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| aren t ia woman deborah gray white: Ar'n't I a Woman? Deborah Gray White, 1985 Exploration of the assumed roles within families and the community and the burdens placed on slave women. |
| aren t ia woman deborah gray white: Ar'n't I a Woman?: Female Slaves in the Plantation South (Revised Edition) Deborah Gray White, 1999-02-17 One of those rare books that quickly became the standard work in its field. —Anne Firor Scott, Duke University Living with the dual burdens of racism and sexism, slave women in the plantation South assumed roles within the family and community that contrasted sharply with traditional female roles in the larger American society. This revised edition of Ar'n't I a Woman? reviews and updates the scholarship on slave women and the slave family, exploring new ways of understanding the intersection of race and gender and comparing the myths that stereotyped female slaves with the realities of their lives. Above all, this groundbreaking study shows us how black women experienced freedom in the Reconstruction South—their heroic struggle to gain their rights, hold their families together, resist economic and sexual oppression, and maintain their sense of womanhood against all odds. Winner of the Letitia Woods Brown Memorial Book Prize awarded by the Association of Black Women Historians. |
| aren t ia woman deborah gray white: Too Heavy A Load Deborah Gray White, 1999-11-23 Meticulously researched. . . . Too Heavy a Load reads like a wonderful historical novel.--Akilah Monifa, Emerge Too Heavy a Load celebrates this century's rich history of black women defending themselves, from Ida B. Wells to Anita Hill. Although most prominently a history of the century-long struggle against racism and male chauvinism, Deborah Gray White also movingly illuminates black women's painful struggle to hold their racial and gender identities intact while feeling the inexorable pull of the agendas of white women and black men. Finally, it tells the larger and lamentable story of how Americans began this century measuring racial progress by the status of black women but gradually came to focus on the status of black men-the masculinization of America's racial consciousness. Writing with the same magisterial eye for historical detail as in her best-selling Ar'n't I a Woman, Deborah Gray White has given us a moving and definitive history of struggle and freedom. Splendid . . . a broad and sweeping history that becomes an intensely personal experience for the reader. . . . An inspiring showcase of scholarship and sistership. - Nell Irvin Painter, Raleigh News & Observer |
| aren t ia woman deborah gray white: The Plantation Mistress Catherine Clinton, 1984-02-12 This pioneering study of the much-mythologized Southern belle offers the first serious look at the lives of white women and their harsh and restricted place in the slave society before the Civil War. Drawing on the diaries, letters, and memoirs of hundreds of planter wives and daughters, Clinton sets before us in vivid detail the daily life of the plantation mistress and her ambiguous intermediary position in the hierarchy between slave and master. The Plantation Mistress challenges and reinterprets a host of issues related to the Old South. The result is a book that forces us to rethink some of our basic assumptions about two peculiar institutions -- the slave plantation and the nineteenth-century family. It approaches a familiar subject from a new angle, and as a result, permanently alters our understanding of the Old South and women's place in it. |
| aren t ia woman deborah gray white: Telling Histories Deborah Gray White, 2009-11-30 The field of black women's history gained recognition as a legitimate field of study only late in the twentieth century. Collecting stories that are both deeply personal and powerfully political, Telling Histories compiles seventeen personal narratives by leading black women historians at various stages in their careers. Their essays illuminate how--first as graduate students and then as professional historians--they entered and navigated the realm of higher education, a world concerned with and dominated by whites and men. In distinct voices and from different vantage points, the personal histories revealed here also tell the story of the struggle to establish a new scholarly field. Black women, alleged by affirmative-action supporters and opponents to be twofers, recount how they have confronted racism, sexism, and homophobia on college campuses. They explore how the personal and the political intersect in historical research and writing and in the academy. Organized by the years the contributors earned their Ph.D.'s, these essays follow the black women who entered the field of history during and after the civil rights and black power movements, endured the turbulent 1970s, and opened up the field of black women's history in the 1980s. By comparing the experiences of older and younger generations, this collection makes visible the benefits and drawbacks of the institutionalization of African American and African American women's history. Telling Histories captures the voices of these pioneers, intimately and publicly. Contributors: Elsa Barkley Brown, University of Maryland Mia Bay, Rutgers University Leslie Brown, Washington University in St. Louis Crystal N. Feimster, University of North Carolina at Chapel Hill Sharon Harley, University of Maryland Wanda A. Hendricks, University of South Carolina Darlene Clark Hine, Northwestern University Chana Kai Lee, University of Georgia Jennifer L. Morgan, New York University Nell Irvin Painter, Newark, New Jersey Merline Pitre, Texas Southern University Barbara Ransby, University of Illinois at Chicago Julie Saville, University of Chicago Brenda Elaine Stevenson, University of California, Los Angeles Ula Taylor, University of California, Berkeley Rosalyn Terborg-Penn, Morgan State University Deborah Gray White, Rutgers University |
