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| azur and asmar song: Basics Animation 03: Drawing for Animation Paul Wells, Joanna Quinn, Les Mills, 2008-12 Examines the thinking process behind drawing, characters, composition and movement, narrative and adaptation. The author introduces the fundamental elements involved in producing drawn animation. |
| azur and asmar song: Michel Ocelot Laura Buono, 2023-12-01 This unique book examines the career of Michel Ocelot, from his earliest works to his latest research and productions, including an interview regarding his latest film Le Pharaon, le Sauvage et la Princesse (2022). The book highlights the director’s role in the panorama of contemporary animated cinema and his relationship with the tradition, both artistic and cinematographic. The book carefully analyses the ethical and social nature of Ocelot’s work to underscore the duality of the director’s oeuvre, both artistic and social, using an interdisciplinary approach that blends film and aesthetic criticism with gender studies and decolonial thought. Particular attention will be given to the themes of multiculturalism, discrimination, and treatment of women, which are at the centre of many current cultural debates. The book will be of interest to an audience of experts, animation enthusiasts, and film scholars, as well as to a wider readership interested in learning about the poetics of Kirikou’s father. |
| azur and asmar song: 100 Animated Feature Films Andrew Osmond, 2022-07-14 20 years ago, animated features were widely perceived as cartoons for children. Today they encompass an astonishing range of films, styles and techniques. There is the powerful adult drama of Waltz with Bashir; the Gallic sophistication of Belleville Rendez-Vous; the eye-popping violence of Japan's Akira; and the stop-motion whimsy of Wallace & Gromit in The Curse of the Were-Rabbit. Andrew Osmond provides an entertaining and illuminating guide to the endlessly diverse world of animated features, with entries on 100 of the most interesting and important animated films from around the world, from the 1920s to the present day. Blending in-depth history and criticism, 100 Animated Feature Films balances the blockbusters with local success stories from Eastern Europe to Hong Kong. This revised and updated new edition addresses films that have been released since publication of the first edition, such as the mainstream hits Frozen, The Lego Movie and Spider-Man: Into the Spider-Verse, as well as updated entries on franchises such as the Toy Story movies. It also covers bittersweet indie visions such as Michael Dudok de Wit's The Red Turtle, Charlie Kaufman's Anomalisa, Isao Takahata's Tale of the Princess Kaguya, the family saga The Wolf Children and the popular blockbuster Your Name. Osmond's wide-ranging selection also takes in the Irish fantasy Song of the Sea, France's I Lost My Body and Brazil's Boy and the World. Osmond's authoritative and entertaining entries combine with a contextualising introduction and key filmographic information to provide an essential guide to animated film. |
| azur and asmar song: A Cultural History of the Disney Fairy Tale Tracey L. Mollet, 2020-11-21 This book charts the complex history of the relationship between the Disney fairy tale and the American Dream, demonstrating the ways in which the Disney fairy tale has been reconstructed and renegotiated alongside, and in response to important changes within American society. In all of its fairy tales of the twentieth and twenty-first centuries, the Walt Disney studios works to sell its audiences the national myth of the United States at any one historical moment. With analyses of films and television programmes such as The Little Mermaid (1989), Frozen (2013), Beauty and the Beast (2017) and Once Upon a Time (2011-2018), Mollet argues that by giving its fairy tale protagonists characteristics associated with ‘good’ Americans, and even by situating their fairy tales within America itself, Disney constructs a vision of America as a utopian space. |
| azur and asmar song: Studio Ghibli Colin Odell, Michelle LeBlanc, 2009-03-26 The animations of Japan's Studio Ghibli are amongst the most respected in the movie industry. Their delightful films rank alongside the most popular non-English language films ever made, with each new eagerly-anticipated release a guaranteed box-office smash. Yet this highly profitable studio has remained fiercely independent, producing a stream of imaginative and individual animations. The studio's founders, long-time animators Isao Takahata and Hayao Miyazaki, have created timeless masterpieces. Although their films are distinctly Japanese their themes are universal: humanity, community and a love for the environment. No other film studio, animation or otherwise, comes close to matching Ghibli for pure cinematic experience. This Kamera Book examines all their major works, as well the early output of Hayao Miyazaki and Isao Takahata, exploring the cultural and thematic threads that bind these films together. |
