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| archetypal patterns: Archetypal Patterns in Women's Fiction Annis Pratt, 1982 |
| archetypal patterns: Archetypal Patterns in Fairy Tales Marie-Luise von Franz, 1997 From the author's preface: This book is a collection of fairy tale interpretations I presented in a series of lectures at the C.G. Jung Institute in Zurich. I did not want to focus on a specific theme but rather to wander through many countries and types of fairy tales. I chose some that challenged me because they were unusual. I wanted to show both their diversity and their underlying similarities, so that one could appreciate what is common to all civilizations and all human beings, and I wanted to show how Jung's method of interpreting archetypal fantasy material could be applied to these diverse tales. |
| archetypal patterns: Archetypal Patterns in Poetry Maud Bodkin, 1934 |
| archetypal patterns: Volume 1 of the Collected Works of Marie-Louise von Franz Marie-Louise von Franz, 2021-09-20 This newly translated volume of the Collected Works of Marie-Louise von Franz, one of the most renowned authorities on fairytales, presents a systematic and wide-ranging approach. Von Franz amplifies a variety of fairytale motifs to show that the magical realm is alien to the profane and mundane realm of ordinary daily life. She was one of Analytical Psychology’s most original thinkers and here she presents a lucid, concise exploration of the archetypal symbols found in fairytales. Fairytales, like myths, provide a cultural and societal backdrop that helps the human imagination narrate the meaning of life’s events. The remarkable similarities in fairytale motifs across different lands and cultures inspired many scholars to search for the original homeland of fairytales. While peregrinations of fairytale motifs occur, the common root of fairytales is more archetypal than geographic. A striking feature of fairytales is that a sense of space, time, and causality is absent. This situates them in a magical realm, a land of the soul, where the most interesting things happen in the center of places like Heaven, mountains, lakes, and wells. At the age of eighteen, Marie-Louise von Franz was invited to meet Carl Gustav Jung at Bolingen Tower. She immediately recognized that there exist two levels of reality, one outer and the other inner. Within months she had enrolled at the University of Zürich and began attending Jung’s lectures at the E.T.H. (Eidgenösiche Technische Hochshule or the Swiss Federal Institute of Technology). Less than a decade after meeting Jung, von Franz had completed her doctorate in classical philology and begun seeing her first analysands. She was a prolific writer, a dedicated teacher and lecturer, and was possessed of a “far-reaching and often non discriminating Eros that accepted everyone seeking help.” (Alfred Ribi, MD in Fountain of the Love of Wisdom, Chiron, 2006) |
| archetypal patterns: Archetypal Explorations Richard M. Gray, 2003-09-02 Archetypal Expressions is a fresh approach to one of Jung's best-know and most exciting concepts. Richard M. Gray uses archetypes as the basis for a new means of interpreting the world and lays the foundations of what he terms an archetypal sociology. Jung's ideas are combined with elements of modern biology and systems theory to explore the basic human experiences of life, which recur through the ages. Revealing the implicitly cross-cultural and interdisciplinary nature of Jungian Psychology, Archetypal Explorations represents a significant contribution to the literature of archetypes and integrative approaches to human behaviour. |
| archetypal patterns: Sacred Contracts Caroline Myss, 2013-09-04 Caroline Myss, author of the New York Times bestsellers Anatomy of the Spirit and Why People Don’t Heal and How They Can, presents an exciting, highly original program in this long-awaited book. Based on her internationally popular workshop of the same name, Sacred Contracts is a brilliant synthesis of psychology, healing guidance, and spiritual insight. As a medical intuitive, Myss has found that people often don’t understand their purpose in life, which has led to a spiritual malaise of epidemic proportions. This metaphysical disease in turn leads to depression, anxiety, fatigue, and eventually physical illness. But our purpose—our individual Sacred Contract—is often difficult to apprehend. For this reason, Myss developed an enjoyable and ingenious process for deciphering your own Contract using a new theory of archetypes that builds on the works of Jung, Plato, and contemporary thinkers. She first recounts how the concept of Sacred Contracts took form in myths and other cultural traditions through the ages. She then examines the lives of the spiritual masters and prophets—Abraham, Jesus, the Buddha, and Muhammad—whose archetypal journeys illustrate the four stages of a Sacred Contract and provide clues for discovering your own. With her signature motivational style and stories, Myss explains how you can identify your particular spiritual energies, or archetypes—the gatekeepers of your higher purpose—and use them to help you find out what you are here on earth to learn and whom you are meant to meet. In coming to know your archetypal companions, you also begin to see how to live your life in ways that make the best use of your personal power and lead you to fulfill your greatest—in fact, your divine—potential. In this process, you learn how to see your life—and the lives of others—symbolically, allowing you to manage your personal power without getting caught up in emotional drama. You will also learn how to fulfill your Sacred Contract: what you and only you are here on earth to do. Finally, Myss offers specific guidance for locating your physical and emotional vulnerabilities and healing any susceptible areas. Both visionary and practical, Sacred Contracts is a completely unique process of self-discovery and spiritual archaeology and a bold, powerful work of spiritual wisdom. |
| archetypal patterns: Archetypes Caroline M. Myss, 2013-01-08 Have you ever wondered why you are drawn to certain people, ideas or products and turned off by others? Are you constantly searching for something you can't put your finger on, or wondering whether you are living a life that truly fits?In Archetypes, New York Times bestselling author Caroline Myss delves into the world of archetypes, which have been the subject of her work for more than 25 years. Archetypes are universal patterns of behavior that, once discovered, help you better understand yourself and your place in the world. In short, knowing your archetypes can transform your life.Within the pages of this book, Myss writes about ten primary archetypes that have emerged in today's society: the Caregiver, the Artist/Creative, the Fashionista, the Intellectual, the Rebel, the Queen/Executive, the Advocate, the Visionary, the Athlete, and the Spiritual Seeker. In each chapter, she explains one individual archetype, showing how it has evolved and then in fascinating detail lays out the unique characteristics, the defining graces, the life challenges, and other information to help you understand if you are part of this archetype family and if so, how you can fully tap into its power. She also offers tips and practical advice on how to fully engage with your archetypes. Learning which archetypes best describe you is just the beginning. You can then use this knowledge to make more conscious decisions about everything from careers to relationships, avoiding common pitfalls of your personality type while playing up your strengths. The result is a happier, more authentic you. It's never too late to change your life by embracing your archetypes to the fullest.So are you a Rebel? An Artist? A Visionary? Join us . . . and find yourself. |
