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| ashes to ashes harold pinter: Ashes to Ashes Harold Pinter, 1997 First presented by the Royal Court Theatre in London in September of 1996, Ashes to Ashes is a triumph of power and concision. In the living room of a pleasant house in a university town outside of London, Devlin, threatened by his wife Rebecca's recollections of an abusive ex-lover, questions her relentlessly in his need for a single truth. In her seamless blending of what she knows of violence with the wider violence of the world, Rebecca reveals an eerie communion with the dead victims of unnamed political barbarities. |
| ashes to ashes harold pinter: The Cambridge Companion to Harold Pinter Peter Raby, 2001-09-20 The Cambridge Companion to Harold Pinter provides an introduction to one of the world's leading and most controversial writers, whose output in many genres and roles continued to grow until the author's death in 2008. Harold Pinter, winner of the 2005 Nobel Prize for Literature, produced work for the theatre, radio, television and screen, in addition to being a highly successful director and actor. This volume examines the wide range of Pinter's work (including his recent play Celebration). The first section of essays places his writing within the critical and theatrical context of his time, and its reception worldwide. The Companion moves on to explore issues of performance, with essays by practitioners and writers. The third section addresses wider themes, including Pinter as celebrity, the playwright and his critics, and the political dimensions of his work. The volume offers photographs from key productions, a chronology, checklist of works and bibliography. |
| ashes to ashes harold pinter: Holocaust Drama Gene A. Plunka, 2009-04-02 The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an examination of the theatre of the Holocaust. Including thorough critical analyses of more than thirty plays, this book explores the seminal twentieth-century Holocaust dramas from the United States, Europe, and Israel. Biographical information about the playwrights, production histories of the plays, and pertinent historical information are provided, placing the plays in their historical and cultural contexts. |
| ashes to ashes harold pinter: Black Spring Henry Miller, 1981 |
| ashes to ashes harold pinter: Ashes to Ashes and Other Plays Harold Pinter, 2008 A guy walks into a bar and orders two beers, one for himself and one for his absent buddy. Yes, it sounds like the set-up for a joke, but with his chilling new play, YANKEE TAVERN, the prolific Steven Dietz has something darker and more sobering in mind. This thoughtful work...paints the conflict between Spinoza's radical ideas and the oppressive religious doctrines of his times in an entertaining, highly accessible way...An engrossing historical drama. --NY Sun. By focusing on Spinoza's expulsion from the |
| ashes to ashes harold pinter: Eroding the Language of Freedom Farah Ali, 2017-09-18 Let down by the uncertainties of memory, language, and their own family units, the characters in Harold Pinter’s plays endure persistent struggles to establish their own identities. Eroding the Language of Freedom re-examines how identity is shaped in these plays, arguing that the characters’ failure to function as active members of society speaks volumes to Pinter’s ideological preoccupation with society’s own inadequacies. Pinter described himself as addressing the state of the world through his plays, and in the linguistic games, emotional balancing acts, and recurring scenarios through which he put his characters, readers and audiences can see how he perceived that world. |
| ashes to ashes harold pinter: Ashes to Ashes , 2016 |
| ashes to ashes harold pinter: The Eros Trilogy Nicky Silver, 1999 THE STORIES: CLAIRE, the first piece, finds a beautiful matron who might have walked out of a Noel Coward play. Claire is trying to recover from an incident that occurred in the morning, an incident that brought home, all too painfully, the reality |
| ashes to ashes harold pinter: After In-Yer-Face Theatre William C. Boles, 2020-04-29 This book revisits In-Yer-Face theatre, an explosive, energetic theatrical movement from the 1990s that introduced the world to playwrights Sarah Kane, Martin McDonagh, Mark Ravenhill, Jez Butterworth, and many others. Split into three sections the book re-examines the era, considers the movement’s influence on international theatre, and considers its lasting effects on contemporary British theatre. The first section offers new readings on works from that time period (Antony Neilson and Mark Ravenhill) as well as challenges myths created by the Royal Court Theatre about the its involvement with In-Yer-Face theatre. The second section discusses the influence of In-Yer-Face on Portuguese, Russian and Australian theater, while the final section discusses the legacy of In-Yer-Face writers as well as their influences on more recent playwrights, including chapters on Philip Ridley, Sarah Kane, Joe Penhall, Martin Crimp, Dennis Kelly, and Verbatim Drama. |