| azur and asmar song: Animation in Europe Rolf Giesen, 2022-08-24 There is a lot one could say about animation in Europe, but above all, there is no consistent European animation. It is as disparate as the various countries involved. Audiences will certainly recognize American or Japanese animation, but in Europe, it can range from Czech, Polish, and Hungarian to Greek, Italian, Spanish, Portuguese, French, and British. Animation in Europe provides a comprehensive review of the history and current situation of animation in over 20 European countries. It features numerous interviews with artists and producers, including rare documents and firsthand accounts that illustrate the rich history of animation in Europe. Additional features include • An extensive chronology with key events in European animation • A Who’s Who of producers, directors, writers, and animators working in Europe • An examination of the origin of European animation and its influence Animation in Europe is the first book devoted entirely to this topic and, therefore, will be of value for animation buffs as well as practitioners and researchers. |
| azur and asmar song: Fairy-Tale Films Beyond Disney Jack Zipes, Pauline Greenhill, Kendra Magnus-Johnston, 2015-09-16 The fairy tale has become one of the dominant cultural forms and genres internationally, thanks in large part to its many manifestations on screen. Yet the history and relevance of the fairy-tale film have largely been neglected. In this follow-up to Jack Zipes’s award-winning book The Enchanted Screen (2011), Fairy-Tale Films Beyond Disney offers the first book-length multinational, multidisciplinary exploration of fairy-tale cinema. Bringing together twenty-three of the world’s top fairy-tale scholars to analyze the enormous scope of these films, Zipes and colleagues Pauline Greenhill and Kendra Magnus-Johnston present perspectives on film from every part of the globe, from Hayao Miyazaki’s Spirited Away, to Jan Švankmajer’s Alice, to the transnational adaptations of 1001 Nights and Hans Christian Andersen. Contributors explore filmic traditions in each area not only from their different cultural backgrounds, but from a range of academic fields, including criminal justice studies, education, film studies, folkloristics, gender studies, and literary studies. Fairy-Tale Films Beyond Disney offers readers an opportunity to explore the intersections, disparities, historical and national contexts of its subject, and to further appreciate what has become an undeniably global phenomenon. |
| azur and asmar song: 200 films à voir avant d'être presque grand pour les 3-8 ans Philippe Besnier, 2016-06-02 100 ans après Le Kid de Charlie Chaplin, la magie du cinéma opère encore, intacte. Au cinéma, à la télévision ou sur tablette, quoi de mieux pour distraire les enfants, éveiller leur curiosité et les passionner ? Difficile pourtant de s'y retrouver dans une offre pléthorique. À quel âge peut-on regarder Au revoir les enfants ou Jurassik Park sans être choqué ? Quel autre film choisir après avoir vu en boucle Le Livre de la jungle ou la Reine des Neiges ? Comment ne pas passer à côté d'un chef-d'oeuvre ? Ce guide présente 200 films en 5 chapitres thématiques : aventures - animation - comédies - drames - chroniques d'enfance. Les films sont également triés selon l'âge idéal pour les voir - 3/4 ans, 5/6 ans, 7/8 ans. Pour chaque film, une fiche avec : -Un résumé, une critique, la fiche technique -Un dessin original, l'affiche ou une photo -Des infos complémentaires, par ex : « ça devrait leur plaire », des anecdotes bonus, et parfois un picto « coup de coeur » ou « chef-d'oeuvre» ou « cinéma d'ailleurs » -Pour les grandes sagas, des double-pages spéciales -En annexe deux index des films (par âge, par titre) |
| azur and asmar song: 200 films à voir avant d'être grand pour les 3-8 ans Philippe Besnier, 2016-06-02 100 ans après Le Kid de Charlie Chaplin, la magie du cinéma opère encore, intacte. Au cinéma, à la télévision ou sur tablette, quoi de mieux pour distraire les enfants, éveiller leur curiosité et les passionner ? Difficile pourtant de s'y retrouver dans une offre pléthorique. À quel âge peut-on regarder Au revoir les enfants ou Jurassik Park sans être choqué ? Quel autre film choisir après avoir vu en boucle Le Livre de la jungle ou la Reine des Neiges ? Comment ne pas passer à côté d'un chef-d'oeuvre ? Ce guide présente 200 films en 5 chapitres thématiques : aventures - animation - comédies - drames - chroniques d'enfance. Les films sont également triés selon l'âge idéal pour les voir - 3/4 ans, 5/6 ans, 7/8 ans. Pour chaque film, une fiche avec : -Un résumé, une critique, la fiche technique -Un dessin original, l'affiche ou une photo -Des infos complémentaires, par ex : « ça devrait leur plaire », des anecdotes bonus, et parfois un picto « coup de coeur » ou « chef-d'oeuvre» ou « cinéma d'ailleurs » -Pour les grandes sagas, des double-pages spéciales -En annexe deux index des films (par âge, par titre) Version enrichie Apple Une version enrichie de l'epub, compatible avec l'ensemble des appareils Apple est également disponible. Son moteur de recherches intégré permet au lecteur de filtrer les films en fonction de la tranche d'âge, du thème et des mots clés correspondant à ses critères de recherche. |