| archetypal patterns: Archetypal Patterns in Turgenev's Fiction Eva Cherniavsky Kagan-Kans, 1968 |
| archetypal patterns: Enterprise Patterns and MDA Jim Simon Plumtree, Jim Arlow, Ila Neustadt, 2003-12-22 Enterprise Patterns and MDA teaches you how to customize any archetype pattern–such as Customer, Product, and Order–to reflect the idiosyncrasies of your own business environment. Because all the patterns work harmoniously together and have clearly documented relationships to each other, you’ll come away with a host of reusable solutions to common problems in business-software design. This book shows you how using a pattern or a fragment of a pattern can save you months of work and help you avoid costly errors. You’ll also discover how–when used in literate modeling–patterns can solve the difficult challenge of communicating UML models to broad audiences. The configurable patterns can be used manually to create executable code. However, the authors draw on their extensive experience to show you how to tap the significant power of MDA and UML for maximum automation. Not surprisingly, the patterns included in this book are highly valuable; a blue-chip company recently valued a similar, but less mature, set of patterns at hundreds of thousands of dollars. Use this practical guide to increase the efficiency of your designs and to create robust business applications that can be applied immediately in a business setting. |
| archetypal patterns: Jungian Archetypal Psychology Made Easy Charles Bebeau, Elizabeth Cox, Theresa Bauer LPC, 2004-08-03 Does Jungian Psychology intrigue you, but you're not sure how to apply it to your life or therapeutic practice if you are a therapist? This book written by Theresa Bauer, LPC, CAC III and Elizabeth Cox, M.A. outlines theories and techniques developed by Charles Bebeau, Ph.D. of the Avalon Jungian Archetypal Institute in Boulder, Colorado. Dr. Bebeau developed his theory of the full maturation process of the individual through 12 archetypes and the alchemical process based on Carl lung's work. There are 24 color illustrations of the archetypes. Astrology is the oldest art practiced by ancient people, including the Hebrews. It was originally part of alchemy and studied extensively by Carl lung. Dr. Bebeau has refined this work and made it possibly to pick out your ruling archetypes using an astrological chart. We all have 4-5-6 ruling archetypes making us unique individuals. The last section of the book explains how to do this, but for the people who don't understand astrology or want to, it is possible to gain an understanding of the archetypes and alchemical process in the first 3 sections of the book. This book will help you gain an understanding of yourself and others. |
| archetypal patterns: Personal and Archetypal Dynamics in the Analytical Relationship Mary Ann Mattoon, 1991 The 11th International Congress for Analytical Psychology was held in Paris from 28 August to 2 September 1989. It is no surprise that the theme of 'Personal and Archetypal Dynamics in the Analytical Relationship' succeeded in drawing widely varying and controversial responses. More than ever before the fifty-five contributors of papers represent Jungian groups from around the globe in every sense. However, while differences of approach are evident throughout this fascinating collection, so too is an ever more significant sense of synthesis: in the end we all share a common task. |
| archetypal patterns: Archetypes: Unmasking Your True Self Brian Dale, 2017-09-14 Archetypes ~ unmasking your true self ~ Are you interested in self-discovery, empowerment or changing your circumstances? Who are you? Are you a King, a Queen, a Knight, a Rescuer, a Mother, a Servant, a Healer, a Priestess, a Goddess or a Hero? These are archetypes. Why do you think, speak and act the way you do? The answer lies within your personal archetypes. We all have archetypes. They are aspects of our personality. Archetypes are an amazing tool for understanding, growth and self-development. All archetypes have negative and positive energies or personality traits. They explain why we do the things we do and show us the road to empowerment and the pathway to change. This unique reference book contains a description of 98 archetypes. It gives you a plan which assists you to identify your personal archetypes and the archetypes of the people that surround you. This book also shows you how to initiate change. It identifies the archetypal energy that is the key to empowerment and change. Identifying our archetypes gives us knowledge, understanding, guidance, purpose and power. |
| archetypal patterns: Archetypal Patterns in Four Novels of Alejo Carpentier Eugene Raymond Skinner, 1981 |
| archetypal patterns: Archetypal Patterns of Death and Rebirth in the Homeric Odyssey Barry Bruce Powell, 1970 |
| archetypal patterns: Non-Traditional Psychoanalysis Andrey Davydov, Olga Skorbatyuk, 2015-08-28 This book is devoted to the topic of Systemic Research In The Field Of Human Psychophysiology. In this topic, the following question was interesting to researchers: Why with principled psychophysiological sameness of humans, qualities differ? Answers to this and many other questions were found as a result of 40 years of fundamental research carried out by an expert in Chinese culture Andrey Davydov and his colleagues. Among ancient Chinese monuments Russian researcher Andrey Davydov discovered the Catalog of human population. The title of this ancient source is Shan Hai Jing (translated from Chinese as the Catalog of Mountains and Seas). Official science still does not know for certain the dating of Shan Hai Jing and the author of this text. However, in this source A. Davydov found very detailed descriptions of psychophysiological structure of 293 subtypes of the biological type Homo sapiens. Thus, the answer to the question What is human psyche and what is its structure? was found. The Catalog of human population is a description of a human as a type by subtype structures. Subtype structure (“psyche”, “soul”) is a combination of individual archetypes, recorded at the genetic level (principle). Expressions and interaction of subtype structures in manipulation modes and phenological algorithms are described with adjustments for gender, age and cultural differences. Information is recorded on six factors. This definition was developed by Andrey Davydov—the author of discovery and decryption of the Catalog of human population. Despite that this scientific discovery was made back in the 80s of the XX century, was verified in scientific institutions in Russia, has a wide range of practical applications, and for the past 20 years is being used in daily lives of those who known about it—unfortunately, it shared the fate of many scientific discoveries, which do not fit into traditional scientific concepts. And, as is known, if something is contrary to an existing paradigm, then it gets rejected as pseudoscience, quackery, flawed experience or simply a figment of imagination. For this reason, the scientific community still prefers to