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| author of kadambari: Kadambari KAMALA CHANDRAKANT, 1971-04-01 Kadambari is one of the best known Sanskrit romantic novels. It was written by Banabhatta, the court poet of King Harshavardhana, in the early 7th Century AD. It is said that after Banabhatta died, leaving the long text unfinished, his son Bhushanabhatta completed it. The original has a hugely complex plot, with Kadambari herself appearing only half-way through. The story is a popular one – a version can be found in the Kathasaritsagara, amongst many other ancient favourites. It continues to be translated into various Indian languages. Kadambari is often said to be one of the first novels – and the word kadambari has come to mean a novel in many Indian languages today. |
| author of kadambari: The Kādambarī of Bāna Bāṇa, Caroline Mary Ridding, 1896 |
| author of kadambari: A Dictionary of Indian Literature: Beginnings-1850 Sujit Mukherjee, 1998 This Volume Aspires To Be A Handy Reference Work For Users Whose Interest Is Not Limited To One Or Two Indian Language Literatures But Spreads Over Sanskrit, Tamil, Pali And The Prakrit As Well As To Asimiya, Bangla, Gujarati, Hindi, Kannada, Kashmiri, Maithili, Malayalam, Manipuri, Marathi, Oriya, Punjabi, Rajasthani, Sindhi, Telugu And Urdu. Starting With The Vedas And The Upanishads, The Coverage Spans Several Centuries Up To The Year 1850. |
| author of kadambari: Kadambari [Purvabhaga Complete] Bana, 1968 |
| author of kadambari: The History of Andhra Country, 1000 A.D.-1500 A.D.: Administration, literature and society Yashoda Devi, 1993 |
| author of kadambari: Princess Kadambari Bana,, 2009-10-31 No Sanskrit poet is more interesting, original, or greater than Bana. His prose poem Princess Kadámbari is his supreme achievement. His patron, King Harsha, ruled much of northern India from 606 to 647 CE from his capital at Kannauj. Princess Kadámbari, a work of fiction set in keenly observed royal courts, has everything. A love story doubled and redoubled in rebirth, the romance was so influential that its title became the word for a novel in some modern Indian languages. In free form verse, the experimental poem embodies enormous originality. Animals, flowers and mythology, as well as humans are presented in sympathetic detail. The complex coherent structure will culminate in a breathtaking conclusion. The two love affairs that dominate the poem have not yet begun in this first volume, where we hear of rituals to obtain a son, and the upbringing of a prince. Altogether the reader is given perhaps the fullest presentation of classical India available in a single work. |
| author of kadambari: The Encyclopaedia Of Indian Literature (Volume Two) (Devraj To Jyoti) Amaresh Datta, 2006 A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt. |
| author of kadambari: The Kādambarīnādntaka of Narasiṃha Narasiṃha, Hideaki Sato (Doctorate.), 1997 This Is The First-Ever English Translation Of Narasimha S Kadambarinataka And Its Critical Evaluation. It Highlights The Play S Importance In Sanskrit-Prakrt Literature Of Medieval India And Compares It With The Kavyas Of Classicists Like Sudraka. |
| author of kadambari: How to Write a Book , |
| author of kadambari: "Rama&'s Last Act" Bhavabhūti, 2007-11 “Rama’s Last Act” by Bhava·bhuti is counted among the greatest Sanskrit dramas. The work at once dramatizes the “Ramáyana”—it is one of the earliest theatrical adaptations of Valmíki’s epic masterpiece—and revises its most intractable episode, the hero’s rejection of his beloved wife. Human agency in the face of destiny, the power of love, and the capacity of art to make sense of such mysteries are the themes explored in this singular literary achievement of the Indian stage. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org |
| author of kadambari: The Loom Of Time Kalidasa, 2005-09-15 Kalidasa is the greatest poet and playwright in classical Sanskrit literature and one of the greatest in world literature. Kalidasa is said to have lived and composed his work at the close of the first millennium BC though his dates have not been conclusively established. In all, seven of his works have survived: three plays, three long poems and an incomplete epic. Of these, this volume offers, in a brilliant new translation, his two most famous worksthe play Sakuntala, a beautiful blend of romance and fairy tale with elements of comedy; and Meghadutam (The Cloud Messenger), the many-layered poem of longing and separation. Also included is Rtusamharam (The Gathering of the Seasons), a much-neglected poem that celebrates the fulfillment of love and deserves to be known better. Taken together, these works provide a window to the remarkable world and work of a poet of whom it was said: -Once, when poets were counted, Kalidasa occupied the little finger; the ring finger remains unnamed true to its name; for his second has not been found |
