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| baillot violin: The Art of the Violin Pierre Baillot, 1991-06-01 Never before available in English, this classic work is a major contribution to the art and technique of violin playing and an important document in the history of performance practice. A contemporary of Kreutzer and Rode, Pierre Marie Francois de Sales Baillot provides in his treatise many insights into the style of nineteenth-century fingering, bowing, ornamentation, and expressiveness that are not apparent from the directions and markings found in scores of that time. Such information will be invaluable for performers interested in understanding the intentions of composers such as Viotti, Haydn, Mozart, Beethoven, and Mendelssohn. This complete, unabridged translation, which includes an extensive introduction by the translator, Louise Goldberg, and a foreword by Zvi Zeitlin, will be indispensable for musicologists, performers, and lovers of eighteenth- and nineteenth-century classical music. |
| baillot violin: The Violin Mark Katz, 2006 This book is the only complete and up-to-date annotated bibliography available on women's activities and contributions in the creation and performance of music through the ages. Encompassing major books, articles and recordings published over the past five decades, the book examines a broad cross-section of contemporary thought, with each entry - with over 500 devoted to resources from countries outside the US - including annotation along with a critical description of content. |
| baillot violin: The Violin George Dubourg, 1878 |
| baillot violin: The Cambridge Companion to the Violin Robin Stowell, 1992-12-10 Enth. S.1 - 29: The violin and bow - origins and development / John Dilworth |
| baillot violin: The Violin Robert Riggs, 2016 Provides new perspectives on the violin's beloved concert repertoire, its diverse roles in indigenous musical traditions on four continents, and its metaphorical presence in visual arts and literature. With a colorful history that spans 450 years, the violin has proven to be one of the world's most important and versatile instruments. Addressed to performing musicians, serious concertgoers, and collectors of recordings, The Violin offers insightful, up-to-date essays on a wide range of topics. Essays discuss beloved masterpieces from the violin's solo repertoire, with individual chapters on the Italian Baroque, Bach, Mozart, Beethoven, and the violin concerto in the nineteenth and twentieth centuries, as well as the evolution of performance styles and interpretation as documented in recordings. The volume also illustrates the broad cultural and geographic reach of the instrument, offering readers a taste of the traditional music of Argentina, Mexico, Norway, and India, in which the violin's participation is an essential and characteristic element. Other chapters are devoted to American fiddling andto the violin and violinists as metaphors in literature and the visual arts. CONTRIBUTORS: Chris Goertzen, Eitan Ornoy, Robert Riggs, Peter Walls, Peter Wollny. Musicologist and violinist Robert Riggs (PhD, Harvard University) chairs the Department of Music at the University of Mississippi and is the author of articles on Mozart as well as the monograph Leon Kirchner: Composer, Performer, and Teacher (URP 2010). |
| baillot violin: The Violin: Being an Account of that Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time George Dubourg, 1878 |
| baillot violin: Teaching Violin, Viola, Cello, and Double Bass Dijana Ihas, Miranda Wilson, Gaelen McCormick, 2023-11-23 Teaching Violin, Viola, Cello, and Double Bass summarizes three centuries of string pedagogy treatises to create a comprehensive resource on methods and approaches to teaching all four bowed string instruments. Co-written by three performance and pedagogy experts, each specializing in different string instruments, this book is applicable to all levels of instruction. Essays on historical pedagogues are clearly structured to allow for easy comprehension of their philosophies, pedagogical practices, and unique contributions. This book concludes with a section on application through comparative analysis of the historical methods and approaches. With coverage from the eighteenth century to the present, this book will be invaluable for teachers and students of string pedagogy and general readers who wish to learn more about string pedagogy’s rich history, diverse content, and modern developments. |
| baillot violin: The Great Violinists Margaret Campbell, 2011-04-21 This carefully researched and definitive book recreates the magic of the greatest violinists in history. In three centuries, the solo performer progressed from downtrodden private servant to revered public idol. The supreme artists Corelli, Vivaldi, Viotti, Paganini, Vieuxtemps, Joachim and Auer were pivotal figures in the history of violin playing, while more recent times have seen Sarasate, Ysaye and the virtuosi of the modern recording era. The Great Violinists reveals a range of personalities from the conventional to the eccentric. In her coverage of the last hundred years, Margaret Campbell has interviewed many eminent musicians and had rich access to letters and private documents. Her book offers a vivid portrait of skills and traditions that have been handed down through generations. It is a book for string players, students, concert goers and music buffs - indeed, anyone who enjoys the sound of the violin. |