remain silent about the Catalog of human population, even though some very eminent academics (not only Russian) have long known about A. Davydov’s discovery. The matter was complicated by that for almost a decade a group of officers of the Foreign Intelligence Service of the Federal Security Service of the Russian Federation led by Colonel Andrey Dmitrievich Polonchuk persecuted and tried to physically destroy A. Davydov and his colleague in research—psychologist Olga Skorbatyuk. As a result, they suffered extensive damage to their health, had to leave their homeland and flee to the USA where they were granted political asylum. However, this story is described in detail in another book of the Catalog Of Human Souls series titled Shan Hai Jing—A Book Covered In Blood, while this book is devoted to some of the scientific monographs, presentations made at scientific conferences and scientific articles. This is certainly a very small amount of materials compared to the volume of research carried out between 1974 and 2014 by the author of the scientific discovery of the Catalog human population A. Davydov and his colleagues at the Special Scientific Info-Analytical Laboratory—Catalog Of Human Souls. The reasons for this are wide field for research, strenuous work schedule, and, of course, value priorities. For some time now, we prefer to present results of our scientific research not in scientific articles, but in popular science books, intended for a wide audience. In our view, this is quite logical, as it makes more sense to take the time to tell about the Catalog of human population to those, who are actively using it on practice, instead of those, who prefer ephemeral values such as scientific degrees, awards and authority in the world of science instead of knowledge and benefits, which this knowledge provides. We hope that our colleagues will understand and forgive us for this. |
| archetypal patterns: Nursing Our Healer's Heart Lorre Laws, 2024-12-10 The nursing profession is in crisis. Within a decade, the world will have just over half the number of nurses it needs. The global nursing workforce has experienced mass, complex trauma secondary to healthcare system inadequacies and a global pandemic. Traumatized and burned out nurses are leaving their roles or the profession in unprecedented numbers. Those who remain are stretched to or beyond their capacity. While system-level strategies aim to address this crisis, none of them consider nurse traumatization and its impact upon patient safety, outcomes, and quality of care. We cannot wait for health systems to prioritize nurse safety. Nurses can and must come together as a global community to heal through avoidable and unavoidable nurse-specific traumatization while partnering with healthcare leaders to usher in a new era of nursing. This book, through an actionable framework, guides nurses in healing the traumas and hardships they've endured as individuals and nursing communities. Grounded in the sciences of unitary caring, integrative nursing, neurophysiology, and transpersonal neurobiology, this book supports nurses in restoring their healers' heart as they come together to address the deep trauma, burnout, attrition, and presenteeism that are central to the nursing crisis. Nurses will learn the language of their nervous system and how to navigate it as a foundational practice to support professional wellbeing. Each nurse will discover their unique innate care plan, which will guide their healing and co-healing with other nurses. By embracing the healing and practices offered in this book, nurses will learn how to support their nervous system regulation so they can thrive instead of survive in practice. Working from their healed scars instead of their open wounds, nurses can effectively lead sustainable organizational change and health care reforms that prioritize nurse safety and professional wellbeing. |
| archetypal patterns: Chemistry of Mental Archetypes Lukas Jaeckel, This hermetic Theory of Everything is called Chemistry of Mental Archetypes. It includes a description of the oppositional and dialectical nature of all things through universal archetypes. Chemistry is about mixing elements of the physical world, and here this notion is carried further to define the chemistry of mixing elements of the mental world. Archetypes are universally valid concepts and categories that recur independently of space and time and can be recognized by the mind. The archetypes used in this metaphysics are categories such as order and chaos, wholeness and detail, law and value, egoism and altruism and so on. These are connected across a fluid spectrum and divided into elements. These elements are then brought together in different syntheses and the relationships between them are analyzed. This framework uses the Philosopher’s Stone as a universal formula which describes the basic structure of all possibilities. It brings together common patterns that recur across states of matter, states of mind, political ideologies, evolution, structure of reality, mathematics and more. An important aspect of this metaphysics is the evolution of mind and morality. The sum of all possibilities lies in a spectrum between order and chaos. Individual morals and states of mind develop through this passive underlying framework. All things that we can observe in material reality are only volatile manifestations that are not permanent. In the negative framework of universal archetypes, we find patterns that are eternally true and do not change. This book serves to guide the reader into this eternally resting realm of the dead and never changing archetypes, to the point where maybe even the eternal self can be recognized as a silent observer in the mind. |
| archetypal patterns: Teaching Jung Kelly Bulkeley, Clodagh Weldon, 2011-08-24 Swiss psychologist Carl Jung (1875-1961) has made a major, though still contested, impact on the field of religious studies. Alternately revered and reviled, the subject of adoring memoirs and scathing exposes, Jung and his ideas have had at least as much influence on religious studies as have the psychoanalytic theories of his mentor, Sigmund Freud. Teaching Jung offers a collection of original articles presenting several different approaches to Jung's psychology in relation to religion, theology, and contemporary culture. The contributors describe their teaching of Jung in different academic contexts, with special attention to the pedagogical and theoretical challenges that arise in the classroom. Many of Jung's key psychological terms (archetypes, collective unconscious, individuation, projection, synchronicity, extroversion and introversion) have become standard features of religious studies discourse, and his extensive commentaries on various religious traditions make it clear that Jung's psychology is, at one level, a significant contribution to the study of human religiosity. His characterization of depth psychology as a fundamentally religious response to the secularizing power of modernity has left a lasting imprint on the relationship between religious studies and the psychological sciences. |
| archetypal patterns: Aesthetic Alternative Shannon McCabe, 2011 |
