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| arrow of god chinua achebe sparknotes: Things Fall Apart Chinua Achebe, 1994-09-01 “A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities. |
| arrow of god chinua achebe sparknotes: No Longer at Ease Chinua Achebe, 1987 Obi Okenkwo, a Nigerian country boy, is determined to make it in the city. Educated in England, he has new, refined tastes which eventually conflict with his good resolutions and lead to his downfall. |
| arrow of god chinua achebe sparknotes: A Man of the People Chinua Achebe, 2013-04-25 As Minister for Culture, the Honourable M. A. Nanga is 'a man of the people', as cynical as he is charming, and a roguish opportunist. At first, the contrast between Nanga and Odili, a former pupil who is visiting the ministry, appears huge. But in the 'eat-and-let-eat' atmosphere, Odili's idealism soon collides with his lusts - and the two men's personal and political tauntings threaten to send their country into chaos. Published, prophetically, just days before Nigeria's first attempted coup in 1966, A Man of the People is an essential part of his body of work dealing with modern African history. |
| arrow of god chinua achebe sparknotes: On the Sacred in African Literature M. Mathuray, 2009-07-23 This innovative book provides an original approach to the analysis of the representation of myth, ritual, and 'magic' in African literature. Emphasizing the ambivalent nature of the sacred, it advances work on the religious dimension of canonical African texts and attends to the persistence of pre-colonial cultures in postcolonial spaces. |
| arrow of god chinua achebe sparknotes: There Was a Country Chinua Achebe, 2012-10-11 From the legendary author of Things Fall Apart—a long-awaited memoir of coming of age in a fragile new nation, and its destruction in a tragic civil war For more than forty years, Chinua Achebe maintained a considered silence on the events of the Nigerian civil war, also known as the Biafran War, of 1967–1970, addressing them only obliquely through his poetry. Decades in the making, There Was a Country is a towering account of one of modern Africa’s most disastrous events, from a writer whose words and courage left an enduring stamp on world literature. A marriage of history and memoir, vivid firsthand observation and decades of research and reflection, There Was a Country is a work whose wisdom and compassion remind us of Chinua Achebe’s place as one of the great literary and moral voices of our age. |
| arrow of god chinua achebe sparknotes: Home and Exile Chinua Achebe, 2000-07-27 Chinua Achebe is Africa's most prominent writer, the author of Things Fall Apart, the best known--and best selling--novel ever to come out of Africa. His fiction and poetry burn with a passionate commitment to political justice, bringing to life not only Africa's troubled encounters with Europe but also the dark side of contemporary African political life. Now, in Home and Exile, Achebe reveals the man behind his powerful work. Here is an extended exploration of the European impact on African culture, viewed through the most vivid experience available to the author--his own life. It is an extended snapshot of a major writer's childhood, illuminating his roots as an artist. Achebe discusses his English education and the relationship between colonial writers and the European literary tradition. He argues that if colonial writers try to imitate and, indeed, go one better than the Empire, they run the danger of undervaluing their homeland and their own people. Achebe contends that to redress the inequities of global oppression, writers must focus on where they come from, insisting that their value systems are as legitimate as any other. Stories are a real source of power in the world, he concludes, and to imitate the literature of another culture is to give that power away. Home and Exile is a moving account of an exceptional life. Achebe reveals the inner workings of the human conscience through the predicament of Africa and his own intellectual life. It is a story of the triumph of mind, told in the words of one of this century's most gifted writers. |
| arrow of god chinua achebe sparknotes: When the Arrow Rebounds Emeka Nwabueze, 1991 |