| baillot violin: The French Violin School Bruce R. Schueneman, 2002 |
| baillot violin: Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries Robin Stowell, 1990-07-27 This volume examines in detail the numerous violin treatises of the late- 18th and early-19th centuries. It provides an historical and technical guide to violin pedagogical method, technique and performance practice during this period. |
| baillot violin: A New History of Violin Playing Zdenko Silvela, 2001 An in depth study of the most superlative violin performers and teachers in history. The result of more than eleven years of deep investigation on the subject, this New History is by far the best available in the 21st century. It studies specifically the vibrato and its evolution. A study of the main violin schools of the world, with special emphasis in their evolution, and the direct conexión teacher-pupil. In the course of this history we will see how the great performers became, often, the great masters of new great violinists, who, in their turn, became the teachers of new superlative performers, and so on, in an uninterrupted chain of teacher-pupil intercommunication, the interrelation of whom is carefully studied, to higlight the evolution of the main violin playing schools. For each violinist we give a list of all the valuable instruments they owned and played, i.e. Stradivarius, Guarneri del Gesu, etc.. Such a complete and interesting information is not available in any other history. Contains a list of cassettes we have gathered for the better understanding of our players. Designed to be easily read by everyone, it has not complicated esoteric terms, but is written in plain words that everybody will understand. There is no need to be a professional musican to enjoy it. All you need to be is a music lover. But the main novelty is the sensational discovery of the real founder of the modern-vibrato violin school, with all kind of evidence, even written authentic letters that attest to it. This violinst is unknown in the present time. Contains very useful graphs of all the main schools, for an easy understanding of their evolution. Contains an encyclopaedia of all terms and names of the book that are not sufficently explained in it. Here the reader will be acquainted with the meaning of many musical terms that, although well know to musicians, are not so much known to others, who not being musicians, are, nevertheless, music lovers. But the encyclopaedia contains much more than that: men of letters, politicians, personalities, singers, pianists, composers, painters, etc. are duly explained in it. Done with loving care it sometimes surpasses its parent the book. Contains five sensational, unpublished, autographed letters by Kreisler, that will make readers tremble, plus the contentent of many other unpublished ones, by the most important musicians of the second half of the XIX century. Contains a series of very captivating collateral disquisitions on Modern abstract art; composer versus interpreter; the use of ornamentation; the easiness to reed music; Ingres and his violi; lisztomania and others. In a word, this New history is new because: It studies in depth the vibrato and its evolution. Links teachers to pupils, who become teacher in their turn, in a comprehensive general outlook of schools' evolution. It provides us with the list of all the valuable instruments of all our fiddlers. Contains a list of recommended cassettes, as musical examples. Easy to understand by every one, it avoids esoteric, pedantic terminology, and is written in plain laguage. It discovers, for the first time in history, the true founder of the vibrato, with all sort of evidence. With useful graphs of the main schools. Contains an encyclopaedia, which no other book of the genre has. The autographed unpublished letters of Kreisler will give the creeps to the reader. Contains a series of disquisitions on ornamentations; easiness to read music; composer versus interpreter; abstracat art; Ingres and his violin; Lisztomania and others, plus abundant, moving, anecdotes that distract and relax the attention of the reader. |
| baillot violin: The Early Violin and Viola Robin Stowell, 2001-07-26 An invaluable guide to the available historical source material on playing the violin and viola. |