| archetypal patterns: Chapter 3. Archetype Semantics: How It Corresponds To The Concept Of “An Image.” How Archetypal Are Images? Andrey Davydov, Olga Skorbatyuk, 2017-09-16 An image is archetypal only when it is an individual value, which through natural analogs allows a person to learn about himself, obtain information about his individual qualities recorded in the individual structure of psyche, which ultimately allows a person to legalize his own innate qualities. The authors reason that logically an archetype in its traditional consideration cannot be that prototype (preimage), which, as an initial idea, determines the individual human psyche because by definition it belongs to culture—it is its artifact. Consequently, according to existing semantics, an archetype can be anything except an archetype as an idea. This scientific paper examines whether semantics of an archetype in its traditional sense corresponds to the concept of “an image” if an image is considered in terms of “a copy”, ”a duplicate”; can an archetype of culture be seriously considered as something that directly forms individual human psyche, as a structure that appeared long before symbolism? The authors think that not every image is archetypal because not every image is equal to prototype (preimage), as an initial idea corresponding to the concept of “an archetype.” An image is archetypal only when it is an individual value, which, through natural analogues, allows a person to learn about his own self and learn about his individual qualities, recorded in the individual structure of psyche, which, as a result, provides a person with a possibility to legalize his own innate qualities. |
| archetypal patterns: Archetypes at Work Laurence Hillman, Richard Olivier, 2019-11-28 Archetypes at WorkTM is a new cutting-edge method to assess and develop people and organizations to become fit for the future. Archetypes are underlying patterns of human nature and experience. |
| archetypal patterns: Archetypes Caroline Myss, PhD, 2013-01-08 Have you ever wondered why you are drawn to certain people, ideas or products and turned off by others? Are you constantly searching for something you can't put your finger on, or wondering whether you are living a life that truly fits? In Archetypes, New York Times bestselling author Caroline Myss delves into the world of archetypes, which have been the subject of her work for more than 25 years. Archetypes are universal patterns of behavior that, once discovered, help you better understand yourself and your place in the world. In short, knowing your archetypes can transform your life. Whether we’re aware of it or not, each of us identifies with certain universal myths and symbols, otherwise known as Archetypes. In this new work, Myss covers ten primary archetypes: Caregiver, Artist, Fashionista, Intellectual, Rebel, Queen/Executive, Advocate, Visionary, Athlete, and Spiritual Seeker. She helps us to determine which archetypes best define us as individuals, laying out each archetype’s unique path, hidden strengths, and potential weaknesses. By identifying our personal archetypes, we can gain the knowledge necessary to consciously define and live an authentic life that reflects who we really are. Myss also includes suggestions for embracing one’s archetype to the fullest, providing tools for avoiding common pitfalls and daily practices for enhancing the positive qualities of each archetype. In addition to the ten archetypes above, there’s a glossary covering more than 20 sub-archetypes. Much like highly popular books on the enneagram, Myers & Briggs, and astrology, which also allow people to type themselves, Archetypes is destined to become a classic. |
| archetypal patterns: Cinematic Projections Luke Hockley, 2001 An introduction to the world of postJungian film studies, this book redresses the dominance of Freudian theories of cinema and guides individuals through the intricacies of Jungian thought. In so doing, it provides the basis on which to construct a contemporary theory of cinema. Drawing on research into detective films and the myths of detection, Hockley weaves together psychological analysis with textual interpretation. The resulting hypothesis suggests that watching films is an intensely personal experience in which viewers, according to individual needs and desires, project and identify with films and their characters. |
| archetypal patterns: How Goddesses Are Turned Into Logs Andrey Davydov, Olga Skorbatyuk, 2014-08-27 Every woman considers herself an individual. In vain, as regardless of race, ethnicity, profession and so on, no woman is an individual. Every woman lives as man programmed her to live, as it is convenient for him, as he wants her to. Women do not even suspect who produces images for what they consider their Self, and why. By studying the history of world culture (literature, pictorial art, architecture, music, science, etc.), it is easy to trace that men usurped everything that had to do with images, as ideas for creation of anything. And, from time immemorial, women were left with a role of stupid consumers, and performers, and it was made sure that women think that they (women) are creators too. But, women did not participate in the birth of any product, which begins with a sketch, and in turn a sketch begins with an idea, and an idea begins with an image. Yes, women weaved, embroidered, painted cloth, and sometimes sewed. But, based on sketches made by whom? Based on sketches and patterns created by men. The essence of this process is to forbid women from creating images, and under any excuse to never allow women to do it, ever. Excuses used are from rudest and degenerative (What are you trying to do, you fool? Go make me a sandwich instead, or Do you not hear your baby crying?”), to the most romantic and poetic (You are my muse, just be near, inspire me, you are so beautiful!). Men’s intent is simple: to have total control over the psyche and the physiology of any woman because an image is the basis of functioning of any person. Providing an image to a woman ensures that she will live and function strictly according to this image. Also, an image is the basis for control of any person, as well as the basis of knowledge about her/him. Men create images. Therefore, they know exactly what image is behind this or that behavior of a woman. In other words, they know how she will think, act, present herself, what she will want, strive for and seek (from men as well). So, a woman does not even suspect that she is like an open book for any man, even if he sees her for the first time. But, women are sure that images that they use (including for construction of their Self-Image, that they consider their individuality) are a secret. Borrowing images that were made up by men from cultural sources, and using them to form her personality, her way of life, any woman strongly believes in her unrepeatability, originality, and uncognizability. What do you think, who gave women this assurance, and why? In other words, men achieved what they wanted: from potential goddesses, women were made into logs, a resource, a consumable material from which a man can make whatever he likes. Men use women for all and any of their needs. Today, women are allowed everything, even to pretend that they create images too. Only women are not aware that they make their creations solely on the basis of those artificial images, which have already been thought up by men, and have been put into women for centuries, from generation to generation, in the process of domestication. Women are celebrating victory, but none of them wonder why, for example, a couple of centuries ago there were no women filmmakers, litterateurs, painters, scientists or politicians? Or, why in the history of humans their percentage ratio is so low? Or, how many prime ministers there were before Margaret Thatcher and what was their gender? Or, in what century there was the first female president? And so on. Even a quick historical review, readily available statistics make it clear that women are allowed only into already constructed and functioning system built by men. And, women are allowed to act only based on and within images that the system dictates. Women lost the war between the sexes. Since the time of birth women are being made into logs with legs spread wide, as an indication of their main purpose—to participate in the reproduction of the human race, and be pleasant toys in the hands of men. Most important is to not forget to tell women, who love through their ears, that they are wonderful, priceless, how much men love them and depend on them. Long ago women were programmed to believe in any nonsense, instead of seeing and analyzing facts (as well as history). |