| arrow of god chinua achebe sparknotes: Chike and the River Chinua Achebe, 2011-08-09 The more Chike saw the ferry-boats the more he wanted to make the trip to Asaba. But where would he get the money? He did not know. Still, he hoped. Eleven-year-old Chike longs to cross the Niger River to the city of Asaba, but he doesn’t have the sixpence he needs to pay for the ferry ride. With the help of his friend S.M.O.G., he embarks on a series of adventures to help him get there. Along the way, he is exposed to a range of new experiences that are both thrilling and terrifying, from eating his first skewer of suya under the shade of a mango tree, to visiting the village magician who promises to double the money in his pocket. Once he finally makes it across the river, Chike realizes that life on the other side is far different from his expectations, and he must find the courage within him to make it home. Chike and the River is a magical tale of boundaries, bravery, and growth, by Chinua Achebe, one of the world’s most beloved and admired storytellers. |
| arrow of god chinua achebe sparknotes: Postcolonial Literature and the Impact of Literacy Neil ten Kortenaar, 2011-06-02 Examining images of literacy in African and West Indian novels, Neil ten Kortenaar looks at how postcolonial authors have thought about the act of writing itself. Writing arrived in many parts of Africa as part of colonization in the twentieth century, and with it a whole world of book-learning and paper-pushing; of school and bureaucracy; newspapers, textbooks and letters; candles, hurricane lamps and electricity; pens, paper, typewriters and printed type; and orthography developed for formerly oral languages. Writing only penetrated many layers of West Indian society in the same era. The range of writers is wide, and includes Chinua Achebe, Wole Soyinka and V. S. Naipaul. The chapters rely on close reading of canonical novels, but discuss general themes and trends in African and Caribbean literature. Ten Kortenaar's sensitive and penetrating treatment of these themes makes this an important contribution to the growing field of postcolonial literary studies. |
| arrow of god chinua achebe sparknotes: Christmas in Biafra, and Other Poems Chinua Achebe, 1973 |
| arrow of god chinua achebe sparknotes: The Flute Chinua Achebe, 1988 A young boy sets out to retrieve his lost flute, and encounters spirits who give him a magical pot. |
| arrow of god chinua achebe sparknotes: Foreign Gods, Inc. Okey Ndibe, 2014-01-14 From a disciple of the late Chinua Achebe comes a masterful and universally acclaimed novel that is at once a taut, literary thriller and an indictment of greed’s power to subsume all things, including the sacred. Foreign Gods, Inc., tells the story of Ike, a New York-based Nigerian cab driver who sets out to steal the statue of an ancient war deity from his home village and sell it to a New York gallery. Ike's plan is fueled by desperation. Despite a degree in economics from a major American college, his strong accent has barred him from the corporate world. Forced to eke out a living as a cab driver, he is unable to manage the emotional and material needs of a temperamental African American bride and a widowed mother demanding financial support. When he turns to gambling, his mounting losses compound his woes. And so he travels back to Nigeria to steal the statue, where he has to deal with old friends, family, and a mounting conflict between those in the village who worship the deity, and those who practice Christianity. A meditation on the dreams, promises and frustrations of the immigrant life in America; the nature and impact of religious conflicts; an examination of the ways in which modern culture creates or heightens infatuation with the exotic, including the desire to own strange objects and hanker after ineffable illusions; and an exploration of the shifting nature of memory, Foreign Gods is a brilliant work of fiction that illuminates our globally interconnected world like no other. |
| arrow of god chinua achebe sparknotes: Approaches to the African Novel Charles E. Nnolim, 2010 This Third Edition of Approaches to the African Novel is a child of necessity. Because of the unfortunate death of the publisher of Saros International who issued the First Edition and high demand this third, enlarged edition has become imperative. Three new essays (all previously published) are added, two expectedly on Achebe (the father of the African novel) and one on Mongp Betiís Mission to Kala which was partially anthologised in Contemporary Literary Criticism (Volume 27, 1984). Achebeís Things Fall Apart as an Igbo national epic has evoked a spate of reactions from critics of African literature especially the troika Chinweizu et al. in Toward the Decolonization of African Literature. It was also anthologised in Modern Black Literature edited by S. Okechukwu Menu (1971). The essay on Arrow of God whose structure and meaning has been largely avoided by other critics is included here for further airing. For gender balance, as the previous volume contained no essays on women writers, an essay on Flora Nwapa has been added. Since the novels discussed in this volume exclusively are on the African literature south of the Sahara, the last essay on Peter Abrahams comes in to round out this collection of essays with a study of a south African writer, for geographical balance. |