| ashes to ashes harold pinter: Harold Pinter's Politics Charles Grimes, 2005 Harold Pinter's Politics examines the expression of Pinter's political beliefs across every aspect and era of his artistic career. The fierce political stances of this important dramatist have been embodied in plays, screenplays, and his career as a theatrical director. Traditionally associated with absurdism, minimalism, and the dramatization of uncertainty, Pinter's name is now a byword for anti-authoritarian and anti-American politics. This transition has been in evidence from the earliest phases of his writing; all of Pinter's work emerges from his political views. His uniqueness as a political artist is that he is pessimistic about changing his audience or making it see its complicity in the horrors of the modern world. These horrors are dramatized through images of torture and oppression culminating in moments of silence that index the full extent of the destruction unleashed by the forces of power against dissidence. |
| ashes to ashes harold pinter: One for the Road Harold Pinter, 1984 |
| ashes to ashes harold pinter: Viva Pinter Brigitte Gauthier, 2009 European Connections: Studies in Comparative Literature, Intermediality and Aesthetics is a peer-reviewed series that focuses on the literary and artistic relations that shape European cultures. It also wishes to explore relations with non-European cultures with a view to fostering more equitable models of cultural exchange and transfer. |
| ashes to ashes harold pinter: Celebration & The Room Harold Pinter, 2013-07-18 A restaurant. Two curved banquettes. It's a celebration. Violent, wildly funny, Harold Pinter's new play displays a vivid zest for life. In The Room, Harold Pinter's first play, he reveals himself as already in full control of his unique ability to make dramatic poetry of the banalities of everyday speech and the precision with which it defines character. Harold Pinter's latest play, Celebration, and his first play, The Room directed by the author himself, premièred as a double-bill at London's Almeida Theatre in March 2000. |
| ashes to ashes harold pinter: The Plays of Harold Pinter Andrew Wyllie, Catherine Rees, 2017-09-16 This Reader's Guide synthesises the key criticism on Pinter's work over the last half century. Andrew Wyllie and Catherine Rees examine critical approaches and reactions to the major plays, charting the controversies which have arisen in response to Pinter's critiques of political and sexual issues. They consider criticism from the press and academics, on the themes of Absurdism, politics and gender identity. By placing this criticism in its historical context, this guide illustrates a transition from bewilderment and outrage to affection, fascination - and more outrage. |
| ashes to ashes harold pinter: Harold Pinter Graham Saunders, 2023-06-05 Harold Pinter provides an up-to-date analysis and reappraisal concerning the work of one of the most studied and performed dramatists in the world. Drawing extensively from The Harold Pinter Archive at the British Library as well as reviews and other critical materials, this book offers new insights into previously established views about his work. The book also analyses and reappraises specific key historical and contemporary productions, including a selection of Pinter’s most significant screenplays. In particular, this volume seeks to assess Pinter’s critical reputation and legacy since his death in 2008. These include his position as a political writer and political activist – from disassociation and neutrality on the subject until relatively late in his career when his drama sought to explicitly address questions of political dissent and torture by totalitarian regimes. The book revisits some familiar territories such as Pinter’s place as a British absurdist and the role memory plays in his work, but it also sets out to explore new territories such as Pinter’s changing attitudes towards gender in the light of #MeToo and queer politics and how in particular a play such as The Caretaker (1960) through several key productions has brought the issues of race into sharper focus. Part of the Routledge Modern and Contemporary Dramatist series, Harold Pinter provides an essential and accessible guide to the dramatists’ work. |
| ashes to ashes harold pinter: The Birthday Party Harold Pinter, 2013-07-18 Stanley Webber is visited in his boarding house by strangers, Goldberg and McCann. An innocent-seeming birthday party for Stanley turns into a nightmare. The Birthday Party was first performed in 1958 and is now a modern classic, produced and studied throughout the world. |
| ashes to ashes harold pinter: Mountain Language & Ashes to Ashes Harold Pinter, 2013-11-28 Mountain Language and Ashes to Ashes were presented as a double-bill at the Royal Court Theatre, London, in June 2001. Acclaim for Mountain Language: 'Extraordinarily economical and extraordinarily chilling.' Sunday Telegraph Ashes to Ashes: 'This dark, elegiac play, studded with brutally and swaggeringly funny jokes, is one of Pinter's most haunting works.' Sunday Times ' Ashes to Ashes is an extraordinarily powerful work: elusive, mesmeric, disturbing.' Guardian |
| ashes to ashes harold pinter: Landscape ; And, Silence Harold Pinter, 1969 |
