Attali

  attali: A Brief History of the Future Jacques Attali, 2011-07 Prescient and convincing, this book is a must-read for anyone concerned about the future.
  attali: Noise Jacques Attali, 1985 Listening - Sacrificing - Representing - Repeating - Composing - The politics of silence and sound, by Susan McClary.
  attali: Millennium Jacques Attali, 1991
  attali: Erieta Attali Alessio Assonitis, 2018-11-24 Erieta Attali (*1966, Tel Aviv) has devoted two decades to exploring the relationship between architecture and the landscape at the edges of the world. Attali's photography interrogates how extreme conditions and demanding terrains provoke humankind to re-orient and center itself through architectural responses. Her unrelenting and highly physical expedition has seen her traverse four continents, working in isolated and remote terrains from Iceland to the Indian Ocean. In Periphery - Archaeology of Light, Attali references the essence of ancient Greek cartology in which the edges of maps represented the outer limits of the known world. Attali's poetic and metaphorical photographs, in which architecture is depicted as a natural feature, inseparable from its context, present visual maps of temporal and spatial transformations at the outposts of human existence. The photographic journey is accompanied by textual contributions from different fields: archaeology, architecture, and history of art, speaking to the idea of a geographical periphery.
  attali: The Economic History of the Jewish People Jacques Attali, 2010 This book is also a must-read to understand the nature of capitalism and the role religious values have played. Alan Dershowitz --
  attali: MultiMedia Anne Cranny-Francis, 2005-06-07 `This book provides an accessible introduction to the meaning-making practices of multimedia. It will help students by providing them with a framework with which to analyse texts and provides some useful suggestions for further investigation of the topic′ - Learning, Media and Technology This book provides an accessible and much needed introduction to the diversity of multimedia appearing and proliferating in our society. The phenomenal growth of multimedia has given rise to debates on the role of technology, the skills required for their production and use, and the ethics and politics involved in these new embodied interactions. Anne Cranny-Francis develops a clear framework for those seeking to understand the complex world of multimedia and its impact on everyday life.
  attali: European Theories in Former Yugoslavia Zarko Cvejić, Andrija Filipović, Miško Šuvaković, 2015-09-18 European Theories in Former Yugoslavia shows that there is no such thing as a direct transfer or influence of theories from the centre to the margins, but only complex practices of borrowing, translating, and reinterpreting, conditioned by specific contexts; in this case those of former Yugoslavia and its contemporary cultural sphere. Here, reception is no longer simply about receiving fresh knowledge from the centre, but also about communicating feedback into broader contexts, shaped by multicultural and global connections and exchange. The book poses broader questions about contemporary theory today: what are theories today? How do specialised theories of culture, gender, media and art history relate to current philosophical turns in new materialism, neo-Marxism, and biopolitics? These questions, posed from the perspective of a European periphery, in this case former Yugoslavia, gesture toward the dialectically tense relationship between the centre and the margins, that is, between original theories and their transformed perspectives. The range of authors brought together here offers a cross-section of post-Yugoslav theory, comprising both young scholars in the early stages of their academic careers and more senior, established thinkers, educated both in the region and abroad, and coming from a variety of academic backgrounds, including art theory, gender theory, cultural studies and theory, sociology, anthropology, theatre studies, musicology, political theory, and literary theory, among others. The schools of thought they address, elaborate on, critique, and apply in their texts are similarly varied: from French post-structuralist theory and philosophy, via German critical and postmodern theory, to a number of other topics and authors in contemporary European theory and philosophy. The book will be of interest to students and scholars of art and media theory, philosophy, sociology, and cultural studies, and their reception, interpretation, application, and elaboration in the region of former Yugoslavia.
  attali: Perception and Organization A. Styhre, 2008-10-09 Drawing on a heterogeneous body of literature including art, music and media theory, as well as philosophical and historical studies of perception, this book demonstrates that everyday work in organizations is strongly shaped by and embedded in human perception.