| arrow of god chinua achebe sparknotes: The Education of a British-Protected Child Chinua Achebe, 2009-10-06 Achebe’s first new book in more than twenty years — a new collection of autobiographical essays from the world-renowned author of Things Fall Apart. Chinua Achebe’s characteristically measured and subtle voice is ever-present in these seventeen, beautifully nuanced pieces. The Education of a British-Protected Child offers a vivid portrait of growing up in colonial Nigeria. Achebe recalls both his happy memories of reading novels in secondary school and the harsher truths of imperial rule. In “African-American Visitations,” he allows us to witness the terrifying nature of the African diaspora and what it means not to know “from whence he came.” Politics and history figure in “What is Nigeria to Me?,” “Africa’s Tarnished Name,” and “Politics of the Politicians of Language.” And Achebe’s extraordinary family comes into view in “My Dad and Me” and “My Daughters.” Charmingly personal, intellectually disciplined, and immensely wise, The Education of a British-Protected Child is an indispensable addition to the remarkable Achebe oeuvre. |
| arrow of god chinua achebe sparknotes: Collected Poems Chinua Achebe, 2009-01-16 A collection of poetry spanning the full range of the African-born author's acclaimed career has been updated to include seven never-before-published works, as well as much of his early poetry that explores such themes as the African consciousness, the tragedy of Biafra, and the mysteries of human relationships. |
| arrow of god chinua achebe sparknotes: Emerging Perspectives on Chinua Achebe Ernest Emenyo̲nu, Iniobong I. Uko, 2004 Chinua Achebe's influence on contemporary African literature is as much in evidence in his art of the novel as his theory of African literature and literary criticism. ISINKA (Igbo term for artistic purpose') establishes Achebe's legacy as a literary theorist and critic. In these essays scholars from around the globe assess and establish how much Achebe's extra-fictional ideas about African literature and literature in general are justified in his own creative works.' |
| arrow of god chinua achebe sparknotes: Collected Poems Chinua Achebe, 2005 Chinua Achebe's poetic output is gathered together in this volume by arguably the most influential African writer of the 20th century. |
| arrow of god chinua achebe sparknotes: Achebe and Friends at Umuahia Terri Ochiagha, 2018-04-20 WINNER OF THE ASAUK FAGE & OLIVER PRIZE 2016 The author meticulously contextualises the experiences of Achebe and his peers as students at Government College Umuahia and argues for a re-assessment of this influential group of Nigerian writers in relation to the literary culture fostered by the school and its tutors. Maps the literary awakening of the young intellectuals who became known as Nigeria's first-generation of postcolonial writers: Chinua Achebe, Elechi Amadi, Chike Momah, Christopher Okigbo, Chukwuemeka Ike, Gabriel Okara, Ken Saro-Wiwa and I.C. Aniebo. The author provides fresh perspectives on Postcolonial and World literary processes, colonial education in British Africa, literary representations of colonialism and Chinua Achebe's seminal position in African literature. She demonstrates how each of the writers used this very particular education to shape their own visions of the world and examines the implications for African literature as a whole. Supplementary material is available online of some of the original sources. See: http://boybrew.co/9781847011091_2 Terri Ochiagha is a Teaching Fellow in the History of Modern Africa at King's College, London and a Honorary Research Fellowat the Department of African Studies and Anthropology at the University of Birmingham. She was previously a British Academy Newton Fellow at the University of Sussex. |