| ashes to ashes harold pinter: Harold Pinter Mark Batty, 2018-08-01 Harold Pinter is one of the most significant and widely influential living British playwrights. From his early fame as the controversial author of disconcerting, unconventional dramas in the 1960s to the sparse, provocative plays he has offered steadily through the 1980s and 1990s, he has fascinated audiences and critics alike. His work forms a cornerstone of the dramatic literature of the contemporary British stage and has been integrated into the repertories of theatres world-wide. This book offers a critical examination of his dramatic writing over four decades, from The Room (1957) to Celebration (2000), emphasising the worth of the plays as pieces written for performance, investigating their status as dramatic (as opposed to literary) texts. |
| ashes to ashes harold pinter: Harold Pinter Basil Chiasson, Catriona Fallow, 2021-01-28 This important book offers a thematic collection of critical essays, ideal for undergraduate courses on modern British theatre, on Harold Pinter's theatrical works, alongside new interviews with contemporary theatre practitioners. The life and works of Harold Pinter (1930–2008), a pivotal figure in British theatre, have been widely discussed, debated and celebrated internationally. For over five decades, Pinter's work traversed and redefined various forms and genres, constantly in dialogue with, and often impacting the work of, other writers, artists and activists. Combining a reconsideration of key Pinter scholarship with new contexts, voices and theoretical approaches, this book opens up fresh insights into the author's work, politics, collaborations and his enduring status as one of the world's foremost dramatists. Three sections re-contextualize Pinter as a cultural figure; explore and interrogate his influence on contemporary British playwriting; and offer a series of original interviews with theatre-makers engaging in the staging of Pinter's work today. Reconsiderations of Pinter's relationship to literary and theatrical movements such as Modernism and the Theatre of the Absurd; interrogations of the role of class, elitism and religious and cultural identity sit alongside chapters on Pinter's personal politics, specifically in relation to the Middle East. |
| ashes to ashes harold pinter: Must You Go? Antonia Fraser, 2010-11-02 A moving testament to modern literature's most celebrated marriage: that of the greatest playwright of our age, Harold Pinter, and the beautiful and famous prize-winning biographer, Antonia Fraser. In this exquisite memoir, Antonia Fraser recounts the life she shared with the internationally renowned dramatist. In essence, it is a love story and a marvelously insightful account of their years together. Must You Go? is based on Fraser's recollections and on the diaries she has kept since October 1968. She shares Pinter's own revelations about his past, as well as observations by his friends. |
| ashes to ashes harold pinter: The Short Plays of Harold Pinter Harold Pinter, 2018-09-04 This volume contains the complete short plays of Harold Pinter from The Room, first performed in 1960, to Celebration, which premiered in 2000. The book commemorates the tenth anniversary of the playwright's death and coincides with Pinter at the Pinter, a celebratory season staging twenty of his one-act plays at the Harold Pinter Theatre, London, 2018. With a foreword by Antonia Fraser. 'The foremost representative of British drama in the second half of the twentieth century.' Swedish Academy citation on awarding Harold Pinter the Nobel Prize in Literature, 2005. |
| ashes to ashes harold pinter: The Late Harold Pinter Basil Chiasson, 2017-08-09 This volume is the first to provide a book-length study of Pinter’s overtly political activity. With chapters on political drama, poetry, and speeches, it charts a consistent tension between aesthetics and politics through Pinter’s later career and defines the politics of the work in terms of a pronounced sensory dimension and capacity to affect audiences. The book brings to light unpublished letters and drafts from the Pinter Archive in the British Library and draws his political poems and speeches, which have previously been overshadowed by his plays, into the foreground. Intended for students, instructors, and researchers in drama and theatre, performance studies, literature, and media studies, this book celebrates Pinter’s later life and work by discerning a coherent political voice and project and by registering the complex ways that project troubles the divide between aesthetics and politics. |
| ashes to ashes harold pinter: Pinter Et Cetera Craig N. Owens, 2020-07-13 PINTER ET CETERA, edited by Craig N. Owens, is among the first volumes published since playwright Harold Pinter's death to account for the many ways his poems, plays, fiction, screenwriting, and public statements have have influenced the creative work of artists and writers worldwide. It collects nine essays by nine scholars from five nations, each approaching Pinter's work from a different perspective. Together, these essays offer a compelling argument for thinking of Pinter not merely as a unique writer whose individual genius has introduced the world to a particular aesthetic, but more importantly, as an artist working within numerous traditions, influencing and influenced by the work of painters, installation artists, film directors, photographers, poets and, of course, theatre-makers. PINTER ET CETERA is a bold step toward expanding our understanding of Pinter and establishing its importance beyond the absurdist stage. Contributors include Judith Roof, Ubiratan Paiva de Oliveira, Kyounghye Kwon, Mark Taylor-Batty, Michael Stuart Lynch, Jeanne Colleran, Andrew Wyllie, Christopher Wixson, and Lance Norman. |