  attali: The Sonic Episteme Robin James, 2019-12-02 In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy and sound studies to black feminist studies and musicology, James shows how what she calls the sonic episteme—a set of sound-based rules that qualitatively structure social practices in much the same way that neoliberalism uses statistics—employs a politics of exception to maintain hegemonic neoliberal and biopolitical projects. Where James sees the normcore averageness of Taylor Swift and Spandau Ballet as contributing to the sonic episteme's marginalization of nonnormative conceptions of gender, race, and personhood, the black feminist political ontologies she identifies in Beyoncé's and Rihanna's music challenge such marginalization. In using sound to theorize political ontology, subjectivity, and power, James argues for the further articulation of sonic practices that avoid contributing to the systemic relations of domination that biopolitical neoliberalism creates and polices.
  attali: Biotheory Jeffrey R. Di Leo, Peter Hitchcock, 2020-01-15 Forged at the intersection of intense interest in the pertinence and uses of biopolitics and biopower, this volume analyzes theoretical and practical paradigms for understanding and challenging the socioeconomic determinations of life and death in contemporary capitalism. Its contributors offer a series of trenchant interdisciplinary critiques, each one taking on both the specific dimensions of biopolitics and the deeper genealogies of cultural logic and structure that crucially inform its impress. New ways to think about biopolitics as an explanatory model are offered, and the subject of bios (life, ways of life) itself is taken into innovative theoretical possibilities. On the one hand, biopolitics is addressed in terms of its contributions to forms and divisions of knowledge; on the other, its capacity for reformulation is assessed before the most pressing concerns of contemporary living. It is a must read for anyone concerned with the study of bios in its theoretical profusions.
  attali: Government Birds Martin Staniland, 2003-09-16 The first comparative study of the complicated history of relations between the state and the air transport industry in Europe, this book travels from the earliest scheduled flights down to the era of liberalization and privatization in the 1990s. Martin Staniland concentrates on four key countries-France, Germany, the Netherlands, and the United Kingdom-exploring both the sources of support for airlines in Europe and the reasons why public ownership lost favor as the industry expanded. The author concludes by considering the crises and restructuring experienced by national airlines in the 1980s and 1990s, and by exploring the related political battles over liberalization and privatization.
  attali: Beyond Unwanted Sound Marie Thompson, 2017-02-09 Noise is so often a 'stench in the ear' – an unpleasant disturbance or an unwelcome distraction. But there is much more to noise than what greets the ear as unwanted sound. Beyond Unwanted Sound is about noise and how we talk about it. Weaving together affect theory with cybernetics, media histories, acoustic ecology, geo-politics, sonic art practices and a range of noises, Marie Thompson critiques both the conservative politics of silence and transgressive poetics of noise music, each of which position noise as a negative phenomenon. Beyond Unwanted Sound instead aims to account for a broader spectrum of noise, ranging from the exceptional to the banal; the overwhelming to the inaudible; and the destructive to the generative. What connects these various and variable manifestations of noise is not negativity but affectivity. Building on the Spinozist assertion that to exist is to be affected, Beyond Unwanted Sound asserts that to exist is to be affected by noise.
  attali: Music and Ethical Responsibility Jeff R. Warren, 2014-04-10 Music and Ethical Responsibility argues that musical experience involves encounters with others, and ethical responsibilities arise from those encounters.
  attali: Vinyl Theory Jeffrey R. Di Leo, 2020-03-01 Why are vinyl records making a comeback? How is their resurgence connected to the political economy of music? Vinyl Theory responds to these and other questions by exploring the intersection of vinyl records with critical theory. In the process, it asks how the political economy of music might be connected with the philosophy of the record. The young critical theorist and composer Theodor Adorno’s work on the philosophy of the record and the political economy of music of the contemporary French public intellectual, Jacques Attali, are brought together with the work of other theorists to in order to understand the fall and resurrection of vinyl records. The major argument of Vinyl Theory is that the very existence of vinyl records may be central to understanding the resiliency of neoliberalism. This argument is made by examining the work of Adorno, Attali, Friedrich Nietzsche, and others on music through the lens of Michel Foucault’s biopolitics.
