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| bangladeshi english cinema: Bangladesh Cinema and National Identity Zakir Hossain Raju, 2014-12-17 Throughout the twentieth and early twenty-first centuries, cinema has been adopted as a popular cultural institution in Bangladesh. At the same time, this has been the period for the articulation of modern nationhood and cultural identity of Bengali Muslims in Bangladesh. This book analyses the relationship between cinema and modernity in Bangladesh, providing a narrative of the uneven process that produced the idea of Bangladesh cinema. This book investigates the roles of a non-Western national film industry in Asia in constructing nationhood and identity within colonial and postcolonial predicaments. Drawing on the idea of cinema as public sphere and the postcolonial notion of formation of the Bangladesh nation, interactions between cinema and middle-class Bengali Muslims in different social and political matrices are analyzed. The author explores how the conflict among different social groups turned Bangladesh cinema into a site of contesting identities. In particular, he illustrates the connections between film production and reception in Bangladesh and a variety of nationalist constructions of Bengali Muslim identity. Questioning and debunking the usual notions of Bangladesh and cinema, this book positions the cinema of Bangladesh within a transnational frame. Starting with how to locate the beginning of the second Bengali language cinema in colonial Bengal, the author completes the investigation by identifying a global Bangladeshi cinema in the early twenty-first century. The first major academic study on this large and vibrant national cinema, this book demonstrates that Bangladesh cinema worked as different public spheres for different publics throughout the twentieth century and beyond. Filling a niche in Global Film and Media Studies and South Asian Studies, it will be of interest to scholars and students of these disciplines. |
| bangladeshi english cinema: Identity, Nationhood and Bangladesh Independent Cinema Fahmidul Haq, Brian Shoesmith, 2022-07-08 This book analyses how independent filmmakers from Bangladesh have represented national identity in their films. The focus of this book is on independent and art house filmmakers and how cinema plays a vital role in constructing national and cultural identity. The authors examine post-2000 films which predominantly deal with issues of national identity and demonstrate how they tackle questions of national identity. Bangladesh is seemingly a homogenous country consisting 98% of Bengali and 90% of Muslim. This majority group has two dominant identities – Bengaliness (the ethno-linguistic identity) and Muslimness (the religious identity). Bengaliness is perceived as secular-modern whereas Muslimness is perceived as traditional and conservative. However, Bangladeshi independent and art house filmmakers portray the nationhood of the country with an enthusiasm and liveliness that exceeds these two categories. In addition to these categories, the authors add two more dimensions to the approach to discuss identity: Popular Religion and Transformation. The study argues that these identity categories are represented in the films, and that they both reproduce and challenge dominant discourses of nationalism. Providing a new addition to the discourse of contemporary national identity, the book will be of interest to researchers studying international film and media studies, independent cinema studies, Asian cinema, and South Asian culture, politics, and identity politics. |
| bangladeshi english cinema: Companion to Contemporary Black British Culture Alison Donnell, 2002-09-11 The Companion to Contemporary Black British Culture is the first comprehensive reference book to provide multidisciplinary coverage of the field of black cultural production in Britain. The publication is of particular value because despite attracting growing academic interest in recent years, this field is still often subject to critical and institutional neglect. For the purpose of the Companion, the term 'black' is used to signify African, Caribbean and South Asian ethnicities, while at the same time addressing the debates concerning notions of black Britishness and cultural identity. This single volume Companion covers seven intersecting areas of black British cultural production since 1970: writing, music, visual and plastic arts, performance works, film and cinema, fashion and design, and intellectual life. With entries on distinguished practitioners, key intellectuals, seminal organizations and concepts, as well as popular cultural forms and local activities, the Companion is packed with information and suggestions for further reading, as well as offering a wide lens on the events and issues that have shaped the cultural interactions and productions of black Britain over the last thirty years. With a range of specialist advisors and contributors, this work promises to be an invaluable sourcebook for students, researchers and academics interested in exploring the diverse, complex and exciting field of black cultural forms in postcolonial Britain. |