| archetypal patterns: Guism: Psychical Mutations Of Homo Sapiens Andrey Davydov, Olga Skorbatyuk, 2018-01-11 Gui/guism do not belong to categories of phenomena, special occurrences, rare facts, and cannot be attributed to someone's subjective understanding because it is a universal occurrence available for wide observation. In modern culture, gui are usually called by words human, people. Mutations in the form of guism have a psychical pathogenesis, pathological changes. This Metaphorical Dictionary was created on the basis of the proto-language that we found. The proto-language, or as it is also called the world language, is the language of images. It is the Chinese language that is this world language, the proto-human language. The combination of images in the Chinese language coupled with its one hundred percent preservation thanks to cultural traditions of the Chinese people, which no other nation in the world has, for multiple decades allow us to turn to Chinese hieroglyphics as the proto-language, in which true meaning of any word can be found. Why does humanity need the Metaphorical Dictionary and is it needed at all? Answers to these questions lie on the surface, as no one will deny that communication problems between people in this civilization exist. Moreover, they are so serious and neglected that in fact there is much more understanding even between representatives of the animal kingdom, who are much more primitive compared to Homo sapiens. Each person attributes his own meaning to any word; as for universal meanings—there are none. Our Metaphorical Dictionary easily solves any communication problems, or rather—it eliminates them altogether since this Dictionary is not just a collection of words and their meanings: behind every concept under consideration is an image, a picture. Proto-language in the face of Chinese hieroglyphics not only returns true essence and meanings of basic philosophical concepts, which exist in this civilization to all of us, but also, through understanding, turns them into keys (or drivers, whatever is preferable). These are drivers to society and its use, which very well can and should replace society’s use of all of us. Study of all these, as we called them, drivers as certain management buttons gives us all not only a more complete understanding of social processes taking place around us, but also on the basis of this understanding, allows us to do more in this life (and not for society, but first of all for ourselves). Recipes obtained from the proto-language, which we called drivers, turn society— violator-exploiter into society—free-supermarket, where you come to take what you need and do not have to pay for it with your self-identification, freedom, health, and so on. These recipes are universal and work for absolutely anyone, who has them and uses them on practice. Try them! After all, there is nothing better than good theory, which can be successfully applied in everyday life. Would you agree? |
| archetypal patterns: The Neurobiology of the Gods Erik D. Goodwyn, 2012-03-15 Where does science end and religion begin? Can spiritual images and feelings be understood on a neurobiological level without dismissing their power and mystery? In this book, psychiatrist Erik Goodwyn addresses these questions by reviewing decades of research, putting together a compelling argument that the emotional imagery of myth and dreams can be traced to our deep brain physiology, and importantly, how a sensitive look at this data reveals why mythic or religious symbols are indeed more godlike than we might have imagined. The Neurobiology of the Gods weaves together Jungian depth psychology with research in evolutionary psychology, neuroanatomy, cognitive science, neuroscience, anthropology, mental imagery, dream research, and metaphor theory into a comprehensive model of how our brains contribute to the recurrent images of dreams, myth, religion and even hallucinations. Divided into three sections, this book provides: definitions and foundations an examination of individual symbols conclusive thoughts on how brain physiology shapes the recurring images that we experience. Goodwyn shows how common dream, myth and religious experiences can be meaningful and purposeful without discarding scientific rigor. The Neurobiology of the Gods will therefore be essential reading for Jungian analysts and psychologists as well as those with an interest in philosophy, anthropology and the interface between science and religion. |
| archetypal patterns: Evolution of Spontaneous Structures in Dissipative Continuous Systems Friedrich H. Busse, Stefan C. Müller, 2003-07-01 In the decades the of the formation of structures past subject spontaneous in far from has into a branch of - systems equilibrium major physics grown search with ties to It has become evident that strong neighboring disciplines. a diverse of can be understood within a common mat- phenomena range matical framework which has been called nonlinear of continuous dynamics This name the close to the field of nonlinear systems. emphasizes relationship of with few of freedom which has evolved into a dynamics systems degrees mature in the recent features mathematically subject past. Many dynamical of continuous be described reduction few can a to a systems actually through of freedom and of the latter of continue to degrees properties type systems of continuous the inspire study systems. The of this book is to demonstrate the numerous goal through examples that exist for the of nonlinear the opportunities study phenomena through tools of mathematical and use of common analyses dynamical interpretations. Instead of overview of the a providing comprehensive rapidly evolving field, the contributors to this book are to communicate to a wide scientific trying audience the of what have learnt about the formation of essence they spon- neous structures in continuous and about the dissipative systems competition between order and chaos that characterizes these It is that systems. hoped the book will be even to those scientists whose not helpful are disciplines the authors. |
| archetypal patterns: Techq. of Classroom Teaching M.h.siddiqui, 2009 |
| archetypal patterns: Explaining Music Leonard B. Meyer, 1973-01-01 |
