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| baburnama original manuscript: The Baburnama W.M. Thackston, Jr., 2007-12-18 Both an official chronicle and the highly personal memoir of the emperor Babur (1483–1530), The Baburnama presents a vivid and extraordinarily detailed picture of life in Afghanistan, Pakistan, and India during the late-fifteenth and early-sixteenth centuries. Babur’s honest and intimate chronicle is the first autobiography in Islamic literature, written at a time when there was no historical precedent for a personal narrative—now in a sparkling new translation by Islamic scholar Wheeler Thackston. This Modern Library Paperback Classics edition includes notes, indices, maps, and illustrations. From the Trade Paperback edition. |
| baburnama original manuscript: The Bābur-nāma in English (Memoirs of Bābur) Emperor of Hindustan Babur, 2022-08-15 DigiCat Publishing presents to you this special edition of The Bābur-nāma in English (Memoirs of Bābur) by Emperor of Hindustan Babur. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature. |
| baburnama original manuscript: The Illustrated Baburnama Som Prakash Verma, 2016-02-12 This book presents the Persian Baburnama, a key primary source and the earliest record of Babur’s memoirs. The authoritative translation uses paintings from the original work and draws on contemporary texts of the period to delve into the history of the legendary Mughal ruler. It provides a fresh treatment to the source material and highlights vivid accounts of the historical events of the time. The paintings are divided thematically, offering a unique and rare perspective into the Mughal world. Accompanied by a detailed Introduction, the volume also touches upon narrative art and analyses the influence of European Renaissance art on Mughal painting. With over 150 Mughal paintings and illustrations in colour, this volume will be an important sourcebook for scholars and researchers of Medieval Indian, especially Mughal, history, and art historians, as well as connoisseurs of art and the general reader. |
| baburnama original manuscript: Handbook of Autobiography / Autofiction Martina Wagner-Egelhaaf, 2019-01-29 Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers. |
| baburnama original manuscript: The Baburnama Babur (Emperor of Hindustan), 2013 |
| baburnama original manuscript: Shahnameh Firdawsī, 2006 A new translation of the late-tenth-century Persian epic follows its story of pre-Islamic Iran's mythic time of Creation through the seventh-century Arab invasion, tracing ancient Persia's incorporation into an expanding Islamic empire. 15,000 first printing. |
| baburnama original manuscript: OCR GCSE History SHP: The Mughal Empire 1526-1707 Michael Riley, Jamie Byrom, 2018-01-08 Exam board: OCR Level: GCSE Subject: History First teaching: September 2016 First exams: Summer 2018 Let SHP successfully steer you through the new specification with an exciting, enquiry-based series that invigorates teaching and learning; combining best practice principles and worthwhile tasks to develop students' high-level historical knowledge and skills. - Tackle unfamiliar topics from the broadened curriculum with confidence: the engaging, accessible text covers the content you need for teacher-led lessons and independent study - Ease the transition to GCSE: step-by-step enquiries inspired by best practice in KS3 help to simplify lesson planning and ensure continuous progression within and across units - Build the knowledge and understanding students need to succeed: the scaffolded three-part task structure enables students to record, reflect on and review their learning - Boost student performance across the board: suitably challenging tasks encourage high achievers to excel at GCSE while clear explanations make key concepts accessible to all - Rediscover your enthusiasm for source work: a range of purposeful, intriguing visual and written source material is embedded at the heart of each investigation to enhance understanding - Develop students' sense of period: the visually stimulating text design uses memorable case studies, diagrams, infographics and contemporary photos to bring fascinating events and people to life |