| bangladeshi english cinema: Consuming Cultural Hegemony Harisur Rahman, 2019-11-22 This book examines the circulation and viewership of Bollywood films and filmi modernity in Bangladesh. The writer poses a number of fundamental questions: what it means to be a Bangladeshi in South Asia, what it means to be a Bangladeshi fan of Hindi film, and how popular film reflects power relations in South Asia. The writer argues that partition has resulted in India holding hegemonic power over all of South Asia’s nation-states at the political, economic, and military levels–a situation that has made possible its cultural hegemony. The book draws on relevant literature from anthropology, sociology, film, media, communication, and cultural studies to explore the concepts of hegemony, circulation, viewership, cultural taste, and South Asian cultural history and politics. |
| bangladeshi english cinema: Library of Congress Subject Headings Library of Congress, 2013 |
| bangladeshi english cinema: South Asian Filmscapes Elora Halim Chowdhury, Esha Niyogi De, 2020-11-30 New political realities and shared histories connect film cultures across borders In South Asia massive anticolonial movements in the twentieth century created nation-states and reset national borders, forming the basis for emerging film cultures. Following the upheaval of the partition of India and Pakistan in 1947 and the Bangladesh Liberation War of 1971, new national cinemas promoted and reinforced prevailing hierarches of identity and belonging. At the same time, industrial and independent cinemas contributed to remarkably porous and hybrid film cultures, reflecting the intertwining of South Asian histories and their reciprocal cultural influences. This cross-fertilization within South Asian cultural production continues today. South Asian Filmscapes excavates these complex politics and poetics of bordered identity and crossings through selected histories of cinema in South Asia. Several essays reveal ways in which fixed notions of national identity have been destabilized by the cross-border mobility of filmed arts and practitioners, while others interrogate how filmic politics intersects with discourses of nationalism, sexuality and gender, religion, and language. Together, they offer a fluid approach to the multiple histories and encounters that conjure “South Asia” as a geographic and political entity in the region and globally through a cinematic imagination. |
| bangladeshi english cinema: Bollywood in Britain Lucia Krämer, 2016-06-02 Bollywood in Britain provides the most extensive survey to date of the various manifestations and facets of the Bollywood phenomenon in Britain. The book analyzes the role of Hindi films in the British film market, it shows how audiences engage with Bollywood cinema and it discusses the ways the image of Bollywood in Britain has been shaped. In contrast to most of the existing books on the subject, which tend to approach Bollywood as something that is made by Asians for Asians, the book also focuses on how Bollywood has been adapted for non-Asian Britons. An analysis of Bollywood as an unofficial brand is combined with in-depth readings of texts like film reviews, the TV show Bollywood Star (2004) and novels and plays with references to the Bombay film industry. On this basis Bollywood in Britain demonstrates that the presentation of Bollywood for British mainstream culture oscillates between moments of approximation and distancing, with a clear dominance of the latter. Despite its alleged transculturality, Bollywood in Britain thus emerges as a phenomenon of difference, distance and Othering. |
| bangladeshi english cinema: Communalism and Globalization in South Asia and its Diaspora Deana Heath, Chandana Mathur, 2010-12-22 Taking as its premise the belief that communalism is not a resurgence of tradition but is instead an inherently modern phenomenon, as well as a product of the fundamental agencies and ideas of modernity, and that globalization is neither a unique nor unprecedented process, this book addresses the question of whether globalization has amplified or muted processes of communalism. It does so through exploring the concurrent histories of communalism and globalization in four South Asian contexts - India, Pakistan, Bangladesh and Sri Lanka - as well as in various diasporic locations, from the nineteenth century to the present. Including contributions by some of the most notable scholars working on communalism in South Asia and its diaspora as well as by some challenging new voices, the book encompasses both different disciplinary and theoretical perspectives. It looks at a range of methodologies in an effort to stimulate new debates on the relationship between communalism and globalization, and is a useful contribution to studies on South Asia and Asian History. |