| arrow of god chinua achebe sparknotes: A Question of Power Bessie Head, 2017-03-06 In this fast-paced, semi-autobiographical novel, Head exposes the complicated life of Elizabeth, whose reality is intermingled with nightmarish dreams and hallucinations. Like the author, Elizabeth was conceived out-of-wedlock; her mother was white and her father black—a union outlawed in apartheid South Africa. Elizabeth eventually leaves with her young son to live in Botswana, a country less oppressed by colonial domination, where she finds stability for herself and her son by working on an experimental farm. As readers grow to know Elizabeth, they experience the inner chaos that threatens her stability, and her constant struggle to emerge from the torment of her dreams. There she is plagued by two men, Sello and Dan, who represent complex notions of politics, sex, religion, individuality, and the blurred line between good and evil. Elizabeth’s troubling but amazing roller-coaster ride ends in an unfettered discovery. |
| arrow of god chinua achebe sparknotes: Colonial and Postcolonial Discourse in the Novels of Yŏm Sang-sŏp, Chinua Achebe, and Salman Rushdie Sun-sik Kim, 2004 This book discusses the psychological topography of Korean, Nigerian, and Indian people by exploring the counter-colonial discourse through the study of works by three writers - Yom Sang-Sop, Chinua Achebe and Salman Rushdie - counter-colonial discourse in the works of these three writers strikes back at powerful colonial discourses, Soonsik Kim successfully brings out the Third World «voice» against the colonial legacy of the West and gives readers a taste of being «the Other». This book marks a significant transition in the critical attention of Third World discourse from mere projection to subjective viewpoint. |
| arrow of god chinua achebe sparknotes: The Rise of the African Novel Mukoma Wa Ngugi, 2018-03-27 Engaging questions of language, identity, and reception to restore South African and diaspora writing to the African literary tradition |
| arrow of god chinua achebe sparknotes: How the Leopard Got His Claws Chinua Achebe, 2019-10-22 “In this powerful illustrated fable for older picture book readers, Achebe, the celebrated Nigerian writer, offers a parable about how power corrupts.” — The New York Times Book Review In the beginning, all the animals lived as friends. Their leopard king was strong but gentle and wise. Only Dog had sharp teeth and lived as an outsider before attacking the leopard and taking over as king — until the angry leopard returned to regain his throne by force with his own threatening new claws. In a riveting fable for young readers about the potency and dangers of power taken by force, Nigerian writer Chinua Achebe, author of Things Fall Apart, evokes his frequent themes of liberation and justice. Glowing with vibrant color, Mary GrandPré’s expressive and action-filled paintings bring the unforgettable tale to dramatic life. |
| arrow of god chinua achebe sparknotes: Critical Perspectives on Chinua Achebe Catherine Lynette Innes, Bernth Lindfors, 1978 |
| arrow of god chinua achebe sparknotes: African Oral Literature Isidore Okpewho, 1992-09-22 . . . its pages come alive with wonderful illustrative material coupled with sensitve and insightful commentary. —Reviews in Anthropology . . . the scope, breadth, and lucidity of this excellent study confirm that Okpewho is undoubtedly the most important authority writing on African oral literature right now . . . —Research in African Literatures Truly a tour de force of individual scholarship . . . —World Literature Today . . . excellent . . . —African Affairs . . . a thorough synthesis of the main issues of oral literature criticism, as well as a grounding in experienced fieldwork, a wide-ranging theoretical base, and a clarity of argument rare among academics. —Multicultural Review This is a breathtakingly ambitious project . . . —Harold Scheub . . . a definitive accounting of the evidence of living oral traditions in Africa today. Professor Okpewho's authority as an expert in this important new field is unrivaled. —Gregory Nagy Isidore Okpewho's African Oral Literature is a marvelous piece of scholarship and wide-ranging research. It presents the most comprehensive survey of the field of oral literature in Africa. —Emmanuel Obiechina . . . a tour de force of scholarship in which Okpewho casts his net across the African continent, searching for its verbal forms through voluminous recent writings and presents African oral literature in a new voice, proclaiming the literariness of African folklore. —Dan Ben-Amos This is an outstanding book by a scholar whose work has already influenced how African literature should be conceived. . . . Professor Okpewho is a scholar with a special talent to nurture scholarship in others. After this work, African literature will never be the same. —Mazisi Kunene Isidore Okpewho, for many years Professor of English at the University of Ibadan, is one of the handful of African scholars who has facilitated the growth of African oral literature to its status today as a literary enterprise concerned with the artistic foundations of human culture. This comprehensive critical work firmly establishes oral literature as a landmark of high artistic achievement and situates it within the broader framework of contemporary African culture. |