| azur and asmar song: Cahiers du cinéma , 2007 |
| azur and asmar song: The Meaning of Color in Ancient Mesopotamia Shiyanthi Thavapalan, 2020 In The Meaning of Color in Ancient Mesopotamia, Shiyanthi Thavapalan explores the development of color language in the Akkadian language (c. 2500-500 BCE) in light of local artistic and scientific traditions. |
| azur and asmar song: Family Films in Global Cinema Noel Brown, Bruce Babington, 2019 With the huge global success of Hollywood 'family film' franchises, such as Harry Potter, it is unsurprising that there have been many attempts to emulate this success. In recent years, there has been an explosion in international production of films for both adults and children - resulting in an erosion of the dominance of The Disney Company and the other major Hollywood Studios in family film production. Family Films in Global Cinema is the first serious examination of films for child and family audiences in a global context. Whereas most previous studies of children's films and family films have concerned themselves with Disney, this book encompasses both live-action and animated films from the Hollywood, British, Australian, East German, Russian, Indian, Japanese and Brazilian cinemas. As well as examining international family films previously ignored by scholars, the collection also presents a fresh perspective on familiar movies such as The Railway Children, The Nightmare Before Christmas, Babe, and the Harry Potter series. --Provided by publisher. |
| azur and asmar song: An Etymological Dictionary of the Romance Languages Friedrich Diez, T. C. Donkin, 1864 |
| azur and asmar song: New Spanish and English Dictionary ... F. C. Meadows, 1852 |
| azur and asmar song: An English-Persian Dictionary Arthur Naylor Wollaston, 2022-10-26 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| azur and asmar song: The World of Proust Anne-Marie Bernard, 2004 A portrait gallery of Marcel Proust's world, with detailed captions explaining which photographic subjects were the models for which characters in Remembrance of Things Past. |
| azur and asmar song: Historical Dictionary of Middle Eastern Cinema Terri Ginsberg, Chris Lippard, 2020-09-15 This second edition of Historical Dictionary of Middle Eastern Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on individual films, filmmakers, actors, significant historical figures, events, and concepts, and the countries themselves. |
| azur and asmar song: Anima Mundi , 2009 |
| azur and asmar song: Fairy Tale Films Pauline Greenhill, Sidney Eve Matrix, 2010-08-06 This ISBN refers to the ebook edition of this text, available directly from the publisher. It has erroneously been listed as paperback by some online vendors. The true paperback edition is indeed available at online vendors. Paste this ISBN into the search box: 9780874217810. In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress). As Jack Zipes says further in the foreword, “Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film—the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life— mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales.” Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema. |
| azur and asmar song: Première , 2006 |
| azur and asmar song: Cine español , 2007 |
| azur and asmar song: Premiere , 2006 |
| azur and asmar song: Giselle, Ballet in Two Acts ... , 2014 |
| azur and asmar song: How the Irish Invented Slang Daniel Cassidy, 2007 Cassidy presents a history of the Irish influence on American slang in a colourful romp through the slums, the gangs of New York and the elaborate scams of grifters and con men, their secret language owing much to the Irish Gaelic imported with many thousands of immigrants. With chapters on How the Irish Invented Poker and How the Irish Invented Jazz, Cassidy stakes a claim for the Irishness of American English. Includes a preface by Peter Quinn and an Irish - American Vernacular Dictionary. |
| azur and asmar song: The Art of the Tale of the Princess Kaguya Isao Takahata, 2022-04-19 In a film eight years in making, Studio Ghibli’s cofounder Isao Takahata tells the untold story of Princess Kaguya. An old bamboo cutter and his wife find a tiny girl inside a bamboo shoot and raise her. The mysterious little princess grows rapidly into a young lady, enthralling everyone who encounters her–but ultimately, she must face her fate. This book captures the breathtaking art of the film from conception to production, and features commentary, interviews, and an in-depth look at the production process. “Every frame is worthy of being its own painting.” –Joe Hisaishi, film’s composer |
| azur and asmar song: Schwann Long Playing Record Catalog , 1964 |