| bangladeshi english cinema: Women's Transborder Cinema Esha Niyogi De, 2024-12-10 Can we write women’s authorial roles into the history of industrial cinema in South Asia? How can we understand women’s creative authority and access to the film business infrastructure in this postcolonial region? Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh. De uses film tropes to examine the ways women directors and film entrepreneurs claim creative control within the contexts of anti-colonial nationalism and global capitalism. The region’s fictional cinemas have become staging grounds for postcolonialism, with colonial and local hierarchies merged into new imperial formations. De’s analysis shows how the gendered intersections of inequity and opportunity shape women’s fiction filmmaking while illuminating the impact of state and market formations on the process. Innovative and essential, Women’s Transborder Cinema examines the works of South Asia’s women filmmakers from a regional perspective. |
| bangladeshi english cinema: Lonely Planet Bangladesh Lonely Planet, Paul Clammer, Anirban Mahapatra, 2016-11-01 #1 best-selling guide to Bangladesh* Lonely Planet Bangladesh is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Cruise the Sundarbans spotting deer and tigers; stand amid the chaos of old Dhaka; or visit the lush Chittagong Hill Tracts, all with your trusted travel companion. Get to the heart of Bangladesh and begin your journey now! Inside Lonely Planet Bangladesh: Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, environment, arts, literature, cuisine, culture Over 35 maps Covers Dhaka, Dhaka Division, Khulna, Rajshahi, Rangpur, Chittagong Division, Sylhet Division and more eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet Bangladesh , our most comprehensive guide to Bangladesh, is perfect for both exploring top sights and taking roads less travelled. About Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet, gift and lifestyle books and stationery, as well as an award-winning website, magazines, a suite of mobile and digital travel products, and a dedicated traveller community. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places they find themselves in. TripAdvisor Travelers' Choice Awards 2012, 2013, 2014, 2015 and 2016 winner in Favorite Travel Guide category 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia) *Best-selling guide to Bangladesh. Source: Nielsen BookScan. Australia, UK and USA Important Notice: The digital edition of this book may not contain all of the images found in the physical edition. |
| bangladeshi english cinema: Madrasas in South Asia Jamal Malik, 2007-11-27 This book discusses the educational system of madrasas in South Asia. It gives a balanced and contextual account on different facets of madrasa education from historical, anthropological, theological, political and religious studies perspectives. |
| bangladeshi english cinema: The History of Genocide in Cinema Jonathan Friedman, William Hewitt, 2016-10-27 The organization 'Genocide Watch' estimates that 100 million civilians around the globe have lost their lives as a result of genocide in only the past sixty years. Over the same period, the visual arts in the form of documentary footage has aided international efforts to document genocide and prosecute those responsible, but this book argues that fictional representation occupies an equally important and problematic place in the process of shaping minds on the subject. Edited by two of the leading experts in the field, The History of Genocide in Cinema analyzes fictional and semi-fictional portrayals of genocide, focusing on, amongst others, the repression of indigenous populations in Australia, the genocide of Native Americans in the 19th century, the Herero genocide, Armenia, the Holodomor (Stalin's policy of starvation in Ukraine), the Nazi Holocaust, Nanking and Darfur. Comprehensive and unique in its focus on fiction films, as opposed to documentaries, The History of Genocide in Cinema is an essential resource for students and researchers in the fields of cultural history, holocaust studies and the history of film. |
| bangladeshi english cinema: Migration in Contemporary Hispanic Cinema Thomas G. Deveny, 2012-06-21 In Migration in Contemporary Hispanic Cinema, Thomas Deveny takes the unique approach of looking at film and immigration with a global perspective, examining emigration and immigration films from Spain, Mexico, Argentina, Central America, and the Hispanic Caribbean. Deveny approaches each movie with a close textual analysis, keeping in mind the sociological theories regarding migration, as well as incorporating criticism on the film. Films such as Flowers from Another World, Return to Hansala, El Camino, 14 Kilometers, María Full of Grace, and others are studied throughout. |
| bangladeshi english cinema: Being & Becoming, the Cinemas of Asia Aruna Vasudev, Latika Padgaonkar, Rashmi Doraiswamy, 2002 Contributed articles on cinemas of various Asian countries. |