| ashes to ashes harold pinter: Holocaust Drama Gene A. Plunka, 2009-04-02 The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an examination of the theatre of the Holocaust. Including thorough critical analyses of more than thirty plays, this book explores the seminal twentieth-century Holocaust dramas from the United States, Europe, and Israel. Biographical information about the playwrights, production histories of the plays, and pertinent historical information are provided, placing the plays in their historical and cultural contexts. |
| ashes to ashes harold pinter: Holocaust Literature: Lerner to Zychlinsky, index S. Lillian Kremer, 2003 Review: This encyclopedia offers an authoritative and comprehensive survey of the important writers and works that form the literature about the Holocaust and its consequences. The collection is alphabetically arranged and consists of high-quality biocritical essays on 309 writers who are first-, second-, and third-generation survivors or important thinkers and spokespersons on the Holocaust. An essential literary reference work, this publication is an important addition to the genre and a solid value for public and academic libraries.--The Top 20 Reference Titles of the Year, American Libraries, May 2004 |
| ashes to ashes harold pinter: , |
| ashes to ashes harold pinter: Victoria Station Harold Pinter, 1982 The dispatcher has a great job lined up and the only mini-cab available is 274. Problem is, 274, who says he has fallen in love with the passenger who is asleep (or is she dead?) on his back seat, doesn't seem to know his own location, much less that of Victoria Station. |
| ashes to ashes harold pinter: Harold Pinter's The Dumb Waiter Mary F. Brewer, 2009 This collection of essays focuses on one of Harold Pinter's most popular and challenging plays, The Dumb Waiter, while addressing also a range of significant issues current in Pinter studies and which are applicable beyond this play. The interesting and provocative dialogues between established and emerging scholars featured here provide close readings of The Dumb Waiter, within relevant cultural and historical contexts and from a range of theoretical perspectives. The essays range over issues of autobiography and theater, genre studies, and the impact of Pinter's political activism on his dramatic production, among others. The collection is also concerned with the meaning of the play when assessed against other example's of Pinter's work, both dramatic and non-dramatic writing. Each contributor shows a gift for presenting a complex argument in an accessible style, making this book an important resource for a wide range of readers, from undergraduates to postgraduates and specialist researchers. The collection offers essays that approach The Dumb Waiter, from an interdisciplinary perspective and as both a literary and dramatic text. Thus, the book should be of equal significance to those encountering Pinter within the context of English Studies, drama, and performance. |
| ashes to ashes harold pinter: Ethical Speculations in Contemporary British Theatre M. Aragay, E. Monforte, 2014-02-20 This volume is the first to offer a comprehensive critical examination of the intersections between contemporary ethical thought and post-1989 British playwriting. Its coverage of a large number of plays and playwrights, international range of contributors and original argumentation make it a key point of reference for students and researchers. |
| ashes to ashes harold pinter: The Hothouse Harold Pinter, 1980 THE STORY: The scene is a government institution, possibly mental or medical and presumably penal, where the inmates are kept behind locked gates and are referred to by number rather than name. In charge is Roote, a pompous ex-colonel who is surely |
| ashes to ashes harold pinter: The New York Times Theatre Reviews 1999-2000 New York Times Theater Reviews, 2001-12 This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality. |
| ashes to ashes harold pinter: Visual Culture and the Holocaust Barbie Zelizer, 2001 A book that looks at both the traditional and the unconventional ways in which the holocaust has been visually represented. The purpose of this volume is to enhance our understanding of the visual representation of the Holocaust - in films, television, photographs, art and museum installations and cultural artifacts - and to examine the ways in which these have shaped our consciousness. The areas covered include the Eichman Trial as covered on American television, the impact of Schindler's List, the Jewish Museum in Berlin, the Isreali Heritage Museums, Women and Holocaust Photography, Interne. |