| azur and asmar song: The Boy with the Cuckoo-Clock Heart Mathias Malzieu, 2010-03-02 INTERNATIONAL BESTSELLER • A wildly original, fantastical adventure of love and heartbreak—and an animated movie, Jack and the Cuckoo-Clock Heart—that takes us from Edinburgh to Paris to Andalusia to tell the story of a boy who discovers the great joys and ultimately the greater costs, of owning a fully formed heart. Edinburgh, 1874. Born with a frozen heart, Jack is near death when his mother abandons him to the care of Dr. Madeleine—witch doctor, midwife, protector of orphans—who saves Jack by placing a cuckoo clock in his chest. And it is in her orphanage that Jack grows up among tear-filled flasks, eggs containing memories, and a man with a musical spine. As Jack gets older, Dr. Madeleine warns him that his heart is too fragile for strong emotions: he must never, ever fall in love. And, of course, this is exactly what he does: on his tenth birthday and with head-over-heels abandon. The object of his ardor is Miss Acacia—a bespectacled young street performer with a soul-stirring voice. But now Jack’s life is doubly at risk—his heart is in danger and so is his safety after he injures the school bully in a fight for the affections of the beautiful singer. |
| azur and asmar song: Film Distribution Companies in Europe André Lange, Susan Newman-Baudais, Thierry Hugot, European Audiovisual Observatory, 2007 Key topics discussed include analysis of the film distribution sector in Europe, market overviews, key players, and market shares. Individual company profiles include contact details, strategies, European films distributed and admissions between 2000 and 2005, and financial situations. This publication provides a broad view of distribution companies currently operating in Europe and, concentrates on companies that are particularly active in distributing films falling into the category of 'non-national European films'.--Publisher's description. |
| azur and asmar song: Fairy-tale Films Beyond Disney Jack Zipes, Pauline Greenhill, Kendra Magnus-Johnston, 2016 The fairy tale has become one of the dominant cultural forms and genres internationally, thanks in large part to its many manifestations on screen. Yet the history and relevance of the fairy-tale film have largely been neglected. In this follow-up to Jack Zipes's award-winning book The Enchanted Screen (2011), Fairy-Tale Films Beyond Disney offers the first book-length multinational, multidisciplinary exploration of fairy-tale cinema. Bringing together twenty-three of the world's top fairy-tale scholars to analyze the enormous scope of these films, Zipes and colleagues Pauline Greenhill and Kendra Magnus-Johnston present perspectives on film from every part of the globe, from Hayao Miyazaki's Spirited Away, to Jan Svankmajer's Alice, to the transnational adaptations of 1001 Nights and Hans Christian Andersen. Contributors explore filmic traditions in each area not only from their different cultural backgrounds, but from a range of academic fields, including criminal justice studies, education, film studies, folkloristics, gender studies, and literary studies. Fairy-Tale Films Beyond Disney offers readers an opportunity to explore the intersections, disparities, historical and national contexts of its subject, and to further appreciate what has become an undeniably global phenomenon. |
| azur and asmar song: Les inrockuptibles , 2006 |
| azur and asmar song: Metallurgy in Antiquity Robert James Forbes, 1950 |
| azur and asmar song: The Art and Inventions of Max Fleischer Ray Pointer, 2017-01-24 The history of animated cartoons has for decades been dominated by the accomplishments of Walt Disney, giving the impression that he invented the medium. In reality, it was the work of several pioneers. Max Fleischer--inventor of the Rotoscope technique of tracing animation frame by frame over live-action footage--was one of the most prominent. By the 1930s, Fleischer and Disney were the leading producers of animated films but took opposite approaches. Where Disney reflected a Midwestern sentimentality, Fleischer presented a sophisticated urban attitude with elements of German Expressionism and organic progression. In contrast to Disney's naturalistic animation, Fleischer's violated physical laws, supporting his maxim: If it can be done in real life, it isn't animation. As a result, Fleischer's cartoons were rough rather than refined, commercial rather than consciously artistic--yet attained a distinctive artistry through Fleischer's innovations. This book covers his life and work and the history of the studio that bore his name, with previously unpublished artwork and photographs. |
| azur and asmar song: Encyclopedia of LITERATURE JOSEPH T. SHIPLEY, 1946 |
| azur and asmar song: The Semantic Web – ISWC 2020 Jeff Z. Pan, Valentina Tamma, Claudia d’Amato, Krzysztof Janowicz, Bo Fu, Axel Polleres, Oshani Seneviratne, Lalana Kagal, 2020-10-31 The two volume set LNCS 12506 and 12507 constitutes the proceedings of the 19th International Semantic Web Conference, ISWC 2020, which was planned to take place in Athens, Greece, during November 2-6, 2020. The conference changed to a virtual format due to the COVID-19 pandemic. The papers included in this volume deal with the latest advances in fundamental research, innovative technology, and applications of the Semantic Web, linked data, knowledge graphs, and knowledge processing on the Web. They were carefully reviewed and selected for inclusion in the proceedings as follows: Part I: Features 38 papers from the research track which were accepted from 170 submissions; Part II: Includes 22 papers from the resources track which were accepted from 71 submissions; and 21 papers in the in-use track, which had a total of 46 submissions. Chapter “Transparent Integration and Sharing of Life Cycle Sustainability Data with Provenance ” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com. |