| bangladeshi english cinema: Visions of England Paul Dave, 2006-03-01 Visions of England is a provocative and original exploration of Englishness, in particular English class, in contemporary cinema. Class has been a central part, whether consciously or not, of much of English social analysis and artistic production for over a century. But as a way of interpreting society, class has found itself sidelined in a postmodern world. Visions of England presents a detailed analysis of the changing landscape of English class and culture. Visions of England explores a wide range of film production - from gangster thrillers like Lock, Stock Two Smoking Barrels to the period cinema of Elizabeth, from cult classics like Performance and Trainspotting to the mainstream romantic comedy of Notting Hill and Bridget Jones, from the social realist drama of Billy Elliot and The Full Monty to the multicultural comedy of Bend it like Beckham, and the experimentalism of films such as London Orbital and Robinson in Space. An extraordinarily wide-ranging and incisive study, Visions of England rewrites the relationship of film and Englishness. |
| bangladeshi english cinema: Anthropology, Film Industries, Modularity Ramyar D. Rossoukh, Steven C. Caton, 2021-10-22 The contributors to Anthropology, Film Industries, Modularity take an anthropological and comparative approach to capturing the diversity and growth of global film industries, bringing into relief common film production practices as well as the local contingencies and deeper cultural realities at work in every film industry. |
| bangladeshi english cinema: Queer Cinema in the World Karl Schoonover, Rosalind Galt, 2016-11-17 Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Schoonover and Galt reimagine the scope of queer film studies. The authors move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer documentary to Bangladeshi melodrama and Bolivian activist video. Schoonover and Galt make a case for the centrality of queerness in cinema and trace how queer cinema circulates around the globe–institutionally via film festivals, online consumption, and human rights campaigns, but also affectively in the production of a queer sensorium. In this account, cinema creates a uniquely potent mode of queer worldliness, one that disrupts normative ways of being in the world and forges revised modes of belonging. |
| bangladeshi english cinema: Muslim Masculinities in Literature and Film Peter Cherry, 2021-09-23 A climate of Islamophobia allows anxieties about Muslim men living in and migrating to Britain to endure. British Muslims men are often profiled in highly negative terms or regarded with suspicion owing to their perceived religious and cultural heritage. But novels and films by British migrant and diaspora writers and filmmakers powerfully contest these stereotypes, and explore the rich diversity of Muslim masculinities in Britain. This book is the first critical study to engage with British Muslim masculinities in this literary and cinematic output from the perspective of masculinity studies. Through close analysis of work by Monica Ali, Nadeem Aslam, Guy Gunaratne, Sally El Hosaini, Hanif Kureishi, Suhayl Saadi, Kamila Shamsie, Zadie Smith, Zia Haider Rahman and Salman Rushdie, Peter Cherry examines how migrant and diaspora protagonists negotiate their masculinity in a climate of Islamophobic and anti-migrant rhetoric. Cherry proposes a transcultural reading of these novels and films that exposes how conceptions of 'Britishness', 'Muslimness' and those of masculinity are unstable and contingent constructs shaped by migration, interaction with other cultures, and global and local politics. |
| bangladeshi english cinema: Cut-Pieces Lotte Hoek, 2013-11-19 This title explores the shadowy world of the short, pornographic cut-piece clips that appear in some films in Bangladesh and examines their place in South Asian film culture. It provides a portrait of the production, consumption and cinematic pleasures of stray celluloid and shines a light on Bangladesh's state-owned film industry and popular practices of the obscene. The book also reframes conceptual approaches to South Asian cinema and film culture, drawing on media anthropology to decode the cultural contradictions of Bangladesh since the 1990s. |
| bangladeshi english cinema: Popular Culture, Voice and Linguistic Diversity Sender Dovchin, Alastair Pennycook, Shaila Sultana, 2017-10-25 This book analyses the language practices of young adults in Mongolia and Bangladesh in online and offline environments. Focusing on the diverse linguistic and cultural resources these young people draw on in their interactions, the authors draw attention to the creative and innovative nature of their transglossic practices. Situated on the Asian periphery, these young adults roam widely in their use of popular culture, media voices and linguistic resources. This innovative and topical book will appeal to students and scholars of sociolinguistics, applied linguistics, cultural studies and linguistic anthropology. |