| ashes to ashes harold pinter: The New York Times Guide to the Arts of the 20th Century: 1900-1929 , 2002 Reviews, news articles, interviews and essays capturing 100 years of art, architecture, literature, music, dance, theater, film and television. |
| ashes to ashes harold pinter: A Holistic Perspective on Harold Pinter's Drama Aslı Tekinay, 2023-11-17 This book provides a holistic approach to Harold Pinter’s plays, from his first play, The Room (1957), to his last play, Celebration (1999). The book is divided into three chapters, organized thematically. The first chapter discusses the early plays—the so-called comedies of menace—concerning the central tropes of secluded settings, intrusion from the outside, and disintegration of the self. The next chapter analyzes Pinter’s memory plays, concentrating on how characters shelter themselves from intrusions through silences and lies. The third chapter examines power games and abuse of power in political plays. The book contributes to the field of Pinter studies by pursuing the thematic, linguistic, and formal elements integral to his aesthetic productions, and delineates the properties that serve as constants in Pinter’s dramatic oeuvre, thus justifying the term Pinteresque: pauses and silences, subtext, anxiety, violence, menace, vulnerability, victimization, intrusion, and power games. The discussions highlight the presence of a solid foundation for his drama—such as his conviction that the past is in the present—and connect all the plays to one another. |
| ashes to ashes harold pinter: Pinter at 70 Lois Gordon, 2014-02-25 This comprehensive and authoritative casebook includes cornerstone essays on Pinter's creative process, his politics, film adaptations, and acting career. It also includes a collection of photos found nowhere else that document Pinter's golden time--his early acting days in Ireland--, a substantial introduction, a chronology, and bibliography. |
| ashes to ashes harold pinter: A Companion to British-Jewish Theatre Since the 1950s Jeanette R. Malkin, Eckart Voigts, Sarah Jane Ablett, 2021-03-25 The first of its kind, this companion to British-Jewish theatre brings a neglected dimension in the work of many prominent British theatre-makers to the fore. Its structure reflects the historical development of British-Jewish theatre from the 1950s onwards, beginning with an analysis of the first generation of writers that now forms the core of post-war British drama (including Tom Stoppard, Harold Pinter and Arnold Wesker) and moving on to significant thematic force-fields and faultlines such as the Holocaust, antisemitism and Israel/Palestine. The book also covers the new generation of British-Jewish playwrights, with a special emphasis on the contribution of women writers and the role of particular theatres in the development of British-Jewish theatre, as well as TV drama. Included in the book are fascinating interviews with a set of significant theatre practitioners working today, including Ryan Craig, Patrick Marber, John Nathan, Julia Pascal and Nicholas Hytner. The companion addresses, not only aesthetic and ideological concerns, but also recent transformations with regard to institutional contexts and frameworks of cultural policies. |
| ashes to ashes harold pinter: The Dwarfs Harold Pinter, 2015-01-27 “A fascinating work . . . possessing extraordinary power. Masterful.” —San Francisco Chronicle “Brilliant, cranky, and eccentric, and the narrative passages are some of the most thrilling ever written.” —Library Journal “Some of the author’s most enduring themes—notably, sexual jealousy and betrayal—are present. . . . The narration shows traces of writers as various as Joyce and Beckett, e.e. cummings and J.P. Donleavy.” —The Washington Post “The Abbott and Costello meet Samuel Beckett dialogue . . . makes you laugh out loud.” —The Village Voice |
| ashes to ashes harold pinter: Barcelona is in Trouble Henry Woolf, 2017 |
| ashes to ashes harold pinter: Moon on a Rainbow Shawl Errol John, 2012-02 Esther - if yer have yer head screw on right - No matter where yer go - One night - some time - Yer reach up - yer touch that moon. For the teeming populace of Old Mack's cacophonous yard in Port-of-Spain, Trinidad, it's a cheek by jowl existence lived out on a sweltering public stage. Snatches of calypso compete with hymn tunes, drums and street cries as neighbours drink, brawl, pass judgment, make love, look out for each other and crave a better life. But Ephraim is no dreamer and nothing, not even the seductive Rosa, is going to stop him escaping his dead-end job for a fresh start in England.Set as returning troops from the Second World War fill the town with their raucous celebrations, Erroll John's Moon on a Rainbow Shawl depicts a vibrant, cosmopolitan world that is as harsh as it is filled with colour and warmth.'A brawling, laughing, bitter sense of life courses through Moon on a Rainbow Shawl. Errol John fills the stage with people of flesh and blood; he communicates the harshness and tension in this steaming, crowded corner of Port-of-Spain. He writes with such warmth and understanding that the problems and characters of a mean backyard in Trinidad assume a validity for a multitude of teeming, troubled places on this planet.' New York Times |
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