  attali: Bulletin of the Atomic Scientists , 1995-09
  attali: Composing Capital Marianna Ritchey, 2019-08-05 The familiar old world of classical music, with its wealthy donors and ornate concert halls, is changing. The patronage of a wealthy few is being replaced by that of corporations, leading to new unions of classical music and contemporary capitalism. In Composing Capital, Marianna Ritchey lays bare the appropriation of classical music by the current neoliberal regime, arguing that artists, critics, and institutions have aligned themselves—and, by extension, classical music itself—with free-market ideology. More specifically, she demonstrates how classical music has lent its cachet to marketing schemes, tech firm-sponsored performances, and global corporate partnerships. As Ritchey shows, the neoliberalization of classical music has put music at the service of contemporary capitalism, blurring the line between creativity and entrepreneurship, and challenging us to imagine how a noncommodified musical practice might be possible in today’s world.
  attali: Twentieth Century Music and the Question of Modernity Eduardo de la Fuente, 2010-09-13 This book analyzes the history of contemporary or 'new' music in the twentieth-century through the lens of the sociology of modern culture, linking the paradoxical aspects of twentieth-century music to the central processes in modern culture that are analyzed by sociology and social theory.
  attali: Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich Sarah Reichardt, 2017-07-05 Since the publication of Solomon Volkov's disputed memoirs of Dmitri Shostakovich, the composer and his music has been subject to heated debate concerning how the musical meaning of his works can be understood in relationship to the composer's life within the Soviet State. While much ink has been spilled, very little work has attempted to define how Shostakovich's music has remained so arresting not only to those within the Soviet culture, but also to Western audiences - even though such audiences are often largely ignorant of the compositional context or even the biography of the composer. This book offers a useful corrective: setting aside biographically grounded and traditional analytical modes of explication, Reichardt uncovers and explores the musical ambiguities of four of the composer‘s middle string quartets, especially those ambiguities located in moments of rupture within the musical structure. The music is constantly collapsing, reversing, inverting and denying its own structural imperatives. Reichardt argues that such confrontation of the musical language with itself, though perhaps interpretable as Shostakovich's own unique version of double-speak, also poignantly articulates the fractured state of a more general form of modern subjectivity. Reichardt employs the framework of Lacanian psychoanalysis to offer a cogent explanation of this connection between disruptive musical process and modern subjectivity. The ruptures of Shostakovich's music become symptoms of the pathologies at the core of modern subjectivity. These symptoms, in turn, relate to the Lacanian concept of the real, which is the empty kernel around which the modern subject constructs reality. This framework proves invaluable in developing a powerful, original hermeneutic understanding of the music. Read through the lens of the real, the riddles written into the quartets reveal the arbitrary and contingent state of the musical subject's constructed reality, reflecting pathologies ende
  attali: Bulletin of the Atomic Scientists , 1995-09
  attali: America and Europe Adrift Sotiris Rizas, 2022-01-11 This book provides a comprehensive review of the transatlantic relationship between the United States and Europe, from the 1989 fall of the Berlin Wall to the Trump administration. It highlights the primary factors that test the U.S-Europe relationship. America and Europe Adrift highlights the background of the German unification and the reaffirmation of NATO as the framework of U.S. presence in Europe after the end of the Cold War; the NATO enlargement; the Transatlantic Rift in the context of the Iraq War; the economic aspects of transatlantic relations, specifically the rise of Germany's weight in international affairs as a result of the European Monetary Union; and the gradual retrenchment of U.S. power. It focuses on the enduring factors that threaten the transatlantic relationship during the 21st century while also suggesting how that relationship will likely survive: through the United States' continued provision of indispensable security to the rest of the Western world. This book is an essential resource for students of transatlantic relations; graduates in international politics and international history, security studies, and strategic studies; and foreign policy practitioners.
  attali: Resonant Alterities Sylvia Mieszkowski, 2014-11-15 »Resonant Alterities« bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a post-traumatic short novel by Don DeLillo are its primary objects of analysis. Each is explored within the context of its contemporary cultural debates on sound. Meanwhile, all four theory-enriched readings focus on intersecting and desire-laden processes of meaning making, knowledge production and subject formation. Focal points are aurally/audio-visually structured phenomena expressive of both collective and individual anxieties.