| author of kadambari: Bhavabhuti and His Place in Sanskrit Literature Anundoram Borooah, 1878 |
| author of kadambari: Who is he Sitam Satapathy, 2021-11-08 The book narrates you the story of unbounded faith and inspiration, which are present with us in different form. We can never lose them. Sometimes we are too stubborn to ignore them. They come to us in every demeanor. Our parents, our relatives, the people whom we would have met sub-consciously or even us, whom we disregard. We run before motivations or a helping-hand throughout our life being unaware about the interminable these in our surroundings. We need not to search for it. We have it already with us. We need to introspect and carefully excogitate the faces we know. We can find an unfathomable amount of hope everywhere in them. The book tells you the story of a boy, who discovers his hope in an unusual way. He finds it and then loses it. How will he survive? Will he be able to find it again? Enjoy the story. |
| author of kadambari: Asian Review , 1897 Beginning in 1895, includes the Proceedings of the East India Association. |
| author of kadambari: The Tarka-Sangraha with the Dîpikâ Annambhaṭṭa, 1893 |
| author of kadambari: The Asiatic Quarterly Review , 1897 |
| author of kadambari: The Bhagavad Gita Shri Purohit Swami, The Bhagavad Gita, the greatest devotional book of Hinduism, has long been recognized as one of the world’s spiritual classics and a guide to all on the path of Truth. It is sometimes known as the Song of the Lord or the Gospel of the Lord Shri Krishna. According to Western scholarship, it was composed later than the Vedas and the Upanishads – probably between the fifth and second centuries before Christ. It is a fragment, part of the sixth book of the epic poem The Mahabaratha. The Mahabaratha tells of the Pandavas, Prince Arjuna and his four brothers, growing up in north India at the court of their uncle, the blind King Dhritarashtra, after the death of their father, the previous ruler. There is always great rivalry between the Pandavas or sons of Pandu and the Kauravas, the one hundred sons of Dhritarashtra. Eventually the old king gives his nephews some land of their own but his eldest son, Duryodhana, defeats Yudhisthira, the eldest Pandava, by cheating at dice, and forces him and his brothers to surrender their land and go into exile for thirteen years. On their return, the old king is unable to persuade his son Duryodhana to restore their heritage and, in spite of efforts at reconciliation by Sanjaya, Dhritarashtra’s charioteer; by Bheeshma, his wise counsellor; and even by the Lord Krishna himself, war cannot be averted. The rival hosts face each other on the field of Kurukshetra. It is at this point that The Bhagavad Gita begins. When Prince Arjuna surveys the battlefield, he is overwhelmed with sorrow at the futility of war. The teachings of The Bhagavad Gita are spoken by the divine Lord Krishna, who is acting as the prince’s charioteer. They are overheard by Sanjaya and reported back to King Dhritarashtra. When Krishna has finished speaking to Arjuna, the two armies engage. The battle lasts eighteen days and by the end of it nearly all of the warriors on both sides are dead save Krishna and the five sons of Pandu. |
| author of kadambari: The Imperial and Asiatic Quarterly Review and Oriental and Colonial Record , 1897 Beginning Apr. 1895, includes the Proceedings of the East India Association. |
| author of kadambari: History of Classical Sanskrit Literature Madabhushi Krishnamachariar, M. Srinivasachariar, 1974 The present work is an analytical account of classical Sanskrit literature in its historical perspective. It is divided into six books, containing several chapters, each dealing with a particular branch of Sanskrit learning. The work is full of references; the footnotes refer to a variety of sources, legendary, inscriptional, numismatic, architectural and literary. The writer has exploited all the relevant material of the journals, catalogues, annals, reports and other documents in discussing the vexed problems of the date, place, genealogy of the authors and the literary tendencies of their compositions. His methodology of literary criticism is rationalistic and bears the stamp of the modern scientific age. The elaborate index, the critical introduction, the exhaustive bibliography, the list of abbreviations, the table of transliteration and a supplement are the most useful additions to this interesting and instructive work of literary history. |