| azur and asmar song: Wildwood Dancing Juliet Marillier, 2007 Five sisters who live with their merchant father in Transylvania use a hidden portal in their home to cross over into a magical world, the Wildwood. |
| azur and asmar song: The Arabian Stud Book , 1987 |
| azur and asmar song: A Dictionary, Hindustání and English William Yates, 1847 |
| azur and asmar song: Here Be Monsters! Alan Snow, 2010-05-11 Entertaining antics and skullduggery abound in the book that inspired Laika Studio’s animated film The Boxtrolls, in theaters September 26, 2014! Welcome to Ratbridge. But beware—for there is skulduggery afoot. Young Arthur has fallen foul of the appalling outlaw, Snatcher, and is trapped alone in the town with every way home sealed. Meanwhile Snatcher and his men are working tirelessly in secret on a fiendish and dastardly plan to destroy the entire town. With the help of some friendly boxtrolls and cabbageheads, some quirkly townspeople, and the rats and pirates from the Ratbridge Nautical Laundry, can Arthur thwart Snatcher’s evil plans and find his way home? |
| azur and asmar song: Master Assassins Robert V.S. Redick, 2018-03-06 2018 BookNest Fantasy Awards Finalist for Best Novel “This book has everything I love: Clean, crisp worldbuilding. Characters that live and breathe. A story that teases and surprises me. I like Master Assassins so much I wish I'd written it, but deep down, I know I couldn't have written it this well.”—#1 New York Times bestselling author Patrick Rothfuss Two village boys mistaken for assassins become the decisive figures in the battle for a continent in the thrilling new desert-based epic fantasy by the author of The Red Wolf Conspiracy. Kandri Hinjuman was never meant to be a soldier. His brother Mektu was never meant for this world. Rivals since childhood, they are drafted into a horrific war led by a madwoman-Prophet, and survive each day only by hiding their disbelief. Kandri is good at blending in, but Mektu is hopeless: impulsive, erratic—and certain that a demon is stalking him. Is this madness or a second sense? Either way, Kandri knows that Mektu’s antics will land them both in early graves. But all bets are off when the brothers’ simmering feud explodes into violence, and holy blood is spilled. Kandri and Mektu are taken for contract killers and must flee for their lives—to the one place where they can hope to disappear: the sprawling desert known as the Land that Eats Men. In this eerie wilderness, the terrain is as deadly as the monsters, ghouls, and traffickers in human flesh. Here the brothers find strange allies: an aging warlord, a desert nomad searching for her family, a lethal child-soldier still in her teens. They also find themselves in possession of a secret that could bring peace to the continent of Urrath. Or unthinkable carnage. On their heels are the Prophet’s death squads. Ahead lie warring armies, sandstorms, evil spirits and the deeper evil of human greed. But hope beckons as well—if the “Master Assassins” can expose the lie that has made them the world’s most wanted men. |
| azur and asmar song: Arabic Manual : a Colloquial Handbook in the Syrian Dialect Francis Edward Crow, 2018-01-23 Arabic manual. A colloquial handbook in the Syrian dialect, for the use of visitors to Syria and Palestine, containing a simplified grammar, a comprehensive English and Arabic vocabulary and dialogues. The whole in English characters, carefully transliterated, the pronunciation being fully indicated. |
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Microsoft Azure
Microsoft is radically simplifying cloud dev and ops in first-of-its-kind Azure Preview portal at portal.azure.com
Microsoft Azure portal
Stay connected to your Azure resources—anytime, anywhere. Now available for iOS and Android. View and manage all of your applications in one unified hub—including web apps, databases, …
Azur - Wikipedia
Azur may refer to: Azur, Landes, France; Azur (satellite), Germany's first scientific satellite; Azur Air, a charter airline and former regional airline in Russia; MPM-10 Azur, train used in the …
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Access Microsoft Azure to build, deploy, and manage applications using a range of cloud computing services and tools.
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Is Azure available in my location? Create an Azure account to get started with scalable and cost-efficient services for creating, deploying, and managing applications.
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