  attali: A History of Eastern Europe Robert Bideleux, Ian Jeffries, 2006-04-10 A History of Eastern Europe: Crisis and Change is a wide-ranging single volume history of the lands between, the lands which have lain between Germany, Italy, and the Tsarist and Soviet empires. Bideleux and Jeffries examine the problems that have bedevilled this troubled region during its imperial past, the interwar period, under fascism, under communism, and since 1989. While mainly focusing on the modern era and on the effects of ethnic nationalism, fascism and communism, the book also offers original, striking and revisionist coverage of: * ancient and medieval times * the Hussite Revolution, the Renaissance, the Reformation and the Counter-Reformation * the legacies of Byzantium, the Ottoman Empire and the Hapsburg Empire * the rise and decline of the Polish-Lithuanian Commonwealth * the impact of the region's powerful Russian and Germanic neighbours * rival concepts of Central and Eastern Europe * the 1920s land reforms and the 1930s Depression. Providing a thematic historical survey and analysis of the formative processes of change which have played the paramount roles in shaping the development of the region, A History of Eastern Europe itself will play a paramount role in the studies of European historians.
  attali: Time, Temporality and Violence in International Relations Anna M. Agathangelou, Kyle D. Killian, 2016-03-02 Time transforms the way we see world politics and insinuates itself into the ways we act. In this groundbreaking volume, Agathangelou and Killian bring together scholars from a range of disciplines to tackle time and temporality in international relations. The authors – critical theorists, artists, and poets – theorize and speak from the vantage point of the anticolonial, postcolonial, and decolonial event. They investigate an array of experiences and structures of violence – oppression, neocolonization, slavery, war, poverty and exploitation – focusing on the tensions produced by histories of slavery and colonization and disrupting dominant modes of how we understand present times. This edited volume takes IR in a new direction, defatalizing the ways in which we think about dominant narratives of violence, ‘peace’ and ‘liberation’, and renewing what it means to decolonize today’s world. It challenges us to confront violence and suffering and articulates another way to think the world, arguing for an understanding of the ‘present’ as a vulnerable space through which radically different temporal experiences appear. And it calls for a disruption of the everyday politics of expediency in the guise of neoliberalism and security. This volume reorients the ethical and political assumptions that affectively, imaginatively, and practically captivate us, simultaneously unsettling the familiar, but dubious, promises of a modernity that decimates political life. Re-animating an international political, the authors evoke people’s struggles and movements that are neither about redemption nor erasure, but a suspension of time for radical new beginnings.
  attali: Mondrian's Philosophy of Visual Rhythm Eiichi Tosaki, 2017-11-15 This volume investigates the meaning of visual rhythm through Piet Mondrian’s unique approach to understanding rhythm in the compositional structure of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as ‘stasis’ or ‘composition’ which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in terms of pictorial strategy, through analysis of East Asian painting and calligraphy with which Greek thought on rhythm has identifiable commonalities. The book demonstrates how these ideas about rhythm draw together various threads of intellectual development in the visual arts that cross disparate aesthetic cultural practices. As an icon of early 20th Century Modernism, Mondrian’s neoplasticism is a serious painterly and philosophical achievement. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian’s approach to visual rhythm was so idiosyncratic that his contribution to studies of visual rhythm is often under-recognized. This volume shows that a close inspection of Mondrian’s own writing, thinking and painting has much to tell scholars about how to understand a long forgotten aspect of visual rhythm. Rodin’s famous criticism of photography (“athlete-in-motion is forever frozen”) can be applied to Muybridge’s zoopraxiscope, the Futurists’ rendition of stroboscopic images, and Duchamp’s “Nude Descending a Staircase.” Through a comparative study between Mondrian’s painting and these seminal works, this volume initiates a new convention for the cognition of the surface of painting as visual rhythm. “Mondrian’s simultaneous emphasis on the static and the rhythmic is hardly fodder for a publicist. Eiichi Tosaki has taken on the challenge of elucidating Mondrian’s theories of rhythm, and particularly his conception of “static” rhythm. The result is a tour de force that will forever alter the reader’s encounter with the works of Mondrian.” Prof. Kathleen Higgins
  attali: Music in Arts-Based Research and Depth Psychology Shara Brun, 2024-03-19 This book addresses an existing gap in academic arts-based research, whereby, rather than exploring music as an effective therapeutic intervention, it is explored as the central medium or tool of inquiry. Integrating heuristic, hermeneutic, and arts-based grounded theory methodologies, the book conceptualizes and describes the practice of Sonic Stretching as an in-depth example of using sound as an effective and systematic research tool. Stemming from evidence-based insights, the book explores and explains ways in which music and sound can be utilized in arts-based research (ABR) in all disciplines, as opposed to only being used among professional musicians and those operating within music studies. It points to some of the obstacles that have previously prevented this from happening more broadly and, in doing so, aims to help bridge the conspicuous gap in ABR studies, where music and sonic imagination should be. Offering a clear and well-presented example for integrating music and sound into processes of depth psychological inquiry and addressing the impact of colonialization upon embodied knowledge in music and academic research, it will appeal to scholars and researchers working at the intersection of psychology, music studies, education, social justice, and research methods.