| author of kadambari: The imperial and Asiatic quarterly review , 1897 |
| author of kadambari: Banabhatta K. Krishnamoorthy, 1995-01-01 Banabhatta : Nepali Translation By Dilliram Timsina Of K. Krishnamoorthy'S Monograph In English. |
| author of kadambari: Maha Nayak: Subhas Chandra Bose - A Novel Vishwas Patil, About the Book FIRST PUBLISHED IN MARATHI IN 1998, THE NOVEL HAS BEEN TRANSLATED INTO FOURTEEN INDIAN AND FOREIGN LANGUAGES. This iconic Marathi novel by Vishwas Patil brings originality and new ideas to the most storied of lives—Subhas Chandra Bose. Possibly the most enigmatic figure in the history of India’s freedom struggle, Bose’s ideological differences with the two stalwarts of the Independence movement, Gandhi and Nehru, split the Congress down the middle. And yet he held them in high esteem, just as they admired him. While Bose asserted the independence of his own values even as he sought help from the Axis powers—Nazi Germany, Italy and later Japan—during World War II, for the cause of a free India, it was seen as treasonous and dangerous by many. Vishwas Patil recreates the life of a man who was twice elected president of the Congress, and quit to follow his own vision, forming the Indian National Army. His defiant nationalism provoked anger and distrust. Mahanayak traces Netaji’s steps from India to Germany, Italy, Singapore, Japan and Burma, to paint a complex portrait of a man of immense strengths and fatal failings. Rich with details drawn from the colossal canvas of the Indian revolution, this is an immersive historical novel that reads like a fast-paced thriller. |
| author of kadambari: Asiatic Review Demetrius Charles Boulger, 1897 Beginning in 1895, includes the Proceedings of the East India Association. |
| author of kadambari: Love and Lust Pavan K. Varma, Sandhya Mulchandani, 2004 Think Of The Erotic Literature From India And What Immediately Comes To Mind Is Vatsyayana S Kamasutra. This Was Indeed Not The First Study In Erotology Nor Was It The Last. Beginning With The Rig Veda (Written Some 5000 Years Ago) Right Up To The Seventeenth Century, Indian Literature Is Marked By Diverse Genres Replete With Unabashed Eroticism In Which Love, Lust And Life Are Explored To Their Fullest Extent& Today, The Philosophical Acceptance Of Desire And The Erotic Sentiment Has Been Asphyxiated By A Hypocritical Morality That Has Much For Too Long Equated Sex With Sin And Desire With Guilt. The Purpose Of This Anthology Is To Provide Enough Evidence Of An Alternative Vision, So That Readers Can Get A Glimpse Of The Sense Of Maturity And Honesty That Animated Our Ancestors. In This Comprehensive Anthology, The Authors Forcefully Drive Home The Point That The Fascination With Eroticism Is Age-Old. The Absence Of Inhibition And Guilt And The Candour And Boldness With Which Society Set About Seeking Its Pl Easures Find Expression Repeatedly In Writings Over The Past Ages. The Literature Of India, Both Religious And Secular, Is Full Of Sexual Allusions, Sexual Symbolisms And Passages Of Such Frank Eroticism The Likes Of Which Are Not To Be Found Elsewhere In World Literature. For Example, Some Sections Of Ancient Texts Like The Vedas, The Upanishads, The Epics (The Mahabharata And The Ramayana), The Brahmins, The Puranas And Devotional Hymns Like The Saundarya Lahiri (By Adi Shankaracharya) Are Studded With Graphic Sexual Imagery. The Sacred And The Sensuous Were Thus Seen As Integrated Elements Of Human Existence. In This Medieval Period, Writers, Poets, Dramatists, Painters, Sculptors And Artists, Whatever Be Their Language And Idiom, Gave Full Vent To Their Creative Talents, Suffused With The Sexual Metaphor. Kalidasa And Jayadev Stand Out As Exemplars Of This Genre. It Was Basically The Evangelical Fervor Of The Victorian Era That Imposed Severe Structures On The So-Called Heathen Amorous Degradation And Sought To Cleanse The Indian People By Propagating Western Morality And Values . And The Victorian Hangover Still Persists. The Underlying Themes Of This Volume Are That, In The India Tradition, The Relevance Of Desire, With Eroticism As Its Natural Attribute, Was Pragmatically Accepted And That Women Were Given Equal Status As Men In The Pursuit Of Pleasure. |
| author of kadambari: The Winds of Fire Vyankatesh Digambar Madgulkar, 1974 |