| aren t ia woman deborah gray white: The Amistad Rebellion Marcus Rediker, 2012-11-08 On June 28, 1839, the Spanish slave schooner Amistad set sail from Havana on a routine delivery of human cargo. On a moonless night, after four days at sea, the captive Africans rose up, killed the captain, and seized control of the ship. They attempted to sail to a safe port, but were captured by the U.S. Navy and thrown into jail in Connecticut. Their legal battle for freedom eventually made its way to the Supreme Court, where their cause was argued by former president John Quincy Adams. In a landmark ruling, they were freed and eventually returned to Africa. The rebellion became one of the best-known events in the history of American slavery, celebrated as a triumph of the legal system in films and books, all reflecting the elite perspective of the judges, politicians, and abolitionists involved in the case. In this powerful and highly original account, Marcus Rediker reclaims the rebellion for its true proponents: the African rebels who risked death to stake a claim for freedom. Using newly discovered evidence, Rediker reframes the story to show how a small group of courageous men fought and won an epic battle against Spanish and American slaveholders and their governments. He reaches back to Africa to find the rebels’ roots, narrates their cataclysmic transatlantic journey, and unfolds a prison story of great drama and emotion. Featuring vividly drawn portraits of the Africans, their captors, and their abolitionist allies, he shows how the rebels captured the popular imagination and helped to inspire and build a movement that was part of a grand global struggle between slavery and freedom. The actions aboard the Amistad that July night and in the days and months that followed were pivotal events in American and Atlantic history, but not for the reasons we have always thought. The successful Amistad rebellion changed the very nature of the struggle against slavery. As a handful of self-emancipated Africans steered their own course to freedom, they opened a way for millions to follow. This stunning book honors their achievement. |
| aren t ia woman deborah gray white: Rethinking Rufus Thomas A. Foster, 2019-05-01 Rethinking Rufus is the first book-length study of sexual violence against enslaved men. Scholars have extensively documented the widespread sexual exploitation and abuse suffered by enslaved women, with comparatively little attention paid to the stories of men. However, a careful reading of extant sources reveals that sexual assault of enslaved men also occurred systematically and in a wide variety of forms, including physical assault, sexual coercion, and other intimate violations. To tell the story of men such as Rufus-who was coerced into a sexual union with an enslaved woman, Rose, whose resistance of this union is widely celebrated-historian Thomas A. Foster interrogates a range of sources on slavery: early American newspapers, court records, enslavers' journals, abolitionist literature, the testimony of formerly enslaved people collected in autobiographies and in interviews, and various forms of artistic representation. Foster's sustained examination of how black men were sexually violated by both white men and white women makes an important contribution to our understanding of masculinity, sexuality, the lived experience of enslaved men, and the general power dynamics fostered by the institution of slavery. Rethinking Rufus illuminates how the conditions of slavery gave rise to a variety of forms of sexual assault and exploitation that affected all members of the community. |
| aren t ia woman deborah gray white: Mistresses and Slaves Marli Frances Weiner, 1997 Marli Weiner challenges much of the received wisdom on the domestic realm of the nineteenth-century southern plantation - a worked in which white mistresses and female slaves labored together to provide food, clothing, and medicines to the larger plantation community. Although divided by race, black and white women were joined by common female experiences and expectations of behavior. Because work and gender affected them as much as race, mistresses and female slaves interacted with one another very differently from the ways they interacted with men. Supported by the women's own words, Weiner offers fresh interpretations of the ideology of domesticity that influenced women's race relations before the Civil War, the gradual manner in which they changed during the war, and the harsher behaviors that resulted during Reconstruction. |