  attali: Critique of Practical Music James O. Young, 2025-07-17 This book offers a systematic survey of ethos theory: the theory according to which the right sort of music can have a positive or negative effect on moral development. It also evaluates the extant empirical literature on music and moral development. The belief that the right sort of music promotes moral development is almost ubiquitous. At every stage in the history of philosophical thinking, many philosophers have believed that the right sort of music is conducive to moral improvement and the wrong kind of music can produce moral decay. This book has three main goals. The first is to inform readers about the range of thinkers and cultures (Asian, African and European) which have adopted some version of the ethos theory. The book surveys the history of ethos theory starting with its origins in ancient Greece and ancient China, proceeding to trace its development through the Middle Ages and into the early modern period. Next, the development of ethos theory is traced from the middle of the nineteenth century to the present. The second goal is to investigate what would count as evidence that ethos theory is correct, paying specific attention to the complex ways that people experience music. Finally, the author evaluates the currently available empirical evidence for ethos theory. Critique of Practical Music will appeal to philosophers, psychologists, musicologists and music educators who are interested in music and moral development.
  attali: Alienation Effects Branislav Jakovljevic, 2016-06-13 Examines the interplay of artistic, political, and economic performance in the former Yugoslavia and reveals their inseparability
  attali: Punk Slash! Musicals David Laderman, 2010-04-01 Punk Slash! Musicals is the first book to deal extensively with punk narrative films, specifically British and American punk rock musicals produced from roughly 1978 to 1986. Films such as Jubilee, Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and Nancy represent a convergence between independent, subversive cinema and formulaic classical Hollywood and pop musical genres. Guiding this project is the concept of slip-sync. Riffing on the commonplace lip-sync phenomenon, slip-sync refers to moments in the films when the punk performer slips out of sync with the performance spectacle, and sometimes the sound track itself, engendering a provocative moment of tension. This tension frequently serves to illustrate other thematic and narrative conflicts, central among these being the punk negotiation between authenticity and inauthenticity. Laderman emphasizes the strong female lead performer at the center of most of these films, as well as each film's engagement with gender and race issues. Additionally, he situates his analyses in relation to the broader cultural and political context of the neo-conservatism and new electronic audio-visual technologies of the 1980s, showing how punk's revolution against the mainstream actually depends upon a certain ironic embrace of pop culture.
  attali: Bad Music Christopher J. Washburne, Maiken Derno, 2013-01-11 Why are some popular musical forms and performers universally reviled by critics and ignored by scholars-despite enjoying large-scale popularity? How has the notion of what makes good or bad music changed over the years-and what does this tell us about the writers who have assigned these tags to different musical genres? Many composers that are today part of the classical canon were greeted initially by bad reviews. Similarly, jazz, country, and pop musics were all once rejected as bad by the academy that now has courses on these and many other types of music. This book addresses why this is so through a series of essays on different musical forms and performers. It looks at alternate ways of judging musical performance beyond the critical/academic nexus, and suggests new paths to follow in understanding what makes some music popular even if it is judged to be bad. For anyone who has ever secretly enjoyed ABBA, Kenny G, or disco, Bad Music will be a guilty pleasure!