| baillot violin: A Cultural History of the Violin in Nineteenth-Century London Tom Wilder, 2025-03-18 Examines the violin's evolution as not just instrument but valued objet d'art through the eyes of musicians, collectors, makers, dealers, connoisseurs, journalists, auctioneers and traders. The nineteenth century saw developments in the composition, performance and reception of classical music that led to an unprecedented shift in how the violin was appreciated, from humble craft object to one of art. A utilitarian tool defined in 1800 by its tonal properties became by century's end an expensive objet d'art, classified almost exclusively in terms of physical, visible properties. In London's vibrant musical life, Cremonese violins acquired special significance and in turn helped shape the beliefs, knowledge and behaviour of the disparate actors connected to the instrument: musicians, collectors, makers, dealers, connoisseurs, journalists, auctioneers and traders. By 1880, London had supplanted Paris as the centre of the international violin trade. One firm in particular, W.E. Hill & Sons, emerged as a major presence in both the local musical community and the global violin market. The Hills were makers, restorers, dealers, and connoisseurs. They were also writers, collectors, and melomaniacs deeply implicated in London's instrument auction and exhibition scene. The mutually reinforcing nature of these activities - which they consciously turned to account for commercial reasons - bear witness to events and developments earlier in the century. Their story illuminates this first study of the violin's nineteenth-century journey from simple musical instrument to mystified work of art. |
| baillot violin: 42 studies or caprices for the violin Rodolphe Kreutzer, 1893 |
| baillot violin: Charles Valentin Alkan WilliamAlexander Eddie, 2017-07-05 A 'conservative radical' is William Alexander Eddie's description of the French virtuoso composer-pianist Charles Valentin Alkan (1813-1888). Judaic culture, the French baroque and German classicism were the main influences on Alkan's musical style, with more radical musical tendencies found in many of the Esquisses op 63. This comprehensive survey takes as its focus a stylistic analysis of Alkan's compositions from the apprentice works to the later 'massed style' etudes; the latter are of considerable length and pianistic difficulty. There is also consideration of Alkan's achievements as pianist and teacher, and the sections on performance practice in Alkan will be of interest to pianists today. A full investigation of Alkan's reception history is also included and useful appendices provide a guide to further archival research. A list of works and basic discography complete this new study of an important French composer. |
| baillot violin: All Things Strings Jo Nardolillo, 2014-03-14 String players face a bewildering array of terms related to their instruments. As string playing is a living art form, passed directly from a master of the instrument to the student, the words used to convey complex concepts, such as bow technique or fingering systems, have developed into an extensive vocabulary that can be complicated, sometimes vague, and even contradictory. In All Things Strings: An Illustrated Dictionary, violinist and author Jo Nardolillo offers a comprehensive resource for terminology related to the modern string family of instruments from violin and viola to cello and double bass. Reaching across languages and genres, this reference work features over 150 musical examples and illustrations and includes an extensive bibliography as well as a detailed chart of bowstrokes. |
| baillot violin: Classical and Romantic Performing Practice Clive Brown, 2025-02-12 Drawing upon early recordings, documentary evidence, and the few surviving mechanical instruments, author Clive Brown investigates how we might rediscover the subliminal messages Classical and Romantic music notation was intended to convey to performers and argues that composers' intentions for their notation ought not to be confused with their expectations for its execution. The revised and expanded second edition incorporates new information resulting from the author's continued research and practical experimentation since 1999 and his work with a succession of talented doctoral students. |
| baillot violin: Confronting the National in the Musical Past Elaine Kelly, Markus Mantere, Derek Scott, 2018-04-19 This significant volume moves music-historical research in the direction of deconstructing the national grand narratives in music history, of challenging the national paradigm in methodology, and thinking anew about cultural traffic, cultural transfer and cosmopolitanism in the musical past. The chapters of this book confront, or subject to some kind of critique, assumptions about the importance of the national in the musical past. The emphasis, therefore, is not so much on how national culture has been constructed, or how national cultural institutions have influenced musical production, but, rather, on the way the national has been challenged by musical practices or audience reception. |
| baillot violin: The Violin World , 1915 |
| baillot violin: The Violin George Hart, 2022-08-15 DigiCat Publishing presents to you this special edition of The Violin (Its Famous Makers and Their Imitators) by George Hart. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature. |
| baillot violin: The Strad , 1894 |
| baillot violin: Violin teaching and violin study Eugene Gruenberg, 1919 |
| baillot violin: The History of Music: Volume 2 Emil Naumann, 2013-06-27 Scholar and composer Emil Naumann (1827-88) studied with Mendelssohn. This two-volume English translation of his best-known work was made by Ferdinand Praeger (1815-91) and published in 1888. Chapters on music in England have been added by its editor, the eminent Victorian musician Sir Frederick Gore Ouseley (1825-89). |