| baburnama original manuscript: Islamic Gardens and Landscapes D. Fairchild Ruggles, 2011-12-30 Western admirers have long seen the Islamic garden as an earthly reflection of the paradise said to await the faithful. However, such simplification, Ruggles contends, denies the sophistication and diversity of the art form. Islamic Gardens and Landscapes immerses the reader in the world of the architects of the great gardens of the Islamic world, from medieval Morocco to contemporary India. Just as Islamic culture is historically dense, sophisticated, and complex, so too is the history of its built landscapes. Islamic gardens began from the practical need to organize the surrounding space of human civilization, tame nature, enhance the earth's yield, and create a legible map on which to distribute natural resources. Ruggles follows the evolution of these early farming efforts to their aristocratic apex in famous formal gardens of the Alhambra in Spain and the Taj Mahal in Agra. Whether in a humble city home or a royal courtyard, the garden has several defining characteristics, which Ruggles discusses. Most notable is an enclosed space divided into four equal parts surrounding a central design element. The traditional Islamic garden is inwardly focused, usually surrounded by buildings or in the form of a courtyard. Water provides a counterpoint to the portioned green sections. Ranging across poetry, court documents, agronomy manuals, and early garden representations, and richly illustrated with pictures and site plans, Islamic Gardens and Landscapes is a book of impressive scope sure to interest scholars and enthusiasts alike. |
| baburnama original manuscript: The Garden of the Eight Paradises Stephen Dale, 2004-03-01 This the first critical biography of Zahīr al-Dīn Muhammad Bābur, the founder of one of the great premodern Islamic empires, the Timurid-Mughul empire of India. It contains an original evaluation of his life and writings as well as fresh insights into both the nature of empire building and the character of the Timurid-Mughul state. Based upon recently published critical editions of Bābur's autobiography and poetry, the book examines Bābur's life from the time he inherited his father's authority in the Ferghanah valley, east of Samarqand, in 1494, until his death in Agra, India in 1530. The book is written in an alternating series of thematic and narrative chapters. The thematic or analytical chapters examine his major writings, discuss his cultural personality and his reaction to Indian culture, while the narrative chapters relate the story of his life while critically commenting on his autobiographical intent. The book contributes to the history of the Timurid period, the study of early modern Islamic empires and the nature of autobiographical literature in Islamic and Asian societies. It is illustrated with fifteen colour plates and four maps. |
| baburnama original manuscript: Babur Nama: Memories of Babur: V. 1&2 Muhammed Baur Ghazi, 1998-08-01 |
| baburnama original manuscript: The Akbarnāma of Abu-l-Faẓl Abū al-Faz̤l ibn Mubārak, 1899 |
| baburnama original manuscript: The Emperors' Album Stuart Cary Welch, 1987 Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website. |
| baburnama original manuscript: Recent Acquisitions, A Selection: 2012–2014 The Metropolitan Museum of Art, 2014-11-07 Every two years the fall issue of the Met's quarterly Bulletin celebrates notable recent acquisitions and gifts to the collection. Highlights of Recent Acquisitions 2012–2014, which will be published in early November, include the promised gifts of the Leonard A. Lauder Cubist Collection; the lavishly illustrated manuscript known as the Mishneh Torah, by celebrated medieval philosopher Moses Maimonides; paintings by turn-of-the-century Symbolists Ferdinand Hodler and Vilhelm Hammershøi; a superb viola by Jacob Stainer, whose instruments were favored by the Bach and Mozart families; and a magnificent Roman porphyry vessel that is one of the finest to survive from Classical antiquity. This publication also honors the many generous contributions from donors that make possible the continued growth of the Met's collection. |
| baburnama original manuscript: A History of India through 75 Objects Sudeshna Guha, 2022-12-19 With a curation of objects from the prehistoric ages through twenty-first century India, Sudeshna Guha provides a panoramic view of the rich histories of the subcontinent. The incisive essays in this collection detail not just the objects but the histories of their reception: examining how changing times and attitudes cast their shadow on the ways in which the past is interpreted and narrated. In doing so, A History of India through 75 Objects inspires us to interrogate our own notions of a knowable past and fixed national history. Teeming with thought-provoking insights and surprising anecdotes, the essays instill a sense of wonder about the continuous processes by which histories are constructed. |
| baburnama original manuscript: The Imperial Image Milo Cleveland Beach, 1981 |
| baburnama original manuscript: A History of India Under the Two First Sovereigns of the House of Taimur, Báber and Humáyun William Erskine, 1854 |