| bangladeshi english cinema: Women at Work in Twenty-First-Century European Cinema Barbara Mennel, 2019-01-30 From hairdressers and caregivers to reproductive workers and power-suited executives, images of women's labor have powered a fascinating new movement within twenty-first-century European cinema. Social realist dramas capture precarious working conditions. Comedies exaggerate the habits of the global managerial class. Stories from countries battered by the global financial crisis emphasize the patriarchal family, debt, and unemployment. Barbara Mennel delves into the ways these films about female labor capture the tension between feminist advances and their appropriation by capitalism in a time of ongoing transformation. Looking at independent and genre films from a cross-section of European nations, Mennel sees a focus on economics and work adapted to the continent's varied kinds of capitalism and influenced by concepts in second-wave feminism. More than ever, narratives of work put female characters front and center--and female directors behind the camera. Yet her analysis shows that each film remains a complex mix of progressive and retrogressive dynamics as it addresses the changing nature of work in Europe. |
| bangladeshi english cinema: Teen Life in Europe Shirley R. Steinberg, 2005-10-30 Teens in European countries have a number of similarities. But, because Europe consists of such a diverse group of countries, differences do exist. These differences can be attributed to a variety of economies, geographies, and politics. American teens will find a special interest in the region, as it is the region in the world most similar to their own culture. Each chapter covers a country in the region, and is written by a native of that country. The 12 countries profiled are Denmark, England, France, Germany, Ireland, Italy, Malta, The Netherlands, Portugal, Spain, Sweden, and Turkey. Each chapter concludes with a resource guide providing print and electronic sources for additional research. |
| bangladeshi english cinema: Lemniscate Gaynor McGrath, 2008 One woman's adventurous search for love, meaning and connection. In the ‘70s travel scenes of Afghanistan, India and Thailand, Elsie discovers adventure, friendship and freedom. After three years she returns to her welcoming and loving family in suburban Australia where time seems to have stood still. Disenchanted with the dreary conventions of authoritarian and Catholic Adelaide she becomes a restless spirit torn between the call of family and the world. An ever-searching series of relationships and relocations ultimately takes her as a single parent to live on the Greek island of Paros, until tragedy unexpectedly reconnects her with Australia and the complex truth about love and family. This is a deeply affecting, sprawling, beautiful novel about finding one's way in life and the world.Lemniscate: a line that travels continuously outward as it travels continuously inward. |
| bangladeshi english cinema: South Asian Cinemas Sara Dickey, Rajinder Dudrah, 2018-10-24 This path-breaking collection explores the breadth and depth of South Asia’s many vibrant cinemas. It extends well beyond Bollywood to Nepali, Sri Lankan, Pakistani Panjabi, Bhojpuri, Bengali, Kannada, and early Tamil cinemas, while unpacking the category of 'Bollywood' itself. The coverage of cinematic features is equally far-ranging, exploring music, dance, audiences, filmmakers, industries, and the mutual influences among South Asia’s cinemas. With a mix of ethnographic, historical, auteur, and textual approaches, this exciting collection presents the first wide-reaching analysis of South Asian cinemas. The nine chapters include a new theoretical and historical engagement by the co-editors about the burgeoning area of South Asian cinemas in the academy, as well as original research by young and established scholars. From historical to contemporary considerations, to close analyses and empirical material from fieldwork, to a rich and revealing photographic essay, this collection will be novel reading for a new generation of work into an important global cinematic region. This book was originally published as a special issue of South Asian Popular Culture. |
| bangladeshi english cinema: State Magazine , 2015-06 |
| bangladeshi english cinema: Bangladesh Marshall William Fishwick, 1983 |
| bangladeshi english cinema: The Emergence of Bangladesh Habibul Khondker, Olav Muurlink, Asif Bin Ali, 2022-02-22 The Emergence of Bangladesh analyses and celebrates the first 50 years of Bangladesh as a nation, bringing insights from key scholars in Bangladeshi studies to an international audience, as well as ‘bringing home’ to a domestic audience the work of some of the nation’s greatest intellectual exports, the Bangladeshi scholars who have made a mark in their field of study in academia. The book offers unique coverage of the battlegrounds on which the founding of the new nation was fought, including language, power and religion, and provides unique insight into some of the hot spots that continue to shape the development of the nation: the issues of gender, culture, ethnicity, governance, the economy and the army. Those with an interest in understanding the past or present Bangladesh will find this a trove of frank and readable analysis. |
| bangladeshi english cinema: South Asian Media Cultures Shakuntala Banaji, 2011 'South Asian Media Cultures' examines a wide range of media cultures and practices from across South Asia, using a common set of historical, political and theoretical engagements. In the context of such pressing issues as peace, conflict, democracy, politics, religion, class, ethnicity and gender, these essays explore the ways different groups of South Asians produce, understand and critique the media available to them. |