| aren t ia woman deborah gray white: The American Slave Coast Ned Sublette, Constance Sublette, 2015-10-01 American Book Award Winner 2016 The American Slave Coast offers a provocative vision of US history from earliest colonial times through emancipation that presents even the most familiar events and figures in a revealing new light. Authors Ned and Constance Sublette tell the brutal story of how the slavery industry made the reproductive labor of the people it referred to as breeding women essential to the young country's expansion. Captive African Americans in the slave nation were not only laborers, but merchandise and collateral all at once. In a land without silver, gold, or trustworthy paper money, their children and their children's children into perpetuity were used as human savings accounts that functioned as the basis of money and credit in a market premised on the continual expansion of slavery. Slaveowners collected interest in the form of newborns, who had a cash value at birth and whose mothers had no legal right to say no to forced mating. This gripping narrative is driven by the power struggle between the elites of Virginia, the slave-raising mother of slavery, and South Carolina, the massive importer of Africans—a conflict that was central to American politics from the making of the Constitution through the debacle of the Confederacy. Virginia slaveowners won a major victory when Thomas Jefferson's 1808 prohibition of the African slave trade protected the domestic slave markets for slave-breeding. The interstate slave trade exploded in Mississippi during the presidency of Andrew Jackson, drove the US expansion into Texas, and powered attempts to take over Cuba and other parts of Latin America, until a disaffected South Carolina spearheaded the drive to secession and war, forcing the Virginians to secede or lose their slave-breeding industry. Filled with surprising facts, fascinating incidents, and startling portraits of the people who made, endured, and resisted the slave-breeding industry, The American Slave Coast culminates in the revolutionary Emancipation Proclamation, which at last decommissioned the capitalized womb and armed the African Americans to fight for their freedom. |
| aren t ia woman deborah gray white: Ain't I a Woman bell hooks, 2014-12-17 A classic work of feminist scholarship, Ain't I a Woman has become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar's bookshelf. |
| aren t ia woman deborah gray white: A Fragile Freedom Erica Armstrong Dunbar, 2008-10-01 Chronicling the lives of African American women in the urban north of America (particularly Philadelphia) during the early years of the republic, 'A Fragile Freedom' investigates how they journeyed from enslavement to the precarious state of 'free persons' in the decades before the Civil War. |
| aren t ia woman deborah gray white: Black Women in White America Gerda Lerner, 1973 In this stunning collection of documents (Washington Post Book World), African-American women speak of themselves, their lives, ambitions, and struggles from the colonial period to the present day. Theirs are stories of oppression and survival, of family and community self-help, of inspiring heroism and grass-roots organizational continuity in the face of racism, economic hardship, and, far too often, violence. Their vivid accounts, their strong and insistent voices, make for inspiring reading, enriching our understanding of the American past. |
| aren t ia woman deborah gray white: Scarlet and Black Marisa J. Fuentes, Deborah Gray White, 2016-12-20 The 250th anniversary of the founding of Rutgers University is a perfect moment for the Rutgers community to reconcile its past, and acknowledge its role in the enslavement and debasement of African Americans and the disfranchisement and elimination of Native American people and culture. Scarlet and Black documents the history of Rutgers’s connection to slavery, which was neither casual nor accidental—nor unusual. Like most early American colleges, Rutgers depended on slaves to build its campuses and serve its students and faculty; it depended on the sale of black people to fund its very existence. Men like John Henry Livingston, (Rutgers president from 1810–1824), the Reverend Philip Milledoler, (president of Rutgers from 1824–1840), Henry Rutgers, (trustee after whom the college is named), and Theodore Frelinghuysen, (Rutgers’s seventh president), were among the most ardent anti-abolitionists in the mid-Atlantic. Scarlet and black are the colors Rutgers University uses to represent itself to the nation and world. They are the colors the athletes compete in, the graduates and administrators wear on celebratory occasions, and the colors that distinguish Rutgers from every other university in the United States. This book, however, uses these colors to signify something else: the blood that was spilled on the banks of the Raritan River by those dispossessed of their land and the bodies that labored unpaid and in bondage so that Rutgers could be built and sustained. The contributors to this volume offer this history as a usable one—not to tear down or weaken this very renowned, robust, and growing institution—but to strengthen it and help direct its course for the future. The work of the Committee on Enslaved and Disenfranchised Population in Rutgers History. Visit the project's website at http://scarletandblack.rutgers.edu |
| aren t ia woman deborah gray white: Colored Amazons Kali N. Gross, 2006-06-22 For the state, black female crime and its representations effectively galvanized and justified a host of urban reform initiatives that reaffirmed white, middle-class authority.--Jacket. |
| aren t ia woman deborah gray white: Beyond Slavery Jacqueline L. Hazelton, 2010-10-25 This book looks at a United States that continues to be driven by racial and cultural divisions, from the disproportionately high number of incarcerated African Americans to heartfelt disagreements over the true nature of marriage and the proper role of faith in public policy. |