| baburnama original manuscript: The Ni'matnama Manuscript of the Sultans of Mandu Norah M. Titley, 2004-11-30 There is only one known copy of the Sultan's Book of Delights in existence and it is held in the Oriental and India Office Collections of the British Library (BL. Persian 149). The manuscript is illustrated with fifty elegant miniature paintings, most of which show the Sultan, Ghiyath Shahi, observing the women of his court as they prepare and serve him various dishes. The book is fascinating in that the text documents a remarkable stage in the history of Indian cookery whilst the miniatures demonstrate the influence of imported Persian artists on the style of the Indian artists employed in Ghiyath Shahi's academy.--Jacket. |
| baburnama original manuscript: AARP, Art and Archaeology Research Papers , 1972 |
| baburnama original manuscript: The Princes of the Mughal Empire, 1504–1719 Munis D. Faruqui, 2012-08-27 For more than 200 years, the Mughal emperors ruled supreme in northern India. How was it possible that a Muslim, ethnically Turkish, Persian-speaking dynasty established itself in the Indian subcontinent to become one of the largest and most dynamic empires on earth? In this rigorous new interpretation of the period, Munis D. Faruqui explores Mughal state formation through the pivotal role of the Mughal princes. In a challenge to previous scholarship, the book suggests that far from undermining the foundations of empire, the court intrigues and political backbiting that were features of Mughal political life - and that frequently resulted in rebellions and wars of succession - actually helped spread, deepen and mobilise Mughal power through an empire-wide network of friends and allies. This engaging book, which uses a vast archive of European and Persian sources, takes the reader from the founding of the empire under Babur to its decline in the 1700s. |
| baburnama original manuscript: Babur Aabhas Maldahiyar, 2024-02-19 Babur, the visionary founder of Timurid Empire in Hindustan, had a fair share of early struggle following his father’s tragic demise in AD 1494. Then on, Babur embarked on an unyielding pursuit of power amid treacherous political landscapes, the narrative unveils his moniker, ‘the chessboard king,’ portraying his adept navigation through political intricacies and adversities. From his ascent to rulership in Ferghana amidst familial threats to fleeting victories and losses in Samarkand, the book paints a poignant picture of Babur's journey. It portrays his retreat to tribal lands after relinquishing hopes of reclaiming Ferghana, eventually establishing a mountainous kingdom in Kabul, a pivotal milestone preceding his ambition to expand into Hindustan. Recounting his initial endeavour to penetrate Hindustan in AD 1505, his alliances, and subsequent setbacks after Sultan Husayn Mirza Bayqarah's demise, leaving him as the sole Timurid prince in power, the book opens a window to Babur's failed second attempt to enter Hindustan, encapsulating the initial thirteen to fourteen tumultuous years of his reign, marked by exile, fleeting victories, and delicate alliances. Gripping, anecdotal and deeply researched Babur: The Chessboard King delves into Hindustan's economic landscape during Timurid rule and portrays Babur as a multifaceted ruler, challenging the typical depiction of an infallible conqueror and a good human being. Meticulously sourced from the Persian manuscript of the Baburnama and other primary sources, this book represents a milestone in Babur's biographical genre, essential for comprehending the ambitions of this enigmatic king. |
| baburnama original manuscript: The Lesser-known World of Mughal Emperor Jahangir Som Prakash Verma, 2019-09-02 This volume depicts the life and times of the Mughal emperor Jahangir in the light of his memoirs, Jahangirnama, popularly known as Tuzuk-i Jahangiri. With its fresh treatment of source material and a vivid account of historical events, the book tells the history of Jahangir’s India through his intimate and confessional memoirs incorporated in the genre of Mughal manuscript painting. The work is noteworthy for its historical portraits as well as Jahangir’s visual realism, his remarkable knowledge of natural history, and the perceptive and detailed descriptions of the world around him. Moving away from conventional historical writing, the book is a psychological study of an individual, his innate qualities, behavioural moves and instinctive affinities. Jahangir’s memoirs reveal deeper facets of him as a person as well as a poet, aesthete, connoisseur of painting and a keen observer of nature, both human and that of the natural world. The author also includes other contemporary literature of the period that narrate Jahangir’s life, such as Akbarnama, Ma’asir-i Jahangiri, Iqbalnama-i Jahangiri, Intikhab-i Jahangiri, Tatimma-i Waqi’at-i Jahangiri and Zakhirat-ul Khwanin, as well as Jesuits accounts and travelogues. He further analyses the influence of European Renaissance art on the history of Mughal paintings. A first of its kind, this book will greatly interest scholars and researchers of medieval history, Indian history, Mughal history, art history, popular culture and South Asian studies, as well as the general reader. |