| bangladeshi english cinema: The Plaid Avenger's World John Boyer, Plaid Avenger, 2010-08-24 The most easily-digestable and entertaining world regions textbook. Adopted by over 20 universities and schools around the country. |
| bangladeshi english cinema: The Cinema of Globalization Tom Zaniello, 2018-07-05 Tom Zaniello's fascinating new guide to films about globalization—its origins, its relationship with colonialism, neocolonialism, the growth of migratory labor, and movements to counter or protest its adverse effects—offers readers and viewers the opportunity to both discover new films and see well-known works in a new way. From Afro@Digital to Zoolander, Zaniello discusses 201 films, including features such as The Constant Gardener, Dirty Pretty Things, and Syriana; documentaries and other nonfiction films such as Blue Vinyl, Darwin's Nightmare, and Wal-Mart: The High Cost of Low Price; online films; and television productions. Zaniello casts a wide net to provide cinematic representations of globalization from all angles:-films about global labor and labor unions affected by globalization;-films about global capital and multinational corporations;-films about the transnational organizations (WB, IMF, WTO) most closely identified with globalization and global capital;-films about labor history and the daily life of working-class people as they relate to the development of globalization;-films about the environment directly related to changes in labor or capital; and-films about changes in both the workplace and the corporate office in the era of multinational corporations. Each entry in The Cinema of Globalization offers a summary of the main issues in the film and their relationship to globalization, sometimes a reference to the film's place in a director's work or tradition of cinema, and an often-opinionated assessment of the film's strengths and weaknesses. Like the best film guides, this book is an addictive reading experience full of ideas for future viewing. At the same time, it serves as an inviting and accessible introduction to a difficult topic—the central themes and aspects of globalization.To read Tom Zaniello's blog on the cinema of labor and globalization, featuring even more reviews, visit http://tzaniello.wordpress.com. |
| bangladeshi english cinema: Intimation of Revolution Subho Basu, 2023-06-15 Studies the rise of Bengali nationalism in East Pakistan in the 1950s and 60s by showcasing the interactions between global politics and local social and economic developments. |
| bangladeshi english cinema: Osian's Cinemaya , 2006 |
| bangladeshi english cinema: A Companion to Chinese Cinema Yingjin Zhang, 2012-04-23 A Companion to Chinese Cinema is a collection of original essays written by experts in a range of disciplines that provide a comprehensive overview of the evolution and current state of Chinese cinema. Represents the most comprehensive coverage of Chinese cinema to date Applies a multidisciplinary approach that maps the expanding field of Chinese cinema in bold and definitive ways Draws attention to previously neglected areas such as diasporic filmmaking, independent documentary, film styles and techniques, queer aesthetics, star studies, film and other arts or media Features several chapters that explore China’s new market economy, government policy, and industry practice, placing the intricate relationship between film and politics in a historical and international context Includes overviews of Chinese film studies in Chinese and English publications |
| bangladeshi english cinema: Film, Media and Representation in Postcolonial South Asia Nukhbah Taj Langah, Roshni Sengupta, 2021-07-28 This volume brings together new studies and interdisciplinary research on the changing mediascapes in South Asia. Focusing on India, Pakistan, and Bangladesh, it explores the transformations in the sphere of cinema, television, performing arts, visual cultures, cyber space and digital media, beyond the traumas of the partitions of 1947 and 1971. Through wide-ranging essays on soft power, performance, film, and television; art and visual culture; and cyber space, social media, and digital texts, the book bridges the gap in the study of the postcolonial and post-Partition developments to reimagine South Asia through a critical understanding of popular culture and media. The volume includes scholars and practitioners from the subcontinent to foster dialogue across the borders, and presents diverse and in-depth studies on film, media and representation in the region. This book will be useful to scholars and researchers of media and film studies, postcolonial studies, visual cultures, political studies, partition history, cultural studies, mass media, popular culture, history, sociology and South Asian studies, as well as to media practitioners, journalists, writers, and activists. |