| aren t ia woman deborah gray white: Ain't I a Woman? Sojourner Truth, 2021-06-08 A collection of Sojourner Truth's iconic words, including her famous speech at the 1851 Women's Rights Convention in Akron, Ohio A former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives--and upended them. Now Penguin brings you a new set of the acclaimed Great Ideas, a curated library of selections from the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. |
| aren t ia woman deborah gray white: Property Valerie Martin, 2007-12-18 WINNER OF THE ORANGE PRIZE • Set in 1828 on a Louisiana sugar plantation, this novel from the bestselling author of Mary Reilly presents a “fresh, unsentimental look at what slave-owning does to (and for) one's interior life.... The writing—so prised and clean limbed—is a marvel (Toni Morrison, Nobel Prize-winning author of Beloved). Manon Gaudet, pretty, bitterly intelligent, and monstrously self-absorbed, seethes under the dominion of her boorish husband. In particular his relationship with her slave Sarah, who is both his victim and his mistress. Exploring the permutations of Manon’s own obsession with Sarah against the backdrop of an impending slave rebellion, Property unfolds with the speed and menace of heat lightning, casting a startling light from the past upon the assumptions we still make about the powerful and powerful. |
| aren t ia woman deborah gray white: More Than Chattel David Barry Gaspar, Darlene Clark Hine, 1996-04-22 Essays exploring Black women’s experiences with slavery in the Americas. Gender was a decisive force in shaping slave society. Slave men’s experiences differed from those of slave women, who were exploited both in reproductive as well as productive capacities. The women did not figure prominently in revolts, because they engaged in less confrontational resistance, emphasizing creative struggle to survive dehumanization and abuse. The contributors are Hilary Beckles, Barbara Bush, Cheryl Ann Cody, David Barry Gaspar, David P. Geggus, Virginia Meacham Gould, Mary Karasch, Wilma King, Bernard Moitt, Celia E. Naylor-Ojurongbe, Robert A. Olwell, Claire Robertson, Robert W. Slenes, Susan M. Socolow, Richard H. Steckel, and Brenda E. Stevenson. “A much-needed volume on a neglected topic of great interest to scholars of women, slavery, and African American history. Its broad comparative framework makes it all the more important, for it offers the basis for evaluating similarities and contrasts in the role of gender in different slave societies. . . . [This] will be required reading for students all of the American South, women’s history, and African American studies.” —Drew Gilpin Faust, Annenberg Professor of History, University of Pennsylvania |
| aren t ia woman deborah gray white: Within the Plantation Household Elizabeth Fox-Genovese, 2000-11-09 Documenting the difficult class relations between women slaveholders and slave women, this study shows how class and race as well as gender shaped women's experiences and determined their identities. Drawing upon massive research in diaries, letters, memoirs, and oral histories, the author argues that the lives of antebellum southern women, enslaved and free, differed fundamentally from those of northern women and that it is not possible to understand antebellum southern women by applying models derived from New England sources. |
| aren t ia woman deborah gray white: My New Roots Sarah Britton, 2015-03-31 Holistic nutritionist and highly-regarded blogger Sarah Britton presents a refreshing, straight-forward approach to balancing mind, body, and spirit through a diet made up of whole foods. Sarah Britton's approach to plant-based cuisine is about satisfaction--foods that satiate on a physical, emotional, and spiritual level. Based on her knowledge of nutrition and her love of cooking, Sarah Britton crafts recipes made from organic vegetables, fruits, whole grains, beans, lentils, nuts, and seeds. She explains how a diet based on whole foods allows the body to regulate itself, eliminating the need to count calories. My New Roots draws on the enormous appeal of Sarah Britton's blog, which strikes the perfect balance between healthy and delicious food. She is a whole food lover, a cook who makes simple accessible plant-based meals that are a pleasure to eat and a joy to make. This book takes its cues from the rhythms of the earth, showcasing 100 seasonal recipes. Sarah simmers thinly sliced celery root until it mimics pasta for Butternut Squash Lasagna, and whips up easy raw chocolate to make homemade chocolate-nut butter candy cups. Her recipes are not about sacrifice, deprivation, or labels--they are about enjoying delicious food that's also good for you. |
| aren t ia woman deborah gray white: Closer to Freedom Stephanie M. H. Camp, 2004 Focusing on female slaves' everyday forms of resistance--such as truancy, theft, and illegal parties--Camp argues that the Civil War years saw revolutionary change that had been in the making for decades, as slaves broke rules, spoke their minds, and ran away. |
| aren t ia woman deborah gray white: Dispossessed Lives Marisa J. Fuentes, 2016-05-26 In the eighteenth century, Bridgetown, Barbados, was heavily populated by both enslaved and free women. Marisa J. Fuentes creates a portrait of urban Caribbean slavery in this colonial town from the perspective of these women whose stories appear only briefly in historical records. Fuentes takes us through the streets of Bridgetown with an enslaved runaway; inside a brothel run by a freed woman of color; in the midst of a white urban household in sexual chaos; to the gallows where enslaved people were executed; and within violent scenes of enslaved women's punishments. In the process, Fuentes interrogates the archive and its historical production to expose the ongoing effects of white colonial power that constrain what can be known about these women. Combining fragmentary sources with interdisciplinary methodologies that include black feminist theory and critical studies of history and slavery, Dispossessed Lives demonstrates how the construction of the archive marked enslaved women's bodies, in life and in death. By vividly recounting enslaved life through the experiences of individual women and illuminating their conditions of confinement through the legal, sexual, and representational power wielded by slave owners, colonial authorities, and the archive, Fuentes challenges the way we write histories of vulnerable and often invisible subjects. |