| archetypal patterns: The Symphonic Poems of Franz Liszt Keith T. Johns, 1997 Each symphonic poem is discussed in terms of its melodic and harmonic organization, origins in surviving sketches and manuscript drafts, and reception by critics in major German cities, as well as in Paris, London, and New York. The volume is illustrated with ... facsimiles and full-page musical examples--Publisher. |
| archetypal patterns: Modern Criticism Walter E. Sutton, 1963 |
| archetypal patterns: Literary Theories in Praxis Shirley F. Staton, 1987 Literary Theories in Praxis analyzes the ways in which critical theories are transformed into literary criticism and methodology. To demonstrate the application of this analysis, critical writings of Roland Barthes, Harold Bloom, Cleanth Brooks, Jacques Derrida, Northrop Frye, Norman Holland, Barbara Johnson, Jacques Lacan, Adrienne Rich, and Robert Scholes are examined in terms of the primary critical stance each author employs—New Critical, phenomenological, archetypal, structuralist/semiotic, sociological, psychoanalytic, reader-response, deconstructionist, or humanist. The book is divided into nine sections, each with a prefatory essay explaining the critical stance taken in the selections that follow and describing how theory becomes literary criticism. In a headnote to each selection, Staton analyzes how the critic applies his or her critical methodology to the subject literary work. Shirley F. Staton's introduction sketches the overall philosophical positions and relationships among the various critical modes. |
| archetypal patterns: The Soul of Popular Culture Mary Lynn Kittelson, 1998 In The Soul of Popular Culture, leading writers and critics, many of them influenced by the thought of C. G. Jung, draw upon the insights of depth psychology to delve into the meanings of TV programs like Star Trek and Fawlty Towers, movies such as The Piano and The Silence of the Lambs, and other contemporary media, as well as the public preoccupation with such issues as abortion, AIDS, the O.J. Simpson trial, and our enduring fascination with Elvis. |
| archetypal patterns: Media Models to Foster Collective Human Coherence in the PSYCHecology Schafer, Stephen Brock, 2019-06-14 Modern populations are superficially aware of media potentials and paraphernalia, but recent events have emphasized the general ignorance of the sentient media. Advertising has long been suspected of cognitive manipulation, but emergent issues of political hacking, false news, disinformation campaigns, lies, neuromarketing, misuse of social media, pervasive surveillance, and cyber warfare are presently challenging the world as we know it. Media Models to Foster Collective Human Coherence in the PSYCHecology is an assemblage of pioneering research on the methods and applications of video games designed as a new genre of dream analogs. Highlighting topics including virtual reality, personality profiling, and dream structure, this book is ideally designed for professionals, researchers, academicians, psychologists, psychiatrists, sociologists, media specialists, game designers, and students hoping for the creation of sustainable social patterns in the emergent reality of energy and information. |
| archetypal patterns: Olympus Inc Tim Dalmau, Bernie Neville, 2018-04-17 In Olympus Inc., the authors use the ancient Greek Gods to explores the values, practices and beliefs that underpin businesses, schools, corporations and the like, and through this they illuminate the complex forces and currents that are at work in modern organizations.They demonstrate that autocratic Zeus, uber-efficient Apollo, the slippery trickster Hermes in fact, all the gods of the Greek pantheon - are alive and thriving in our workplaces, clubs and institutions. By combining ancient myth with archetypal psychology, the authors deliver an approach to the complex issues of organizational change. Their approach is creative and engaging, but also down-to-earth and practical. Olympus Inc. includes a discussion of the DNAI (Dalmau-Neville Archetypology Indicator), a powerful and easily applicable tool that distills the theory, or archetypal psychology, in ways that enable organizations to see themselves not only as they are... but as they want to be. |
| archetypal patterns: Dual-Aspect Monism and the Deep Structure of Meaning Harald Atmanspacher, Dean Rickles, 2022-03-29 Dual-Aspect Monism and the Deep Structure of Meaning investigates the metaphysical position of dual-aspect monism, with particular emphasis on the concept of meaning as a fundamental feature of the fabric of reality. As an alternative to other positions – mainly dualism, physicalism, idealism – that have been proposed to understand consciousness and its place in nature, the decompositional version of dual-aspect monism considers the mental and the physical as two aspects of one underlying undivided reality that is psychophysically neutral. Inspired by analogies with modern physics and driven by its conceptual problems, Wolfgang Pauli, Carl Gustav Jung, Arthur Eddington, John Wheeler, David Bohm, and Basil Hiley are the originators of the approaches studied. A radically novel common theme in their approaches is the constitutive role of meaning and its deep structure, relating the mental and the physical to a psychophysically neutral base.The authors reconstruct the formal structure of these approaches, and compare their conceptual emphases as well as their relative strengths and weaknesses. They also address a number of challenging themes for current and future interdisciplinary research, both theoretical and empirical, that arise from the presented frameworks of thinking. Dual-Aspect Monism and the Deep Structure of Meaning will be of interest to researchers and advanced students working in consciousness studies, philosophy of mind, philosophy of science, philosophy of physics, metaphysics, and the history of 20th-century philosophy and physics. |
| archetypal patterns: Routledge International Encyclopedia of Women Cheris Kramarae, Dale Spender, 2004-04-16 For a full list of entries and contributors, sample entries, and more, visit the Routledge International Encyclopedia of Women website. Featuring comprehensive global coverage of women's issues and concerns, from violence and sexuality to feminist theory, the Routledge International Encyclopedia of Women brings the field into the new millennium. In over 900 signed A-Z entries from US and Europe, Asia, the Americas, Oceania, and the Middle East, the women who pioneered the field from its inception collaborate with the new scholars who are shaping the future of women's studies to create the new standard work for anyone who needs information on women-related subjects. |
| archetypal patterns: The Experience Science Gerhard Frank, 2012 Philosopher, natural scientist, and dramaturge to theme parks, museums, zoos, and other types of venues, Frank has been in the global attraction business for 25 years. He draws on that background and on his education in zoology and human biology (U. of Vienna) to study human experience with the same scientific vigor that human cognition has been studied for three decades. He discusses what human experience consists of, the making of reality, how to design attractions and experiences, a system-related classification, a process-related classification, and on the verge of a new attraction era. Distributed in the US by ISBS. Annotation ©2012 Book News, Inc., Portland, OR (booknews.com). |