| author of kadambari: Fakira Anna Bhau Sathe, 2021-10-18 Dalit literature particularly fiction, autobiography and poetry has emerged as a vital modern literary force in India. The scope and richness of this literature is brilliantly exemplified by novels like Fakira which is the landmark novel in the foundation of Dalit literature in India. Authors like Anna Bhau Sathe illustrate experiences of caste discrimination, untouchability, and Dalit subjugation. The undaunted and ceaseless battle of the protagonist Fakira for the collective welfare of his community forms the core of the narrative. He revolts against the rural orthodox caste system and the British Raj to save his village from utter starvation, humiliation and death. |
| author of kadambari: 101 Inspiring Stories G. Francis Xavier, 2014-12-01 This is one of the many inspiring books from the renowned “Motivator” Dr. G. Francis Xavier. Evidently, this harvest of stories has been gleaned from lands he visited and books he read. Xavier, who conducts full-house personal growth courses has brought out this compendium in an interactive form, making the reader give the answers at the end of the story, which is a novel approach. Stories and examples are the best way to inspire, and this volume can be gifted to anyone. It is useful for preachers, speakers and teachers. The book appeals to readers of all ages except the morose and irredeemable negaholics (negative thinking addicts) and anti-reading teenagers. It has stories to inspire and promises uninterrupted chuckles till the end. There are also quotations on success. |
| author of kadambari: Parva Es. El Bhairappa, 1994 It Is A Transformation Of An Ancient Legend Into A Modern Novel. In This Process, It Has Gained Rational Credibility And A Human Perspective. The Main Incident, The Bharata War, Symbolic Of The Birthpangs Of A New World-Order, Depicts A Heroic But Vain Effort To Arrest The Disintegration And Continue The Prevailing Order. It Is Viewed From The Stand Points Of The Partisan Participants And Judged With Reference To The Objective Understanding Of Krishna. Narration, Dialogue, Monologue And Comment All Are Employed For Its Presentation. Shot Through With Irony, Pity And Understanding Objectivity, The Novel Ends With The True Tragic Vision Of Faith In Life And Hope For Mankind. |
| author of kadambari: Wings of Fire Avul Pakir Jainulabdeen Abdul Kalam, Arun Tiwari, 1999 Avul Pakir Jainulabdeen Abdul Kalam, The Son Of A Little-Educated Boat-Owner In Rameswaram, Tamil Nadu, Had An Unparalled Career As A Defence Scientist, Culminating In The Highest Civilian Award Of India, The Bharat Ratna. As Chief Of The Country`S Defence Research And Development Programme, Kalam Demonstrated The Great Potential For Dynamism And Innovation That Existed In Seemingly Moribund Research Establishments. This Is The Story Of Kalam`S Rise From Obscurity And His Personal And Professional Struggles, As Well As The Story Of Agni, Prithvi, Akash, Trishul And Nag--Missiles That Have Become Household Names In India And That Have Raised The Nation To The Level Of A Missile Power Of International Reckoning. |
| author of kadambari: Jareela Bhalchandra Nemade, 2024-08-01 जरीला चांगदेव पाटील नामक युवक के बहाने उस अखिल भारतीय भूमि की जटिल वास्तविकता से रूबरू कराता है जो जाति, धर्म, परम्परा, संस्कार और इनके साथ ईर्ष्या, अहंकार, स्पर्द्धा आदि भावों के मिलने से बनती है। इसमें भारतीय जन-जीवन के उस पहलू रेखांकित किया गया है जिसे किसी एक प्रान्त या स्थान तक सीमित नहीं किया जा सकता। चांगदेव इस भूमि पर स्वयं को अकेला अनुभव करता है। वह अपने आसपास की संकीर्णताओं से ऊब उठता है लेकिन किसी से स्थायी घृणा उसे कभी नहीं होती। अपनी तरफ से वह अपेक्षा से ज्यादा देता है और जवाब में बहुत कम चाहता है। उसके लिए बड़े सवाल वे नहीं जो आसपास के सब लोगों के हैं। अपने होने की परम सार्थकता को अनुभव कर पाना ही उसकी एकमात्र इच्छा है। वह एक पहाड़ी गाँव के कॉलेज में प्रोफेसर है जहाँ पर जाति की राजनीति सबसे प्रभावी शक्ति है। लेकिन वह उस सबसे ऊपर उठकर अपना काम करता रहता है और खुश है। विद्यालय के सहकर्मी अध्यापकों और गाँव के लोगों के साथ उसका अपनी तरह का एक सम्बन्ध बनता है। लेकिन तभी गाँव का ट्रांसफार्मर जल जाता है, और छह महीने के लिए लोग वापस अन्धकार युग में चले जाते हैं। बाहर का यह अँधेरा धीरे-धीरे उसके भीतरी अकेलेपन को इतना गहरा देता है कि वह घबरा उठता है। किसी से या कहीं से अन्तिम तौर पर जुड़ नहीं जाना है, उसका यह आन्तरिक आग्रह भी उसे गतिमान रखता है। अपने मामूलीपन को बचाते हुए वह जिन मूल्यों की रक्षा करता है, वे उसके सामने बहुत स्पष्ट नहीं हैं लेकिन वह उसी अस्पष्ट से मानवीय आग्रह के आधार पर अपने व्यक्तित्व को खड़ा करता है। जरीला स्वतंत्र रूप से उतना ही दिलचस्प और पूर्ण पाठ है, जितना कि शृंखला की एक कड़ी के रूप में। यह एक बड़ी विशेषता है। |
| author of kadambari: Baromaas Sadānanda Deśamukha, 2013 Based on economic and social problems of farmers in Indian society. |