  attali: Future Sounds Stephen Kennedy, 2018-07-26 What can the sounds of today tell us about the future? Can an analysis of sound and sonic practices allow us to make reliable predictions in relation to wider social phenomena? And what might they tell us about technology in a world where futurology is such a frenzied and busy field? In order to answer these questions, this book tests a range of propositions that connect noise, sound and music to political, economic and technological events. Hence it is a book about historical trajectories and conflicting ideas about time and the necessity to re-contextualize and interpret them in the digital age.
  attali: Extended Play John Corbett, 1994 In Extended Play, one of the country's most innovative music writers conducts a wide-ranging tour through the outer limits of contemporary music. Over the course of more than twenty-five portraits, interviews, and essays, John Corbett engages artists from lands as distant as Sweden, Siberia, and Saturn. With a special emphasis on African American and European improvisers, the book explores the famous and the little known, from John Cage and George Clinton to Anthony Braxton and Sun Ra. Employing approaches as diverse as the music he celebrates, Corbett illuminates the sound and theory of funk and rap, blues and jazz, contemporary classical, free improvisation, rock, and reggae. Using cultural critique and textual theory, Corbett addresses a broad spectrum of issues, such as the status of recorded music in postmodern culture, the politics of self-censorship, experimentation, and alternativism in the music industry, and the use of metaphors of space and madness in the work of African American musicians. He follows these more theoretically oriented essays with a series of extensive profiles and in-depth interviews that offer contrasting and complementary perspectives on some of the world's most creative musicians and their work. Included here are more than twenty original photographs as well as a meticulously annotated discography. The result is one of the most thoughtful, and most entertaining, investigations of contemporary music available today.
  attali: Sublime Noise Josh Epstein, 2014-12-15 What is the significance of noise in modernist music and literature? When Stravinsky’s Rite of Spring premiered in Paris in 1913, the crowd rioted in response to the harsh dissonance and jarring rhythms of its score. This was noise, not music. In Sublime Noise, Josh Epstein examines the significance of noise in modernist music and literature. How—and why—did composers and writers incorporate the noises of modern industry, warfare, and big-city life into their work? Epstein argues that, as the creative class engaged with the racket of cityscapes and new media, they reconsidered not just the aesthetic of music but also its cultural effects. Noise, after all, is more than a sonic category: it is a cultural value judgment—a way of abating and categorizing the sounds of a social space or of new music. Pulled into dialogue with modern music’s innovative rhythms, noise signaled the breakdown of art’s autonomy from social life—even the “old favorites” of Beethoven and Wagner took on new cultural meanings when circulated in noisy modern contexts. The use of noise also opened up the closed space of art to the pressures of publicity and technological mediation. Building both on literary cultural studies and work in the “new musicology,” Sublime Noise examines the rich material relationship that exists between music and literature. Through close readings of modernist authors, including James Joyce, T. S. Eliot, Edith Sitwell, E. M. Forster, and Ezra Pound, and composers, including George Antheil, William Walton, Erik Satie, and Benjamin Britten, Epstein offers a radically contemporary account of musical-literary interactions that goes well beyond pure formalism. This book will be of interest to scholars of Anglophone literary modernism and to musicologists interested in how music was given new literary and cultural meaning during that complex interdisciplinary period.
  attali: Artificial Intelligence and Music Ecosystem Martin Clancy, 2022-09-22 Artificial Intelligence and Music Ecosystem highlights the opportunities and rewards associated with the application of AI in the creative arts. Featuring an array of voices, including interviews with Jacques Attali, Holly Herndon and Scott Cohen, this book offers interdisciplinary approaches to pressing ethical and technical questions associated with AI. Considering the perspectives of developers, students and artists, as well as the wider themes of law, ethics and philosophy, Artificial Intelligence and Music Ecosystem is an essential introduction for anyone interested in the impact of AI on music, including those studying and working in the creative arts.
  attali: Poetry and Listening Zoë Skoulding, 2020 At the intersection between sound studies and new lyric criticism, this book explores the social, political and ecological dimensions of contemporary poetry's acoustic contexts. It discovers how poetry in the UK and USA has been re-energised by the influence of recorded sound and the creative methods that emerged with it.