| bangladeshi english cinema: Bangladesh Cinema and National Identity Zakir Hossain Raju, 2014-12-17 Throughout the twentieth and early twenty-first centuries, cinema has been adopted as a popular cultural institution in Bangladesh. At the same time, this has been the period for the articulation of modern nationhood and cultural identity of Bengali Muslims in Bangladesh. This book analyses the relationship between cinema and modernity in Bangladesh, providing a narrative of the uneven process that produced the idea of Bangladesh cinema. This book investigates the roles of a non-Western national film industry in Asia in constructing nationhood and identity within colonial and postcolonial predicaments. Drawing on the idea of cinema as public sphere and the postcolonial notion of formation of the Bangladesh nation, interactions between cinema and middle-class Bengali Muslims in different social and political matrices are analyzed. The author explores how the conflict among different social groups turned Bangladesh cinema into a site of contesting identities. In particular, he illustrates the connections between film production and reception in Bangladesh and a variety of nationalist constructions of Bengali Muslim identity. Questioning and debunking the usual notions of Bangladesh and cinema, this book positions the cinema of Bangladesh within a transnational frame. Starting with how to locate the beginning of the second Bengali language cinema in colonial Bengal, the author completes the investigation by identifying a global Bangladeshi cinema in the early twenty-first century. The first major academic study on this large and vibrant national cinema, this book demonstrates that Bangladesh cinema worked as different public spheres for different publics throughout the twentieth century and beyond. Filling a niche in Global Film and Media Studies and South Asian Studies, it will be of interest to scholars and students of these disciplines. |
| bangladeshi english cinema: Media Culture in Transnational Asia Hyesu Park, 2020-09-17 Media Culture in Transnational Asia: Convergences and Divergences examines contemporary media use within Asia, where over half of the world’s population resides. The book addresses media use and practices by looking at the transnational exchanges of ideas, narratives, images, techniques, and values and how they influence media consumption and production throughout Asia, including Sri Lanka, Bangladesh, South Korea, Singapore, Vietnam, Afghanistan, Iran and many others. The book’s contributors are especially interested in investigating media and their intersections with narrative, medium, technologies, and culture through the lenses that are particularly Asian by turning to Asian sociopolitical and cultural milieus as the meaningful interpretive framework to understand media. This timely and cutting-edge research is essential reading for those interested in transnational and global media studies. |
| bangladeshi english cinema: Travels of Bollywood Cinema Anjali Gera Roy, Chua Beng Huat, 2014-11-10 From Bombay (Mumbai) and other production centres on the Indian subcontinent, Indian popular cinema has travelled globally for nearly a century, culminating in the Bollywood-inspired, Oscar-winning film Slumdog Millionaire. This volume brings together perspectives on Indian popular cinema, universally known as Bollywood now, from different disciplinary and geographical locations to look afresh at national cinemas. It shows how Bollywood cinema has always crossed borders and boundaries: from the British Malaya, Fiji, Guyana, Trinidad, Mauritius, and East and South Africa to the former USSR, West Asia, the UK, the USA, Canada, and Australia. While looking at the meanings of nation, diaspora, home, and identity in cinematic texts and contexts, the essays also examine how localities are produced in the new global process by broadly addressing nationalism, regionalism, and transnationalism, politics and aesthetics, as well as spectatorship and viewing contexts. |
| bangladeshi english cinema: Descriptive Grammar of Bangla Anne Boyle David, 2015-06-16 Bangla is spoken as the majority language in Bangladesh and the state of West Bengal in India, and as a minority language in several other Indian states. With almost 200 million native speakers, it ranks among the top ten languages in the world in number of speakers. Based on both primary and secondary materials, the CASL Bangla grammar provides comprehensive coverage of the phonology, orthography, morphology, and syntax of Bangla. Plentiful examples of naturally-occurring sentences provide native orthography, Romanization, and morpheme-by-morpheme glossing along with free translations. Unlike many Romanizations of Bangla, our system eschews Sanskritic influence and instead reflects actual Bangla phonology. We also offer comparative information of use to linguists, highlighting features of Bangla shared with the South Asian sprachbund, such as light verb constructions, as well as those that differentiate Bangla from its Indo-Aryan relatives; for example, its unique NP structure. Written in an accessible style from a theory-neutral perspective, this work will be of use to linguistic researchers, language scholars, and students of Bangla. A formal grammar focusing on the morphology is an available companion work. |