| baburnama original manuscript: The Adventures of Hamza John William Seyller, Wheeler McIntosh Thackston, 2002 |
| baburnama original manuscript: Manuscripta Orientalia , 1997 |
| baburnama original manuscript: Treasures of the National Gallery of Canada National Gallery of Canada. Ottawa, National Gallery of Canada, Musée des beaux-arts du Canada (Ottawa, Ont.)., David Franklin, 2003-01-01 This handsomely produced volume, featuring 128 full-page color illustrations, showcases a wide-ranging selection of the most outstanding works from Canada's largest art museum. Each of the pieces chosen for inclusion is introduced by a curatorial specialist, who sets it in its historical context and comments on its meaning and its place in the artist's oeuvre. Pride of place is given to the Gallery's unparalleled holdings in Canadian art, but European art--paintings, sculptures, prints, and drawings--is equally well represented. Masterworks from the Inuit art collection are also included, as well as examples from the Gallery's small but distinguished Asian collection. In recent decades, photographs have become an increasingly important part of the Gallery's collecting mandate, both through its own collection and that of its affiliate the Canadian Museum of Contemporary Photography, and this emphasis too is amply reflected here. |
| baburnama original manuscript: Vagabond Princess Ruby Lal, 2024-01-01 A captivating biography of one of the world's greatest adventurers, the itinerant Mughal Princess Gulbadan, based on her long-forgotten memoir Longlisted for the 2024 Cundill History Prize Ruby Lal coaxes the remarkable Gulbadan out from the shadows of history.--Sara Wheeler, Wall Street Journal Situated in the early decades of the magnificent Mughal Empire, this first ever biography of Princess Gulbadan offers an enthralling portrait of a charismatic adventurer and unique pictures of the multicultural society in which she lived. Following a migratory childhood that spanned Kabul and north India, Gulbadan spent her middle years in a walled harem established by her nephew Akbar to showcase his authority as the Great Emperor. Gulbadan longed for the exuberant itinerant lifestyle she'd known. With Akbar's blessing, she led an unprecedented sailing and overland voyage and guided harem women on an extended pilgrimage in Arabia. Amid increasing political tensions, the women's un-Islamic behavior forced their return, lengthened by a dramatic shipwreck in the Red Sea. Gulbadan wrote a book upon her return, the only extant work of prose by a woman of the age. A portion of it is missing, either lost to history or redacted by officials who did not want the princess to have her say. Vagabond Princess contemplates the story of the missing pages and breathes new life into a daring historical figure. It offers a portal to a richly complex world, rife with movement and migration, where women's conviviality, adventure, and autonomies shine through. |
| baburnama original manuscript: Domesticity and Power in the Early Mughal World Ruby Lal, 2005-09-22 This 2005 book looks at domestic life and the place of women in the Mughal court of the sixteenth century. |
| baburnama original manuscript: Bábar Stanley Lane-Poole, 1899 |
| baburnama original manuscript: Painting for the Mughal Emperor Susan Stronge, 2002-05 A unique blend of Indian, Persian, and Islamic styles, Mughal painting reached its golden age during the reigns of the emperors Akbar, Jahangir, and Shah Jahan in the 16th and 17th centuries. This gloriously illustrated book is the first to examine the Victoria and Albert Museum's remarkable collection of Mughal paintings, one of the finest in the world. Richly detailed battle scenes, scenes of court life, and lively depictions of the hunt were commissioned by the royal courts, along with a remarkable series of portraits, studies of wildlife, and decorative borders. The authoritative text contains much new research, and the beautifully reproduced color illustrations give this stunning volume wide appeal. |
| baburnama original manuscript: The Oriental Annual, Or, Scenes in India Hobart Caunter, William Daniell, 1836 |
| baburnama original manuscript: The Jahangirnama Jahangir (Emperor of Hindustan), |
| baburnama original manuscript: Timurid Art and Culture Lisa Golombek, Maria Subtelny, 2023-12-28 The nineteen papers collected in this volume were delivered at a symposium held in Toronto, November 1989 in order to discuss the art and culture of Timurid times. The papers cover the last decades of the fourteenth century and the whole of the fifteenth, in an area of western Asia extending roughly from the Euphrates to the Hindu Kush and to the Altai. Among the subjects covered were: 'Discourses of an Imaginary Arts Council in Fifteenth-Century Iran'; 'The Persian Court between Palace and Tent: From Timur to ‘Abbas I'; 'Turkmen Princes and Religious Dignitaries: A Sketch in Group Profiles'; 'Craftsmen and Guild Life in Samarkand'; 'The Baburnama and the Tarikh-i Rashidi: Their Mutual Relationship'; 'Geometric Design in Timurid/Turkmen Architectural Practice: Thoughts on a Recently Discovered Scroll and Its Late Gothic Parallels' and 'Repetition of Compositions in Manuscripts: The Khamsa of Nizami in Leningrad. |