  attali: Generation Ecstasy Simon Reynolds, 1999 Reynolds offers a guided tour of rave culture and techno music in this first critical history of the genre--and the drug culture that accompanies it. 40-page discography. of illustrations.
  attali: Ranciere and Music Cachopo Joao Pedro Cachopo, 2020-04-15 The place of music in Ranciere's thought has long been underestimated or unrecognised. This volume responds to this absence with a collection of 15 essays by scholars from a variety of music- and sound-related fields, including an Afterword by Ranciere on the role of music in his thought and writing. The essays engage closely with Ranciere's existing commentary on music and its relationship to other arts in the aesthetic regime, revealed through detailed case studies around music, sound and listening. Ranciere's thought is explored along a number of music-historical trajectories, including Italian and German opera, Romantic and modernist music, Latin American and South African music, jazz, and contemporary popular music. Ranciere's work is also set creatively in dialogue with other key contemporary thinkers including Adorno, Althusser, Badiou and Deleuze.
  attali: Popular Music Will Not Save Us Lauren K. Richerme, 2025-05-27 In today's globalized landscapes, both traditional and progressive K–12 music education practices, including those associated with popular music, can further capitalism-related inequities. In this context, music educators and students might consider how they position themselves and their music-making practices in relation to capitalist aims and processes and confront the more unethical aspects of capitalism. Popular Music Will Not Save Us challenges music educators to rethink their philosophical stances in the face of contemporary capitalist values and explores the intersection of music education and globalized capitalism, unveiling how certain practices exacerbate material inequities and erode social responsibility. As author Lauren Kapalka Richerme unravels the complexities of music education, her analysis sheds light on how prevalent practices can inadvertently uphold capitalist ideals and reinforce individualism, unceasing accumulation, and precarity in the workforce. Given that no musical genre inherently challenges problematic aspects of capitalism, Richerme proposes that music educators instead focus on affective flows, or the circulation of sensations within pedagogical spaces, and consider four alternative positionalities: thriving within, surviving under, resisting, and challenging capitalism. Popular Music Will Not Save Us advocates for a shift away from capitalistic individualism and inequities and toward a more equitable, affective pedagogical mode. Now is the time to transcend traditional boundaries and embrace a new paradigm that prioritizes social impact over commercial gain.
  attali: The Euro David Marsh, 2009-01-01 Drawing on more than one hundred interviews with leading figures associated with the Euro and scores of secret documents from international archives, the author underscores the Euro's importance for the global economy, in particular for U.S. and British economic and political agendas.
  attali: Understanding the Art of Sound Organization Leigh Landy, 2007-08-17 The first work to propose a comprehensive musicological framework to study sound-based music, a rapidly developing body of work that includes electroacoustic art music, turntable composition, and acoustic and digital sound installations. The art of sound organization, also known as electroacoustic music, uses sounds not available to traditional music making, including prerecorded, synthesized, and processed sounds. The body of work of such sound-based music (which includes electroacoustic art music, turntable composition, computer games, and acoustic and digital sound installations) has developed more rapidly than its musicology. Understanding the Art of Sound Organization proposes the first general foundational framework for the study of the art of sound organization, defining terms, discussing relevant forms of music, categorizing works, and setting sound-based music in interdisciplinary contexts. Leigh Landy's goal in this book is not only to create a theoretical framework but also to make the work more accessible—to suggest a way to understand sound-based music, to give a listener what he terms “something to hold on to,” for example, by connecting elements in a work to everyday experience. Landy considers the difficulties of categorizing works and discusses such types of works as sonic art and electroacoustic music, pointing out where they overlap and how they are distinctive. He proposes a “sound-based music paradigm” that transcends such traditional categories as art and pop music. Landy defines patterns that suggest a general framework and places the studies of sound-based music into interdisciplinary contexts, from acoustics to semiotics, proposing a holistic research approach that considers the interconnectedness of a given work's history, theory, technological aspects, and social impact. The author's ElectroAcoustic Resource Site (EARS, www.ears.dmu.ac.uk), the architecture of which parallels this book's structure, offers updated bibliographic resource abstracts and related information.