| arrow of god chinua achebe sparknotes: Mafia Life Federico Varese, 2018 Today, mafias operate across the globe, with hundreds of thousands of members and billions of dollars in revenue. From Hong Kong to New York, these vast organizations spread their tentacles into politics, finance and everyday life. Criminologist Federico Varese draws on a lifetime's research to give us access to some of the world's most secretive societies. Mixing reportage with case studies and historical insights, this is the story of mafia as it really is: filled with boredom and drama, death and disaster, ambition and betrayal. |
| arrow of god chinua achebe sparknotes: The Heinemann Book of Contemporary African Short Stories Chinua Achebe, Catherine Lynette Innes, 1992 A collection of 20 stories written between 1980-1991 which deal with themes relevant to various regions of Africa. |
| arrow of god chinua achebe sparknotes: Deeper Into the Night Dul Johnson, 2014 |
| arrow of god chinua achebe sparknotes: Morning Yet on Creation Day Chinua Achebe, 1977 |
| arrow of god chinua achebe sparknotes: Things Fall Apart SparkNotes Literature Guide SparkNotes, Chinua Achebe, 2014-01-30 When an essay is due and dreaded exams loom, here's the lit-crit help students need to succeed! SparkNotes Literature Guides make studying smarter, better, and faster. They provide chapter-by-chapter analysis, explanations of key themes, motifs and symbols, a review quiz, and essay topics. Lively and accessible, SparkNotes is perfect for late-night studying and paper writing.--Amazon.com |
| arrow of god chinua achebe sparknotes: Black Literature and Literary Theory Henry Louis Gates, Jr, 2016-08-19 The imaginative literature of African and Afro-American authors writing in Western languages has long been seen as standing outside the Western literary canon. In fact, however, black literature not only has a complex formal relation to that canon, but tends to revise and reflect Western rhetorical strategies even more than it echoes black vernacular literary forms. This book, first published in 1984, is divided into two sections, thus clarifying the nature of black literary theory on the one hand, and the features of black literary practice on the other. Rather than merely applying contemporary Western theory to black literature, these critics instead challenge and redefine the theory in order to make fresh, stimulating comments not only on black criticism and literature but also on the general state of criticism today. |
| arrow of god chinua achebe sparknotes: Using Foucault's Methods Gavin Kendall, Gary Wickham, 1999-02-08 `As a companion to Foucault's original texts, carefully showing what he's done and why - and how that could be applied elsewhere - it's outstanding' - www.theory.org.uk `Very much a `hands-on' tool kit of a book, scholarly but accessible.... a very useful textbook which approaches its subject in an original way' - Sociological Research Online `At last, a student-friendly guide that answers the question: Yes, but how do you do Foucault? Kendall and Wickham address the thorny question of how-to-Foucault in a clear, distinctive manner that stands out in the secondary literature on this important thinker' - Toby Miller, New York University Thi |
| arrow of god chinua achebe sparknotes: Chinua Achebe Toyin Falola, 2024-10-17 An imaginative, narratological reading of Chinua Achebe's novels, stories, poetry, and essays through a literary and historical framework. Toyin Falola analyzes fictional and historical cartographies of Africa in Achebe's literary works to offer a critical representation of Africa's present and future. In particular, he focuses on the historical valuation of a full range of the writer's works – novels including Things Fall Apart, but also short stories, poems, and essays – as important materials that have contributed to the political events in Nigeria and, by extension, Africa. The raw creativity found in Achebe's stories and his ability to tell the Nigerian story – precolonial, colonial, and postcolonial – have endeared him to many, including readers and those critical of him and his works. Chinua Achebe: Narrating Africa in Fictions and History analyzes all of the writer's works, dwelling on the Nigerian political context upon which many, if not all, of his narratives lie. As a result, it examines methodologies of narration and ideologies that allow his works to resonate with the imagination of Africa. |