| aren t ia woman deborah gray white: Celia, a Slave Melton A. McLaurin, 2021-12-15 |
| aren t ia woman deborah gray white: Scarlet and Black, Volume Three Miya Carey, Marisa J. Fuentes, Deborah Gray White, 2021-05-20 The 250th anniversary of the founding of Rutgers University is a perfect moment for the Rutgers community to reconcile its past, and acknowledge its role in the enslavement and debasement of African Americans and the disfranchisement and elimination of Native American people and culture. Scarlet and Black, Volume Three, concludes this groundbreaking documentation of the history of Rutgers’s connection to slavery, which was neither casual nor accidental—nor unusual. Like most early American colleges, Rutgers depended on slaves to build its campuses and serve its students and faculty; it depended on the sale of black people to fund its very existence. This final of three volumes concludes the work of the Committee on Enslaved and Disenfranchised Population in Rutgers History. This latest volume includes essays about Black and Puerto Rican students' experiences; the development of the Black Unity League; the Conklin Hall takeover; the divestment movement against South African apartheid; anti-racism struggles during the 1990s; and the Don Imus controversy and the 2007 Scarlet Knights women's basketball team. To learn more about the work of the Committee on Enslaved and Disenfranchised Population in Rutgers History, visit the project's website at http://scarletandblack.rutgers.edu. |
| aren t ia woman deborah gray white: Apostles of Disunion Charles B. Dew, 2002-03-18 In late 1860 and early 1861, state-appointed commissioners traveled the length and breadth of the slave South carrying a fervent message in pursuit of a clear goal: to persuade the political leadership and the citizenry of the uncommitted slave states to join in the effort to destroy the Union and forge a new Southern nation. Directly refuting the neo-Confederate contention that slavery was neither the reason for secession nor the catalyst for the resulting onset of hostilities in 1861, Charles B. Dew finds in the commissioners' brutally candid rhetoric a stark white supremacist ideology that proves the contrary. The commissioners included in their speeches a constitutional justification for secession, to be sure, and they pointed to a number of political outrages committed by the North in the decades prior to Lincoln's election. But the core of their argument—the reason the right of secession had to be invoked and invoked immediately—did not turn on matters of constitutional interpretation or political principle. Over and over again, the commissioners returned to the same point: that Lincoln's election signaled an unequivocal commitment on the part of the North to destroy slavery and that emancipation would plunge the South into a racial nightmare. Dew's discovery and study of the highly illuminating public letters and speeches of these apostles of disunion—often relatively obscure men sent out to convert the unconverted to the secessionist cause--have led him to suggest that the arguments the commissioners presented provide us with the best evidence we have of the motives behind the secession of the lower South in 1860–61. Addressing topics still hotly debated among historians and the public at large more than a century after the Civil War, Dew challenges many current perceptions of the causes of the conflict. He offers a compelling and clearly substantiated argument that slavery and race were absolutely critical factors in the outbreak of war—indeed, that they were at the heart of our great national crisis. |
| aren t ia woman deborah gray white: Which Way Freedom? Joyce Hansen, 1992-02-01 Obi had never forgotten the sounds of his mother's screams on the day he was sold away from her. Making plans to run away to find her was a secret game he played with friend Buka, an old African who lived at the edge of the farm. When the Civil War began, Obi knew it was time to run -- or be sold again. If he was caught, he'd be killed...or worse. But if he stayed, he might never know freedom. |