| baillot violin: Investigating Musical Performance Gianmario Borio, Giovanni Giuriati, Alessandro Cecchi, Marco Lutzu, 2020-05-21 Investigating Musical Performance considers the wide range of perspectives on musical performance made tangible by the cross-disciplinary studies of the last decades and encourages a comparison and revision of theoretical and analytical paradigms. The chapters present different approaches to this multi-layered phenomenon, including the results of significant research projects. The complex nature of musical performance is revealed within each section which either suggests aspects of dialogue and contiguity or discusses divergences between theoretical models and perspectives. Part I elaborates on the history, current trends and crucial aspects of the study of musical performance; Part II is devoted to the development of theoretical models, highlighting sharply distinguished positions; Part III explores the relationship between sign and sound in score-based performances; finally, the focus of Part IV centres on gesture considered within different traditions of musicmaking. Three extra chapters by the editors complement Parts I and III and can be accessed via the online Routledge Music Research Portal. The volume shows actual and possible connections between topics, problems, analytical methods and theories, thereby reflecting the wealth of stimuli offered by research on the musical cultures of our times. |
| baillot violin: Amico Warwick Lister, 2009-07-23 This is the first full-length biography in English of Giovanni Battista Viotti (1755-1824), one of the great violinist-composers in the history of music, and arguably the most influential violinist who ever lived. This study is based on extensive documentary research, much of it here revealed for the first time. |
| baillot violin: The Bel Canto Violin David Tunley, 2018-12-20 First published in 1999, this biography from David Tunley draws on newly researched documentary evidence to chart Campoli’s early success and his later struggle for recognition as a serious artist. Campoli’s early success and his later struggle for recognition as a serious artist. Campoli’s career emerges as one particularly shaped and directed by the great economic and social forces of the first half of the century, and the story here is as much that of his times, as of his life. Described by Szigeti as ‘one of the last great individualists among violinists’, Alfredo Campoli was a household name in the field of British light music prior to the Second World War. Having made his début at the Wigmore Hall in 1923 Campoli toured with Melba and Butt, then turned to light music during the Depression. He became one of Decca’s early recording artists and broadcast frequently for the BBC with his light music ensembles and pursued a long, successful career as a distinguished international performer. |
| baillot violin: The Violin: A Social History of the World's Most Versatile Instrument David Schoenbaum, 2012-12-10 The life, times, and travels of a remarkable instrument and the people who have made, sold, played, and cherished it. A 16-ounce package of polished wood, strings, and air, the violin is perhaps the most affordable, portable, and adaptable instrument ever created. As congenial to reels, ragas, Delta blues, and indie rock as it is to solo Bach and late Beethoven, it has been played standing or sitting, alone or in groups, in bars, churches, concert halls, lumber camps, even concentration camps, by pros and amateurs, adults and children, men and women, at virtually any latitude on any continent. Despite dogged attempts by musicologists worldwide to find its source, the violin’s origins remain maddeningly elusive. The instrument surfaced from nowhere in particular, in a world that Columbus had only recently left behind and Shakespeare had yet to put on paper. By the end of the violin’s first century, people were just discovering its possibilities. But it was already the instrument of choice for some of the greatest music ever composed by the end of its second. By the dawn of its fifth, it was established on five continents as an icon of globalization, modernization, and social mobility, an A-list trophy, and a potential capital gain. In The Violin, David Schoenbaum has combined the stories of its makers, dealers, and players into a global history of the past five centuries. From the earliest days, when violin makers acquired their craft from box makers, to Stradivari and the Golden Age of Cremona; Vuillaume and the Hills, who turned it into a global collectible; and incomparable performers from Paganini and Joachim to Heifetz and Oistrakh, Schoenbaum lays out the business, politics, and art of the world’s most versatile instrument. |
| baillot violin: Mozart's Music of Friends Edward Klorman, 2016-04-21 This study analyzes chamber music from Mozart's time within its highly social salon-performance context. |