| bangladeshi english cinema: The Weaponizing of Language in the Classroom and Beyond Kisha C. Bryan, Luis Javier Pentón Herrera, 2023-12-04 In this edited volume, language weaponization — or the weaponization of language — is used to describe the process in which words, discourse, and language in any form can be used to inflict harm on others. The term harm is of vital importance because it refers to how specific groups of people are affected by ideologies and practices that normalize inequity and injustice in their environments. The contributions in this book explore how language ideologies, practices, and policies can physically, emotionally, socially, and/or economically disadvantage or harm minoritized individuals, as well as their cultures and languages. |
| bangladeshi english cinema: The Islamic World Andrew Rippin, 2013-10-23 The Islamic World is an outstanding guide to Islamic faith and culture in all its geographical and historical diversity. Written by a distinguished international team of scholars, it elucidates the history, philosophy and practice of one of the world's great religious traditions. Its grounding in contemporary scholarship makes it an ideal reference source for students and scholars alike. Edited by Andrew Rippin, a leading scholar of Islam, the volume covers the political, geographical, religious, intellectual, cultural and social worlds of Islam, and offers insight into all aspects of Muslim life including the Qur’an and law, philosophy, science and technology, art, literature, and film and much else. It explores the concept of an ‘Islamic’ world: what makes it distinctive and how uniform is that distinctiveness across Muslim geographical regions and through history? |
Bangladesh - Wikipedia
Bangladesh is a unitary parliamentary republic based on the Westminster system. It is a middle power with the second-largest economy in South Asia. Bangladesh is home to the third-largest …
Bangladesh | History, Capital, Map, Flag, Population, …
3 days ago · Bangladesh, country of South Asia, located in the delta of the Padma (Ganges [Ganga]) and Jamuna (Brahmaputra) rivers in the northeastern part of the Indian subcontinent. The …
Bangladesh - Simple English Wikipedia, the free encyclopedia
Bangladesh, officially called the People's Republic of Bangladesh, is a country in South Asia. It is the eighth most populated country in the world and one of the most tightly packed, with more than …
Bangladesh - A Country Profile - Nations Online Project
Bangladesh is one of the most densely populated countries in the world with an estimated 169 million people (in 2024). Spoken language is Bangla (or Bengali by 98%). The majority of its …
Bangladesh - The World Factbook
Dec 14, 2021 · The huge delta region formed at the confluence of the Ganges and Brahmaputra River systems - now referred to as Bangladesh - was a loosely incorporated outpost of various …
Bangladesh | Culture, Facts & Travel | - CountryReports
3 days ago · Bordered on three sides by India and sharing a border with Burma, Bangladesh is located in South Asia on the northern edge of the Bay of Bengal. About 140 million people inhabit …
27 Interesting Facts About Bangladesh - The Facts Institute
May 20, 2025 · From the world’s longest beach to the most densely populated country, these are the most interesting facts about Bangladesh. 1. Bangladesh in southern Asia was ruled by a …
Bangladeshis - Wikipedia
Bangladesh is the world's eighth most populous nation. The vast majority of Bangladeshis are ethnolinguistically Bengalis, an Indo-Aryan people. The population of Bangladesh is concentrated …
Bangladesh - Geography, Economy, People | Britannica
3 days ago · Sheikh Hasina Wazed and Muhammad Yunus After Sheikh Hasina Wazed (left) was ousted from power in 2024, economist Muhammad Yunus became leader of the Bangladeshi …
Portal:Bangladesh - Wikipedia
Bangladesh, officially the People's Republic of Bangladesh, is a country in South Asia. It is the eighth-most populous country in the world and among the most densely populated with a …
Bangladesh - Wikipedia
Bangladesh is a unitary parliamentary republic based on the Westminster system. It is a middle power with the second-largest economy in South …
Bangladesh | History, Capital, Map, Flag, Population, Pronun…
3 days ago · Bangladesh, country of South Asia, located in the delta of the Padma (Ganges [Ganga]) and Jamuna (Brahmaputra) rivers in the …
Bangladesh - Simple English Wikipedia, the free encyclope…
Bangladesh, officially called the People's Republic of Bangladesh, is a country in South Asia. It is the eighth most populated country in the world …
Bangladesh - A Country Profile - Nations Online Project
Bangladesh is one of the most densely populated countries in the world with an estimated 169 million people (in 2024). Spoken language is Bangla (or …
Bangladesh - The World Factbook
Dec 14, 2021 · The huge delta region formed at the confluence of the Ganges and Brahmaputra River systems - now referred to as Bangladesh - was a …