| aren t ia woman deborah gray white: Slavery's Exiles Sylviane A. Diouf, 2014-01-17 The forgotten stories of America maroons—wilderness settlers evading discovery after escaping slavery Over more than two centuries men, women, and children escaped from slavery to make the Southern wilderness their home. They hid in the mountains of Virginia and the low swamps of South Carolina; they stayed in the neighborhood or paddled their way to secluded places; they buried themselves underground or built comfortable settlements. Known as maroons, they lived on their own or set up communities in swamps or other areas where they were not likely to be discovered. Although well-known, feared, celebrated or demonized at the time, the maroons whose stories are the subject of this book have been forgotten, overlooked by academic research that has focused on the Caribbean and Latin America. Who the American maroons were, what led them to choose this way of life over alternatives, what forms of marronage they created, what their individual and collective lives were like, how they organized themselves to survive, and how their particular story fits into the larger narrative of slave resistance are questions that this book seeks to answer. To survive, the American maroons reinvented themselves, defied slave society, enforced their own definition of freedom and dared create their own alternative to what the country had delineated as being black men and women’s proper place. Audacious, self-confident, autonomous, sometimes self-sufficient, always self-governing; their very existence was a repudiation of the basic tenets of slavery. |
| aren t ia woman deborah gray white: Invisibility Blues Michele Wallace, 2016-11-15 First published in 1990, Michele Wallace's Invisibility Blues is widely regarded as a landmark in the history of black feminism. Wallace's considerations of the black experience in America include recollections of her early life in Harlem; a look at the continued underrepresentation of black voices in politics, media, and culture; and the legacy of such figures as Zora Neale Hurston, Toni Cade Bambara, Toni Morrison,and Alice Walker. Wallace addresses the tensions between race, gender, and society, bringing them into the open with a singular mix of literary virtuosity and scholarly rigor. Invisibility Blues challenges and informs with the plain-spoken truth that has made it an acknowledged classic. |
| aren t ia woman deborah gray white: Toni Morrison's Beloved William L. Andrews, Nellie Y. McKay, 1999-01-21 With the continued expansion of the literary canon, multicultural works of modern literary fiction and autobiography have assumed an increasing importance for students and scholars of American literature. This exciting new series assembles key documents and criticism concerning these works that have so recently become central components of the American literature curriculum. Each casebook will reprint documents relating to the work's historical context and reception, present the best in critical essays, and when possible, feature an interview of the author. The series will provide, for the first time, an accessible forum in which readers can come to a fuller understanding of these contemporary masterpieces and the unique aspects of American ethnic, racial, or cultural experience that they so ably portray. This casebook to Morrison's classic novel presents seven essays that represent the best in contemporary criticism of the book. In addition, the book includes a poem and an abolitionist's tra published after a slave named Margaret Garner killed her child to save her from slavery—the very incident Morrison fictionalizes in Beloved. |
| aren t ia woman deborah gray white: Engendering Whiteness Cecily Jones, 2007-08-15 A comparative analysis of the complex interweaving of race, gender, social class and sexuality in defining the contours of white women's lives in Barbados and North Carolina during the era of slavery. |
| aren t ia woman deborah gray white: Mammy Kimberly Wallace-Sanders, 2008 A revealing exploration of the origins and meanings of the mammy figure |
| aren t ia woman deborah gray white: Hope in a Jar Kathy Peiss, 2011-09-30 How did powder and paint, once scorned as immoral, become indispensable to millions of respectable women? How did a kitchen physic, as homemade cosmetics were once called, become a multibillion-dollar industry? And how did men finally take over that rarest of institutions, a woman's business? In Hope in a Jar, historian Kathy Peiss gives us the first full-scale social history of America's beauty culture, from the buttermilk and rice powder recommended by Victorian recipe books to the mass-produced products of our contemporary consumer age. She shows how women, far from being pawns and victims, used makeup to declare their freedom, identity, and sexual allure as they flocked to enter public life. And she highlights the leading role of white and black women—Helena Rubenstein and Annie Turnbo Malone, Elizabeth Arden and Madame C. J. Walker—in shaping a unique industry that relied less on advertising than on women's customs of visiting and conversation. Replete with the voices and experiences of ordinary women, Hope in a Jar is a richly textured account of the ways women created the cosmetics industry and cosmetics created the modern woman. |
| aren t ia woman deborah gray white: Building a Business with a Beat: Leadership Lessons from Jazzercise—An Empire Built on Passion, Purpose, and Heart Judi Sheppard Missett, 2019-06-25 Transform your passion into a profitable business—with the help of the legendary entrepreneur who turned an innovative idea into a $100 million global powerhouse.Judi Sheppard Missett is a fitness icon who, at just three years old, discovered a passion for dance that would eventually fuel a global dance fitness empire. After an early life spent honing her dancing skills and a career as a professional jazz dancer, Judi had an epiphany: why not combine the art of jazz dancing with the science of exercise to help others achieve a healthier, happier self-image and life? The wildly enthusiastic response from her first 15 students inspired her to launch Jazzercise, Inc., the world’s leading dance fitness program with a cumulative $2 billion in global sales.In Building a Business with Beat, Judi reveals for the first time the secrets