| archetypal patterns: Midlife Transformation in Literature and Film Steven F. Walker, 2012-03-12 In this book, Steven F. Walker considers the midlife transition from a Jungian and Eriksonian perspective, by providing vivid and powerful literary and cinematic examples that illustrate the psychological theories in a clear and entertaining way. For C.G. Jung, midlife is a time for personal transformation, when the values of youth are replaced by a different set of values, and when the need to succeed in the world gives place to the desire to participate more in the culture of one’s age and to further its development in all kinds of different ways. Erik Erikson saw generativity, an expanded concern for others beyond one's immediate circle of family and friends, as the hallmark of this stage of life. Both psychologists saw it as a time for growth and renewal. Literary texts such Virginia Woolf's Mrs Dalloway, Shakespeare's Antony and Cleopatra, or Sophocles' Oedipus the King, and films such as Fellini's 8 1⁄2 and Campion's The Piano, have the capacity to represent, sometimes more vividly and with greater dramatic concentration than actual life histories or case studies, the archetypal nature of the drama and in-depth transformation associated with the midlife transition. Midlife Transformation in Literature and Film focuses on the specific male and female archetypal paradigms and presents them within the general context of midlife transformation. For men, the theme of death of the young hero presides over the crisis and the transformative ordeal, whereas for women the theme of tragic abandonment acts as the prelude to further growth and independence. This book is essential reading for anyone studying Jung, Erikson, or the midlife transition. It will interest those who have already been through a midlife transition, those who are in the midst of one, as well as those who are yet to experience this challenging period. |
| archetypal patterns: Mediated Deviance and Social Otherness Kylo-Patrick R. Hart, 2009-01-14 If, in fact, “Lizzie Borden took an axe and gave her [step]mother forty whacks,” why (from a representational standpoint) did her stepmother deserve it? If older gay men in Internet chat rooms regularly provide much-needed acceptance and advice to younger gay males during the coming-out process, how is it that they continually reinforce racist ideologies and powerless subjectivities while doing so? What sorts of media images are commonly presented of individuals and groups that are regarded as being deviant in society, and whose interests do they ultimately serve? The answers to these important questions and many others are provided in the pages of Mediated Deviance and Social Otherness: Interrogating Influential Representations, which explores provocative representations of deviance in various media forms—including books, films, musical offerings, news accounts, television programs, and Internet sites—and their substantial cultural, political, and social consequences for the lived realities of individuals of different backgrounds and lifestyles. The eye-opening chapters of this book enable readers to more fully realize the regularity with which media representations continuously contribute, in powerful ways, to the formation and perpetuation of influential social constructions of deviance and otherness as they pertain to delinquents, criminals, and individuals of all ages, classes, genders, races, sexual orientations, and health/(dis)ability statuses. Mediated Deviance and Social Otherness: Interrogating Influential Representations is a thought-provoking anthology that offers fresh insight and new approaches to critically analyzing social constructions of deviancy across a variety of media forms. While scholars have long examined the relationship between media and deviancy, this collection of essays features a range of theoretical perspectives through which to investigate deviancy and its various interpretations in original ways. In the process, it deepens our understanding of how deviancy has been constructed across time and in differing social/cultural milieus. The essays in this anthology reflect the diverse disciplines of their contributing scholars. At the same time, the anthology does not waver from its clear focus on deviancy, lending it substantial coherence and readability. The book is expertly structured and edited. Each of the essays draws inspiration from a refreshing variety of sources and fields of study. The anthology is accordingly divided into six distinct yet related sections that mark its coherence and readability. Simultaneously, the essays within each section are quite different from one another, allowing the reader to make thought-provoking connections between representations of deviancy both within sections and among them. Mediated Deviance and Social Otherness: Interrogating Influential Representations is an important text. Considering the growth of new media forms, its investigation of both old and new media in relation to social constructions of deviancy represents a timely and topical contribution to the field of media and cultural studies. Given its breadth and scope, the anthology represents a highly significant scholarly contribution that will greatly benefit scholars, students, and interested individuals of all levels. It offers eye-opening insights to anyone with an interest in cultural studies, disease and disability studies, film and television studies, LGBT studies, criminal justice, sociology, and related fields. Brief Reviewer Bio: Metasebia Woldemariam, Ph.D., is an associate professor of communication and media studies at Plymouth State University who specializes in media representations of deviancy and otherness. Mediated Deviance and Social Otherness: Interrogating Influential Representations is an erudite collection offering critical and cultural analysis of media representations within various media forms, including journalism, film, documentary, television, fiction, music, and the Internet. The book is divided into six sections that highlight the categories of deviance and otherness the contributors emphasize: (1) Age; (2) Crime and Criminals; (3) Disease and Disability; (4) Gender, Race, and Class; (5) Sexual Orientation; and (6) “Other” Forms of Deviance, which include masochism, carnival “spectaculars,” and cultures of violence. While some chapters feature links to topics common to media studies, such as the Motion Picture Production Code, what is powerful about the collection is how varied the interpretive standpoints of the contributors are. An example of one such unique interpretive perspective comes from Linda K. Fuller, whose chapter examines the sexual-political aspects of African AIDS-related films based on her work in West Africa “with a sexologist collating and critiquing appropriate media for Life Skills.” This interpretive variety inspires novel examination of media representations through the originality of varied genres of analysis: the collection offers analysis of classic as well as popular literature, popular as well as veiled news media, award-winning as well as obscure television series, and outlaw country music as well as rap music. Because “media” is so broadly interpreted within the collection, readers are encouraged to view mass media as a crucial cultural landscape for meaning making. Each contributor offers a timely perspective about past or contemporary society through the analysis of unique media genres and artifacts, or even through analysis of representations in multiple media forms. For example, Annette