| arrow of god chinua achebe sparknotes: God's Children Are Little Broken Things Arinze Ifeakandu, 2023-05-25 'Although he writes about queer lives and loves in Nigeria, Arinze Ifeakandu's voice is sensually alert to the human and universal in every situation. These quietly transgressive stories are the work of a brilliant new talent' DAMON GALGUT, Booker Prize-winning author of The Promise 'Contemporary love stories with moments of real surprise and revelation' BRANDON TAYLOR, author of Real Life 'Gorgeous... A hugely impressive collection, full of subtlety, wisdom and heart' SARAH WATERS, author of Fingersmith 'Captures the tenderness and tumult of queer love, familial love, self-love, and the many ways love elates and eludes us.... Masterful. What a glorious collection!' DEESHA PHILYAW, author of The Secret Lives of Church Ladies 'Magic in motion... A staggering, heartshattering show' ELOGHOSA OSUNDE, author of Vagabonds! 'Raw tender grace... A serious literary talent has emerged' COLM TÓIBÍN, author of The Magician 'Quite simply a tour de force' SARAH HALL, author of Burntcoat In this stunning debut from one of Nigeria's most promising young writers, the stakes of love meet a society in flux A man revisits the university campus where he lost his first love, aware now of what he couldn't understand then. A daughter returns home to Lagos after the death of her father, where she must face her past - and future -relationship with his longtime partner. A young musician rises to fame at the risk of losing himself and the man who loves him. Generations collide, families break and are remade, languages and cultures intertwine, and lovers find their ways to futures; from childhood through adulthood; on university campuses, city centres, and neighbourhoods where church bells mingle with the morning call to prayer. These nine stories of queer male intimacy brim with simmering secrecy, ecstasy, loneliness and love in their depictions of what it means to be gay in contemporary Nigeria. |
| arrow of god chinua achebe sparknotes: The Billionaire Raj James Crabtree, 2019-07-02 A colorful and revealing portrait of the rise of India’s new billionaire class in a radically unequal society India is the world’s largest democracy, with more than one billion people and an economy expanding faster than China’s. But the rewards of this growth have been far from evenly shared, and the country’s top 1% now own nearly 60% of its wealth. In megacities like Mumbai, where half the population live in slums, the extraordinary riches of India’s new dynasties echo the Vanderbilts and Rockefellers of America's Gilded Age, funneling profits from huge conglomerates into lifestyles of conspicuous consumption. James Crabtree’s The Billionaire Raj takes readers on a personal journey to meet these reclusive billionaires, fugitive tycoons, and shadowy political power brokers. From the sky terrace of the world’s most expensive home to impoverished villages and mass political rallies, Crabtree dramatizes the battle between crony capitalists and economic reformers, revealing a tense struggle between equality and privilege playing out against a combustible backdrop of aspiration, class, and caste. The Billionaire Raj is a vivid account of a divided society on the cusp of transformation—and a struggle that will shape not just India’s future, but the world’s. |
| arrow of god chinua achebe sparknotes: Conversations with Chinua Achebe Chinua Achebe, 1997 Chinua Achebe's books are being read throughout the English-speaking world. They have been translated into more than fifty languages. His publishers estimate that more than eight million copies of his first novel Things Fall Apart (1958) have been sold. As a consequence, he is the best known and most widely studied African author. His distinguished books of fiction and nonfiction include No Longer at Ease, Arrow of God, Morning Yet on Creation Day, Christmas in Biafra, and others. Achebe often has been called the inventor of the African novel. Although he modestly denies the title, it is true that modern African literature would not have flowered so rapidly and spectacularly had he not led the way by telling Africa's story from a distinctively African point of view. Many other Africans have been inspired