| baillot violin: The Violin George Dubourg, 2022-09-16 In George Dubourg's 'The Violin', readers are taken on a lyrical journey through the world of music, specifically focusing on the intricate craftsmanship and history of the violin. Dubourg's prose is both poetic and informative, delving into the technical aspects of violin-making while also exploring the emotional depth that music can evoke. The book is filled with vivid descriptions of different violin models, their unique sounds, and the cultural significance they hold. 'The Violin' is a blend of research-driven writing and evocative storytelling that will appeal to both music enthusiasts and those interested in artistry. Dubourg's attention to detail and passion for the subject shine through in every page, making it a compelling read for anyone interested in the intersection of music and craftsmanship. Readers will come away with a newfound appreciation for the violin and its enduring legacy in the world of music. |
| baillot violin: “The” Quarterly Musical Magazine and Review , 1824 |
| baillot violin: Biographical Dictionary of Musicians James Duff Brown, 1886 |
| baillot violin: Fantasies of Improvisation Dana Gooley, 2018-05-15 The first history of keyboard improvisation in European music in the postclassical and romantic periods, Fantasies of Improvisation: Free Playing in Nineteenth-Century Music documents practices of improvisation on the piano and the organ, with a particular emphasis on free fantasies and other forms of free playing. Case studies of performers such as Abbé Vogler, J. N. Hummel, Ignaz Moscheles, Robert Schumann, Carl Loewe, and Franz Liszt describe in detail the motives, intentions, and musical styles of the nineteenth century's leading improvisers. Grounded in primary sources, the book further discusses the reception and valuation of improvisational performances by colleagues, audiences, and critics, which prompted many keyboardists to stop improvising. Author Dana Gooley argues that amidst the decline of improvisational practices in the first half of the nineteenth century there emerged a strong and influential idea of improvisation as an ideal or perfect performance. This idea, spawned and nourished by romanticism, preserved the aesthetic, social, and ethical values associated with improvisation, calling into question the supposed triumph of the work. |
| baillot violin: The Amadeus Book of the Violin Walter Kolneder, 2023-09-12 THE AMADEUS BOOK OF THE VIOLIN CONSTRUCTION HISTORY AND MUSIC |
| baillot violin: Performing Beethoven Robin Stowell, 1994-09-08 The ten essays in this volume explore different aspects of the performance of instrumental works by Beethoven. Each essay discusses performance issues from Beethoven's time to the present, whether the objective be to realise a performance in an historically appropriate manner, to elucidate the interpretation of Beethoven's music by conductors and performers, to clarify transcriptions by editors or to reconstruct the experience of the listener in various different periods. Four contributions focus on the piano music while another group concentrates on Beethoven's music for strings. These chapters are complemented by an examination of Beethoven's exploitation of the developing wind choir, an evaluation of early twentieth-century recordings as pointers to early nineteenth-century performance practice and an historical survey of rescorings in Beethoven's symphonies. |
| baillot violin: Classical and Romantic Music David Milsom, 2017-07-05 This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy. |
| baillot violin: Performance Practice Roland Jackson, 2013-10-23 Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field. |
| baillot violin: Great Masters of the Violin Boris Schwarz, 1983 |
| baillot violin: A Dictionary of Music and Musicians George Grove, 1879 |
| baillot violin: Bach's Legacy Russell Stinson, 2020-04-27 Johann Sebastian Bach's legacy is undeniably one of the richest in the history of music, with a vast influence on posterity that has only grown since his rediscovery in the early nineteenth century. In this latest addition to his long list of Bach studies, renowned Bach scholar Russell Stinson examines how four of the greatest composers of the nineteenth and twentieth centuries - Felix Mendelssohn, Robert Schumann, Richard Wagner, and Edward Elgar - engaged with Bach's legacy, not only as composers per se, but also as performers, conductors, scholars, critics, and all-around musical ambassadors. Detailed analyses of both musical and epistolary sources shed light on how these later masters heard and received Bach's music within their musical circles, while colorful anecdotes about their Bach reception help humanize them, reconstructing the intimate social circumstances in which they performed and discussed Bach's music. Stinson focuses on Mendelssohn's and Schumann's reception of Bach's organ works, Schumann's encounter with the St. Matthew and St. John Passions, Wagner's musings on the Well-Tempered Clavier, and Elgar's (resoundingly negative) thoughts on Bach as a vocal composer. Engagingly written, copiously annotated, and thoroughly up to date, Bach's Legacy traces the historical afterlife of Bach's music and offers fascinating insights into how these later masters defined it for their audiences and beyond. |
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