever-expanding choice of mediums. With Disguise: Masks and Global African Art, the Seattle Art Museum's renowned collection of masks has become a catalyst for artists, encouraging them to present fresh visions of masquerade and of the shared instinct to hide from ourselves and from each other-- |
| bodys isek kingelez artworks: Africa Is Not a Country: Notes on a Bright Continent Dipo Faloyin, 2022-09-06 A Literary Hub Most Anticipated Book of 2022 An exuberant, opinionated, stereotype-busting portrait of contemporary Africa in all its splendid diversity, by one of its leading new writers. So often, Africa has been depicted simplistically as a uniform land of famines and safaris, poverty and strife, stripped of all nuance. In this bold and insightful book, Dipo Faloyin offers a much-needed corrective, weaving a vibrant tapestry of stories that bring to life Africa’s rich diversity, communities, and histories. Starting with an immersive description of the lively and complex urban life of Lagos, Faloyin unearths surprising truths about many African countries’ colonial heritage and tells the story of the continent’s struggles with democracy through seven dictatorships. With biting wit, he takes on the phenomenon of the white savior complex and brings to light the damage caused by charity campaigns of the past decades, revisiting such cultural touchstones as the KONY 2012 film. Entering into the rivalries that energize the continent, Faloyin engages in the heated debate over which West African country makes the best jollof rice and describes the strange, incongruent beauty of the African Cup of Nations. With an eye toward the future promise of the continent, he explores the youth-led cultural and political movements that are defining and reimagining Africa on their own terms. The stories Faloyin shares are by turns joyful and enraging; proud and optimistic for the future even while they unequivocally confront the obstacles systematically set in place by former colonial powers. Brimming with humor and wit, filled with political insights, and, above all, infused with a deep love for the region, Africa Is Not a Country celebrates the energy and particularity of the continent’s different cultures and communities, treating Africa with the respect it deserves. |
| bodys isek kingelez artworks: New York Magazine , 1993-10-25 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
如何打开mobi为后缀的文件？ - 知乎
如何打开mobi为后缀的文件？ RT，下载的电子书，有什么不错的软件可以打开它 关注者 534
mobi、pdf、epub等电子书格式，你觉得哪个更好？ - 知乎
第二个主流格式，就包含你标题中提到的PDF、epub、mobi等。 顺便加上一个azw3。 其中pdf是一个比较特殊的存在。 他压根就不是为电纸书存在的格式，它是为了纸质书存在的。 从他出 …
iOS上有没有同时支持epub和mobi格式的阅读器？ - 知乎
我一般使用电脑端的 Calibre 把 mobi 或者 azw3 等格式转换成 epub，再通过 掌阅 或者 多看阅读 的wifi传书功能传到手机里。 掌阅 的夜间阅读功能真的很棒（光线柔和）， 多看 支持语音模 …
EPUB AZW3 MOBI三种格式有啥区别及各自优缺点? - 知乎
kindlegen产出的AZW3内容实际后缀是mobi，所以MOBI格式实际内容可能是AZW3。 另外亚马逊现在有个新的格式是KFX，主要在英文区商店使用，对连字等特性有更好的支持。 第三方工 …
什么App可以看mobi格式的电子书？ - 知乎
2、微信读书（Android/iOS） 一个腾讯推出的正版电子书阅读软件，里面提供了很多电子书资源，除了阅读这些书籍之外，它还支持导入本地电子书，导入书籍的格式支持txt、epub、pdf …
iOS上阅读mobi格式体验最好的是哪个软件？ - 知乎
iOS上阅读mobi格式体验最好的是哪个软件？ 除了kindle还有别的软件支持吗？ 为什么类似多看，iReader等都不支持mobi格式？ 显示全部 关注者 82 被浏览
什么App可以看mobi格式的电子书？ - 知乎
3、kyBook 支持主流格式，pdf，epub，mobi等，并完美支持有图片的mobi格式文件（听说也支持azw格式，没试过），相比mobi reader各种广告，这个软件还好。而且也支持很多配置，如设 …
mobi、pdf、epub等电子书格式，你觉得哪个更好？ - 知乎
mobi用得不多，但可以导入到kindle里 azw3有些阅读器打不开，就比如金山的wps，只能用另行下载金山的稻壳阅读，但也可以不用金山的软件 、 而且较大的文件，像几个多G的合集，有些 …
如何打开mobi为后缀的文件？-百度经验
May 13, 2017 · mobi文件直接可以在Kindle上打开，如果在其他设备打开需要安装软件或应用，下面我们将介绍在不同的设备上打开mobi文件的方法。 提示：如果把mobi转换为其他格式的 …
最详细的Kindle导入电子书方法 - 百度经验
Jul 13, 2019 · 首先说下kindle支持的电纸书格式。原生支持的格式是：.MOBI和.AZW，其他格式也支持，如果是PDF，邮件导入时主题加上Convert，发送后kindle服务将自动将其转换成其支持 …
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