to write novels by his example. The interviews collected here span more than thirty years of Achebe's writing career. The earliest was recorded in 1962, the latest in 1995. Together they offer a representative sample of what he has said to interviewers for newspapers, journals, and books in many different countries. Through his own statements we can see Achebe as a man of letters, a man of ideas, a man of words. As these interviews show, Achebe is an impressive speaker and gifted conversationalist who expresses his ideas in language that is simple yet pungent, moderate yet peppered with colorful images and illustrations. It is this talent for deep and meaningful communication, this intimate way with words, that makes his interviews a delight to read. He has a facility for penetrating to the essence of a question and framing a response that addresses the concerns of the questioner and sometimes goes beyond those concerns to matters of general interest. People, he says, are expecting from literature serious comment on their lives. They are not expecting frivolity. They are expecting literature to say something important to help them in their struggle with life. This is what literature, what art, is supposed to do: to give us a second handle on reality so that when it becomes necessary to do so, we can turn to art and find a way out. So it is a serious matter. |
| arrow of god chinua achebe sparknotes: Girls at War Chinua Achebe, 2012-02-22 Twelve stories by the internationally renowned novelist which recreate with energy and authenticity the major social and political issues that confront contemporary Africans on a daily basis. |
| arrow of god chinua achebe sparknotes: Another Africa Chinua Achebe, 1998 Two great talents have joined together to create a unique d gorgeous book that fuses photographs, poetry, and text to create a view of present-day Africa that moves beyond the stereotypes commonly held by most Westerners. There are no shots of beautiful sand dunes and tropical savannas where herds of wildlife roam. Instead, this work peels away myths to explore the complexity, diversity, and human dimensions of a place called Africa -- one that celebrates the commonplace and exotic simultaneously. The ninety full-color photographs are highly subjective, a personal investigation that reflects the sensibilities, formal concerns, and the ongoing engagement of the photographer Robert Lyons. With the brilliant Chinua Achebe, a Nigerian, contributing his never-before-published poems and an essay, the book takes on another dimension. He presents a concise view of Africa today, including the individual and political issues facing its countries. His poems and his essay, written specifically for this book, deal with Africa on its own terms -- from within.This beautifully produced book with text by a magical writer -- one of the greatest of the twentieth century (Margaret Atwood) will be irresistible to anyone interested in Africa. |
| arrow of god chinua achebe sparknotes: Chinua Achebe Ezenwa-Ohaeto, 1997-10-22 Nigerian writer Chinua Achebe's THINGS FALL APART is the most widely read African novel. Since its publication in 1958, it has become a classic, often compared to Greek and Shakespearean tragedies. Ezenwo-Ohaeto's biography is the first comprehensive account of this major writer's life to date--and places Achebe's life and work in the context of African history. 25 photos. |
| arrow of god chinua achebe sparknotes: The Big Heart Mulk Raj Anand, 1945 |
| arrow of god chinua achebe sparknotes: The African Harold Courlander, 1969 |
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Innovation isn’t powered by machinery. It’s powered by people. Together, we think bigger. We listen and learn. We explore and solve. Find the jobs at Arrow in sales, information technology, …
United States, Canada & Latin America Careers - Arrow Electronics
Discover all our job opportunities in the United States, Canada & Latin America. Browse and apply for the jobs at Arrow Electronics in United States, Canada & Latin America.
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Supercharge your business with Arrow. Educate. Train. Finance. Scale. Accelerate. There are many ways growth can take shape. Arrow is a leading technology distributor at the forefront of …
Liderando la innovación en el canal TI | Arrow ECS España
Arrow es el distribuidor de tecnología líder a la vanguardia de los avances en la nube y la IA. Estamos aquí para ayudarle a hacer crecer su negocio con todo lo que necesite. ¿Quiere …
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