| author of kadambari: Kumarasambhavam Kalidasa, 2015-06-01 Kumarasambhavam celebrates the love story of Siva and Parvati, whose passionate union results in the birth of their son, the young god Kumara. Beginning with a luminous description of the birth of Parvati, the poem proceeds in perfectly pitched sensuous detail through her courtship with Siva until the night of their wedding. It plays out their tale on the immense scale of supreme divinity, wherein the gods are viewed both as lovers and as cosmic principles. Composed in eight scintillating cantos, Kumarasambhavam continues to enchant readers centuries after it was first written. Hank Heifetz's sparkling translation brings to life the heady eroticism and sumptuous imagery of the original. |
| author of kadambari: Fighter Cock Sidharth Singh, 2021-06-07 A desolate land. A debauched patriarch. An upstart in search of a reputation. A man running away from one. Shikargarh, central India. An untamed wilderness ruled by a dissolute raja with a passion for sex, drugs and cockfighting. The raja's Karianath fighter cocks are the undisputed champions of the area - but their reign is challenged by the new Aseel fighters imported by Teja, his bastard son, who also schemes to usurp his position. Into this world arrives Sheru, a brooding stranger hired to work for the raja. As Sheru negotiates this wild land, he finds himself getting pulled into a deadly vortex of events that threaten to derail his destiny. But Sheru is a dangerous man with a dark past, and when he unleashes his fury, all hell breaks loose. |
| author of kadambari: Karna Raṇajita Desāī, 2019-08-25 'Who am I?' It was a question that had troubled him all his life. His whole life had seemed entangled in the answer. His dignity, his destination, his ambitions -- they all seemed linked to that entanglement. The irony was that the truth, instead of liberating him, had made him rudderless. In the Mahabharata, Karna is known to be the only warrior who could match Arjuna. Born of a god and a mother who abandons him at birth, Karna is mistreated from birth. Rejected by Drona, taunted by Draupadi, insulted by his blood brothers, misunderstood by many and manipulated even by the gods, Karna is the classic tragic hero. In his novel Radheya, Ranjit Desai, the author of Marathi classics like Shriman Yogi and Swami, gives voice to the angst and loneliness of Karna. Translated into English for the first time, the novel brings to surface the many sides to Karna's character: his compassionate nature, his hurt and hubris, the love for his wife, his allegiance to Duryodhana, and his complicated relationship with Krishna. |
| author of kadambari: LEGEND OF LAKSHMI PRASAD Lakshmi Prasad, 2017-03-14 I am Lakshmi Prasad, native of Bitihar. I am doing PhD on a very important subject -Mating habits of gay chimpanzees in West Africa- at PANU University, the best University in India and possibly the best University in the world. My idols are -Faizal Guru-, -Janab Kasab Sahib-, -Focus Carat-, -Baba Badkar-, -Zakir Nalayak-, -Gharkha Dutt-, -Dr. Kana Ayyub- and all PhD students who had committed suicide since they failed to solve their PhD problems. I personally feel that, all deprived Indians should automatically be awarded a PhD degree coupled with a free pension of 1 lakh rupees/month to be delivered in cash via post at door step. Till then we are going to fight for azaadi from India. Imagine a day, when no PhD student would have to commit suicide, imagine a day, when no lower caste will be humiliated by upper caste, s/he can use his/her doctorate degree and force others to call him/her Dr. X, Dr. Y, etc. Imagine a day, when all deprived people can take part in active politics and -Make Communism Great Again- thanks to my -one lakh per month- pension idea. |
| author of kadambari: Indian Antiquary , 1872 At a time when each Society had its own medium of propogation of its researches ... in the form of Transactions, Proceedings, Journals, etc., a need was strongly felt for bringing out a journal devoted exclusively to the study and advancement of Indian culture in all its aspects. [This] encouraged Jas Burgess to launch the 'Indian antiquary' in 1872. The scope ... was in his own words 'as wide as possible' incorporating manners and customs, arts, mythology, feasts, festivals and rites, antiquities and the history of India ... Another laudable aim was to present the readers abstracts of the most recent researches of scholars in India and the West ... 'Indian antiquary' also dealt with local legends, folklore, proverbs, etc. In short 'Indian antiquary' was ... entirely devoted to the study of MAN - the Indian - in all spheres ...--Introduction to facsimile volumes, published 1985 |