Holba examines multiple forms of the media representations of a less emphasized person in the Lizzie Borden case, Borden’s stepmother. Editor Kylo-Patrick R. Hart’s own contribution examines multiple media representations of the visible physical signs of AIDS before focusing on their representation in two particularly noteworthy film melodramas. Rather than focusing on stereotypical categories of deviance and otherness, the contributors focus on less commonly acknowledged representations or challenge commonly acknowledged understandings of media. This is evident through Christopher J. Pérez’s ethnographic observation of instant messages from Gay.com participants, which dispels the notion that such online communities allow for positive expressions of gay identity. Through its broad interpretation of media, the collection offers an ample array of less commonly acknowledged media genres, as evident in Margaret Weigel’s class analysis of the electric-bulb advertising sign “spectaculars” in Manhattan from 1892 to 1917; Wendy Korwin’s visual analysis of a set of four image plates used within prescriptive literature; and Amanda Klein’s cinematic comparison of portrayed deviance in the 1950s juvenile delinquency teenpic and the 1990s ghetto action film. Incorporated also are unique perspectives on traditional news media representations, as in Thomas Grochowski’s interpretation of celebrity defendant perspectives of O.J. Simpson. Occasionally, common themes thread particular chapters together, allowing opportunities to understand how critics view the same or similar media differently. For example, David Sealy and Georges-Claude Guilbert as well as Valentin Locoge offer analysis of the HBO television series OZ. Additionally, contemporary moral dilemmas and societal issues are covered as they appear in various media representations, as when Barbara Barnett’s discussion of journalistic representations of maternal infanticide and perfection appear alongside Robert Goff’s analysis of the textured view of abortion provided by the film Vera Drake. Hart’s collection is important to expanding the scholarly understanding of media representations because it provokes thinking about what makes media mean so much to humans in particular social, cultural, historical, and even technological contexts. The issue of the detrimental effects of “shared notions of deviance and social otherness” is evident in chapters that highlight original perspectives useful for either scholarly analysis or challenging, graduate-level classroom discussions. Also, because the collection includes literary analysis, it could serve well those with interest in literary criticism. ELESHA RUMINSKI, Ph.D., is an assistant professor of English at Indiana University of Pennsylvania with experience teaching mass communication, film studies, and visual communication. |
ARCHETYPAL | English meaning - Cambridge Dictionary
ARCHETYPAL definition: 1. typical of an original thing from which others are copied: 2. typical of an original thing from…. Learn more.
ARCHETYPAL Definition & Meaning - Merriam-Webster
: a primitive generalized plan of structure deduced from the characters of a natural group of plants or animals and assumed to be the characteristic of the ancestor from which they are all …
ARCHETYPAL Definition & Meaning | Dictionary.com
The play revolves around two modern-day brothers, Booth and Lincoln, whose fate may be determined by the names their profoundly neglectful parents saddled them with as a joke — a …
Archetypal - Definition, Meaning & Synonyms - Vocabulary.com
An archetypal thing represents an original type after which other, similar things are patterned. With her green skin, black garb, and evil ways, the Wicked Witch of the West is an archetypal …
Archetypal - definition of archetypal by The Free Dictionary
archetypal - representing or constituting an original type after which other similar things are patterned; "archetypal patterns"; "she was the prototypal student activist"
archetypal adjective - Definition, pictures, pronunciation and …
having all the important qualities that make somebody/something a typical example of a particular kind of person or thing. The Beatles were the archetypal pop group. It was the archetypal …
ARCHETYPAL definition and meaning | Collins English Dictionary
Someone or something that is archetypal has all the most important characteristics of a particular kind of person or thing and is a perfect example of it. ...the archetypal games teacher. 4 …
archetypal, adj. meanings, etymology and more - Oxford English …
What does the adjective archetypal mean? There are two meanings listed in OED's entry for the adjective archetypal. See ‘Meaning & use’ for definitions, usage, and quotation evidence. …
archetypal - Wiktionary, the free dictionary
Nov 14, 2024 · archetypal (comparative more archetypal, superlative most archetypal) Of or pertaining to an archetype.
What does Archetypal mean? - Definitions.net
Archetypal refers to something that is considered to be a perfect or typical example of a particular kind of person or thing, because it has all the important characteristics that are expected or …
ARCHETYPAL | English meaning - Cambridge Dictionary
ARCHETYPAL definition: 1. typical of an original thing from which others are copied: 2. typical of an original thing from…. Learn more.
ARCHETYPAL Definition & Meaning - Merriam-Webster
: a primitive generalized plan of structure deduced from the characters of a natural group of plants or animals and assumed to be the characteristic of the ancestor from which they are all …
ARCHETYPAL Definition & Meaning | Dictionary.com
The play revolves around two modern-day brothers, Booth and Lincoln, whose fate may be determined by the names their profoundly neglectful parents saddled them with as a joke — a …
Archetypal - Definition, Meaning & Synonyms - Vocabulary.com
An archetypal thing represents an original type after which other, similar things are patterned. With her green skin, black garb, and evil ways, the Wicked Witch of the West is an archetypal …
Archetypal - definition of archetypal by The Free Dictionary
archetypal - representing or constituting an original type after which other similar things are patterned; "archetypal patterns"; "she was the prototypal student activist"
archetypal adjective - Definition, pictures, pronunciation and …
having all the important qualities that make somebody/something a typical example of a particular kind of person or thing. The Beatles were the archetypal pop group. It was the archetypal …
ARCHETYPAL definition and meaning | Collins English Dictionary
Someone or something that is archetypal has all the most important characteristics of a particular kind of person or thing and is a perfect example of it. ...the archetypal games teacher. 4 …
archetypal, adj. meanings, etymology and more - Oxford English …
What does the adjective archetypal mean? There are two meanings listed in OED's entry for the adjective archetypal. See ‘Meaning & use’ for definitions, usage, and quotation evidence. …
archetypal - Wiktionary, the free dictionary
Nov 14, 2024 · archetypal (comparative more archetypal, superlative most archetypal) Of or pertaining to an archetype.
What does Archetypal mean? - Definitions.net
Archetypal refers to something that is considered to be a perfect or typical example of a particular kind of person or thing, because it has all the important characteristics that are expected or …