behind the company’s five decades of enormous success. In addition to helping millions of men and women improve their health and well-being through the fun and fitness of dance, Judi has inspired 8,500 franchisees to achieve their dream of owning and running their own business. Now, through powerful personal stories, practical proven-successful advice and insights, Judi shares how you, too, can transform your passion into a profitable business.This inspirational guide will teach you how to: • Create a successful business by discovering and defining your larger purpose• Use your unique perspectives and abilities to enhance the lives of others • Deftly handle everyday obstacles and unplanned events• Develop an open mindset and embrace innovation and new possibilities• Inspire your staff to connect to a purpose greater than day-to-day work, and moreFilled with helpful tips, smart strategies, and no-nonsense advice, this book is essential reading for anyone who has ever dreamed of creating a thriving, purpose-driven business. The author is living proof that when you’re doing what you love, it may not seem like work at all. |
| aren t ia woman deborah gray white: The Weeping Time Anne C. Bailey, 2017-10-09 In 1859, at the largest recorded slave auction in American history, over 400 men, women, and children were sold by the Butler Plantation estates. This book is one of the first to analyze the operation of this auction and trace the lives of slaves before, during, and after their sale. Immersing herself in the personal papers of the Butlers, accounts from journalists that witnessed the auction, genealogical records, and oral histories, Anne C. Bailey weaves together a narrative that brings the auction to life. Demonstrating the resilience of African American families, she includes interviews from the living descendants of slaves sold on the auction block, showing how the memories of slavery have shaped people's lives today. Using the auction as the focal point, The Weeping Time is a compelling and nuanced narrative of one of the most pivotal eras in American history, and how its legacy persists today. |
| aren t ia woman deborah gray white: Out of the House of Bondage Thavolia Glymph, 2008-06-30 This book views the plantation household as a site of production where competing visions of gender were wielded as weapons in class struggles between black and white women. Mistresses were powerful beings in the hierarchy of slavery rather than powerless victims of the same patriarchal system responsible for the oppression of the enslaved. Glymph challenges popular depictions of plantation mistresses as friends and allies of slaves and sheds light on the political importance of ostensible private struggles, and on the political agendas at work in framing the domestic as private and household relations as personal. |
| aren t ia woman deborah gray white: The Guilty Feminist Deborah Frances-White, 2018 A funny, joyful, frank and inspiring book about embracing both feminism and our imperfections, from the creator of the hit comedy podcast, Deborah Frances-White. From inclusion to the secret autonomy in rom coms, from effective activism to what poker can tell us about power structures, Deborah explores what it means to be a twenty-first-century feminist, and encourages us to make the world better for everyone. The book also includes exclusive interviews with performers, activists and thinkers - Jessamyn Stanley, Zoe Coombs Marr, Susan Wokoma, Bisha K. Ali, Reubs Walsh, Becca Bunce, Amika George, Mo Mansfied and Leyla Hussein - plus a piece from Hannah Gadsby. |
| aren t ia woman deborah gray white: Jailbreak Out of History Butch Lee, |
| aren t ia woman deborah gray white: Defending Same-Sex Marriage Martin Dupuis, William A. Thompson, Traci C. West, 2006-12-30 Today we find ourselves at a crossroads of two powerful, unrelenting currents that are completely at odds with one another. The movement for legal recognition of same-sex unions has gone beyond the separate but equal status of civil unions to demand equality in marriage for all couples. Progress is being made on many fronts: mayoral action, clergy officiating at same-sex marriage and union ceremonies, state legislative responses, and street protests, to name a few. Meanwhile, opposition to same-sex marriage has also been gathering strength. The struggle is sure to continue unabated for some time to come, pitting those who believe in the traditional definition of marriage as a union between a man and a woman—and who seek to codify this belief in the U.S. Constitution—against those who find the basis for marriage between two loving, committed individuals not only in the history of our civil rights legislation and court decisions, but also in scripture and sacred religious traditions. Those who believe in extending to same-sex couples the 1,049 rights conferred by marriage as well as the supportive embrace of religious communities seek to strengthen the institution of marriage by making it inclusive and by passing laws and broadening doctrines to uphold marriage rights for all couples. This three-volume set clarifies the legal, political, religious, cultural, and social ramifications of same-sex marriage for gay and lesbian couples and their families and friends, and for the general public interested in the future of civil rights in the United States. |