| author of kadambari: Aavarana Es. El Bhairappa, S. L. Bhyrappa, 2014 Because my questions made Amir uncomfortable, he pronounced talaq just like that on the wife who had abandoned everything for him because his religion gives him that privilege. Where do I now stand, sir? Do you have any solutions for me?' Lakshmi, a rebellious, free-spirited and intelligent film-maker, breaks ties with her staunchly Gandhi an father to marry Amir, the man she loves. She even agrees reluctantly to Amir's request that she convert to Islam, as a formality and change her name to Razia. However, she is shocked to discover that her husband is not the open-minded, progressive individual he claimed to be. For after marriage, Amir takes his family's side in trying to force her to follow the more rigorous tenets of their faith. This sets her off on a personal journey into India's history to uncover the many layers of religion, caste and creed. Her quest leads her to the many parallels in the narratives between the past and the present and she gradually finds that though much has changed in Indian society over the centuries, much remains the same. The second historical novel by celebrated Kannada author S.L. Bhyrappa, translated for the first time into English by Sandeep Balakrishna, Aavarana: The Veil raises pertinent and searching questions about religion, liberalism and identity and highlights the importance of unshackling oneself from the bonds of false knowledge. |
| author of kadambari: Banabhatta (Sanskrit Writer) K. Krishnamoorthy, 1982 |
| author of kadambari: Ancient Indian Culture at a Glance Swami Tattwananda, 1962 |
| author of kadambari: Yayati V S Khandekar, 2018-11-15 The story of Yayati is perhaps one of the most intriguing and fascinating episodes of Mahabharata. Yayati was a great scholar and one of the noblest rulers of olden times. He followed the shastras and was devoted to the welfare of his subjects. Even the King of Gods, Indra, held him in high esteem. Married to seductively beautiful Devayani, in love with her maid Sharmishtha, and father of five sons from two women, yet Yayati unabashedly declares, 'My lust for pleasure is unsatisfied...' His quest for the carnal continued, sparing not even his youngest son, and exchanging his old age for his son's youth... Winner of the Jnanpith and Sahitya Akademi Awards. |
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Transform your sentence or essay with free AI-rewriter Aithor. Use our online generator to rephrase words, sentences, and paragraphs effortlessly. The best AI paraphrasing solution …
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May 6, 2024 · In this genre of writing, the author narrates a story, often rooted in personal experiences. The objective is to impart a moral lesson to the reader through the storyline’s …
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"Aithor helps to find and suggest citations within the text proving the point of the author..." April 17, 2024 ...Al tools with a Focus on Academic writing has a clear winner: Aithor "With Aithor …
AI paper writer: free online tool for student | Aithor
"Aithor helps to find and suggest citations within the text proving the point of the author... April 17, 2024 ...Al tools with a Focus on Academic writing has a clear winner: Aithor " With Aithor …
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Aithor: Online writing | Creating and paraphrasing tool
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Pricing AI editor | Aithor.com
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Essay - What it Is and How to Write it With an AI Aithor
Mar 28, 2024 · The main goal of an essay is to present certain facts and opinions to its readers, provoke thought, engage them in discussion around the issue at hand, and sometimes even …
Citation Generator | Free Citation Generator
Find your source by entering its title or author. You can also search using a few keywords to discover a new source — whether it's a book, article, or website. The citation generator will …
Paraphrasing Tool | Free AI Text Rephraser Online - Aithor
Transform your sentence or essay with free AI-rewriter Aithor. Use our online generator to rephrase words, sentences, and paragraphs effortlessly. The best AI paraphrasing solution …
Simplify Essay Writing With AI-Powered Tools: Your Complete …
May 6, 2024 · In this genre of writing, the author narrates a story, often rooted in personal experiences. The objective is to impart a moral lesson to the reader through the storyline’s …