  attali: A Concise Survey of Music Philosophy Donald A. Hodges, 2016-10-04 A Concise Survey of Music Philosophy helps music students choose a philosophy that will guide them throughout their careers. The book is divided into three sections: central issues that any music philosophy ought to consider (e.g., beauty, emotion, and aesthetics); secondly, significant philosophical positions, exploring what major thinkers have had to say on the subject; and finally, opportunities for students to consider the ramifications of these ideas for themselves. Throughout the book, students are encouraged to make choices that will inform a philosophy of music and music education with which they are most comfortable to align. Frequently, music philosophy courses are taught in such a way that the teacher, as well as the textbook used, promotes a particular viewpoint. A Concise Survey of Music Philosophy presents the most current, prevalent philosophies for consideration. Students think through different issues and consider practical applications. There are numerous musical examples, each with links from the author’s home website to online video performances. Examples are largely from the Western classical canon, but also jazz, popular, and world music styles. In the last two chapters, students apply their views to practical situations and learn the differences between philosophy and advocacy. Hodges has written an excellent resource for those wanting a short—but meaningful—introduction to the major concepts in music philosophy. Applicable to a number of courses in the music curriculum, this much-needed book is both accessible and flexible, containing musical examples, tables and diagrams, and additional readings that make it particularly useful for a student's general introduction to the topic. I especially like the emphasis on the personal development of a philosophical position, which makes the material especially meaningful for the student of music. —Peter R. Webster, Scholar-in-Residence, Thornton School of Music, University of Southern California, USA
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The mean skin echogenicity of AD patients was statistically significantly lower before treatment within …

Why am I unable to access my Yahoo email account on Outlook?
Apr 9, 2024 · Select Info, then Account Settings, and finally Account Settings again." I do have Yahoo mail already added to the New Outlook app. However, I am using the New Outlook ap …

pinning Yahoo mail icon to task bar? - Microsoft Community
Jul 12, 2018 · Depends on the browser. So for example Chrome go to your Yahoo mail. Then click the More Tools - Create shortcut. This will put it on your desktop then you can drag it to your …

Switching back to basic yahoo mail - Microsoft Community
Mar 11, 2025 · I do not have 'Switch to basic mail' as an option under settings. Is there another way to get back to basic mail?

what to go back to the regular yahoo - Microsoft Community
Feb 27, 2025 · Hey Eric, the new Yahoo mail screen has "NO" settings gear icon on the top right-hand portion???? Hi Pauline, I’m Eric, and I’d be happy to help! If you’re trying to switch back …

Sincronizar e-mail do Yahoo no Windows Mail - Microsoft …
Jul 18, 2022 · 1) as pastas do meu e-mail no Yahoo não aparecem no Windows Mail 2) os e-mails que eu apago no app no celular não são apagados no Windows Mail, tampouco são movidos …

I want to put the Yahoo Mail icon on my desktop as a shortcut I ...
Mar 17, 2012 · I want to put the Yahoo Mail icon on my desktop as a shortcut I snipped it now how do I put it on desktop as shortcut? Thank you for whatever help you can provide.

How to create an icon for Yahoo mail on desktop in Windows 10?
Feb 3, 2016 · From the above description, I understand you want to place a Yahoo mail icon on your PC’s desktop. Before assisting further, when you say “icon for Yahoo mail”, do you mean …

All of a sudden I cannot sign in to Yahoo mail using Edge, "can't ...
Jul 3, 2025 · The last couple days I cannot sign into my Yahoo mail using Edge. I keep getting the message "can't reach this page". I've cleared my history, cookies, etc. Still doesn't work.

Como configurar conta Yahoo como POP no Office Outlook.
Mar 20, 2016 · 1. Primeiro tem de activar o POP no Yahoo: 2. Inicie sessão no Yahoo 3. Clique em Opções, na parte superior 4. Clique em Redirecionamento 5. Seleccione Acessar o …

how do i reinstall yahoo mail on window 10? - Microsoft Community
Mar 1, 2025 · how do i reinstall yahoo mail on window 10? i need to reinstall yahoo mail back onto windows 10. my computer is too old to use windows 11.