| aren t ia woman deborah gray white: Enslaved Women in America Daina Ramey Berry Ph.D., Deleso A. Alford, 2012-06-12 This singular reference provides an authoritative account of the daily lives of enslaved women in the United States, from colonial times to emancipation following the Civil War. Through essays, photos, and primary source documents, the female experience is explored, and women are depicted as central, rather than marginal, figures in history. Slavery in the history of the United States continues to loom large in our national consciousness, and the role of women in this dark chapter of the American past is largely under-examined. This is the first encyclopedia to focus on the daily experiences and roles of female slaves in the United States, from colonial times to official abolition provided by the 13th amendment to the Constitution in 1865. Enslaved Women in America: An Encyclopedia contains 100 entries written by a range of experts and covering all aspects of daily life. Topics include culture, family, health, labor, resistance, and violence. Arranged alphabetically by entry, this unique look at history features life histories of lesser-known African American women, including Harriet Robinson Scott, the wife of Dred Scott, as well as more notable figures. |
Aren - definition of Aren by The Free Dictionary
Second person singular and plural and first and third person plural present indicative of be. [Middle English aren, from Old English aron, earon; see er- in Indo-European roots.] A metric …
aren - Wiktionary, the free dictionary
May 11, 2025 · From Middle English aren, from Old English earon, earun, present plural indicative of Old English bēon (“to be”). Equivalent to are + -en. More at are. aren. “Ye're not Irish, aren …
Aren - LinkedIn
At Aren, we’re transforming how asset owners and operators assess risk and optimize spending. Our software provides data-driven insights that go beyond traditional inspection methods, …
Aren - Baby Name Meaning, Origin and Popularity - TheBump.com
Aren is a gender-neutral name of Scandinavian origin for the bravest of little ones. Its significance depends on which classic title it has been inspired by. From the Germanic moniker Arnold, …
Aren - Name Meaning, What does Aren mean? - Think Baby Names
What does Aren mean? A ren as a boys' name (also used less regularly as girls' name Aren ) is of Hebrew derivation, and the meaning of Aren is "mountain of strength". Aren is an alternate …
Aren | Spanish to English Translation - SpanishDictionary.com
See 2 authoritative translations of Aren in English with example sentences, conjugations and audio pronunciations.
aren - English definition, grammar, pronunciation, synonyms and ...
Learn the definition of 'aren'. Check out the pronunciation, synonyms and grammar. Browse the use examples 'aren' in the great English corpus.
Aren - Girl Name Meaning and Pronunciation - Ask Oracle
Aren is a name of Welsh origin, meaning 'high place' or 'eagle's nest'. It is a unisex name, though it is more commonly used for boys. Aren is a relatively uncommon name, but it has been …
AREN - What does AREN stand for? The Free Dictionary
Looking for online definition of AREN or what AREN stands for? AREN is listed in the World's most authoritative dictionary of abbreviations and acronyms.
Aren Company Profile - Office Locations, Competitors, Revenue
Aren is a civil infrastructure software as a service (SaaS) company. It develops a SaaS platform that specializes in structural engineering, artificial intelligence, deep learning, and computer …
Aren - definition of Aren by The Free Dictionary
Second person singular and plural and first and third person plural present indicative of be. [Middle English aren, from Old English aron, earon; see er- in Indo-European roots.] A metric …
aren - Wiktionary, the free dictionary
May 11, 2025 · From Middle English aren, from Old English earon, earun, present plural indicative of Old English bēon (“to be”). Equivalent to are + -en. More at are. aren. “Ye're not Irish, aren …
Aren - LinkedIn
At Aren, we’re transforming how asset owners and operators assess risk and optimize spending. Our software provides data-driven insights that go beyond traditional inspection methods, …
Aren - Baby Name Meaning, Origin and Popularity - TheBump.com
Aren is a gender-neutral name of Scandinavian origin for the bravest of little ones. Its significance depends on which classic title it has been inspired by. From the Germanic moniker Arnold, …
Aren - Name Meaning, What does Aren mean? - Think Baby Names
What does Aren mean? A ren as a boys' name (also used less regularly as girls' name Aren ) is of Hebrew derivation, and the meaning of Aren is "mountain of strength". Aren is an alternate …
Aren | Spanish to English Translation - SpanishDictionary.com
See 2 authoritative translations of Aren in English with example sentences, conjugations and audio pronunciations.
aren - English definition, grammar, pronunciation, synonyms and ...
Learn the definition of 'aren'. Check out the pronunciation, synonyms and grammar. Browse the use examples 'aren' in the great English corpus.
Aren - Girl Name Meaning and Pronunciation - Ask Oracle
Aren is a name of Welsh origin, meaning 'high place' or 'eagle's nest'. It is a unisex name, though it is more commonly used for boys. Aren is a relatively uncommon name, but it has been …
AREN - What does AREN stand for? The Free Dictionary
Looking for online definition of AREN or what AREN stands for? AREN is listed in the World's most authoritative dictionary of abbreviations and acronyms.
Aren Company Profile - Office Locations, Competitors, Revenue
Aren is a civil infrastructure software as a service (SaaS) company. It develops a SaaS platform that specializes in structural engineering, artificial intelligence, deep learning, and computer …