| baburnama original manuscript: Mughal Occidentalism Mika Natif, 2018-08-13 In Mughal Occidentalism, Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir. |
| baburnama original manuscript: Mughal India Jeremiah P. Losty, Dr. Malini Roy, British Library, 2012 At its peak, the Mughal Empire stretched from Kabul in the northwest and covered most of the South Asian subcontinent. Descendants of Timur (Tamerlane), the Mughal emperors ruled over the land from the 16th century through to the late 17th century and are credited with producing some of the most beautiful artefacts and architecture in India. During this period, the rulers encouraged artistry, reformed government and accelerated the development of Indian transport and communications. The Mughals were a Muslim dynasty descended from the famous Mongol ruler Genghis Khan. The dynasty was founded when a ruler from Turkestan, known as Babur, defeated the Sultan of Delhi in 1526 and began to expand his influence. His grandson Akbar further secured the throne and encouraged greater unity between Muslims, Hindus and Christians, while also promoting the arts and education. It was during Akbar's reign that India began its relationship with Britain, a relationship that still exists today and has contributed to both countries immeasurably. The influence of the Mughals began to dwindle in the early 17th century following intolerance between religious groups and numerous rebellions. By the 18th century, large portions of India were under the control of the British. The British Library's Mughal India exhibition is the first to document the entire period, from the 16th to the 19th centuries, through more than 200 exquisite objects. Visitors can see authentic artefacts from the period and gain an insight into the arts and culture of the empire.--Publisher's website. |
| baburnama original manuscript: Akbar the Great Mogul, 1542-1605 Vincent Arthur Smith, 2022-10-26 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| baburnama original manuscript: The Mughals Jeremiah P. Losty, Malini Roy, John Falconer, Ursula Sims-Williams, Muhammad Isa Waley, 2013 A facsimile edition of the much-acclaimed exhibition Mughal India: Art, Culture and Empire, curated by the British Library, London, The Mughals: Life, Art and Culture, brought to Delhi by Roli Books in collaboration with the British Library and IGNCA, showcases an extensive collection of illustrated manuscripts and paintings that depict the splendour and vibrant colour of Mughal life. From scenes of country life, including lively hunting parties and formal portraits of emperors, to illustrating of works of literature which manage to convey complex storylines in a single image, many of these works have never been published. Some of the rare exhibits on display include: Shah Jahan's recipe book, Notebook of Fragrance, an 18th century manuscript Book of Affairs of Love by Rai Anand Ram Muklis, Reminiscences of Imperial Delhi by Sir Thomas Metcafe, illustrated by Mazhar Ali Khan, a route map from Delhi to Qandahar, an earliest India Atlas, a map of Delhi, a riverfront map of Agra, a bird s-eye view of Red Fort Delhi, and some of the extraordinary portraits as well as Mughal miniatures. Introduction Founding of the Mughal Empire The Mughal Emperors Life in Mughal India The Art of Painting Religion Literature Science and Medicine Decline of the Empire List of Exhibits Index |
| baburnama original manuscript: The Ramayana of Hamida Banu Begum John Seyller, 2021-03-09 The inner workings of a Mughal-era painting studio and its interpretation of The Ramayana The influence of the beloved Indian epic poem The Ramayanais global. Translated into Persian from Sanskrit and illustrated with 56 paintings, the manuscript presented here is a remarkable example of its impact. |
| baburnama original manuscript: Roopa-Lekhā , 1980 |
| baburnama original manuscript: The Babur-Nama in English (Memoirs of Babur); Volume 1 Emperor of Hindustan 1483-1530 Babur, Annette Susannah Beveridge, 2018-10-12 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| baburnama original manuscript: Ayodhyā Revisited Kiśora Kuṇāla, 2016 |
| baburnama original manuscript: Eastern Encounters Emily Hannam, 2018 Catalog of an exhibition held at the Queen's Gallery, Buckingham Palace, London, United Kingdom in June 2018. |
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